License to Wed Preview

Phew, we need a little respite. We’ve been watching some pretty horrid film for the <10% RT cycle and there are a few more on the horizon. So for Girls Night Out we’re not going to subject ourselves to something like Bolero or Return to the Blue Lagoon. Nope. We’re just going to do a nice and simple recent rom com. A little palate cleanser and momentary return to BMT normalcy. That’s right! We’re watching the Robin Williams vehicle License to Wed! The consensus for this film seems to be that it is broad and formulaic… now that sounds like BMT. Let’s go!

License to Wed (2007) – BMeTric: 53.5

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(Popular and Below Average. There is a modest regression to the mean, but it looks like it is probably around where it will stay. No rethinking this one, this movie is just not very good … is what it seems to be saying. The BMeTric is higher than I would have expected maybe? These plots aren’t actually that interesting.)

Leonard Maltin – BOMB –  Embarrassing comedy wastes a talented cast in a laughless story about a reverend who puts an unsuspecting engaged couple through a series of “tests” to determine if they are ready to be married. Gag after gag falls hopelessly flat, with one involving mechanical babies hitting a new low, even for this kind of lame-braining affair. A comic misfire for Williams, who is basically straitjacketed here.

(Wow, didn’t expect to see a bomb here. I feel like Maltin is far less forgiving to a boring lame comedy than he is to a boring lame action film, although perhaps that is because he likes classic comedy more? … Maybe. This movie doesn’t seem very exciting, but I’m guessing Old Dogs would be described roughly the same way and it is amazing, so I’ll hold out hope.)

Trailer – https://www.youtube.com/watch?v=HmyfIOp30aI

(Hmmmm. On the face of it the premise is ludicrous. Imagine yourself in such a situation. Any normal person would say that Robin Williams is (being generous) harsh, but more people would call him a lunatic. To then rest the entire movie on multiple people not only finding this person a normal human being, but also they must consider his opinion to be of the utmost importance and consider Krasinski unreasonable for inevitably becoming upset with him. It … doesn’t seem pleasant. It is going to be unfunny, and frustrating, and will wholly depend on Williams to carry the movie. Based on the reviews I’m thinking he wasn’t up to carrying such a heavy load.)

Directors – Ken Kwapis – (Known For: He’s Just Not That Into You; The Sisterhood of the Travelling Pants; A Walk in the Woods; Big Miracle; Follow That Bird; Future BMT: Dunston Checks In; The Beautician and the Beast; He Said, She Said; Vibes; BMT: License to Wed; Notes: He directed He Said, She Said with his wife Marisa Silver. His career has spanned nearly four decades now, although these days he mostly directs television. For a guy I’ve never really heard of his career is really impressive.)

Writers – Kim Barker (screenplay & story) – (BMT: All About Steve; License to Wed; Razzie Notes: Nominated for Worst Screenplay for All About Steve in 2010; Notes: It does not help that she shares the name with the journalist who inspired the film Whiskey Tango Foxtrot. I can’t find anything else about her … besides vitriolic rebukes of what might be called a … subpar filmography thus far.)

Vince Di Meglio and Tim Rasmussen (screenplay) – (Future BMT: Marmaduke; Smother; BMT: License to Wed; Notes: They are writing partners, although Vince Di Meglio had a career as a visual effects artist prior to an extended writing career with Rasmussen. They haven’t written a feature since 2010, but do a ton of different things within the studio system though.)

Wayne Lloyd (story) – (BMT: License to Wed; Notes: Was miscellaneous crew on The Fog … again, not much else there … where did this script come from? I would guess Kim Barker, but there is little about any of these people online, so it is quite confusing.)

Actors – Mandy Moore – (Known For: Tangled; The Princess Diaries; Saved!; Romance & Cigarettes; Dr. Dolittle 2; Dedication; American Dreamz; Future BMT: Racing Stripes; Southland Tales; Love, Wedding, Marriage; How to Deal; Swinging with the Finkels; Chasing Liberty; Try Seventeen; Hotel Noir; BMT: License to Wed; Because I Said So; Notes: Made her first album at 15 and first toured with the Backstreet Boys. Somehow a staple of my childhood, and developed an extensive filmography along the way. This movie predates her own wedding in 2009 (although she has since sadly gotten a divorce))

John Krasinski – (Known For: 13 Hours; The Hollars; The Holiday; Monsters University; Jarhead; It’s Complicated; Monsters vs. Aliens; Dreamgirls; Shrek the Third; Away We Go; Kaze tachinu; The Muppets; Promised Land; Smiley Face; Kinsey; Leatherheads; The Prophet; Big Miracle; Nobody Walks; State and Main; Future BMT: Aloha; Brief Interviews with Hideous Men; BMT: Taxi; License to Wed; Doogal; Something Borrowed; Notes: Married to Emily Blunt. Fun facts: He’s brother-in-law to The Tucc, Stanley Tucci who is married to Felicity Blunt [Editor’s Note: We talking about The Tucc?]. Also went to highschool with his Office co-star B.J. Novak)

Robin Williams – (Known For: Aladdin; Good Will Hunting; Happy Feet; Dead Poets Society; Mrs. Doubtfire; Jumanji; A.I. Artificial Intelligence; Insomnia; What Dreams May Come; The Butler; Night at the Museum: Secret of the Tomb; Night at the Museum; Robots; Awakenings; FernGully: The Last Rainforest; The Fisher King; Popeye; The Birdcage; Hamlet; To Wong Foo Thanks for Everything, Julie Newmar; Future BMT: Toys; Flubber; Nine Months; Fathers’ Day; RV: Runaway Vacation; Club Paradise; Jack; The Angriest Man in Brooklyn; A Merry Christmas Miracle; Absolutely Anything; Man of the Year; The Final Cut; Shakes the Clown; The Best of Times; The Survivors; The Big White; Noel; Hook; Jakob the Liar; Patch Adams; Bicentennial Man; Shrink; BMT: License to Wed; Old Dogs; The Big Wedding; Razzie Notes: Nominated for Worst Actor in 2000 for Bicentennial Man, and Jakob the Liar; and Nominated for Worst Supporting Actor for Death to Smoochy in 2003; Notes: Obviously a legend and sadly recently took his own life. He was a staple of my childhood and also a brilliant and classically trained actor. There isn’t much more to say. I’ll add a small note about her daughter Zelda here though: she apparently voiced a character in the newest King’s Quest which I have been meaning to play.)

Budget/Gross – $35 million / Domestic: $43,799,818 (Worldwide: $69,307,224)

(Yeah, not great. You’d hope to at least get close to $100 million for a comedy, especially with that is a pretty large budget for a romantic comedy at $35 million. Not surprised License to Wed 2: The Honeymoon never happened … yeah, I might write that in the recap next week, sounds fun.)

#96 for the Romantic Comedy genre

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(Right around the recent BMT Rumor Has It … which is at #99. The genre of the Golden age. Slowly rising during the 90s (although it made a ton of money in the 80s there were clearly less of them) and then plateauing from 2000-2010. The genre has all but collapsed, probably because of VOD. We’ll have to get them while they’re hot.)

#21 for the Wedding genre

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(Around Bride Wars and seen more recently with That’s My Boy. Feels right doesn’t it? Getting warm outside, feels like the right time for some BMT wedding movies. I pointed out previously that there is basically one wedding movie a year. This was the wedding movie for 2007.)

Rotten Tomatoes – 7% (9/125): Featuring one of Robin Williams’ most shtick-heavy performances, the broad and formulaic License to Wed wrings little out of its slightly creepy, unappealing premise.

(Ha, “broad” is a very funny word to use here. Dirty word in comedy to an extent. I’m digging the slightly creepy premise though, sounds like something you can squeeze a little joy out of, purely rejecting of the fundamental premise of the movie.)

Poster – License to Sklog (C)

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(This has a lot going against it. Hard to make a good looking poster with so much white on the page. No dominant color can overtake it, so it’s screwed from the get go. The generic font doesn’t help. On the other hand the spacing, symmetry and humor to the poster are pluses. Kind of just evens out to a meh.)

Tagline(s) – First came love… then came Reverend Frank. (B+)

(Huh… this is almost a tagline you would expect for a sequel. When we know who Reverend Frank is. Still, it’s got everything you expect from a good tagline.)

Keyword(s) – church; Top Ten by BMeTric: 92.0 Date Movie (2006); 86.8 BloodRayne (2005); 84.7 Left Behind (I) (2014); 83.8 RoboCop 3 (1993); 81.7 Highlander II: The Quickening (1991); 78.5 The Devil Inside (2012); 76.2 I Still Know What You Did Last Summer (1998); 75.5 In the Land of Blood and Honey (2011); 72.6 Jonah Hex (2010); 70.2 The Last Exorcism Part II (2013);

(What a list! A march through time, some pretty sneaky BMTs in there too (like Robocop 3, a church plays a huge role in that film weirdly). PSA: If you are going to watch Highlander II remember to try and get the non-renegade version on VHS. Much more highlanders-are-aliens goodness in that one.)

Notes – Ben Murphy’s parents are played by John Krasinski (Ben)’s real life parents. (fun fact)

‘The Office’ (US) stars John Krasinski, Angela Kinsey, Brian Baumgartner and Mindy Kaling all featured in this movie. (fun fact)

Ken Kwapis, director of this movie, also directed many episodes of The Office (US). (fun fact)

Brian Braumgartner’s character’s name is Jim, the same name as John Krasinski (Ben) character’s name on The Office. (fun fact … just a few fun facts, nothing super interesting in these notes even! This movie can go either way)

Friday the 13th Part VIII: Jason Takes Manhattan

It’s baaaaaaa-aaaaaaack. That’s right! We’re watching some more of our favorite horror franchise: Friday the 13th. Last cycle we had to endure the fifth in the series, which was so bad that it almost destroyed my taste for all things Jason Vorhees… almost. For the StreetCreditReport.com cycle we have to jump to the eighth film in the franchise, Friday the 13th Part VIII: Jason Takes Manhattan, which often makes it to the top of the worst of the series lists. This is reflected in the RT score with a solid 2/22 (8%). This of course means that we have non-BMT homework for Part VI: Jason Lives (which is often considered one of the best in the series; 52% RT) and a BMT qualifying bonus film Part VII: The New Blood (30% RT) which we just previewed. We’re going to do it guys. We’re going to watch the entire series in a single year! Let’s go!

Friday the 13th Part VIII: Jason Takes Manhattan (1989) – BMeTric: 69.0

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(Whoa, also regression to the mean. Popular Low Rated film. That is surprising to me. I would have thought that the film would have a more of a sustained low rating … perhaps (spoiler alert) Leonard Maltin is right … maybe this movie is “better” than I am giving it credit for in my mind. By better I mean intentionally so-bad-it’s-good, which to me is just intentionally-bad-and-not-at-all-funny. Gauntlets thrown.)

Leonard Maltin – 2 stars –  The best film in the “Friday” series, imaginatively directed and written by Hedden, is still just a slasher film, though less gruesome than most. Despite the title, most of the film takes place on a cruise ship. Too long and not really for fans of the series.

(Ludicrous statement that this is the best film in the franchise. I can tell you that right now. Maybe for someone who doesn’t appreciate the horror genre at all making a movie where Jason “takes” Manhattan as some kind of joke (some kind of sick, sick tongue-in-cheek joke) could be considered a weird pinnacle, but I say nay. Leonard hints at that at the end though, so I have to give him credit for that. Perhaps he did watch this movie at the time though. Could be tipping the hand a bit that the more over-the-top comedy horror films like Leprechaun were well on their way.)

Trailer – https://www.youtube.com/watch?v=w5fc43O3ynE 

(What. The. Fuck. So yeah, I guess they aren’t playing this exactly straight. I’m going to hate this movie aren’t I? Yeah, I think I’m just going to straight hate it. It isn’t going to have any good kills. It won’t be funny even though it thinks it is. Ugh. I already hate it. I’ve already ruined my viewing of this film.)

Directors – Rob Hedden – (BMT: Friday the 13th Part VIII: Jason Takes Manhattan; You May Not Kiss the Bride; Notes: Was a big tv movie guy back in the day it seems which is interesting. He was also offered the chance to direct a Nightmare on Elm Street sequel after this production wrapped, but was exhausted from the hectic production on this film.)

Writers – Rob Hedden (written by) – (BMT: Friday the 13th Part VIII: Jason Takes Manhattan; Clockstoppers; You May Not Kiss the Bride; The Condemned; Notes: Wrote 14 episodes of MacGuyver. Also cast his sister as a waitress in this film, her only IMDb credit.)

Victor Miller (characters) – (Again, he always gets credits, we’ve delved as deeply into his backstory as the internet allows.)

Actors – Jensen Daggett – (BMT: Friday the 13th Part VIII: Jason Takes Manhattan; Major League: Back to the Minors; Telling You; The Opposite Sex and How to Live with Them; Notes: Had a recurring role on Home Improvement as Tim “The Tool-Man” Taylor’s sister-in-law. I’m kind of obsessed with the fact that she was on Project: Alf, the tv movie that wrapped up ALF in 1996. It was terrible, I was ten at the time, and an all-around weird thing to have happened.)

Kane Hodder – (Known For: Monster; Daredevil; The Devil’s Rejects; Frozen; Prison; Hatchet; Alligator; Lone Wolf McQuade; Behind the Mask: The Rise of Leslie Vernon; Hatchet III; BMT: Jason X; Jason Goes to Hell: The Final Friday; Friday the 13th Part VIII: Jason Takes Manhattan; Friday the 13th Part VII: The New Blood; Room 6; House II: The Second Story; Hatchet II; Wishmaster; Muck; Best of the Best II; Father Hood; Out for Justice; Grind; Notes: It is so strange that this guy was also uncredited in Daredevil just like Kevin Spirtas … anyways, he played Jason and was also a long time stunt man. He appears to have parlayed his can-do and fun-loving attitude (much talked about in notes about this film) into a long slasher film career. On wikipedia it states that he is a noted Juggalo.)

Todd Caldecott – (BMT: Friday the 13th Part VIII: Jason Takes Manhattan; Fear; Notes: Canadien and an herbalist, he released a book called Ayurveda: The Divine Science of Life.)

Budget/Gross – $5 million / Domestic: $14,343,976 (N/A)

(Slowly a-tumbling down. Probably still profitable if those numbers are accurate. It is just that now it is a 300% return instead of 1000%. So, I presume we are about to find a true-blue bomb among these micro-budget horror films)

#61 for the Horror – Slasher genre

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(Below Halloween III: Season of the Witch. That is basically all you need to know about that. As the franchise which managed 8 filmed in the 1980s (!) transitioned to the 90s there was something foreboding about the trends the horror genre had been taking. And realizing that the franchise would go from 8 movies in the 80s to 1 in the 90s … well, 80s horror was a special time. It is understandable people would reminisce about the fun-loving attitudes of the era.)

Rotten Tomatoes – 8% (2/24): No consensus yet.

(I’ll make one: Comes across far better in retrospect, but still, the series (and this installment) is still some of the worst the genre had to offer from the era. None of these reviews are from pre-2000 so they are all looking backwards. And they are far more positive than you would expect. A few mirror Leonard’s opinion that it is the best of the bunch, but the rotten tomatoes review score (3.0/10.0) doesn’t really reflect that, so I’m still pretty skeptical.)

Poster – Friday the 13th Part VIII: Jason Take Sklog-hattan (D)

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(Egad! This color scheme is no bueno. Unlike the previous entries they have fully transitioned from artistic 80’s styling to tacky garbage. Still got the font, but that’s about it.)

Tagline(s) – New York has a new problem (B)

(First of all, could you be more condescending to NYC? Basically saying “check out this garbage town where everything is shit and crime is rampant… even worse now. Fuck NYC, emirite?” But that being said, it’s short, somewhat clever (“new” and “new”), and hints at the plot. Still, there is something that nags me about this one. Don’t love it even though it hits a lot of right notes.)

Keyword(s) – hockey mask; Top Ten by BMeTric: 77.8 Jason X (2001); 72.2 Jason Goes to Hell: The Final Friday (1993); 69.0 Friday the 13th Part VIII: Jason Takes Manhattan (1989); 67.6 Stan Helsing (2009); 66.7 Friday the 13th: A New Beginning (1985); 52.2 Eight Legged Freaks (2002); 50.7 Friday the 13th Part VII: The New Blood (1988); 47.6 Friday the 13th (2009); 47.5 The King of Fighters (2010); 46.3 Exit Wounds (2001);

(Friday the 13th is a lot less than I would have imagined. Exit Wounds … well I can’t wait to see the hockey mask there. This is also a pretty nice list. I mean, you wouldn’t watch all of the Friday the 13th, but still, kind of a fun variety. How nice.)

Notes – Kane Hodder says that one of the most fun parts of his tenure as Jason was the scenes in Times Square. He says that spectators were lined up and down the block watching the filming, and he didn’t want to take off the mask to destroy their illusion of Jason. He said that every once in awhile, he’d turn his head and look at them, and watch them all go crazy. (This movie sounds weirdly fun. People had fun making this)

Writer/Director Rob Hedden originally wrote more of the movie to be set in New York. He had written scenes at Madison Square Garden, the Brooklyn Bridge, and the Empire State Building. But Paramount told him that budget would not allow him to spend that much time in New York, so he was forced to rewrite the film and spend more time on the cruise ship. Hedden says he agrees with fans who complain that not enough time is spent in New York, given the title Jason Takes Manhattan. (HA!)

(at around 1h 28 mins) In the diner, the man Jason throws into the mirror is Ken Kirzinger, who would go on to play Jason in Freddy vs. Jason (2003). Kirzinger also doubles as Jason in a few brief shots in this film. (That is a fun fact)

In the original script, when Jason makes it to the dock, a dog starts barking at him and he kicked it. Kane Hodder, who was playing Jason, felt that kicking the dog was going too far and so the scene was dropped. (It was going too far. He murders innocent children, but kicking a dog is too far. I would never condone animal abuse and I’m glad they cut it, I just find that funny)

After the disappointing results at the box-office, Paramount decided to sell the Friday the 13th film series to New Line Cinema, making “Jason Takes Manhattan” the last feature produced by Paramount, until the 2009 remake. Only three other sequels were released in between. (Cool. We shall watch them all!)

Many of the actors pointed out to themselves a plot hole earlier in the filming of the movie. They were asking how did the ship get out of Crystal Lake and into the Atlantic Ocean. But most them were just happy to be in a movie so they didn’t bring it up to the Producers or the Director. (Yeah … I was wondering how they would get from Crystal Lake to Manhattan. I guess the answer is “fuck you”)

At 1 hour and 40 minutes, this is the longest of the Friday The 13th films. (WHAT)

Friday the 13th Part VII: The New Blood Preview

It’s baaaaaaa-aaaaaaack. That’s right! We’re watching some more of our favorite horror franchise: Friday the 13th. Last cycle we had to endure the fifth in the series, which was so bad that it almost destroyed my taste for all things Jason Vorhees… almost. For the StreetCreditReport.com cycle we have to jump to the eighth film in the franchise, Friday the 13th Part VIII: Jason Takes Manhattan, which often makes it to the top of the worst of the series lists. This is reflected in the RT score with a solid 2/22 (8%). This of course means that we have non-BMT homework for Part VI: Jason Lives (which is often considered one of the best in the series; 52% RT) and a BMT qualifying bonus film Part VII: The New Blood (30% RT) which we’ll present here first. We’re going to do it guys. We’re going to watch the entire series in a single year! Let’s go!

Friday the 13th Part VII: The New Blood (1988) – BMeTric: 50.7

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(I find the rating plot in particular quite interesting. The film has transitioned from a purely bad-ratings film to a Popular Below Average film in the later years. This is more than regression to the mean to me, this is legitimately people going back and actually thinking this movie is better than the previous generation considered it (in my opinion). And it looks like it isn’t slowing, it is plausible that this movie will cross into average territory soon. Weird and wild stuff.)

Leonard Maltin – 1.5 stars –  Makeup expert Buechler fails to inject much life into this endless series. Pretty, blonde Lincoln foolishly travels to Crystal Lake (with her mom and her shrink) where her talent for telekinesis beings the monstrous Jason back from his watery grave.

(He did not watch this film. This “review” is basically just regurgitates the plot and then bounces. I guess he calls it lifeless, but there is nothing else there. Whatever, as long as this film is better than number five I’ll be pretty okay with it. That isn’t such a tall order is it?)

Trailer – https://www.youtube.com/watch?v=l7Hm9RNGo8A

(This is… not what I want out of my Friday the 13th films. Yeah, I guess it’s cool that Jason kinda meets his match with a telekinetic girl, but I’m in for the kills and the trills. Not Jason being pummeled left and right. Also, it seems like they might show us the final kill right in the trailer.)

Directors – John Carl Buechler – (BMT: Troll; Friday the 13th Part VII: The New Blood; Notes:  Nominated for the Razzie Award in 1988 for Worst Visual Effects for The Garbage Pail Kids Movie. Started out in makeup and made his way to directing. Still does some work in visual effects and makeup to this day.)

Writers – Daryl Haney (written by) – (Known For: Masque of the Red Death; BMT: Friday the 13th Part VII: The New Blood; Fascination; Notes: Pitched the film as Jason vs. Carrie. Fired after his agent attempted to get him a significant raise. The script was finished by an uncredited rewriter.)

Manuel Fidello (written by) – (BMT: Friday the 13th Part VII: The New Blood; Notes: Clear pseudonym. Rumor is that this was a notable writer who didn’t want his name attached in any official capacity. Surprisingly all these years later no one has come out and said “Oh yeah, that was me actually.”)

Sean S. Cunningham and Victor Miller (characters) (uncredited) – (Their only credits are essentially all of the Friday the 13th films. We’ve discussed notes concerning them during previews for the previous films in the series)

Actors – Lar Park-Lincoln – (BMT: Friday the 13th Part VII: The New Blood; House II: The Second Story; Notes: Has worked in the industry for nearly 40 years, she even has a book Get Started Not Scammed to help young actors getting into the industry. She did quite a bit of television as well, including the tv series based off of Nightmare on Elm Street.)

Kevin Spirtas – (Known For: Daredevil; Apt Pupil; Defying Gravity; BMT: Friday the 13th Part VII: The New Blood; The Hills Have Eyes Part II; Notes: Was Hugh Jackman’s understudy for The Boy from Oz he has also been on numerous soap operas throughout his career.)

Susan Blu – (Known For: Cars; The Hunchback of Notre Dame; The Transformers: The Movie; Clifford’s Really Big Movie; BMT: Friday the 13th Part VII: The New Blood; Notes: Born in St. Paul MN, holla! She is a prolific voice actor, but appears to mainly be doing voice direction at this points. Makes sense as she is nearly 70 years old at this point. She was almost cast to voice Arcee in Transformers (she voiced her in the animated series), but was replaced at the last minute.)

Budget/Gross – $2.8 million / Domestic: $19,170,001

(Still going strong. It blows my mind that they never bothered to up the ante and get real actors and a real director and a real budget, but I guess when your profit is 1000% you don’t really care all that much.)

#45 for the Horror – Slasher genre

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(I’ve been ignoring the plot for the most part since we’ve seen this all before. Right around Wes Craven’s New Nightmare (considered one of the only good late-additions to the three horror mega franchises) and Halloween 4 (which I can personally say is a travesty). All of these films came at a time when slasher was getting a lot of play in theaters, but just as the box office per theater was a tumbling as well, which was probably a precursor to the brief collapse around 1995 of the genre as a whole)

Rotten Tomatoes – 30% (6/20): No consensus yet.

(Oooo I get to make one up: Overtly pointless, and intentionally antagonistic to hardcore fans. The New Blood might have tried to cross Carrie with a slasher film, but ends up looking like it needs a whole new injection of new blood to salvage the waning franchise. Woof, that was fun to write.)

Poster – Friday the 13th Part VII: The New Sklog (B+)

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(One thing to be said about the series is that they generally delivered when it came to the poster. Great (and artistic) spacing/symmetry in this one. Bold black-white-red coloring and classic font. Seems like they are misleading the audience a bit though. The title and art would suggest that the girl is “Jason” in this one… which we know is not true. Pretty good though.)

Tagline(s) – On Friday the 13th, Jason is back. But this time, someone’s waiting (B-)

(And where they have failed to deliver is the taglines. This one isn’t bad from a cadence point of view. Mildly clever and hints at the plot (notably different from what the poster itself suggests). But just way too long.)

Keyword(s) – serial murderer; Top Ten by BMeTric: 72.2 Jason Goes to Hell: The Final Friday (1993); 69.0 Friday the 13th Part VIII: Jason Takes Manhattan (1989); 66.7 Friday the 13th: A New Beginning (1985); 50.7 Friday the 13th Part VII: The New Blood (1988); 47.6 Friday the 13th (2009); 41.2 Freddy vs. Jason (2003); 41.1 Friday the 13th Part III (1982); 40.8 Prom Night (1980); 33.8 Jason Lives: Friday the 13th Part VI (1986); 33.0 Borderland (2007);

(Friday the 13th not surprisingly is quite prevalent. I do like it when the movie we are doing is features. I’ll just have to watch Prom Night on my own I guess, it actually doesn’t qualify for BMT with 42% … maybe a few more DVD reviews will trickle in someday.)

Notes – This film was originally intended to bring Jason Voorhees and Freddy Krueger together onscreen for the first time. But when Paramount Pictures (at that time was holding the rights to the “Friday the 13th” film series) and New Line Cinema (who holds the rights to the “Nightmare On Elm Street” series) couldn’t agree behind the scenes, the script was rewritten to pit Jason up against the telekinetic Tina Shepard instead. (Ooooooooof. They eventually use that storyline in Freddy v Jason naturally, but still a pretty rough plan B)

Kane Hodder did all his own Jason stunts in this film, including falling through the stairway, and having the porch roof fall on his head.

Kerry Noonan, who played Paula in Jason Lives: Friday the 13th Part VI (1986), read for the role of Tina, when she thought the title was “Birthday Bash.” She quickly realized that it was a Friday the 13th film and confessed that she’d starred in the last movie, so John Carl Buechler decided not to cast her. (Ha! Yet again just basically tiptoeing around having continuity between films)

Director John Carl Buechler has publicly fumed many times over the years about the number of edits required by the MPAA to avoid an “X” rating. The film had to be submitted nine times to the Motion Picture Association of America before being granted an “R” rating, and it stands as arguably the most heavily censored entry in the ‘Friday the 13th’ series. (Huh, methinks we’ll get some nudity in the film)

Director John Carl Buechler stated that he clashed with associate producer Barbara Sachs continuously over many ideas that he had for the film. This included showing Jason unmasked for quite a bit of the movie. She vetoed the idea, but he ended up going behind her back and filming it anyway. He also stated that the final sequence of Tina’s father coming out of the water was to be more elaborate and feature full prosthetics and a life size dummy. That sequence was completely over ruled and he ended up filming what he considers an inferior version of the sequence. (Huh, that end sequence sounds a bit like a travesty to me …)

John Carl Buechler was so impressed with Kane Hodder when he ate live worms on the set of Prison (1987), that he pushed for Paramount Pictures to let him cast Hodder in the role of Jason. If it had not been for Buechler’s persistence, the role of Jason Voorhees would have been reprised by C.J. Graham. (I kind of want to watch Prison now …)

In the documentary Friday the 13th Chronicles (2004) included with the Crystal Lake to Manhattan box set, the director John Carl Buechler stated that Jason spent 10 years chained and inert before the main action of this movie. (Very interesting. That, I think, make this movie set in the future! I would have to check when the first in intended to take place, but if it is around 1980 then this movie would take place in 1990 at least)

Redline Preview

There is something both gross and enthralling about the action film we chose for the StreetCreditReport.com cycle. The confluence of time and place that created the opportunity for the film to exist is pretty incredible. That’s right! We’re watching the totally forgotten underground racing film Redline! What makes the film really interesting is that the producer of the film was a player in the subprime mortgage crisis. In fact the entire production was funded by his company Quick Loan Funding which went bankrupt the very year that Redline came out, 2007. Even weirder was that this producer used his own cars in the production (allowing a number of his very expensive cars to be destroyed in the process… for fun I guess) and also his own girlfriend. You heard that right. He cast his girlfriend (a soap opera actress) in the leading role of a film that ultimately (and misguidedly) got released to >1000 theaters. Predictably this film bombed, his company went bankrupt, his girlfriend dumped him, and he personally declared bankruptcy in 2009. See? Gross and enthralling. That’s called street cred. Let’s go!

Redline (2007) – BMeTric: 60.4

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(This movie gets its BMeTric basically entirely from its Low Rating. I think there are a handful of different “trends” in these movies. This had regression to the mean, but is very poorly regarded. So over time it will seem less disliked, and ultimately, perhaps, suggests that we are not looking at a movie that is going to sustain its terribleness. After over a year of producing these graphs I have the ability to just kind of read them. I’m almost there … I am just one step away from predicting things based on this.)

Leonard Maltin – BOMB –  Real estate developer Daniel Sadek financed, cowrote, produced, and provided his exotic car collection for this slow and curious Fast and the Furious wannabe. Gorgeous woman who happens to be an ace driver gets caught up in the world of illegal drag racing competitions in which filthy-rich men with nothing better to do wager big bucks on the outcome. When she’s not pushing the pedal to the metal, she fronts a band singing lyrics like, “I want to be your car so you can ride me tonight.” Steer clear of this one.

(I am mesmerized by the line “Gorgeous woman who happens to be an ace driver ..” … It is like they were desperately trying to drop one word from the book and finally asked “do we really need this ‘A’ in the Redline review?” This description though sounds like an earnest Torque which bodes extremely well.)

Trailer – https://www.youtube.com/watch?v=z-8qDoDrACw

(Holy shit. It is Torque but earnest. Who are all of these people, what was the graphics at the beginning and end (were they supposed to be like car brake lights, or stop lights?). The story sounds simple enough. I just hope it isn’t like Need For Speed which was … boring and kind of okay if you squinted a bit. This better be a goddamned travesty or I will never forgive it.)

Directors – Andy Cheng – (BMT: Redline; Notes: Wow, he is a member of Jackie Chan’s stunt team and now, as Chan has sustained serious injuries in the past, will stand in for him on occasion. Very interesting to see a one-and-done (although he does have a direct-to-DVD credit) stuntman director. Second-unit director for Red Riding Hood (BMT) and Twilight.)

Writers – Robert Foreman (screenplay) – (BMT: Redline; Notes: Uncredited as a Bartender in recent BMT Rumor Has It … Otherwise I can’t find anything about this guy.)

Daniel Sadek (story) – (BMT: Redline; Notes: So yeah, this guy is the producer who had a company called Quick Loan Funding. There is a whole discussion about why he doesn’t have a wikipedia page on Quora, there are insane stories about how that company totally went under in the 2008 sub-prime mortgage crash and the after effects. There is little information about him these days, and I’d rather not speculate. But let’s just say I use the word “gross” to describe the financing of this film multiple times in this preview …)

Actors – Nathan Phillips – (Known For: Snakes on a Plane; Wolf Creek; These Final Hours; Dying Breed; Balibo; BMT: Chernobyl Diaries; Redline; Surfer, Dude; Notes: I think I would only recognize him from Snakes on a Plane, although we are certainly going to watch Chernobyl Diaries at some point. Born in Australia, his most significant roles recently have been on television.)

Nadia Bjorlin – (BMT: Redline; Notes: Mostly known for her role as Chloe in Days of Our Lives. She was also a go-go dancer in Ricky Martin’s Shake Your Bon Bon music video (you can’t see her, I watched it))

Eddie Griffin – (Known For: How the Grinch Stole Christmas; The Last Boy Scout; Undercover Brother; Jason’s Lyric; The Wendell Baker Story; Brain Donors; BMT: Date Movie; Norbit (BMT Hall of Fame); Deuce Bigalow: European Gigolo; Redline; Coneheads; The Mod Squad; Pinocchio (BMT); Scary Movie 3 (BMT); Deuce Bigalow: Male Gigolo; The Meteor Man; My Baby’s Daddy; House Party 3; The New Guy; American Hero; Double Take; Armageddon; Notes:  He got married for the first time when he was just sixteen years old and has nine (!) children. His recent defense of Bill Cosby probably won’t help his career …)

Budget/Gross – $26 million / Domestic: $6,881,022 (Worldwide: $8,267,379)

(Yeah, super bad. Pretty much horrible. The good news? I’m willing to bet most of that was for the cars and since the producer sold them to himself to use in the film I’m betting he got a nice write off there. That’s nice.)

#25 for the Car Racing genre

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(There is basically no analogy. It made about as much money as Grandview U.S.A. … the big peak in 1995 is also a bit weird, Red Rock West, which made around $2 million, but Box Office Mojo reports its widest release as 22 theaters, making its per theater average incredible. Probably false. The genre was big pre-1990 and has become huge in the last ten years with the Fast and the Furious franchise. Not surprisingly this came just as the genre was going into a slumber, maybe because of the recession? Wrecking ridiculous looking cars might not go over so well when people’s lives are falling apart.)

Rotten Tomatoes – 0% (0/27): Redline has plenty of bad acting, laughable dialogue, and luxury cars.

(Good, I need some laughable dialogue. Bad acting is a boon. This is one of the worst reviewed films of all time, the 15th most reviews for a film with 0% on rotten tomatoes. This right here is basically the entire reason we are watching this film.)

Poster – Sklogline (B+)

redline

(This isn’t blowing any minds or anything, but it is astonishingly competent given the film. I like the bold red on black, it has one of the more interesting title fonts, and the spacing is good. The background cars seem a bit extraneous, but that’s pretty minor.)

Tagline(s) – Fear Nothing. Risk Everything. (B+)

(Again, astonishingly competent. Like the “nothing” and “everything” juxtaposition. The “fear” and “risk” highlights the racing and gambling aspects of the plot. Concise. Ratchet up the cleverness and uniqueness and we’d be looking at an A+.)

Keyword(s) – ferrari; Top Ten by BMeTric: 60.4 Redline (2007); 60.0 Alvin and the Chipmunks (2007); 58.0 The Counsellor (2013); 53.1 Death Tunnel (2005); 49.6 The Smurfs 2 (2013); 48.5 Alvin and the Chipmunks: The Road Chip (2015); 44.8 American Dreamz (2006); 41.6 Mr. Deeds (2002); 39.4 Playing for Keeps (2012); 32.4 Georgia Rule (2007);

(Number one, number one! Alvin and the Chipmunks get a lot of play there, that smells a bit like product placement. I totally forgot about The Counsellor as well, which is a film we are unlikely to ever see.)

Notes – For the film, Sadek donated his Porsche Carrera GT (which costs over $400,000) to be destroyed in a spectacular crash scene. The mangled remains were on display at the 2007 Los Angeles Auto Show. (Kind of gross. Truly the pinnacle of pre-subprime mortgage crash waste)

The comedian/actor Eddie Griffin destroyed a rare million-dollar Enzo Ferrari (which belonged to the film’s producer, Daniel Sadek) on Monday 3/26/07, when he crashed it into a barricade while promoting this movie. He was unhurt in the low-speed incident, at Irwindale Speedway, about 20 miles east of Los Angeles. He was practicing for a celebrity charity racing event tied to this upcoming film, causing $300,000 damage to the car (including labor and parts). Sadek estimated that the car was worth $1.1 million, and said he was just happy that Griffin was unharmed. (Sounds like perhaps a guy who just loves cars soooo much … he’d bilk people out of money preying on trash investments. Blah)

The title “Redline” was one of the working titles of The Fast and the Furious (2001).

Prior to the demise of his company, Quick Loan Funding, Sadek was forced to sell off all his car collection, including those featured in the film. One of them, the crash damaged Enzo was acquired by Texan dealer, Matt Groner of Matthews Auto Sales. As the main tub was intact with no chassis straitening, the Enzo only needed new authentic parts bolted in, worth $91,000. The car has since found a new owner. (Well, a happy ending there …)

In the opening sequence of the film, a building with a sign that reads “Quick Loan Funding” can be seen. This was the name of writer/producer Daniel Sadek’s company at the time. (groooooosss)

Most of the rest of the notes are about cars

Epic Movie Preview

My gawwwd! Is that Friedberg and Seltzer’s music? That’s right! We’re taking this Street Credit Report (dot com) cycle and punching ourselves in the face by watching one of the many ridiculously awful spoof films made by Jason Friedberg and Aaron Seltzer. In this case we decided on Epic Movie because it’s not quite as small as some of the later films (former Obama aide Kal Penn is in it after all). For its street cred it stands at a brutal 2% on RT and #42 on the lowest rated films on imdb. However, it surprisingly wasn’t nominated for a Worst Picture Razzie in 2007, so perhaps it won’t totally destroy our will to live. Sigh. Who am I kidding? The Razzies don’t know shit. God help us and see you on the other side. Let’s go!

Epic Movie (2007) – BMeTric: 95.9 (#42 on IMDb bottom 100)

EpicMovie_BMeT

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(That’s it though, right? That steady sub-3.0. It doesn’t rise up, it didn’t drop down at any point. Ten years ago this came out and people were like “this is trash”. And throughout the years others heard that this movie was awful and they watched it and said “this is trash”. It is why this movie is probably legendary. I mean … legendary in that it will be just brutally unfunny and annoying. But legendary nonetheless.)

Leonard Maltin – BOMB – Four siblings find themselves meandering through lame slapstick parodies of recent epic movies and other obvious pop-culture targets. Typically tedious, unfunny hack job, with an array of cameo appearances including Crispin Glover, who (as a perverted, sadistic Willy Wonka) provides the film with its only moments of admittedly sordid energy. Kevin Hart appears uncredited.

(Secret Kevin Hart film, I like it. We’ve probably technically watched something like six Hart films at this point (although Scary Movie 3 and 4 are not actually recorded in the archive … oops). This will be and sounds like trash. I will watch out for Crispin Glover though, that could be fun.)

Trailer – https://www.youtube.com/watch?gl=SN&feature=plcp&hl=fr&v=AZKIr7r6Op4

(Uggggggh. I remember when this trailer came out. What really does it for me is that the last joke of the entire trailer, where Superman is shot in the eye, is just horrible. It involves an actor I don’t know with such a throwaway garbage joke. The cast is pretty solid ultimately, and they should have kind of just focused on that I think … I don’t know, it looks horrible.)

Directors – Jason Friedberg and Aaron Seltzer – (BMT: Epic Movie; Meet the Spartans; Disaster Movie; Date Movie; Vampires Suck; The Starving Games; Best Night Ever; Notes: Even their wikipedia says they make “parody movies that have received extremely unfavorable reviews”! They started directing after years of selling scripts that never got made (upwards of 40 they claim). Friedberg’s father (Rick Friedberg) gave them the in by introducing them to Leslie Nielson when making Bad Golf Made Easier)

Writers – Jason Friedberg and Aaron Seltzer (written by) – (Known For: Scary Movie; BMT: Epic Movie; Meet the Spartans; Disaster Movie; Date Movie; Vampires Suck; The Starving Games; Scary Movie 4; Scary Movie 2; Spy Hard; Scary Movie 3; Best Night Ever; Notes: Their spec script called Scream If You Know What I Did Last Halloween was accepted after Spy Hard and reworked into Scary Movie. Sounds like the title to this film, weird that it wasn’t written by these two then.)

Friedberg and Seltzer Razzie Street Cred – Nominated in 2011 for the Razzie Award for Worst Director and Screenplay for Vampires Suck; and in 2009 for Disaster Movie, and Meet the Spartans; in 2008 just for Worst Screenplay for Epic Movie

Actors – Kal Penn – (Known For: Harold & Kumar Go to White Castle; Superman Returns; Speech & Debate; Harold & Kumar Escape from Guantanamo Bay; A Lot Like Love; A Very Harold & Kumar 3D Christmas; The Namesake; BMT: Epic Movie; Son of the Mask; Van Wilder 2: The Rise of Taj; Deck the Halls; Malibu’s Most Wanted; Love Don’t Cost a Thing; The Girl in the Photographs; Man About Town; Van Wilder: Party Liaison; Notes: I remember him first from Van Wilder, and then Harold and Kumar, and finally House. He worked for the Obama administration and now is on the show Designated Survivor as the White House Press Secretary.)

Jennifer Coolidge – (Known For: American Pie; A Series of Unfortunate Events; Alexander and the Terrible, Horrible, No Good, Very Bad Day; Legally Blonde; American Reunion; American Pie 2; Austin Powers: The Spy Who Shagged Me; Zoolander; Robots; American Wedding; Best in Show; Mascots; Bad Lieutenant; Trial and Error; A Mighty Wind; BMT: Epic Movie; Date Movie; Legally Blonde 2: Red, White & Blonde; Alvin and the Chipmunks: The Road Chip; Pootie Tang; Down to Earth; A Cinderella Story; Igor; A Night at the Roxbury; Click; Austenland; Gentlemen Broncos; Notes: Has been in a few Christopher Guest movies. Otherwise I basically only know her from American Pie where she played Stifler’s Mom, and Legally Blond. An alumnus of The Groundlings.)

Fred Willard – (Known For: Harold & Kumar Get the Munchies; WALL·E; Anchorman: The Legend of Ron Burgundy; This Is Spinal Tap; Austin Powers: The Spy Who Shagged Me; Monster House; Anchorman 2: The Legend Continues; American Wedding; Best in Show; Youth in Revolt; Roxanne; Silver Streak; Mascots; Planes: Fire & Rescue; I Could Never Be Your Woman; A Mighty Wind; Waiting for Guffman; BMT: Epic Movie; Date Movie; Fifty Shades of Black; The Wedding Planner; Love Wrecked; Chicken Little; Idle Hands; How High; Movie Madness; Harold; Notes: Again, very notable for his work with Christopher Guest, but also a titan of comedy in general I would say. He was part of The Second City. Makes me think a good cycle would be something like The Second Shitty … amirite? Movies involving The Second City alums.)

Budget/Gross – $20 million / Domestic: $39,739,367 (Worldwide: $86,865,564)

(That’s solid. No wonder they’d go on to make two (!) spoof movies in 2008. At the time it must have seemed like they could just print money with these things. This garbage genre is somewhat saturated now though and I think must mainly go to VOD. I guess we’ll see with the next plot.)

#17 for the Comedy – Spoof genre

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(Just below A Haunted House seems okay. Obviously Fifty Shades of Black was the most recent big release. Kind of puts this haul in perspective, Fifty Shades sits at number 48 with only $11 million return, oof. This literally is the start of the genre saturation (as I guessed), and indeed the genre is straight dying. People lament the death of the spoof genre, but its been dead since the 80s. Scary Movie was an aberration. If only more things like Wet Hot American Summer existed, sigh.)

Rotten Tomatoes – 2% (1/64): A crude comedy with nothing new or insightful to say about the subjects it satirizes.

(Yup. Sounds about right. I’ll have to just psych myself into “everything is funny” mode for this. I remember watching InAPPropriate Comedy. This can’t be worse than that. I will survive.)

Poster – Epic Sklog? (U)

epic_movie

(Ho-ly shit. That’s a U for Unacceptable. I do not accept that this is a poster that someone made for a film released to over a thousand theaters.)

Tagline(s) – We Know It’s Big. We Measured. (What the FFFFFFFFFFFFuuuu…)

(This is worse than the poster! Why are you doing this to us? What did we ever do to you?)

Keyword(s) – orphan; Top Ten by BMeTric: 95.9 Epic Movie (2007); 93.0 Dragonball Evolution (2009); 89.6 Alone in the Dark (2005); 86.0 Norbit (2007); 85.5 Fantastic Four (2015); 85.5 The Room (2003); 83.4 Super Mario Bros. (1993); 81.1 Prom Night (I) (2008); 77.9 Superhero Movie (2008); 71.4 The Next Karate Kid (1994);

(Ooooo The Next Karate Kid would be a nice one to do. Finally have an excuse to watch the third one too. I like this list because, I think, all of them nicely fit the keyword which is not always the case. Also, logging a 71.4 BMeTric as the tenth makes the list guaranteed to be amazing.)

Notes – Jayma Mays and Adam Campbell met on the set of the film, and they married in October 2007. (cool)

This film was not screened for critics. (Of course it wasn’t. It would be the biggest upset in film history if they screened this for critics)

The rest of the notes basically just explains all of the things this movie parodies … we get it, Glover impersonated Johnny Depp’s Willy Wonka.

Awards – Nominated for the Razzie Award for Worst Supporting Actress (Carmen Electra)

Nominated for the Razzie Award for Worst Remake or Rip-Off

Nominated for the Razzie Award for Worst Screenplay (Jason Friedberg, Aaron Seltzer)

10,000 BC Preview

Well this does it for the punctuation cycle. Only one more punctuation mark to hit and it’s a simple one (the comma). We are officially transitioning to a cycle we’ve been looking forward to all year. We call it StreetCreditReports.com as we are aiming to hit nine films that garnered the coveted <10% on RT to continue to up our bad movie street cred. It’s particularly rare for such a rating to be achieved. In fact, I believe only two major films so far this year have achieved the feat: Fifty Shades Darker (BMT Live) and the Rings sequel. So to start it off we are doing a film that has literally been on our BMT potential list for years. I remember debating whether we should watch it back when I lived in Princeton. That was two moves ago and the website was naught but a sparkle in our collective eyes. That’s right! We’re watching 10,000 B.C. I feel like this could be Pathfinder but even more ridiculous. Be still my heart and let’s try to keep expectations low. Let’s go!

10,000 BC (2008) – BMeTric: 65.4

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(This guy just smashed the BMeTric immediately. Heartening. People just went “no!” and the movie just crashed and burned. As I said last week, usually films start strong and drop like a stone … I told you that’s how it actually works. This is also a ridiculously popular film. This is a Very Popular Bad Film. If it didn’t get like 100K votes this would be a normal like 40 BMeTric film, the votes though give it that boost. A BMeTric of 60+ promises a lot though. It better deliver.)

Leonard Maltin – 2 stars –  Tale of prehistoric life follows a small group who leave their tribe of mammoth hunters in an effort to rescue others captured by slavers. This leads them to a pre-Egyptian city of ruthless pyramid-builders and much adventure. Earnest, well produced on rugged locations with occasionally good effect, but for the most part as ludicrous as other films of this type. Features cinema’s first superfluous saber-toothed tiger.

(“Films of this type” I think refers to Emmerich films. Honestly, sounds like a pretty fun film even though I know it is terrible. Can’t wait to see the tiger though. So many notes about it.)

Trailer – https://www.youtube.com/watch?v=Iw7ow4AmPc8

(Ooooof the “AD” at the end! But that wasn’t the important bit of the trailer. That’s right … what a kick ass dumb solo they got going to end it! Does it work? Not totally. But still gave me an interesting trailer which honestly looks like Michael Bay meets Apocalypto … so like a good movie is a serious director was making it, but instead we have Roland Emmerich. So …)

Directors – Roland Emmerich – (Known For: Independence Day; The Day After Tomorrow; The Patriot; Stargate; White House Down; Anonymous; BMT: 10,000 BC; Godzilla; Independence Day: Resurgence (BMT); 2012 (BMT); Universal Soldier; Stonewall; Notes:  Nominated in 2017 for the Razzie Award for Worst Director and Screenplay for Independence Day: Resurgence; and for Worst Director and Screenplay in 1999 for Godzilla; As an openly gay director he says he’s encountered homophobia in Hollywood, but as a director it hasn’t particularly hampered his career.)

Writers – Roland Emmerich (written by) – (Known For: Independence Day; The Day After Tomorrow; Stargate; BMT: 10,000 BC; Godzilla; Independence Day: Resurgence (BMT); 2012 (BMT); Notes: His sister Ute Emmerich is a producer on most (if not all) of his films. He has also written most of the films he’s directed.)

Harald Kloser (written by) – (BMT: 10,000 BC; 2012; Notes: Has composed the music for many of Emmerich’s films and that comprises most of his filmography. He’s flipped to (also) screenwriting later in his career and is also attached to Emmerich’s next film Moonfall.)

Actors – Camilla Belle – (Known For: The Lost World: Jurassic Park; A Little Princess; The Ballad of Jack and Rose; The American Side; À Deriva; BMT: 10,000 BC; The Patriot; When a Stranger Calls; Poison Ivy 2; Diablo; From Prada to Nada; Push; Cavemen; Practical Magic; Father of Invention; The Invisible Circus; The Quiet; Breakaway; Notes: Born a week before us. Her mother is Brazilian and despite being born and raised in Los Angeles grew up speaking portuguese. I’m going to be honest … I can’t for the life of me think of a movie where I would specifically have recognized her from.)

Steven Strait – (Known For: Sky High; Stop-Loss; City Island; BMT: 10,000 BC; The Covenant (BMT); Undiscovered; Notes: In the new (apparently quite good) sci-fi series The Expanse. We saw him in The Covenant which is probably his biggest role outside of 10,000 BC. Hasn’t had a big movie role in a while.)

Marco Khan – (Known For: The Promise; Iron Man; Pirates of the Caribbean: Dead Man’s Chest; Camp X-Ray; Looking for Comedy in the Muslim World; BMT: 10,000 BC; God’s Not Dead; You Don’t Mess with the Zohan; 2012 (BMT); 15 Minutes; Click; Notes: Born in Tehran and educated in Italy he has been all over the place in his life, including owning and operating Italian restaurants for 12 years before getting into the entertainment industry.)

Budget/Gross – $105 million / Domestic: $94,784,201 (Worldwide: $269,784,201)

(That isn’t bad. Obviously you want more than $100 million, but these days that would be looked at as a pretty solid international success. Emmerich looks like he rarely does sequels so there wouldn’t have been any risk of that, but I can kind of see why he keeps getting money.)

#23 for the Adventure – Period genre

adventureperiod_23

(Fun plot. Period adventure films looks like it became hugely popular in the 2000s. Interestingly coincides with the gold rush of bad movies. Perhaps it is because such films became easier to produce around that time (with the ability to basically synthesize anything you want from costumes to fiberglass cars, etc.)? I think it’ll stick around though. Just look at something like Kong Island. That works really well as a period film, hearkening back to the time of pulp novel adventure (a la Indiana Jones). This sits near The Mummy 3 (ooof), and follows up the amazing recent addition of Hansel and Gretel! Let’s do it.)

Rotten Tomatoes – 8% (12/145): With attention strictly paid to style instead of substance, or historical accuracy, 10,000 B.C. is a visually impressive but narratively flimsy epic.

(I’m down, I have no problem with this. The only thing I’m getting worried about is that none of this is getting me very excited. Basically I think what is going to happen is we’ll watch this film and just kind of go “oh yeah, that wasn’t very good, but also innocuous”. I hope I am wrong because this is a movie I was looking forward to for a while now.)

Poster – Sklog Thousand BC (D+)

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(There are better posters than this one floating around out there, but I tend to default to the imdb poster and this is it. Horrible spacing, horrible symmetry, and no base coloring. Don’t like it much at all. Mediocre, but still OK font on the title. Little shout out to the release date which is provided with an “AD” at the end. Solid work on that at least, art department.)

Tagline(s) – It takes a hero to change the world (F)

(Hahahaha. What? That’s the best you could do? This might be the most cliche tagline we’ve ever had. This may as well be the default tagline for any film that comes out and the studio gets to opt whether to come up with something (anything!) better than it.)

Keyword(s) – hunter; Top Ten by BMeTric: 83.9 Jaws 3-D (1983); 75.3 Anaconda (1997); 70.8 A Sound of Thunder (2005); 70.1 Year One (2009); 68.5 Anacondas: The Hunt for the Blood Orchid (2004); 65.4 10,000 BC (2008); 65.3 Eragon (2006); 60.0 Congo (1995); 57.5 The Seeker: The Dark Is Rising (2007); 54.3 Killers (2010);

(I LOVE THIS LIST. We’ve seen basically all of these films. Just need to smash both Anacondas (we’ve seen the first, but not for BMT … in theaters as eleven-year-olds). And then the last one will happen when we destroy one of the worst movies ever made Jaws: The Revenge starring Michael Caine’s paycheck.)

Notes – (at around 1h 10 mins) The film includes a glimpse of a map showing Atlantis off the coast of Spain. It’s a reference to Plato’s theory that the construction techniques used in Egypt were imported from the ancient lost civilization of Atlantis. (Were there even maps back then? … looked it up, that answer it is very unlikely anyone would have a map sophisticated enough to depict an island off the coast of Spain)

This film features some alleged historical controversies, including construction of the great pyramids 12,000 years ago (almost 7,500 years earlier), the existence of the Ben-Ben stone (the pyramidion stone missing from the top of the Khafre pyramid), the correlation between the position of the pyramids and the stars from the Orion constellation (associated by the Egyptians with the god Osiris), the Sphinx with a head of a lion allegedly correlated with the Leo constellation rising to the east (at the same time that Orion is in conjunction with the Giza pyramid complex), and the possible nonhuman origins of the first kings of Egypt. (fun facts)

D’Leh refers to one star as “the one that never moves.” That would be the North Star, which appears stationary in the northern night sky. In 10,000 BC the North Star was Vega, the fifth brightest star in the sky. It would’ve been very obvious in the dark sky. (hmmm … it never really occurred to me that the North Star would change, but it is so obvious now that I read this note)

D’Leh is “Held”, the German word for “hero”, backwards. Roland Emmerich chose the name as an Easter egg.(gross)

The constellation called the ‘sign of the warrior’ is actually Orion. It also played a key role in deciphering ancient signs in Stargate (1994).

(at around 40 mins) The computer-generated wet saber-tooth tiger was created by Double Negative. Creating it required combining several of the most challenging elements of visual effects: fur, wet fur, water, and creature animation.

Release prints were delivered to some theaters under the false title “King Dinosurs” (sic).

Not screened for critics; only a 20-minute excerpt was shown to journalists. (Not shocking)

That’s My Boy Preview

Lately we’ve been using the Games category to try to tally some of the BMT Calendar that will likely never end. However, with only two punctuation marks remaining we looked back towards the Razzie Award winners to get the apostrophe. That’s right! We’re watching That’s My Boy, one of the few unwatched Adam Sandler films that also happens to be nominated for seven Razzies, winning two (Screenplay and Actor). I recall thinking the film looked like it might be good as it followed some of Sandler’s worst efforts (Grown Ups, Just Go With It, and Jack and Jill). Alas, it continued a downward spiral that is still arguably continuing through his multi-film deal with Netflix. It’s been a long time coming, so let’s get right into it. Let’s go!

That’s My Boy (2012) – BMeTric: 47.5

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(What a twist! That is the opposite trend you usually see. Usually things start really high (from hardcore fans) and drop like a stone I feel like. Basically, people don’t like Sandler (shocking) and the passionate IMDb voters seem to just rock this film. It recovers really quickly. Regardless, nearly 50 BMeTric. This is a Very Popular Below Average film. Which for a comedy gives me a good feeling.)

Leonard Maltin – 2 stars – A middle school student and his teacher have an intimate relationship resulting in pregnancy, incarceration, and (years later) a unique father-son relationship. Formulaic Sandler vehicle is filled to the brim with sight gags, inside jokes, absurd, raunchy, and racist humor. This is either a guilty pleasure, if you find it funny, or a miserable experience otherwise.

(There is something odd about Sandler films (I loved The Waterboy, Happy Gilmore, and Billy Madison growing up) rewatching them with today’s sensibilities. The main observation is just how much people kick the crap out of each other and it is celebrated. A notorious example being I Now Pronounce You Chuck and Larry where Kevin James repeatedly assaults people and everyone acts as if he’s a stand up guy. Racism is also obviously on the table (never forget Rob Schneider playing an Asian stereotype in the same movie) and I am sure I will not fall in the guilty pleasure camp at this stage of my life.)

Trailer – https://www.youtube.com/watch?v=fPV2L2CGWdQ

(Man, Sandler loves his sports figure cameos (I see you Rex Ryan) and his product placement. His product placement is legendary, I can’t wait. The tattoo joke is solid, although as the youngest hedge fund managers in NYC you’d think he would at least start in on some laser removal.)

Directors – Sean Anders – (Known For: Sex Drive; Never Been Thawed; BMT: That’s My Boy; Daddy’s Home; Horrible Bosses 2; Notes:  Nominated for the Razzie Award in 2013 for Worst Director for That’s My Boy; This is the only movie he directed that he didn’t also write. It seems like Sex Drive is what launched his career based on this variety article (mentioning a movie that I think never came out). I can’t find much else about him.)

Writers – David Caspe (written by) – (BMT: That’s My Boy; Notes: Won the Razzie Award in 2013 for Worst Screenplay for That’s My Boy; In the notes it mentioned this movie was on the 2009 Blacklist. It isn’t surprising that a movie from the Blacklist ended up as a mess, but it is heartening that this movie didn’t destroy this guy’s career, he’s the developer of the cult comedy Happy Endings and has been all over television since this movie debuted.)

Actors – Adam Sandler – (Known For: Big Daddy; Happy Gilmore; The Wedding Singer; Hotel Transylvania 2; 50 First Dates; Hotel Transylvania; Anger Management; Billy Madison; Reign Over Me; Punch-Drunk Love; Spanglish; Funny People; Top Five; Pauly Shore Is Dead; BMT: Jack and Jill (BMT); Deuce Bigalow: European Gigolo; The Animal; The Ridiculous 6 (BMT); Zookeeper (BMT); Coneheads; Little Nicky; Grown Ups 2 (BMT); You Don’t Mess with the Zohan; The Hot Chick; Pixels (BMT); That’s My Boy; Eight Crazy Nights; Deuce Bigalow: Male Gigolo; Mr. Deeds; Mixed Nuts; The Do-Over; The Cobbler; Bulletproof; Grown Ups (BMT); I Now Pronounce You Chuck & Larry (BMT); The Waterboy; Bedtime Stories; Airheads; Shakes the Clown; Click; Just Go with It (BMT); The Longest Yard; Blended; Dirty Work; Men, Women & Children; Notes: Sandler’s filmography is interesting because we’ve seen him in eight BMT films, and almost all of them as the leading character! He just signed a new four picture deal with Netflix, so things like the Do-Over and Ridiculous 6 should be coming fast and furious. At some point the Razzies will have to either allow Netflix Originals, or we might have seen the last of Razzie Nominated Sandler (look at that cred!))

Sandler Razzie Cred – (Won: for Worst Actor in 2013 for That’s My Boy; in 2012 for Jack and Jill, and Just Go with It; and in 2000 for Big Daddy; for Worst Actress, Screenplay, and Screen Couple in 2012 for Jack and Jill; Nominated: for Worst Actor in 2016 for The Cobbler, and Pixels; in 2015 for Blended; in 2014 for Grown Ups 2; in 2008 for I Now Pronounce You Chuck & Larry; in 2003 for Eight Crazy Nights, and Mr. Deeds; in 2001 for Little Nicky;in 1999 for The Waterboy; and in 1997 for Bulletproof, and Happy Gilmore; for Worst Screenplay in 2014 for Grown Ups 2; in 2012 for Bucky Larson: Born to Be a Star;in 2001 for Little Nicky; and in 2000 for Big Daddy; for Worst Screen Combo in 2016 for The Cobbler; in 2013 for That’s My Boy; in 2012 for Just Go with It; and in 2008 for I Now Pronounce You Chuck & Larry)

Andy Samberg – (Known For: Storks; Bad Neighbours; Friends with Benefits; Hotel Transylvania 2; Popstar: Never Stop Never Stopping; Hotel Transylvania; I Love You, Man; Cloudy with a Chance of Meatballs; Nick and Norah’s Infinite Playlist; Hot Rod; The To Do List; Cloudy with a Chance of Meatballs 2; Brigsby Bear; Celeste & Jesse Forever; BMT: Space Chimps; Grown Ups 2 (BMT); That’s My Boy; The Watch; What’s Your Number?; Notes:  Nominated for the Razzie Award for Worst Screen Couple in 2013 for That’s My Boy; I’ve loved Samberg all the way back to his Lonely Island days, I even remember the day he was announced as a cast member for SNL and being rather excited. I love him in Brooklyn 99 as well. I refuse to say bad things about him!)

Leighton Meester – (Known For: The Judge; Date Night; Going the Distance; Life Partners; Like Sunday, Like Rain; BMT: The Roommate (BMT); That’s My Boy; Monte Carlo; The Oranges; Hangman’s Curse; Country Strong; The Beautiful Ordinary; Notes:  Nominated for the Razzie Award for Worst Screen Couple in 2013 for That’s My Boy; Gossip Girl represent! She started acting in Florida while living with her grandparents when her mother was serving jail time for involvement in a drug-smuggling ring! I would guess the first thing I remember her from was Entourage when she was just 18 years old.)

Budget/Gross – $70 million / Domestic: $36,931,089 (Worldwide: $57,719,093)

(What does this movie cost $70 million. The budgets for Adam Sandler films are some of the great mysteries of the universe. At the time this was a rare bomb for Sandler, and ultimately a trend. Blended didn’t do much better and after that kids’ films and sequels were his only real hits.)

#23 for the Wedding genre

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(Standard stuff, a nice little oscillation there a bit, but otherwise Wedding movies have always been big and seem like good bang for the buck too. Below License to Wed is indeed not great. There appears to be one big Wedding comedy a year … makes sense, people are always getting married.)

#27 for the Comedy – Fish-Out-of-Water Father genre

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(Came out right on a rise. We have watched so many of these films. The Are We There Yet? series and Old Dogs in particular recently. This comes in right around Delivery Man, and oddly that movie (which came out in 2013) is the last one listed for the genre on box office mojo. Has the genre died? Doesn’t really make sense, it was still making bank when they all disappeared. Stop slacking box office mojo.)

#21 for the Slacker / Stoner genre

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(Below 30 Minutes or Less is reeeeeally not great. Right at the peak of slacker/stoner genre it would seem. I want to make an argument about Democratic and Republican presidents, but the trough in 2005 just doesn’t work with the narrative. I’ll just end with mentioning Inherent Vice is the last one listed there … how weird.)

Rotten Tomatoes – 20% (23/113): While it does represent a new foray into raunch for the normally PG-13 Sandler, That’s My Boy finds him repeating himself to diminishing effect – and dragging Andy Samberg down with him.

(Noooooooo don’t drag Samberg down too. I’ve actually never really liked gross out comedies. They … well, gross me out. I have a soft spot for Sandler though weirdly, a guy who I think gets a lot of flack for doing a really good job making movies people like to watch (the horror!). I’ll give it a shot. Open mind time.)

Poster – That’s My Sklog (B-)

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(First, so easy to change the title. Second, I kind of like it, very bright and colorful, symmetric. My main complaint is that it is just kind of a picture of two people, not much else going on. At least there isn’t just a big swath of sky behind them.)

Tagline(s) – The story of a child… and his son. (D)

(Stupid. Yeah, I get it. Tells you nothing about how their relationship is unique (the son is only 12 years younger than the father and he is the product of teacher-student rape), or why I care.)

Keyword(s) – teacher student relationship; Top Ten by BMeTric: 93.0 Dragonball Evolution (2009); 78.3 Street Fighter: The Legend of Chun-Li (2009); 77.7 Jason X (2001); 72.6 Elektra (2005); 71.4 The Next Karate Kid (1994); 69.0 Friday the 13th Part VIII: Jason Takes Manhattan (1989); 68.5 Cell (I) (2016); 67.7 Supergirl (1984); 65.1 God’s Not Dead (2014); 64.9 Jennifer’s Body (2009);

(Jason X? What does that really even mean? What does Elektra really mean? Or Dragonball Z? This list is a lie! Or at least That’s My Boy goes a little beyond what they mean I think.)

Notes – When Andy Samberg actually got married he invited Adam Sandler to the wedding who showed up as his character in this movie, outfit and all. (I wouldn’t like that, not one bit. Although I guess comedians’ weddings are probably a bit different)

Eva Amurri Martino plays the younger version of her real-life mother Susan Sarandon. (Holy shit! I was going to say they did a really good job finding a young person to look like Susan Sarandon in the movie!)

Adam Sandler is only 12 years older than Andy Samberg, who plays his son in this movie, which makes perfect sense since Sandler’s character fathered him as a child. (A rare temporal consistency)

The film was originally rated NC-17 by the MPAA due to its explicit sexual content, making the film’s Adam Sandler’s only attempt at an NC-17 rated film. The film was later re-rated R on appeal. (I’m sure Sandler did not intend it to be rated NC-17)

Adam Sandler, Tim Herlihy, Robert Smigel, David Wain and Ken Marino all did uncredited rewrites of the script. (Some State guys in there which is fun)

The screenplay for this film was featured in the 2009 Blacklist; a list of the “most liked” unmade scripts of the year. (Nice to see its critical and financial failure didn’t effect the main screenwriter)

Awards – Won the Razzie Award for Worst Actor (Adam Sandler); and for Worst Screenplay (David Caspe)

Nominated for the Razzie Award for Worst Picture; Worst Director (Sean Anders); for Worst Supporting Actor (Nick Swardson and Vanilla Ice); for Worst Screen Couple; and for Worst Screen Ensemble