Hall of Fame Speech #26: White Chicks

Brief note before we start: This year we got together our sixth (!) class to be inducted into the Smaddies Baddies BMT Hall of Fame. As is typical there will be films we watched five years ago which maybe deserve to be considered the merde de la merde of BMT delight. The previews and speeches will be released leading up to the ninth (eleventh?) Smaddies Baddies for the five films ultimately chosen. Some might say the purpose of watching all genres and sizes of movie is to find another Here On Earth, the perfect BMT film. Well guess what Here on Earth isn’t? A monster film. They look like monsters! Enjoy!

Hall of Fame Induction Speech for White Chicks

There are some moments within BMT whereby a film’s legacy is cemented for all of time. Perhaps Billy Zane randomly mentions that he really wants to go to fashion week. Perhaps a martian zombie screams BANANAS right into our delighted faces. Perhaps an off screen extra goes “He got a guuuuuuuuuun” in an Al Pacino laugh-a-minute thriller. But on one very rare occasion it wasn’t what someone said … it just is how they were. The Wayans brothers went into the makeup studio to meticulously prepare for their surely-to-be-a-smash-hit comedy, looked the artist directly in the eye and said “We aren’t going for any Oscars today … make us look like monsters.” And that is why White Chicks deserved consideration (although it is more like a coronation) for the BMT Hall of Fame.

It has been five years since we watched the film. We’ve watched many a Wayans productions, but this is still the creme de la creme. But what do I remember?

  • They look like monsters! You can’t stop saying it throughout the film. They look like monsters! That’s the thing. Norbit this ain’t. Despite Norbit being a profoundly disturbing “comedy” it very much deserved its Oscar nomination for the abomination that is Rasputia. This? The makeup is ironic, right? They intentionally look like terrifying monsters … right?
  • Characters within the film have met the two people that the Wayans are replacing and they are like “you know what … nailed it, carbon copy of the two people I remember meeting. Definitely not men dressed up as monster versions of those people.” The film manages to sit right in that sweet spot of irony. They get very close to the idea that they know that the makeup looks absurd, but that it is 100% identical versions of the people they are replacing. In a way it is a very Bad Movie Twins storyline. Does the irony lessen the appeal as a bad movie? Nope, because they look like monsters.
  • I do vaguely remember there being a few good parts of the film, like Terry Crews is quite good. I remember he falls in love with one of the Wayans dressed as a monster … er, I mean as a young lady.
  • I also remember there is also rape storylines and gay panic involved with his character as well, so we have that to look forward to I suppose …

So which do I think is the most important? Throughout BMT you can spot the moments where madmen were given free rein to do as they please. Sandler with Jack and Jill, Murphy with Norbit, Travolta with Battlefield Earth. The moments where the power of their stardom crosses with greedy lunatics, and they go one step too far and create a masterpiece. The film where things will wane for a bit and you’ll think that the fire is dead and then BOOM, Rasputia is intentionally trying to kill a dog, or Jill is getting foot long hot dogs sent to her by Al Pacino. So perhaps that is why we are inducting this film into the Hall of Fame of all the possible Wayans films …

Who am I kidding: THEY LOOK LIKE MONSTERS!

Boom! Much like any shoe-in Hall of Fame candidate it is all about the sound clip, babyyyyyyyyyyyyy. Uh … “Billy Zane just wants to go to fashion week”? That may have single handedly propelled The Roommate into the Hall of Fame, but “They Look Like Monsters” is like that on steroids. We couldn’t stop saying it. They look like monsters! THEY LOOK LIKE MONSTERS! The comedy would wane, and Terry Crews’s character would fart again, and you’d be like “alright maybe I’m tired of this.” And then blam! Monster face. And they reel you back in. Racist characters making me sad? Monster face! Storyline about rape resulting in gay panic? Monster face! Misogynistic harpy wife character? Monster face!! All of these terrible things just wick off of me in the face of monster face. Say it with me now: They look like Monsters!

How did the rewatch go? Fuggedaboutit, they still look like monsters!!

But first, let’s go through some of the things I forgot. I forgot that there is, somehow, a whole storyline involving one of the Wayans getting in and out of monster makeup to woo a reporter (?) who is on vacation in the Hamptons, and just so happens to have broken some story about the bad guys’ money laundering scheme (?) … I literally just totally forgot the B plot! I forgot the dance sequence!! You heard that right, there is a full blown dance sequence in a club. Why? Uh, I honestly don’t know, it seems like it is important to whatever is happening since I think it gets the Wayans into a fashion show (?) after they break dance (?!). And then I forgot there are two other FBI agents who just play a dumb “who would you rather have sex with” game and one of them is Lochlyn Munro.

But besides that I pretty much nailed it. Well … there was only one thing to nail. They look like monsters. While watching the film it becomes a compulsion. The camera will switch to a Wayans in makeup making a weird face and my fingers would unconsciously type THEY LOOK LIKE MONSTERS. I took three pages of notes (for a rewatch!) and a good third of them are just me writing THEY LOOK LIKE MONSTERS over and over. It is a coping mechanism, a way for my brain to reconcile the impossibility of six foot tall monsters in pancake white makeup becoming the bee’s knees of Hamptons high society. And that’s the key. A quintessential Wayan brothers comedy with the They Look Like Monsters meme is an immediate BMT Hall of Fame lock. We knew this was in the Hall of Fame the instant we watched it. I literally called the recap the “White Chicks Hall of Fame Induction Ceremony.” The instant They Look Like Monsters was written into the recap the deal was sealed. Welcome to the Hall of Fame White Chicks. May god have mercy on our souls.

Supercross Recap

Jamie

My god, I didn’t realize that they had already made a biopic about me and Patrick’s lives. Two young gun supercross stars on the rise, one play-it-safe, the other throw-caution-to-the-wind, and both with talent and bravado to spare. Now of course I saw through their thinly veiled supercross symbolism to the bad movie twins metaphor underneath. Because obviously writing these posts each week is a bit like thrashing some sweet jumps on a motorbike (as one says). And just like they showed in the film, ultimately we came out on top (i.e made a website that everyone reads) and got a couple babes along the way. Did Patrick get recruited by a big time website to write safe, lame reviews while a different person got all the credit? Not exactly. Did I, the bad boy of the pair, sign on as an independent bad movie writer and seriously injure myself while protecting Patrick from a rival writer out for blood? Not the case. Did we then team up to win THE BIG RACE and take the bad movie game by storm? Most definitely. So you see, basically the same.

Now if they had asked for our opinions ahead of time they may have not created something so, how should I put this… not a movie… it’s not a movie. Supercross is just a series of images of supercross races glued together with sports film cliche. Were there any good things about it? Well, it certainly had some supercross and, as the Point Break remake proved, some visual dazzle of sports I don’t typically watch can make for some fun. In particular the brothers go one about the dream of winning THE BIG RACE as an independent rider and it’s something I didn’t know anything about, so that was interesting. I also thought the actresses in it were solid. Besides that though, it was clearly made by someone who had no business making a big budget feature (and hasn’t since) and as a result it feels more like a TV movie or straight-to-video fare. I can’t tell if I loved it as a BMT. It definitely had the making for it. But it also feels almost like it qualified for BMT by accident, by some quirk of the release schedule. While I mull that over I’ll give you a drinking game for Supercross:

  • Either of the brothers lose a race (1 drink. In fact the film should be called Race Losers cause they spend almost the entire film losing races both big and small)
  • Channing Tatum looks totally fly (1 drink. Which is always, so whenever he’s on screen)
  • The word “Nami” is uttered (2 drinks. There is only one thing better than a product placement, and that’s a fake product placement)
  • They mention that K.C. is a real safe rule-follower (2 drinks. Rulez are coolz so we at BMTHQ are big time K.C. heads)
  • K.C. breaks the rules! (3 drinks. Rulez are coolz, but sometimes rules are meant to be broken)
  • Tyler Evans tells someone that they’re definitely “going to pay for that” (3 drinks, and no, no one ever really pays for it other than Tyler himself)
  • Papa Johns! (when the boys order Papa Johns, you also order Papa Johns. And no cheating, you have to order exactly what they got)

Been a while since I enjoyed making one of those. Patrick?

Patrick

Hello everyone! Supercross? More like Stupidcross, amirite? What is with short films and bad boys with hearts of gold? Because Trip has a heart of gold out the wazoo in this film! His brother on the other hand loves rules and is just a stickler for them … wait a tic, is this the bad movie twins biography?! I don’t remember being a motocross legend. But perhaps motocross is a metaphor for bad movies … Anyways, on with the ‘pinions!

  • I’m not sure there is anything good about the film. Even the relationships in the film devolve down to frankly saying “yeah women can’t really be motocross stars, be the pit crew for your boyfriend” and “you’re a lawyer? Well you ‘belong’ to your motocross boyfriend just like us honey!” But I liked the two actresses at least.
  • The movie is barely a movie. Literally 80 minutes flat (with credits). That is just screaming “we are desperately trying to hit feature length.”
  • Young Channing Tatum is a dick yo.
  • Tyler Evans, congratulations, you’re in the running for the top 10 biggest BMT villains. Imagine the BMTFI Top 10 Villians and it is just obscure characters like Tyler Evans. He isn’t even a character, he plays himself!
  • Fun fact: Tyler Evans gets beat the F out like three times by the Carlyle bros in motocross and never gets his revenge. He keeps coming over on his bike being like “watch out KC I’m totes going to knock you off your bike next race” and then he never manages to do it! Still a top 10 villain though.
  • Some of the best Product Placement (What?) we’ve ever seen, and not just for motocross itself, but at one point the brothers scream at each other “PAPA JOHN’S!!!!” and then one of them goes on to describe in meticulous detail their pizza order including insisting upon multiple garlic butter sauces.
  • Otherwise it is just a kind of okay Setting as a Character (Where?) film for California. And then … I mean, just look at at this recap! This is definitely a BMT film through and through in my opinion.
  • Oh and the IMDb plot is “Faced with the suspicious death of their father, two brothers must motivate one another to get back on their bikes and take the Las Vegas Motocross Championships by storm.” … Yeah, their father is just dead in the beginning, there is no mention of a suspicious death or anything.

It definitely will have me thinking about it for a few hours. I think if I had my druthers I would pitch Netflix a prequel series called Supercross: Brotherhood. It is about the Carlyles’ father and Earl Cole in their motorcycle gang the Ravens and they are getting in a whole mess of trouble. They do crime as their day job, and then on Saturday they hit the track, and on Monday they hit the gym (broooo). They’re best of buds and that’s confusing because in the movie Earl is like “I kind of remember your father maybe …”, but you build that into the story, like a secret pact to never tell their children. And in the end their father died suspiciously (thus retconning the IMDb plotline into existence!). I’d watch it. Like a worse Sons of Anarchy. Cheerios, and back to you Jamie!

Supercross Quiz

Oh man, so I was the bad boy of motocross (natch) and really wanted to take out this goodie two shoes KC Carlyle, but man, instead I took myself out and sustained a massive concussion. I don’t remember a thing. Do you remember what happened in Supercross?

Pop Quiz Hot Shot!

1) Trip and KC live and breathe motocross. But that isn’t their day jobs, what do they do to make actual money?

2) Trip is in full meltdown mode when KC gets a factory ride with Nami. At a bar he decides to challenge a motorcyclist to a race. What do they race for and who wins?

3) Trip and Piper start to get preeeeeeeeeeetty friendly. And their father’s used to know each other. What deal does Piper’s father offer Trip to get him in the big race?

4) Prior to the big race Trip gets into a big accident while protecting KC from a dirty rider. What injuries does he sustain?

5) Why does KC quit Nami?

Bonus Question: Mid-credit we see the brothers celebrating their huge win in a bar when a shadow approaches. Who shows up and why?

Answers

Supercross Preview

Jamie and Patrick stare wide eyes as they witness Young Jamie and Young Patrick approach the group of kids throwing their comic books to the side. They proceed to let the kids know that this is their turf and to “skedaddle tout de suite, daddio” (as all the kids were saying). For a moment it seems like things might actually turn out OK. “Aw, look, Young Patrick is letting that one kid know that he happens to have something on his shirt,” Jamie says hopefully. But psych! There wasn’t anything on his shirt at all! What a ruse! He quickly runs his finger up the kids shirt and flicks them right in the nose. “Oh no, we’re total dicks!” exclaims Jamie in despair and Patrick watches sadly as Young Jamie and Young Patrick gleefully predator high five in the wake of the fleeing kids. “What are we going to do?” shouts Jamie, grabbing Patrick by the shirt, “that poor child had nothing at all on his shirt! Nothing!” He’s now sobbing uncontrollably as he rends his clothes in anguish. “No wonder we would be mistaken for terrorists,” Jamie says, wiping his nose, “we basically already were terrorists. That poor kid just didn’t want to have anything on his shirt. And what did he get for checking? A finger flick in the nose.” Jamie curls into a ball, ready to die for his sins. “No!” shouts Patrick. “I don’t accept that we are little assholes,” he says resolutely. “B-but what are we going to do?” Jamie sniffles sadly. Patrick looks around and his gaze alights on a couple of rad dirtbikes. “Time to take these kids downtown and show them what it’s like.” With that, Jamie and Patrick hop onto the dirtbikes and zoom down the hill. That’s right! It feels like it’s been a while since we saw a true blue sports film. Enter Supercross, the supercross film that took the country by storm. It gave the people what they wanted: less than 90 minutes of sweet, sweet supercross action. Let’s go!

Supercross (2005) – BMeTric: 46.5; Notability: 23

StreetCreditReport.com – BMeTric: top 13.6%; Notability: top 30.4%; Rotten Tomatoes: top 2.0%; Higher BMeT: Son of the Mask, Alone in the Dark, BloodRayne, The Fog, The Adventures of Sharkboy and Lavagirl 3-D, xXx: State of the Union, Boogeyman, Elektra, Deuce Bigalow: European Gigolo, Bewitched, A Sound of Thunder, Are We There Yet?, The Crow: Wicked Prayer, The Dukes of Hazzard, Stealth, Cursed, Doom, Dirty Love, Miss Congeniality 2: Armed & Fabulous, An American Haunting, and 14 more; Higher Notability: The Island, Fantastic Four, Kingdom of Heaven, Bewitched, Domino, Be Cool, Fun with Dick and Jane, xXx: State of the Union, Memoirs of a Geisha, Chicken Little, The Longest Yard, The Great Raid, Son of the Mask, Miss Congeniality 2: Armed & Fabulous, Stealth, Cursed, The Ring Two, Flightplan, The Dukes of Hazzard, Rumor Has It…, and 56 more; Lower RT: The Crow: Wicked Prayer, Alone in the Dark, BloodRayne, The Fog, Chaos; Notes: Really fun plot, a rare one which was released at the perfect time for the archive to get it all the way from zero votes and when IMDb itself was much less popular as a platform. The RT score is obviously the bit bit of cred here. And we’ve only seen two of the five worse ones, embarrassing for us.

Leonard Maltin – 1.5 stars –  Also known as Supercross the Movie (for those who need things spelled out), this film presents a thin plot about two disparate brothers who are suddenly thrust into the world of hyper-competitive uber-bike championships after the mysterious death of their father. One of the boys is sponsored, which allowed plenty of opportunity to hawk everything from motor oil to tires. Product placement never had it so good. A lame-brained ESPN program passing for a movie.

(Product. Placement. Never. Had. It. So. Good. … That’s a lot to live up to Leonard, you best not be joshing me. And disparate brothers? Uber-bike championships? A mysterious death of a father these disparate brothers loves (oh boy do I hope one of them had a complicated relationship with him!). I’m very very excited.)

Trailer –  https://www.youtube.com/watch?v=z4p16x6zEsc

(Uh … what the hell is this? HOLY SHIT, I’m already in love with this nonsense. Are all of these people like … actual motocross people? I sure hope so, because that would be some hilarious acting.)

DirectorsSteve Boyum – ( Future BMT: Meet the Deedles; BMT: Supercross; Notes: An interesting cross of being a stunt coordinator and then, later, a pretty major television director. He directed eight episodes of Lethal Weapon, and nine of Supernatural among many others. He is, in fact, a motor-cross racer.)

WritersKen Solarz – ( Known For: City of Industry; BMT: Supercross; Notes: Mostly writes for television. Most recently he wrote fourteen episodes of the new Hawaii Five-0. He produces with Wild Child Productions.)

Bart Baker – ( Known For: Live Wire; BMT: Supercross; Notes: He mostly wrote television movies. He also is maybe a writer as a film called Honeymoon with Harry is coming out where he is credited with writing the novel.)

Keith Alan Bernstein – ( BMT: Supercross; Notes: Literally nothing about this person. I bet he is an amateur motor-cross racer who penned a script that was then handed over to screenwriters.)

ActorsSteve Howey – ( Known For: Stuber; Game Over, Man!; DOA: Dead or Alive; Stan Helsing; In Your Eyes; See You in Valhalla; Wrong Cops; Conception; Making Babies; Unleashed; Losing Control; BMT: Something Borrowed; Bride Wars; Supercross; Notes: Was in over one hundred episodes of Shameless, and way back when over a hundred episodes of Reba.)

Mike Vogel – ( Known For: The Help; Cloverfield; Blue Valentine; She’s Out of My League; The Sisterhood of the Traveling Pants; Secret Obsession; Battle of the Sexes; Havoc; The Case for Christ; The Boy; Across the Hall; The Deaths of Ian Stone; McCanick; Caffeine; Open Graves; Jake Squared; Heaven’s Rain; Future BMT: What’s Your Number?; BMT: Fantasy Island; The Texas Chainsaw Massacre; Poseidon; Rumor Has It…; Grind; Supercross; Notes: Y’all know Mike Vogel. Oh, maybe you don’t. He starred in Grind. He’s done a decent number of television shows over the years (like Under the Dome) and still gets bit parts in things (he was a dancer in Battle of the Sexes).)

Sophia Bush – ( Known For: Incredibles 2; Marshall; False Positive; Acts of Violence; Chalet Girl; Hard Luck Love Song; Table for Three; The Narrows; Future BMT: Van Wilder; John Tucker Must Die; The Hitcher; Stay Alive; BMT: Supercross; Notes: Was in over eighty episodes of Chicago P.D. She was briefly married to Chad Michael Murray, and apparently is an avid beekeeper.)

Budget/Gross – $30 million / Domestic: $3,102,550 (Worldwide: $3,344,431)

(Holy cow, that is horrendous. There is no way this cost $30 million. I bet they are piling in all of the sponsorships they got for all this and not really accounting for the fact that 90% of the production was completely paid for before anything was shot. Still horrendous.)

Rotten Tomatoes – 5% (4/74): While it showcases some cool stunts, Supercross feels like an infomercial for its titular sport, with undeveloped characters and a shopworn plot.

(I mean … yeah, that’s what the trailer looks like. I think this used to be more common in the 80s. I feel like there used to be skiing movies that would just be like “skiing is fun … also here are some shootouts on the slopes to keep you entertained, but also look at these vistas.”)

Reviewer Highlight: A brand-encrusted infomercial. – Scott Brown, Entertainment Weekly

Poster – Dirtbike Dudes Deluxe

(This poster is aggressive. I feel like it’s telling me I better like supercross or else I’m pretty much donzo. I love the font and like that they really went for it in the framing. The color scheme is god awful. Look at that white background and rest is basically sepia? Hurting my eyes. C+)

Tagline(s) – Fear nothing. Risk everything. (B)

(Alright, a little generic but I’m picking up what they are putting down. I think if they just added a third part that added a little supercross flair to the whole thing I might have really dug it.)

Keyword(s) – extreme-sport

Top 10: Mid90s (2018), Along Came Polly (2004), Blue Crush (2002), Lords of Dogtown (2005), Whip It (2009), Rad (1986), North Hollywood (2021), Chasing Mavericks (2012), Rollerball (2002), Orange County (2002)

Future BMT: 33.7 Along Came Polly (2004), 7.0 Chasing Mavericks (2012)

BMT: Rollerball (2002), Supercross (2005)

Matches: Rollerball (2002)

(Love it. The plot is a bit lame, but still fun to look at the last (real) one left in Chasing Mavericks. A Gerard Butler film we’ve inexplicably not seen? Yes please.)

Welcome to Earf (HoE Number 19) – The shortest path through The Movie Database cast lists using only BMT films is: Mike Vogel is No. 2 billed in Supercross and No. 3 billed in The Texas Chainsaw Massacre, which also stars Jessica Biel (No. 1 billed) who is in New Year’s Eve (No. 4 billed) which also stars Robert De Niro (No. 1 billed) who is in Righteous Kill (No. 1 billed) which also stars Al Pacino (No. 2 billed) who is in 88 Minutes (No. 1 billed) which also stars Leelee Sobieski (No. 3 billed) who is in Here on Earth (No. 1 billed) => (2 + 3) + (1 + 4) + (1 + 1) + (2 + 1) + (3 + 1) = 19. If we were to watch Blade: Trinity, Murder at 1600, and The Glass House we can get the HoE Number down to 16.

Notes – The “450 Nami” bikes, ridden by K.C and Rowdy, are in fact just dressed up Honda 450’s. (BOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO)

The exterior shots of the Team Nami building are actually the Kawasaki Motorcycle Headquarters formerly located in Irvine, California. They did not, however, have a private test track next to the property.

Alana Austin also starred in the DCOM Motorcrossed.

Meatballs Part II Recap

Jamie

I think the sudden change in format deserves some explanation. For everyone who is reading each entry in the Bad Movie Twins saga with bated breath it should come as no surprise that the film recaps appears to have gone… back in time! Back in time to a shorter, sweeter time in BMT. So it just begs one question…

Are you ready for the summer? Are you ready for the sunshine… [record scratch] Not so fast it’s more like We’ve Been Waiting for the Summer. A film theme song so terrible that there is no evidence of it on the internet. I can’t even find the lyrics to make some joke about it. So a very worthy introduction to Meatballs II, a film that also should have all evidence of it scrubbed from the internet. They then launch you into a plot that is so startlingly similar to Meatballs that you can’t possibly believe it was actually conceived as something other than a sequel to Meatballs (as the director claims). That is until you remember that every camp film basically has the same plot as Meatballs: Loner not interested in participating in camp life? Check. Rival camp of TOTAL JERKS set to compete in some intercamp championship? Check. Loner participates in championship and wins? Check. A vaguely jewish extraterrestrial shows up and everyone turns out to be pretty cool about it? Uh…hold on a second. A series of incredibly homophobic remarks by the rival camp director? Well definitely not that part.

You get the drift. The movie is real bad and real cheap and basically didn’t have anything we like in terms of settings and junk. Honestly the best of the bunch is an unexpected appearance by Donald Gibb a.k.a. Ogre from Revenge of the Nerds who technically was an athlete-turned-actor. Always a treat when Ogre shows up. With that I’m going to play a little game this week called Vocab Quiz where I’ll highlight some of the new terms I learned from those bubblegum poppin’ rad teens/30-somethings of Meatballs II:

  • Pinky – a term for penis that we had to hear over and over and over (and over) again in the film. It’s a term I never want to hear again, thank you very much.
  • Dork – you might think you know what dork means, but you don’t. It’s also a term for a penis! That’s right! I try to learn something new every day and that is certainly something new. Look it up, it’s real.
  • S-E-X – A subject not discussed in polite company, but who’s lack of knowledge will lead a group of young ladies to make a pledge to see a pinky and/or dork by the end of camp.

I’ll spare you the many terms used to insult large swaths of the population. Patrick?

Patrick

Hello everyone! Meatballs Part II? More like Bad Call, Fart Too! Amirite? You’re welcome for me not using something about my balls there by the way. Just like Meatballs this installment has boxing, bad boys with hearts of gold, a military themed summer camp, and a French chef serving dead horses to children … wait a tic, Meatballs didn’t have any of that!! Where’s Rudy the Rabbit you bastards?! Let’s get on with the ‘pinions:

  • To start I’ll just say that this film isn’t a sequel to Meatballs. For sure this was a comedy made on the cheap by writers from Friday the 13th who thought they could do the same thing: write and direct a film in a few days for a million dollars and make a good return.
  • Coach Giddy was a fun character. Understanding, and tricky, and smart. The strong “camp leader” character contrasts nicely with Morty from the original.
  • Bad boys with hearts of gold. I’m not even going to tell you if that is good or bad you decide for yourself.
  • Uh … aliens anyone? This film has aliens. Did no one tell you that? It is a huuuuuuge part of the film. His name is Meathead. He lives in an old outhouse for a while. He wanders around and no one really notices he’s there most of the time. This is real, this is the storyline for the Meatballs sequel.
  • The film ends with the bad boy using his heart of gold (and the alien’s psychic powers) to fly around and beat up Ogre from Revenge of the Nerds while wearing a dress. Hundreds of people witness human levitation, and their biggest takeaway is “Flash wore a dress?!” They seemingly just bounce the next day.
  • Kind of sucks for superlatives. Only really a small Product Placement (What?) for a few shots of old school Mountain Dew here and there. Ultimately mostly a Bad film in the end.
  • Just to note, Leonard Maltin somehow gave this film a better review than Meatballs. WHAT?! But Meatballs is a classic … right? Well, I just had to watch it again and I have to say, it isn’t a very funny movie. The Rudy storyline is interesting but not really comedic, more sad. The only thing going for it is Bill Murray. He’s a tour de force. But he legitimately just has no one to work off of. The film is fun, but I can see Maltin’s point. It is a very weird “comedy”. Like the last third of Stripes. It is amusing, and I love it, but it isn’t really funny.

I’ll just leave you with mentioning that it is kind of weird that Meatballs hasn’t been attempted as a Netflix series. I feel like Wet Hot American Summer shows there is some appetite for funny comedy camp movies. But … I kind of fear it’ll end up being like Meatballs: Camp TikTok or something and totally ruin it.

Cheerios,

The Sklogs

Meatballs Part II Quiz

Oh man, so get this. Everyone else got injured by the eeeeeevil Camp Patton and so I had to fight in the big boxing match. Naturally I got punched in the head a bunch and sustained a massive concussion. Now I can’t remember a thing! Do you remember what happened in Meatballs Part II?

Pop Quiz Hot Shot!

1) Why is Flash the Bash going to Camp Sasquatch? 

2) Why is Flash recruited to the boxing team for the big fight against Camp Patton?

3) Why does the alien (yup, not joking) visit Camp Sasquatch? Where does it hide while it is here?

4) Why is Camp Sasquatch going to lose access to the lake? And how do they try and stop it from happening?

5) After a covert mission to Camp Sasquatch, Flash is captured (oh no!!) and left naked in Camp Patton. What clothing does he end up wearing to the big fight?

Bonus Question: In the mid-credits sequence (which is a bizarre 35 year flash forward) what do we see happens to the camp?

Answers

Meatballs Part II Preview

“So we are in the past,” Jamie says with wonder, thinking back on all the adventures they had in the gardens of the water reclamation plant. Everything was so simple and uncomplicated. Just a couple of scamps running around causing chaos, pretending they were saving the world. Their eyes fill with tears at the memory. Who would have thought that all these years later they actually would be saving the world? And even crazier, that they would find it so boring that they’d risk their lives, risk all time and space, by going back in time on a new adventure they barely understand. They look at each other, the tears now spilling down their cheeks. “We’ve made a terrible mistake, we shouldn’t be here,” Patrick says quietly and Jamie agrees, but before they can head back to the time machine they hear a noise in the clearing down below. Crouching down, they see the younger versions of themselves running through the brush. They are carrying some comic books and arguing over the latest issue. “What was it we used to read?” Jamie asks in a whisper. Patrick smiles at the thought that Jamie could forget their favorite weekly comic series, Bad Movie Thursday. It’s not like they invented watching bad movies. They just turned it into a billion dollar franchise and legions of fans across the world (including Antarctica, duh). Just as Young Jamie and Young Patrick’s argument reaches a crescendo a few more kids come out of the brush and stop dead at the sight of Jamie and Patrick. Jamie and Patrick frown. “I don’t remember these kids, do you?” Jamie asks and Patrick nods slightly, mesmerized and horrified by what he knows comes next. “Yo, you meatballs, what are you doing on our turf,” Young Patrick yells. That’s right! We’re diving in on our short and sweet cycle with the second entry in a beloved series from our youth, Meatballs II. I can’t even tell you how many times I’ve seen Meatballs. I can tell you how many times I’ve seen Meatballs II. That would be zero. Soon to be one. Let’s go!

Meatballs Part II (1984) – BMeTric: 38.5; Notability: 24

StreetCreditReport.com – BMeTric: top 3.6%; Notability: top 10.8%; Rotten Tomatoes: top 0.0%; Higher BMeT: Supergirl, Ghoulies, Rhinestone, The Hills Have Eyes Part II, Bolero, Cannonball Run II, Children of the Corn, Missing in Action, Sheena; Higher Notability: Cannonball Run II, Supergirl, City Heat, Protocol, Mrs. Soffel, Breakin’ 2: Electric Boogaloo, The River, Unfaithfully Yours, Conan the Destroyer, The Woman in Red, Friday the 13th: The Final Chapter, Firstborn, Sheena, American Dreamer, The Ice Pirates, Rhinestone, Reckless, Exterminator 2, C.H.U.D., Maria’s Lovers, and 7 more; Notes: We’ve been doing a lot of research into how to determine if pre-1985 films qualify, and I think really it comes down to if the film had a New York Times film review. Amazingly Meatballs 2 did. And all of those with higher BMeTrics did as well. Phew, we can finally start really watching early 1980s garbage.

Leonard Maltin – 2 stars –  In-name-only sequel throws everything from Jewish aliens from to From Here to Eternity take-off, as the fate of Camp Sasquatch rides on a boxing match against nearby Camp Patton (“Where Outdoor Living Molds Killers”). Slightly better than its predecessor (which isn’t saying much).

(Whaaaaaaaaaa? The original Meatballs is a classic! Wait … I’m starting to get a feeling Leonard Maltin didn’t watch Meatballs 500 times on Comedy Central when they were 10-years-old.)

Trailer – https://www.youtube.com/watch?v=01ILPQLKWsY

(I don’t think there is a real trailer online. Just clips. This is as close as it is going to get. And it looks awful. Interesting to see John Larroquette, who was playing a similar character in the Bill Murray film, Stripes.)

DirectorsKen Wiederhorn – ( Known For: Eyes of a Stranger; Shock Waves; Dark Tower; A House in the Hills; Future BMT: Return of the Living Dead II; BMT: Meatballs Part II; Notes: He directed seven episodes of the, frankly terrible, Nightmare on Elm Street television series. Dropped out of college and started as the mail boy at CBS before working himself up to a film writer and director.)

WritersMartin Kitrosser – ( Known For: Facing the Enemy; Model Behavior; BMT: Friday the 13th: The Final Chapter; Friday the 13th Part III; Friday the 13th: A New Beginning; Meatballs Part II; Notes: I have to imagine that his connection to Friday the 13th was the inspiration for what seemed to have started as a Meatballs knockoff and then became a Meatballs sequel.)

Carol Watson – ( BMT: Friday the 13th: The Final Chapter; Friday the 13th Part III; Meatballs Part II; Notes: Was a staff writer for South Park for at least a bit. Also part of the Friday the 13th writing team clearly, so I imagine her and Kitrosser made the original script.)

Bruce Franklin Singer – ( Known For: The Killing Time; BMT: Meatballs Part II; Notes: Mostly a television writer, including 16 episodes of Subset Beach. I would guess he is the person they hired to rework and punch up the script a bit.)

ActorsRichard Mulligan – ( Known For: The Group; The Undefeated; From the Mixed-Up Files of Mrs. Basil E. Frankweiler; Oliver & Company; Little Big Man; S.O.B.; Love with the Proper Stranger; Teachers; Scavenger Hunt; The Big Bus; Micki + Maude; 40 Pounds of Trouble; One Potato, Two Potato; Doin’ Time; Visit to a Chief’s Son; Future BMT: The Heavenly Kid; Trail of the Pink Panther; A Fine Mess; BMT: Meatballs Part II; Notes: Brother of Robert Mulligan who directed To Kill a Mockingbird. He won an Emmy for Empty Nest, and died in 2000.)

Hamilton Camp – ( Known For: The Little Mermaid; Dick Tracy; Starcrash; Heaven Can Wait; Doctor Dolittle; S.O.B.; Titanic; Eating Raoul; My Cousin Rachel; Bird; Evilspeak; No Small Affair; Under Fire; The Black Shield of Falworth; Nickelodeon; Dark City; All Night Long; Arena; Executive Suite; Kim; Future BMT: Joe Dirt; City Heat; Almost Heroes; All Dogs Go to Heaven 2; The Pebble and the Penguin; Young Doctors in Love; Gordy; BMT: Meatballs Part II; Notes: British, he was evacuated to the US during World War II when he was a child. He died in 2005. He is notable for being relatively short, five foot two inches.)

John Mengatti – ( Known For: Tag: The Assassination Game; Knights of the City; Dead Men Don’t Die; Hadley’s Rebellion; BMT: Meatballs Part II; Notes: Has a pretty solid television career in the early 80s, including 34 episodes of The White Shadow. His career didn’t take off in the 90s, and he stopped acting in the early 2000s.)

Budget/Gross – N/A / Domestic: $5,410,972 (Worldwide: $5,410,972)

(These are the reasons we have to look into some of these films. You can’t make $5 million without being widely released, but there also are often not good numbers for anything prior to 1985. This seems like a bad return though, even for a minor comedy.)

Rotten Tomatoes – 0% (0/2)

(Hard to make a consensus with two reviews. Does this qualify? We think so. The issue can be that some reviews are, for whatever reason, not available. Here it suggests there are at least 4 other publications reported on Meatballs II, but unfortunately none seem to be available online.)

Reviewer Highlight: Pallid writing, awkward acting, familiar situations and tired jokes make the morons, wimps and losers of ”Meatballs Part II” easy to pass up. – Lawrence Van Gelder, New York Times

Poster – Sklogballs II

(I love 80’s posters. The complicated drawings of comedies like the Police Academy films. This one is a little underwhelming. Even the poster artist seemed to realize there was only so much to this film to draw. All that said, still got that 80’s artistry. B.)

Tagline(s) – The insanity continues… (D)

(Ah well, this is not good. Such a lack of creativity when it comes to sequels. Probably because they know that a tagline isn’t hooking anyone who isn’t already hooked by the concept of another Meatballs. Sigh.)

Keyword(s) – summer-camp

Top 10: Lolita (1997), Wonder (2017), The Parent Trap (1998), A Simple Favor (2018), Before Sunrise (1995), Friday the 13th (1980), Addams Family Values (1993), Friday the 13th (2009), Fear Street: Part Two – 1978 (2021), Mask (1985)

Future BMT: 77.9 Daddy Day Camp (2007), 62.8 Agent Cody Banks 2: Destination London (2004), 59.3 Agent Cody Banks (2003), 31.7 It Takes Two (1995), 29.2 The Story of Us (1999), 28.5 Fired Up! (2009), 27.7 Wonder Park (2019), 21.6 Camp Nowhere (1994), 12.8 Heavyweights (1995)

BMT: Friday the 13th (2009), Friday the 13th: The Final Chapter (1984), Jason X (2001), Sleepaway Camp (1983), Friday the 13th Part 2 (1981), Friday the 13th Part VII: The New Blood (1988), Friday the 13th: A New Beginning (1985), Jason Goes to Hell: The Final Friday (1993), Friday the 13th Part VIII: Jason Takes Manhattan (1989), Meatballs Part II (1984)

Matches: The Parent Trap (1998), Friday the 13th (1980), Addams Family Values (1993), Sleepaway Camp (1983), The Burning (1981), Friday the 13th Part 2 (1981), Little Darlings (1980), Rim of the World (2019), The Baby-Sitters Club (1995), Camp Nowhere (1994), Sleepaway Camp II: Unhappy Campers (1988), Ernest Goes to Camp (1987), The Story of Us (1999), Indian Summer (1993), Standing Up (2013), The First Turn-On!! (1983), Cheerleader Camp (1988), Daddy Day Camp (2007), Recess: School’s Out (2001), Gorp (1980), Meatballs Part II (1984), Madman (1981), Care Bears Movie II: A New Generation (1986), Happy Campers (2001), My Little Pony: Equestria Girls – Legend of Everfree (2016), Party Camp (1987), The Rainbow Tribe (2008), Family Plan (1997), Twisted Nightmare (1987), Camp Dread (2014), Camp Takota (2014), Camp (2013), Summerhood (2008), Caesar and Otto’s Summer Camp Massacre (2009), Porkchop (2010), Camp Stories (1996), Camp Harlow (2014), Darkest Hour (2005), Geronimo (1990), Sasquatch (2017)

(My god, we haven’t watched Heavyweights for BMT yet? How dare we. Amazingly this is the last 80s summer camp film we needed to watch for BMT, and yet we have watched basically none of the 90s summer camp films.)

Welcome to Earf (HoE Number 40) – The shortest path through The Movie Database cast lists using only BMT films is: John Larroquette is No. 3 billed in Meatballs Part II and No. 18 billed in The Texas Chainsaw Massacre: The Beginning, which also stars Jordana Brewster (No. 1 billed) who is in Fast & Furious (No. 4 billed) which also stars Vin Diesel (No. 1 billed) who is in Babylon A.D. (No. 1 billed) which also stars Michelle Yeoh (No. 2 billed) who is in Mechanic: Resurrection (No. 4 billed) which also stars Jason Statham (No. 1 billed) who is in In the Name of the King: A Dungeon Siege Tale (No. 1 billed) which also stars Leelee Sobieski (No. 3 billed) who is in Here on Earth (No. 1 billed) => (3 + 18) + (1 + 4) + (1 + 1) + (2 + 4) + (1 + 1) + (3 + 1) = 40. If we were to watch Blind Date, Nights in Rodanthe, and The Glass House we can get the HoE Number down to 17.

Notes – Misty Rowe wore a heavily padded bra in order to play the top heavy Fanny.

The film was never intended as a sequel to Meatballs. When the studio picked it up they changed the name to Meatballs Part II, much to the surprise of director Ken Wiederhorn.

The horror film that the kids watch is Shock Waves (1977), also directed by Ken Wiederhorn.

Cheryl (‘Richards, Kim’) is asked if she comes from another planet (due to her lack of experience with boys). Cheryl replies that she sort of is. Richards played a young alien girl, marooned on earth, in two Disney movies: Escape to Witch Mountain (1975), and Return from Witch Mountain (1978).

Bio-Dome Recap

Jamie

Bud and Doyle are a couple of idiotic slackers who in the process of getting tricked by their environmentalist GFs get trapped in the local Bio-Dome. Rules are rules and they have to stay in the dome for a year. Can they keep their sanity and their GFs while not totally destroying the environment before it’s too late? Find out in… Bio-Dome.

How?! Bud and Doyle are idiots who only care about partying and the ladies. Their girlfriends, Monique and Jen, are not idiots who care about the environment. So they are pissed when Bud and Doyle pull a juvenile prank to get out of Earth Day. To get back at them they trick Bud and Doyle into going to an imaginary party at a polluted lake. On the way back from the “party” they stop at what they think is a mall in order to urinate, only to end up trapped in the Bio-Dome, a year-long experiment in environmental renewal. The scientists in the dome are aghast, but refuse to risk the purity of their experiment and elect to keep Bud and Doyle as agents of chaos. And chaos they do sow. We are immediately treated to a plethora of music video montages of them destroying the environment, killing animals, and flirting with the two babelicious scientists (their words not mine… or maybe it is my words, the film made me stupider by the minute). Eventually they wreak so much havoc that they are sent into the desert where the kind a door to the outside. Once outside, they plan a giant Bio-Dome bash and soon the once pure experiment is teaming with rowdy partiers, much to the disappointment of Monique and Jen. This drives the main scientist, Faulkner, insane, but the rest of the scientists team up with Bud and Doyle to reverse course and save the day before the experiment ends. Montages galore show us just how Bud and Doyle endear themselves to the world as they steadily move the dome back to homeostasis. On the last day they reach 100%, but are shocked to find that Faulkner has stuck around preparing to blow up the dome when the clock strikes zero. Bud and Doyle track down and stop Faulkner, save the dome, and get some sweet smooches from their GFs. THE END.

Why?! Bold question. Things just kind of happen in this movie. I was shocked at how little set-up and how much coincidence goes into getting Bud and Doyle into the dome. Once there though they still have very little motivation other than trying to stave off boredom. It’s only an hour into a very short movie that they finally decide to save what they’ve already destroyed.

Who?! Bill Clinton’s half brother, Roger, shows up as a college professor at one point. Which is very much in line with the vibe of the film. More notably this film was the first on-screen appearance of Tenacious D, who are shown performing at a party. They got the gig through the director Jason Bloom, who attended UCLA with Jack Black.

What?! This has a pretty good fake product placement. The “Bladder Buster” is a giant soft drink, presumably from a 7-11 type store, which prompts Doyle to have to go to the bathroom and leads to them getting trapped. They then are told the company wants them to sponsor the product, Doyle dreams of the drink, and it’s one of the first things they order when they get out. Very involved fake product. As Patrick mentioned, Jif is one of the real products featured along with Pringles and other junk food.

Where?! Solid setting here, as Bud and Doyle (and their GFs) are students at Tucson Junior College. Arizona is all up in here. And makes some sense as an early 90’s closed ecological system experiment called Biosphere 2 took place in Oracle, Arizona, which is not far at all from Tucson. So likely this is the inspiration for the setting. B+.

When?! Secret Holiday Film Alert! This film starts and ends on Earth Day. And obviously this plays a major role in the very intricate plot of this very intricate film. If it wasn’t for Earth Day would Bud and Doyle have gotten in hot water with their GFs, got pranked by them, and then uh… had to go to the bathroom randomly… so maybe not technically vital to them getting trapped, but still an A. 

The film appears to be written by a child. Or at least the basic concept is. What a coincidence that Bud and Doyle have two hot girlfriends who love the environment, set up an environmental themed prank for the two dopes, and then afterwards choose the environmental themed Bio-Dome for their bathroom break at the very moment that they start the experiment. It’s ludicrous. I then can only assume that the script read “Bud and Doyle destroy Bio-Dome and then Bud and Doyle fix Bio-Dome,” as the rest of the film is 80% music video. The real interesting thing about it is the Pauly Shore-ness of the film and how much control he seemed to have. The whole film fits his personality to a tee and even Stephen Baldwin simply plays a clone of Shore. The opening credits, poster, weird music stuff… everything is Shore-centric. Or at least is going for the pastiche of Pauly Shore (probably the best way to describe the film as a whole). It’s what really differentiates it from his other films. Those feel like real movies starring Pauly Shore. This feels like a Pauly Shore movie. Crazy seeing as this was more or less the end of the line for him (just before his Fox sitcom really put his career in the ground). There is something weirdly magnetic about him, though. That MTV VJ charisma never to be replicated. Patrick?

Patrick

Hello everyone! We got morons! We got farts! We got a Bio-Dome! Let’s go!

P’s View on the Preview – Who needs a preview? I’ve seen this film a ton of times in my youth. The preview was interesting in one regard though, apparently Harlan Williams was signed on as one of the stars initially and then the studio was just like “nope, got Pauly Shore, it’s a Pauly Shore film now.” So definitely not written initially with him in mind. What were my expectations? Honestly, I expected to feel profoundly ashamed of myself that I had seen this film. I fully expected the worst gross out humor of the 90s.

The Good – It has an okay message obviously, surrounding environmentalism. It might just trivialize it, who’s to say, but the message is clear. Funny enough, at a time when gay panic in comedies was rampant, the film is amusingly progressive in that regard. Pauly Shore and Stephen Baldwin joke about making out and being bisexual multiple times during the film. I like some of the actors as well. Pauly Shore has a weird level of charisma, it is undeniable. Best Bit: Probably the message, even though it is pretty muddled, it is somehow even more relevant today.

The Bad – I mean, the soundtrack might be the worst thing I’ve ever heard. So 90s it heard my heart. The film is the dumbest movie I’ve ever seen. Short vignettes with punchlines which are, at best, about farting. Grating acting, a scene which involves the main characters committing sexual assault while cheating on their girlfriends, and a weird mixed message about corporate science (I think?). And the film has the worst title sequence in the history of the film. Do yourself a favor and watch it. Fatal Flaw: This might be the dumbest and most unfunny film ever created, a film whose sole purpose is to deliver Pauly Shore’s bizarre 90s charisma directly into children’s brains.

The BMT – This is a film that if I saw it now without ever having seen it as a kid I would be aghast. It is a perfect BMT comedy in a way. Sure it is unfunny garbage, but it is also weirdly entertaining in its schizophrenic 90s-ness. It is a film that actively makes you dumber and revels in it. Did it meet my expectations? It was way better than I thought. I figured there would be a ton of gay panic jokes and sexual assault, and there was only really one of those things and only once! That’s a huge plus for watching an old comedy. The film is, I think, mostly harmless for being one of the dumbest films you’ll ever watch.

Roast-radamus – There is definitely a moment of Product Placement (What?) for a prominent jar of Jif peanut butter in a scene that is exclusively about farting. And it is a very very good Setting as a Character (Where?) for Arizona which is all over this film, from news reports, to the names of all of the colleges the various characters go to. And a very rare Not-So-Secret Holiday Film (When?) because the film begins and ends on Earth Day! That is a very very special holiday film. Closest to BMT easily, although I’m not sure it’ll get huge play for the Baddies.

Sequel, Prequel, Remake – I think it is high time for a Sequel to Bio-Dome. It’s been 25 years and Bud and Doyle are ecological celebrities. Open with photoshopped pictures of them at various ecological disasters (and farting). Then smash cut to their mansion where, surprise surprise, they haven’t been living the ecological dream life. Quite the contrary. While out getting some truly bodacious za their mansion falls into the ever encroaching ocean. “Doyle, we have to do something about Global Warming. It has finally affected the one thing we love … us.” And there is only one way to really affect change: Washington. That’s right, Bud is going to run for president with a hard hitting message of “man, Global Warming sucks, let’s, like, do something about it.” From there is a “hilarious” string of skits. Doyle freezing up in the vice-presidential debate. Bud farting during the Democratic primary debate. … Other debate-related hijinx. Bud signing boobs and babies at campaign events. Call backs like Bud and Doyle getting super high on nitrous during a national security briefing, and Doyle having to be vice-president after losing rock, paper, scissors. In the end they win, obviously, but Doyle has to foil the full-Unabomber psycho Faulkner before he assassinates Bud during the inauguration! Finish up with clips showing them farting in Congress and saving the world. Bio-Dome 2: Hail to the Weasel.

Patrick’s IMDb Trivia Section – I think this is a real one, and I can’t believe it isn’t on the Trivia section already … I might add it. He’s my entry for Bio-Dome. Trivia: Throughout the film it is shown that Bud consistently wins rock paper scissor competitions by throwing paper to Doyle’s rock. At the beginning of the film when winning one such competition Doyle must “assume the position” and get hit in the head with an encyclopedia (to get out of Earth Day). At the end of the film Doyle yells “assume the position” and throws a rock to hit Faulker on the head to save the Bio-Dome. Encyclopedia (paper) = Bud. Rock = Doyle. That fact is so fun.

Cheerios,

The Sklogs

Bio-Dome Quiz

Oh man, so get this? I accidentally got trapped in a Bio-Dome like a goober and threw a huge rager (like an idiot!), and now I’m really hung over and can’t remember a thing. Do you remember what happened in Bio-Dome?

Pop Quiz Hot Shot!

1) In the beginning Bud and Doyle try and get out of Earth Day by staging an accident. What do they say happened and what actually happened?

2) How do the two morons end up at the Bio-Dome and trapped inside?

3) What ecosystems are there in the Bio-Dome?

4) Why are Bud and Doyle exiled to the desert? How do they escape?

5)  How do Bud and Doyle stop the now eeeeeeeeeeeeeeeevil Dr. Noah Faulkner from blowing up the Bio-Dome?

Bonus Question: In the intertitle sequence what do we learn happens to Faulkner after he runs out into the desert?

Answers

Bio-Dome Preview

And just as suddenly as it started, they stopped falling. “Where…where are we?” stammers Jamie, disoriented from their final plunge. Patrick doesn’t know where they are either, and even worse, he doesn’t know why. To travel somewhere in time to deconvolute their lives? To destroy the Dongle at the source? To warn their past selves about the perils of stealing the Dongle in the first place? “Where’s not the question,” Patrick concludes after these scattered thoughts, “it’s why. So keep your head on a swivel and go with the flow.” With that Jamie and Patrick press a button and exit their tiny time travel dome and find themselves in… a much larger dome? “What thuuuuuu…” Jamie exclaims, “this must be the future! The world has devolved into a hellscape no longer able to support human life. My god,” he wails in anguish, “do you think this all happened because we had the Dongle stolen from us?” He grips Patrick shirt hard, pleading for him to tell him it isn’t so. “It isn’t so,” Patrick reassures him. There is something vaguely familiar about where they are. Something from their youth, something comforting. Within the dome they are surrounded by a dense jungle. Patrick points to a river and they begin to follow it. At a nearby hill he parts some shrubbery to get a better look at their location and notices a small placard on the ground. ‘Samanthius Kellibronicus,’ it reads, ‘The Lover’s Knot.’ With that, Patrick’s first impression is confirmed. They aren’t in the future. They actually aren’t very far in the past either. He points it out to Jamie. “Wait, is this…” Jamie starts and Patrick nods his head. “The gardens of the Donald C. Tillman Water Reclamation Plant,” Patrick finishes. No wonder it looked so familiar. That’s right! We are finishing 2021 and starting 2022 off hot with a classic from our youth. The theme for this cycle is Short & Sweet a.k.a. films under 90 minutes. Bio-Dome sure does fit the bill and was marking its 25 year anniversary in 2021 to boot. Let’s see how this one holds up. Let’s go!

Bio-Dome (1996) – BMeTric: 72.1; Notability: 42

StreetCreditReport.com – BMeTric: top 1.6%; Notability: top 14.8%; Rotten Tomatoes: top 1.7%; Higher BMeT: Barb Wire, Kazaam, Striptease; Higher Notability: Eraser, The Fan, Jingle All the Way, Spy Hard, Chain Reaction, Daylight, Mulholland Falls, Eddie, The Associate, Up Close & Personal, Dear God, Sgt. Bilko, The Island of Dr. Moreau, Eye for an Eye, The Crow: City of Angels, The Adventures of Pinocchio, Space Truckers, In Love and War, Larger Than Life, The Glimmer Man, and 17 more; Lower RT: The Dentist, Big Bully, Ed, Ripe; Notes: You love to see the clean sweep on the BMeT for the year. We are pretty close to hitting up the top 10 for that year if I recall correctly. And 70+ BMeTric? Yes please, that is the highest in recent memory. I honestly find it a bit odd the rating for this one isn’t in the 3’s, that is where I would expect it.

Leonard Maltin – BOMB –  Two lay-abouts from Tuscon are sealed up for a year inside a Biosphere-like experimental habitat and drive the scientists in charge bonkers. A good comedy premise is trashed through crude writing, inept plotting, and having as heroes two worthless jerks we’re supposed to find lovable.

(You better believe this is a BOMB. There was a 0% chance Maltin would like it. Fun fact, this film has a 1 on Metacritic … a 1!)

Trailer – https://www.youtube.com/watch?v=4EWikCCfHJw/

(Wow the soundtrack … yeah as bad I remember it. This movie is a hilarious catastrophe. I can’t wait to watch it again.)

DirectorsJason Bloom – ( Known For: Viva Las Nowhere; BMT: Bio-Dome; Notes: In mostly a television director. He directed four episodes of Veronica Mars and nine episodes of iZombie.)

WritersAdam Leff – ( Known For: Last Action Hero; PCU; BMT: Bio-Dome; Razzie Notes: Nominee for Worst Screenplay for Last Action Hero in 1994; Notes: He has a story credit for some animated short based on Last Action Hero.)

Mitchell Peck – ( BMT: Bio-Dome; Notes: He produced the film Priest.)

Jason Blumenthal – ( BMT: Bio-Dome; Notes: A huge producer including the television show Dr. Death and the upcoming Masters of the Universe film.)

Kip Koenig – ( Known For: How to Make the Cruelest Month; BMT: Bio-Dome; Notes: Wrote three episodes of Grey’s Anatomy and as a producer was nominated for two Emmys for that show.)

Scott Marcano – ( Known For: Sanitarium; BMT: Bio-Dome; Notes: Became a pretty big documentary filmmaker it seems, writing 10 short documentaries in 2015. They seem to be focused on police reform.)

ActorsPauly Shore – ( Known For: A Goofy Movie; How It Ends; Sandy Wexler; Guest House; Phantom of the Mall: Eric’s Revenge; Lost Angels; Opposite Day; Pauly Shore Is Dead; The Big Trip; Adopted; Future BMT: Encino Man; Son in Law; Class Act; The Wash; For Keeps?; 18 Again!; Jury Duty; BMT: Bio-Dome; Bucky Larson: Born to Be a Star; In the Army Now; Razzie Notes: Winner for Worst Actor in 1996 for Jury Duty; and in 1997 for Big Bully, Bio-Dome, Carpool, and The Stupids; Winner for Worst New Star of the Decade in 2000 for Bio-Dome, Encino Man, and Jury Duty; Winner for Worst New Star for Encino Man in 1993; and Nominee for Worst Actor of the Century in 2000 for Bio-Dome, Encino Man, and Jury Duty; Notes: The Weasel! He was a big presence on MTV from 1990 and then a movie star from 1992 to 1997. He really didn’t appear in a major motion picture after that, it was a surprisingly short period of time that he was famous.)

Stephen Baldwin – ( Known For: The Usual Suspects; Born on the Fourth of July; Casualties of War; A Simple Twist of Fate; The Beast of War; The Sex Monster; Last Exit to Brooklyn; Magi; Sky Kids; I’m in Love with a Church Girl; Friends & Lovers; Mrs. Parker and the Vicious Circle; Bitter Harvest; Mercy; The Least of These: The Graham Staines Story; Six: The Mark Unleashed; Homeboy; Faith of Our Fathers; Back to the Jurassic; Fall Time; Future BMT: Fred Claus; The Flintstones in Viva Rock Vegas; Half Baked; Threesome; 8 Seconds; Posse; Fled; BMT: Bio-Dome; Razzie Notes: Nominee for Worst Supporting Actor for The Flintstones in Viva Rock Vegas in 2001; Notes: Now maybe most famous as Justin Bieber’s father-in-law (lol). Asked his brother Alec whether he should do this movie and Alec told him it would likely end his career and he did it anyways.)

William Atherton – ( Known For: Die Hard; Die Hard 2; Ghostbusters; The Girl Next Door; The Last Samurai; Real Genius; The Pelican Brief; The Sugarland Express; Looking for Mr. Goodbar; Hoodlum; The Hindenburg; Clinical; The Day of the Locust; Tim and Eric’s Billion Dollar Movie; The Crow: Salvation; Into the Sun; The New Centurions; Class of ’44; Jinn; Frank & Jesse; Future BMT: Oscar; Mad City; BMT: Bio-Dome; No Mercy; Notes: Known for playing scoundrels, he was born on the exact same date as Arnold Schwarzenegger.)

Budget/Gross – $8.5 million / Domestic: $13,427,615 (Worldwide: $13,427,615)

(Whoops, terrible. You can’t really make money without making like $20 million with actual actors in a film, right?)

Rotten Tomatoes – 4% (1/25): Like its two obnoxious protagonists, this dreadfully unfunny Pauly Shore vehicle should remain separated from society.

(I honestly can’t believe it has any good reviews. I have to read this thing … boo, it isn’t really available. Remove it from the record Rotten Tomatoes, if you don’t you’re cowards.)

Reviewer Highlight: Brain-dead. Pauly Shore and Stephen Baldwin are slackers who drag their junk-food lives into the Bio-Dome, an experiment in ecologically correct living in Bio-Dome. On the scale of bottom-dwelling ne’er-do-wells, these two would have to rank somewhere between Beavis and microbial fungus. – Owen Gleiberman, Entertainment Weekly

Poster – Bio-Sklog

(It does feel like Pauly Shore either had some level of control in making the film, or the people making it at least attempted to understand the appeal of Shore’s stardome. There is no other explanation for this poster. It’s wild, but is trying to mimic the comedy stylings of Shore in a way that is at least interesting. Hate the colors, like the font, and everything else is insane. C-.)

Tagline(s) – Your dome away from home. (A+ for kookiness. D cause it’s literal nonsense.)

(Wooooahhhhh. Yeah! Hell yeah! This is going for it. So weird and I don’t get it, but yeah, give me more like this any day. It is terrible though… we all get that, right?)

Keyword(s) – environmentalism

Top 10: Avatar (2009), 21 Jump Street (2012), Holiday in the Wild (2019), Waterworld (1995), Point Break (2015), The Green Inferno (2013), Before Sunset (2004), The Pelican Brief (1993), Apostle (2018), First Reformed (2017)

Future BMT: 54.4 The Green Inferno (2013), 34.8 Hoot (2006), 31.1 Larger Than Life (1996), 11.3 Once Upon a Forest (1993)

BMT: Point Break (2015), Bio-Dome (1996), Fire Down Below (1997), Furry Vengeance (2010)

Matches: Bio-Dome (1996), The Ballad of Jack and Rose (2005), The Last Winter (2006)

(Is it just me or do they only release these films when Democratic presidents are in office … whatever. Hoot is a legendary film, I think it is one of the lowest grossing major releases ever. It made $8 million and was released to 3000 theaters.)

Welcome to Earf (HoE Number 24) – The shortest path through The Movie Database cast lists using only BMT films is: Pauly Shore is No. 1 billed in Bio-Dome and No. 1 billed in In the Army Now, which also stars Art LaFleur (No. 7 billed) who is in Cobra (No. 6 billed) which also stars Sylvester Stallone (No. 1 billed) who is in The Expendables 3 (No. 1 billed) which also stars Jason Statham (No. 2 billed) who is in In the Name of the King: A Dungeon Siege Tale (No. 1 billed) which also stars Leelee Sobieski (No. 3 billed) who is in Here on Earth (No. 1 billed) => (1 + 1) + (7 + 6) + (1 + 1) + (2 + 1) + (3 + 1) = 24. If we were to watch Encino Man, and Extraordinary Measures we can get the HoE Number down to 13.

Notes – Alec Baldwin told his brother, Stephen Baldwin, that doing this movie could end his acting career.

Kylie Minogue has called this film her “worst career move”. She said it’s the only thing she has done in her professional life that her father ridicules her for.

In real life, Jack Black and Kyle Gass perform together as the musical group Tenacious D.

The Biodome compound is the Donald C. Tillman Water Reclamation Plant in Van Nuys, California, which has been used in dozens of other movies and television shows.

The motto of the community college Jen and Monique attend is “nothing to be ashamed of.”

According to an interview on Last Call with Carson Daly: Episode dated 5 November 2008 (2008),Dana Gould and Harland Williams were the original stars of this film.” As Williams described it, “…They did an open-ended cattle call for Bio-Dome. And I guess Dana and myself were kind of like the emerging funny guys around town … they whittled it down, wildfingers, and it got down to me and the wildcat over here. . . We were locked in, and then me and Dana would go over to some diner on Larchmont, sit in the booth, and eat corned beef, and recite our lines.” Gould and Williams recall a deal memo for them to have the job, and the two were deep in planning for the roles. Williams bought fake bugs to practice for a bug eating scene and Gould simply dreamed of “What will it be like when we’ve done it – when we’ve made it!” Gould expanded on Williams’ testimony, saying, “It was a new director, I think his name was Steven Brill.” It is unclear from the interview if Gould remembered the name incorrectly or if plans for a director changed. “And he was like, ‘Yeah, I’m going to do this movie, and you guys are going to be it, you’re like unknowns, we’re going to break you and it’s going to be great!’ And then what apparently happened was that he went to the studio and said, ‘I’ve got these two unknowns…’ and they went, ”Naw, we have these guys to deals,’ and he went, ‘Okay!’ “

Roger Clinton: Professor Bloom, who presumably teaches at the film’s fictional college, Arizona Tech. He is wearing a shirt with the phrase “Thriving on Chaos” written on top of caricatured drawings of Bud and Doyle. After Jen autographs his shirt, he mentions to her and Monique that he’s writing a song about Bud and Doyle.

During the final sequence with the remote control and the exploding coconuts, the timers on the remote and the computer sync up with the time in the film.

Awards – Winner for the Razzie Award for Worst Actor (Pauly Shore, Tom Arnold, 1997)