Clan of the Cave Bear Preview

There are a number of Bring a Friend films that we really went out of our way to accommodate. This week is one of those. When it came to the category of Kids films we really wanted to watch something that was a major release, but we would never ever ever ever watch. Not something like Son of Mask, Marmaduke, or the recently watched Baby Geniuses films, where they transcend the “Never Watch Kids Films” BMT rule, but rather a run-of-the-will children’s film that happened to be terrible. So you know what that means. That’s right! We’re watching Clan of the Cave BeAir Bud: Golden Receiver! There is literally a 0% chance that we would have ever watch Air Bud 2. Wouldn’t have happened without Bring a Friend. The same could almost be said about the BMT film that brought it along. Clan of the Cave Bear is a 1986 adaptation of a 1980 historical fiction book set in the Paleolithic era. I has come up before for BMT, but more seriously as an entry for a book-to-film cycle, since the book was a worldwide success and spawned five sequels. I’ve always been curious to read it and now’s my chance. The film ended up being a gigantic box office flop, so hopefully it can live down to that hype. Let’s go!

The Clan of the Cave Bear (1986) – BMeTric: 34.1

TheClanoftheCaveBear_BMeT

TheClanoftheCaveBear_RV

(Those are some wild swings in rating for a movie this old. And both films this week have an astonishingly low number of votes. But a 5 IMDb rating is solidly low, so I am expecting a lot.)

Leonard Maltin – 1.5 stars –  World’s first feminist caveman movie, minus the anthropological detail of Jean Auel’s popular book. Hannah is perfectly cast as outsider who joins band of nomadic Neanderthals, but the story (such as it is) is alternatively boring and unintentionally funny. Subtitles translate cave people’s primitive tongue. Screenplay by John Sayles.

(Unintentionally funny good. Boring bad. But I have a feeling this is going to be mostly boring.)

Trailer – https://www.youtube.com/watch?v=TIpRSJQtdmg

(IT’S A BOOK! REMEMBER THAT BOOK? That is basically what this trailer says. No, I don’t remember it, and this movie looks boring and weird … a combination that weirdly is getting me a bit excited to be honest.)

Directors – Michael Chapman – (Known For: All the Right Moves; BMT: The Clan of the Cave Bear; Notes: A well known cinematographer, for which he was nominated for two Oscars, for The Fugitive and Raging Bull.)

Writers – Jean M. Auel (novel) – (BMT: The Clan of the Cave Bear; Notes: A children’s book novelist who at one point worked as a circuit board designer for Tektronix, a company that has been making things like oscilloscopes since the 1940s! They tried to make a TV series out of Clan of the Cave Bear recently, but it never got off the ground)

John Sayles (screenplay) – (Known For: The Spiderwick Chronicles; The Howling; Battle Beyond the Stars; Piranha; Lone Star; Alligator; Eight Men Out; Matewan; The Secret of Roan Inish; The Brother from Another Planet; Sunshine State; The Challenge; Go for Sisters; Piranha; Passion Fish; Baby It’s You; Honeydripper; Limbo; Amigo; Return of the Secaucus Seven; BMT: The Clan of the Cave Bear; Notes: Nominated for two Oscars for Lone Star and Passion Fish. His filmography speaks for itself. He was a factory worker who submitted short stories to magazines on the side which were eventually turned into a novel, Pride of the Bimbos. He got a MacArthur Foundation Fellowship and used that to transition to a well respected screenwriter. An amazing story.)

Actors – Daryl Hannah – (Known For: Blade Runner; Kill Bill: Vol. 1; Kill Bill: Vol. 2; Splash; Wall Street; Steel Magnolias; Grumpy Old Men; I Am Michael; Roxanne; The Fury; Crimes and Misdemeanours; The Pope of Greenwich Village; The Gingerbread Man; The Big Empty; Legal Eagles; At Play in the Fields of the Lord; Northfork; Casa de los babys; Silver City; Wildflowers; Future BMT: My Favorite Martian; Memoirs of an Invisible Man; Two Much; High Spirits; Keeping Up with the Steins; The Little Rascals; The Final Terror; Summer Lovers; The Hot Flashes; Dancing at the Blue Iguana; Crazy People; The Real Blonde; The Tie That Binds; Grumpier Old Men; Vice; BMT: The Clan of the Cave Bear; Razzie Notes: Won for Worst Supporting Actress for Wall Street in 1988; and Nominated for Worst Supporting Actress in 1989 for High Spirits; and in 1997 for Two Much; Notes: An ardent environmentalist, she has been very politically active in the last ten years. She was also at one point in a relationship with John F. Kennedy Jr.)

Pamela Reed – (Known For: Kindergarten Cop; The Right Stuff; Bean; Proof of Life; The Long Riders; Outside In; Eyewitness; Cadillac Man; Bob Roberts; Melvin and Howard; Why Do Fools Fall in Love; Future BMT: Junior; Young Doctors in Love; The Best of Times; BMT: The Clan of the Cave Bear; Notes: She played Leslie Knope’s mother on Parks and Recreation. She has done a lot of television work recently, on Jericho, United States of Tara, and NCIS: Los Angeles, among others.)

James Remar – (Known For: Django Unchained; X: First Class; The Girl Next Door; Ratatouille; The Warriors; RED; What Lies Beneath; Pineapple Express; Horns; February; 48 Hrs.; Cruising; The Phantom; The Cotton Club; Drugstore Cowboy; Miracle on 34th Street; The Long Riders; White Fang; The Dream Team; Future BMT: Mortal Kombat: Annihilation; Psycho; The Unborn; The Quest; USS Indianapolis: Men of Courage; Blade: Trinity; Duplex; Fatal Instinct; Persecuted; Transformers: Dark of the Moon; Rent-a-Cop; Renaissance Man; Tales from the Darkside: The Movie; BMT: Wild Bill; Judge Dredd; 2 Fast 2 Furious; The Clan of the Cave Bear; Notes: He can still be seen in Aliens as he was originally cast as Hicks, but had to drop out after they had filmed a scene that was too expensive to reshoot. Attended Newton North High School in Massachusetts (what what).)

Budget/Gross – $15 million / Domestic: $1,953,732

(Oh God no, that is awful. I feel like 1986 was just a terrible year for films as a few studios were struggling to make money and throwing anything and everything at the wall hoping it would stick. This might not be much different. Although at least one of the production companies survived this disaster.)

Rotten Tomatoes – 10% (1/10): No consensus yet.

(I’ll make one: Boooooooooring, and worse than the book …. So read the book. Ebert’s original review from the time has a few nice zingers. My favorite being: “If modern men came from beginnings like this, why did they even bother to develop civilization, since they already possessed its most wretched excesses?”)

Poster – The Clan of the Sklog Bear (A-)

clan_of_the_cave_bear_ver1

(Artistic poster with some unique font. Like the stark red on white. It’s solid. Funny thing is that this is also the cover of the DVD and I was told that it looked like a horror film… which I guess is kind of true. Could be an image of a monster.)

Tagline(s) – At The Dawn Of Mankind, A Woman Led The Way. (A)

(This is an all around solid tagline. Clever juxtaposition of Mankind and Woman (and the implications of that), hints at the plot, and just short enough. Near perfect.)

Keyword(s) – neanderthal; Top Ten by BMeTric: 71.6 The Flintstones (1994); 34.1 The Clan of the Cave Bear (1986); 24.0 Eliminators (1986); 21.2 Dieu est grand, je suis toute petite (2001); 16.6 Terror! Il castello delle donne maledette (1974); 16.4 Iceman (1984); 13.9 Dinosaurus! (1960); 12.2 Ironmaster (1983); 10.6 Monster on the Campus (1958); 5.8 Ao: The Last Hunter (2010);

(Ridiculous list. Only the top two are real. Like … Encino Man doesn’t count? Because that def has a higher BMeTric. I’m getting more and more concerned with the quality of these keywords as time goes on.)

Notes – Based on the first novel in the bookseries Earth’s Children by author Jean M. Auel.

A planned back-to-back sequel never made it into production.

Awards – Nominated for the Oscar for Best Makeup (Michael Westmore, Michèle Burke)

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Air Bud: Golden Receiver Preview

There are a number of Bring a Friend films that we really went out of our way to accommodate. This week is one of those. When it came to the category of Kids films we really wanted to watch something that was a major release, but we would never ever ever ever watch. Not something like Son of Mask, Marmaduke, or the recently watched Baby Geniuses films, where they transcend the “Never Watch Kids Films” BMT rule, but rather a run-of-the-will children’s film that happened to be terrible. So you know what that means. That’s right! We’re watching Clan of the Cave BeAir Bud: Golden Receiver! There is literally a 0% chance that we would have ever watch Air Bud 2. Wouldn’t have happened without Bring a Friend. The same could almost be said about the BMT film that brought it along. Clan of the Cave Bear is a 1986 adaptation of a 1980 historical fiction book set in the Paleolithic era. I has come up before for BMT, but more seriously as an entry for a book-to-film cycle, since the book was a worldwide success and spawned five sequels. I’ve always been curious to read it and now’s my chance. The film ended up being a gigantic box office flop, so hopefully it can live down to that hype. Let’s go!

Air Bud: Golden Receiver (1998) – BMeTric: 44.8

AirBudGoldenReceiver_BMeT

AirBudGoldenReceiver_RV

(This really really has that 2011 inflection, although not very many votes at all. And I’ve never seen that U-shape before on the rating, at least not so far after the release. Why it goes down from 2004 to 2007 is beyond me, a true mystery. I smell a little forensic research perhaps: Why did the IMDb rating for Air Bud 2 drop to 4.0 in 2007?!)

Leonard Maltin – 2.5 stars –  Title canine catches pigskins rather than shoots hoops. He and his young owner (Zegers, the lone cast member from the original) join the school football team – plus, a pair of Boris and Natasha-like villains plot to abduct the pooch for their traveling circus. Predictable but harmless fun. Followed by several direct-to-video sequels.

(Predictable but harmless fun, the reason why the Bad Movie Twins no longer watch kids’ films (until now!). I’m sure this will be a non-stop thrill ride … given that the film has a sub-5 on IMDb it is kind of weird Leonard gives it such a break. It is no doubt a stone cold terrible film.)

Trailer – https://www.youtube.com/watch?v=FBFhdl17YJ0

(Probably the most incredible use of Tubthumping I’ve ever seen. And honestly, the director probably regretted having the kid call the dog the “new wide receptor” instead of the new wide receiver. Seems like just a dumb error instead of a dumb joke. The whole trailer kind of blows my mind honestly.)

Directors – Richard Martin – (BMT: Air Bud: Golden Receiver; Notes: An experimental filmmaker, he is the son of Dick Martin who was a comedian in the 60s appearing on things like Match Game.)

Writers – Kevin DiCicco (character “Air Bud”) – (Known For: Air Bud; BMT: Air Bud: Golden Receiver; Notes: Air Bud’s trainer, who found him as a stray and trained him in a variety of sports. He made a franchise out of the character of Air Buddy he created which featured on America’s Funniest Home Videos initially.)

Paul Tamasy (characters & written by) – (Known For: Patriots Day; The Finest Hours; The Fighter; Air Bud; BMT: Air Bud: Golden Receiver; Notes: Despite being nominated for an academy award for The Fighter, there is very little information about this guy. Air Bud was his first gig, so likely just something he did to break into Hollywood.)

Aaron Mendelsohn (characters & written by) – (Known For: Air Bud; BMT: Air Bud: Golden Receiver; Notes: Born in Alaska, he has been heavily involved with the Writer’s Guild over the past ten years.)

Actors – Kevin Zegers – (Known For: Aftermath; Wrong Turn; Dawn of the Dead; In the Mouth of Madness; Frozen; It’s a Boy Girl Thing; The Jane Austen Book Club; Air Bud; Transamerica; Gardens of the Night; Fifty Dead Men Walking; The Stone Angel; Future BMT: Zoom; The Colony; The Mortal Instruments: City of Bones; MVP: Most Valuable Primate; Life with Mikey; The Curse of Downers Grove; BMT: Air Bud: Golden Receiver; Notes: I don’t know how this guy survived being a child actor starring in four Air Bud films and MVP: Most Valuable Primate. But he has had an impressive recent career on television including an extended stint on Gossip Girl.)

Cynthia Stevenson – (Known For: Jennifer’s Body; Happiness; The Player; Home for the Holidays; Forget Paris; Tiger Eyes; Future BMT: Agent Cody Banks 2: Destination London; Agent Cody Banks; Case 39; Full of It; Live Nude Girls; BMT: I Love You, Beth Cooper; Air Bud: Golden Receiver; Notes: She did six Air Bud movies! She’s been all over television and movies for years. The Air Bud movies make sense considering they are show in Canada and both her and Zegers are in fact Canadian.)

Tim Conway – (Known For: The SpongeBob Movie: Sponge Out of Water; The Apple Dumpling Gang; The Shaggy D.A.; The Apple Dumpling Gang Rides Again; Future BMT: Speed 2: Cruise Control; Cannonball Run II; Dear God; BMT: Air Bud: Golden Receiver; Notes: He got third billed? He’s the announcer for the final State Championship game at the end so …)

Budget/Gross – $11 million / Domestic: $10,224,116

(Not great. Why does an Air Bud movie cost $11 million to make I wonder? These small mysteries surround this film. Probably made mad cash on DVD purchases and rentals though, that is a shockingly large amount of money, especially in 1998.)

#42 for the Dog genre

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(Not too far ahead of Fluke … not a good look. What I see from this graph is that everyone loves dogs. I kind of love this plot because there is almost a specific trough when Air Bud 2 is released. As if the American people collectively said: No, unacceptable.)

#36 for the Family – Animal (Live action) genre

airbud2_animal

(Below Monkey Trouble which isn’t a great look. I would have guessed Babe was the start to the big 90s boom, but I actually think it is Beethoven, Homeward Bound and Free Willy in ‘92/’93. I have other more unfounded theories about the genre in general, specifically that this was when home video took off and family focused entertainment became a big deal, and animal training was still super cheap.)

#30 for the Sports – Football genre

airbud2_football

(Below Little Giants which isn’t a great look. Football films come in waves, although I couldn’t say why. Perhaps there is a natural rhythm to American audience’s tastes in sports films? Couldn’t say. Last big one was Concussion unfortunately (for the sport, I would assume interest overall is waning with a decline in general))

Rotten Tomatoes – 21% (6/29): No consensus yet.

(Let’s make one: A shadow of the original, this lazy sequel is predictable and poorly written, even if it is an innocuous family-focused affair. Some of those are from the time even, like Ebert’s, which is somewhat surprising.)

Poster – Sklog Bud: Golden Receiver (C-)

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(The lower quality makes it a bit tough to judge, but I like the symmetry (even if it suggests, against all odds, that Buddy is the star center for the Timberwolves). Otherwise, just a bright colorful kids’ movie poster, what is there to say?)

Tagline(s) – Just dog it. (F)

(NOPE)

Keyword(s) – russian; Top Ten by BMeTric: 88.4 Street Fighter (1994); 86.2 Superman IV: The Quest for Peace (1987); 83.2 Rollerball (2002); 65.0 Fair Game (1995); 64.1 Tekken (2010); 61.4 Virus (1999); 59.3 xXx: Return of Xander Cage (2017); 58.8 The Transporter Refueled (2015); 58.8 A Good Day to Die Hard (2013); 58.6 Jupiter Ascending (2015);

(Sadly we have basically already done Street Fighter outside of the scope of BMT. We did Legend of Chun Li (Hall of Fame inductee) in our first year and back then BMT was like the wild west. We weren’t reading books, doing homework, or anything! A true disaster. So we have both seen Street Fighter fairly recently, so it is unlikely to earn a spot in the rotation anytime soon. So many bad movies, so little time, you know?)

Notes – Six dogs played Bud.

Movie is in memory of “Buddy” who starred in “Air Bud” as a dog who played basketball.

Flatliners (2017) Recap

Jamie

Looking to scientifically explore the concept of the afterlife, a medical student, Courtney, has four of her peers stop her heart and then resuscitate her. Finding that the procedure improves her mental capacity, they each in turn try the risky procedure to deadly consequences. Can they stop the game before it’s too late? Find out in… Flatliners (2017).

What?! Courtney is a star student at the University of Anonymous Medical School. However, she is haunted (figuratively) by the death of her younger sister in a car accident caused by her own distracted driving. Looking to explore the afterlife, she recruits a few of her fellow students to help her stop her heart and then resuscitate her a minute later. When the experiment is a success and Courtney seems to gain increased mental acuity and memory (straight out of Limitless) the rest of the morons are super into the idea of almost dying too. These supernatural abilities are cool for a second, but it totally turns out that they’ve opened the door to their worst sins coming to life and trying to murder them. Uh oh! After Courtney (now literally haunted by her sister) is killed by what they had assumed were hallucinations, the rest of the dumbos realize they must apologize to those they’ve wronged or suffer the same fate. Once they go through this process they are free from their hauntings and ready to focus on what’s important: scrubbing away all evidence of their involvement in Courtney’s death (that is a real fact, the film ends with them disposing of evidence in a river… not sure what moral we are meant to learn from all this). The End.

Why?! Much like the original film each character in Flatliners has their own motivation for flatlining. Courtney claims to want to make scientific history by proving the existence of the afterlife, but we get the feeling that what she really wants is to overcome the guilt associated with the death of her sister. The next to go is Jamie who simply wants to gain worldwide fame as a Dr. Oz type television personality. Seeing how Jamie and Courtney gain special abilities from the experience, Sophia wants to go next so that she won’t struggle so much in finishing med school. Finally Marlo is just super competitive and goes last. Ray is the fifth member who doesn’t actually flatline and plays the moral compass of the group looking to make sure none of them die.

What?! I’m going to settle this score once and for all. Everyone who says that this isn’t a remake but rather a sequel hasn’t done their due diligence. Yes, Kiefer Sutherland appears in a cameo, but his name is Dr. Barry Wolfson. It’s not Nelson like in the original. “But Jamie, maybe he changed his name after the horrors of the first film.” That would be a good point if it weren’t so dumb. Why would that be the case and they end up doing nothing with it? No sly wink to Courtney/the camera. No “Be careful. Reaserch can be a real killer,” delivered with a smirk  so that all the Flatlinerheads in the cinema can get amped and cheer. Nothing. Just boring old Dr. Barry Wolfson cameoing away. This film is clearly a remake.

Who?! A little case of nepotism up in here. Avery Bederman played the younger sister of Courtney in the film and just so happens to be the daughter of executive producer Michael Bederman. While I could mention that he’s quite successful and was executive producer on Best Picture winner Spotlight, I will instead highlight that he was an uncredited line producer of one of our very favorites of 2014. That’s right! Endless Looooovveeeeeeeee. I have endless love for that book/movie/movie.

Where?! It’s a rarity for us to find a film that goes out of its way to not have a setting. The Tuxedo is a famous example where they digitally scrubbed the film of NYC references following 9/11 to avoid controversy. For Flatliners (2017) I can only presume they just didn’t want to spend the money making Toronto look like Chicago (where the original was set). Instead an unrecognizable city skyline and “Great State” license plates told us all we needed to know: welcome to the great state of Americana, where we bleed red, white, and blue and eat hot dog pie. F.

When?! Temporal settings are hard as it is, even when you have a DVD to pause. In the theater? Forget about it. It might be there, but I’ll have to wait until it’s out on DVD so I can never watch it again probably. F.

My theatrical experience was quite different from BMT Live’s of the past. That’s because my showing was absolutely packed (shocking, I know). I went on a Friday and it was filled to the brim with teenyboppers jockeying for seats next to potential beaus. Despite this, a few of them must have been paying attention because they actually chuckled at the jokes, jumped at some of the scares, and seemed to have a bit of fun. I did not. I had assumed the film was a slim 85 minutes when I entered the theater, but realized an hour in that that was an impossibility. How did you make a 110 minute long ABC television pilot of a film? How and why? Patrick?

Patrick

‘Ello everyone! While reflecting on the remake of Flatliners I liked to imagine the conversation Kiefer had with the writer of this film prior to signing on. Am I playing the same character? Maybe. Well, do I have the same name? Maybe. But are we shooting a scene where I’m the character from the first movie? Probably, but we’ll see if we edit it out in the end … any other questions, Kiefer? Nope, sounds chill. Let’s get into it!

The Good (Sequel, Prequel, Remake; Homework Sklog-signment) – The story is as interesting as ever, and the cast is fine (specifically Luna, Page, and, after a bit of a false start, Clemons). If the original didn’t exist it would be a forgettable albeit still terrible supernatural horror film. Nothing more. Which I guess is a positive. Since this is already a remake might as well get the review of Flatliners (1990) out of the way: I dug the Gothic look a ton, and the cast was incredible (even if the acting wasn’t always). I loved the idea … right up until they were getting haunted by spooky ghosts. There is a better story concerning doctors exploring life after death, which I guess is why Flatliners is more on the cult side of cult classics. And … why they really needed to do something new for this remake. A group of doctors one-upping themselves. Going further. Getting addicted. Breaking down psychologically, and the one that dreamt it up (and dreamt of fame) finally snapping when he realizes he’ll have to share the spotlight with those he considers less than him. Go true blue low-budget mad scientist. At least then you’d bulletproof against it being a bomb, and you don’t devolve into the supernatural (at least, when you don’t have anything new or interesting to say).

The Bad (Sklognalogy) – The supernatural part of the story is the weakest and ends up handcuffing the film into a trite jump-scare horror that is honestly not scary, not interesting, and no fun. There is also a major divergence from the original in which the doctors go a little limitless (although The Fly is what came to mind initially) after flatlining. Bullshit, people would have noticed they were geniuses after dying for a minute. A recent Sklognalogy is Godsend. Although there at least you get that awesome mad scientist character in DeNiro. Here, Page ended up dying halfway through, and wasn’t even the same kind of unhinged madman that Kiefer eventually morphed into in the original.

The BMT (Legacy; StreetCreditReport.com) – This is the second year in a row August didn’t serve up a serviceable Summer Live, but we did wait it out to get something with a truly dire Rotten Tomatoes score. We’ll see about the legacy. I think it depends on the Razzies, and it has a better chance than Mechanic Resurrection did last year of snagging a few. I think the 4% Rotten Tomatoes score speaks for itself for street cred, but there won’t be worst-of lists for a while to confirm. I’m on the edge of my seat!

I already did the Homework Sklog-signment, but I might as well give a little BMT Live Theater Review! I watched at the Cineworld on Fulham Road and, wow, what an absolutel shithole. No offense, but it is just kind of getting run down, and I have a feeling it will close soon. The Fulham Broadway Vue is way better, not to mention the enormous (and posh) Westfield Vue. Anyways, there was a surprising number of people, mostly older, one who just couldn’t figure out how not to eat popcorn ridiculously loudly. No audience reaction at all. Which for a purported horror film is not the best I think. The only really remarkable thing though is that there were (count em!) 30 minutes of commercials and trailers before the film. Mostly commercials. This is the first time I’ve ever gotten angry about that, but it was just way too many. I could have left my house after the movie started and easily got there before the movie actually started. No fun … maybe I’m getting old.

Cheerios, 

the Sklogs

Flatliners (2017) Preview

Our keen BMT instincts had us eyeing Flatliners since May for a potential Fall BMT Live! We needed something to bridge the gap between The Mummy and (hopefully) the weather disaster film Geostorm and it just didn’t seem possible that a remake of a 1990 cult classic that no one was asking for could possibly be good. Boy were we right. Taking a break from our Bring a Friend cycle we will be heading to the theater for some BMT fun. Coming into this weekend it stands as the worst reviewed major release of the year (2% on RT compared to 6% for the Rings sequel) and is everything that nobody was hoping it would be. Destined to be forgotten to the sands of time, but not to BMT, let’s get ourselves geared up for a sci fi/horror romp. We haven’t lived until we’ve died, babbbbbyyyyyyy! Let’s go!

Flatliners (2017) – BMeTric: 15.0 (October 1, 2017)

RogerEbert.com – 1.5 stars –  This sort of movie can be more frustrating than a maliciously terrible or blunderingly incompetent film because at each step you can tell that everyone involved in the production sincerely believed in the material, both as raucous entertainment and as a tale of moral growth. But when the best you can say about a movie is that it means well, that’s proof that it’s not working on any level that matters.

(Just to be clear … this is a film which got 35 bad reviews in a row and sits at 2%. It is likely to be the worst reviewed film of a year that includes The Emoji Movie. Apparently a movie that merely “means well” is a movie everyone can rally behind and give uniformly bad reviews to.)

Trailer – https://www.youtube.com/watch?v=a1S52y5ZVlY

(I can’t tell if it is a good choice to go full horror or not. I do know that I don’t think this is a particularly interesting choice for a remake to Flatliners. Whether it is an IP grab or a legitimate choice to remake what is kind of a forgotten film of the 90s is yet to be scene, but it feels like an IP grab. Which probably means safe garbage-y horror.)

Directors – Niels Arden Oplev – (Known For: The Girl with the Dragon Tattoo; Drømmen; Future BMT: Dead Man Down; BMT: Flatliners; Notes: Danish, and that is naturally the original The Girl with the Dragon Tattoo, not the American remake. He’s worked on several American television shows since including directing an episode of Mr. Robot.)

Writers – Peter Filardi (story by) – (Known For: Flatliners; The Craft; BMT: Flatliners; Notes: He is from a family of screenwriters including his brother and wife. Oddly hasn’t written all that much though, although he was attached to some sort of supernatural project a few years ago.)

Ben Ripley (screenplay by) – (Known For: Source Code; The Choir; BMT: Flatliners; Notes: Ha, he wrote the direct-to-video sequels to Species as his first jobs for Fox! He somewhat hit it big with Source Code (his original idea) and is attached to the sequel that is in production.)

Actors – Ellen Page – (Known For: Inception; X-Men: Days of Future Past; Juno; X-Men: The Last Stand; Mercy; Hard Candy; Into the Forest; Super; The Cured; To Rome with Love; My Life as a Courgette; Whip It; Tallulah; The East; Freeheld; Smart People; Window Horses; Mouth to Mouth; The Stone Angel; Marion Bridge; Future BMT: Touchy Feely; The Tracey Fragments; BMT: Flatliners; Notes: Vegan and well-known LGBT advocate having come out as gay a few years ago. In a relationship with professional surfer Samantha Jones.)

Diego Luna – (Known For: The Bad Batch; Rogue One; Elysium; Blood Father; Y Tu Mamá También; Open Range; The Terminal; The Book of Life; Frida; Milk; Contraband; Before Night Falls; Casa de mi Padre; Mister Lonely; Criminal; Rudo y Cursi; Nicotina; Future BMT: Vampires: Los Muertos; Dirty Dancing: Havana Nights; BMT: Flatliners; Notes: A mexican actor appearing in numerous mexican films and some telenovelas. He’s started producing with his company Canana Films.)

Nina Dobrev – (Known For: xXx: Return of Xander Cage; The Perks of Being a Wallflower; Chloe; The Final Girls; Away from Her; Fugitive Pieces; How She Move; Future BMT: Barely Lethal; Let’s Be Cops; BMT: The Roommate; Flatliners; Notes: Bulgarian, although she grew up in Canada. She starred in Vampire Diaries, and has started to make the shift to major features including Bring a Friend film xXx: The Return of Xander Cage.)

Budget/Gross – $19 million / Domestic: $2,150,000 (Worldwide: $5,250,000) (October 1, 2017)

(That budget is … respectable actually. It won’t make it back (it is a colossal bomb already), but this now seems like a kind of shot in the dark to try and get some cheap nostalgia cash instead of a poorly thought out use of sweeeeeeeet IP.)

#58 for the Horror Remake genre (October 1, 2017)

flatliners_rratedhorror

(Can’t really remake horror films without horror films to remake I guess. The boom in the late-00s suggest this is a very nice genre for bad movies. It seemed like it was surging again, but nay, this was the first placed in the genre in nearly two years. And it is not making much money at the moment, soooooo probably won’t help matters)

Rotten Tomatoes – 2% (1/47): Flatliners falls flat as a horror movie and fails to improve upon its source material, rendering this reboot dead on arrival.

(It falls flat? Really? Anyways, this is probably the worst reviewed film of the year. At least up there, sub-5% is extremely rare. I figured this film was going to be terrible because it is a terrible idea (not the killing themselves part, the part where they remake Flatliners), but I never really imagined it would get quite this bad reviews.)

Poster – Sklogliners (A-)

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(This poster is good. Seems a bit more like an art piece than a poster, but still good. Only wish the majority of the poster wasn’t so dull colorwise.)

Tagline(s) – You Haven’t Lived Until You’ve Died (A)

(I would say this is a near perfect tagline. It is short, plays on a common phrase, and hints at the plot. Check marks all around. The only concern I have is that I’m not sure it captures the tone of the film, which seems to be a sci fi/horror. But hard to tell without having seen the film.)

Keyword(s) – medical student; Top Ten by BMeTric: 78.0 Jason X (2001); 65.4 Valentine (2001); 54.2 Annabelle (I) (2014); 44.3 Unrest (I) (2006); 35.7 The Ruins (2008); 33.7 The Prince & Me (2004); 31.3 Victor Frankenstein (2015); 30.1 Wrong Turn (I) (2003); 29.9 Pathology (2008); 28.0 The Taking (2014);

(Awesome. Victor Frankenstein is one of those films we should have just watched and then never got around to it. I don’t think it even got any Razzie nods, which is also super weird. From everything I heard it is as bad as I, Frankenstein.)

Notes – Sequel to Flatliners (1990) which starred Kiefer Sutherland, Kevin Bacon, Julia Roberts, Oliver Platt and William Baldwin.

With Kiefer Sutherland returning as Nelson, the same character he played in the 1990 version of the movie, makes this a sequel rather than a remake.

This movie is NOT a sequel to the 1990 movie. It is a remake, a re-imagining, or a version of the previous movie and has no other connection to it at all. Although Kiefer Sutherland appears in both versions, he plays two different characters. (See above … this production sounds very clear and coherent)

Ellen Page also voiced and motion captured the lead character Jodie Holmes from the 2013 video game Beyond: Two Souls (2013). The game explores the “infraworld” which is analogous to the world after death where the souls reside. Ellen Page’s character in the game also experiences supernatural activities and communicates with entities from the “other side.”

Avery Bederman, the daughter of one of the executive producers of the film, Michael Bederman, has a small role in this movie.

Jaws 3-D Recap

Jamie

Jaws is back, Jack! Just when the latest SeaWorld resort is set to open, our titular shark swims into the park with a baby in tow ready to wreak havoc. Can Michael Brody stop the terror and get the girl before it’s too late? Find out in… Jaws 3-D.

How?! SeaWorld is about to open a new resort and things are popping. They got waterskiers, they got dolphins doing tricks, and they got our old friend Mike Brody getting hot and heavy with his lady love. Life is good and nothing could go wrong. When a maintenance man goes missing on a routine dive, Mike goes searching for his body only to discover that a shark has gotten loose in the resort! Uh oh! Springing into action the trainers are able to corner the shark and capture it alive… which seems suspect.You would think it would be a lot harder to capture a monster shark alive. They literally had to blow it to smithereens and electrocute it to death in the past. But oh well, nothing to see here (or is there?). Obviously it soon becomes clear that the shark they captured is just the baby of the true monster Jaws that we’ve come to love and respect. By the time Mike realizes this it’s too late, the resort is in the midst of its grand opening. As the shark wreaks havoc across the limited scope of a theme park, they devise a plan to lure it into a tunnel and suffocate it to death. When this plan fails there’s only one thing left to do: delicately remove the pin from a water grenade held by a dead guy chilling in the mouth of the shark (even more ridiculous than it sounds). After a grand 3D explosion we are treated to a couple dolphins doing neato tricks. THE END.

Why?! Sadly this legitimately becomes a question in the Jaws series as the Brody family is continually stalked by killer sharks. In the first two films you could chalk it up to the shark being hungry and heading to Amity to snack nearer to shore. So its motivation is simply to eat because it’s essential to life. However, this film would take place a decade later in a totally different state and Michael and Sean Brody would once again encounter a monstrous shark that wants to eat them. So we must ask what the shark’s real motivation is. My guess? It’s an assassin sent from the future to kill the Brody family as their offspring are all that stands in the way of the successful shark uprising of 2044. Wait… did I just make this movie rad?

What?! This film is peppered with product placement but you simply can’t ignore the fact that it’s essentially a five hour commercial for SeaWorld (Wait, this film wasn’t five hours long?) Halfway through the film they open the park to great fanfare and it actually made me sad. I don’t want to watch a commercial for SeaWorld! Why did you make me, BMT?

Who?! No Planchet character to be seen. In fact very little humor at all. One interesting fact is that the actor who portrayed Sean Brody, John Putch, eventually turned full time to directing, mostly for television. I presumed he wouldn’t have directed anything for BMT… I presumed wrong. He is none other than the director of Atlas Shrugged II: The Strike. It’s a small BMT world.

Where?! Have I mentioned that this is set at SeaWorld in Florida? Because it’s set entirely in a theme park in Florida. This really should be an A+, but can only get an A because it happens to not be called SeaWorld: The Movie. A.

When?! I didn’t get anything exact. It can be presumed that it’s the beginning of summer since Sean Brody arrives on the scene fresh off final exams at school. I wouldn’t be surprised if I missed something more specific, but for now it stands as a measly D.

This film is terrible. An unacceptable jump down from a serviceable first sequel in Jaws 2. The storyline could never have been made successfully and they obviously got a director who didn’t have the chops to bring the tension that either Jaws or Jaws 2 had (albeit in two totally different ways). Not a surprise that he didn’t direct ever again. I did not like it at all. As for our Friend, D-Tox starring Sly Stallone I’ll let Patrick talk about the merits of the film. Instead I’ll limit my comments to the book on which it’s based, Jitter Joint. The film and book are only very tenuously connected, to the point where I wonder how the author ended up with a credit. Other than the basic idea of a cop heading to rehab and dealing with a string of murders, they are entirely different. The book ended up having a more sensical and original killer (son of an alcoholic targeting alcoholics) and a nice ambiguous ending (not sure whether he ends up living or dying), so I guess I enjoyed that one more, although I didn’t much enjoy the book. It’s just that the film didn’t have much of anything of value. Patrick?

Patrick

‘Ello everyone! So you’re the new PR director for SeaWorld and you want to make … a splash! Luckily you got connections up to wazoo, and you’ve been hearing that Jaws is not only going three-dimensional but also, more excitedly, they are looking for some corporate synergy! Can they guarantee all patrons to SeaWorld will look 100% super happy and 100% super alive throughout? … No? Whatever, let’s get that money making machine rolling! Let’s get into it!

The Good (Sequel, Prequel, Remake) – Lea Thompson is as cute as ever, and Dennis Quaid obvs looks great too. I dug the classic 70s/80s bar scene. There is so little good here I’m actually having a hard time figuring out what to do, because the idea behind Sequel/Prequel/Remake is to take the nugget of good and try and correct everything around it to make a good movie. But … honestly this comes across as more of one of the knockoff Jaws films that were being made in the late-70s and early 80s. So I guess Remake it, but don’t make it a Jaws film. Strip all of it out, and almost go Jurassic Park with it: Shark World. A bold SeaWorld-like amusement park which claims the world’s largest and most dangerous sea life on display! But uh-oh, everything goes wrong and a small group of patrons are trapped underwater fighting for their lives against the park’s most dangerous pets. Meanwhile, on the surface there is a scramble to secure the facility in the face of a greedy owner who only cares about money and himself, in that order. Shark World 3D! Underwater, they are the dominant species!

The Bad (Sklognalogy) – This film looks like a cheap 70s film you’d see on Mystery Science Theater 3000. In fact, the Sklognalogy is from MST3K: The Return, the disasterpiece Avalanche! This movie very much comes across as similar to that, cheap with weirdly well-known main actors and only appealing to the genre nuts. The director clearly had no idea how to film underwater, the connection to SeaWorld is gross and perplexing, and there is never really a coherent storyline (at least not one you care about). It also shits all over the Jaws franchise. In a way that is actually unrecoverable. This movie took a series that had kind of a silly but inevitable sequel, to a laughable franchise that would eventually be poked fun of in Back to the Future II.

The BMT (Legacy / StreetCreditReport.com) – For us I think Jaws 3D joins a film like Can’t Stop the Music as being just kind of perplexing. I could see myself watching it again if, for whatever reason, I found myself watching all four at once. But I doubt it. It is probably still going to be one of the technically worst films we see in BMT, because films that look this technically bad probably wouldn’t be released any year after around 1988. And street cred would be hard to determine if not for the Razzies where it got nominated for nearly every award (it won none of them), and, blessedly, a very amusing clip by Siskel and Ebert for their worst of the year.

Definitely a catastrophe at the time.

There was a small Homework Sklog-signment here in that I had never previously seen Jaws 2. And honestly? In many ways I dug it. I agreed with the choice to show more of the shark since the surprise in the first one was already blown. I liked the teenage characters and the tension when they were stranded on a flotilla of broken sailboats. It worked all the way up to the end, when a terrible looking fiberglass island comes into play, and the shark is electrocuted to end it all. And, obviously, the fact that the Amity Island selectmen wouldn’t believe Brody that a shark was attacking after seeing a shark eat a bunch of people ten years prior is ludicrous.

The more important bit was out Bring a Friend, where we brought along a true blue straight-to-DVD picture. D-Tox starring Sylvester Stallone would remind anyone that watching straight-to-DVD garbage just isn’t worth it. It is boring, and honestly the entire movie is cut in such a way as to make little-to-no sense. I don’t think it is going to change our mind in our tendency to avoid non-theatrical releases, but maybe we just have to find the right one. The set and much of the acting was amusing though, so it did get pretty close. I don’t think I would have necessarily batted an eye if that had come up in BMT, besides that it might be the most poorly edited together film I’ve seen. I’ll leave it there. Cheerios,

The Sklogs

Jaws 3-D Preview

Every cycle is new and different in the BMT-verse, but one thing stays the same: the Chain Reaction always puts us in a tough spot. We have to navigate the past, current, and future cycles all at once or else we might paint ourselves into a corner. This cycle was no different and it left us with only one true spot. That’s right! We’re doing Jaws 3-D-Tox! We’re making our way from The Beverly Hillbillies through the lovely Lea Thompson to the first of the two Jaws sequels that qualify for BMT, Jaws 3-D. Apparently at the time the underwater 3-D photography for the film was actually pretty amazing, but it has been lost to film. Despite this it was still nominated for Worst Picture at the 1983 Razzies, so another feather in our BMT cap. As for D-Tox there was really no other choice for straight-to-DVD as this cycle represented one of the few times we could watch one of films Sly Stallone made in the early 2000’s. This was when his career was really waning and he consecutively made Driven, this, Avenging Angelo, Spy Kids 3-D, and Shade before resuscitating his career with the criminally overrated Rocky Balboa. D-Tox has been on our radar for a while because of just how bad its title is, not to mention that it was released in Europe under an even worse name: Eye See You. Unacceptable! Let’s go!

Jaws 3-D (1983) – BMeTric: 84.7

Jaws3D_BMeT

Jaws3D_RV

(See! Last week I wondered about votes just kind of … tailing off. This is more like it. I really do think Ghosts of Girlfriends Past is just slipping into obscurity. The rating is astonishingly low. Like crazy low. I’m kind of shocked. Take a peek below … this is a film Leonard Maltin gave 2 stars. The reviews aren’t overwhelmingly bad … why do people hate this so much. I am intrigued.)

Leonard Maltin – 2 stars –  Road-company Irwin Allen-type disaster film, unrelated to first two Jaws except by contrivance; this time a shark’s on the loose in Florida’s Sea World. (Does this make it an unofficial remake of Revenge of the Creature?) Might play on TV, but in theaters its only real assets were excellent 3-D effects. Retitled Jaws III for TV and home video.

(Jesus, this review is excellent. Back-to-back hyphen / semi-colon work to open. Two (count’em, two!) older film references (Irwin Allen, the father of the disaster film, and, of all things, Revenge of the Creature). Nice and short, and I’m all about a plot driven by contrivance, so getting me excited.)

Trailer – https://www.youtube.com/watch?v=zMlx33ov82c

(A little bit less information than we traditionally see in trailers for BMT films. Probably for the best considering this just shits all over the previous two films …)

Directors – Joe Alves – (BMT: Jaws 3-D; Razzie Notes: Nominated for Worst Director for Jaws 3-D in 1984; Notes: His one-and-done director job. He is mainly an art director and production designer, including for three Spielberg films (Jaws, The Sugarland Express, and Close Encounters).)

Writers – Peter Benchley (suggested by the novel “Jaws”) – (Known For: Jaws; Jaws 2; The Island; Future BMT: Jaws: The Revenge; The Deep; BMT: Jaws 3-D; Notes: Grandson of famed humorist Robert Benchley, he appears in Jaws as the man reporting the shark attacks at Amity on Fourth of July weekend.)

Richard Matheson (screenplay) – (Known For: I Am Legend; Real Steel; The Box; What Dreams May Come; Stir of Echoes; Twilight Zone: The Movie; The Omega Man; Somewhere in Time; The Legend of Hell House; The Last Man on Earth; The Incredible Shrinking Man; Pit and the Pendulum; The Fall of the House of Usher; The Devil Rides Out; The Raven; Tales of Terror; The Comedy of Terrors; Fanatic; Night of the Eagle; Future BMT: Loose Cannons; The Incredible Shrinking Woman; De Sade; BMT: Jaws 3-D; Razzie Notes: Nominated for Worst Screenplay for Jaws 3-D in 1984; Notes: Wrote the book I Am Legend, What Dreams May Come, among others. Likely he got involved with Spielberg because he wrote the short story Duel which was Spielberg’s first film.)

Carl Gottlieb (screenplay) – (Known For: Jaws; Jaws 2; The Jerk; Doctor Detroit; Future BMT: Caveman; BMT: Jaws 3-D; Razzie Notes: Nominated for Worst Screenplay for Jaws 3-D in 1984; Notes: Wrote the famous book The Jaws Log about the difficult production of the original Jaws. Heavily involved with the Writers’ Guild.)

Guerdon Trueblood (story) – (BMT: Jaws 3-D; Razzie Notes: Nominated for Worst Screenplay for Jaws 3-D in 1984; Notes: Highly successful television writer, he ended up writing several made-for-television creature features including The Savage Bees.)

Michael Kane (additional dialogue) (uncredited) – (Known For: All the Right Moves; Southern Comfort; Future BMT: Smokey and the Bandit Ride Again; BMT: Jaws 3-D; Notes: Appears to have retired around 1994, he rocked multiple movies per year from ‘79 to ‘83. Solid early-80s run.)

Actors – Dennis Quaid – (Known For: The Day After Tomorrow; The Parent Trap; Any Given Sunday; Footloose; Traffic; Wyatt Earp; The Rookie; Soul Surfer; Innerspace; DragonHeart; Frequency; The Right Stuff; Stripes; Truth; Breaking Away; Enemy Mine; Far from Heaven; Dreamscape; At Any Price; Playing by Heart; Future BMT: Legion; Cold Creek Manor; Yours, Mine & Ours; Beneath the Darkness; G.I. Joe: The Rise of Cobra; Horsemen; Something to Talk About; Flight of the Phoenix; The Alamo; Caveman; Undercover Blues; Vantage Point; Switchback; Wilder Napalm; Pandorum; A Dog’s Purpose; All Night Long; BMT: Jaws 3-D; Movie 43; What to Expect When You’re Expecting; Playing for Keeps; Notes: The more successful brother of Randy Quaid. He plays in a band called “The Sharks” … which is kind of funny because he claims he doesn’t really remember making this film.)

Bess Armstrong – (Known For: Serial Mom; Pecker; Dream Lover; Nothing in Common; The Four Seasons; Diamond Men; Future BMT: That Darn Cat; Second Sight; BMT: Jaws 3-D; Notes: Onca said about Tom Selleck: “he has some real power now, but he doesn’t use that, or his charm, to exploit women. He genuinely seems to like women. For an actor, that’s rare.”)

Simon MacCorkindale – (Known For: Death on the Nile; The Sword and the Sorcerer; BMT: Jaws 3-D; Wing Commander; Notes: Was on 230 episodes of Casualty. He died in 2010 from cancer.)

Budget/Gross – $18 million / Domestic: $45,517,055 (Worldwide: $87,987,055)

(Absolutely smashing it. People do like a creature feature sequel.)

#190 for the 3D genre

jaws3d_3d

(It is staaaark how many more 3D films came out in the last 10 years compared to in the 80s. People think these films are dying … but they’re going pretty strong it looks like. Right around The Great Wall from this year!)

#27 for the Creature Feature genre

jaws3d_creaturefeature

(We are seeing a resurgence after the boom following Jurassic Park could repeat that success. Things like Jurassic World and Kong: Skull Island seem like the genre is truly back.)

Rotten Tomatoes – 11% (3/28): No consensus yet

(I’ll have to make my own!: A testament to the greed and arrogance that ultimately lead to a sort of studio collapse in the 90s, this represents nothing more than yet another dumb sequel. The reviews are pretty brutal, although all from after the fact. This film got me wondering about sequelitis, but creature features in particular always had a lot of sequels (like Godzilla), so it wasn’t unique to the “modern” studio system. Still, given the joke about Jaws 19 in Back to the Future Part II, the awareness of the problem was there.)

Poster – Sklogs 3-D (B+)

jaws_3d

(Why do I like this poster so much? Like, I like the symmetry, and how it tries to get across the 3-D. I deduct a bit because the big shark looks very silly, but then the foreground with the water skiers is fun. I dig it.)

Tagline(s) – The third dimension is terror. (D-)

(My initial gut reaction was “I dig it”, but then my brain had time to process the nonsense that is actually there. The third dimension is terror. So like, x, y, and terror? It is lucky it doesn’t get an F.)

Keyword(s) – shark; Top Ten by BMeTric: 87.9 Jaws: The Revenge (1987); 84.7 Jaws 3-D (1983); 84.2 Movie 43 (2013); 81.4 The Adventures of Sharkboy and Lavagirl 3-D (2005); 77.1 Shark Night 3D (2011); 62.2 My Super Ex-Girlfriend (2006); 57.0 Chairman of the Board (1998); 55.5 Dark Tide (2012); 51.8 Return to the Blue Lagoon (1991); 51.2 Sand Sharks (2012);

(We’re leaving a bit of flotsam in our wake with this one, as Jaws: The Revenge will have to be done another time. This is actually an incredible list minus the comedies which “merely have a shark in them”, but Return to the Blue Lagoon? Yes please.)

Notes – According to the book “Roy Scheider: a film biography” (2002) by Diane C. Kachmar, Scheider, who starred in the first two Jaws movies, once said, “Mephistopheles….couldn’t talk me into doing [it]…They knew better than to even ask”. Reportedly, Scheider agreed to make Blue Thunder (1983) in order to ensure that he was definitely and contractually unavailable for this film. Scheider had made Jaws 2 (1978) reluctantly due to a contract issue with Universal Studios whereby he owed the studio two films after withdrawing from The Deer Hunter (1978). To get out of this situation, he opted to make to do Jaws 2 (1978), a picture he didn’t want to work on, in exchange for the studio releasing him from his contract.

The shark was 35 feet long, 10 feet longer than previous films.

David Brown and Richard D. Zanuck, producers of the first two films, originally pitched this as a spoof, based on a suggestion by Matty Simmons and John Hughes. Titled “National Lampoon’s Jaws 3, People 0”, it was about a movie studio trying to make a second sequel to Jaws (1975). It opened with author Peter Benchley being eaten in his pool by a shark, and included a naked Bo Derek and shark-costumed aliens. Joe Dante was attached as director. Steven Spielberg rejected the idea and threatened to walk from his deal with Universal. When Zanuck and Brown learned of the rejection, they quit the studio. (That movie would have been terrible. But it is kind of funny to think of how excited Zanuck and Brown must have been about this idea to quit the studio over it).

In a later interview Dennis Quaid referred to this movie as “I was in Jaws what?”

Lea Thompson’s feature film debut. (Noice, I love Lea Thompson)

The female dolphin called Sandy in the movie is really a male dolphin named Capricorn. He currently lives in Discovery Cove which is owned by SeaWorld Orlando and has interactions with guests like giving them rides and doing tricks for them. Capricorn is 50 years old. (fuck SeaWorld)

In later interviews, writer Richard Matheson claimed that the film was bedeviled with script doctors that ruined the central premise of a white shark swimming upstream and becoming trapped in a lake.

The film made $13,422,500 in its first weekend of release. At the time, that was the highest grossing opening for a 3-D film, it wouldn’t be until 20 years later when Spy Kids 3-D Game Over broke that record ($33,417,739).

The filmmakers initially planned to have very few “pop-out” effects where objects extend beyond the screen in 3D. Studio executives ultimately pressured them to include more, worried that audiences would leave disappointed and spread bad word-of-mouth if the 3D were used mainly for depth. (I cannot wait to notice all of this garbage in 2D)

This is the only film ever directed by Joe Alves. (One and done, one and done, one and done!)

Actresses Lorraine Gary and Fritzi Jane Courtney starred in three of the four “Jaws” films. This movie is the only one that they don’t appear. It is also arguably the only one that Roy Scheider does not appear, given the fact that he appeared in the first two films, and the fourth, Jaws: The Revenge (1987), but in the latter only via the inclusion of a framed photograph, and archive footage used for flashbacks.

This sequel did not use any actors from the first two Jaws movies, Jaws (1975) and Jaws 2 (1978).

The movie was part of an early 1980s cycle of 3D movies that also included Starchaser: The Legend of Orin (1985), Metalstorm: The Destruction of Jared-Syn (1983), Jaws 3-D (1983), Parasite (1982), Amityville 3-D (1983), Comin’ at Ya! (1981), Friday the 13th Part III (1982), Spacehunter: Adventures in the Forbidden Zone (1983) and El tesoro de las cuatro coronas (1983) [“Treasure of the Four Crowns”].

“Jaws 3-D” and “Halloween III: Season of the Witch” have several things in common. Both are the third films in a popular series that began with very successful films released in the 1970s (“Jaws” (1975) and “Halloween” (1978)), both of which launched the careers of their respective directors (Steven Spielberg and John Carpenter). Both were set in new locales not seen in the first two films (the “Jaws” movies took place in Amity Island, and the “Halloween” movies in Haddonfield, Illinois), and were unsuccessful attempts to deviate from previous sequels, which had been highly derivative of the originals (“Jaws 2” (1978) and “Halloween II” (1981)). And both were made by first-time directors who had been the production designers of the previous films (Joe Alves for “Jaws” and Tommy Lee Wallace for “Halloween”).

The movie was directed by Joe Alves who had been the production designer on Jaws (1975) and Jaws 2 (1978) and was also the second unit director for on the latter. Trade paper ‘Variety’ said “Joe Alves was instrumental in the design of the first Jaws shark and was the unsung production hero in both the first two pictures”.

This film was the first shot on Arriflex’s single-camera ArriVision 3D system. However, the system was not actually ready for use until a week into production. During the wait, the Optimax and StereoVision 3D systems were used. All of the footage from the Optimax system was deemed unusable and thrown out (that system was prone to serious misalignment issues), while StereoVision was deemed acceptable enough that it continued to be used for second-unit work through the entire production. ArriVision footage makes up the bulk of the final film, with the earliest-shot and second-unit scenes shot in StereoVision and miniatures and effects shot with a two-camera beam-splitter system similar to later digital 3D setups.

The only Jaws movie which does not feature any scenes filmed at Martha’s Vineyard, known as Amity Island in the series. (BOOOOOOOOOOOOOOOO)

Veteran editor Verna Fields, who won an Oscar for editing the first film, recommended Joe Alves as director.

One of a cycle of 1980s and late 1970s movies that got made after the box-office success Jaws (1975). The films include that movie’s three sequels, Jaws 2 (1978), Jaws 3-D (1983), and Jaws: The Revenge (1987), as well as Orca (1977), Piranha (1978), Tentacles (1977), Killer Fish (1979), Barracuda (1978), Tintorera… Bloody Waters (1977), Blood Beach (1980), Piranha Part Two: The Spawning (1981), L’ultimo squalo (1981), Up from the Depths (1979), Monster (Humanoids from the Deep) (1980), L’isola degli uomini pesce (1979), Devouring Waves (1984) and Mako: The Jaws of Death (1976). (I want to see these)

The characters of Mike Brody (Dennis Quaid) and Sean Brody (John Putch) are the sons of Chief Brody (Roy Scheider) from Jaws (1975) and Jaws 2 (1978).

All the appliances seen in the film’s interior shots were Sears Kenmore-branded. However, this was not intentional. (Awesome secret sponsor)

Awards – Nominated for the Razzie Award for Worst Picture (Rupert Hitzig)

Nominated for the Razzie Award for Worst Supporting Actor (Louis Gossett Jr.)

Nominated for the Razzie Award for Worst Director (Joe Alves)

Nominated for the Razzie Award for Worst Screenplay (Richard Matheson, Carl Gottlieb, Guerdon Trueblood)

Nominated for the Razzie Award for Worst New Star

Ghosts of Girlfriends Past Recap

Jamie

Connor Mead is a world famous photographer/womanizer who does not believe in marriage. One problem, he has to attend his brother’s wedding this weekend! Uh oh! When he ruins everything, Connor is visited by three ghosts who try to show him the error of his ways. Can he save the day (and get the girl) before it’s too late? Find out in… Ghosts of Girlfriends Past.

How?! Truly a classic rom com storyline. We have our wildly wealthy man about town, Connor Mead, who does NOT believe in love (gross! That’s for sissies!). He slays the ladies but we get the feeling that he really only sleeps around because he can’t face that he’s still hung up on the one that got away, his (also wildly successful) childhood friend Jenny. Connor heads off to his brother’s wedding and almost immediately begins to ruin everything. After one too many drinks he is taken on a journey of discovery to cure him of his wild ways by the ghost of his long dead womanizing uncle and three ghosts of girlfriends past (who hasn’t, right? College). First he is shown his past where we see a young Connor in love with Jenny but fated to screw it up. Then he is shown how his womanizing is hurting everyone that comes in contact with him in the present. Finally he is shown how if he doesn’t stop he’ll end up dying a sad and lonely man. While all this is happening he also manages to get the wedding cancelled… so not doing so hot on picking up what the spooky ghosts are putting down. After realizing that love is real he madly dashes to save the wedding and get the girl… which he does. The End.

Why?! The motivation in rom coms are just as straightforward as in horror films. Except instead of death, hate, and mayhem the motivation is love (awww). Someone is searching for love but can’t find it, only to figure out that it was right in front of them the entire time (awww). Pretty much the case here as while Connor isn’t actively searching for love he learns through the film that love is what he needs and Jenny has been there the whole time (awww).

What?! Connor is as much a scrooge about love as Scrooge was about Christmas spirit. Bah humbug on the whole thing. So when he has to suffer through his brother’s wedding he does the only thing he apparently likes to do more than have sex with any woman who passes his way: drink. And not just any drink, it’s Johnnie Walker Blue all day and all night. Expensive habit.

Who?! Double dose here as we have musician Christina Milian appearing unbilled as the subject of a Connor Mead photograph in the opening scenes. This completes a BMT trilogy for Milian with Be Cool (gross) and Torque (less gross). Don’t worry though, she has plenty more.

Where?! While the movie was filmed at the Crane Estate in Ipswich, MA, which I stayed at on my wedding night, it surprisingly wasn’t set in MA. In the opener, which takes place at Connor’s studio in NYC, he mentions that he has to travel to Newport for the wedding. This is an obvious reference to Newport, RI which is famous for its mansions. Pretty rare state. Rare enough that we used a film called Evening to hit it for mapl.de.map. What a disgrace. C-.

When?! A little debate at BMTHQ as to whether this is a holiday film. It’s certainly an adaptation on The Christmas Carol and at one point Connor even directly quotes the classic tale by asking a kid whether it’s Christmas yet (but he might just be joshing). It’s never directly acknowledged so can’t really count it, but diving deep into the uncredited roles listed on IMDb there are no less than three actors credited as “Unemployed Santa.” I think I’d remember a few jobless Santas in the film if they actually appeared, but that just might make this a super secret holiday film. D-.

Much like the recently BMT’d Made of Honor this film is almost pleasant in its genericness. Just plods along a plot that we’ve watched a million time. Unfortunately it totally botches the one thing that allowed Made of Honor to stand out from the crowd: an endearing main character and a realistic relationship to root for. In this case Connor Mead may just be the most unpleasant protagonist we’ve had to suffer through (not counting everyone Gerard Butler has played). He’s just an obnoxious, rich asshole who suffers no consequence for his years of being an obnoxious, rich asshole. All that being said, Emma Stone was fun. As for our foreign flick, Asterix at the Olympic Games, that shit was the Frenchest thing I’ve ever seen. I’m not totally sure why it was that French audiences rejected it so thoroughly (I thought it was silly but amusing). I presumed that it was the fact that our heroes Asterix and Obelix are somewhat minor characters in the film, but according to reviews I read that wasn’t the problem. Apparently this film was guilty of one too many French pop/athlete references and cameos… I didn’t notice because I didn’t get many of those references. The moral of the story? Bad movies are not a universal language. Patrick?

Patrick

‘Ello everyone! Your boss is a hotshot producer and wants a fresh spin on an old classic. Well it’s coming onto Christmas, and you know what that means … you’ve forgotten to buy gifts and you need to smash out this spec in like ten minutes before hitting the mall! Oh, and obviously your idea is just a rehash of A Christmas Carol. But then you remember that Bill got fired for pulling the same trick last year … whatever, let’s have it star a horribly smarmy womanizer and release it in May. Bing bang boom, let’s get into it!

The Good (Sequel, Prequel, Remake) – The main players do a fine job with what they are provided, and the movie looks good as well. Oh, the bumping 80s tunes were a definite A+. But, there is very little else good about this, which we will obviously get into. But let’s make a Remake! About time we got this right. First, make it an adaptation of It’s a Wonderful Life, Michael Douglas isn’t the warning miser, he’s the angel who wants his wings! He took in his nephews as his own, and for all he tried he couldn’t put Connor on the right track. And before he’s allowed his place in heaven, he needs to change the course of the young man’s life before it is too late! Going through the past he shows all the good he did, and where he went wrong, and the love he missed out on, and in the end the angel gets his wings. Yeah, also don’t fill the entire movie up with cliches.

The Bad (Sklognalogy) – Let’s just get the Sklognalogy out of the way: this movie is basically identical to Made of Honor. The beats are all the same: The womanizer who realizes the one that got away is the one, but before he can get the girl he has to convince her (and himself) that he’s changed! The main difference: Made of Honor was half-way filled up with cliches. This guy had the smarmy lead, the psychoanalyzing ex, the honorable brother, the bridezilla, the bridesmaid who wants to bone him, the groomsmen who wants to be him, the sultry future mother-in-law and scary military father-in-law … sigh, it is just incredible. Not to mention that this entire movie reads as rich-white-people-problems put to film (like Made of Honor …). Anywho, long story short: turns out making a movie that is one-hundred percent rom-com cliches makes for innocuous by ultimately unsatisfying results. Go figure.

The BMT (Legacy / StreetCreditReport.com) – The one-two combination of this and Made of Honor is actually quite tantalizing for a footnote of 2017. It could come up there. I love McConaughey (Foooool’s Gold, it’s not that bad, it’s not that bad), so perhaps as the pinnacle romantic comedy lead … I could see it. CNN has it fifth worst for 2009, but it doesn’t get much play elsewhere for what is a truly impressive bad movie year. Two 2009 movies in a row! And plenty to go it would seem.

Along with Ghosts of Girlfriends Past we watched a Foreign Film this week for the Bring a Friend requirement: Asterix and the Olympic Games. This basically proved to me why we don’t do foreign films: I’m missing context. I thought it was actually rather funny (especially Brutus), I laughed more than I did during Ghosts of Girlfriends Past for example. But I feel like there was something missing. Were these actors good? Were they playing with or against type? If Will Smith was sitting there mugging it on screen I would possibly think a movie was great fun … but Disaster Movie has nobodies mugging constantly and is merely sad and tragic. It had two prequels (I didn’t watch them), and is based off of a beloved comic / cartoon … so there is possibly a level of offense as well with hurting the source material. I’m adrift. I thought it was fine (its bad-movieness saved by hilarious back-to-back-to-back French sports figure cameos to end the film), but people really seem to hate this thing, so I can merely defer to their opinion.

Some foreign films I think we could maybe gain context over time (Hong Kong cinema in particular, and possibly French comedy), but it would be difficult. I have a similar problem with films prior to 1980. That issue though I think is remedied easily: watch a ton of good movies from that era to get a feel for a typical 1970s film, for example. Same goes for martial arts and westerns actually. We just did it with slashers, a genre I had almost no knowledge of prior to this year! So there are opportunities. BMT brings opportunities, truly one of the greatest things ever to be invented ever.

Cheerios,

The Sklogs