Gothika Recap

Jamie

Having now watched Gothika, I can’t shake the feeling that I’ve seen this movie. The twist is kind of obvious so maybe that’s what I’m feeling. That I could so distinctly see where the story was going that I ended up concluding that I must have seen it before. Either that or there was a different BMT film so similar in its concept and twist that I ended up mistaking having watched that for Gothika. Yeah, that’s probably it… and yet. Every time I turn around I feel like Gothika was just there… watching me… biding its time. Waiting for the perfect moment. Ready to pop out and make me feel like I’ve seen a different movie… a future movie. It’s a never ending daisy chain of movies that I think I’ve seen because of the spooky-scariness of their generic plots and twists. Eerie.

To recap, Halle Berry is a psychiatrist at a women’s prison for those with psychiatric needs. She’s married to the head of the institution. One night during a storm she ends up almost hitting a girl in the street, but when she gets out to help she finds that that girl is on fire (and a gh-gh-ghost). Suddenly she wakes up to find that she’s confined to the jail because her husband was brutally murdered and literally everything points to her doing it (mostly because she did). Pretty much everyone, including her husband’s best friend Sheriff Ryan, is super pissed at her because what she did was, like… pretty uncool. Or was it? Because this ghost lady keeps coming back and letting her out of her cell and having her witness some guy brutally raping the women in the jail. So this ghost suddenly doesn’t seem so bad. The ghost helps her escape and Halle Berry heads back home where she regains her memory and remembers… committing the murder. Alright, that’s not great. Carefully considering how not great that is, Halle Berry then heads to a previously unmentioned creepy farmhouse that her husband owns to get more answers. I’m sure she won’t find anything unusual there… except maybe a dungeon! And a girl is still down there! She’s like “see, so I get to go free right?” and everyone else is like “what? No. You still murdered someone.” Back at the local jail she suddenly realizes that Sheriff Ryan has far too large a part in the film to just be a Sheriff and that he must have been in on it the whole time and was actually the guy brutally raping the women in jail! Oh no! Eventually Halle Berry subdues him and Halle Berry is set free for some reason and then becomes a ghost detective (only half joking). THE END.

Gothika is bad in a very traditional “We’re trying to make the next Sixth Sense” kind of way. Just misguided twists that end up compounding on each other, across space and time and other movies to the point where I feel like I’ve already watched the film… a movie with an objectively ridiculous plot is like “ho hum, obviously.” I liked the acting and I thought the atmosphere was good, but not much else. One thing that has really been bugging me is the sense that I’m not just recalling a similar movie, but that a specific aspect of the plot of Gothika was used before. So Halle Berry murders her husband, right? No doubt about it, she cuts him up with an ax. And then she’s like “not me, don’t remember.” Later she uncovers the fact that he’s a serial murderer, something she never at any point had knowledge of… and then they let her go. So I can murder someone and cross my fingers and hope they are a serial killer and then I’m all good? But also… I’ve seen this before. This exact same thing. What is it? It’s killing me.

Hot Take Clam Bake! I’ve seen this before. That’s my hot take. That I’ve seen this plot twist before in some procedural TV show or something. Where part way through the plot they realize that the guy killed was a serial killer and then everyone is cool with his murder. It’s not even a hot take. It’s a warm take. Because I’m like 60% sure I’ve seen this before… Right? It’s killing me. Hot Take Temperature: That Girl is on Fire

Patrick?

Patrick

‘Ello everyone! Gothika? More like Gothikan’t! AMIRITE?! It’s a classic for a reason. Let’s go!

There is something about this cycle because these are all films I remember seeing commercials for when I was in high school, and they must have lodged themselves deep in my future-bad-movie brain because Gothika (of all things) has always been on my radar. Partly why we’ve not seen a lot of these is because horror films are spooky scary. If I were to put a comp on this I would go with Stir of Echoes. The kind of grungy, set-piece laden, am-I-going-insane film which I took one look at when I was in my teens and was like NOPE. But now with an adult brain (and a lot of horror films in my past) there is obviously no way I was going to be scared by this.

And yeah, of course I wasn’t. And yeah, what was up with thrillers / horror in this era? Was it a holdover from Silence of the Lambs? Why are so many films from the 1999-2004 time so gross? The aforementioned Stir of Echoes? Gross. This? Gross. Hostel and the Saw films are coming around the corner.

Because yeah, if you didn’t know, this film has a weirdly obvious twist. Obviously, Halle Berry was possessed, and so yeah, she killed her husband, but she was possessed by a ghost at the time. So yeah, people think she’s insane. But ah, of course, obviously it turns out her husband is a horrible serial killing rapist! That makes sense. It also makes sense that he oversees what appears to be an insane asylum from the Batman cartoons. One would guess that is intentional … the film is called Gothika, and Batman is Gothic in general, so yeah they are effectively chilling in a technologically advanced Arkham.

Overall the film is obvious, not scary, and unpleasant stuff. Why Berry thought this and Catwoman made sense as follow-ups to Monster’s Ball is nuts. If not for X-Men, her 2000s would be winning an Oscar for Monster’s Ball and then like seven terrible films. In context it is really amazing she snagged an Oscar.

Oh yeah, I didn’t like this film though. Gross, boring, not scary. I can see why it got really dire reviews.

An odd Setting as a Character (Where?) for Connecticut, which I do specifically seem to recall being noted in the film. Really bad Worst Twist (How?) for the reveal that yeah she killed Charles Dutton, and she hopes he burns in hell. The film is Bad, too boring to be an interesting BMT.

Read about my new book series based on the Gothika property in the Quiz. Cheerios,

The Sklogs