Jaws: The Revenge Preview

Jamie is spirited away by Vampiro to the nearest Viking settlement, all the while grumbling about the threat of the little old librarian. “You must forgive me,” he implores, “I never thought this day would come.” Upon arriving at the settlement Vampiro whispers in the ear of their leader Vikling. Vikling stares in astonishment and beating his spear against his shield summons the warriors of his clan to kneel. “He has come, the destined warrior. He shall defeat Vlurg, the Viking scourge of Vikling.” Jamie is led with knees a-quaking down to a seaside cave which serves as the home of Vlurg. Tiptoeing in he comes face-to-face with the most terrible creature he has ever witnessed. It’s got horrific teeth and a full six-pack. Its nicely muscled legs are well proportioned to its bulging biceps. It is like a giant, horrific looking Dwayne Johnson. Just a true specimen of a monster. It smiles sickly and takes a step forward but catches its toe on a rock and trips. In a crazy freak accident it falls and snaps it neck, instantaneously killing it. Dragging the corpse from the cave Jamie is cheered. “You have defeated Vlurg! Now we can use Vlurg as bait for the monstrous Frang. For it is your destiny to defeat Frang for Vikling. You don’t even want to know what Frang is… I’ll give you a hint: It’s a giant shark.” Jamie can only sigh sadly. That’s right! We’re finally finishing the Jaws franchise with Jaws: The Revenge. Apparently it’s now the case that the shark is stalking the Brody family and follows them down to the Caribbean to kill once again. This is the worst plot imaginable and yet the most ludicrous parts of the novelization (the shark was cursed by a Voodoo woman with a grudge against the Brody’s!) didn’t even make it into the film. Let’s go!

A stunned Patrick stares at Stick and Stones, his mouth agape. “What is the Z-Movie Multiverse?” Sticks and Stones visibly relax, their corruption seeming to be glossed over by a much more interesting question. “Gosh dern it. Well, you see, the world you come from is one universe among many. The one your buddies Rich and Poe come from is the Bad Movie Multiverse. That’s where the Obsidian Dongle came from originally, and it connects all of the bad movies that ever were and ever will be. This? This is a slightly … less polished universe, the Z-Movie Multiverse. Where all of the borderline unwatchable garbage comes from. Something happened to send you here, and we’re here to help send you back. You don’t belong here. Get it?” Patrick stares blankly at Sticks and Stones. “Wait … Rich and Poe are real?!” “Enough talking,” Sticks says gruffly and grabs Patrick and throws him through the next door onto a beautiful beach set. “Just watch for the birds.” Patrick looks around at the weird hovering CGI birds, unmoving and non-threatening. “This place is so weird.” He says, knocking one of the birds down easily and wandering down the beach after Sticks and Stones. That’s right! We are also watching Birdemic: Shock and Terror. One of the worst films ever made, this not-really-a-film has become a cult classic alongside Troll 2 and The Room among bad movie aficionados. Let’s go!

Jaws: The Revenge (1987) – BMeTric: 88.6

JawsTheRevenge_BMeT

JawsTheRevenge_RV

(Below 3.0 is absolutely crazy. Not that surprising that the rating is going up with the votes … except usually with truly worst-films-ever type deals people are literally seeking out the film to try and see a terrible film, so sometimes it stays really low. So maybe it doesn’t really quite fit into that category.)

Leonard Maltin – 1.5 stars –  Watchable but mediocre retread of Jaws, the fourth time around, with Gary as the widow of sheriff Scheider (from the original film) who’s convinced the great white shark is deliberately seeking out and killing off members of her family. Marginal movie sunk by stupid, abrupt finale; Caine wasted in frivolous supporting role.

(Watchable … is an interesting word to use here. Everywhere else I’ve heard it is literally so dumb it is unwatchable. I’m also surprised this isn’t a BOMB. This is one of the worst reviewed films of all time, so it does seem like Leonard is going a bit light here.)

Trailer – https://www.youtube.com/watch?v=AnYzwUkm-PY

(This is a real television spot. There is also a crazy “trailer” on youtube, but the music choice (Blondie’s One Way Or Another) suggests that it is probably fake. So I’ll stick with this one. It is … fine. The conceit of Jaws hunting this one family down is ludicrous though since “Jaws” is killed at the end of each and every one of these films. One more and they might have gone full Halloween and made some story about a cult creating a super-Jaws to attack the family which would have been amazing.)

Directors – Joseph Sargent – (Known For: White Lightning; The Taking of Pelham One Two Three; Colossus: The Forbin Project; MacArthur; Future BMT: Nightmares; BMT: Jaws: The Revenge; Razzie Notes: Nominee for Worst Director for Jaws: The Revenge in 1988; Notes: Directed of the more famous original Star Trek shows (The Corbomite Maneuver). Was directing from the 1950s, with this being his last non-TV movie of his career.)

Writers – Peter Benchley (characters & novel) (uncredited) – (Known For: Jaws; Jaws 2; The Island; Future BMT: The Deep; BMT: Jaws: The Revenge; Jaws 3-D; Notes: Was a speechwriter for Lyndon Johnson, he wrote the novel Jaws that the entire series is based on.)

Michael De Guzman (written by) (as Michael de Guzman) – (BMT: Jaws: The Revenge; Razzie Notes: Nominee for Worst Screenplay for Jaws: The Revenge in 1988; Notes: Was nominated for a Primetime Emmy for the TV movie Caroline? (Also directed by Sargent). This was his only non-TV movie of his career.)

Actors – Lorraine Gary – (Known For: Jaws; Jaws 2; Car Wash; Future BMT: 1941; BMT: Jaws: The Revenge; Razzie Notes: Nominee for Worst Actress for Jaws: The Revenge in 1988; Notes: Has been married for 62 years! Her and Sidney Sheinberg got married when they were 19 and 22 respectively. She declined a spot in acting school to study political science at Columbia. This was her last film, she had retired in 1979, but came out of retirement to reprise her classic role in Jaws.)

Lance Guest – (Known For: The Last Starfighter; Late Phases; Future BMT: Halloween II; BMT: Jaws: The Revenge; Notes: Has done a lot of theater, including a somewhat notable role as Johnny Cash most recently that he has seen some acclaim for.)

Mario Van Peebles – (Known For: New Jack City; Ali; Heartbreak Ridge; The Cotton Club; Sweet Sweetback’s Baadasssss Song; How to Get the Man’s Foot Outta Your Ass; The Hebrew Hammer; Stag; Future BMT: Highlander III: The Sorcerer; Solo; Exterminator 2; Gunmen; Posse; Submerged; We the Party; Multiple Sarcasms; BMT: Jaws: The Revenge; Notes: Son of Melvin Van Peebles, who is widely credited for helping to create the Blaxploitation genre. Has a B.A. in Economics.)

Budget/Gross – $23 million / Domestic: $20,763,013 (Worldwide: $51,881,013)

(Like … not bad. But at that point Jaws had become a punchline. It ended up (somewhat oddly) representing the 80s trope of running series into the ground. This is despite the fact that the horror series like Friday the 13th, Halloween, and Nightmare on Elm Street did that way better than Jaws ever could. And yet it was Jaws that was made fun of in Back to The Future Part II.)

#26 for the Christmas – Setting Only genre

jaws4_christmassetting

(From the (very incomplete) list, we’ve only seen Getaway. It is interesting that they seem to have been a major thing in the 80s and early 90s, but their ability to pull in the big bucks seems to have waned over the years.)

#51 for the Creature Feature genre

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(Literally just watched two of these in the Anaconda Series. The Predator is coming out this week, so it seems somewhat likely we could go back-to-back as well. I couldn’t say why it waxes and wanes … maybe it takes a bit to reload and look around for the new tech needed to really kick start the genre every couple of years.)

Rotten Tomatoes – 0% (0/34): Illogical, tension-free, and filled with cut-rate special effects, Jaws 4 – The Revenge is a sorry chapter in a once-proud franchise.

(Was it a once proud franchise? When? After the second and before the third when they explicitly sold out to become a giant advertisement for Seaworld? Reviewer Highlight: The shark models have so little movement that at times they seem to be supporting themselves on boats, instead of attacking them. Up until the ludicrous final sequence of the movie, the scariest creature in the film is an eel. – Roger Ebert, Chicago Sun-Times)

Poster – Watch Out! I’m a Big Ol’ Shark and Imma Gonna Get’cha! (A-)

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(OK… I love this poster. I would put this up on my wall. Both because it’s fun and it’s also funny because you’re not sure whether the shark or the person is out for revenge… the idea that the person is out for revenge is already hilarious. But the idea that the shark is out for revenge is even funnier.)

Tagline(s) – This time… It’s personal. (FFFFFFFFFFuck)

(That is crazy. It’s straight up a joke. Like someone got tired, suggested it as a joke, and then had it taken seriously.)

Keyword(s) – 1980s; Top Ten by BMeTric: 88.6 Jaws: The Revenge (1987); 86.5 Dumb and Dumberer: When Harry Met Lloyd (2003); 86.0 Superman IV: The Quest for Peace (1987); 85.5 Jaws 3-D (1983); 82.3 Glitter (2001); 81.1 Sex and the City 2 (2010); 76.2 Police Academy 6: City Under Siege (1989); 74.7 Police Academy 5: Assignment: Miami Beach (1988); 73.2 Howard: A New Breed of Hero (1986); 72.3 Caddyshack II (1988);

(Kind of a funny mix of films that are set in the 80s and films that were actually just … made in the 80s. We are actually definitely going to finish this list … and I don’t even think it’ll take that long. I have absolutely no idea why Sex and the City 2 would have this keyword attached.)

Notes – This is one of British screen legend Michael Caine’s notorious “paycheck pictures”, along with The Swarm (1978), Ashanti (1979), Beyond the Poseidon Adventure (1979), The Island (1980), The Hand (1981) and Blame It on Rio (1984). When Caine was asked about this movie in an interview, he answered, “I have never seen it, but by all accounts it is terrible. However, I have seen the house that it built, and it is terrific.” (classic anecdote … how did he survive making five paycheck films in four years though?)

Lorraine Gary’s final film, and her first film role in eight years.

The movie’s main tagline “This time it’s personal” was parodied in Back to the Future Part II (1989) where the fictional “Jaws 19”, directed by Max Spielberg, has a movie poster that says, “This time it’s REALLY personal!”. The phrase “This time it’s personal” has since become a clichéd tagline for several sequels. (Deserved there … although Back to the Future Part II must have been on their game. These two films were released in the same year)

Michael Caine accepted his role after seeing only the first line of the script, which was, “Fade in: Hawaii”. Caine had wanted to shoot a movie in Hawaii for a while. (lol)

The original script features a cameo for Richard Dreyfuss’s character from the original Jaws (1975), marine biologist Matt Hooper. In Hooper’s scene, he calls the Brodys and is greeted on the phone by Thea, who knows him as “Uncle Matt”. Hooper is established as being close to Michael and Carla, who calls him “my second favorite marine biologist”, and he gives them his condolences about Sean’s death. Hooper and Michael discuss their careers, the late Martin Brody, and Hooper’s once spending Christmas with the family, with Martin dressed as Santa Claus. The scene ends when Michael heads off to summon Ellen to the phone to talk to Hooper.

Roy Scheider was offered a cameo, but declined, stating “Satan himself could not get me to do Jaws part 4”. Reportedly, if Scheider had accepted the bit part, the shark would’ve killed his character at the start of the movie. The end result has Scheider in the film through archive footage from the original film that is inserted during some scenes in the film.

This film is listed among the 100 Most Enjoyably Bad Movies Ever Made in John Wilson’s book “The Official Razzie® Movie Guide.”

The only movie in the franchise which doesn’t take place in the summertime. The first Jaws takes place around July 4th, Jaws 2 takes place in June, Jaws 3 takes place at some point in the summertime, and this movie takes place around Christmas and New Year’s (Secret holiday film?)

According to this film, the events that occurred in Jaws 3-D (1983) never took place, which would explain why Mike did not marry Kathryn, and why he isn’t working as an engineer at SeaWorld, and this also would explain why Sean now works as a Deputy in Amity Island, as if he never moved to Colorado. (HA)

Would be one of Judith Barsi’s last films before her untimely death, at the age of ten, one year after this film’s release. Lance Guest, who plays her on-screen father Mike Brody, served as one of her pallbearers at her funeral. (Oh gosh, that is a terrible story)

Bruce the Rubber Shark was nominated for a Golden Raspberry Award for Worst Actor in this film, thus making him the first animal nominated for one. (Probably the first not-real thing as well)

Michael Caine said: “Won an Oscar, built a house, and had a great holiday. Not bad for a flop movie.” He was paid 1.5 million dollars for seven days work in the Bahamas, and the schedule was so tight, that the producers were unable to spare him, so that he could attend the Oscar ceremony, and he went on to win the Best Actor in a Supporting Role Oscar for Hannah and Her Sisters (1986).

Mario Van Peebles wrote his own part.

Michael Caine is the second actor to follow up an Academy Award-winning performance with a Razzie Award-nominated performance in a Jaws (1975) sequel. The first was Louis Gossett, Jr., who won an Oscar for An Officer and a Gentleman (1982), and then was nominated for a Razzie for Jaws 3-D (1983). (Amazing. Why did I not remember that Louis Gossett, Jr. won an Oscar?)

Set mostly in the Bahamas, the film’s storyline includes its Junkanoo Festival, previously known to movie-goers from also featuring in the earlier James Bond movie Thunderball (1965). The annual parade is also featured in the later movie After the Sunset (2004). (Bahamas baby. We are a-traveling the Caribbean)

Mostly set in the Bahamas, the bulk of the movie was filmed on Oahu, Hawaii’s North Shore, near Turtle Bay, and on the northeast side of the island.

Director Joseph Sargent briefly looked into the possibility of producing the movie in 3-D, and contacted the company who had supplied the cameras for Jaws 3-D (1983). However, they told Sargent that they could not guarantee the cameras would work reliably in the climate of the Bahamas, and so the idea was scrapped. (Good)

Comedian Richard Jeni considered this the worst movie of all time, and built a substantial portion of his stand-up comedy act around it. (Lol here’s the link)

On the TV Tropes site, the film, specifically the novelization, is the Trope Namer for Voodoo Shark, defined as an attempt in a story to explain away a plot hole, except that it falls flat, because the explanation itself is a plot hole, and which ends up raising more questions. The name of the trope refers to the novelization of the film, which explains the shark’s motivations as being the result of a curse by a voodoo witch seeking revenge on the Brodys after a scuffle with Michael. (HOLY SHIT THEY DID HALLOWEEN IT!)

According to ‘Rating the Movies,’ “After a miserable theatrical showing in the U.S., the film was given a new ending for its European release.” The ending is the version where when the shark is stabbed, the shark is blown to pieces (using three shots from the first movie). This ending also has Jake (Van Peeples) floating around after the shark’s destruction. When the film was released to video in North America, the European ending was used. When AMC aired Jaws: The Revenge in the early 2000s, they would show the American ending where the shark is stabbed, bleeds profusely, then sinks. As of 2014, however, AMC shows the European ending, rather than the American one. This often leads to confusion for viewers on the original ending, when watching a re-run on television. (Wowza, that is a bit nuts)

The shark’s head exploding is explained when Jake throws an explosive, that’s powered by electrical impulses into the shark, before he is grabbed by the shark and taken under the water, and later when the shark is impaled by the broken bowsprit in the exact spot where the bomb is, it ignites the bomb, which causes the shark’s explosive demise. (I’ll leave that there, that is ludicrous)

Awards: Winner for the Razzie Award for Worst Visual Effects (Henry Millar, 1988)

Nominee for the Razzie Award for Worst Picture (Joseph Sargent, 1988)

Nominee for the Razzie Award for Worst Actor (1988)

Nominee for the Razzie Award for Worst Actress (Lorraine Gary, 1988)

Nominee for the Razzie Award for Worst Supporting Actor (Michael Caine, 1988)

Nominee for the Razzie Award for Worst Director (Joseph Sargent, 1988)

Nominee for the Razzie Award for Worst Screenplay (Michael De Guzman, 1988)

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Anacondas: The Hunt for the Blood Orchid Recap

Jamie

When a company discovers that a rare flower is the key to eternal life they send a group of scientists to find it. They hire a boat to go into a remote region of Papua New Guinea but soon find themselves trying to escape a large number of giant anacondas. Will they get out before it’s too late? Find out in… Anacondas: The Hunt for the Blood Orchid.

How?! A bunch of scientists are totes excited about a chemical they’ve discovered in a flower called the blood orchid that will greatly extend life. Unfortunately this flower only blooms once every seven years or some shit and only in a remote area in Borneo. They head on out there, hire a boat, and then wonder whether they’ve heard this story before because it sure is ringing some bells. Anyway, they are sailing smoothly along until flooding looks like it is too bad to continue. “No way!” says a definitely-not-evil scientist and offers the captain some more money to continue on. This is a mistake as they immediately go over a waterfall. With their boat trashed they have only one option: trek through the jungle to try to find help. This is also a mistake as they begin to be eaten by giant anacondas… which makes no sense but whatever. Eventually they find their way to a village that has been ravaged by anacondas and they use the remnants of the huts to build a raft. However, the evvvviiiilll scientist is like “No way!” and kills one of the crew and steals the raft. Once again the only recourse is to trek through the jungle to steal the raft back and once again this is a mistake as several more people are eaten by anacondas. Finally they corner the evvviiiillll scientist in the blood orchid garden who falls like a dumbo into a writhing mating ball of anacondas (their words, not mine). They then blow up all those snakes and jet away on their raft. THE END.

Why? MacGuffin. baby! They just want that sweet, sweet blood orchid to make bank on a drug that extends life. Interestingly, unlike the first anaconda film they also provide a reason that the snakes are so huge. Since the blood orchid extends life and anacondas continue to grow bigger over time they are huge because they feed on the orchid. Unfortunately they never explain how anacondas are in Indonesia. It really seems like they wrote a random python movie and then were like “yo, wait. You remember that smash hit that came out seven years ago? What if…”

What?! A+ MacGuffin here as it even appears in the title of the film! The Blood Orchid is so classic that you could use it as a joke to exemplify a terrible and hilarious title to a film. Like Breakin’ 2: Electric Boogaloo. Or actually the recent Speed 2: Cruise Control. We are kind of on a subtitle roll at the moment.

Who?! Despite a rather large animal part in this film for a monkey named Kong, we unfortunately didn’t get a credit for Kong himself. We did get a credit for a monkey trainer named Tim Williams. He trained animals on the BMT films Cradle 2 the Grave, Failure to Launch, Transformers, and Zookeeper (an underrated classic). Training that gorilla to sing Apple Bottom Jeans must have been really hard.

Where?! It is very clearly set in Borneo… they say it a whole bunch. We also get a map that places it clearly in the Indonesian area of the island. Just a great great great mapl.de.map location. Although it makes no sense as anacondas are not indigenous to Indonesia. Or even anywhere outside of the Americas. Really this should have been giant reticulated pythons (already the largest snakes in the world). B+.

When?! There is nothing more I could have wished for than for this to be a secret holiday film. Like they’re floating up the river and one of the doctors remarks that he can’t believe he’s spending Christmas in Borneo. As it is, the best we get is one of the technologists saying that he’s missing a Knicks game so October to April (I’m not including playoffs since it’s the Knicks. BOOOOOOM!). F.

This fits nicely into a certain type of BMT film we stumble upon rather frequently (most recently Righteous Kill). It’s a film that by all accounts should have been a direct-to-video release, but somehow made it onto the release schedule. In this case it was probably just an opening in the schedule and they thought “what the hell, the first one did really well.” All things considered this should have just ended up on video and we shouldn’t have ever seen it. But we did… and it’s kind of boring. I will say that there is a level of insanity (especially at the end) that could be entertaining at times. The production quality just wasn’t there. Patrick?

Patrick

‘Ello everyone! Remember that film you made like … 5 years ago? No, you remember it, is had Ice Cube and a big snake or something. Wasn’t it popular? Screw it, let’s make a sequel. Let’s get into it.

The Good – I learned why you don’t watch borderline-straight-to-video sequels to films made in the mid-2000s. There is an adorable monkey in the film. They really flesh out the Anaconda mythos (joking, read the rant).

P’s View of the Preview – Generating the preview the thing that really struck me was how everyone in the film was television actors. So watching what one could put together with a television budget, cast, and (honestly) plot was going to be interesting. Oh, and of course just how Borneo the film is is always a fun settings time. This is one of those films I just never really imagined I would watch … it was shocking to realize it is nominated for a Razzie and thus an inevitable addition to BMT.

The Bad – Where to even start with this pile of garbage. The story involving magic flower anti-aging medicine is dumb. The CGI is awful. The obvious evil scientist twist is obvious. They say mating ball multiple times. They far too quickly dispatch the best character in the film, the boat named Bloody Mary … it is a surreal experience watching such a pointless film. It is hard to even put into words how very strange I found this film. How was this released to theaters and not just directly to the SyFy channel?

Get Yo Rant On – This is like the Halloween franchise problem all over again. There is no need to explain why Anacondas are big. They are big snakes. Reports (probably apocryphal) of enormous Anacondas have been reported throughout history. So why invent some magic flower as a MacGuffin which doubles as a bizarre explanation for why there are big snakes? No one cares. Why can’t Michael Myers just want to kill Laurie Strode … wait, wrong movie, one second … Why can’t I just have a big snake that likes to kill humans for sport without getting into why this snake is big? End Rant.

The BMT – This could end up being the most pointless sequel I’ve ever seen … is that a reason for being though? I guess. I can’t imagine ever recommending this film for anything. It just isn’t very fun … besides them saying “mating ball” like sixteen times … which is pretty awesome I have to admit. But no, terrible BMT film in my opinion.

Welcome to Earf – I need a little help to get started. So main badass Johnny Messner it turns out  is in The Whole Ten Yards with Natasha Henstridge who was in Ghosts of Mars with Ice Cube who was in Anaconda which we know we can get back to Here on Earth with … but for posterity, Anaconda has Owen Wilson who was in I Spy with Eddie Murphy who was in Norbit with Terry Crews who was in Blended with Adam Sandler who was in Jack and Jill with Al Pacino who was in 88 Minutes with Leelee Sobieski who was in Here on Earth. Welcome to Earf!!

StreetCreditReport.com – Nothing! Not that surprising. Who cares about the second Anaconda film? It kind of barely exists. I would have hoped it could make some worst sequel list, but not really. No hope with creature feature lists since there are a million terrible SyFy films available. How did this thing get nominated for a Razzie?

We did indeed watch both films for this installment, so the only other real homework I could have done would be the two straight-to-video sequels they made … thanks but no thanks.

Cheerios,

The Sklogs

Anaconda Recap

Jamie

Terri Flores is a documentary film director searching for a mysterious Amazon tribe. Her and her film crew take a boat down the river only to pick up a mysterious stranger who immediately leads them astray. Can they survive his maniacal obsession with capturing a giant and dangerous anaconda and get back to safety before it’s too late? Find out in… Anaconda.

How?! The title and concept of the film would lead you to believe that a giant (perhaps mutant) anaconda is in fact the main foe at the center of this film. Alas you would be wrong. After a film crew (complete with nerdy professor and pompous British host) hire a boat to take them into the Amazon in search of a mysterious tribe called the Shirishamas, they stumble upon Serone, a Paraguayan snake hunter. He is obviously quite evil and is in actuality their main foe. He starts to murder, maim, and manipulate all the dumb dumbs on the boat to get it to go exactly where he wants to go: to face off against a giant anaconda mano a… uuuhhhh…. not mano. You see, the snake is not mutant or different at all. In fact it’s not even just one snake. They are clearly stumbling upon multiple giant anacondas. If they had stayed out of its lair everyone would have been just fine. But alas, Serone has different ideas. Once Serone has subdued the main scientist via a wasp in his scuba equipment (classic Serone) he gets them to go down a tributary that has been blocked off (presumably because there are giant snakes there). There he begins to hunt the snakes and the snakes begin to hunt them. By the end we get a climactic scene of Serone attempting to use Flores as bait in a snake trap. This backfires and Serone is eaten by the anaconda only to be thrown up to wink at the camera one last time. Flores and her cameraman then lay a trap for the anaconda and they blow it up. As they find their way out of the jungle they get a final shot of the Shirishamas which will win them an Oscar (although given how much they were able to shoot they’ll probably have to move the submission from documentary feature to the short subject category). THE END.

Why?! The crew just wants some sweet shots of that missing tribe. Serone just wants to bag a giant anaconda and will stop at nothing to attain this goal. The weird thing is to try to figure out Serone’s plan. Him and the riverboat captain are already in cahoots before the film starts. So in reality they could have taken the boat and hunted anacondas wheneva. But perhaps they needed the documentary crew’s funding to do so… then why trick them into allowing Serone onto the boat in the first place? Just have him be part of the riverboat crew. Also, why not just dump the crew when they get far enough up river? Seems like a terrible idea to keep all these people around who could sabotage Serone’s ultimate aim. Anyway, this leads me to conclude that secretly Serone wanted to be famous. He wanted to board the ship with the documentary crew on there, woo then with his knowledge and screen presence, and eventually shift the focus of the documentary to Serone: Anaconda Hunter. It’s the only logical conclusion.

What?! I don’t recall any product placements of significance. The anaconda is definitely Serone’s MacGuffin, but no one else wants to find that guy. Really the Shirishamas are closer to a MacGuffin as the audience is told that they are somehow important and mysterious, but little else is known about them. They are just an object of great interest to our characters because…

Who?! Uh… JLo? Ice Cube? Evah heard of them? I’ve been interested in finding some examples of a double musician-turned-actor film in anticipation of watching Edison Force starring LLCoolJ and Justin Timberlake, but totally forgot that we were literally watching one of those very films this week.

Where?! Brazil babbbbyyyyyyyyy. We get an intertitle and a map scene and the whole thing. Also anacondas are only found in South America and primarily in the Amazon, so pretty strictly has to be set in Brazil. I mean it would be totally ridiculous to set a film elsewhere and imply that there are anacondas there *slowly looks towards the DVD copy of Anacondas: The Hunt for the Blood Orchid*. I’m leaning towards A-.

When?! Serone has no concept of time. There is only the time before he catches the giant snake and the time after he catches the giant snake (during which he is planning how to trick people into helping him find another giant snake). What I’m saying is that I don’t know when this takes place. F.

This film is actually a lot more fun than almost anything else we watch. Yeah the plot doesn’t make a huge amount of sense. Yeah the anaconda looks like garbage most of the time. But it’s kind of like a home invasion film where the main character keeps doing super dumb stuff and you just want to yell “don’t do that! He’s evil!” and it’s fun enough to go along with. It may not win any Smaddies Baddies in the end, but I found the whole experience satisfactory. Patrick?

Patrick

‘Ello everyone! What happens when you very intensely watch a film you’ve not only seen before, but you’ve seen multiple times and was one of the first “horror” films you ever watched in your life (in theaters no less)? Come into my mind and find out, let’s go!

The Good – I actually genuinely (hey, why are you laughing? I’m serious) liked this film in a weird way. Sure Voight is a bit over the top at (all) times, but the ensemble cast all seem pretty ready to fake interact with fake snakes and the scenery is amazing. With a strong willingness to just lazily float down the anaconda filled amazon tributary with our heroes I don’t see why you can’t have fun with this film.

P’s View on the Preview – Obviously I was here for one thing and one thing only from a bad movie perspective: Jon Voight. His performance is kind of legendary. From the weird accent, to him mugging for the camera, to the final regurgitated wink, the entire thing was a beautiful symphony. Fun fact: As the moment approached I started to convince myself that I had imagined the wink Jon Voight’s corpse performs after being regurgitated by the Anaconda … I did not, and, appropriately, I burst out laughing when it happened.

The Bad – Owen Wilson and Kari Wuhrer were probably the weakest in the cast, mostly there to betray everyone (in Wilson’s case), cry (in Wuhrer’s case), then die (both of them). The snake looks like complete crap I want to say … 90% of the time. They kill off by far the best character (the British dandy of a host who ends up becoming a one-with-the-jungle badass). And … well, I think it is time for a rant.

Get Yo Rant On – Seriously though … what the hell are creature features supposed to be? This movie isn’t scary, so is it really a “horror” film? There isn’t really a single moment that is scary at all, and it is hard to tell whether they are even trying to make it scary. So are they thrillers? Action films? The classic creature features are things like Frankenstein. The quintessential one is Jaws. People thought Jaws was scary at the time, but it isn’t really now … so are people merely mimicking that feeling of tension? It is a confusing genre, especially with things like Godzilla and King Kong really going all out with the action version, and things like Meg which is the (new very popular) action-comedy I think. I just don’t know how to feel about it in the end. End rant.

The BMT – It certainly is a new twist on BMT. I don’t think Anaconda will go down in history, but I think this could be on the first examples of us rewatching a film. It … wasn’t wholly successful I don’t think. My previous watches definitely left me slightly less interested than I often am. But we have a few more coming up, so we’ll see how it goes. It is also just a little too good to be a classic. But I would watch it if someone offered, and we’d laugh heartily at it. So that is a win.

Welcome to Earf – Weirdly an easy one: Owen Wilson is in I Spy with Eddie Murphy, who was in Norbit with Terry Crews, who was in Blended with Adam Sandler, who was in Jack and Jill with Al Pacino, who was in 88 Minutes with Leelee Sobieski, who was in Here on Earth Welcome to Earf!

StreetCreditReport.com – Not surprisingly it doesn’t get any play from what I can tell. But this was kind of before worst of lists became popular. Funny enough it is mentioned as one of Ebert’s worst reviews. Honestly, this is exactly the type of movie Ebert would be a huge apologist for. Goofy fun which was never really intended to be taken seriously. I disagree with the attitude in general, but I respect the consistency with which Ebert went about his argument for it.

No homework because we were ballers and watched both Anacondas. Go check out what I thought about the completely pointless (spoilees!) sequel!

Cheerios,

The Sklogs

Anacondas: Hunt for the Blood Orchid Preview

NOTE: This is a BONUS film watched in conjunction with Anaconda. I’ve reprinted The Adventures of the Bad Movie Twins installment from the preview here:

Finally Patrick and I get a chance for a little R&R while travelling to Bolivia via cruise ship. We pay no mind to the man arguing over his lost bagpipes and hit the pool like a couple of relaxed dudez. That’s weird, though, that same guy seems to have no interest in the nouveau-Scottish ska band rocking out on board. How suspicious. Suddenly the cruise ship lurches and we are told to evacuate the ship. Patrick’s spidey senses are a-tingling, though. Was that Bagpipes McGee he saw running the opposite way from the designated evacuation route? We better set him straight. When we confront him he reveals that he is in fact a maniacal eco-terrorist who hid a bunch of bombs inside his bagpipes. He’s hell bent on turning the cruise liner into a pirate war ship capable to disrupting the world’s shipping lanes that are the source of so much of our world’s pollution. Also he got bit by a whale as a child and contracted a whale-specific chronic blood condition that requires the use of diamonds to clean his blood… because there are also diamonds on the cruise ship so that’s also part of the plan. We quickly tire of his exposition so we give him a patented Twin Chop to the neck and save the day (“This was supposed to be our vacation!” we say with a sly smirk). Bagpipes McGee is taken away by the Sea Police (all rights reserved) and we continue on our way to Bolivia with the sweet dulcet tones of Reggae music pleasing our ears. “This is great!” I say to Patrick. “Yeah, super relaxing!” he says, “The only thing that could ruin this trip is if we encounter one or both of my greatest fears: snakes and rare flowers.” That’s right! We’re doing a double dose this week as we knock out both theatrical releases in the Anaconda franchise. Anaconda is a classic bad film and smash hit released in 1997. Anacondas: The Hunt for the Blood Orchid was released seven years later and was neither of those things. Let’s go!

Anacondas: The Hunt for the Blood Orchid (2004) – BMeTric: 69.2

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(Twenty thousand votes is absolutely astonishing. And no one hates horror films like horror fans so naturally this just does incredibly with the BMeTric.)

Leonard Maltin – 2 stars –  The original Anaconda had Jennifer Lopez tied up to Ice Cube and a snake-regurgitated Jon Voight; in this sequel, we have Chestnut getting woozy after a rare spider gives him a 151-proof bite. Still, that’s an apparent occupational hazard for anyone trekking the Borneo jungle seeking a fountain-of-youth plant right near the spot where snakes converge for mating season. There’s a jolt or two to satisfy diehards.

(Uh oh … would I be considered a die hard at this point? Maybe, I do prefer horror films with jolts rather than not, so I guess I’m a diehard. Solid semicolon work as always Leonard.)

Trailer – https://www.youtube.com/watch?v=UtBq5lox-1Q

(Lol this looks like complete trash. I do kind of like the Jaws theme joke. Since all creature features are inherently knock offs of Jaws in one way or another poking fun at it is kind of funny at least.)

Directors – Dwight H. Little – (Known For: Last Rampage: The Escape of Gary Tison; Future BMT: Tekken; Free Willy 2: The Adventure Home; Halloween 4: The Return of Michael Myers; Marked for Death; Murder at 1600; The Phantom of the Opera; Rapid Fire; BMT: Anacondas: The Hunt for the Blood Orchid; Notes: Has been doing television almost exclusively for years including many episodes of Bones.)

Writers – Hans Bauer (1997 screenplay & story) – (Known For: Titan A.E.; Future BMT: Highwaymen; BMT: Anacondas: The Hunt for the Blood Orchid; Anaconda; Razzie Notes: Nominee for Worst Screenplay for Anaconda in 1998; Notes: He wrote the original. Additionally, he is a photographer and has has been involved in multiple group and one-man shows in LA)

Jim Cash and Jack Epps Jr. (1997 screenplay & story) – (Known For: Top Gun; Dick Tracy; Turner & Hooch; The Secret of My Succe$s; Legal Eagles; Future BMT: The Flintstones in Viva Rock Vegas; BMT: Anacondas: The Hunt for the Blood Orchid; Anaconda; Razzie Notes: Nominee for Worst Screenplay for Anaconda in 1998; Notes: See the Anaconda preview for info on these guys. They only have a credit because they wrote Anaconda)

John Claflin (screenplay) – (Future BMT: Inhale; BMT: Anacondas: The Hunt for the Blood Orchid; Fool’s Gold; Notes: I can find nothing about him beyond that he worked with Zelman on an unproduced horror film called The Watch in 2004 and then they didn’t seem to work together since.)

Daniel Zelman (screenplay) – (BMT: Anacondas: The Hunt for the Blood Orchid; Fool’s Gold; Notes: Worked with Claflin until it looks like this film, since Zelman has gone on to create Damages and Bloodline in the television world.)

Michael Miner (screenplay) – (Known For: RoboCop; RoboCop (2014); Future BMT: Lawnmower Man 2: Beyond Cyberspace; BMT: RoboCop 3; Anacondas: The Hunt for the Blood Orchid; RoboCop 2; Notes: Claims to be a technophobe and has a second career as a large format landscape photographer.)

Edward Neumeier (screenplay) (as Ed Neumeier) – (Known For: Starship Troopers; RoboCop; RoboCop (2014); BMT: RoboCop 3; Anacondas: The Hunt for the Blood Orchid; RoboCop 2; Notes: He wrote the original screenplay for Starship Troopers when it was called Bug Hunt at Outpost Nine … good title change. It was not originally attached to the Starship Troopers book at all.)

Actors – Morris Chestnut – (Known For: Girls Trip; Boyz n the Hood; G.I. Jane; The Last Boy Scout; Like Mike; The Call; Think Like a Man; Higher Learning; The Best Man Holiday; Ladder 49; Confidence: After Dark; The Best Man; The Brothers; Two Can Play That Game; Scenes of the Crime; Future BMT: Half Past Dead; The Cave; Under Siege 2: Dark Territory; Identity Thief; The Perfect Holiday; When the Bough Breaks; The Perfect Guy; Breakin’ All the Rules; Heist; The Game Plan; Kick-Ass 2; Not Easily Broken; BMT: Anacondas: The Hunt for the Blood Orchid; Notes: Most famous for winning the 1998 Madden Bowl. Has recently been on television including the title role in Rosewood.)

KaDee Strickland – (Known For: The Sixth Sense; American Gangster; Girl, Interrupted; Something’s Gotta Give; The Perfect Catch; Anything Else; The Family That Preys; Diamond Men; Future BMT: The Stepford Wives; The Grudge; BMT: Anacondas: The Hunt for the Blood Orchid; Notes: Starred in over one hundred episodes of Private Practice.)

Eugene Byrd – (Known For: Sleepers; 8 Mile; Dead Man; Julia; One Point O; Easier with Practice; Went to Coney Island on a Mission from God… Be Back by Five; Future BMT: Whiteboyz; BMT: Anacondas: The Hunt for the Blood Orchid; Notes: Starred in Bones and was a voice in Lego Star Wars: The Freemaker Adventures as well. All three of these actors are primarily television actors.)

Budget/Gross – $20–25 million / Domestic: $32,238,923 (Worldwide: $70,992,898)

(Hmmmmm. Given the stated budget it isn’t superb, but also isn’t a complete disaster.)

#40 for the Creature Feature genre

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(The Anaconda films are the eleventh and twelfth creature feature we’ve seen for BMT. I think Bats is my favorite one I’ve seen.)

#10 for the Horror – Terror in the Water genre

anacondas_terrorintehwater

(As I mentioned in the Anaconda preview this plot is just weird. I’m probably most excited to watch Deepstar Six on the list, it is an older film that is pretty notorious for being terrible.)

Rotten Tomatoes – 25% (30/118): A cheesy monster B-movie.

(Higher than one would expect. On a side note after looking at the Rotten Tomatoes page … I have a feeling the actors above are kind of just randomly chosen. At least the main guy in all of the pictures is not one of those three people I don’t think. Reviewer Highlight: This movie looks like it was no fun to make. It certainly was no fun to watch. – Richard Roeper, Ebert & Roeper)

Poster – Sklogs Don’t Mess With No Snakes 2: The Hunt for a MacGuffin (C)

anacondas_the_hunt_for_the_blood_orchid

(Not nearly as good as the previous one, but not the worst in my opinion. Green tone with the snake skin is a good idea… it’s just the skull is nonsense and thus makes the whole poster kind of nonsense and boring.)

Tagline(s) – The hunters will become the hunted. (C)

(Not sure where this tagline came from. The poster doesn’t have one so maybe the DVD (?). Too cliched to really hit the marks. It’s short and sweet and has some rhythm, but you can’t get too many points by just spouting off a common phrase.)

Keyword(s) – blood; Top Ten by BMeTric: 95.5 Disaster Movie (2008); 93.8 Dragonball Evolution (2009); 91.0 Gigli (2003); 90.9 The Room (2003); 90.2 Alone in the Dark (2005); 89.5 The Wicker Man (2006); 88.8 Vampires Suck (2010); 88.7 House of the Dead (2003); 88.6 Street Fighter (1994); 87.5 BloodRayne (2005);

(I think any film that has people with blood in them will get this keyword I guess. What a dumb keyword. Who are these people who just added blood to every film on IMDb one day?)

Movie Stub – Anacondas: The Hunt for the Blood Orchid (Start class) – Shockingly detailed … and still a Start class? I’m 95% sure that wikipedia doesn’t really have a real review process. I think given that I can basically edit anything on wikipedia at will at this point that I could just declare this C-class and be done with it. So tempting.

Notes – The First Hollywood movie to have its premiere in Fiji. (fun fact)

Nerida Tyson-Chew’s score was nominated for Best Soundtrack Album at the 2005 Screen Music Awards (Australia). (WHAT)

When they captured the stone spider, the character mentions it first as “laba-laba batu”, the Indonesian for “stone spider”.

The character of Cole played by Eugene Byrd mentions a documentary crew who were also hunted by Anacondas which the other characters dismiss as a story, this is in fact a reference to the film ‘Anaconda’, the first film in the series which stars Jennifer Lopez and Ice Cube. (Lame as shit)

Awards – Nominee for the Razzie Award for Worst Remake or Sequel (2005) (I cannot believe this was actually nominated! That is crazy!)

Anaconda Preview

Finally Patrick and I get a chance for a little R&R while travelling to Bolivia via cruise ship. We pay no mind to the man arguing over his lost bagpipes and hit the pool like a couple of relaxed dudez. That’s weird, though, that same guy seems to have no interest in the nouveau-Scottish ska band rocking out on board. How suspicious. Suddenly the cruise ship lurches and we are told to evacuate the ship. Patrick’s spidey senses are a-tingling, though. Was that Bagpipes McGee he saw running the opposite way from the designated evacuation route? We better set him straight. When we confront him he reveals that he is in fact a maniacal eco-terrorist who hid a bunch of bombs inside his bagpipes. He’s hell bent on turning the cruise liner into a pirate war ship capable to disrupting the world’s shipping lanes that are the source of so much of our world’s pollution. Also he got bit by a whale as a child and contracted a whale-specific chronic blood condition that requires the use of diamonds to clean his blood… because there are also diamonds on the cruise ship so that’s also part of the plan. We quickly tire of his exposition so we give him a patented Twin Chop to the neck and save the day (“This was supposed to be our vacation!” we say with a sly smirk). Bagpipes McGee is taken away by the Sea Police (all rights reserved) and we continue on our way to Bolivia with the sweet dulcet tones of Reggae music pleasing our ears. “This is great!” I say to Patrick. “Yeah, super relaxing!” he says, “The only thing that could ruin this trip is if we encounter one or both of my greatest fears: snakes and rare flowers.” That’s right! We’re doing a double dose this week as we knock out both theatrical releases in the Anaconda franchise. Anaconda is a classic bad film and smash hit released in 1997. Anacondas: The Hunt for the Blood Orchid was released seven years later and was neither of those things. Let’s go!

Anaconda (1997) – BMeTric: 75.4

Anaconda_BMeT

Anaconda_RV

(Below 5.0 is actually quite shocking. I saw this in the theaters when I was like eleven years old and I never really got the sense that it was a terrible film … how did movies work back then? Why would my entire family go out and watch Anaconda one night on a whim. We must have known it was just utter and complete garbage. What else was on? One second … We could have seen Liar Liar. I bet it was my older brother who wanted to watch Anaconda though.)

Leonard Maltin – 2 stars –  Documentary film crew adrift on the Amazon is besieged by a giant killer snake. Hokey special effects and an expositionless script detract, but there’s campy fun in the form of Voight’s demonic snake poacher, who speaks with a bad Brandoesque drawl and strangles human victims between his knees. FIlm makes most of beautiful Brazilian rainforest locale, yet the big serpentine climax looks strangely like deepest, darkest Arcadia. (In fact, it’s the Arboretum in L.A. County.) Followed by Anacondas: The Hunt for the Blood Orchid and two TV sequels.

(Did someone say TV sequels? Voight is definitely the highpoint of the film. And I love the inside baseball fact with the filming locale. Definitely a place Leonard Maltin would end up at some point.)

Trailer – https://www.youtube.com/watch?v=zkX5t5ZJLEk

(Boom. The Anaconda looks fine in most of those shots although by all accounts it looks like complete trash for the most part. That murderer’s row of actors though, phew. Complete with Ice Cube declaring that he wants to go back to LA? Sign me up.)

Directors – Luis Llosa – (Known For: Sniper; Future BMT: The Specialist; BMT: Anaconda; Razzie Notes: Nominee for Worst Director for Anaconda in 1998; Notes: Peruvian. He’s had a winding career going from film critic to low-budget exploitation film producer, to action director. He seems to now produce television in his native country.)

Writers – Hans Bauer (written by) – (Known For: Titan A.E.; Future BMT: Highwaymen; BMT: Anacondas: The Hunt for the Blood Orchid; Anaconda; Razzie Notes: Nominee for Worst Screenplay for Anaconda in 1998; Notes: The man behind the movie. He made this as his first script. And then wrote a book (!) about his original vision for the movie. He loves Anaconda.)

Jim Cash and Jack Epps Jr. (written by) – (Known For: Top Gun; Dick Tracy; Turner & Hooch; The Secret of My Succe$s; Legal Eagles; Future BMT: The Flintstones in Viva Rock Vegas; BMT: Anacondas: The Hunt for the Blood Orchid; Anaconda; Razzie Notes: Nominee for Worst Screenplay for Anaconda in 1998; Notes: Writing partners since college they worked together for twenty years until Cash’s death. Epps hasn’t seemed to have done anything after that. Anacondas is just a story credit.)

Actors – Jon Voight – (Known For: Fantastic Beasts and Where to Find Them; Heat; Transformers; Mission: Impossible; Tropic Thunder; National Treasure; Deliverance; Holes; Zoolander; Midnight Cowboy; Enemy of the State; U Turn; Varsity Blues; The Manchurian Candidate; The Champ; The Rainmaker; Ali; Catch-22; Glory Road; Runaway Train; Future BMT: Big Fat Important Movie; Four Christmases; Pearl Harbor; Most Wanted; National Treasure: Book of Secrets; Pride and Glory; BMT: Superbabies: Baby Geniuses 2; Bratz; Anaconda; Getaway; Lara Croft: Tomb Raider; September Dawn; Razzie Notes: Nominee for Worst Actor, and Worst Screen Couple for Anaconda in 1998; and Nominee for Worst Supporting Actor in 1998 for Most Wanted, and U Turn; in 2005 for Superbabies: Baby Geniuses 2; and in 2008 for Bratz, National Treasure: Book of Secrets, September Dawn, and Transformers; Notes: Occasionally in the news for all the wrong reasons. Like, currently he’s in the news because he’s in an anti-abortion film called Roe v. Wade with Milo Yiannopoulos which is so blatantly disingenuous that even Christian-film stalwarts like Kevin Sorbo dropped out once they got the completed script.)

Jennifer Lopez – (Known For: Parker; The Cell; Selena; Out of Sight; Antz; U Turn; Home; Shall We Dance; Jersey Girl; An Unfinished Life; My Family; Lila & Eve; Blood and Wine; Future BMT: Maid in Manhattan; The Wedding Planner; The Back-up Plan; Monster-in-Law; Money Train; Ice Age: Collision Course; Angel Eyes; Enough; Jack; El cantante; Ice Age: Continental Drift; BMT: Gigli; Anaconda; The Boy Next Door; What to Expect When You’re Expecting; Razzie Notes: Winner for Worst Actress, and Worst Screen Couple for Gigli in 2004; Nominee for Worst Actress in 2002 for Angel Eyes, and The Wedding Planner; in 2003 for Enough, and Maid in Manhattan; in 2006 for Monster-in-Law; and in 2016 for The Boy Next Door; Nominee for Worst Supporting Actress in 2005 for Jersey Girl; and in 2013 for What to Expect When You’re Expecting; Nominee for Worst Actress of the Decade in 2010 for Angel Eyes, Enough, Gigli, Jersey Girl, Maid in Manhattan, Monster-in-Law, and The Wedding Planner; and Nominee for Worst Screen Couple for Jersey Girl in 2005; Notes: You know, sometimes I forget that Alex Rodriguez was a person until I read about him dating Jennifer Lopez and the stunning pinstripe pants suit she wore for a date. Thank you J-Lo.)

Eric Stoltz – (Known For: Pulp Fiction; Fast Times at Ridgemont High; Jerry Maguire; Little Women; Mask; 2 Days in the Valley; Say Anything…; Some Kind of Wonderful; The Rules of Attraction; Singles; Rob Roy; 5 to 7; Memphis Belle; The Prophecy; Kicking and Screaming; Class Rank; The House of Mirth; The Rachel Papers; Naked in New York; Grace of My Heart; Future BMT: The Honeymooners; The Fly II; Harvard Man; Keys to Tulsa; Sleep with Me; Killing Zoe; A Murder of Crows; BMT: Anaconda; Notes: Famously dropped from Back to the Future after five weeks of filming for being too intense for the character. You can even see some of it in the documentary they made.)

Budget/Gross – $45 million / Domestic: $65,885,767 (Worldwide: $136,885,767)

(Smashed it. Kind of weird they waited so long for a sequel, although perhaps the reviews were so terrible they couldn’t lure the main players back and they had to wait a bit for people to forget who was in the original.)

#19 for the Creature Feature genre

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(Huge recent surge in the genre with Alien, Predator, Jurassic Park, Godzilla and King Kong all coming back. Alien Vs. Predator might be the saddest highest grossing BMT film I’ve ever heard for the genre. A Sound of Thunder being the lowest is quite nice.)

#4 for the Horror – Terror in the Water genre

anaconda_terrorintehwater

(If not for the clockwork like way water-based-horror comes back every 5 years I wouldn’t have even shown this … why would that be. Regardless, this is now the highest grossing we’ve seen. Jaws 3D is the only other one.)

Rotten Tomatoes – 39% (19/49): No consensus yet.

(Oooo I’ll have to write one. Corny with some of the worst effects you’ll ever see. And yet … who doesn’t love a snake that eats everything? Reviewer Highlight: The monster looks like a maniacal garden hose in a couple of sequences. Still, it delivers the necessary thrills and chills.  – Carol Buckland, CNN)

Poster – Sklogs Don’t Mess With No Snakes (A-)

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(I enjoy this. A masterfully made poster. The font is shit – can’t even give me some snake skin pattern on that? – but besides that I think this is great.)

Tagline(s) – When you can’t breathe you can’t scream (B+)

(A little cliche at this point. Almost a joke in the end at just how easy this tagline would be to predict. Also a little clunky, but still, it’s a classic for a reason.)

Keyword(s) – monster movie; Top Ten by BMeTric: 90.2 Alone in the Dark (2005); 84.5 Piranha 3DD (2012); 75.4 Anaconda (1997); 69.2 Anacondas: The Hunt for the Blood Orchid (2004); 60.5 Cursed (2005); 58.7 Godzilla (I) (1998); 58.6 The Cave (2005); 55.8 Primeval (2007); 53.6 Bride of the Monster (1955); 51.3 The Mummy (2017);

(I’m unreasonably excited about The Cave. A very rare spelunking film we’ve never really gotten around to.)

Movie Stub – Anaconda (Start class) – I absolutely love the Soundtrack section, which is somehow both rare, and weirdly common … I mean, who remembers or cares about the Anaconda soundtrack? And it doesn’t even seem to have Ice Cube or J-Lo songs on it, it mainly seems to be the score! Anyways, the lacking section is the production (a common theme on wiki it seems). Perhaps I’ll peruse Variety a bit and try and bolster it over the next few days.

Notes – During the filming of one scene the controls for the animatronic Anaconda shorted out, causing it to completely lose control. Some of the footage is included in the movie. (Oh terrible)

The Amazonian film shoot was occasionally disrupted by the fact that a number of the cast were incredibly afraid of snakes. (I would refuse to shoot in the Amazon entirely personally. I would be too afraid of getting sick)

The CGI for the Anacondas cost $100,000 a second. (Awful, and I would imagine completely untrue. That would mean a minute of footage would be $6 million)

The film makes mention of the Candiru, a tiny catfish (also known as the Vampirefish) which has been attributed with the peculiar behavior of swimming into the human body through the urethra (in men) or the vagina (in women), where it lodges itself with its spines. This is not as common an occurrence as the film implies. Only one such incident is known to have happened to a man where a small catfish traveled into the urethra whilst he was urinating in a river. This account has been corroborated by Jeremy Wade in River Monsters – Amazon Flesh Eaters. (Another reason I wouldn’t shoot in the Amazon)

This film is listed among the 100 Most Enjoyably Bad Movies Ever Made in Golden Raspberry Award founder John Wilson’s book The Official Razzie Movie Guide. (Huh)

In the theatrical trailer, when Gary is attacked by the Anaconda, the CGI snake had not yet been put in, so he was falling backwards with nothing grabbing him. (Fun fact)

Contains two allusions to Ice Cube’s musical career. His first line of dialogue is “Today is a good day,” referring to his 1992 hit “It Was A Good Day.” There is a scene of him listening to Mack 10’s song “Foe Life,” which he co-wrote. (Fine, you do you Ice Cube)

Anaconda was not filmed in the Dominican Republic. The majority of the river scenes were filmed on the Rio Negro, in the vicinity of Manaus, Brazil. The remainder were filmed at the Los Angeles Arboretum. (As Leonard Maltin said)

Jean Reno was considered for the part of Paul Serone. (Would have been a better choice)

Most of the river scenes were filmed in LA Romana, Dominican Republic, tours are available to this area. (Wait one second! But that other note said it wasn’t. I’m starting to think these IMDb notes might be written by random people! …)

Awards – Nominee for the Razzie Award for Worst Picture (Verna Harrah, Leonard Rabinowitz, Carole Little, 1998)

Nominee for the Razzie Award for Worst Actor (Jon Voight, 1998)

Nominee for the Razzie Award for Worst Screen Couple (Jon Voight, 1998)

Nominee for the Razzie Award for Worst Director (Luis Llosa, 1998)

Nominee for the Razzie Award for Worst Screenplay (Hans Bauer, Jim Cash, Jack Epps Jr., 1998)

Nominee for the Razzie Award for Worst New Star (1998)

Alone in the Dark Recap

Jamie

Monsters are loose in the world and only one man can stop them, supernatural investigator Edward Carnby. Can he team up with his ex-girlfriend archaeologist to take them down before it’s too late? Find out in… Alone in the Dark.

How?! Edward Carnby is one cool cat. Investigating the paranormal by day and boning to heavy metal music all night (probably). In an overly complex aspect of the plot we find that he’s been investigating a long lost Native American tribe that disappeared after opening a portal to a demonic world. At the same time a professor at the museum where his ex-girlfriend, Aline, works has unlocked this very same demonic world and has taken control of the demons within. People are dying and/or being turned into mindless weapons left and right, which eventually leads everyone to an abandoned gold mine near the orphanage where Edward grew up. They venture into the mine to have a totally rad showdown with the professor. He is able to open the demonic world once again, but Edward and his ragtag team of semi-professional killers and academics are able to kill the professor and blow up the mine. When they go back to the surface they find the beautiful city of Vancouver abandoned. Is this the end? Or is it… simply the beginning? Bum bum bum (spoiler alert: it’s the end).

Why?! It’s both personal and professional for Carnby. One the one hand, it was (is?) his job to investigate the paranormal like this demon situation. On the other hand, through an intricate web of coincidence not only does his ex-girlfriend work for the guy attempting to use the demons for world domination, but as a child he was also part of the experiment that the same guy performed to produce weaponized sleeper agents. So he’s got a lot at stake. As for the bad guy, he just wants to control the demon creatures so that he can rule to world.

What?! While a bunch of companies got special thanks for providing product placement (including Volkswagen, which provided the VW bug that Tara Reid drove), I instead want to give a little shoutout to Nuytco. The company specialized in deep sea research and according to the credits provided a research mini-submarine for use in some scenes where a gold sarcophagus is raised from the ocean floor. Just seems insane. You are a legit research company.

Who?! While not actually a role in the film I have to highlight that for whatever reason Uwe Boll decided to score a lengthy sex scene using the 1994 hit (?) Seven Seconds. Nothing like letting the viewer know that your film is hip to what the kids are into these days than a decades old European afrobeat song. You’re welcome.

Where?! While this film is very obviously filmed in British Columbia, it’s not necessarily set there. I waited with bated breath for them to hint that it was set in NYC or Anonymous US City. Instead, when they localize the gold mine they zoom in on a map of… British Columbia. Weird. So this and Ballistic: Ecks vs. Sever both chose to just set the film in Canada and not worry about it. Interesting. C-.

When?! Getting the location was a treat, getting a temporal setting was probably too much to hope for. I did not catch anything to suggest when the film actually took place. Uwe Boll was probably too busy counting his money to care. F.

Jeez louise, this film is just terrible. Not fun at all to watch really. More sad and boring. I had to take several breaks in my attempt to make my way through it. I would love to say that we’ll never watch another Uwe Boll film again, but who am I kidding? The man has two other major motion picture releases that we will eventually watch. It’s like saying we won’t watch Disaster Movie… we will. It is simply a fact. Sigh. I wish it weren’t the case, but it is our fate. Foretold millenia ago on an ancient Egyptian scroll. Alas. Patrick?

Patrick

‘Ello everyone! The definition of insanity is doing the same thing over and over and expecting something different. That must mean I’m insane for Uwe Boll films. He churns out garbage, but damn … it’s some fine looking garbage. Let’s get into it!

The Good – It looks like a film, sounds like a film, and feels like a film. So I guess it must be a film? If there is one thing good to say about Uwe Boll films it is that he takes a lot of money and makes a film that looks like it costs that amount of money. A lot of bad films you can look at and think “this is close to being a film I could actually make a better version of”, like Steel Sharks and the like. But Uwe Boll films are real films that take a lot of effort and skill to make, and that is something.

P’s View on the Preview – Uwe Boll baby. We’ve only seen one other film by Uwe Boll, the legendary In the Name of the King: A Dungeon Siege Tale. Being able to place another film within the context of Uwe Boll is, of course, important to understanding that film in its full scope. And after over five years we finally got around to it. Can’t say I’m excited though.

The Bad – This plot is complete trash. The CGI is complete trash. The writing is complete trash. And any and all action is complete trash. There is no Jason Statham, Ray Liotta, Matthew Lillard and the rest of In the Name of the King’s glorious cast to save the film. Christian Slater and Tara Reid are pale imitations in that respect, and so it just kind of … makes you sad watching the film. Someone really wanted to make a film, so badly they didn’t even bother to get that sweet German tax relief scheme for this mess, and they got this. That is profoundly sad.

Get Yo Rant On – Honest question … when was Christian Slater famous? Just looking through his filmography it seems like I might have watched a single Slater film in my life prior to BMT (The Wizard) and yet for whatever reason I was aware that Christian Slater existed and was famous. It is very confusing. Perhaps it was Broken Arrow? True Romance? Were those famous enough that I’d be aware of him at the time? It is blowing my mind! Got to give him credit though, he’s survived thirty years as an actor on the B-list (in the early 90s he was probably A-list, but I don’t know, that’s what this rant is about!), and he survived being in this piece of garbage. Go get yo money Christian Slater.

The BMT – Out of all of the Uwe Boll films In The Name of the Kind and Alone in the Dark are probably the two that are the most BMT of the bunch. And I think it was a tragic necessity to watch another Uwe Boll film, as I said, for context. We’ll eventually watch at least one more I think (BloodRayne, although House of the Dead and Postal will be in play as well), but it never really feels like a pressing issue since the films seem like they are intentionally terrible (even though they aren’t).

StreetCreditReport.com – It does get quite high in a few worst ever lists (21 here, for the record I’ve seen 37 of those 50 films, although a bunch outside of BMT) but surprisingly it didn’t get recognized at all when it was released. Possibly because critics were in the process of willfully ignoring Boll. Possibly because no one actually watched it. Possibly because people thought it was “good” in the sense of being hilarious. For whatever reason no one gave a shit about the film at the time. Surprising stuff.

There is a whole video game series, but as usually ain’t nobody got time for that. All complaints about me not doing my homework can go right into the trash can, heeeyyyyooooo.

Cheerios,

The Sklogs

Alone in the Dark Preview

Ruffles, our beloved dog lawyer, has been kidnapped by the assassin Aitch and Patrick and I are crushed. We end up going on a weeklong bender in beautiful Vancouver fighting anyone and everyone that gets in our way. Alone except for the booze, we are approached by an NCIS: New Orleans agent who looks suspiciously like mega-star Scott Bakula from the smash television hit Quantum Leap. “Hi, I’m Scott Bakula,” he says and offers us a deal. He will tell us where Ruffles is in exchange for help on a matter of national security. We know what that means: g-g-g-g-g-ghosts! In the end we relent… for Ruffles. When we go to where Ruffles is being held we are ambushed by the cops. Fortunately, Aitch swoops in with some wire-fu and explosions galore and frees us. Turns out Aitch is a lady assassin and is on our side after all. What a twist! She was actually keeping Ruffles safe from mega-star Scott Bakula. But wait, it turns out she’s not a “she” but in fact mega-star Scott Bakula himself! What a double twist! He peels off his Mission Impossible facemask as we look on in shock. “What are you doing here? You betrayed us,” we say. “Did I,” he says softly, “Or did I save you… sons?” What a triple twist! We hug mega-star Scott Bakula and know that there is one final thing to do before we start setting up that production company. “Still need some help fighting those g-g-g-g-g-ghosts, Dad?” To which he responds with a wink, “Hope you’re not afraid of the dark.” That’s right! We’re watching Alone in the Dark. When we watched In the Name of the King: A Dungeon Siege Tale all those years ago we promised ourselves we would never watch another Uwe Boll movie. Mostly because he doesn’t make real movies, but rather financial scheme disguised as movies. But promises are meant to be broken, especially when we are looking for a producer that also produced that HoFer ItNotK:ADST… which pretty much limits us to Uwe Boll films. Well fuck us, right? Let’s go!

Alone in the Dark (2005) – BMeTric: 90.2

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(Legendary naturally. To just sit cold at 2.3 is just nuts. Would be one of the highest BMeTric films if people bothered to watch it. If that vote count doubled (and I’m not sure the rating would go up even if it did) it would exceed Meet the Spartans.)

Leonard Maltin – BOMB –  Paranormal investigator Slater tangles with a mad scientist in this unintelligible time-waster based on an Atari video game. The opening crawl is dopey and overlong; what follows is mind-numbingly awful. Casting Reid as an anthropologist is like assigning Curly Howard the role of neurosurgeon.

(Kind of an unnecessary dig at Tara Reid there. That was the obvious intention of the casting, to make it somewhat of a joke in and of itself. I’m glad I get an overlong and awful opening crawl though, I’ll revel in that a bit before my brain starts to scream.)

Trailer – https://www.imdb.com/title/tt0369226/videoplayer/vi4088725785?ref_=tt_ov_vi

(If you get this far the video above that is embedded is just a teaser, the link itself though is to IMDb which has the full trailer (youtube for some reason doesn’t). The CGI looks like complete garbage, the dialogue and action look terrible and blessedly ludicrous. It is pretty sweet I think.)

Directors – Uwe Boll – (Future BMT: House of the Dead; BloodRayne; Postal; Blackwoods; Bailout: The Age of Greed; BMT: Alone in the Dark; In the Name of the King: A Dungeon Siege Tale; Razzie Notes: Winner for Worst Director in 2009 for In the Name of the King: A Dungeon Siege Tale, Postal, and Tunnel Rats; Nominee for Worst Director in 2006 for Alone in the Dark; and in 2007 for BloodRayne; and Nominee for Worst Supporting Actor for Postal in 2009; Notes: He literally makes tax shelter films. He is quoted as saying “Maybe you know it, but it’s not so easy to finance movies in total. The reason I am able to do these kind of movies is I have a tax shelter fund in Germany, and if you invest in a movie in Germany you get basically 50% back from the government.” This though can’t actually be one because it was filmed in Canada which violates the agreement.)

Writers – Elan Mastai (written by) – (Known For: What If; Future BMT: The Samaritan; BMT: Alone in the Dark; Notes: Just wrote his debut novel All Our Wrong Todays which is about time travel and seems to have gotten pretty excellent reviews actually.)

Michael Roesch and Peter Scheerer (written by) – (BMT: Alone in the Dark; Notes: They have written several Uwe Boll films, although mostly the later ones which didn’t get real releases. Here is an article about the production.)

Actors – Christian Slater – (Known For: Nymphomaniac: Vol. I; True Romance; Heathers; Austin Powers: International Man of Mystery; Robin Hood: Prince of Thieves; Interview with the Vampire: The Vampire Chronicles; The Wife; Zoolander; The Name of the Rose; Bullet to the Head; FernGully: The Last Rainforest; The Legend of Billie Jean; Broken Arrow; Very Bad Things; King Cobra; Bobby; Star Trek VI: The Undiscovered Country; La Cordillera; Pump Up the Volume; Untamed Heart; Future BMT: Hot Tub Time Machine 2; Soldiers of Fortune; Stranded; Playback; Sofia; The Ten Commandments; Hard Ca$h; Slipstream; Windtalkers; Igor; True Deception; Kuffs; Masked and Anonymous; Jimmy Hollywood; The Wizard; Mobsters; Tales from the Darkside: The Movie; Mindhunters; Bed of Roses; Young Guns II: Blaze of Glory; Gleaming the Cube; Who Is Cletis Tout?; BMT: Alone in the Dark; Hard Rain; 3000 Miles to Graceland; Razzie Notes: Nominee for Worst Supporting Actor in 1992 for Mobsters, and Robin Hood: Prince of Thieves; Notes: Got his break in Heathers, and has been working consistently to a degree since. He’s now a part of the hit television program Mr. Robot.)

Tara Reid – (Known For: American Pie; The Big Lebowski; Cruel Intentions; American Reunion; American Pie 2; Josie and the Pussycats; Dr. T & the Women; Future BMT: My Boss’s Daughter; The Crow: Wicked Prayer; Urban Legend; Body Shots; Just Visiting; Van Wilder: Party Liaison; BMT: Alone in the Dark; Razzie Notes: Nominee for Worst Actress for Alone in the Dark in 2006; Nominee for Worst Supporting Actress, and Worst Screen Couple for My Boss’s Daughter in 2004; and Nominee for Worst Screen Couple for Just Married in 2004; Notes: Somewhat of a punchline these days unfortunately. An example of how quickly one’s career can crater when you don’t guard against taking on poor projects. Her starring turn in Sharknado kind of revitalized her career a bit, although perhaps ironically.)

Stephen Dorff – (Known For: Public Enemies; Blade; The Iceman; Zoolander; World Trade Center; Somewhere; The Gate; Felon; Cecil B. DeMented; I Shot Andy Warhol; Blood and Wine; Backbeat; The Motel Life; Brake; City of Industry; The Deal; Nanking; Zaytoun; Entropy; Future BMT: Cold Creek Manor; Leatherface; A Glimpse Inside the Mind of Charles Swan III; Space Truckers; American Hero; Immortals; Steal; Deuces Wild; Shadowboxer; Tomorrow You’re Gone; Jackals; Botched; S.F.W.; Judgment Night; Den of Lions; BMT: Alone in the Dark; Feardotcom; Bucky Larson: Born to Be a Star; Notes: Will play a prominent role in HBO’s True Detective Season 3.)

Budget/Gross – $20 million / Domestic: $5,178,569 (Worldwide: $10,442,808)

(Funny enough I had a whole thing written about how this film made money from tax breaks … but it probably actually couldn’t because it was filmed in Canada, not Germany. Which means … as crazy as it sounds, someone decided to make Alone in the Dark with actual financing. Naturally it was a complete bomb … congrats.)

#65 for the Creature Feature genre

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(There is a fascination with the creature feature, and there always has been I suppose. Jaws busted it out in the blockbuster, and then with CGI things like Anaconda made them huge in the late 90s. Alien, King Kong, Godzilla, Jurassic World … it really isn’t ever going to stop. A Sound of Thunder and Critters 2 made less money than this piece of garbage, think on that for a hot second.)

#332 for the Horror – R-Rated genre

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(This is having a moment naturally, although it is interesting that it isn’t doing exceptionally well financially. By which I mean: with IT and Get Out’s success I would have thought that the dollar per theater number would have just been huge. But really it seems like it has just returned to the position it was in in the late-90s weirdly. At least on average.)

#35 for the Video Game Adaptation genre

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(They really have been trying to make this a thing since it all began. It has actually ticked up a bit on the return recently, and the reviews are coming in … but then again, Marvel/Star Wars/ Disney just kind of consume everything as well, so I don’t really see much room for giant video game franchises. Maybe they’ll end up on television though which could actually be quite cool now that I think about it.)

Rotten Tomatoes – 1% (1/120): Inept on almost every level, Alone in the Dark may not work as a thriller, but it’s good for some head-slapping, incredulous laughter.

(This is arguably the second worst reviewed film of all time. It kind of depends on how you define things. Our last movie, Ballistic: Ecks vs. Sever has less review (116), but all bad. The former BMT thriller Twisted has more reviews (136) but two are good. One missed call also has a perfect 0% with only 80 reviews as well. So depending on how you calculate things I think there is a strong argument this is the second worst reviewed film of all time.)

Poster – Alone in the Sklog (C+)

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(While cheap looking and with totally uninteresting font and color scheme, it’s not as bad as I would have expected. It also has some artistic touch that makes it a bit more interesting that it probably should be.)

Tagline(s) – Evil awakens. (D)

(Blah. Really hard to have an original and interesting two word tagline to a film. This is neither of those.)

Keyword(s) – battle; Top Ten by BMeTric: 96.2 Epic Movie (2007); 95.9 Meet the Spartans (2008); 94.6 Battlefield Earth (2000); 93.7 Dragonball Evolution (2009); 90.2 Alone in the Dark (2005); 88.6 House of the Dead (2003); 88.6 Street Fighter (1994); 87.4 The Last Airbender (2010); 86.5 Mortal Kombat: Annihilation (1997); 85.9 In the Name of the King: A Dungeon Siege Tale (2007);

(Given that I’ve seen Street Fighter and Mortal Kombat: Annihilation (in theaters …) I am kind of one away from completing this list … that is pretty impressive. For the keyword battle!)

Notes – The lengthy opening text crawl was added after numerous test audience members said they were confused by the plot. (As I assume most such terrible beginnings are made)

After execs read the green draft of the shooting script, the film got an additional $10 million. Uwe Boll poured the money into special effects. (After they saw how real this tax shelter of a film was some rich German decided to evade several million more dollars worth of taxes … that is literally how this probably worked).

Was named worst film of 2005 by the Stinkers Bad Movie Awards. (One of the last ones)

Every piece of body armor worn by the various extra foot soldiers during major battle scenes is paintball body protection made by JT USA. (Sigh)

Uwe Boll wanted Christian Bale and Jessica Alba for the leads. (I’m sure he wanted many a thing in this pipe dream of a film)

One of the two films that received an “F” CinemaScore from audiences upon their release in 2005, along with Wolf Creek (2005). (That is actually pretty awesome. Wolf Creek doesn’t even qualify)

Nuclear Blast spend $30,000 on the soundtrack rights to promote their bands.

Uwe Boll stated on various occasions that he regretted having Tara Reid in the film. (I’m sure she regretted being in the film)

The song that can be heard during the shooting sequence is “Ghost” by Mnemic.

Uwe Boll changed the ending from the original script to make a more ambiguous note.

A love scene between Christian Slater and Tara Reid featuring the song “Seven Seconds” by Youssou N’Dour and Neneh Cherry can be seen in the extended version. (Nooooooooo, I best be getting the extended version)

Awards

Nominee for the Razzie Award for Worst Actress (Tara Reid)

Nominee for the Razzie Award for Worst Director (Uwe Boll)