Apollo 18 Recap


There are some genres that have oversized importance in BMT. Exorcism movies, for example. I feel like we’ve watched like 1000 exorcism movies and they are all basically the same. Like some woman is in an insane asylum and the doctors are all like “she’s been here for thirty years and all she draws is this dumb picture over and over and she never talks.” Then our main character walks in and she starts singing like Ring Around the Rosie in a child-like voice before screaming with sharp demon teeth and lunging at the main character… that’s a general picture of all of those movies. They are some of the worst films we’ve ever watched. Then there are some significant genres that for whatever reason it seems like we’ve only ever dipped our toe. Found footage feels a little like that. Never even seen a Paranormal Activity film, so some real big ones are missing. So of course we decided to do a very minor (and very weird) entry in the genre with Apollo 18.

To summarize, my gawd! Someone just posted some secret footage on lunartruth.com. And boy howdy, you won’t even believe it. It’s all this stuff about a super duper secret Apollo 18 moon mission run by the government. The astronauts are psyched and agree not to tell their families and off they go to space. Everything seems to go well. Walker and Grey get to go to the surface and have some moon fun with their moon friends until, wait… what’s that? They find a Soviet moon lander. But the Soviets didn’t land on the moon. WRONG! They did and they died. Meanwhile the astronauts have also collected all these moon rocks and didn’t they put those rocks in one place? So why are they in a different place?!?!?!?! Spooky. They prepare to leave the moon cause it’s too scary but on launch the module is damaged by an unknown force. When they try to go out and fix things, Walker is attacked and we see an alien in his suit. By the time Grey is able to get him back inside he finds that he has a moon rock embedded in his chest. Walker begins to act very strange and is clearly a moon alien person, but Grey won’t give up on him and tries to get him to the Soviet lander as it’s their only chance. On the way to the lander Walker realizes he can’t go back and infect Earth so he runs off and Grey goes on to the lander by himself. He is just able to take off, but before he gets to the command module he is infected by the aliens and they all crash and die. THE END.

I am bewildered by the existence of this film. It feels like a SyFy original or something. I’m not even sure it would make it on some of the streamers nowadays and appears to only exist because there was a very brief moment where the demand for found footage was so high that supply couldn’t keep up. They had to figure out everything and anything that could theoretically be a found footage film. Its biggest crime is that there is never a single solitary scary moment in the entire 86 minute runtime. Not only is it not scary because all the events took place 50 years ago on the moon (not feeling the existential threat in that), but also because they actively appear to not want to do anything scary. It’s mostly just a couple of old timey pals saying “aw shucks” in a lunar module. I guess I appreciate it because it’s a supremely weird film, and I kinda dug some of the acting, but that doesn’t make up for this being barely a movie. Feels almost like a viral marketing campaign for a movie that never came out. Like during the credits it would say “JK, that actual movie is coming out next year. Hope you enjoyed the trailer.” As for The Dark Side of the Moon, it certainly fit nicely with Apollo 18. I liked the effort put forth and the more bizarre aspects of the plot (mostly concerning the Bermuda Triangle and an advanced AI computer system that was made to look like a sexy lady… odd). Works best just like it is: a low budget science fiction oddity that you can throw on late at night for some fun. Pretty much what we are looking for.

Hot Take Clam Bake! Lunartruth.com is a government website. It’s a set up. A government conspiracy to leak the Apollo 18 info and then be all like “whaaaa?” We see at the end of the film that the lunar module crashes into the command module. The footage was on these modules. So how did that footage get found? There must have been an Apollo 19 (spooky!) that set out just to collect the footage (scary!). Then Apollo 20 set out to collect the debris left behind by that mission after it was overrun with moon rock aliens and exploded. Apollo 21 set out to help Apollo 20, which found they didn’t have the power to lug all that back to Earth. Apollo 22 was set up to analyze the debris in space, once they realized they couldn’t let Apollo 20 or 21 return for fear of infection (they all died of hunger). Apollo 23-32 were sent up to supplement the analysis until Apollo 33 was sent to destroy all the previous Apollo’s, turn them into space dust, and then return with the pertinent info. Once back home they locked the footage away, killed the Apollo 33 astronauts and said they all died testing out weather balloons. Years later when some people started sniffing around the much scarier events surrounding Apollo 34 (you don’t wanna know, it’s too scary), the government decided to release the decidedly unscary Apollo 18 details in order to muddy the waters. Hot Take Temperature: Blazin’. Patrick?


‘Ello everyone! Apollo 18? More like Appalling 18! Amirite?! Oh, good, my favorite horror genre. Found footage. Let’s go!

  • Oh you piece of trash genre. You are the genre that keeps on taking. Taking hours from my life, and money from my pocket. Begone trash genre! BEGONE!
  • Sorry, just had to get that out of my system. This isn’t the worst the genre has to offer but it is pretty bad. Below average for sure. Because …
  • It isn’t scary.
  • It makes no sense.
  • You know everyone is going to die and you don’t care.
  • To start from the top: I was not scared once during this film. This is a problem because it is a horror film. This is self-explanatory.
  • This movie is nonsensical. You’re telling me that the Russians landed on the moon and the dark side of the moon is filled with rock spiders? That’s the conspiracy here. That for 50 years no one has figured out that there is life on the moon and that that life is rock spiders and the Russians landed on the moon at one point? Give me a break.
  • Which immediately points to the fact that obviously everyone is going to die in the film, because … then we’d all know about the rock spiders right? And the Russian thing? There is no way they could come back. A little deflating that.
  • Funny, that isn’t even the biggest crime of the film. The biggest crime is that they made a fake conspiracy website as an advertising mechanism and then IN THE MOVIE they pretend the movie was posted on that website. Thanks, I hate it.
  • I’m going to give it a resounding Setting as a Character (Where?) for the moon. That’s a rare one. And it is also a Secret Holiday Film (When?) because the launch is specifically right around Christmas, they say so. And of course a Worst Twist (How?) for the ultimate reveal that the dark side of the moon is filled with rock spiders which take over your body and kill you somehow. This is a BMT film through and through.
  • To go with Apollo 18 we obviously needed to find another film, set in the future, featuring the dark side of the moon. What’s this, there is a film literally called The Dark Side of the Moon?! How convenient. This movie is pretty bizarre. It is about a group of astronauts traveling behind the moon who suddenly lose power. At the same time a very old shuttle from NASA floats up and they’re like “what thuuuuuuuu?!” Ultimately it turns out that the pilot of the shuttle is the devil himself (not joking) who is gearing up to finally get his 666th victim (how inconvenient). Oh, did I mention that Satan lives in the triangular region that stretches between the dark side of the moon and the Bermuda Triangle? Yeah, the Bermuda Triangle is quite literally the devil’s playground. Anyways, they defeat the devil, the end. Weird film. B-, weird enough to be somewhat interesting, but not interesting enough to be fun.

You best believe I describe the super secret sequel Manchurian Candidate 2: Apollo 19: Rock Spiderverse Chronicles in the Quiz. Cheerios,

The Sklogs


Apollo 18 Quiz

Oh man. So here’s the thing. I was up on the moon (natch) when a rock punched into my gut and made me go literally insane for some reason. Now I can’t remember a thing! Do you remember what happened in Apollo 18?

Pop Quiz Hot Shot!

1) Why do they say they are going back to the moon? 

2) How long is the planned mission to the moon (the original duration … da da da!!!!)? 

3) What oddity do the astronauts find while exploring a nearby crater, though? 

4) There are little extraterrestrials though. What do they look like? 

5) Well, we better get away from these aliums then! What ultimately happens to the three astronauts?

Bonus Question: Smash cut to Houston as we slow zoom in on a sterile white room. What’s in the room?


Apollo 18 Preview

Patrick stops his car in the parking lot of a local Bob’s Big Boy. He shudders at the thought of the unhealthy cuisine held within, but knows that’s just the Stallone talking. He looks over in the front seat at young Kyle and wonders how long the rap for kidnapping is in 1989. If Tango & Cash is any indication, jail isn’t a place for Sly Stallone. “Kid, I got a lot of explaining to do.” Over the next four hours or so he details the history of BMT and the role he eventually plays in it. By the end the child looks up at him in wonder. “Mr. Stallone,” he squeaks, “that’s a great story and all, but what am I supposed to do about it?” What indeed? As he looks around he sees an ad in the window of the Big Boy detailing “out of this world prices.” Out of the world? Space? Space and time! “Kid,” he says to Kyle, “buckle up cause we’re going galactic.”

“I’m sorry, I can’t help you,” Kyle says, concern etched on his face. At first he had listened to Jamie’s claim that he wasn’t actually Frank Stallone with curiosity, but when the Dongle came up his face darkened. Jamie doesn’t know what he can do, frustration builds until he does the only thing that comes naturally and belts out the first verse of Your Body is a Wonderland by John Mayer. Kyle is moved. Not only is the song a beautiful soft rock ode to the human form, but channeled through the voice of Frank Stallone it takes on an otherworldly beauty. Kyle stops in his tracks. When he turns Jamie sees tears in his eyes. “Alright,” he sighs, “but I can’t make any promises.” 

That’s right! We’re going galactic for the otherworldly beauty of Apollo 18, one of the lesser titles in the found footage surge we experienced following The Blair Witch Project. We are pairing that with a moon-centric straight-to-video horror The Dark Side of the Moon from 1990. Gotta love the moon… seriously, what are you some animal who hates the moon? It does so much for us and asks so little. Let’s go!

Apollo 18 (2011) – BMeTric: 59.0; Notability: 23

StreetCreditReport.com – BMeTric: top 6.8%; Notability: top 28.4%; Rotten Tomatoes: top 19.7%; Higher BMeT: Jack and Jill, The Human Centipede 2 (Full Sequence), Ghost Rider: Spirit of Vengeance, Spy Kids 4: All the Time in the World, Shark Night, Alvin and the Chipmunks: Chipwrecked, Big Mommas: Like Father, Like Son, Bucky Larson: Born to Be a Star, The Twilight Saga: Breaking Dawn – Part 1, The Darkest Hour, The Roommate, Hellraiser: Revelations, Conan the Barbarian, Abduction, I Don’t Know How She Does It, Zookeeper, Hoodwinked Too! Hood vs. Evil; Higher Notability: Transformers: Dark of the Moon, Pirates of the Caribbean: On Stranger Tides, Green Lantern, Cars 2, The Twilight Saga: Breaking Dawn – Part 1, Hop, Your Highness, New Year’s Eve, Jack and Jill, The Smurfs, Battle Los Angeles, Red Riding Hood, Sucker Punch, Hoodwinked Too! Hood vs. Evil, I Am Number Four, The Hangover Part II, In Time, Johnny English Reborn, Alvin and the Chipmunks: Chipwrecked, Season of the Witch, and 51 more; Lower RT: Hellraiser: Revelations, Faces in the Crowd, Jack and Jill, Bucky Larson: Born to Be a Star, The Roommate, A Little Bit of Heaven, Hick, Abduction, Big Mommas: Like Father, Like Son, Dream House, New Year’s Eve, Trespass, Red Riding Hood, Season of the Witch, Hoodwinked Too! Hood vs. Evil, Atlas Shrugged: Part I, The Darkest Hour, Alvin and the Chipmunks: Chipwrecked, There Be Dragons, The Moth Diaries, and 27 more; Notes: Fantastic BMeTric there. We talking about Zookeeper level? That’s impressive.

Entertainment Weekly – D+ –  In space no one can hear you scream. Or groan. Apollo 18 hopes to tap into the same shivery, voyeuristic vein as its found-footage predecessors The Blair Witch Project and Paranormal Activity, but it doesn’t seem to understand how those films managed to get under our skin. While their half-a-shoestring budgets forced them to be inventive — transforming mundane sights like shaking tents and swinging doors into conductors of genuine fright — this purported documentary of the final, secret moon landing is just a Hollywood production playing pauper: the grainy 16mm film doesn?t mask the fact that the movie is put together with the same juddering editing and bad characterization as most traditionally shot thrillers.

(“I doubt many will be checking the far corners of their lunar modules.” And that right there’s the rub, right? Why is this scary when the monsters exist on the dark side of the moon and are so remote as to be unknown to even the biggest conspiracy nuts for 40 years?)

Trailer – https://www.youtube.com/watch?v=4RGhKzUUaME/

(Excuse me? In the years that followed there was unconfirmed evidence of Apollo 18. B-b-b-b-b-b-b-but the film itself purports that they got the evidence only after some hero posted it on the internet! Looks terrible.)

DirectorsGonzalo López-Gallego – ( Known For: Open Grave; The Hollow Point; El rey de la montaña; BMT: Apollo 18; Notes: He’s mostly an Editor. He, for example. Edited the BMT classic Backdraft 2 …)

WritersBrian Miller – ( BMT: Apollo 18; Notes: There is literally nothing about this guy. He wrote and directed a short called Paracusia.)

Cory Goodman – ( Future BMT: Underworld: Blood Wars; BMT: The Last Witch Hunter; Priest; Apollo 18; Notes: Do yourself a favor and look at the posters for all of the movies this guy wrote … they look all the same. Dark with shades of blue/green.)

ActorsWarren Christie – ( Known For: Land; Gray Matters; Beneath; Magic Flute Diaries; BMT: This Means War; Apollo 18; Notes: Huh, he played Bruce Wayne in the Batwoman series. From Ireland.)

Lloyd Owen – ( Known For: The Man with the Iron Heart; Free Ride; Miss Potter; Thugs of Hindostan; The Republic of Love; BMT: Apollo 18; Notes: I thought I recognized him! He’s Elendil in Rings of Power! Funny. Didn’t recognize him without the beard.)

Ryan Robbins – ( Known For: Dangerous; Spectral; Life on the Line; Passengers; Coffee & Kareem; The Confirmation; Reasonable Doubt; Vampire; Scorched Earth; Wrecked; Boundaries; Liberty Stands Still; Stark Raving Mad; Manson, My Name Is Evil; Unrivaled; Marilyn; Cold Blooded; Future BMT: The Shack; BMT: Warcraft; Seventh Son; Walking Tall; Aliens vs. Predator: Requiem; Catwoman; Paycheck; Apollo 18; Notes: Mostly a television actor I think. He was in 26 episodes of Riverdale. Although, he is a seemingly big character names Zero in the Sniper series.)

Budget/Gross – $5,000,000 / Domestic: $17,687,709 (Worldwide: $26,236,153)

(And here you see why this film was made. A cool profit, easy peasy, and if it had ended up being even remotely good they’d be swimming in sequels and making money hand over fist.)

Rotten Tomatoes – 24% (18/75): A boring, suspense-free Paranormal Activity rip-off that feels long even at just 90 minutes.

(Oooooooooooof. Something feeling long at 90 minutes is a bad sign. And I HATE found footage already.)

Reviewer Highlight: Make no mistake, Apollo 18 is a *terrible* movie. – Keith Phipps, AV Club

Poster – Sklog-pollo 18

(I like the font, but like… come on. Even looking at the poster I’m thinking “you can’t be serious.” But they were… they were serious. C+.)

Tagline(s) – There’s a reason we’ve never gone back to the moon. (C+)

(Yeah… money. It does the job. Wish it was more clever.)

Keyword(s) – past

Top 10: The Shawshank Redemption (1994), Forrest Gump (1994), The Dark Knight Rises (2012), Django Unchained (2012), Gladiator (2000), Inglourious Basterds (2009), Saving Private Ryan (1998), Schindler’s List (1993), The Prestige (2006), Shutter Island (2010)

Future BMT: 88.6 BloodRayne (2005), 72.9 The Unborn (2009), 70.3 Texas Chainsaw (2013), 70.1 Black Christmas (2006), 69.7 Teenage Mutant Ninja Turtles III (1993), 65.8 The Woman in Black 2: Angel of Death (2014), 64.5 The Final Destination (2009), 62.1 The Mummy: Tomb of the Dragon Emperor (2008), 59.7 Exorcist: The Beginning (2004), 57.6 Bolero (1984)

BMT: Epic Movie (2007), Superman IV: The Quest for Peace (1987), The Fog (2005), Movie 43 (2013), Super Mario Bros. (1993), Glitter (2001), Holmes & Watson (2018), The Master of Disguise (2002), The Legend of Hercules (2014), Grease 2 (1982), The Bye Bye Man (2017), Jonah Hex (2010), Freddy’s Dead: The Final Nightmare (1991), Wild Wild West (1999), Highlander: The Final Dimension (1994), The Ridiculous 6 (2015), Highlander: Endgame (2000), Black Knight (2001), Chernobyl Diaries (2012), A Nightmare on Elm Street 5: The Dream Child (1989), Cool World (1992), The Musketeer (2001), An American Haunting (2005), Apollo 18 (2011), Ishtar (1987), The Nun (2018), The Curse of La Llorona (2019), Pinocchio (2002), Hellraiser: Bloodline (1996), Bones (2001), Shanghai Surprise (1986), House of Wax (2005), Return to the Blue Lagoon (1991), Season of the Witch (2011), The Tuxedo (2002), Mannequin: On the Move (1991), Pompeii (2014), Ghost Ship (2002), Assassin’s Creed (2016), The Scarlet Letter (1995), Timeline (2003), Dolittle (2020), The Quest (1996), X-Men: Dark Phoenix (2019), Wagons East (1994), The Three Musketeers (2011), Diana (2013), Ben-Hur (2016), Rambo III (1988), Around the World in 80 Days (2004), The Texas Chainsaw Massacre: The Beginning (2006), The Blue Lagoon (1980), Cutthroat Island (1995), Texas Rangers (2001), Sucker Punch (2011), Captain Corelli’s Mandolin (2001), Jobs (2013), Universal Soldier (1992), Dirty Dancing: Havana Nights (2004), Friday the 13th Part 2 (1981), Original Sin (2001), Hansel & Gretel: Witch Hunters (2013), American Outlaws (2001), Winter’s Tale (2014), Harlem Nights (1989), The Identical (2014), I Dreamed of Africa (2000), The Texas Chainsaw Massacre (2003), The Chamber (1996), The Marrying Man (1991), Wild Bill (1995), In Love and War (1996), Sleepaway Camp (1983), Gods and Generals (2003), The Lone Ranger (2013), X-Men Origins: Wolverine (2009), Pirates of the Caribbean: Dead Men Tell No Tales (2017), Rambo: First Blood Part II (1985), Halloween II (1981), September Dawn (2007), Young Guns II (1990), Oscar (1991), Pirates of the Caribbean: On Stranger Tides (2011), Evening (2007), The 13th Warrior (1999), White Comanche (1968), Gangster Squad (2013), Now and Then (1995), A Dog’s Purpose (2017)

Best Options (Horror): 88.6 BloodRayne (2005), 72.9 The Unborn (2009), 70.3 Texas Chainsaw (2013), 70.1 Black Christmas (2006), 65.8 The Woman in Black 2: Angel of Death (2014), 62.1 The Mummy: Tomb of the Dragon Emperor (2008), 59.7 Exorcist: The Beginning (2004), 59.0 Apollo 18 (2011), 55.1 Annabelle (2014), 54.9 The Quiet Ones (2014),… (and many more)

(As you can see there were a lot of options. Probably the other one that we might have done would have been the notorious Exorcist: The Beginning, but Apollo 18, having come out the year we started BMT, has been on the table for so long we had to do it.)

Welcome to Earf (HoE Number 26) – The shortest path through The Movie Database cast lists using only BMT films is: Warren Christie is No. 2 billed in Apollo 18 and No. 7 billed in This Means War, which also stars Reese Witherspoon (No. 1 billed) who is in Devil’s Knot (No. 1 billed) which also stars Bruce Greenwood (No. 9 billed) who is in Here on Earth (No. 6 billed) => (2 + 7) + (1 + 1) + (9 + 6) = 26. If we were to watch Legally Blonde 2: Red, White & Blonde we can get the HoE Number down to 20.

Notes – This film was shot using old camera lenses from the 70s.

The prologue text at the beginning of the movie states that the documented footage of the secret Apollo 18 mission was uploaded to the website “www.lunartruth.com”. When the movie was in theaters, if you typed that address into your browser, it would redirect you to “apollo18movie.net”, which was the movie’s official website. Both sites have since been shut down.

This film has no score.

NASA’s liaison for multimedia, Bert Ulrich, has officially stated that “Apollo 18 is not a documentary … the film is a work of fiction.”

The actual Apollo 18 lunar mission flight crew would have been the Apollo 15 backup crew: Richard Gordon (Commander), Vance Brand (Command Module Pilot), and Harrison Schmitt (Lunar Module Pilot). Because of his expertise in geology, Schmitt was moved to Apollo 17 after Apollo 18, 19, and 20 were canceled.

Not screened in advance for critics.

Gerry Griffin, who worked as a Flight Director for every manned Apollo mission, is a technical advisor.

The release date was moved several times, from March 4, 2011 to April 22, 2011, then an almost entire year to January 6, 2012, then it was advanced to August 26, 2011 and finally was released on September 2, 2012.

An earlier version of the movie had giant moon rock monsters in it. Although they do not feature explicitly in the final cut, some brief glimpses of much larger rock spider creatures can be seen as the lunar rover carrying Captain Anderson (Warren Christie) and Lieutenant Walker (Lloyd Owen) flips over; and just before Walker is killed, a large shadow approaches him, and his body is quickly dragged away afterwards, suggesting a much larger creature.

The Loft Recap


If I had made a list of top 10 films we missed for BMT, The Loft would have been high up on it. Why? Exactly. Why, indeed. Why did they make a cliche thriller filled with TV actors? The promos for the film must have felt like a Jets-Bills game from the mid-2000’s. Marsden! Urban! Battle of the titans on Thursday Night Football. And to think Eric Stonestreet was in the middle of his Modern Family streak when he did this. Arguably he’s the biggest name in the film. Besides our boy Wentworth Miller. He’s a star in our eyes.

To recap, Karl Urban is a real piece of trash who happens to also be the hottest architect in New Orleans. He’s got a great group of friends, so why not share a creepy sex loft with them? Right? I mean, it’s only logical. His friends are mostly like “uh, what?” but inexplicably they all eventually agree that is makes sense to split this loft like a bunch of sex criminals. Obviously one day they find a dead woman there and they’re all like “what thuuuuu…” They point fingers at one another and we find out through flashbacks that they really are just garbage cans dressed in human clothes. One of them had an affair and now is a real saddo. The other fell in love with a prostitute and is a real saddo. The third is a big drug addict and is a real saddo. The fourth was already a saddo. The fifth was Karl Urban and wait a second! He’s not a saddo at all! In fact he seems quite satisfied with his weird sex condo! He must be the criminal! Doesn’t help that Wentworth Miller taped them all in the apartment like a creep and caught Urban sleeping with everyone they loved. Well that settles it, he killed the woman (almost forgot about her) and so let’s frame him for the murder he definitely committed. But wait, Marsen is a little suspicious. Some of this isn’t adding up. So he goes back to the loft and confronts to saddest saddo of them all (who’d ever suspect?!), Wentworth Miller. Turns out he was so sad that he decided to kill the girl and frame Urban cause… uh… Urban was the only thing that stood in the way of him being with the woman… who he just killed. Anyway, he then jumps from the balcony and six months later everyone is like “that was crazy, right?” THE END.

So yeah, the whole movie is trashy. It’s fun in a ridiculous way. Nothing totally makes sense in how a few of them get away with what would at the very least be obstruction of justice and at worst be a failed attempt to frame their friend for a murder he didn’t commit. And it’s that throw-caution-to-the-wind, who cares if it makes sense attitude that really puts this over the top in terms of BMT thrills and chills. Most films fall flat by overthinking things and ultimately overexplaining their convoluted noir-lite plot into mundanity. This gloriously underthinks its noir-ultra plot into BMT-ity.

Hot Take Clam Bake! The entire premise of the film is false! It’s set up like having a primo sex loft is every trash philanderers dream. No seedy motel receipts, they say. No fake work trips or calls from people wondering if they want you to drop off the handcuffs you left at their place, they explain. Everything your garbage heart desires is there at… The Loft. But guess what is even more suspicious than all that? Going fivesies on a high end loft in the 46th largest city in the United States. What’s that gonna run each of them? Ten grand? Ah yeah, sure is far less suspicious than a $125 hotel room for the zero nights you are actually going to cheat on your wives. This isn’t even a hot take. This whole film is an ice cold take. Hot Take Temperature: Salt & Vinegar.


‘Ello everyone! The Loft? More like The Daft! Amirite? Hey guys, want to all get in on this sweet f-shack plan I got going. Don’t worry, it is in my incredibly conspicuous apartment building complete with a balcony overlooking the French Quarter of New Orleans. No? Let’s go!

  • The plan is even more ludicrous than it sounds, and the motivation for Urban is completely impenetrable. He’s an incredibly rich architect who seemingly gets all of his “friends” in on an f-shack. But he, like, owns the place? So are they going five ways on the mortgage? The HOA fees? And these four other people, that money isn’t being noticed by any of their wives? Them disappearing randomly doesn’t arouse any suspicion? No one, not once, happens to notice Urban hanging on the balcony of that apartment and then later one of his friends (with a woman) and puts two and two together? Are they just like not using that balcony? SO MANY QUESTIONS!
  • I put friends in quotes because one of the people is the half-criminal half-brother of one guy. Another is a borderline alcoholic who can’t keep his shit together. So … again, why are these the people you are choosing for your f-shack timeshare?
  • The only thing that really makes sense is that Urban gets off on control, and the most extreme version of that is controlling his friends in a pact in which they’re all committing adultery, but also Urban is having sex with their wives or girlfriends or sisters and stuff in the same bed? But given what we see about him, his f-shack timeshare would have been put to much much better use as a transaction with the other high flying philanderers of the city. He truly is Icarus, flying too close to the sun with his weirdo plans.
  • And then in the end only one person goes to prison for the murder? Yeah, not buying it. I have a feeling this is a “lost in translation” moment, but the four conspirators who seemingly fake-frame Urban (although Wentworth Miller secretly plans on for-real-framing him) ultimately kill someone. I’m pretty sure that in the end all four could be held responsible for negligent homicide as part of a felony murder (although reading up on it it is possible that that wouldn’t apply since they didn’t commit any other felony / that felony didn’t explicitly involve danger to life? It is possible this is also not the case in Louisiana). There are ways around it, but I just can’t imagine that once Marsden admitted to trying to frame Urban for murder and ultimately a woman dies in the process of that crime, that only the person who actually directly killed the woman would face serious consequences. That doesn’t seem right, but it is possible … I think I need to write into a law podcast to see what they think.
  • I do kind of like the Setting as a Character (Where?) for New Orleans since it is more subtle than one would think, but is made explicit at one point in the film in which Marsden passes a sign pointing the way to the French Quarter. And a definite Worst Twist (How?) for ultimately it all being a frame up planned by Wentworth Miller that went horribly wrong. This is such a BMT film it is insane, we had an hours long discussion about how ludicrous this film is.

Read about the sneaky sequel The Loft 2: Penthouse in the Quiz. Cheerios,

The Sklogs

The Loft Quiz

Oh man, so I went on this sweet f-shack timeshare thing with my buddies and it is great. Well, until we found a dead body in the apartment! I fainted then and there, so I don’t remember a thing. Do you remember what happened in The Loft?

Pop Quiz Hot Shot!

1) Karl Urban is a brilliant architect and inventor of the revolutionary f-shack timeshare idea. And all he wants to do is share this idea with his friends (awwwwwwww). But he has a deep dark secret that makes his friends turn against him. What is it?

2) Wentworth Miller is a brilliant … something. He seems to allow people to think he’s in love with Vincent, but in reality he harbors a deep dark secret about what he uses the timeshare for. What is it?

3) Marty Landry is clearly an alcoholic and also … confused as to why any of these people are friends with him I assume. Anyways, he also harbors a secret about how he’s been using the loft. What is it?

4) Phillip is generally a criminal I suppose, and the newest member of the happily married club. But you guessed it, he harbors a deep dark secret. What is it?

5) The only one left is Marsdan, but he doesn’t really seem to harbor any secrets (at least ones that he knows about). So instead explain what actually happened with the murdered woman.

Bonus Question: In the mid-credits scene there is a knock at the door of the titular loft. Knock knock. Who’s there?


The Loft Preview

“Good night’s rest? What am I missing?” Kyle says as Jamie and Patrick walk him into a costume store. We see a Pretty Woman style montage of him trying out different outfits, but each time they shake their heads. Sure Kyle is pulling off the Little Bo Peep costume, but it’s not quite right. When Kyle comes out of the changing room in a detective costume, though, Jamie and Patrick immediately high five. “The plan can’t fail,” Jamie assures Kyle, “Where is the best place to get a good night’s rest where babies aren’t allowed? In Jail. And then Patrick will be free to snooze away any thought of an extended vacation in Europe. Just bust in, say he’s under arrest and bring him back here.” Kyle nods his head, but he’s already visibly shaking. “Stage fright,” whispers Patrick with a note of concern, but Jamie puts a hand up to stop him. Kyle can and will do this.

An hour later they are back up on their perch above a fully functioning mock jail being manned by LePumice and Ty. Looking through their binoculars they see Kyle prepare to enter BMTHQ. He busts in, fake gun held high. “Freeze you dirtbags,” he yells, “You mofos are def under arrest for being dirty dirtbags. At least Patrick is. The one named Patrick.” He’s totally messing it up. “We gotta get down there and stop him,” Patrick says, but before they can make it down, they see Kyle leading them both out of the office. “Come with me, perps. Get ready for your perp walk. We’re going to my loft. That’s where I take criminals because I’m a dirty cop who doesn’t play by rules.” Jamie and Patrick shake their heads in horror and both ask the obvious question, “What loft?” That’s right, we’re watching The Loft. It’s a film that everyone remembers. You know the one. It’s based on a Belgian film… stars a bunch of TV actors… yeah, that one. But most importantly it brings us one step closer to being Wentworth Miller completionists (the ultimate goal of BMT). Let’s go!

The Loft (2014) – BMeTric: 23.4; Notability: 34

StreetCreditReport.com – BMeTric: top 28.0%; Notability: top 13.2%; Rotten Tomatoes: top 8.9%; Higher BMeT: Left Behind, The Legend of Hercules, Ouija, God’s Not Dead, Devil’s Due, The Pyramid, A Haunted House 2, Tammy, Sex Tape, I, Frankenstein, Paranormal Activity: The Marked Ones, Behaving Badly, Outcast, Dying of the Light, Annabelle, Everly, Annie, Vampire Academy, Pompeii, Addicted, and 50 more; Higher Notability: Transformers: Age of Extinction, Teenage Mutant Ninja Turtles, Exodus: Gods and Kings, Transcendence, A Million Ways to Die in the West, Dracula Untold, Dumb and Dumber To, The Monuments Men, Annie, Seventh Son, Winter’s Tale, Think Like a Man Too, Horrible Bosses 2, Need for Speed, The Expendables 3, Men, Women & Children, Ride Along, The Nut Job, Vampire Academy, Pompeii, and 13 more; Lower RT: Behaving Badly, Left Behind, Cam2Cam, Outcast, I, Frankenstein, The Legend of Hercules, Ouija, Some Kind of Beautiful, Addicted, A Haunted House 2, The Angriest Man in Brooklyn, The Cobbler, Search Party, Dying of the Light, God’s Not Dead, The Best of Me, No Good Deed, Seventh Son, Winter’s Tale, Taken 3, and 2 more; Notes: I had to go and check the archive results, but indeed, there was a few aberrations here, I think because IMDb started to lose the thread a bit about when this film actually was coming out. My guess is that the very high rating is from people thinking they were rating one of the originals. The eventually rating of 6.3 is waaaaaaaaaay too high for this film. I don’t really get it, but I also don’t have an explanation.

RogerEbert.com – 1.0 stars – In preparing to review the new thriller “The Loft,” I was surprised to discover that not only is it a remake of a 2008 film that was an enormous hit in its native Belgium, it was previously remade in the Netherlands in 2010–indeed, the film’s director, Erik van Looy, not only helmed the original but also worked on the Dutch version as well. I am not surprised by the fact that this story has been told three times in such a short period of time–hey, the beloved classic “The Maltese Falcon” was actually the third cinematic go-around for that tale in less than a decade. No, what surprises me is that I would have thought that by this third stab at this particular narrative, all of the implausibilities and idiocies would have been ironed out. Alas, this long-delayed would-be erotic thriller is a shabby bore that promises viewers any number of kinky thrills and then proceeds to deflate those expectations.

(Yup, that sounds right. Having now seen the film I’m inclined to agree, it is shocking that this is the tale that is being told the third time around. Although it is impossible watch the original, so I also wonder whether the set up is the same across all of the films, but the resolution is somewhat dependant on the director or something.)

Trailer – https://www.youtube.com/watch?v=6IZJAra4gLc/

(Oooooo looks intense. Urban! Miller! Marsden! What a cast. What a mystery! Yeah I’m joking this looks like garbage.)

DirectorsErik Van Looy – ( Known For: Loft; The Memory of a Killer; Shades; Ad Fundum; BMT: The Loft; Notes: He directed the original Flemish production. He is also the host of The Smartest Person in the World, a very famous game show in Belgium.)

WritersBart De Pauw – ( Known For: Loft; Loft; BMT: The Loft; Notes: The Flemish writer, he does exclusively Belgian productions, and gets credit from writing the original.)

Wesley Strick – ( Known For: Cape Fear; Arachnophobia; Wolf; Return to Paradise; Final Analysis; True Believer; Love Is the Drug; Future BMT: A Nightmare on Elm Street; The Saint; The Glass House; BMT: Doom; The Loft; Razzie Notes: Nominee for Worst Screenplay for Final Analysis in 1993; Notes: Was in the band The Commotion in the 80s, and according to IMDb was the first person to write a script for Scorsese and be allowed to stay on set.)

ActorsKarl Urban – ( Known For: The Sea Beast; Thor: Ragnarok; The Lord of the Rings: The Return of the King; Star Wars: The Rise Of Skywalker; The Lord of the Rings: The Two Towers; Star Trek; Dredd; Star Trek Beyond; RED; Star Trek Into Darkness; Riddick; The Bourne Supremacy; Pete’s Dragon; And Soon the Darkness; Bent; Acts of Vengeance; Hangman; The Price of Milk; Out of the Blue; Truth About Demons; Future BMT: The Chronicles of Riddick; Walking with Dinosaurs 3D; BMT: Doom; Ghost Ship; The Loft; Priest; Pathfinder; Notes: Urban is a legend in BMT circles. He has a particular style of acting which when used well (The Boys) hits just the right note, but when used poorly (Priest) is at least very amusing. He’s from New Zealand.)

James Marsden – ( Known For: Sonic the Hedgehog 2; The Notebook; Sonic the Hedgehog; X-Men; X-Men: Days of Future Past; 27 Dresses; X-Men: The Last Stand; Hairspray; Enchanted; X2: X-Men United; Zoolander; Superman Returns; Sex Drive; 2 Guns; Anchorman 2: The Legend Continues; Interstate 60: Episodes of the Road; Straw Dogs; My Little Pony: A New Generation; The Boss Baby: Family Business; The Butler; Future BMT: The Best of Me; Disturbing Behavior; Sugar & Spice; Hop; Gossip; Cats & Dogs: The Revenge of Kitty Galore; BMT: The Loft; Unfinished Business; Notes: He’s just got that American boy look doesn’t he? He’s from Oklahoma and apparently lost out on the role in Primal Fear to Edward Norton.)

Wentworth Miller – ( Known For: The Human Stain; Blood Creek; Future BMT: Underworld; Resident Evil: Afterlife; BMT: The Loft; Stealth; Notes: You know Wentworth Miller … right? He’s from Prison Break and … other things, but mostly Prison Break. He’s actually pretty deep into the DC Arrowverse stuff as he’s in DC’s Legends of Tomorrow with his Prison Break co-star Dominic Purcell.)

Budget/Gross – $14 million / Domestic: $6,002,684 (Worldwide: $11,020,402)

(I don’t know why this would cost $14 million (the cast maybe, I suppose they did have to pay three reasonably famous people), but that is a bad take. I imagine they were looking for $30 million on the nose as a small thriller.)

Rotten Tomatoes – 14% (6/42): Populated with characters as unpleasant as its sleazy storyline, The Loft is uninhabitable for all but the least demanding erotic thriller fans.

(Yup, the storyline certainly hasn’t aged well, and it’s only been 8 years. I suppose that is either the point (that any of these terrible people could be a murderer), or it was lost in translation a bit from something one might describe as being “more European”.)

Reviewer Highlight: The Loft is a film that can’t decide what it wants. It’s a male fantasy, and a cautionary tale. It’s sleazy in concept, and timid in execution. It punishes its protagonists for their transgressions, then lets them off the hook. – Katie Rife, AV Club

Poster – The Best Bro Condo

(It is a very striking poster with some nice razzmatazz to go with the purple color. Looks just a bit like a cheap thriller you’d find at the airport, but still… I like how bold they decided to go. B+.)

Tagline(s) – The right place to do wrong (B)

(I like the thought and effort. Not sure what it really has to do with the film, though, as it’s clearly the wrong place to do wrong. They all seem quite upset by the wrong thing that has happened there, so how could it be right? Dumb.)

Keyword(s) – European Remake

Top 10: 12 Monkeys (1995), The Italian Job (2003), Insomnia (2002), Scent of a Woman (1992), Clash of the Titans (2010), Some Like It Hot (1959), Vanilla Sky (2001), True Lies (1994), Dawn of the Dead (2004), The Tourist (2010)

Future BMT: 54.5 Eye of the Beholder (1999), 54.0 Downhill (2020), 49.2 The Omen (2006), 47.1 Nine Months (1995), 44.8 Catch That Kid (2004), 44.4 Brick Mansions (2014), 43.1 Diabolique (1996), 43.0 Village of the Damned (1995), 41.8 I Think I Love My Wife (2007), 41.2 Clash of the Titans (2010)

BMT: The Wicker Man (2006), Taxi (2004), The Haunting (1999), Get Carter (2000), Jungle 2 Jungle (1997), Pathfinder (2007), Fathers’ Day (1997), The Big Wedding (2013), Sleepless (2017), The Blue Lagoon (1980), School for Scoundrels (2006), Blame It on Rio (1984), The Loft (2014), Vanilla Sky (2001)

Best Options (Thriller): 54.5 Eye of the Beholder (1999), 44.4 Brick Mansions (2014), 43.0 Village of the Damned (1995), 34.6 Mad Money (2008), 34.2 The Tourist (2010), 32.9 Memory (2022), 23.4 The Loft (2014), 8.9 The Thirteenth Floor (1999)

(Why would we do such a low BMeTric film? Well, The Loft has long been on our radar. Since it is a film that came out during the BMT Era I distinctly remember it coming out and being like “that looks like garbage”. Et voila! It only took 8 years, but we finally managed to hit up The Loft.)

Welcome to Earf (HoE Number 13) – The shortest path through The Movie Database cast lists using only BMT films is: Karl Urban is No. 1 billed in The Loft and No. 2 billed in Priest, which also stars Paul Bettany (No. 1 billed) who is in Firewall (No. 2 billed) which also stars Harrison Ford (No. 1 billed) who is in Hollywood Homicide (No. 1 billed) which also stars Josh Hartnett (No. 2 billed) who is in Here on Earth (No. 3 billed) => (1 + 2) + (1 + 2) + (1 + 1) + (2 + 3) = 13. There is no shorter path at the moment.

Notes – Matthias Schoenaerts played a lead role in the Belgian original Loft (2008) and is the only actor cast to reprise his role.

Filmed in June and July 2011, but not released until January 2015.

This is Matthias Schoenaerts’ first English-language role.

Patrick Wilson was originally cast as Vincent Stevens, but dropped out due to his commitment to his TV show. He was replaced by Karl Urban.

This will be the second remake of the original Loft (2008), after a Dutch remake (Loft (2010)) was produced. It will also be the third time that director Erik Van Looy is involved: he directed the Belgian original, and temporarily took over the direction duties from Antoinette Beumer for the first remake when she had an accident.

The building you see in the opening and ending scenes is real : it’s 930 Poydras in New Orleans. All the interior scenes were shot in a Belgian studio near Brussels.

When he’s not making movies, director Erik van Looy presents one of the most popular quiz shows on Belgian TV.

Eric Stonestreet is an alum of Kansas State University, where James Marsden’s father teaches.

Halloween II (2009) Recap


I think this is dog poo. It’s sometimes hard to tell when a film is so not made for you that you wonder whether its creator in fact explicitly made it for no one. If Rob Zombie sat down and said “I’m going to make something so horrific… so wallowing in the muck and mire of the worst people in the world… to the point where the audience would ultimately side with the monster over humanity… and no one can or will like it because it no longer represents horror, but rather the horror that is my diseased mind… oh and also I’ll fill it with meaningless symbolism that will only confuse and further horrify the audience as it will force them to confront the meaninglessness of art… that’s what I’ll make and everyone will hate it.” If he said that… then is it good? He accomplished his mission after all.

The answer is obviously no. Not just because it’s not possible to purposefully create a bad movie (it must be grown and nurtured organically), but also because that really wasn’t Rob Zombie’s purpose. It just so happened that his true vision was terrible, poorly made and no one would like it. But kudos to him for earning so much money the first time around that they gave him free reign on the sequel. Oh to be a fly on the wall as the producers went over dailies. Trying to make heads or tails of whether they were making something good or bad or something that would fail or succeed at the box office. I’d only be sure that the producers would be thoroughly in the dark about what they were creating, but also absolutely aware that they were going to be battling some dire reviews in their attempt at boffo box office.

To recap, the film turns the original Halloween on its head a little bit by opening with a 20 minute dream sequence where Myers is attacking Laurie in the hospital following the events of the first film. Zombie sets it up like he’s doing another straight remake of the second film, but no no no. It’s all meaningless and soon we are treated to the fact that instead Myers was never found after the events of the first film. He’s instead been wandering the country in wait, a la Halloween H2O. We’re being told that this isn’t your grandpappy’s Halloween. This is Rob Zombie’s Halloween and buckle up cause you’re gonna get a whole lot of gore… and also extended horse metaphors and ghosts… but also gore and gross naked people. It all proceeds from there with everyone now being terrible. Laurie is broken and terrible. Loomis is a total jerk. The whole town is infested with heavy metal groupies (obviously, where else but suburban Illinois would such denizens reside?). This all culminates with a very Halloween 4 ending where Myers kills Loomis and Laurie kills Myers and… bum bum bum… becomes Myers. Nooooooooooo.

As I’ve meditated on this film I do not believe it is as bad as Resurrection, but it’s not what I want out of my Halloween by a long shot. Finishing up with a Hot Take Clam Bake, I will venture to say that this film is good. Whaaaaaa?! No, not actually good, but rather good because a man was allowed to make his vision. A pure pursuit of art. Like Little Nicky before it, Halloween II should be lauded for what it represents and not what it is (which is bad). That’s it… that’s the hot take: Halloween II is Little Nicky and Little Nicky is good. Ergo, Halloween II is good (but also very, very bad). Hot Take Temperature: a nice crisp autumn bonfire. Patrick?


‘Ello everyone! Halloween II (2009)? More like Halloween Too Gory for Patrick! The producers got a big fat check from Halloween (2007) and so they wrote a blank check for Rob Zombie … that’s never not a mistake. Let’s go!

  • Oh boy.
  • Oh jeez. This movie is a tough pill to swallow. It isn’t even dog poo in my face. It is just gross and I hate it.
  • Also it bucks the entire premise of the original second film by making the hospital sequence into an extended 20 minute long dream sequence … you heard that right! Rob Zombie did it again! He took a svelte 90 minute horror flick and bloated it with garbage at the beginning.
  • But for real, don’t watch this movie. It sucks. It has weird sequences with Michael Myers as a kid, and people in pumpkin masks, and Loomis is a straight dick. The only redeemable thing in the entire film is Dourif.
  • There is an entire sequence just having Michael Myers stomp a guy’s head in at a strip club and then kill the owner and his girlfriend/stripper … who are these people? Why do I care about this? What is happening?!
  • Michael Myers has a big bushy beard.
  • There is a huge part of the film involving a White Horse that represents … something? Like Michael Myers’ murderous desires, or like his mother or something? The quote that opened the film probably explained this, but I was mostly just astonished that the film opened with a quote. I haven’t seen that in forever.
  • A thousand people die in this film in horrible fashion. At the end Laurie Strode is wearing the mask. I thought Resurrection was a slap in the face to fans of Halloween. This film doesn’t even resemble Halloween anymore. Whereas the first did what needed to be done in putting a spin on a horror classic, this one was just Hostel-ween and it is horrible. No wonder the producers ran away from this direction in the end. It is an abomination. And not like with the vaguely amusing mess that is Resurrection. It is an abomination in the terrible way where you realize there are people who enjoy horror films like this. How bizarre.
  • Yup. I did not like this film.
  • Once again a Setting as a Character (Where?) for Haddonfield, Illinois. And once again an A+ Holiday Setting (When?) for it all happening during Halloween. This film is the worst, I hate it, I recommend it to no one, it is Bad.

Sorry guys, I went into a fugue state for a second there. I had to rent this one on Amazon, so sadly no director commentary or anything else for me. Of course, you can read my sequel to this film called Halloween III: Urban Legend III in the Quiz. Cheerios,

The Sklogs

Halloween (2007) Recap


“Get me a Hostel!” the executive screamed, chomping a cigar between his lips. The young associates scrambled through the piles of original scripts sent their way. No hostels in sight. Where were the achilles tendon slices? A quick ctrl+F for “ripe melon” finds zero time it was used to describe a head being crushed by a killer’s bare hands. Even a script titled “Extreme Gore” turns out to be a reimagining of the 2000 Presidential Election which, while horrifying, is not what they need. Suddenly the sea of scripts parts and like a glowing medallion there is a copy of Halloween: Resurrection. “Resurrect… Halloween… talk to me people,” screams one of the associates excitedly.

Or at least that’s how I imagine this all happened. Step two: hire Rob Zombie. Step three: profit. There is no inbetween steps because I assume no one on the studio side knew what the hell was going on. Horror had changed in a matter of just a few years from Scream knock-offs to Blair Witch knock-offs to Saw knock-offs. Halloween went right along with it: H20 to a pseudo reality horror in Resurrection and then finally Zombie’s Halloween reboot. And it worked. So kudos to everyone involved. Zombie remade the classic film with some extra gory bits mixed in, he did it on the cheap, and it made a massive amount of money. And that’s pretty far and away the most impressive part of this movie. Besides that it’s a gross, cheapo Halloween remake with much worse acting and an excessive amount of Myers backstory. No need to even do a recap as there isn’t anything interesting to talk about.

For Hot Take Clam Bake I’ve got one that’s been cooking in the oven for the last few entries of Halloween. I have not shied away from my opinion that for the original Halloween series (through entry six) Dr. Loomis is at best a merely annoying, possibly drunk character who pops up here and there for some laughs. At worst he’s the true villain of the franchise. HOWEVER, after his absence in H20 and Resurrection I started to suspect that, could it be?… Loomis might be a necessary evil? His absence made it clear to me that he had functioned for most of the series as Michael Myers hype man. A little kid murdered his sister and then escaped years later. Throw it on the pile next to the rest of the escaped prisoners. But no! Loomis is right there screaming in your face about his eyes being black as coals!!! He’s evil! And you’re criminally responsible if you don’t heed his warning because Michael Myers is one scary MFer… well, shit now I’m spooked. Who is this Myers character? He must be an unstoppable horror show. You see? I’m all hyped now. Ready for Michael to knock my socks off.

What does this have to do with the reboot? This point is the remake’s biggest failure is its inability to understand this. You had McDowell at the ready! The man is a maniac! So what do you do with him? You tame him down. It becomes a story of Loomis’ recognition of Myers’ trauma and ultimately his attempt (and failure) to reason with Myers’ homicidal mission against his sister. And just when I was recognizing his value as a character. Loomis is good. This movie failed him and thus it failed us. That take is scored as a Heat Seeking Missile. Patrick?


‘Ello everyone! Halloween? More like I Wish I Hadn’t Seen (It). Did you ever think to yourself “Man, I wish the horror classic Halloween was gross like Hostel.” Rob Zombie did. Let’s go!

  • This movie is two hours long. This movie also has a half-hour section that explains in detail the origin story of Michael Myers as a whiny sociopath. Thus, this movie could have been a much better film if they just cut out the origin story. Et voila. You are welcome, Rob Zombie, call it the Sklog Cut.
  • This is a tale of two films. On the one hand, thanks, I hate it. On the other, very clearly some people liked it because it made a boatload of cash. It does potentially feel like the way a “reboot” should go for a horror classic. He changed up the genre. That makes sense. You have to change up something, right?
  • I still wish the film wasn’t made though.
  • Besides maybe Dourif, the rest of the cast is a kind of give or take. I didn’t think Rob Zombie’s wife or the woman playing Laurie were very good, and McDowell is always a trip. But acting isn’t in the top 3 things I disliked about the film.
  • The top three are all how gross this film is. Again, thanks, I hate it. Turns out I can abide torture porn-esque films now. I don’t feel queasy while watching them. But I still hate them and I hate that they did it to Halloween.
  • Similarly Michael Myers being a hulking wrestler also seems wrong.
  • To draw it back to the remake series a bit, Halloween: Resurrection could have been called MichaelMyers.com because that is hilarious, but also could have been called Murder.com and been a generic slasher. Similarly, this could be called like Torture House or Stabbed Seventy Times in the Face and it would have made more sense. This isn’t really Halloween, and when it is it is really just going through the motions.
  • I know this is a mishmash of thoughts, but I’ll end it by saying that this film is NOT dog poo in my face. So it does manage to not be the worst of the series … I might have watched the worst of the series right after though. Stay tuned.
  • Obviously, as usual, the film is a Setting as a Character (Where?) for Haddonfield, Illinois. And it is a A+ Holiday Film (When?) for Halloween as well. This film is closest to Good for me, as much as I personally hate it, I also recognize what it needed to do and that Zombie managed, against all odds, to do it to make is a marked improvement over the later Halloween sequels.

I didn’t have time to get this on DVD so no special features. Wish I could have listened to Rob Zombie’s director commentary. Read about the spinoff series called Halloween II: King Michael Myers in the Quiz.


The Sklogs

Halloween II (2009) Quiz

Oh man, so, obviously after being traumatized by getting me face bashed in my (the) Michael Myers last Halloween I decided to stay in. But what do you know? Michael busts in and this time he has a big beard and he (again) smashed my face apart! Now I can’t remember a thing. Do you remember what happened in Halloween II (2009)?

Pop Quiz Hot Shot!

1) Welp, Michael’s dead. D-E-A-D! Right? WRONG! He is heading to the morgue, but he never makes it there, because the morgue truck crashes. How?

2) Welp, Loomis is a straight dick in this one. This craven weirdo is hawking another book, this time with a big reveal (ooooooo, what a twist). What is the reveal about Michael and his motivations for the murders the prior year?

3) Oh and also Laurie is now a goth with a bunch of goth friends and works at a goth record store or something. But guess what? They want to party hardy tonight! What are they dressing as for the big Halloween bash?

4) Oh yeah, right around this time Michael massacres everyone in a strip club (fun, I guess?). Again, just tell me why? This film has no real structure haha.

5) Of the three main people (Laurie, Loomis, and Michael), who dies at the end?

Bonus Question: In the cut scene a mysterious figure cuts a grotesque image in a rural Illinois cornfield. As we zoom in the man takes off his mask. Who is he?


Halloween (2007) Quiz

Oh man, so I was just minding my own business, trying to make some money as a babysitter on Halloween, when this real tall guy busted in and bopped me on the head with a knife (over and over, brutally smashing my face to smithereens). Now I can’t remember a thing! Do you remember what happened in Halloween (2007)?

Pop Quiz Hot Shot!

1) We are treated to a literal neverending origin story of Michael Myers. In his youth massacre how many people did he kill?

2) Well, whoops, now Michael is obsessed with masks and insane. Where does he get the “real” Michael mask and where, evidently, does he hide it for the 17-or-so years between his murderous sprees?

3) At last, we meet Laurie Strode. And just like in the original she has to babysit tonight. And just like in the original the person she has to babysit is obsessed with a specific Halloween-appropriate legend. What is it?

4) During Michael’s spree as a young boy and during his spree as an adult he dresses in two specific (non-Shatner) Halloween costumes. What were they?

5) How many people survive Michael’s terror that night?

Bonus Question: My god, she shot him in the face! In a mid-credits scene we see him come back to life though. How does it explain that he’s still alive?