Police Academy 2: Their First Assignment Preview

“That’s right. I’m going to resurrect the all-powerful demon Gigandet,” explains that piece of shit hack Manfred Long. “Legend tells of a great Book of Power that would allow for its resurrection. A book of such literary value that its destruction would leave the world a ruin for lack of artistic inspiration. Your agent has been in it for the long con. He was never sure you would be the one to create the BoP, but when we caught wind of your new YA novel on the Dark Web it became clear. Swamp Monster love interest? Genius. So he prepared to take the manuscript by force and find a buyer, I on the other hand prepared for the arrival of Gigandet. The greatest of all demons.” With that, Manfred Long (that hack) begins to laugh and laugh and laugh. Not willing to let this happen Patrick and Jamie use their twin powers to back flip their way over Manfred Long’s head and kick the gun out of his shitty hands. Manfred is stunned and suddenly another gunshot rings out. He falls as Patrick’s literary agent rises and pulls off his bulletproof vest. A quadruple agent! My God! “Patrick, I’m sorry. I know all along that Manfred Long was a hack and looking to double or triple cross us. His incredibly long expository statement and your fancy moves gave me just enough time to recover and put an end to this.” They shake hands. “There is still one thing I don’t understand,” says Patrick, but his literary agent stops him. “Officer Edwin O’Brien. FBI. Thirty-one years. Retiring tomorrow.” They all chuckle a bit. “I was serious, by the way,” says Officer O’Brien, “Those were some pretty serious moves you put on that piece of shit Manfred Long. If you ever want to give policing a try just give the academy a call and tell them Officer O’Brien sent yah.” That’s right! We’re finally doing it. We’re doing the Franchise-zzzzz cycle right by starting our journey through the Police Academy movies with both Police Academy (as a bonus) and Police Academy 2: Their First Assignment. There are seven films and all of them are terrible enough for BMT. We’ve talked about it long enough! Let’s go!

Police Academy 2: Their First Assignment (1985) – BMeTric: 41.4

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(Pretty consistent over the years, although did venture into 50+ territory for a while. For the IMDb rating 5.7 isn’t nearly as terrible as I’d imagine, although I don’t think people tend to watch it these days unless they are looking to specifically watch … y’know … a Police Academy film. Huge jump in rating though … very very weird, the films are straight up not good!)

Leonard Maltin – BOMB –  Dreadful follow-up to 1984 hit (with different writers and director responsible). There are Dragnet episodes with more laughs than this movie.

(Love the niche burn. For all I know Dragnet was a laugh-riot.)

Trailer – https://www.youtube.com/watch?v=2Fs3W2Fqkds

(I kind of love that in both cases they end with a gun gag delivered by Tackleberry. But buckle up, another series of loose vignettes involving not particularly well known comedians from the 1980s … joy.)

Directors – Jerry Paris – (Known For: Police Academy 3: Back in Training; BMT: Police Academy 2: Their First Assignment; Notes: Won a Primetime Emmy for directing the Dick Van Dyke Show. His son appears in a bit part in the film.)

James Signorelli – (Known For: Elvira: Mistress of the Dark; Easy Money; BMT: Police Academy 2: Their First Assignment; Notes: Worked on the film for three weeks before being fired and replaced by Jerry Paris.)

Writers – Neal Israel (characters created by) – (Known For: Real Genius; Bachelor Party; Police Academy 3: Back in Training; Future BMT: Police Academy: Mission to Moscow; Look Who’s Talking Too; Police Academy 6: City Under Siege; Police Academy 5: Assignment: Miami Beach; Police Academy 4: Citizens on Patrol; BMT: Police Academy 2: Their First Assignment; Police Academy; Notes: Now mostly works in TV including a 2012 show called Dog with a Blog… I’d watch it.)

Pat Proft (characters created by) – (Known For: Real Genius; Bachelor Party; The Naked Gun: From the Files of Police Squad!; Naked Gun 33 1/3: The Final Insult; The Naked Gun 2½: The Smell of Fear; Hot Shots!; Hot Shots! Part Deux; Police Academy 3: Back in Training; Brain Donors; Future BMT: Police Academy: Mission to Moscow; Police Academy 6: City Under Siege; Police Academy 5: Assignment: Miami Beach; Mr. Magoo; Police Academy 4: Citizens on Patrol; Scary Movie 4; Scary Movie 3; High School High; Wrongfully Accused; BMT: Scary Movie 5; Police Academy 2: Their First Assignment; Police Academy; Notes: While he wrote pretty much every spoof movie ever, he only directed Wrongfully Accused.)

Barry W. Blaustein (written by) (as Barry Blaustein) – (Known For: Coming to America; The Nutty Professor; Boomerang; Police Academy 3: Back in Training; Future BMT: Nutty Professor II: The Klumps; Police Academy 5: Assignment: Miami Beach; Police Academy 4: Citizens on Patrol; The Honeymooners; BMT: Police Academy 2: Their First Assignment; Notes: Primarily known as a writer, he did direct The Ringer.)

David Sheffield (written by) – (Known For: Coming to America; The Nutty Professor; Boomerang; Police Academy 3: Back in Training; Future BMT: Nutty Professor II: The Klumps; Police Academy 5: Assignment: Miami Beach; Police Academy 4: Citizens on Patrol; The Honeymooners; BMT: Police Academy 2: Their First Assignment; Notes: Brother of Buddy Sheffield who was the head writer of In Living Color.)

Actors – Steve Guttenberg – (Known For: Home for the Holidays; Cocoon; Short Circuit; 3 Men and a Baby; Diner; The Boys from Brazil; Amazon Women on the Moon; Police Academy 3: Back in Training; The Bedroom Window; Rollercoaster; Zeus and Roxanne; Future BMT: Police Academy 4: Citizens on Patrol; 3 Men and a Little Lady; Cocoon: The Return; The Big Green; It Takes Two; High Spirits; Affluenza; Surrender; BMT: Police Academy 2: Their First Assignment; Can’t Stop the Music; Police Academy; Notes: The Gutes. Apparently beat out Bruce Willis for the lead in Police Academy. Classic Gutes.)

Bubba Smith – (Known For: Gremlins 2: The New Batch; Police Academy 3: Back in Training; Future BMT: Police Academy 6: City Under Siege; Police Academy 5: Assignment: Miami Beach; Police Academy 4: Citizens on Patrol; The Silence of the Hams; Stroker Ace; Black Moon Rising; BMT: Police Academy 2: Their First Assignment; Police Academy; Notes: Former professional football player that went on to have a pretty solid career in film. Died in 2011.)

David Graf – (Known For: The Brady Bunch Movie; Police Academy 3: Back in Training; Guarding Tess; Citizen Ruth; Irreconcilable Differences; Jing wu ying xiong; Four Friends; The Enforcer; Suture; Future BMT: Police Academy: Mission to Moscow; Police Academy 6: City Under Siege; Police Academy 5: Assignment: Miami Beach; Police Academy 4: Citizens on Patrol; Rules of Engagement; BMT: Police Academy 2: Their First Assignment; Police Academy; Notes: Died suddenly at the age of 51 from a heart attack. It was the same age his father died at also from a heart attack.)

Budget/Gross – $7.5 million / Domestic: $55,600,000

(A hugh smash hit given the budget, that is nuts! Given the lists below I had kind of assumed it was a bomb!)

#11 for the Comedy – Bumbling genre

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(So this is also known as the Kevin James genre. This is also by far the least revenue we’ve seen for BMT, but it is also quite old. Arguably once adjusted this is one of the most successful even made. Smashed it in the 80s and 00s, but seems to be waning a bit in popularity. Just wait another two years and it might just come back to be honest.)

#56 for the Comedy – Sequel (Live Action) genre

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(Surprisingly mid-table to borrow a British-ism. Rebounded in the last year, so I imagine will see a few more comedy franchises pop up and die completing the current sequel-cycle.)

Rotten Tomatoes – 29% (4/14): No consensus yet.

(As usual pretty weak, but definitely a less positive take than the first. The consensus is basically “same old same old, although at least this one has Bobcat Goldthwait in it” Reviewer Highlight: They’re not movies so much as variety shows featuring talented young comics. – Paul Attanasio, Washington Post)

Poster – Sklog Skool 2: Flunkin’ Out (B-)

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(I like the darker blue overtone to the whole poster and the framing is more interesting (not to mention the slightly tilted subtitle). Still not the most interesting and they basically write a whole novel for the tagline.)

Tagline(s) – Watch out! They’ve got to clean up the worst crime district in the world. But that’s no problem. They’re the worst police force in the universe. (D-)

(Lol, what? It sounds like a placeholder that they ended up using because they got tired or forgot or something. At least it’s not offensive or something.)

Keyword(s) – blonde; Top Ten by BMeTric: 96.2 Epic Movie (2007); 94.6 Batman & Robin (1997); 90.9 Scary Movie 5 (2013); 90.3 Alone in the Dark (2005); 89.0 The Hottie & the Nottie (2008); 88.8 House of the Dead (2003); 87.4 Crossroads (I) (2002); 85.6 Piranha 3DD (2012); 84.6 Super Mario Bros. (1993); 82.5 Highlander II: The Quickening (1991);

(Smashing this list obviously. Kind of a weak list though … every movie will have a blond person in it presumably.)

Notes – G.W. Bailey had hoped to return as Lieutenant Harris, but was passed over in favor of Art Metrano as the antagonist in this film and Police Academy 3: Back in Training (1986). Bailey instead took a job working with Director Hugh Wilson on Rustlers’ Rhapsody (1985). On a day off, G.W. visited this movie’s set to film an uncredited cameo in the wedding reception scene. He appeared from behind, as the man having his picture taken by the photographer. (Fun fact)

Some original cast members had allegedly complained about losing screentime to the new cast members. At one point, shooting was shut down and a mediator was brought in to mellow the cast. (There weren’t that many new cast member though, just two and they kind of replaced two other cast members who left … I guess they expected to get more screentime than in the first one?)

Tim Kazurinsky was originally only to appear in the opening scene. But Director Jerry Paris enjoyed the chemistry between Kazurinsky and Bobcat Goldthwait, so the character of Sweetchuck was created during filming. (Interesting. Probably the only interesting part of the film)

The only movie in the original Police Academy heptalogy in which Callahan (Leslie Easterbrook) does not appear. After the first film was completed, Leslie was pregnant with a baby daughter, which prevented her from working on this sequel. (That is pretty funny)

Tim Kazurinsky’s character was to be called Mr. Schewchuk, as the name appears on the store window. Jerry Paris changed the name to Sweetchuck, after Bubba Smith flubbed several takes trying to pronounce “Schewchuk”.

Screenwriter Barry W. Blaustein stated that he was approached during production by Bubba Smith (Hightower), who complained about being given a minimal amount of lines, compared to the other actors. The reason for this was that Blaustein had been told by producers that “Bubba couldn’t do dialogue”. (That’s kind of offensive, he’s not that much worse than someone like Winslow to be honest)

The only Police Academy movie to feature Commandant Eric Lassard’s brother, Pete (Howard Hesseman). Howard was asked to reprise his role in later sequels, but he outright refused, saying that he regretted doing this film in the first place. (Ayup, makes sense)

Bill Paxton was offered the role of Zed, but turned it down, because the contract required him to also work in the future sequels. He ended up doing Aliens (1986) instead. (Smoirt)

Despite the fact that no such character exists in the movie, a blonde policewoman appears on the official poster. This was an inside joke made by the producers, as they had also requested that the same “sexy girl” be included on an earlier version of the first film’s poster. (huh)

In an interview prior to the start of production, David Graf said that he would not mind doing a series of Police Academy movies. “I’d do it strictly for the money. (Wife) Kathy and I went to a party at Hugh Wilson’s, and it was all very ritzy, with valet parking, caviar, champagne, all that, and while we were there, surrounded by all that luxury, Kathy and I were talking about how we were going to pay the gas bill. The gas company had told us they were going to discontinue service the next day. I don’t want to be in that position again. So, yes, I would do a series of Police Academies, for money.” True to his word, Graf appeared in all seven of the original Police Academy movies. (Genuinely awesome. One of the better characters in the films IMO.)

Upon being cast as seamstress Chloe Daniels, the love interest of Mahoney, Julie Brown had been told her role was that of a major ensemble player. Julie was later disappointed to learn that several of her scenes with Steve Guttenberg, bar two nearly cameo appearances, had been cut from the final print. (Hmmm, it didn’t really even occur to me that he didn’t have a love interest storyline in this one, funny.)

According to Producer Paul Maslansky , the returning actors and actresses from the original Police Academy (1984) wanted more money to work on the sequel. The above-the-line (principal talent) costs were about one and a half million dollars, including Maslansky’s own fee. (That is incredibly low, I had figured they’d make six figured, but some of them probably didn’t even clear 100K considering how big the cast is, which is weird to think about.)

Steve Guttenberg almost did not return for the sequel, as he was not pleased with the script as originally presented to him. After some re-writes, and a bigger paycheck, Guttenberg was happy to reprise Mahoney. (And then he appeared for two more as well)

In an interview shortly after this film’s release, Steve Guttenberg said that being in a major hit like Police Academy (1984), that earned a lot of money and extremely nasty reviews, was both a help and a hindrance. “There’s an advantage because the film makes a lot of money. But the disadvantage is that they want you to keep doing it again and again. You can get stuck in them. I was very reluctant to do the sequel, but there’s a contract. They’ve got options on me forever, but they’re very understanding about my desires.”

According to Bubba Smith, he made more money from his work on this film alone, than he had earned in ten years of playing professional football. This was due to Bubba having requested a 2 percent piece of the movie’s profits, in lieu of a higher salary prior to shooting. (Noice)

According to Julie Brown, Steve Guttenberg was not very nice to her on set. While filming the street fair scene, where Mahoney takes Chloe on a date by riding the Ferris wheel, Steve refused to go through with their scripted kissing scene, telling Julie that his character would not kiss hers. At Guttenberg’s insistence, the entire romantic subplot with Mahoney and Chloe ended up being deleted from the final cut. (Wowzah, sounds like a dick. I hope there is a better second side to that story for Guttenberg’s sake)

(At around one hour and twenty-three minutes) The monster truck Tackleberry drives away in, with his bride, is Bigfoot 3, the third version of the first ever monster truck built. The truck returns (Bigfoot 6) in Police Academy 6: City Under Siege (1989), also driven by Tackleberry. (WHAT? That is awesome … does Bigfoot have an IMDb profile?! … It does not, boo)

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Police Academy Preview

This film was watched as a BONUS along with Police Academy 2: Their First Assignment. Look for that preview for the continued adventures of the Bad Movie Twins.

Police Academy (1984) – BMeTric: 14.4

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(Wow dropped from a 30 BMeTric to a sub-15 which is crazy. Why are people all of a sudden thinking this film is funny? Guttenberg is charming perhaps, but genuinely funny? I find it hard to believe.)

Leonard Maltin – 2.5 stars –  Generally good-natured comedy (with typical ‘80s doses of sexism and tastelessness) about a group of weirdos and misfits who enroll in big-city police academy. Winslow’s comic sound effects are perfect antidote for slow spots in script. Followed by far too many sequels, a TV series, and an animated TV series.

(I think this is generally the accepted belief. Winslow and Guttenberg are both serviceable with Winslow’s machine gun sound effect stealing the show at times. Glad he shouted out the sexism and junk, it is fine that that was what the 80’s was like, but we can acknowledge that that shit ain’t funny anymore. Amazing homophobia though as well, gay panic up the wazoo.)

Trailer – https://www.youtube.com/watch?v=FebYWUGucpA

(That is basically it. A series of 80s slapstick vignettes with no real discernible story. Have fun.)

Directors – Hugh Wilson – (Known For: The First Wives Club; Blast from the Past; Guarding Tess; Future BMT: Burglar; BMT: Dudley Do-Right; Police Academy; Notes: Just passed away this last year. Won a Primetime Emmy for writing a show he produced called Frank’s Place.)

Writers – Neal Israel (screenplay & story) – (Known For: Real Genius; Bachelor Party; Police Academy 3: Back in Training; Future BMT: Police Academy: Mission to Moscow; Look Who’s Talking Too; Police Academy 6: City Under Siege; Police Academy 5: Assignment: Miami Beach; Police Academy 4: Citizens on Patrol; Police Academy 2: Their First Assignment; BMT: Police Academy; Notes: Previously married to Amy Heckerling who directed European Vacation, Clueless, Fast Times at Ridgemont High, Look Who’s Talking Etc.)

Pat Proft (screenplay & story) – (Known For: Real Genius; Bachelor Party; The Naked Gun: From the Files of Police Squad!; Naked Gun 33 1/3: The Final Insult; The Naked Gun 2½: The Smell of Fear; Hot Shots!; Hot Shots! Part Deux; Police Academy 3: Back in Training; Brain Donors; Future BMT: Police Academy: Mission to Moscow; Police Academy 6: City Under Siege; Police Academy 5: Assignment: Miami Beach; Mr. Magoo; Police Academy 4: Citizens on Patrol; Scary Movie 4; Scary Movie 3; Police Academy 2: Their First Assignment; High School High; Wrongfully Accused; BMT: Scary Movie 5; Police Academy; Notes: Actually wrote The Star Wars Holiday Special. Wow.)

Hugh Wilson (screenplay) – (Known For: Blast from the Past; Guarding Tess; Future BMT: Stroker Ace; Burglar; Down Periscope; BMT: Dudley Do-Right; Police Academy; Notes: There is a claim on IMDb that he has a screenplay that is going to be produced that is about the first police force assembled in the Middle Ages with an alternate title of Police Academy: 1123… chew on that.)

Actors – Steve Guttenberg – (Known For: Home for the Holidays; Cocoon; Short Circuit; 3 Men and a Baby; Diner; The Boys from Brazil; Amazon Women on the Moon; Police Academy 3: Back in Training; The Bedroom Window; Rollercoaster; Zeus and Roxanne; Future BMT: Police Academy 4: Citizens on Patrol; 3 Men and a Little Lady; Cocoon: The Return; Police Academy 2: Their First Assignment; The Big Green; It Takes Two; High Spirits; Affluenza; Surrender; BMT: Can’t Stop the Music; Police Academy; Notes: The Gutes. IMDb says he turned down the lead in Big and Ghostbusters. Classic Gutes.)

G.W. Bailey – (Known For: Goodfellas; Runaway; Short Circuit; Home on the Range; Q & A; Future BMT: Police Academy: Mission to Moscow; Police Academy 6: City Under Siege; Police Academy 5: Assignment: Miami Beach; Police Academy 4: Citizens on Patrol; Police Academy 2: Their First Assignment; Mannequin; Burglar; Warning Sign; BMT: Police Academy; Notes: High school classmates of Janis Joplin and Jimmy Johnson.)

Kim Cattrall – (Known For: Big Trouble in Little China; Sex and the City; The Ghost; Star Trek VI: The Undiscovered Country; Ice Princess; Masquerade; The Return of the Musketeers; Rosebud; Above Suspicion; Meet Monica Velour; Ticket to Heaven; Midnight Crossing; Future BMT:Sex and the City 2; Mannequin; 15 Minutes; Porky’s; Unforgettable; Turk 182; Live Nude Girls; BMT: Crossroads; Baby Geniuses; The Bonfire of the Vanities; Police Academy; Razzie Notes: Winner for Worst Actress for Sex and the City 2 in 2011; and Nominee for Worst Supporting Actress for The Bonfire of the Vanities in 1991; Notes: Do yourself a favor and read her IMDb trivia because it’s bonkers. I’ll just note that it claims she was one of the last actresses to work on a studio contract. Which is a little nuts.)

Budget/Gross – $4.1 million / Domestic: $81,198,894

(Jesus, hugh hit obviously. No wonder they kept going back to the well time and time and time and time and time and time and time again.)

#6 for the Comedy – Bumbling genre

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(This thing beats out modern Kevin James films like Paul Blart 2! That is crazy! It was made in 1984, once you adjust for inflation this must be one of the highest grossing bumbling comedies ever!)

Rotten Tomatoes – 39% (7/18): No consensus yet.

(Juuuuust on the border. It actually just fell below the threshold after they added the Roger Ebert review in April. Given it was a pure 0-star Thumbs Down I suppose it is appropriate it finally gets its due. Reviewer Highlight: Now comes without any doubt the absolute pits of this genre, the least funny movie that could possibly have been inspired by Airplane! or any other movie. – Roger Ebert, Chicago Sun-Times.)

Poster – Sklog Skool (C)

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(I do not like this. Not because I don’t like the animated stylings or anything (see my assessment of the sequel’s poster) but because I don’t like the white border, none of the police officers are really even doing anything interesting, and the amount of text is not good. The font is at least somewhat unique.)

Tagline(s) – The new police recruits. Call them slobs. Call them jerks. Call them gross. – Just don’t call them when you’re in trouble. (C)

What an institution! (B-)

(Obviously the first is just too long to give a decent grade. Can’t do it. But I like the repeat of “call” and it ends on a clever note. The second isn’t the most clever, but it is short and sweet with a slight double entendre. So best of the bunch.)

Keyword(s) – big breasts; Top Ten by BMeTric: 57.4 Derailed (2002); 53.7 Police Academy 3: Back in Training (1986); 46.6 Three – III (I) (2005); 38.0 Sheena (1984); 37.7 Flesh Gordon (1974); 28.6 Gor (1987); 28.0 Greta – Haus ohne Männer (1977); 26.4 Flesh Gordon Meets the Cosmic Cheerleaders (1990); 26.1 American Assassin (2017); 25.8 The Best Little Whorehouse in Texas (1982);

(Fun fact: Police Academy 3 doesn’t even qualify … yet. At some point they’ll add some extra review to move it down again. I actually assume that in about 3 years the BMeTric for Police Academy 3 will plummet, given that is what is happening to all the other Police Academy films.)

Notes – Director Hugh Wilson stated that when it came time to film the driving scene with Hightower at 4:30 a.m., the actor originally cast as the angry driver was found passed out drunk in the trailer, so Hugh himself ended up playing the role of the angry driver, into whom Hightower crashes.

In addition to playing Jones, Michael Winslow also supplied the voice for all public address announcements heard at the academy. (Fun Fact)

Producer Paul Maslansky got the idea for this movie during the production of The Right Stuff (1983). A group of police cadets arrived to help with crowd control for the filming of a street scene. When the cadets piled out of the buses to take their posts, they were diverse; men, women, tall, short, black, Asian. They did their jobs so terribly, that Maslansky found it humorous, asking the sergeant, “Are these all going to be future San Francisco’s finest?” The sergeant told him “We have to take anyone who applies into the academy for training–but we can flunk them out in two weeks.” It started Maslansky thinking, “What if they don’t want to be flunked out? What if some guy or girl wants to stay in?” That night, Paul wrote a two-page treatment and gave it to executive producer Alan Ladd Jr., who loved the idea and agreed to develop the movie. (That is pretty awesome. Basically how old Hollywood used to work, just randos writing treatments and making boatloads of cash.)

The location used as the Academy campus was known as the Mimico Lunatic Asylum or variations thereof until 1911, and Lakeshore Psychiatric Hospital from 1964 to 1979. It was acquired by Humber College in 1991, after being mainly used as a site for filmmaking between 1979 and 1991. It is now a renovated and active educational institution. (Fun Fact)

In the DVD “Making of” documentary, Marion Ramsey says she came up with Hooks’ voice by reading the description of her character in the script, and recalling the time she met Michael Jackson. The voice is a parody of Jackson. She also recalls that in the moment where Hooks exclaims “Don’t move, Dirtbag!” the sound techs were used to recording the “meek” voice and were surprised when she said the line so loud. (Huh, that is actually a lot more thought that I thought would have went into it)

The “shoe polish on the megaphone” originated from a prank played on British Director Michael Winner on the set of one of his movies. Hugh Wilson decided to use the gag, after he heard the story from a crew member. (Coooooool)

This is one of few films, to which Roger Ebert gave zero stars, but it was also a very rare zero-star review where Ebert didn’t castigate the film for being depraved or immoral or diseased (something he had made a point of doing in most zero-star reviews, such as those for “Caligula”, “I Spit on your Grave”, and “Death Wish II”. He just said it was a would-be comedy that not only had zero laughs but didn’t even try to make the audience laugh. (Ha)

Marion Ramsey was asked to wear a fat suit for her role as Hooks, with the idea that Hooks’ boot camp training would have rendered her slim by the end of the film. Due to time constraints, the scene showing Hooks after her weight loss was removed from the final cut. By the time work on the sequel began, producers changed their minds, opting instead to have Marion remain wearing the fat suit, in order to garner audience sympathy for her character. A brief shot of “slim” Hooks remains in the film, however, as a close-up of Marion without the fat suit is seen during the graduates’ march at the end of the film. (Whaaaaaaaaaaaaat?)

The only Police Academy movie that was given an R-rating, and also the most successful of the franchise at the box office.

The term “Tackleberry” has become a standard in the private security industry to denote an officer who is inordinately fond of firearms and other high-tech equipment. (Ha makes sense)

According to the cast and filmmaker commentary, it was Producer Alan Ladd, Jr. who came up with the idea of having Mahoney be the recipient of the “podium gag” at the end, after watching dailies of Lassard’s podium scene. (A very strange scene indeed)

Steve Guttenberg mentions in his biography, “The Guttenberg Bible”, that Donovan Scott filmed home-movies during filming. According to Guttenberg, there is a “very funny, touching, and unreleased documentary that he made of the shoot.”

Steve Guttenberg said of Mahoney in a 1984 interview, “I think he’s a party guy. He doesn’t really know what he is going to do with his life. But it is kind of hard to talk about him because he is not exactly a deep character. I really hate when actors get interviewed, and they have just starred in The Love Boat (1977) or something, and they go on for a month about motivation and character analysis. Police Academy set out to be light entertainment, and that is what it is.” (Boom. Roasted losers. Guttenberg is a gross but charming character which is probably the best part of the first two films)

Fackler’s wife riding the hood of her spouse’s car, to prohibit him from joining the police academy, (with Mrs. Fackler ultimately catapulted with an abrupt stop) was the start of a comedic tradition with the film series: The Parody On A Parody. Like so many gags, this one would be “recycled” for Police Academy 3: Back in Training (1986): Now, with Fackler riding the hood of his car to prevent Mrs. Fackler from joining the Force; complete with the couple being spotted from the interior of a limousine, as well as a hubcap coming off of the car as it backed out of the driveway. (Ooooof. Parody of a parody is terrible)

In the party scene, Tackleberry is seen to play the saxophone. In real-life, David Graf actually was an accomplished saxophone player. (There is no other reason he would)

This film is regularly played on television in the United Kingdom, during the Christmas period. The film’s only Christmas reference is the tune heard during Hooks’ driving test; “Santa Claus Is Coming To Town”. (HA, Secret holiday film?)

The role of Commandant Eric Lassard was also written with Leslie Nielsen in mind. (Uh you can tell)falign

The Nun Preview

“22 miles?!” Jamie exclaims, “we’ll never make it.” Patrick knows he’s probably right but they have to try to get their treasure to the masses. They sneak about the city like ninjas using the parkour knowledge they learned from Truth and Dare. Just as they reach the publishing house a man approaches at the same time. He’s wearing a thick turtleneck sweater with a pencil-thin moustache. “Damn it,” whispers Patrick, “It’s my rival, Manfred Long. He writes horror fantasy romance novels. They are totally played out. He’s a hack.” He quickly puts on a smile and slaps Manfred on the back, “Why hello, Manfred. Heading up to a meeting?” Manfred wipes his sweater, “Of course. Just going over my latest manuscript. Basically gonna change the world. Don’t worry about it.” “I’m not worried,” retorts Patrick. “I know, cause I said you shouldn’t be,” jabs Manfred. And they glare at each other. It’s tense. “Wanna hear about it?” asks Manfred. “No,” sighs Patrick, “we have a big meeting too.” But Manfred continues, “It’s a horror fantasy romance novel about a girl who falls in love with a swamp monster.” At that they freeze. Swamp monster? Shit. Jamie catches Patrick’s eye and they all start running for the publishing office at the same time. They gotta get their book out there and fast before that piece of shit Manfred Long plays out Swamp Monsters. They rush up the stairs and obviously easily outpace that hack Manfred Long. When they reach the office they throw the manuscript on the desk of Patrick’s literary agent. Huffing and puffing they look up the find Patrick’s agent holding a gun. “Excellent,” he says, “this will do nicely.” Patrick is shocked. He trusted his agent like a brother and yet he was a double agent the whole time. Manfred enters, also with a gun. Suddenly a shot rings out… and Patrick’s agent falls dead. A triple agent! My god! “Yes, excellent,” says Manfred Long, “our agent wanted this only for money. But I want it for something far greater.” The air in the room grows cold as Jamie and Patrick both whisper the name… Gigandet. That’s right! We’re transitioning to the new year! 2019! And we’re starting off hot with some Franchise-zzzz. Here we will start or finish some major BMT franchises as well as attempt to right some wrong in the BMT past. Most notably our decision to skip right past Predator II when we started in on that franchise. Gotta finish that one up. So we start it up with a major 2018 prequel The Nun which is one of several branches in The Conjuring Universe. I watched the first film in theaters and enjoyed it quite a bit so will be fun to catch up with The Conjuring 2 and The Nun. Let’s go!

The Nun (2018) – BMeTric: 49.6

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(This will be 50+ by the new year which is pretty incredible. No one rocks a bad review like horror fans who sniff any sort of cliched scare tactics. I’m still a bit surprised at how low the IMDb rating is, 5.5 is legit terrible!)

RogerEbert.com – 2 stars –  The “Conjuring” movies—especially James Wan’s original two, and not so much the “Annabelle” prequels—stood apart from so much demon-themed horror with their well-drawn characters, strong performances and powerful emotional underpinning. “The Nun” feels like an empty thrill ride by comparison.

(Having watched the original two at this point I agree with that assessment, and this is the impression I get from the reviews as well. Tired, cliche, and totally out of sorts with the rest of the franchise. That small review of the Annabelle franchise is a bit ominous, I’ve heard good thing about Annabelle: Origins.)

Trailer – https://www.youtube.com/watch?v=pzD9zGcUNrw

(Make sure you watch to the end … for our stupid jump scare which everyone is going to get mad at us for. And yet … not so mad people won’t go see the film since it made bank. Go figure. Fine trailer I guess, although I had jump scares, they are dumb non-scares, so that is not a good sign for the film as a whole.)

Directors – Corin Hardy – (Known For: The Hallow; BMT: The Nun; Notes: Seems to work a lot in ads and stuff. Started in sculpting, prop design, and animation for film and theater and only relatively recently started to direct features.)

Writers – Gary Dauberman (screenplay by & story by) – (Known For: It; Annabelle: Creation; Future BMT: Annabelle; Wolves at the Door; BMT: The Nun; Notes: Actually set to make his directorial debut with the next Annabelle film.)

James Wan (story by) – (Known For: Aquaman; The Conjuring 2; Saw; Future BMT: Saw III; Dead Silence; Insidious: Chapter 2; BMT: The Nun; Notes: He has had an amazing career and has been a part of some of the biggest franchises ever with Saw, The Conjuring, Furious 7, and most recently Aquaman.)

Actors – Demián Bichir – (Known For: The Hateful Eight; Alien: Covenant; Savages; The Heat; Che: Part One; Lowriders; Dom Hemingway; A Better Life; Foreverland; 7:19; Future BMT: Solo; Machete Kills; Good Kids; Perdita Durango; Sin noticias de Dios; BMT: The Nun; Notes: Wait… he was in the film Solo?! Jesus.)

Taissa Farmiga – (Known For: The Mule; The Bling Ring; The Long Dumb Road; The Final Girls; In a Valley of Violence; 6 Years; What They Had; Rules Don’t Apply; Higher Ground; At Middleton; Future BMT: Mindscape; Jamesy Boy; BMT: The Nun; Notes: Sister of Vera Farmiga who plays a major role in The Conjuring series. Her sister is 21 years older than her.)

Jonas Bloquet – (Known For: Valerian and the City of a Thousand Planets; Elle; Orpheline; Future BMT: 3 Days to Kill; The Family; BMT: The Nun; Notes: Actually from Belgium and not French Canadian like this film makes him out to be.)

Budget/Gross – $22 million / Domestic: $117,450,119 (Worldwide: $365,550,119)

(A roaring success which at this point is inevitable. Once hooked horror fans will come back again and again for more. They will gladly shit on the film online if it isn’t to their tastes, but I have no doubt The Nun 2 will make a ton of money as well. You have to spit in their face or produce a number of bombs in a row to get betrayed once that first hit is made it seems. Which is great in my opinion, the horror genre is one of the most interesting and fresh genres around I think.)

#4 for the Horror – Period genre

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(You’d think this would be better given the witch sub-genre almost by definition should be a period piece, but not even 10 of them have made over $100 million which is terrible. I guess it is at least 10 since for some reason The Conjuring 2 isn’t there when it is, in fact, a period horror film. Which means at least four of the top ten are Conjuring films which is nuts.)

#7 for the Horror – R-Rated genre

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(From I Know What You Did Last Summer to Alone in the Dark we’ve seen a ton of these films at this point. The genre has never been stronger with It and (arguably) Get Out flexing their muscles last year and things like The Nun making a ton of cash as well.)

#9 for the Horror – Supernatural genre

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(Nothing can beat The Bye Bye Man in my heart, but that is pretty good for a very strong genre. It hasn’t been this strong since the turn of the millennium for supernatural horror, and having watched The Conjuring, it is kind of amazing that a genre which has been hitting home runs since the seventies can still bring fresh takes and rake in cash. Something that things like slashers can never seem to get the hang of (although a few have come around in the last few years like Happy Death Day).)

Rotten Tomatoes – 26% (45/171): The Nun boasts strong performances, spooky atmospherics, and a couple decent set-pieces, but its sins include inconsistent logic and narrative slackness.

(Wait a second… inconsistent logic and narrative slackness is enough for a 26% on RT. This actually sounds more like “we loved the previous two entries in the series and this didn’t measure up so fuck it.”)

Poster – Evil Twin Nun Time (A-)

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(I like this poster quite a bit. Nice balance in the visual and the font is good. Clever as well given the premise of the film. Just wish it was a little better with some coloring. Need to tie it all together.)

Tagline(s) – Witness the Darkest Chapter in The Conjuring Universe (F)

(Boooooooo. They need to pray for forgiveness for this tagline… ayo.)

Keyword(s) – spin off; Top Ten by BMeTric: 75.3 Elektra (2005); 69.9 Wing Commander (1999); 67.8 Supergirl (1984); 64.5 Tekken (2010); 62.6 Paranormal Activity: The Marked Ones (2014); 59.4 The Mod Squad (1999); 54.6 Annabelle (I) (2014); 51.1 The Scorpion King (2002); 49.6 The Nun (2018); 47.4 MacGruber (2010);

(Oooooo Supergirl is going to be a super weird film for sure. And there is Annabelle and Paranormal Activity as well which are inevitably going to have to be done. Bantastic.)

Notes – The film was shot entirely in Romania. (Yeah it was)

The events take place before Annabelle: Creation (2017), making it the first movie (chronologically) in the film series. Although the opening scenes of Annabelle: Creation take place before The Nun, the rest occurs afterwards.

Taissa Farmiga, who played Sister Irene in this film, is the younger sister of Vera Farmiga in real life, who played Lorraine Warren in The Conjuring (2013) and The Conjuring 2 (2016). The Demon Nun, played by Bonnie Aarons, also appeared in The Conjuring 2 (2016) and had a brief cameo in Annabelle: Creation (2017). Though the sisters’ characters are not at all related to each other, they are both devout Catholics with clairvoyant abilities.

This was Valak’s third appearance after The Conjuring 2 (2016) and Annabelle: Creation (2017). Although Valak did not appear in The Conjuring (2013), the scary premonition that Lorraine Warren had in that film was about Valak, as later revealed in Conjuring 2.

After the “Demon Nun” from The Conjuring 2 (2016) proved to be a popular horror antagonist, a spin-off focusing on the character was green-lit, making her the second character from the franchise to get her own feature after Annabelle (2014). The Crooked Man from Conjuring 2 will be the third in The Crooked Man. (Maybe. I guess since The Nun smashed it they will go forward with it, but it kind of sounds like a terrible idea, The Crooked Man is by far the weakest demon character of the three IMO)

Despite the Conjuring and its sequel being based on true events, this film is not based on any real historical events and is entirely fictional

An advertisement for the film was pulled from the video sharing site YouTube, as many users complained that the five second clip featuring a startling jumpscare was “too scary.” Administrators thus removed the ad and apologized, claiming that it was not their intention to publish content that may potentially “offend” or “shock” viewers. (And afterwards people were still seeing it apparently and super pissed. It is basically just a crazy jump scare which shouldn’t be pulled on unsuspecting people)

The film was originally set to hit cinemas in mid-July of 2018 but was pushed back closer to Halloween season on September 7, in hopes of doing as successful at the box office as It (2017) did last year, which smashed records and earned more than USD $700M. (It didn’t do quite that well, but it did do very well).

At the end of The Nun, a scene from The Conjuring (2013) is shown where Ed & Lorraine are performing an exorcism on Maurice. This scene links the Maurice from that video as being the same Maurice from The Nun, but they edited the scene to fit into the narrative of The Nun: they edited in Jonas Bloquet into the exorcism scene, as he used to be played by a different actor (Christof Veillon); they added in dialogue of Ed saying “they called him Frenchie”, so as to make a better connection. (Uh yeah … you can tell. It was pretty weak to be honest).

Valak is mentioned by name only once, when Father Burke looks into the abbey’s history. Everyone else refers to it as “the evil” or “the demon”.

The name Valak can be found in the upside pentagram all in uppercase. (I guess … Valac was a thing before these films, and spelled with a C, so that seems like a coincidence.)

Mile 22 Preview

Jamie and Patrick argue over the twist ending for their YA novel, The Platonic Solids Series Part 1: Outside the Box. They know they’ve transformed Briggs’ has-been crime novel into a totally lit YA banger for the gucci crowd, but they need the ending to really pop. The story is set in a post-apocalyptic world where everyone has been forced to conform due to a rash of deaths caused by kids not conforming. They all live in small, boxy apartments when they turn 18 and they get assigned a job. But Jewel is different. She wants to conform but like… can’t. And when she gets assigned a blank card on job day the government comes for her. Oh no! Leaving her box she finds safety in a small army of revolutionaries just like her… but still totally different. They want her to lead, but she can’t, right? She’s just little ol’ Jewel. And she definitely can’t have two smoking hot dudes totally into her for all the right reasons, right? WRONG, because it turns out she’s got all the right moves! Also one of those dudes is a swamp monster. Anyway, Jamie definitely wants Gregor (the non-swamp monster) to turn out to be the son of the Job Decider thus tearing the revolution apart and bringing home astute points about prejudice and individualism. But Patrick is Team Kelton (the swamp monster) and loves the danger he brings to the story, so he wants Jewel and Kelton to succumb to their desires only for him to lose control and kill Gregor’s sister. Suddenly they look at each other. “Why not both?” And with their twin brain powers combined they finish their masterpiece and set up nicely for a trilogy. “It will be my greatest book yet,” Patrick says with tears in his eyes. Suddenly he turns serious. “Jamie, we must succeed. There are spies everywhere, but we cannot fail in getting this book to my publisher.” Shaking, Jamie asks how far they must get this most valuable asset to safety. That’s right! We’re watching Mile 22 starring America, babbbby. It’s about a bunch of badasses doing badass things… honestly I have no idea what this is about. It seems like just an excuse for Wahlberg to shoot and punch things. I’m in. Let’s go!

Mile 22 (2018) – BMeTric: 27.5

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(Staying steady at 6.1 which isn’t exactly average (for big movies it is decidedly below average), but I consider anything below 6.5 to be borderline. This is boosted by being pretty popular given it was released less than a year ago.)

RogerEbert.com – 2.5 stars –  The action is intercut with shots of Wahlberg in a suit and tie, speaking in a conference room, talking about “chaos” and how none of you know what the word “collusion” really means. It seems that in the aftermath of this mission, Jimmy decided to try and compete with Jordan Peterson’s YouTube videos. No, that’s not it. … Also interesting is that Malkovich is compelled to trot out an old H.L. Mencken quote about raising the black flag and slitting throats, which is also the motto of well-known pseudonymous right-wing blogger. … So the movie often felt to me like “The Gauntlet” as rewritten by a Breitbart News bot. Now I’m not saying that’s a bad thing. But what if I were? I guess I’d hear about it in comments.

(Wait … what the fuck? Did we just stumble into Death Wish 2? I know I shouldn’t be surprised that what amounts to action gun porn might also tend towards right-wing talking points, but what is this reviewer talking about exactly? And he gave it 2.5 out of 4! He basically says: this might dog whistle a bunch of alt-right bullshit, but eh … above average [NOTE: As a note below indicates, the quote is in the book Friday Night Lights, and thus is likely where Peter Berg got it from. Although not a great look to put it in your movie in 2018 IMO]. What is happening? Anyways, hopefully it is just kind of “yeah the show 24 goes out of its way to defend torture and sometimes feels like propaganda but … it is pretty rad.” Or the reviewer is making a joke … it does kind of read like he just hated the film for personally reasons and wants to make his distaste abundantly clear while admitting it is an average film.)

Trailer – https://www.youtube.com/watch?v=eJU6S5KOsNI

(Huh, I think this is just the second Ronda Rousey film we’ve seen for BMT after Expendables 3. But quite the shock to see her in this. I think I’m going to hate this film. Him saying “I get shit done” while being portrayed as a badass psycho makes my skin crawl.)

Directors – Peter Berg – (Known For: Deepwater Horizon; Lone Survivor; Patriots Day; Hancock; Friday Night Lights; The Kingdom; Welcome to the Jungle; Very Bad Things; BMT: Battleship; Mile 22; Razzie Notes: Nominee for Worst Director for Battleship in 2013; Notes: Quite a good track record all things considered. Was actually a pretty big actor back in the day starring in Fire in the Sky and was on Chicago Hope for four years. Still acts, he’s the Dolphins coach in seven episodes of Ballers.)

Writers – Lea Carpenter (screenplay by & story by) – (BMT: Mile 22; Notes: Wrote her first book, Eleven Days, on a dare. Seems like she currently works for the New York Public Library.)

Graham Roland (story by) – (BMT: Mile 22; Notes: Wrote the recent Jack Ryan television series in addition to on other television series like Lost. A former Marine.)

Actors – Mark Wahlberg – (Known For: Instant Family; The Departed; Boogie Nights; Shooter; All the Money in the World; The Other Guys; Ted; Deepwater Horizon; Lone Survivor; The Fighter; Patriots Day; Pain & Gain; 2 Guns; Four Brothers; The Italian Job; Rock Star; Ted 2; Planet of the Apes; The Basketball Diaries; The Gambler; Future BMT: The Truth About Charlie; Daddy’s Home Two; Mojave; Daddy’s Home; Broken City; Fear; Renaissance Man; Entourage; The Lovely Bones; BMT: The Happening; Transformers: The Last Knight; Max Payne; Transformers: Age of Extinction; Mile 22; Razzie Notes: Nominee for Worst Actor in 2009 for Max Payne, and The Happening; and in 2018 for Daddy’s Home Two, and Transformers: The Last Knight; Notes: A subtle BMT all-star. Marky Mark back in the day, Entourage is somewhat based on his life moving to LA and becoming a mega-star. Ridiculously successful person.)

Lauren Cohan – (Known For: Casanova; Future BMT: Van Wilder 2: The Rise of Taj; All Eyez on Me; The Boy; Collection; Batman v Superman: Dawn of Justice; BMT: Mile 22; Notes: Probably most well known for The Walking Dead where she appeared in 113 episodes. Was born in New Jersey, but lived in England most of her life and has a British accent.)

Iko Uwais – (Known For: Star Wars: Episode VII – The Force Awakens; The Night Comes for Us; The Raid; Beyond Skyline; Serbuan maut 2: Berandal; Headshot; Man of Tai Chi; BMT: Mile 22; Notes: Star of The Raid, he maybe played pro soccer in Jakarta … it is hard to tell whether he was a professional or not.)

Budget/Gross – $35–60 million / Domestic: $36,108,758 (Worldwide: $66,308,758)

(Very not good. Looking through his recent box office performances the big ones tend to be either comedies like Daddy’s Home, or Transformers films, so I imagine there will come a time where Wahlberg features will cease to be. Unless he turns out another hit in the next few years)

Rotten Tomatoes – 23% (39/168): Mile 22 lets the bullets fly — and not much else — in a thrill-deficient action thriller whose title proves sadly fitting for a film that feels close to a marathon endurance test.

(No. Not thrill deficient! Anything but that. I want it to actually be just too much thrills. 0%: Too much thrills, I was too thrilled, I hated it. That would be the perfect score. The reviewers seem to agree it is super confusing which might be fun. Reviewer Highlight: …gruesome, action-packed, explosion-filled and [a] convoluted mess… – Richard Roeper, Chicago Sun-Times)

Poster – Pixel Art: The Movie (B)

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(I wish it wasn’t so drab, but it gives me a lot of what I want. Stylized font, overall balance and feng shui, and telling me what it’s all about (Wahlberg with a gun). I just need more of that red to pull it all together.)

Tagline(s) – Option 1: Diplomacy. Option 2: Military. Meet Option 3. (C+)

(Wow. That really doesn’t flow at all. You can see why they wanted to make it work, pretty well sums up the film in a clever way, but it doesn’t sound right in my brain. I think all the words don’t match correctly with what they are trying to say. Like shouldn’t it be diplomacy vs. war or force… not military? Also is “option” even the right word? Kinda implies that they are all on the table at once rather than attempted in succession. Finally the word “meet” sounds a little cute for a lethal military force… Everything is right about this tagline in the worst possible way.)

Keyword(s) – hand grenade; Top Ten by BMeTric: 91.9 Son of the Mask (2005); 90.3 Alone in the Dark (2005); 89.6 Speed 2: Cruise Control (1997); 88.8 House of the Dead (2003); 87.8 Street Fighter (1994); 84.9 Ghost Rider: Spirit of Vengeance (2011); 84.4 Movie 43 (2013); 82.6 Barb Wire (1996); 73.3 Far Cry (2008); 71.0 The Spirit (2008);

(Son of Mask has a hand grenade in it? … Cool I guess. The rest of these films are garbage except for maybe The Spirit which I’ve seen part of and is honestly one of the worst films I’ve ever seen. We have to do that one at some point, it is so bad.)

Notes – On March 28, 2017 at CinemaCon, Mark Wahlberg and director Peter Berg announced that they were planning Mile 22 (2018) to become a trilogy, describing “an action franchise at STX Entertainment.” (I imagine that isn’t happening anymore. It didn’t do as well as it needed to do I don’t think)

On February 5, 2018, Colombian President Juan Manuel Santos showed up during filming in one of the locations in Colombia. Director Peter Berg even had President Santos try to shoot one of the action sequence of the film.

Mark Wahlberg’s character stated, “People sleep peaceably in their beds at night only because rough men stand ready to do violence on their behalf.” The quote is attributable to English author George Orwell.

The script was written with Mark Wahlberg in mind. (It is Peter Berg after all)

During Dougie’s last stand, Bishop quotes “A Man Must Sometimes Spit On His Hands, Raise The Black Flag, And Begin Slicing Throats”. This is from the 1990 book Friday Night Lights by HG Bissinger, which Peter Berg adapted into the 2004 film and 2006 TV series. The quote, from Mencken’s 1919 Prejudices (First Series), is in full: “Every normal man must be tempted, at times, to spit upon his hands, hoist the black flag, and begin slitting throats.” (Oh … Why is the Roger Ebert reviewer concerned about this then? If it is directly from a previously-adapted book-to-film by Berg?)

At approximately 24 min, a shot shows “Moscow, Russia” and a view of an airport. The latitude/longitude indicated are roughly that of the Kremlin. The presumably Russian airfield is actually Long Beach Airport (LGB) There are 3 C-17s in the center of the shot and 2 JetBlue A320/A321 aircraft in the upper right. In the upper left is the moored Farmers Insurance airship. The airship, with an actual name of Eureka, was operated by Airship Ventures, which shut down in 2012. The airship was disassembled and returned to the manufacturer shortly thereafter. This suggests that the shot is stock footage from 2008 – 2012, depending on when Farmers was using the particular livery on the airship in the scene (there were several). Lastly, the footage runs in reverse (note the direction the vehicles are driving) to make the shot pan back rather than forward. (Holy shit. Facts!)

Some of the sentences heard from the screams of the antagonists are in Bahasa Indonesian, a national language of Indonesian Republic. The movie setting is “Indokarr,” a fictional analog of Indonesia. (Wait … it is set in a fictional country … but why?)

The film was pushed back two weeks from its original release date of August 3, 2018 to August 17, 2018. (That isn’t being pushed back. That is tactically moving your movie out of the path of other films I would think. Either trying to get on the other side of The Meg, or clearing out of The Spy Who Dumped Me which could be thought of as having a similar spy theme)

The Darkest Minds Preview

Having cast their vigilante personas behind and taken up the mantle of hitmen instead, Jamie and Patrick vow to kill the mysterious Briggs and save Arf Collector once and for all. What do they know about Briggs though? Just that he loves parkour and dogs, which describes literally everyone! “We’re doomed,” Jamie says, shaking his head. “Ah, but you forget,” Patrick counters, “I’ve watched every episode of Murder, She Wrote. It is time to lay our trap!” Donning his cable knit sweater, Patrick bangs out a true crime novel entitled Dog Gone: The Arf Collector Story and calls up his agent who rushes it into production. Watching the online reviews with bated breath their ploy is rewarded with a one star review reading merely  “Not how it happened!” “Quick, trace that IP” Patrick yells, and Jamie smashes away at his keyboard using 1337 h4xx0r skillz as The Prodigy plays at a deafening volume. Sure enough Briggs wrote that review, and they soon arrive at Briggs’ high rise office. Guns blazing they move steadily upwards killing henchmen until they reach the hundredth floor. Opening the door they find Briggs pensively looking out towards the ocean. “By now your reputation precedes you for your detective, hacking, killing, and movie making skills, Bad Movie Twins. Just promise me that you’ll treat Arf Collector with the love he deserves,” and with that Briggs kills himself. Arf Collector barks happily. The Bad Movie Twins did it! But what is this? A mystery novel peeking out of Briggs’ desk? It’s not just good, it is great! “But alas,” Patrick says, “Murder mysteries are totally out right now. Perhaps … if instead the main character was a child with mysterious powers, and the book was instead a YA novel …” That’s right! This week we are watching the newest dystopian YA novel turned mega franchise (they assumed) in The Darkest Minds! A complete box office disaster, The Darkest Minds hopped onto the dystopian YA-novel adaptation right as it was completing its crash, and thus became one of the biggest box office bombs of the year. Let’s go!

The Darkest Minds (2018) – BMeTric: 37.9

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(Really Really low again. I can on one hand say that that is heartening, but at the same time realize that the BMeTric doesn’t distinguish when audiences call something a bad movie because it is boring … actually, something having a high BMeTric early on might literally mean that it can’t please anyone. Which might mean it is either (1) a complete travesty, or (2) boring. Which I guess makes sense.)

RogerEbert.com – 1.5 stars –  When The Darkest Minds book was released in 2012, we didn’t have a government-sanctioned program to separate children from their parents. Conservative adults weren’t attacking teenagers over the issue of gun violence. The movie features a daily broadcast of the president’s lies. Now, that’s just today’s headlines. The environment in which stories like “The Hunger Games” or “Divergent” gained followings has changed, and “The Darkest Minds” has not adapted to survive it.

(Woof. Pretty political take on it, but I guess you can’t really blame them. It is kind of true. The genre has completely collapsed despite the films looking as shiny (and cheesy) as usual. And One explanation for that could be politics. It could also just be that dystopia is out and aliens are in so they should go for aliens now that they are back in … basically stop adapting early 2010 YA novels for a while and pick up a nice Star Wars knockoff.)

Trailer – https://www.youtube.com/watch?v=tN8o_E_f9FQ

(Looks pretty intense. I honestly don’t really know what is happening. I am going to guess either the main character is hugely powerful … or can’t control her powers … or she can use all four (or whatever) powers. That is a classic sci-fi thing. The one who can use all four powers! Wow! Wait … am I excited about this?)

Directors – Jennifer Yuh Nelson – (Known For: Kung Fu Panda 3; Kung Fu Panda 2; BMT: The Darkest Minds; Notes: Born in South Korea, she was nominated for Best Animated Feature for Kung Fu Panda 2.)

Writers – Chad Hodge (screenplay by) – (BMT: The Darkest Minds; Notes: Mainly a television writer for things like Wayward Pines and The Playboy Club.)

Alexandra Bracken (based upon the novel by) – (BMT: The Darkest Minds; Notes: There are now six novels in this series. She wrote he first published novel at 19 while a sophomore at William and Mary College.)

Actors – Amandla Stenberg – (Known For: The Hate U Give; The Hunger Games; Everything, Everything; Where Hands Touch; Rio 2; As You Are; Future BMT: Colombiana; BMT: The Darkest Minds; Notes: Performed with Zander Hawley in the band Honeywater. Their cover of Mac DeMarco’s “Let My Baby Stay” is in Everything, Everything.)

Mandy Moore – (Known For: Ralph Breaks the Internet; Tangled; The Princess Diaries; 47 Metres Down; Saved!; Romance & Cigarettes; Dr. Dolittle 2; American Dreamz; Dedication; Future BMT: Racing Stripes; Love, Wedding, Marriage; Southland Tales; Swinging with the Finkels; How to Deal; Chasing Liberty; Try Seventeen; Hotel Noir; BMT: License to Wed; Because I Said So; The Darkest Minds; Notes: Grew up in Orlando where she was known as the “National Anthem Girl” before being discovered. She literally just got married, November 18th to Taylor Goldsmith.)

Bradley Whitford – (Known For: Destroyer; Get Out; The Post; The Cabin in the Woods; Philadelphia; Scent of a Woman; Adventures in Babysitting; Billy Madison; Saving Mr. Banks; The Client; Awakenings; A Perfect World; The Sisterhood of the Travelling Pants; Rex; Presumed Innocent; Kate & Leopold; Bottle Shock; Other People; Unicorn Store; My Life; Future BMT: Revenge of the Nerds II: Nerds in Paradise; Masterminds; I Saw the Light; Red Corner; Young Guns II: Blaze of Glory; CBGB; Bicentennial Man; BMT: RoboCop 3; The Darkest Minds; Notes: Was married to Jane Kaczmarek for 16 years. He just got engaged to Amy Landecker last March. You might know him as the bad guy from Billy Madison though.)

Budget/Gross – $34 million / Domestic: $12,695,691 (Worldwide: $41,142,379)

(Wow that’s a complete disaster. The YA novel adaptation scene is a bloodbath at the moment. At least compared to the promise coming off of Hunger Games.)

#61 for the Young-Adult Book Adaptations genre

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(Blew up, but now the box office take is just collapsing. The highest grossing film on this list we did for BMT was Eragon (!), and recently we saw Vampire Academy which only did marginally worse overall.)

#8 on the Worst Openings – Super Saturated Adjusted chart

(#11 on the unadjusted chart. Narrowly beats out Show Dogs for the worst opening of 2018 for a film released to over 3000 theaters. Really really rough. We’ve only seen five of the top fifteen on that chart, and two of them are from this year!)

Rotten Tomatoes – 17% (21/121): The Darkest Minds does little to differentiate itself in a crowded field of YA adaptations, leaving all but the least demanding viewers feeling dystopian déjà vu.

(Having watched Proud Mary I’m even more concerned. That was boring. This seems merely boring. It is a concern going into the end of the year feeling like we are just ticking boxes unfortunately. Reviewer Highlight: What we’re left with is a Mad-Libs version of a dystopian YA adaptation done by someone who saw half of an X-Men movie on TV once, with no depth, no new ideas, and no point. – Dana Schwartz, Entertainment Weekly)

Poster – The Darkest Sklogs (C-)

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(Nah. Not into this. Also why is Ruby kinda disappearing? Having already watched the film I get it… but like… that’s not her power. Anyway, this sucks and doesn’t look very good.)

Tagline(s) – If you’re one of us, come find us. (D)

(I don’t understand this either. Why is this the tagline? It doesn’t really have much to do with the film and it’s not even clever or interesting. Boo.)

Keyword(s) – children; Top Ten by BMeTric: 89.0 The Last Airbender (2010); 77.6 Boogeyman (2005); 69.7 Are We There Yet? (2005); 69.1 3 Ninjas: High Noon at Mega Mountain (1998); 68.9 The Haunting (1999); 64.2 Godsend (2004); 63.5 Mr. Nanny (1993); 62.1 The Garbage Pail Kids Movie (1987); 61.9 Spy Kids 2: Island of Lost Dreams (2002); 60.9 Cop & ½ (1993);

(Children huh. Boogeyman looks like shit for reals. And I love that two of these films are Hulk Hogan films. It is great.)

Notes – In the book The Darkest Minds, the colors used for categorizing powers are Red (Fire Powers), Orange (Mind Control), Yellow (Electricity), Green (Advanced Intelligence) and Blue (Telekinesis). Yellow however was changed to ‘Gold’ for the film (Oh, this is what we’re getting into huh)

In the books Chubs is a Blue and not a Green like in the movie. (That is a travesty. I’M OUT)

First live-action movie to be directed by Jennifer Yuh Nelson.

Peyton Wich and Catherine Dyer also worked together in Stranger Things (2016).

Proud Mary Preview

Jamie chases after Truth who ran away after revealing that she suffers from Statham’s Disease. They run all the way to the top of the Space Needle and Jamie shouts “Please, don’t do it!” But it’s too late, Truth jumps, only to deploy a base-jumping parachute and land safely at the bottom. They continue this mad dash about town as Truth attempts to keep her adrenaline up and stay alive. “Stop please, there are other ways to keep your adrenaline up,” Jamie pants. “I tried,” Truth responds, “it’s why we were thieves. But you can’t be with a thief. So I have to find another way,” and with that she jumps the Grand Canyon on a rocket skateboard. Just when Truth looks to bungee jump from the Gateway Arch, Jamie is able to grab her, “Look into my eyes. There are other ways to keep your adrenaline up.” She does. She looks deep into Jamie’s eyes and with that they spend the rest of the summer making out so hard (perhaps more? It’s implied) that Truth’s adrenaline never falters. As the summer comes to the close, Jamie falls asleep on the beach after a particularly hard make-out sesh only to awaken to find Truth near death. “I… I just didn’t want to wake you. You looked so peaceful.” Tears are streaming down Jamie’s face. “ Please, do one thing for me,” Truth coughs, “That dog you saved with the cut ear? It wasn’t Arf Collector Von Schnauzer. You have to save the real Arf Collector… he’s working for our boss, Briggs,” and with that Truth dies. Jamie and Patrick donate a small part of their considerable Bad Movie Twins fortune to find a cure for Statham’s Disease and don their hoodies once again to go after Briggs. That’s right! We’re watching Proud Mary starring Taraji P. Henson who plays a hitman with a heart of gold. I feel like this is the yin to the Death Wish yang, which is more like a regular person with a heart of shit. Let’s go!

Proud Mary (2018) – BMeTric: 42.2

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(This is heartening. This felt like one of the films we were kind of forced into because of the chain reaction, but sub-5.0 is pretty amazing. The film might genuinely be pretty terrible, which would be kind of fun.)

RogerEbert.com – 2.5 stars –  Screen Gems, the studio responsible for “Proud Mary” was nice enough to make their product almost impossible for me to see before my deadline. Genre films such as this often don’t have critics’ screenings, which is fine, but practically every film nowadays has night screenings. Manhattan has hundreds upon hundreds of movie screens, yet not one of them was playing “Proud Mary” on Thursday. I do not believe this had anything to do with quality; “The Snowman,” which is about 50 times worse than this film, not only gave us all the clues but it also gave us early screenings at every single theater that ran it on its opening Friday.

(I kind of love the hit on The Snowman at the end there. Yeah, the big thing about this film was it wasn’t screened for critics which was somewhat odd considering the reviews ultimately were bad but not terrible (almost 30% on Rotten Tomatoes). So now I have two differing opinions. Critics think its meh. IMDb suggests it is terrible. I’m going with the critics. Who knows, it is possible IMDb is getting brigaded by racists because of the predominantly black cast. It has been known to happen.)

Trailer – https://www.youtube.com/watch?v=kQ1Zcv54USA

(Like the songs. Hate how they drop the audio out throughout. Just really dumb. I also don’t really get it … it is a remake of Gloria, but the kid is in the trailer for about 4 seconds which is an odd choice. Finally, who wears the most conspicuous blonde wig to a hit? Whatever, this looks dumb.)

Directors – Babak Najafi – (Known For: Easy Money II: Hard to Kill; BMT: Proud Mary; London Has Fallen; Notes: Iranian by birth, but grew up in Sweden as a refugee in the 80s. A huge refugee success story to say the least.)

Writers – John Stuart Newman (story by & screenplay by) – (BMT: Proud Mary; Notes: Wrote on 805 episodes of Days of Our Lives. More recently he wrote for the wildly successful television adaptation of Get Shorty. I hope they get to adapt Be Cool into something good as well (zing).)

Christian Swegal (story by & screenplay by) – (BMT: Proud Mary; Notes: Nothing online about the guy. He does have this very enigmatic website though)

Steve Antin (screenplay by) (as Steven Antin) – (Known For: Inside Monkey Zetterland; Future BMT: Chasing Papi; Gloria; BMT: Proud Mary; Burlesque; Notes: Brother of Robin Antin the founder of the Pussycat Dolls. He was an actor in the 80s, then turned to writing. He adapted the 1980 Gloria into the not-so-well-received 1999 version which is why he has this credit.)

Actors – Taraji P. Henson – (Known For: Ralph Breaks the Internet; The Curious Case of Benjamin Button; Hidden Figures; The Karate Kid; Four Brothers; Date Night; Think Like a Man; Hustle & Flow; Baby Boy; Top Five; The Good Doctor; The Adventures of Rocky & Bullwinkle; I Can Do Bad All by Myself; Something New; The Family That Preys; Talk to Me; Future BMT: Hair Show; No Good Deed; Think Like a Man Too; Term Life; Larry Crowne; Acrimony; Peep World; Smokin’ Aces; Not Easily Broken; BMT: Proud Mary; Notes: Nominated for Best Supporting Actress in The Curious Case of Benjamin Button. Has become famous more recently as the star of the show Empire.)

Billy Brown – (Known For: Star Trek; Cloverfield; The Lost World: Jurassic Park; Race to Witch Mountain; Lakeview Terrace; Geronimo: An American Legend; The Wild Thornberrys Movie; Future BMT: The Beautician and the Beast; BMT: Proud Mary; Notes: Mostly a television actor, most recently in 68 episodes of How to Get Away with Murder. Apparently the narrator of US Marines commercial.)

Jahi Di’Allo Winston – (Known For: The Upside; BMT: Proud Mary; Notes: Was recently in Everything Sucks!, a television show set in the 90s … which means there are nostalgia based shows set in the 90s now, ooooof.)

Budget/Gross – $14–30 million / Domestic: $20,877,013 (Worldwide: $21,753,365)

(The $30 million probably includes the promotion. Which makes this a pretty big bomb. Which isn’t surprising considering they kind of buried it knowing it wasn’t going to be particularly well received.)

#41 for the Hitman / Assassin genre

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(The big boom for the genre was with the Bourne movies. It is just now getting back into the swing of things. That is likely to do with John Wick, there isn’t much else impressive recently. This Means War is strangely the most successful of the BMT films. Not surprisingly the Nic Cage classic Bangkok Dangerous was the least successful.)

Rotten Tomatoes – 28% (18/64): Proud Mary proves Taraji P. Henson has more than enough attitude and charisma to carry an action movie — just not, unfortunately, one this indifferently assembled.

(And I’m back to being concerned. It seems strange it has such bad reviews, but even stranger to see it be one of the worst reviewed films of the year on IMDb. Just seems weird. Reviewer Highlight: “Proud Mary” isn’t a retro action thriller at all, but a staid family drama, and an incredibly boring one at that. – Katie Walsh, Los Angeles Times)

Poster – Proud Mary Keep on Sklogin’ (A)

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(Yup, I like it. Very artistic. Could see this on a wall somewhere of someone who didn’t even watch the film but just likes the poster. Got a unique style, nice balance, and nice color.)

Tagline(s) – Killing for the man every night and day. (B-)

(Play on the song that the title is based on. It’s clever enough, but a little long and clunky. Meh.)

Keyword(s) – hitwoman; Top Ten by BMeTric: 75.2 Elektra (2005); 65.1 The Crow: City of Angels (1996); 58.6 The First Purge (2018); 46.6 Double Impact (1991); 42.2 Proud Mary (2018); 39.6 Haywire (2011); 36.2 Around the World in 80 Days (2004); 35.6 Skyscraper (2018); 29.9 Chek law dak gung (2002); 29.6 Shadowboxer (2005);

(It is too bad Skyscraper didn’t qualify. I just watched it on a plane, and it is some of the silliest shit I’ve ever seen. The Rock climbs hand over hand up a 1000+ foot crane. I’m not joking. He scales the Empire State Building hand over hand basically.)

Notes – Loosely based on the movie Gloria (1980). (Looks interesting. Fun fact is that Gloria, despite being critically acclaimed, is a Razzie winner for Worst Supporting Actor. Plus it was remade in 1999, and that version definitely qualifies.)

This is the second time Taraji P. Henson has played a hit woman. She had a similar role in Smokin’ Aces (2006).

This film reunites Danny Glover and Margaret Avery, who starred together in The Color Purple (1985).

For all the shootings and killings, no police are ever visible in the movie.

Midnight Sun Preview

“Truth or Dare, Bad Movie Twins,” Truth says. “Dare,” responds Patrick without hesitation. “We dare you to battle us,” Dare says with a laugh. Patrick and Truth engage in an increasingly tense battle of wits. Twisted twin riddles are thrown forth by Patrick, counterbalanced by Truth Bombs lobbed by Truth. As the furious battle gives way to grudging respect they turn their attention to Dare and Jamie who have decided on a physical confrontation. Twin Chops are counterattacked by Daring Dropkicks. As sweat and blood fly, Jamie can’t help but notice that the fight has become a dance of seduction. Patrick and Truth begin to get uncomfortable with the sexual tension in the room. It is thick in the air and when they look at each other Patrick quickly says “I’m married with four rambunctious kids, actually.” Truth nods. “Me too,” and with a smile and they begin to share pictures of their children. Meanwhile, Jamie and Dare continue fighting with furious passion. Suddenly Dare gets a big creepy smile on her face and asks again, “Truth or Dare, Jamie.” Jamie breathes heavily from exertion, but he knows what’s about to happen. “Truth,” he whispers. “Do you love me?” Dare asks breathlessly. “Yes,” Jamie responds, “Truth or Dare, Dare.” To which she also asks for truth. “Do you love me?” Jamie asks. “Yes,” Dare responds, “But you can’t love me. I have a medical condition called Statham’s Disease.” Jamie gasps. “Of course. It’s why you steal and parkour. To keep your adrenaline up at all times.” Truth lets out a sob and begins to run away. That’s right! We are watching Midnight Sun. A young girl has a very rare disease and a very hot new boyfriend. Will she tell him? Won’t she? Will she definitely die at the end totally Notebook-ing us? I assume so. Let’s get into it!

Midnight Sun (2018) – BMeTric: 12.6

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(Wowza, high rating. It is becoming increasingly obvious that anything below around 20 BMeTric is pretty rough. Which shouldn’t be a surprise. The number of “bad” films a year is debatable, but there were 158 films with IMDb ratings below 6.0 with over 3000 votes released in 2017. Out of any given year I would imagine we should be aiming to watch about 1/5th of those … which would be around 32 films. How many films have over 50 BMeTric? 33 in 2017. Which is why I tend to look to 50 as the general cut off for a guarantee watch. Which is correct I think. Anything below around 35 I imagine you have to look into the detes like with this or Death Wish. It also obviously depends on the genre. Teen rom-drams have inflated ratings and lower vote counts which hurt it … man, I really need to revamp the BMeTric into a real model.)

RogerEbert.com – 2.5 stars –  “Midnight Sun” does what it means to do for the people it means to do it for—and that might just be enough. The 12-year-old girls who are the film’s target audience probably won’t realize what it’s derivative of: a little bit of John Hughes and a lot of “Love Story.” “Midnight Sun” also bears more than a slight resemblance to last summer’s Young Adult drama “Everything, Everything,” in which a rare disease supposedly spells doom for a blossoming teen romance.

(I’m actually getting the feeling that this film might be a secretly good film. I’m not the audience, but I think I’ll be able to channel my inner 12 year old and perhaps appreciate what it is trying to do. I hope I’m wrong though and that there is like … a ghost mom or something.)

Trailer – https://www.youtube.com/watch?v=WS-kCiCVEp0

(I have a sneaking feeling of spoilees at the end there because … I mean, they kind of suggest she’s going to die if she’s outside and then at the end she’s outside so … Anyways, I’m getting bad acting vibes from Thorne and Schwarzenegger, but otherwise it looks incredibly sappy.)

Directors – Scott Speer – (Known For: Step Up 4: Miami Heat; Future BMT: I Still See You; Status Update; BMT: Midnight Sun; Notes: Both I Still See You and this can out this year … which is nuts. Was a music video director for years winning a multitude of awards in that industry.)

Writers – Kenji Bando (based on the motion picture screenplay “Taiyô no uta” by) – (BMT: Midnight Sun; Notes: There is little to nothing about the guy, but a Japanese screenwriter who wrote the film this film is a remake of.)

Eric Kirsten (screenplay) – (BMT: Midnight Sun; Notes: Has an unproduced script on the 2012 Blacklist called “The Lighthouse”, otherwise there is literally nothing about this guy in the trades.)

Actors – Bella Thorne – (Known For: Assassination Nation; The Babysitter; The Duff; Alexander and the Terrible, Horrible, No Good, Very Bad Day; Stuck on You; The Unbeatables; Future BMT: Amityville: The Awakening; Alvin and the Chipmunks: The Road Chip; Boo! A Madea Halloween; Ratchet & Clank; Big Sky; I Still See You; Finishing the Game: The Search for a New Bruce Lee; BMT: Blended; Midnight Sun; Notes: Was young Taylor Townsend on the O.C.! Has three actor siblings, but she’s the most famous.)

Patrick Schwarzenegger – (Known For: Scouts Guide to the Zombie Apocalypse; Stuck in Love; BMT: Grown Ups 2; The Benchwarmers; Midnight Sun; Notes: The son of Arnie! Started with roles in Happy Madison productions, and how he’s all growed up.)

Rob Riggle – (Known For: 12 Strong; The Hangover; 21 Jump Street; Step Brothers; Hotel Transylvania; The Other Guys; Hotel Transylvania 2; 22 Jump Street; Talladega Nights: The Ballad of Ricky Bobby; Middle School: The Worst Years of My Life; Big Miracle; Going the Distance; Opening Night; Blackballed: The Bobby Dukes Story; Future BMT: Dumb and Dumber To; Nature Calls; The Goods: Live Hard, Sell Hard; Absolutely Anything; True Memoirs of an International Assassin; My Big Fat Greek Wedding 2; Larry Crowne; Night School; Hell and Back; How to Be a Latin Lover; The Internship; Let’s Be Cops; Just Before I Go; Status Update; BMT: Furry Vengeance; Killers; Unaccompanied Minors; Midnight Sun; Notes: Bam. Well known for his (pretty terrible) football comedy skits on whatever channel’s NFL pregame he works for. Was a Marine, but left to become a comedian. Was briefly on SNL before joining the Daily Show.)

Budget/Gross – $2.8 million / Domestic: $9,561,064 (Worldwide: $27,365,467)

(That seems fine. That’s what you need. Just like with Truth or Dare there is a level of safety with films like this since even $10 million, which you can maybe get just from teen girls, the movie probably breaks even.)

#107 for the Romantic Drama genre

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(Fifty Shades of Grey holds the top three highest grossing BMT film in the category. We’ve seen twelve in total, and a number of Nicholas Sparks adaptations which is fun. The lowest grossing BMT film? Surprisingly The Scarlet Letter. Interestingly while the number of theaters the genre occupies has rebounded since 2008, its recent box office success has been lackluster. Possibly could be getting sniped by Netflix originals like The Kissing Booth.)

#48 for the Teen Romance genre

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(Nothing will ever beat Here on Earth (although ooooo Endlesssss Looooooooove got the closest I think). That big peak is very obviously Twilight which is fun, and the genre has entered a relative slumber. It’ll be back.)

#63 for the Young-Adult Book Adaptations genre

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(These really fell off a cliff after Hunger Games huh. Definitely an interesting genre and one that will come back (there are a few this year, like Mortal Instruments). I think the favorite of the ones we’ve seen is The Seeker: The Dark is Rising. Great twin film. Also, BTW, this isn’t based on a book. There is a book novelization, but the movie isn’t based on it, it is a remake of a Japanese film.)

Rotten Tomatoes – 21% (12/56): Midnight Sun is a typically manipulative and contrived teen romance that’s unfortunately distinguished by its offensively inaccurate portrayal of a real-life disease.

(Hmmm, that’s actually weirdly promising. I will like to see how weird they go with the disease. The only other thing of interest was whether this was like a Sparks adaptation, and this reviewer seems to have answered my question in the negative. Reviewer Highlight: The authentic Sparks movies at least tend to be howlers, with shamelessly overcomplicated narratives and risible twists. Midnight Sun, on the other hand, is straightforward and trite. – Ignatiy Vishnevetsky, AV Club)

Poster – Midnight Sklog (D+)

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(Just like Truth or Dare this went with an arbitrary picture of our main characters for the thrust of the poster, which is bad. But it does have some quirky unique font, which is good. The rest is bad though. Like… I know they’re on a boat, but do you really want a poster where I have to guess that they’re probably on a boat?)

Tagline(s) – Dreams Come True at Night. (C+)

(Hmmmm, sounds like a tagline. It feels like a tagline. Certainly a little cliched, other than the fact that it works better for this film than perhaps the hundred other films it could have been the tagline for. At least it’s short.)

Keyword(s) – father daughter relationship; Top Ten by BMeTric: 89.6 Speed 2: Cruise Control (1997); 88.4 Manos: The Hands of Fate (1966); 87.6 BloodRayne (2005); 87.4 Crossroads (I) (2002); 86.9 Left Behind (I) (2014); 86.1 Superman IV: The Quest for Peace (1987); 86.0 In the Name of the King: A Dungeon Siege Tale (2007); 85.8 Fantastic Four (2015); 81.9 I Know Who Killed Me (2007); 80.3 Littleman (2006);

(So … every film ever? This is literally just a who’s who of terrible movies. And guess what? We watch a lot of bad movies. Even, on occasion, Uwe movies like BloodRayne.)

Notes – -It is based on the 2006 Japanese movie of the same name. (Unavailable for us to watch anywhere. Thank God… I mean, rats.)

Based on the teen novel of the same name by author Trish Cook. (FAKE NEWS! The Trish Cook book is a novelization of the screenplay for this film.)