Alpha and Omega Preview

Jamie and the Predator climb aboard his rocket powered skateboard and fly out of the whale. At first they totally don’t get along due to their differences. The Predator is a bloodthirsty monster focused only on killing. Jamie is a cool dude just looking for a party. But soon they find common ground as Jamie realizes the Predator has some pretty cool tech to track the little old librarian and the Predator realizes that Jamie can brew a mean cup of coffee. Turns out that’s not the only thing brewing: we got ourselves a full blown bromance. They spend hours telling each other secrets and braiding the Predator’s hair. They come up with some elaborate handshakes and build a tree fort together. It’s more or less the best. Unfortunately this also means distraction as the Predator totally wrecks his rocket skateboard in the wilderness of Canada while trading baseball cards with Jamie. “Damn it, Predator. What are we going to do? We’ll never get back to civilization in time to kill the little old librarian and rescue Patrick from the terrors of the alternate dimension.” The Predator shrugs his shoulders, downs a can of Mountain Dew, and begins the trek in the general direction of the LOL (little old librarian, duh). Suddenly a pack of wolves emerges from the trees. Just before the Predator blows them to smithereens Jamie intervenes. “Wait,” he says in confusion, “these aren’t real wolves… these are terribly rendered holograms.” That’s right! This week we’re watching Alpha and Omega, that animated wolf film that everyone remembers and loves. There was a time when it seemed like everything rendered in beautiful 3D animation was gold and never got bad reviews. This film came out right after that. But don’t worry it made bank and has a thousand straight-to-DVD sequels (I know you were worried)… sigh, this should be fun. Let’s go!

Patrick awakens on the beach, but now it looks like a beautiful European vista. “I love vistas.” Patrick thinks as a beautiful woman exits the water and approaches him. It is young Elizabeth Taylor, or at least someone who looks like her. In an instant he lives an entire life, they have a torrid love affair that the press can’t get enough of, he wins awards, becomes an alcoholic, and becomes a shattered soul as their love sours, rekindles, and then falls apart. On his deathbed in Switzerland, an old man, Patrick thinks back to that iconic love story before peacefully passing away. Becoming a force ghost, he haunts Elizabeth Taylor for the rest of her days until … Patrick awakens, he isn’t actually dead, he is still in Switzerland and was merely napping, but as if through a thick fog he can hear a familiar voice: “Gosh dern it Patrick, snap out of it!”, he awakens again! It was a dream within a dream! What a twist! The beach is torn to shreds, the birds gone, and Sticks and Stones are battered and bruised. Patrick can barely hear them through the whipping winds. Patrick is lifted into the air at the center of the storm, tears filling his eyes, and fear filling his heart. He doesn’t know what to do. He wishes he could just go back to something comfortable and calming, like illogical and unending product placement within the bad movies that he loves. Bam! The beach set is now a supermarket, and Stick and Stones are cartoon cereal mascots. “Shit, how’d you do that?!” Sticks growls. “It don’t matter, use those twin powers to get us to the precinct!” says Stones. They all jump in a supermarket cart and dash off down the aisle. That’s right, we’re watching Foodfight! Produced in 2003 the film is thought to have been a money laundering scheme gone awry, the gimmick being the promise of product placement covering production costs. After defaulting on loans, the film was auctioned off and, with investors invoking a contractual clause, the film was quietly released on DVD a decade after production began. Let’s go!

Alpha and Omega (2010) – BMeTric: 44.1

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(Shockingly low rating for an animated film it feels like. Not much else to say beyond that it has a very nice vote curve which appears to be asymptotically approaching a value around … fifteen thousand maybe?)

Leonard Maltin – 1.5 stars –  Two wolves, a male and female with opposite personalities names Humphrey and Kate (get it?), are transported to Idaho to mate and expand the wolf population. Instead, they band together to trek back home to Canada, encountering numerous perils along the way; later, they work together to stop their packs from having a turf war. Animated film is aimed at the youngest members of the family, with slapstick antics and cliched characters that will have parents squirming. Produced on a low budget and animated primarily in Mumbai, India.

(So I guess what Leonard is referring to is Humphrey (Bogart) and Kate (Katharine Hepburn I assume)? Although I couldn’t find anything definitive on that actually being the case, so perhaps I’m missing something. While researching this I have discovered there are a number of fan fiction short stories about Kate and Humphrey’s children. So that’s a thing.)

Trailer – https://www.youtube.com/watch?v=cXLAvDEpdT0

(Wowza, the animation is terrible! What an Idaho film as well … too bad Georgia Rule already dominates that state on the Mapl.d.map.)

Directors – Anthony Bell – (BMT: Alpha and Omega; Notes: Duckman, The Wild Thornberrys, and Rugrats are just a few of his television credits. Seemingly was a big name in animation directing.)

Ben Gluck – (BMT: Alpha and Omega; Notes: Graduated from the California Institute of Art. Did a few direct-to-video sequels, Bambi II and Brother Bear 2, prior to co-directing this film.)

Writers – Chris Denk (screenplay) – (Known For: Bling; BMT: Alpha and Omega; Notes: Was a production assistant before breaking through as a screenwriter.)

Ben Gluck (story by) – (Known For: Bambi II; BMT: Alpha and Omega; Notes: His last credit both as a director and writer were Madea’s Tough Love, which is an animated Madea film.)

Steve Moore (original screenplay and story) – (Known For: Open Season; BMT: Alpha and Omega; Notes: Created the syndicated cartoon In the Bleachers which Open Season is a spin off from. Alpha and Omega is his only original screenplay it looks like.)

Actors – Hayden Panettiere – (Known For: Remember the Titans; Scream 4; A Bug’s Life; Dinosaur; Ice Princess; The Object of My Affection; Future BMT: Hoodwinked Too! Hood vs. Evil; Racing Stripes; Joe Somebody; Raising Helen; Message in a Bottle; The Affair of the Necklace; Fireflies in the Garden; The Architect; BMT: I Love You, Beth Cooper; Alpha and Omega; Notes: Apparently just split up with Wladimir Klitschko after a five year engagement during which they had a daughter.)

Christina Ricci – (Known For: Fear and Loathing in Las Vegas; Sleepy Hollow; The Addams Family; Monster; Casper; Addams Family Values; Black Snake Moan; Speed Racer; Penelope; Mermaids; Small Soldiers; Buffalo ’66; The Ice Storm; Bastard Out of Carolina; The Opposite of Sex; Anything Else; Pecker; The Hard Way; Gold Diggers: The Secret of Bear Mountain; Around the Block; Future BMT: Cursed; The Smurfs 2; Bel Ami; That Darn Cat; Home of the Brave; 200 Cigarettes; Mothers and Daughters; Distorted; New York, I Love You; The Man Who Cried; Prozac Nation; I Love Your Work; Pumpkin; All’s Faire in Love; Now and Then; Desert Blue; BMT: Bucky Larson: Born to Be a Star; Bless the Child; Alpha and Omega; Notes: Child star turned actress, she seems to do more television these days, like playing Zelda Fitzgerald in Z: The Beginning of Everything)

Justin Long – (Known For: Dodgeball: A True Underdog Story; Tusk; Idiocracy; He’s Just Not That Into You; Drag Me to Hell; Funny People; Zack and Miri Make a Porno; Die Hard 4.0; Galaxy Quest; Veronica Mars; Jeepers Creepers; Walk Hard: The Dewey Cox Story; A Case of You; 10 Years; Herbie Fully Loaded; Going the Distance; The Conspirator; Comet; Youth in Revolt; Frank & Lola; Future BMT: Alvin and the Chipmunks: The Squeakquel; Alvin and the Chipmunks: Chipwrecked; Yoga Hosers; Alvin and the Chipmunks; Alvin and the Chipmunks: The Road Chip; Jeepers Creepers II; Walking with Dinosaurs 3D; The Break-Up; Serious Moonlight; Trauma; Planet 51; Ghost Team; The Lookalike; Literally, Right Before Aaron; Accepted; Best Man Down; Waiting…; BMT: Crossroads; Movie 43; Old Dogs; Strange Wilderness; Alpha and Omega; Notes: Was the Mac guy in old Mac commercials (opposite John Hodgman, the PC). Apparently might be back together with Drew Barrymore, they were reportedly dating around the time they filmed Going the Distance.)

Budget/Gross – $20 million / Domestic: $25,107,267 (Worldwide: $50,507,267)

(A success I would say. Not enough maybe to make a real sequel, but it isn’t that surprising it has … six sequels! Well, it isn’t surprising it has sequels, we’ll leave it at that.)

#191 for the Animation genre

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(Huh … we haven’t watched any traditional animated films. Unless you count Cool World which was only partially so. Most of the recent examples are computer animated, but interesting to see how inconsistent (but extremely successful) the early 90s were for traditional animation with things like The Lion King and Beauty and the Beast, made alongside things like Rock-a-Doodle.)

#129 for the Animation – Computer genre

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(The Emoji Movie was by far the most recent of the computer animated. Pretty interesting to see the success of the early examples (like Toy Story) and how it almost immediately settles into a steadily rising production / revenue line.)

Rotten Tomatoes – 16% (9/56): With bland visuals and a dull, predictable plot, Alpha and Omega is a runt in 2010’s animated litter.

(Huh, bland and predictable doesn’t seem too great. At least it is a real animated film I guess. Reviewer Highlight: There’s nothing here that Disney hasn’t done much better decades ago, and the script is a lame mixture of slapstick and sentiment. – Christopher Tookey, Daily Mail)

Poster – I’m Uncomfortable With How Sexily They Have Drawn That Girl Wolf (B)

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(If you think that’s uncomfortable wait until you see how they animate that sexy girl wolf. It gets weird. Anyway, nice font, good balance, and OK coloring. Overall pretty good.)

Tagline(s) – A Pawsome 3D Adventure (Nope)

(Woof! That one’s… ruff. They sure let this tagline… go to the dogs.)

Keyword(s) – park; Top Ten by BMeTric: 91.1 The Room (2003); 75.8 Look Who’s Talking Too (1990); 71.4 Getaway (I) (2013); 68.9 The Happening (2008); 65.7 Yogi Bear (2010); 61.6 The Garbage Pail Kids Movie (1987); 60.5 The Snowman (2017); 56.5 Befikre (2016); 56.4 Rough Night (2017); 55.7 Ri¢hie Ri¢h (1994);

(Well, I suppose The Room does have a scene in a park … Yogi Bear seems like the only actually park film. Richie Rich does end in a park as well, but that is a fairly minor part of that atrocious film.)

Notes – Dennis Hopper’s last film. (yes, this is sadly true)

It was Lionsgate’s highest grossing animated feature, before 2017 when it was dethroned by My Little Pony: The Movie (2017).

The names of the two main characters are Humphrey and Kate, which are the names of the co-stars of The African Queen (1951) Humphrey Bogart and Katherine Hepburn. (Hey, I guessed right!)

In reality, northwestern wolves that originated from Alberta, Canada, were used to repopulate Yellowstone National Park.

The first of five movies released in a seven-month period, that set the record of the worst debut for a 3-D movie. This movie debuted to 9.1 million dollars, setting the then-record, losing it to My Soul to Take (2010) (6.8 million dollars) three weeks later, which lost it to Gulliver’s Travels (2010) (6.3 million dollars) eleven weeks later, which lost it to Drive Angry (2011) (5.2 million dollars) ten weeks later, which lost it to Hoodwinked Too! Hood vs. Evil (2011) (4.1 million dollars) nine weeks later. However, despite its rather disappointing opening at the box-office, the movie did much better later on, managing to make three times more than its twenty million dollar budget. (Probably just reflects the growing ubiquity of 3D films in the US at the time, that eventually even really small films were getting 3D released in 2011)

Gained a cult following among audiences, and developed a decent fanbase. It’s also Crest Animations’ and Lionsgate’s most famous and popular movie. (I mean … maybe Crest. But certainly not Lionsgate. Maybe their most famous released together?)

The actors, actresses, directors, and crew would actually act out the performances themselves, and then send out the footage to the main studio in Mumbai, India to be fully animated. (whaaaaaaa)

The movie didn’t do as well as expected at the U.S. box-office, earning a little over twenty-five million dollars on its twenty million dollar budget. However, it did better in the rest of the world, eventually grossing almost fifty-one million dollars.

Steve Moore originally intended to give the movie a slightly darker and more serious story, but Lionsgate wanted it to be aimed more towards children, leading the original script to be re-written.

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In Love and War Recap

Jamie

Young Ernest Hemingway is injured while serving in the Red Cross during World War I. He ends up falling in love with the nurse caring for him, but their love seems destined to fail. Will he single handedly win WWI (no) and get the girl? Find out in In Love and War.

How?! Young Ernest Hemingway suuuuckks. He’s a young, whiny asshole who also rescues someone in Italy and gets shot in the leg in the process. While generally whining about everything, his nurse Agnes is a hero and saves his leg from amputation. He returns the favor by following her around, pestering her, claiming that she must love him, and touching her clothes and shit even though she tells him to stop. Eventually they go out on a date and he acts like a complete idiot and she more or less is like “maybe I’ll actually think about marrying this wildly successful Italian doctor that is super into me instead of you.” He gets all mopey and she ends up leaving to help closer to the front line. When he hears he’ll be shipping home Ernest goes to the line to see her one last time and despite being a complete buffoon they dance and have sex (not necessarily in that order). They totally promise that they will love each other forever, but there’s still that sexy italian doctor coming around whispering sweet nothings in her ear. Agnes breaks it off with Ernest, but while considering the doctor’s proposal has a change of heart and returns to the States. She makes one final attempt at reconciling with Ernest, but he’s too proud and is like “no, I don’t even like you. Whatever. I’m not crying. YOU’RE CRYING!” and she leaves. Ah, a love story for the ages. The End.

Why?! Well obviously love. Duh. In reality this is a story of two young people who are in pursuit of something that they can’t quite put their finger on. Perhaps it’s adventure, or maybe trying to find a direction in life other than what seems destined (marriage, becoming a doctor, or whatever), but regardless they collide at the worst possible moment for making their love work. He is immature, but sure of their love, and she is mature enough to be cynical about what their love could mean. In the end it explodes and messes them both up. Anyway, I think I wrote more seriously than this film is worth but Ernest Hemingway does seem fascinating despite being a whiny asshole.

What?! It was a strange twist when they revealed that Hemingway had to find an ancient magical relic called the Horn of Venice in order to gain the love of Agnes. JK, lolz. Not much in this one for MacGuffins, Plot Devices, or Product Placements. Really the closest we have is a multitude of endings whereby Hemingway and Agnes keep seeing each other in Italy and America. In reality she broke it off with him and they never saw him ever again. So that’s kind of like a plot device… if deviating from reality is a plot device.

Who?! Dedicated to Henry S. Villard who wrote the book and is portrayed by BMT fave Mackenzie Astin. Why is he a fave? Because he portrayed the main character Dodger in Garbage Pail Kids. We were so inspired that Patrick wrote a whole gritty reboot for the GPKU entitled Dodger that was… disturbing. It’s also fun because Villard in the film is kind of like a Planchet. He’s mostly dismissed and made fun of by Hemingway despite apparently being his good friend.

Where?! Venice, baby! Or at least thereabouts for almost the entire film. We get some really nice shots of the city and it plays a major role in the true(ish) love story of Agnes so indispensable. I gotta give it a solid A-.

When?! WWI, baby! Interestingly there is a pretty incredible dearth of WWI films in modern day. Totally overshadowed by WWII, which gets one or two every year. I guess it’s something like Slender Man vs. Friday the 13th. One has a bad guy you can’t get enough of and they keep pumping them out. The other is just a vague notion that is hard to convey concretely without getting bogged down narratively. Sorry WWI, you the Slender Man of wars. A.

This movie is fine. Makes me want to read some Hemingway and marvel at the fact that this film came out in the mid-90’s pretty much right when these types of films stopped being made. At this point it plays like a TV Movie for the BBC and I let it wash over me as such. The only major critique was that it ended at least five separate times… could have done with the first couple and that’s about it. As for Liz & Dick, I find it amazing that it was written about so extensively online as if it was the worst thing that has ever happened. First of all, ever watch the SyFy network? Second of all, the outcry at Lindsay Lohan’s performance seems totally unwarranted. Sure, I would guess that a film critic might be knowledgeable enough about film history to know that her vaguely transatlantic accent doesn’t actually match Elizabeth Taylor’s accent at all but guess who doesn’t know that? Me. She wasn’t even the worst actor in the movie and she showed off a little by squeezing out some tears here and there. It was fine. We’re fine. BMT’s fine. I SAID IT’S FINE! Patrick?

Patrick

‘Ello everyone! World War I was a war of attrition with countries attempting to wait out supply lines and ammunition in fortified trenches for years on end. In Love and War attempts to do the same, waiting out my patience for what feels like years on end. Let’s get into it!

The Good – The vistas as usual. The story itself is somewhat interesting. It is almost one of those stories that seems so crazy that it couldn’t be true. A rare World War I film, and even rarer given it covers an aspect of that war that itself it basically never covered, the Italian front against Austria. O’Donnell would be good as a kind-of stunt cast given he embodies youthful naivety perfectly, although it becomes problematic I think in the grand scheme of things. Did I mention the vistas?

P’s View on the Preview – The thing that most critics seemed to cite is the incredibly, almost impossibly, bad chemistry between the leads. What I became somewhat interested in was Richard Attenborough, who beat out Spielberg for Best Director with Gandhi in 1982, acted in Spielberg’s Jurassic Park in 1993, and then directed this film two years prior to Spielberg creating one of the best war films ever in Saving Private Ryan. This is probably considered his worst directorial effort of his career which is notable.

The Bad – A bore. Not only because the war scenes don’t look particularly good or interesting, but because the story itself just kind of meanders around and then ends at least three times before finally closing out. Sandra Bullock is a particular weak spot playing opposite of an appropriately youthful and naive O’Donnell, although neither seem to be very good actors in the end. A waste of what is ultimately a pretty fascinating story.

You Just Got Schooled – To put it mildly there isn’t much to learn about this film without actually reading the book it is based on (whoops, sorry not sorry). Instead I think I’ll look at a little World War I analysis. Using the IMDb keyword there are eight films which qualify for BMT. Of those, only two are actually set on the battlefields of World War I, this and Flyboys starring James Franco. The Ottoman Lieutenant (starring Josh Hartnett) could also qualify, although it was only released to 200 theaters. Of those three In Love and War is actually the highest qualifying World War I film! Box Office Mojo agrees with this analysis, Flyboys and In Love and War are the only bad major releases based in World War I. As a matter of fact, the only other major releases since 1980 in the Box Office Mojo genre are Wonder Woman and War Horse. Which is astonishing. I think this will change soon. Wonder Woman has reignited interest in the genre, as will the upcoming Peter Jackson documentary.

The BMT – I doubt I will even remember this film by the time next week rolls around. It’ll maybe crop up if we ever watch another World War I film though. That is something I suppose. But no, it is very much not BMT material in the end.

Welcome to Earf – Alright, so Chris O’Donnell was in this and Batman & Robin as the titular Robin, which also starred Arnold Schwarzenegger who was in Expendables 3 with Sylvester Stallone, who was in Zookeeper with Adam Sandler, who was in Jack and Jill with Al Pacino, who was in 88 Minutes with Leelee Sobieski, who was also in Here on Earth. Welcome to Earf!

StreetCreditReport.com – None. I even tried to look up the worst World War I films, and the one that was put above In Love and War is this guy, which is so small it has less than one thousand votes on IMDb and doesn’t even seem that bad. Given its Rotten Tomatoes rating and the fact that Leonard Maltin gave it a BOMB, it is impressive how under the radar the film is.

Bring a Friend Analysis – This week we watched the Lifetime Original film Liz and Dick. Staring Lindsay Lohan and … some guy, and Elizabeth Taylor and Richard Burton, the film was … a Lifetime Original. As a matter of fact, it seems like it was better than I would have expected from such a film. Lohan is okay, and it is a bit surprising she doesn’t get any work acting anymore, she’s fine for roles like this honestly (which probably means she’s still a pain to deal with). The story is interesting, although the film itself felt like it was four hours long, which is a major downside. I’m going to give this a D+ as a friend. It needs to be done because of Lohan, but it is so unrepresentative of what I want in a Lifetime Original (drama up the wazoo), that I have to punish it severely. It is kind of just a special case which after you watch it you’ll think “yup … that was Lindsay Lohan in a Lifetime Original film … cool.” Not worth it.

Cheerios,

The Sklogs

 

In Love and War Quiz

Dig into those trenches, acost the lovely nurses, lie about bedding them and pester them day and night … wait one second … was Ernest Hemingway a creep? Goddamnit, he was a creep. Well, I have to make a quiz regardless.

Pop Quiz Hot Shot!

1) In the beginning of the film when Sandra Bullock arrives at the hospital on the Italy-Austria border they set up the hospital in what kind of building? What used to be there?

2) Why couldn’t Hemingway join the actual army?

3) In order to save Hemingway’s leg the famous nurse Sandra Bullock employed what technique developed where?

4) Ernest’s Red Cross bestie comes in with some serious injuries … like burns all over his body kind of injuries (but you’ve never looked better buddy …). What ultimately happens to him?

5) Ernie gets two things for his battlefield heroics, one from the Italian army and one from an Italian citizen. What were they?

Answers

In Love and War Preview

As Jamie contemplates what to do about The Predator, the creature suddenly looks up and engages its invisibility shield. Damn it, it must has smelled this decaying shark corpse Jamie has been carrying around. Looking around, Jamie spies a skateboard and a backwards baseball cap that must have belonged to a previous victim of the whale and is soon jetting around doing all kinds of ollies and kickflips or whatever. Unfortunately, as is often the case, Jamie is a little too focused on hot dogging and being rad and takes a tumble while attempting a fakie bigspin heelflip. The Predator approaches with laser aimed to kill and Jamie expresses sadness that he was never able to avenge Patrick by killing the Little Old Librarian that brought him to this point. Suddenly The Predator cocks his head in confusion. It speaks some alien language that is translated by the robotics on its wrist. “Did you say Little Old Librarian?” Jamie nods his head yes and the Predator raises his fist in triumph. “The greatest of all prey. Finally I… no, we… shall defeat it,” putting out his hand to pull Jamie to his feet. He blasts a hole in the side of the whale and heaving the decaying corpse of Frang to his should he looks directly into the camera and dramatically says, “Let’s blow this joint. We got a war to fight… bro.” Jamie suddenly has a tingling sensation in his belly and there’s only one thing that could mean: a bromance is a-brewin’. That’s right! This week we are watching In Love and War, that film that everyone remembers and loves starring Chris O’Donnell and Sandra Bullock. It’s based on the true love story of Ernest Hemingway that was the inspiration for a couple of his books. Sounds thrilling. Let’s go!

Hey dummies, expecting a story about Patrick fighting some weird bug or something? Naw, he’s unconscious for this bit. But don’t worry, we are also watching Liz and Dick this week. The Lifetime Original film starring Lindsay Lohan was supposed to be a way for her to slowly reenter the world of acting. Instead everyone just made fun of it and then forgot about it completely. Let’s go!

In Love and War (1996) – BMeTric: 22.3

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(This is something I noticed in previous posts but … Something happened in 2014 with IMDb. I should investigate it honestly. But on exactly January 1, 2014, ratings in general jumped significantly upwards. This is no different. As a matter of fact the rating of the film doesn’t really rise besides that giant 0.3 rating jump on New Years’ Day, 2014. Very much worthy of an investigation I think.)

Leonard Maltin – BOMB –  Lumbering catastrophe chronicles Ernest Hemingway’s WWI love affair with Red Cross nurse Agnes von Kurowsky, eight years his senior and the inspiration for the character Catherine Barkley in A Farewell to Arms. Miscast O’Donnell might actually be more credible playing Ernest Borgnine, and the leads have no chemistry. The film leans on what used to be called “scenic values” like a bookie who’s been stiffed.

(“scenic values” …. So, vistas? I think he’s talking about vistas here which is a huge plus for me obviously. Two things. First, the turn of phrase at the end is just bonkers, pump the breaks on that guy Leonard, the bookie ref makes no sense. Second, the casual dropping of Ernest Borgnine, as if I’m supposed to know what that is is ridiculous … I think it is supposed to be a ridiculous suggestion, but it is so far beyond me I just don’t know anymore. This review is astonishing.)

Trailer – https://www.youtube.com/watch?v=DVEUGM3Scck

(This is a very old school trailer. If I were to field a guess as to why this film was rejected by critics: It was considered very old fashioned having been directed by a 70-year-old Richard Attenborough, and stars two actors who, I think, are only “good” in very specifically designed roles in Sandra Bullock and Chris O’Donnell. Syrupy sweet nonsense.)

Directors – Richard Attenborough – (Known For: Gandhi; A Bridge Too Far; Chaplin; Cry Freedom; Magic; Shadowlands; Oh! What a Lovely War; Young Winston; Future BMT: Chorus Line; Grey Owl; BMT: In Love and War; Notes: Most famous as John Hammond in Jurassic Park I think at this point, although he won the Best Director Oscar for Gandhi, beating out none other than Steven Spielberg for E.T.)

Writers – Henry S. Villard (book) – (BMT: In Love and War; Notes: Became a good friend to Hemingway in Italy during the time the book took place. Joined the US Foreign Service helping to plan the invasion of North Africa in the Second World War, and was the liason to the Free French Forces for the US. Held a multitude of different ambassadorships over the years and lived to the age of 95.)

James Nagel (book) – (BMT: In Love and War; Notes: Co-author to the original book, although I couldn’t find much more about him. Mainlys seems to have produced collections of short stories.)

Allan Scott (screen story & screenplay) – (Known For: The Witches; Don’t Look Now; D.A.R.Y.L.; The Preacher’s Wife; Castaway; BMT: In Love and War; Notes: Took over the chairmanship and chief executive position of Macallan-Glenlivet in the late 70s and ran the company until 1996 at which point its market cap had increased 200 fold during his tenure.)

Dimitri Villard (screen story) – (Future BMT: Once Bitten; BMT: In Love and War; Notes: Given he founded Jet Set Records, apparently one of the more successful rhythm & blues labels of the era, and established one of the earliest pay television channels in California, he seems to have made movies once becoming rather wealthy. Mostly worked in the 80s, with this film being one of the rare exceptions.)

Clancy Sigal (screenplay) – (Known For: Frida; BMT: In Love and War; Notes: Was blacklisted in the 1950s and ended up moving to the UK to work there for decades.)

Anna Hamilton Phelan (screenplay) – (Known For: Girl, Interrupted; Mask; Gorillas in the Mist; Future BMT: Amelia; BMT: In Love and War; Notes: Wrote Mask while at Emerson. Ultimately moved to New York City to try acting while continuing to write screenplays, Mask was her only credited acting film role.)

Actors – Sandra Bullock – (Known For: Ocean’s Eight; Gravity; The Proposal; Crash; A Time to Kill; Two Weeks Notice; Speed; Minions; The Heat; The Prince of Egypt; Miss Congeniality; Extremely Loud & Incredibly Close; While You Were Sleeping; Forces of Nature; The Vanishing; Divine Secrets of the Ya-Ya Sisterhood; The Thing Called Love; Infamous; Wrestling Ernest Hemingway; Future BMT: Premonition; Love Potion No. 9; The Net; Stolen Hearts; Hope Floats; 28 Days; Murder by Numbers; Gun Shy; Practical Magic; Our Brand Is Crisis; Loverboy; BMT:Speed 2: Cruise Control; All About Steve; Miss Congeniality 2: Armed & Fabulous; In Love and War; Demolition Man; The Lake House; Razzie Notes: Winner for Worst Actress, Worst Actress, and Worst Screen Couple for All About Steve in 2010; Nominee for Worst Actress, and Worst Screen Couple for Speed 2: Cruise Control in 1998; and Nominee for Worst Supporting Actress for Demolition Man in 1994; Notes: Just sold her LA home for around $3 million. Won the Best Actress award in 2010 for The Blind Side.)

Chris O’Donnell – (Known For: Scent of a Woman; Fried Green Tomatoes at the Whistle Stop Cafe; School Ties; Vertical Limit; Kinsey; Blue Sky; Circle of Friends; A Little Help; Kit Kittredge: An American Girl; Cookie’s Fortune; Men Don’t Leave; Future BMT: Cats & Dogs: The Revenge of Kitty Galore; The Bachelor; Mad Love; 29 Palms; The Three Musketeers; BMT: Batman & Robin; Batman Forever; Max Payne; The Chamber; In Love and War; Razzie Notes: Nominee for Worst Supporting Actor, and Worst Screen Couple for Batman & Robin in 1998; and Nominee for Worst Supporting Actor for The Three Musketeers in 1994; Notes: Somehow has probably become most famous as a television star having been in over 200 episodes of NCIS: Los Angeles.)

Mackenzie Astin – (Known For: Wyatt Earp; The Last Days of Disco; Iron Will; Moments of Clarity; Dream for an Insomniac; Future BMT: How to Deal; The Evening Star; The Mating Habits of the Earthbound Human; BMT: The Garbage Pail Kids Movie; In Love and War; Notes: Younger brother to Sean Astin of Rudy and Lord of the Rings fame.)

Budget/Gross – N/A / Domestic: $14,481,231 (Worldwide: $25,372,294)

(I think any way you cut this this wasn’t a huge film. Especially given the note reporting Bullock’s salary as $11 million. That alone suggests this was a pretty big bomb.)

#88 for the Romantic Drama genre

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(This might as well be called Fifty Shades Genre. I have no idea why it died in the early 2000s, but the genre is back and kicking ass again. Midnight Sun is an intriguing one from this year as well.)

#5 for the War – World War I genre

(These films kind of inexplicable come in waves. This is the first bad World War I film we’ve watched. And in general, especially with Wonder Woman just having come out, World War I is having a moment.)

Rotten Tomatoes – 11% (3/27): No consensus yet.

(I’ll make a consensus: At its best with stunning still shots and musical score, but lacking in excitement and acting. Somewhat expected from a lightweight romantic drama unfortunately. Reviewer Highlight: Boring and artificial – Jon Niccum, Lawrence Journal-World)

Poster – In Love and Sklog (C-)

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(Surprising that such a poster would make it to the final copy. Just a screenshot from the film with some lame font text over it. Whatever. Not offensive really, but far from good.)

Tagline(s) – In war they found each other…In each other they found love… (B)

(A little long but I’m picking up what they’re putting down. I’m just a little worried that I think this is original because I haven’t seen taglines exactly like it before… when in reality there are a bunch of taglines out there just like it. If there are I can’t find them.)

Keyword(s) – driver; Top Ten by BMeTric: 64.0 The Crow: Wicked Prayer (2005); 63.4 Cosmopolis (2012); 56.3 The Transporter Refueled (2015); 50.8 Precious Cargo (2016); 45.8 Johnny Mnemonic (1995); 45.1 Darkness (2002); 41.7 Kaal (2005); 39.6 Would You Rather (2012); 38.4 Overdrive (2017); 36.2 Cannonball Fever (1989);

(Driver? Well I’m excited to eventually watch Cannonball Fever, that should be a complete shitshow of a film with some of my favorite comedic actors of the time at least.)

Notes – This movie’s closing epilogue states: “Agnes von Kurowsky’s long and distinguished career with the American Red Cross continued until the end of World War II. She remained unmarried until she was 36 and lived to be 92. Ernest Hemingway won the Nobel Peace Prize for Literature in 1954. One of his great novels, A FAREWELL TO ARMS, was inspired by his experiences in Italy during World War One. He married four times and took his own life in 1961.” (Good to have it written out I guess…)

Several scenes were filmed in or near the Italian village Vittorio Veneto, including the battle scenes. Many of the extras playing the soldiers in the movie were airmen from nearby Aviano Air Base that volunteered to star in the movie.

Sandra Bullock researched her role of Agnes Von Kurowsky by reading her dairies that she kept during the war and reading the love letters between her and Ernest Hemingway.

Agnes Von Kurowsky was the inspiration for the character Catherine Barkley in a Farwell To Arms. (Makes sense)

In real life Agnes Von Kurowsky and Ernst Hemingway never saw each other again after the war. (Fun fact?)

Sandra Bullock was paid $11 million for her role in the film. (That seems … why does that seem unlikely? I guess they wanted the sweet Speed bump)

This film’s opening prologue states: “This film is based on a true story . . . NORTHERN ITALY 1918. Here, during the final year of World War One, Italy was defending itself alone against a massive Austrian invasion. America was one of Italy’s allies but the US Army was already fully committed in France. So President Wilson sent in teams of Red Cross doctors and nurses to boost Italian morale and help care for the wounded. Young men across America responded to the President’s call for further volunteers to drive red Cross ambulances and work in the front line canteens.”

The film takes place from July 1918 to June 1919.

Henry Villard’s own son was the driving force behind getting the film made.

The Predator Recap

Jamie

A former military sniper find himself embroiled in a galactic battle when a Predator crash lands near his black ops site. Things go from bad to worse when the battle follows him back home to where his young, autistic son lives. Can he defeat the Predator, protect his family, and save mankind before it’s too late? Find out in… The Predator.

How?! We open with a Predator crash landing in Mexico near where our hero, Quinn, is taking part in a black ops mission. He briefly does battle before escaping with some of the Predator technology, which he sends back home (into the unsuspecting hands of his autistic son, Rory). He is then taken by the US government to be questioned and eventually shipped off to a psychiatric ward with a bunch of other soldiers being held as insane by the US government. In the meantime the Predator has been taken to a top secret lab to be studied but awakens and destroys the lab. The prisoners on the bus escape and drive away to try to make sure Quinn’s family isn’t now the target of an escaped Predator. Arriving at the home of his estranged wife, Quinn finds that Rory has been totally deciphering the alien tech and has taken it out for a little spin on Halloween. This activates a homing beacon on the tech and leads to an even bigger Ultimate Predator to show up which is there to kill the first Predator (you following this? Me neither). It easily does so and our heroes escape only to be captured by the US government. They use Rory to find the crashed Predator ship and everyone converges on that location. Unfortunately the Ultimate Predator is like “Nope, I’m gonna blow it up and kill everyone,” and it does. The Ultimate Predator then shockingly (what a twist!) reveals that Rory’s autism actually represents the next step in human evolution and is the ultimate warrior for mankind. It take Rory captive to use in biological experimentation and starts to fly away, but Quinn being a badass jump on his ship and totes kills it and stuff. We then get a little sneak peak at the sequels when it’s revealed that the first Predator actually brought a weapon for mankind to use and it’s a super lame Predator suit that is going to suck for real. This may all sound fine to you but think of the massive coincidence that had to occur in this case: the Predator had to crash land on top of a US military sniper in the Mexican wilderness allowing for him to obtain alien technology to send back to his autistic son who happens to be the ultimate warrior and only human on Earth that can decipher the alien technology. That’s some straight magic destiny shit.

Why?! There actually is a lot more motivation that the original Predator where more or less the alien is a game hunter in it for the thrill of the hunt. This time the original Predator heads to Earth in hopes of delivering a weapon to help in the upcoming battle against the rest of the Predators. You see, climate change is making Earth hotter and thus more habitable for Predators. They’re gonna live here now, but I guess this original Predator is more accepting and doesn’t like this for some reason. So it brings a Predator suit that apparently will defeat climate change (the real bad guys in this whole scenario). So I guess it like… runs entirely on clean energy or something? They can’t possibly expect one man in a robot suit to fight an entire invading force of Predators, right?… RIGHT?

What?! The robot suit revealed at the end of the film is a perfect MacGuffin. Literally no one actually knows what it is and yet the government, our hero, and the Ultimate Predator are fighting and killing to get the thing as it mysteriously represents the only hope for mankind. For a moment in the theater I thought the box containing the MacGuffin would open and reveal a brief shot of the cryogenically frozen body of Arnold and that he would turn out to be the ultimate warrior that is the only hope for mankind and would come back to star in the sequel. I was crushed when it was a stupid robot suit.

Who?! There seems to be only one Easter Egg in the film in that Jake Busey plays the scientist studying the Predator, Sean Keyes. He is the son of Peter Keyes, the scientist in Predator 2 played by Busey’s real life father Gary Busey. We of course have never watched Predator 2 because we are dumb, but rest assured it will be watched for BMT (and soon, spoiler alert).

Where?! This was a point of contention. The film obviously starts in Mexico and proceeds to Chattanooga, TN. From there people only drive or take helicopter trips to further locations so I presumed they either stayed in TN or crossed the border into Georgia. Patrick noted that most cars had Georgia license plates and some promotional material boasted about how the production team mocked up a school in Vancouver to look like a school in Macon, Georgia so we can be pretty safe to assume it takes place there, but not particularly noticeable. It’s always hard for these BMT Live films. B-.

When?! This was much more obvious as part of the plot is that Rory is able to take the alien tech out and about because it’s Halloween and everyone is dressed up. A really perfect Secret Holiday film. One of the best of the year. A-.

This is a lizard brain fun movie. I sat in the theater and was more or less fine with being there and watching this new addition to the Predator lore. It’s only on thinking back on the film that it starts to fall apart. The film is built on crazy coincidence, cliche, and childish humor. It’s like an early 2000’s action film mixed with a youtube video. It kinda sucks but you also don’t mind wasting your time watching it… like a youtube video. I guess what I’m saying is that it has the value of a youtube video… and that’s good but also terrible. Get it? Patrick?

Patrick

‘Ello everyone! Some people say that terrible movies are the next evolutionary step in great filmmaking … wait, that doesn’t make a lick of sense, what am I talking about? Oh yeah, the main plot point in The Predator. Let’s go!

The Good – The film at the very least attempts to advance the Predator franchise into interesting territory, with the ultimate conclusion being galactic war (funny enough … the exact same plan floated to resurrect the Independence Day franchise). Looking back at the original Predator you can tell Shane Black had an idea about the “band of soldiers” that haven’t really been replicated in other installments of the franchise, something that felt necessary, one valiant attempt. The action was, at times, decent, specifically the lab escape scene. Olivia Munn was fine, not great, but fine. The kid actor was far less annoying than you would think. The main villain was charming as well, kind of making fun of the machismo so many critics referenced in the good reviews.

P’s View on the Preview – Ah, we watched this film very closely and I think we can take credit for willing it below 40% ultimately. It started as fresh, well above 60% after the initial wave of reviews. When I first generated the preview it even had a different consensus written that made it out to be a fine addition to the franchise. They’ve since replaced it with one a bit more down on the whole thing. Ultimately, like Warcraft, this is mostly looking at one of the bigger releases of the year that ended up being bad and seeing what we think.

The Bad – Aggressively and proudly crude for the sake of being crude, which I thought came across as juvenile and annoying, and makes the film seem like a standard R-rated action-comedy. No charisma from the lead, bad acting across the board, specifically I thought Thomas Jane put together a flimsy, obvious, and generally annoying character. Keegan-Michael Key was only barely tolerable as well. The rest of the band of brothers was entirely forgettable, beyond Trevante Rhodes who was okay. The jingoist attitude towards soldiers was unbecoming and unnecessary. The main story (Predator trying to evolve using autism, the next evolution in humankind) is an atrocity and has been appropriately maligned by critics and fans alike. And finally, it jumps around way too much, you are all over the place, and not for a particularly good reason. There is so many small things wrong with this film it ultimately sinks under the weight of criticism. It is basically like: there is a little something for everyone to hate.

You Just Got Schooled – Initially for this film I wanted to rewatch Predator, but I’m kind of saving that for another time. Instead for homework I decided to watch the Red Letter Media re:View of Predator. For the most part this gives a general look at what made Predator a very good 80s action film: a limited story in a unique location with a charismatic lead and a tendency to go over the top with violence and crudeness. The new one? Basically tries to pretend that that last bit was the most important. It was not. The most important is the first: limit the story. Predator, Predators, and Predator 2 (to an extent) all focused on a very simple story: the predator has come a-hunting, y’all better get the f’ outta here! Why we end up jumping locations is beyond me. I’m looking forward to see if the RLM guys do an actual review of The Predator, because I imagine they’ll be quite disappointed in the “Shane Black Predator” given their views of the original.

The BMT – I think this was, weirdly, a once-in-a-lifetime event. The Predator was one of the bigger action films slated for the autumn, people were skeptical of the trailers but still seemed excited, and the crude R-rated action-comedies (don’t pretend it is anything else) tend to get apologized for for being good for what they are (and aren’t) trying to do. But somehow it sunk like a stone and ended up probably being the biggest action BMT of the year. Reminiscent of Independence Day 2, which was equally forgettable. Probably one of the more interesting Live’s we’ve done and gives a good reason for the BMT Lives to exist I think.

Welcome to Earf – Alright, so Olivia Munn is in The Predator and Mortdecai with Johnny Depp, who was in Transcendence with Morgan Freeman, who was the narrator for Conan the Barbarian (2011) with Ron Perlman, who was in In the Name of the King: A Dungeon Siege Tale with Leelee Sobieski, who was in Here on Earth. Welcome to Earth!

StreetCreditReport.com – Just like with other Lives there isn’t much to say here, but I would expect the screenplay would get some nods for worst written film. Given the stellar track record of Shane Black as a director, he’ll also be a huge target for worst directed film. Overall, the film is big enough I would expected it’ll sneak into the bottom of a few worst of lists by the end of the year, overall the year has been pretty sparse regardless.

BMT Live Theater Review – After my terrible experience at Cineworld for Slender Man, I returned to my precious Vue. £7 showings all day every day, clean, and … well, they also had 30 minutes of adverts (as they say in foggy London town) prior to the show, but at least I can kind of think to myself “hey, the movie only cost £7 which for London is a steal”. Almost no one was in the showing, no one laughed at the many juvenile and crass jokes, and everything was appropriately muted … basically it is what you would expect from a terrible action film. Went to a late show, and then just stewed getting angrier and and angrier as I wandered home. C+, just what you would hope from a showing, but nothing hilarious to make it stand out either.

Cheerios,

The Sklogs

The Predator Quiz

Have you ever found yourself out in the jungle mano a mano with a true Predator! Or in heat wave Los Angeles, mano a mono with a true Predator! Or with Aliens and Predators. Or like … a bunch of goddamned Predators? Well you ain’t seen nothing yet! Now there’s … like a big goddamned Predator! Nailed it.

Pop Quiz Hot Shot!

1) What mission was our main character on at the beginning of the film that was so rudely interrupted by the (good) Predator escape pod crash landing?

2) Why was Olivia Munn chosen to inspect the captured Predator?

3) Can you name all of the Loonies and why they are there? Descriptions will suffice.

4) And how did they all die (excepting the main character of course)?

5) Finally, why did the super Predator and regular Predator come to Earth?

Answers

The Predator Preview

As the Viking King Vikling celebrates Jamie’s victory over Vlurg with booze and wenches, Jamie drags the rotting corpse down to the seaside and throws it in as bait for Frang. Almost immediately there is a tug at the rope and with a jerk he is pulled into the raging ocean. Just as he is about to succumb to the pounding surf a mighty whale surfaces and eats Jamie in a single gulp. It smells like death in the belly of the beast. Attempting to crawl to the mouth, Jamie stumbles onto a rotting mound of flesh. It’s Frang! The whale must have eaten the monstrous shark months ago and Vikling never noticed. If Frang couldn’t get back out the mouth what hope does even a super muscly guy like Jamie have? Pounding his fists against the rotting flesh of Frang’s useless corpse, Jamie wails in anguish. “Have you forsaken me, Vikling?! Has everything you wanted dead not ended up dead?… At least… in the end. Not necessarily killed by me, but that’s mostly semantics, right?” Suddenly he realizes that a faint glow can be seen further down the gullet of the whale. Crawling towards it, dragging Frang behind him, he find a small encampment and fire. A humanoid monster is sitting there eating a small bit of food. “My God,” Jamie whispers in horror. “It’s a Predator.” Wanting to weep he takes solace in the fact that Patrick must be having even crazier adventures in the alternate universe he’s been sucked into.

Patrick is walking down the beach of terrible CGI birds following Sticks and Stones who have gone silent in the wake of the Z-Movie Multiverse revelation. Every so often he brushes aside one of the birds until … is that Jamie in the distance? Thank God he thinks and starts quicken his pace only to be thrown to the ground as the beach set begins to shift and chlorinated pool water sloshes over him, spilled from the “ocean”. Shoddy workmanship this, he thinks, who built this set? … Wait … presumably no one built the set. His eyes begin to blur, the birds becoming gigantic, filling his field of vision, until one grabs him in pixelated claws and begins to carry him off. He’s thousands of feet into the air, but … how could a z-movie afford just a spectacular effect? The bird explodes into a blob of pixelated blood, and Patrick crumples to the ground, the beach set righting itself, and the birds returning to normal size. “Gosh dern it,” says Stones, “it’s happening.” Stick nods, “Kid, you gotta keep your mind straight, you don’t belong here. This place will drive you mad.” “As sure a pig loves mud.” Stones chimes in. Patrick feels dizzy and his vision shifts again. He sees Jamie, but now a far distance away, talking to what appears to be a … giant bug? Jamie’s going to handle that one on his own, Patrick thinks, and then passes out.

That’s right! It’s impossible to pass up the chance at a major motion picture release that qualifies BMT. Not to mention one that is meant to reboot a major franchise, and one of the most anticipated action films of the year. Let’s go!

The Predator (2018) – BMeTric: 24.3

ThePredator_BMeT

ThePredator_RV

(Kind of heartening that it kind of dropped a ton even before most votes had been cast. Pretty hilarious still. It plays right into the 14-year-old boy demo though, so it’ll float around 6.0 I bet and never really get too far below that.)

RogerEbert.com – 3 stars –  With a fantastic cast and razor-sharp pacing, the fact is that this is what you want from a movie called The Predator.

(Wow, one of the rare top critics who gave this a halfway decent review. And I like to think this was in the spirit of Ebert who was an early pioneer of cutting some slack with the good-for-what-it-is type films (a viewpoint I mostly disagree with).)

Trailer – https://www.youtube.com/watch?v=WaG1KZqrLvM

(So that was probably the best of the three trailers. The other two … looked not so great. And then the film … kind of mostly ended up being regarded as not so great. So it did kind of even out. I was expecting this to be high 50s on Rotten Tomatoes. The critics inability to tolerate things like cursing or violence or other nonsense for the sake of such things heartened me a bit. Making an R-rated movie because “that’s what Predator should be” is dumb and puts violence (unnecessarily) to the front of one’s mind. It certainly seemed to be the case here, but I guess I’ll see.)

Directors – Shane Black – (Known For: Iron Man 3; The Nice Guys; Kiss Kiss Bang Bang; BMT: The Predator; Razzie Notes: Nominee for Worst Screenplay for Last Action Hero in 1994; Notes: Kind of fun that he was in the original Predator as an actor. The films he’s directed had, thus far, been notable as critical darlings, but commercial flops.)

Writers – Fred Dekker (written by) – (Known For: The Monster Squad; House; Night of the Creeps; Ricochet; Future BMT: House II: The Second Story; Teen Agent; BMT: RoboCop 3; The Predator; Notes: Notably was a classmate of Black’s at UCLA, which is likely how he got The Monster Squad produced as writer-director.)

Shane Black (written by) – (Known For: Iron Man 3; The Nice Guys; Kiss Kiss Bang Bang; Lethal Weapon; The Monster Squad; Lethal Weapon 2; The Long Kiss Goodnight; The Last Boy Scout; Lethal Weapon 4; Lethal Weapon 3; Future BMT: Last Action Hero; BMT: The Predator; Razzie Notes: Nominee for Worst Screenplay for Last Action Hero in 1994; Notes: Sold Lethal Weapon when he was 22 and quickly became the highest paid screenwriter ever (selling The Long Kiss Goodnight for a reported $4 million). He took a seven year break in the late 90s.)

Jim Thomas and John Thomas (based on characters created by) – (Known For: Predator; Predators; Executive Decision; Future BMT: Mission to Mars; Predator 2; BMT: AVPR: Aliens vs Predator – Requiem; Wild Wild West; AVP: Alien vs. Predator; Behind Enemy Lines; The Predator; Razzie Notes: Winner for Worst Screenplay for Wild Wild West in 2000; Notes: Wrote the original Predator. This is the third of their films we’ve seen this year, and Predator 2 (which we’ve seen, but outside of BMT) will officially be done soon enough.)

Actors – Boyd Holbrook – (Known For: Gone Girl; Logan; A Walk Among the Tombstones; Run All Night; Out of the Furnace; Milk; Behind the Candelabra; Jane Got a Gun; Higher Ground; The Skeleton Twins; The Free World; Little Accidents; Future BMT: Morgan; The Reunion; The Oranges; Very Good Girls; BMT: The Host; The Predator; Notes: Born in Kentucky and became a model after being found in a playhouse there where he was working as a carpenter. Was engaged to Elizabeth Olsen for a time.)

Trevante Rhodes – (Known For: 12 Strong; Moonlight; Song to Song; Burning Sands; Future BMT: Open Windows; BMT: The Predator; Notes: Crazy good filmography thus far. Was a football player at the University of Texas.)

Jacob Tremblay – (Known For: Wonder; Room; Before I Wake; Future BMT: Shut In; Extraterrestrial; The Smurfs 2; The Book of Henry; BMT: The Predator; Notes: Both his older and younger sisters are quite prolific child actors. His younger sister was even in the amazing The Bye Bye Man last year!)

Budget/Gross – $88 million / N/A

(It made $24 million in its opening weekend and around $50 million worldwide. That $88 figure also possibly doesn’t include reshoots as I think it was announced before they announced the reshoot schedule … so it could be a bit more. It’ll be a flop, but kind of how Solo was a flop. Like … if they had just kept the budget under control a tight $150 million-ish worldwide wouldn’t be such a bummer … but it is, and that, honestly, looks optimistic at this point.)

#50 for the Creature Feature genre

thepredator_creaturefeature

(Alien V Predator is the highest grossing of the genre that we’ve seen thus far actually. Domestically it looks unlikely that this will top that given world of mouth. Just went back-to-back with Jaws: The Revenge, and we watched the entire Anaconda series earlier this year. Kind of the year for the creature feature. Major takeaway: these shouldn’t be considered horror films ever, none of them are scary.)

#30 for the Sci-Fi Chase genre

thepredator_scifichase

(Jumper is the highest grossing here around were Alien V Predator ended up, so, again, unlikely to beat it. I feel like a genre like this is definitely starting to get relegated to things like Netflix. Hell some of the best horror and sci-fi films have already been released straight-to-VOD this year. Strange times coming.)

Rotten Tomatoes – 34% (62/185): The Predator’s energetic blend of black humor and fast-paced action hits just hard enough to nudge this oft-waylaid franchise back on track while setting up sequels to come. (Original consensus at 41%)

The Predator has violence and quips to spare, but its chaotically hollow action adds up to another missed opportunity for a franchise increasingly defined by disappointment.

(I originally generated this when the film sat at 41% and looked like it would maybe just miss out on qualifying. It then dropped dramatically and now seems very unlikely to recover. The two consensuses are interesting, I’ve never actually noticed them change one before.)

Poster – A Definitely Hard-R Predator Film, Look at All That Gore! (C+)

predator

(I like the bold move with the orange and got some artistry, but I can’t get past the fact that it looks stupid, you know? Like, I would like it if it didn’t look extra dumb. Also gotta get some font work. Ever heard of it? Interestingly AvP: Requiem is the only other film in the series to also have a totally boring font. Appropriate.)

Tagline(s) – The Hunt has Evolved (B+)

(Alright. So I have to put my personal beliefs to the side for this one. Concise and hints at the plot. Also had a little double meaning in there to up the cleverness a tad. All in all pretty good… What this hints at though is a terrible movie that lazily uses the “evolution” ploy to claim that somehow this has totally amped up the ultimate predator into the EXTRA ULTIMATE PREDATOR, BRRROOOOOOOOO. So… that’s not super great.)

Keyword(s) – commando mission; Top Ten by BMeTric: 90.2 Alone in the Dark (2005); 68.8 The Marine (2006); 61.2 Transformers: The Last Knight (2017); 61.0 Doom (2005); 59.4 Monsters: Dark Continent (2014); 57.3 Suburban Commando (1991); 56.7 The Devil’s Tomb (2009); 54.7 Resident Evil: Retribution (2012); 53.1 Red Dawn (2012); 51.6 You Don’t Mess with the Zohan (2008);

(The Devil’s Tomb is some weird direct-to-DVD film starring Cuba Gooding Jr. and Ron Perlman. I feel like weird films like that deserve a voice somehow. They seem totally ignored in a very profound and sad way.)

Notes – The film was directed and co-written by Shane Black, as a sequel to Predator (1987), Predator 2 (1990) and Predators (2010). Shane Black had played Hawkins in the original film.

The film was originally conceived as a reboot of “Predator”, until Shane Black came aboard and confirmed he would be making a sequel instead, as he wanted to continue to explore the “Predator” mythology.

Jake Busey plays the son of Peter Keyes, the government official from Predator 2 (1990) who died during the hunt for the Predator. Peter Keyes was played by Gary Busey, who is Jake’s father in real life as well. (Huh, that is kind of fun)

Shane Black had gone on record stating he wanted this movie to be true to the spirit of the original, and for it to be R-rated, saying, “It’s an odd thing. Whether Deadpool (2016) helped is an open question, but I suspect it did. I made a condition of my participation with ‘Predator,’ that it be the same rating as the first movie, and the first movie was rated R. In other words, I don’t want to cut away every time the Predator does something violent. I was watching the American version of The Grudge (2004), which was PG-13, and I remember being so frustrated by the fact that everything that was scary in the Japanese version, they had to cut away from in the PG-13 American version.”

After the success of Iron Man 3 (2013), Shane Black was approached by 20th Century Fox with an Iron Man 3 (2013)-sized budget to direct a new “Predator” movie, and he could not resist. (I think people very much underestimate the effect of the MCU on making a lot of those films great. While they give young directors a chance to show off their stuff within a studio context, there always seems to be a lot of hand holding, and I wonder if it pumped up Black’s stock as a director too much.)

Arnold Schwarzenegger turned down the opportunity to return as Dutch. (That also would have been fun as a cameo. Arnold does pick a choose with this things, rumor is he is going to appear in the Terminator reboot).

Adrien Brody expressed interest in reprising his role from Predators (2010). (Naw we’ve good)

Shane Black confirmed via twitter that the film will be rated R. He tweeted that “And, just to be clear… PG-13 is for pussies. Spines bleed… a lot.” Black also tweeted “I am standing on set next to a 7-foot tall gentleman in a Predator suit – so no, it is not all CGI.” This tweet confirmed that this movie will stay true to the original by having the Predator be played by a guy in a suit instead of CGI. (blah. How would Shane Black know that spines bleed a lot?)

Benicio Del Toro was originally supposed to star in the lead role but he was replaced by Boyd Holbrook due to scheduling conflicts. (Nooooooooooo. Benicio is like … an actor I know the name of!)

Shane Black revealed that the rough cut was so dark, it was nicknamed the Night Cut and led to reshooting the third act. (… dark shots are the worst)

When Casey Bracket (Munn) first enters the lab and is examining the recovered Predator items, one of the shelves in the background contains the Xenomorph Tail Spear from AVP: Alien vs. Predator (2004). (Fine. It is kind of canon after all … although I think I would consider it sub-A. Like I think they could scrub the AvP stuff without too much trouble at least)

The actor Steve Wilder Striege was originally cast as a minor character in this movie, but 20th Century Fox removed his scenes a few days before picture lock, when actress Olivia Munn informed the studio that he was arrested, charged and registered as a sex offender in 2010 after facing allegations that he attempted to lure a 14-year-old female into a sexual relationship via the internet. (Yeah … do there is a bit of controversy surrounding the film. Another moment where Shane Black sounds like a idiot)

Edward James Olmos’ scenes ended up on the cutting room floor. (I love me some Olmos, so that is too bad)

If you look closely to the school, the football field, and the barn that was filmed in this movie, you’ll recognize that it’s the same school, football field and barn that was used on the TV show Smallville. (fun fact)

The Predator shown in the teaser poster is actually the Crucified Predator from Predators (2010), identifiable by the damage to its Bio-Mask. (whaaaaaa?)

In the Halloween scene when Rory first wears the bio-mask the original predator suit that Jean-Claude Van-Damme wore for the 1st Predator film is seen. That suit was eventually abandoned when John McTiernan and Stan Winston decided to redesign the creature. (I’ll have to keep a look out, the thing looks ridiculous)

After the Loonies are escaping from the bus, they see some motorcycles parked nearby. McKenna yells “get to the choppers!”, a throwback to a line from Predator (1987) made famous by Arnold Schwarzenegger’s character Dutch. (NOOOOOOOOOOOOOOO)