It’s Pat Recap

Jamie

No one can figure out Pat’s gender. It’s driving the world insane. Can they figure out who and what Pat is before it’s… uh… too late? Find out in… It’s Pat!

How?! At the top we are introduced to Pat, an androgynous looking person who wanders from job to job and is generally an unpleasant asshole to be around. After once again taking up a new career, Pat meets Chris, another androgynous looking person who is not an asshole, and they fall in love. At the same time Kyle and his wife move next door and he becomes obsessed with solving the mystery of Pat’s gender. From there… pretty much nothing happens. Pat randomly becomes a love talk radio host, Chris and Pat break-up due to Pat’s immaturity, and Kyle descends into madness trying to solve Pat’s gender mystery. In the end Pat and Chris get married and Kyle is still crazy. Nothing happens! Literally nothing! And it’s only 78 minutes long! Tied with Dudley Do-Right for the shorted in BMT history.

Why?! Did I mention how literally nothing happens in this film. Pat has no motivation. This might be the only film I can recall where the main character has no motivation. Even in horror films the main characters at the very least don’t want to die. Not Pat. Nothing motivates Pat. The only motivation to be found is Kyle’s deeply disturbed obsession with discovering what gender Pat is. Some would interpret this as offensive, whereby Kyle is so entrenched in gender norms of our culture that he is unable to function without being able to label Pat (and is incapable of figuring out how to broach the subject politely). But I interpret this more as Kyle’s self-identity being shattered by finding himself in love with Pat. Without knowing what Pat is he feels like he doesn’t know a part of himself. He really doesn’t care what Pat is in the end (he would love Pat regardless), but just needs to know what it means for his own self discovery. You know what?… That still sounds kind of offensive. Is that still offensive?

What?! New What section. Here I’ll highlight some hilarious product placement in the film (another one of our favorite BMT things). While It’s Pat didn’t hawk a random beer or soft drink, it did serve as an extended music video for the 90’s alternative/lo-fi rock band Ween. That’s how little happened in this film. They were able to have two extended musical scenes by the band Ween and still come in under 80 minutes.

Who?! Ween was the biggest cameo, but not It’s Pat’s most acclaimed. That honor goes to Camille Paglia, a well regarded feminist thinker and academic. She unexpectedly shows up in a bizarre sequence where Pat’s engagement party karaoke video is screened on national television and she comes in to comment on it. Ween and Camille Paglia… interesting choices for a film that aims to say nothing of significance.

Where?! Easy breezy LA living for It’s Pat. Pretty clearly set there and I think for good reason. The one thing Pat seems to care about is somehow becoming famous. Makes sense that this takes place in LA then. B-.

When?! Exact date alert! Rarely do we get an super duper exact date and time, but that is the case for It’s Pat. As Kyle descends into madness he begins stalking Pat, including recording every minutiae of Pat’s day. In one such scene he notes that the time is August 2nd, 11:07 PM. Boom. Going out of their way for a slam dunk. B+.

It’s hard to overstate just how bad and crazy It’s Pat is. Easily one of the worst films we’ve watched… like ever. I sat in astonishment at what I was witnessing with nary a chuckle escaping my lips. Let’s expand on that thought. Patrick?

Patrick

‘Ello everyone! Guess what? … It’s Me! Terrible joke, but this week we watched It’s Pat. Who would have thought making a movie about an SNL character who can barely sustain a five minute sketch would have been a bad idea? No one knew!! Let’s get into this pile of dog poo. Note: I will be referring to Pat as “he” for this review for simplicity’s sake, they never do reveal the character’s gender.

The Good (Sequel, Prequel, Remake) – There is nearly nothing good in this film. I’ll throw a shoutout to Charles Rocket who, playing a man spiraling out of control in his obsession with Pat, it actually rather intriguing (maybe not good). But that is it. But it is time … Remake! There is the smallest nugget of okay-ness in this film, and that is the idea behind Kyle’s (Charles Rocket) obsession. I’ll get a bit more into why everyone’s quest to discover Pat’s gender is an unappealing central conflict for a film, but Kyle utters a single line which I think could have been an okay storyline. “I love you Pat, I just need to know how we fit together”. Pat plays a boor; a narcissistic, obnoxious, asshole. But if instead Pat was strangely appealing it might work. He is a weirdo, but people find him oddly calming. Perhaps he is naive, or straightforward, and his struggles to fit in are inspiring. Regardless, Kyle’s obsession is then rooted in himself. How do he and Pat fit together? Is he gay, is he in love with a man? The conflict is his self-torment. And everyone he asks, Pat’s friends and family, shrug off all inquiries: Why does it matter? Pat is Pat? Pat would be the same regardless of whether he dressed and acted more masculine or feminine. Perhaps this story works better twenty-five years on, but it certainly could be made more pleasant that what we got. Which …

The Bad (Sklognalogy) – Honestly, this movie is offensive. Everyone’s obsession with Pat’s gender comes across as weird and gross (weirder and grosser than Pat is intended to be, in many ways). Kyle’s obsession rings false because of just how big of a douchebag they make Pat out to be. It is poorly made, riddled with confusing stops and starts and flashbacks, and there isn’t really a story. A giant chunk of the middle of the film has to do with Pat playing a gig with Ween (they are somehow an enormous part of this movie!). Sklognalogy! I’m trying this out for a bit, but I’ll reach deep inside BMT and try and figure out ghosts of BMT’s past that haunt and colored my viewing of this film. Two obvious choices come to mind, straight from SNL alums. Going Overboard starring Adam Sandler has the same kind of low-quality surrealist living-cartoon-as-a-vessel-for-a-one-man-show kind of feeling to it, although It’s Pat is obviously relatively higher quality. The other is Stuart Saves His Family, which is closer to the same era of SNL films, but at least Stuart Saves His Family took a chance with the serious-family-drama-in-an-SNL-film idea. This is a blend between the two. A true SNL disaster.

BMT: Legacy / StreetCreditReport.com – StreetCreditReport.com is here to stay! First, the legacy: This might be the worst film I’ve ever seen. It is at least amazingly close. I think it will carry that torch for years to come, and I think along with Car 54 Where Are You? these films kind of exemplify bad movies of this particular era. As far as street cred, woof. #95 on the IMDb Bottom 100, and it is consistently mentioned as (by far) the worst SNL movie ever made. I’m kind of surprised it didn’t make it onto the worst films wiki page (I swear it used to be there), but it certainly would be top 3 for 1994 and top 10 for the 90s I think, if you really got into it. This is a truly weird film. Would not recommend.

I’ll close there with a very very brief BMT Homework: Do yourself a favor and watch one or two Pat skits from the early 90s. They are for reals offensive. People’s obsession with his gender is, as I said, gross and weird. The character is absurdly annoying. My year of flops gets into it a bit, but basically they seem to be correct: a ridiculous number of sketches just involve Pat meeting his doppelganger in the form of the guest for the week. It is everything that is wrong with that era of SNL: the recurring, cheap, and lazy character all rolled into one. I’ll leave it there. Cheerios, and back to you Jamie.

It’s Pat Preview

Having fully transitioned to the Calendar cycle we are once again giving ourselves a little challenge for the set of nine film. We’re going to make sure that all the films are released in different months of the year. So One Missed Call knocks off the premier month of January. For the comedy entry in the cycle we are heading to the second most vaunted month in BMT: August. Where summer blockbusters go to die. This film, though, was hardly a blockbuster. That’s right! We’re watching the mostly forgotten SNL film It’s Pat! I remember watching this as a kid and being mostly disturbed by the depiction of a man driven to madness by the mystery that is Pat’s gender. Let’s find out if we’ll be disturbed by the “comedy” once again. Let’s go!

It’s Pat: The Movie (1994) – BMeTric: 66.6 (#95 on IMDb bottom 100)

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(There it is. Barely any regression from a truly dire 2.x rating for its entire IMDb existence. This indicates it has legendary potential. I’ll also say 10K votes for a film that was barely released is pretty impressive, as is the 60+ BMeTric for a film from 1994.)

Leonard Maltin – BOMB –  Sweeney’s cheerfully obnoxious, androgynous characters from Saturday Night Live skits was never a prime candidate for feature-film stardom. If you can get through the first five minutes, you may get through the whole movie, as Pat finds true love with the equally androgynous Chris. Barely released theatrically. Sweeney coscripted.

(Yup. Interestingly understated. Saying that one can manage the movie if you can get past the first five minutes means either the first five minutes are so bad it ruins the movie (this could be our golden goose! A very similar thing happened with the truly bizarre beginning to Car 54 Where Are You?) or it means you become numb and your brain shuts off after five minutes. I’m now getting a bit more fascinated by this movie and am interested to see exactly what tone it takes.)

Trailer – https://www.youtube.com/watch?v=lKXbqsPhWJQ

(Mother of God. Everything terrible about television-to-film adaptations of this time rolled into a single film. I feel like the only thing that is going to be interesting about the film is the direction, which seems at times to be almost surreal. But it looks brutal. Just brutal.)

Directors – Adam Bernstein – (BMT: It’s Pat: The Movie; Notes: Huge television director, including being nominated for an Emmy for the television series Fargo. He directed Scrubs, 30 Rock, Breaking Bad, Californication, and Better Call Saul as well. He, like many directors, come from music videos. He directed the Baby Got Back music video for Sir Mix-a-Lot. Here’s an oral history of the project.)

Writers – Julia Sweeney (characters & written by) – (Known For: God Said, ‘Ha!’; BMT: It’s Pat: The Movie; Razzie Notes: Nominated for Worst Screenplay, Worst Actress, Worst New Star, and Worst Screen Couple for It’s Pat: The Movie in 1996; and Nominated for Worst New Star for Stuart Saves His Family in 1996; Notes: Most well known for her time on SNL, which is where this character obviously came from. She is on several boards promoting secularism, science, and reason and is married to a scientist as well.)

Jim Emerson (written by) – (BMT: It’s Pat: The Movie; Razzie Notes: Nominated for Worst Screenplay for It’s Pat: The Movie in 1996; Notes: Former editor of rogerebert.com and critic in Los Angeles. There isn’t much about him beyond that. Interesting that a critic got a credit on the movie, although perhaps this was before he moved into film criticism.)

Stephen Hibbert (written by) – (BMT: It’s Pat: The Movie; Razzie Notes: Nominated for Worst Screenplay for It’s Pat: The Movie in 1996; Notes: He was married to Julia Sweeney at the time (or at least up until 1994). He was the Gimp in Pulp Fiction. We saw him act in Cat in the Hat, and his biggest credit is probably as a MadTv writer.)

Actors – Julia Sweeney – (Known For: Pulp Fiction; Monsters University; Stuart Little; Gremlins 2: The New Batch; Honey I Blew Up the Kid; Don’t Come Knocking; Future BMT: Coneheads; Clockstoppers; Whatever It Takes; Vegas Vacation; Meet Wally Sparks; BMT: It’s Pat: The Movie; Stuart Saves His Family; Notes: Her brother got very ill and died right around when this opened. Her struggles around this time resulted in her one woman show God Said, Ha! I’m not too sure how this got nominated in 1996 either since it was definitely released in 1994. So, somehow, it missed the 15th annual Razzie Awards, but got picked up a year later, which was also before its home video release in 1997. It doesn’t make sense.)

Dave Foley – (Known For: Cars; A Bug’s Life; Sky High; Blast from the Past; 3 Men and a Baby; Toy Story 2; Monsters University; South Park: Bigger, Longer & Uncut; Dick; Run Ronnie Run; Suck; Childstar; Future BMT: Vampires Suck; My Boss’s Daughter; Postal; On the Line; Employee of the Month; Stark Raving Mad; BMT: It’s Pat: The Movie; Monkeybone; Grind; Razzie Notes: Nominated for Worst Screen Couple for It’s Pat: The Movie in 1996; Notes: Most well known for his role in The Kids in the Hall and Newsradio. Is also somewhat known for his more recent … low budget work, a result of his career being somewhat sidetracked while dealing with a nasty divorce in Canada.)

Charles Rocket – (Known For: Dumb and Dumber; Dances with Wolves; Titan A.E.; Earth Girls Are Easy; Short Cuts; Shade; Delirious; Future BMT: Fathers’ Day; Fly Me to the Moon; Tom and Huck; Murder at 1600; Hocus Pocus; Steal Big Steal Little; How I Got Into College; BMT: It’s Pat: The Movie; Wagons East; Notes: Also known as Charlie Hamburger, his story is pretty sad culminating in a strange suicide in 2005. He is also somewhat famous for being fired by SNL for saying “fuck” live on air.)

Budget/Gross – $8 million / Domestic: $60,822

(Absurd. Basically they did a limited release (probably because people watched it and said “yeah we can’t spend the money to release this”) and then pulled it. I’m actually not sure why they didn’t either shelve it or spit it straight to DVD. Straight to DVD would have maybe even gotten it a bit more cash since this was such a high profile bomb at the time even I, an eight-year-old, remember this coming out.)

Rotten Tomatoes – 0% (0/11): No consensus yet.

(Oooh I get to make a consensus: Literally one of the worst pieces of garbage I’ve ever seen. I’m joking, but that is kind of what the critics said. One review appears to only be “Dear God…”, and another noted he wasn’t going to dignify the film with a review. Shockingly unfunny seems to be the closest you can get to a true consensus. Two 0% films in a row as well, line them up and knock them down!)

Poster – It’s Sklog (B-)

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(This looks more like the cover of a dime store paperback adaptation of the film that a poster of a film. Nice spacing, font, and a bold pink question mark that at least gives it a central color scheme. Somehow everything else is the worst thing ever.)

Tagline(s) – The Sex Symbol of the 90’s (A)

A Comedy that Proves that Love is a Many Gendered Thing (D-)

(Huge disparity between the two taglines from the poster. The first is short and clever. It uses the double meaning of sex symbol to make a joke about Pat, but also hint that the symbol in this case is more a question mark. That ties it all together with the plot. Needs the poster to fully succeed so not an A+, but very good. The second is basically the opposite of that, but doesn’t get an F because they seemed to try.)

Keyword(s) – neighbor; Top Ten by BMeTric: 85.4 In the Name of the King: A Dungeon Siege Tale (2007); 85.1 The Cat in the Hat (2003); 84.1 Movie 43 (2013); 84.0 Home Alone 3 (1997); 78.0 Superhero Movie (2008); 72.7 Are We Done Yet? (2007); 72.1 The Apparition (2012); 71.6 Bewitched (2005); 71.2 The Boy Next Door (2015); 67.1 Larry the Cable Guy: Health Inspector (2006);

(In the Name of the King getting a neighbor keyword is hilarious. I guess Ron Perlman was Jason Statham’s neighbor. I find it highly unlikely that we will watch any of these other movies any time soon. Maybe Home Alone 3 if we get it to tag along with something.)

Notes – The film did so poorly that it was pulled from theaters one week after its opening weekend. (This is why it was only released to three cities and 33 theaters)

Pulp Fiction (1994), which came out in theaters seven weeks after ‘It’s Pat’ premiered, also features appearances by both Kathy Griffin and Julia Sweeney. Some critics have noted that Griffin and Sweeney both had the distinction of acting in one of the best movies of 1994, and also one of the worst movies of 1994.

Quentin Tarantino, a good friend of Julia Sweeney, worked on the script uncredited. (WHAT)

In the recurring ‘It’s Pat’ sketches on Saturday Night Live (1975), Dana Carvey portrayed Pat’s equally androgynous partner, Chris. Carvey was asked to reprise the role in this movie adaptation, but turned it down. Dave Foley was cast instead.

According to an interview with Michael De Luca, Bobby Farrelly and Peter Farrelly worked on the script uncredited. (WHAT)

Two cameos that ended up on the cutting-room floor: Harvey Keitel as a priest and Jonathan Richman as Pat’s father.

Awards – Nominated for the Razzie Award for Worst Picture (Charles B. Wessler)

Nominated for the Razzie Award for Worst Actress (Julia Sweeney)

Nominated for the Razzie Award for Worst Screen Couple (Dave Foley, Julia Sweeney)

Nominated for the Razzie Award for Worst Screenplay (Jim Emerson, Stephen Hibbert, Julia Sweeney)

Nominated for the Razzie Award for Worst New Star (Julia Sweeney)

Epic Movie Recap

Jamie

What?! Four down-on-their-luck orphans are taken in by a horrifying Willy Wonka-like monster and escape into the magical world of Gnarnia. There they find a world ruled by the evil White Bitch. Can they take her down and restore freedom to Gnarnia? Find out in… Epic Movie.

Why?! In the beginning the motivation is to escape the evil Willy who wants to maim and disfigure them for the benefit of his delicious candy (true story). Once they escape to Gnarnia through a wardrobe it becomes a direct parody of the Narnia story. So the motivations are pretty much the same as in that film: take down the White Bitch because of destiny or whatever. The White Bitch is just a power-hungry… well… bitch, I guess. Their words, not mine.

How?! I entered this film presuming that we would have a disjointed mess. Instead once the orphans enter Gnarnia the plot just marches through the plot of The Lion, The Witch, and the Wardrobe with nary a laugh. Just as in that film, Edward is the only orphan to waiver in the quest to destroy the White Bitch. Instead he mostly wants to bone her and drink the sweet, sweet malt liquor that she can make appear by magic. He ends up imprisoned by her, while the rest of the orphans set off with Harry Beaver (actual name of a character) to the camp of Aslo, a half-man/half-lion warrior. He helps them free Edward, only to be killed in the process, leaving the orphans in charge to do battle with the White Bitch. They then decide to throw a big pre-battle rager where Susan pukes all over everyone for like five minutes. This disgusts their fellow warriors to the point where no one shows up the next day to fight the White Bitch. Obviously on the verge of a major defeat Peter fortunately finds a magic remote control (a la Click) and pauses time, allowing the orphans to kill everyone. They rule over Gnarnia for years, only to stumble on the wardrobe in their old age. Returning to Willy’s house of terror they seem quite happy to be young again, only to be randomly crushed by a giant wheel. The end. Yeesh.

Who?! No Planchet and all the cameos are fake. Kevin Hart has a significant role as an albino monk but decided to go uncredited. Obviously this was so he didn’t sully his good name with this garbage. The only other note is that the band that plays at the pre-battle rager is The Eagles of Death Metal.

Where?! Gnarnia for the most part. Weirdly during the MTV Cribs spoof the location of Mr. Tumnus’s house is given as Gnarnia Hills, California… taking this at face value we can say this is set primarily in California. It doesn’t make me feel good though. C+

When?! Time is irrelevant in this film. In fact all things are irrelevant. Nothing matters. God is dead. F

I found this film to both be better and worse than I expected. As I told Patrick it’s like aliens came to Earth and created a film. They showed it to us and asked, “Good? Laugh?” We were both amazed that they made something that felt like an actual movie at times, but also found the movie terribly sad in how awful it was. How did the poor aliens think this was what we wanted? Where did humanity go so wrong to give them that perception?… sigh… Patrick?

Patrick

‘Ello everyone! Epic Movie? More like Epically Bad! Amirite. That’s a New York Post headline! There was once a time where we indicated we would never watch Friedberg and Seltzer garbage. But when their movies are just about 3 of the top 5 worst movies by BMeTric it starts to become unavoidable. And what an opportunity to earn some well deserved street cred! Let’s go!

The Good (Prequel, Sequel, Remake) – The only bright spot in the film was the cast. There are cameos from some serious comedy heavy hitters (Crispin Glover, Darrell Hammond, Fred Willard to name a few). On top of that the sets and effects are, on occasion, rather impressive. And that’s the rub. I would say Sequel is the guy, Epic Movie 2 could pretty much just play as a spoof of the Marvel/DC cinematic universes, but … the budget just wouldn’t be there. Something like Fifty Shades of Black made $10 million … that ain’t cutting it.

The Bad (Seven Deadly Sins) – This is a zero laugh movie. It might as well have been called Curse-words-and-reaction-shots, because half of the jokes are people cursing and other people looking shocked. On occasion the effects are pretty good … mostly the effects are bad. And the acting is horrible, but what did I expect? The sin isn’t Sloth, a lot of effort was put into this film even if the soundtrack is just a best of the early 2000s track and they default to musical montage at the drop of a hat. Perhaps Envy? Looking wistfully back to the heyday of spoofs lead our intrepid filmmakers to ruin I think. Maybe a bit of that, but ultimately it is their misguided belief that they had the ability to continue a genre that can only be very very good or very very bad. Pride.

The BMT: Legacy – This is the number one BMeTric film of all time. It is dire to watch. It becomes almost confusing as to how such a movie was ever popular. We haven’t seen Date Movie or Disaster Movie but I think Epic movie will ultimately be the one I would be most likely to kick off a BMT Movie Marathon with because the cast is by far the most impressive in this one. There is a legacy, but a legacy with regard to the BMeTric. This movie is #46 as far as IMDb rating is concerned. It isn’t even on the 0% on Rotten Tomatoes list because it is at 2%. But combining popularity and poorly rated creates a mixture that suggests this is the worst film ever (in some hazy way), and ultimately that is what it represents, the BMT formula.

Quick check in from StreetCreditReport.com where we ponder the larger bad movie landscape … and yeah this is a doozy. Friedberg and Seltzer went from being involved with an incredibly popular spoof franchise of the 2000s and beyond (Scary Movie) to overnight being described in such glowing terms as: “Friedberg and Seltzer…are not filmmakers. They are evildoers, charlatans, symbols of Western civilization’s decline…” from Josh Levine of Slate. It was number 2 (behind BMT HoF Norbit) worst film of the year according to the A.V. Club. It is too bad it can’t really claim Worst of the Year honors, Norbit pretty much swept that wherever I looked. But it has the cred.

Cheerios,

The Sklogs

Epic Movie Preview

My gawwwd! Is that Friedberg and Seltzer’s music? That’s right! We’re taking this Street Credit Report (dot com) cycle and punching ourselves in the face by watching one of the many ridiculously awful spoof films made by Jason Friedberg and Aaron Seltzer. In this case we decided on Epic Movie because it’s not quite as small as some of the later films (former Obama aide Kal Penn is in it after all). For its street cred it stands at a brutal 2% on RT and #42 on the lowest rated films on imdb. However, it surprisingly wasn’t nominated for a Worst Picture Razzie in 2007, so perhaps it won’t totally destroy our will to live. Sigh. Who am I kidding? The Razzies don’t know shit. God help us and see you on the other side. Let’s go!

Epic Movie (2007) – BMeTric: 95.9 (#42 on IMDb bottom 100)

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(That’s it though, right? That steady sub-3.0. It doesn’t rise up, it didn’t drop down at any point. Ten years ago this came out and people were like “this is trash”. And throughout the years others heard that this movie was awful and they watched it and said “this is trash”. It is why this movie is probably legendary. I mean … legendary in that it will be just brutally unfunny and annoying. But legendary nonetheless.)

Leonard Maltin – BOMB – Four siblings find themselves meandering through lame slapstick parodies of recent epic movies and other obvious pop-culture targets. Typically tedious, unfunny hack job, with an array of cameo appearances including Crispin Glover, who (as a perverted, sadistic Willy Wonka) provides the film with its only moments of admittedly sordid energy. Kevin Hart appears uncredited.

(Secret Kevin Hart film, I like it. We’ve probably technically watched something like six Hart films at this point (although Scary Movie 3 and 4 are not actually recorded in the archive … oops). This will be and sounds like trash. I will watch out for Crispin Glover though, that could be fun.)

Trailer – https://www.youtube.com/watch?gl=SN&feature=plcp&hl=fr&v=AZKIr7r6Op4

(Uggggggh. I remember when this trailer came out. What really does it for me is that the last joke of the entire trailer, where Superman is shot in the eye, is just horrible. It involves an actor I don’t know with such a throwaway garbage joke. The cast is pretty solid ultimately, and they should have kind of just focused on that I think … I don’t know, it looks horrible.)

Directors – Jason Friedberg and Aaron Seltzer – (BMT: Epic Movie; Meet the Spartans; Disaster Movie; Date Movie; Vampires Suck; The Starving Games; Best Night Ever; Notes: Even their wikipedia says they make “parody movies that have received extremely unfavorable reviews”! They started directing after years of selling scripts that never got made (upwards of 40 they claim). Friedberg’s father (Rick Friedberg) gave them the in by introducing them to Leslie Nielson when making Bad Golf Made Easier)

Writers – Jason Friedberg and Aaron Seltzer (written by) – (Known For: Scary Movie; BMT: Epic Movie; Meet the Spartans; Disaster Movie; Date Movie; Vampires Suck; The Starving Games; Scary Movie 4; Scary Movie 2; Spy Hard; Scary Movie 3; Best Night Ever; Notes: Their spec script called Scream If You Know What I Did Last Halloween was accepted after Spy Hard and reworked into Scary Movie. Sounds like the title to this film, weird that it wasn’t written by these two then.)

Friedberg and Seltzer Razzie Street Cred – Nominated in 2011 for the Razzie Award for Worst Director and Screenplay for Vampires Suck; and in 2009 for Disaster Movie, and Meet the Spartans; in 2008 just for Worst Screenplay for Epic Movie

Actors – Kal Penn – (Known For: Harold & Kumar Go to White Castle; Superman Returns; Speech & Debate; Harold & Kumar Escape from Guantanamo Bay; A Lot Like Love; A Very Harold & Kumar 3D Christmas; The Namesake; BMT: Epic Movie; Son of the Mask; Van Wilder 2: The Rise of Taj; Deck the Halls; Malibu’s Most Wanted; Love Don’t Cost a Thing; The Girl in the Photographs; Man About Town; Van Wilder: Party Liaison; Notes: I remember him first from Van Wilder, and then Harold and Kumar, and finally House. He worked for the Obama administration and now is on the show Designated Survivor as the White House Press Secretary.)

Jennifer Coolidge – (Known For: American Pie; A Series of Unfortunate Events; Alexander and the Terrible, Horrible, No Good, Very Bad Day; Legally Blonde; American Reunion; American Pie 2; Austin Powers: The Spy Who Shagged Me; Zoolander; Robots; American Wedding; Best in Show; Mascots; Bad Lieutenant; Trial and Error; A Mighty Wind; BMT: Epic Movie; Date Movie; Legally Blonde 2: Red, White & Blonde; Alvin and the Chipmunks: The Road Chip; Pootie Tang; Down to Earth; A Cinderella Story; Igor; A Night at the Roxbury; Click; Austenland; Gentlemen Broncos; Notes: Has been in a few Christopher Guest movies. Otherwise I basically only know her from American Pie where she played Stifler’s Mom, and Legally Blond. An alumnus of The Groundlings.)

Fred Willard – (Known For: Harold & Kumar Get the Munchies; WALL·E; Anchorman: The Legend of Ron Burgundy; This Is Spinal Tap; Austin Powers: The Spy Who Shagged Me; Monster House; Anchorman 2: The Legend Continues; American Wedding; Best in Show; Youth in Revolt; Roxanne; Silver Streak; Mascots; Planes: Fire & Rescue; I Could Never Be Your Woman; A Mighty Wind; Waiting for Guffman; BMT: Epic Movie; Date Movie; Fifty Shades of Black; The Wedding Planner; Love Wrecked; Chicken Little; Idle Hands; How High; Movie Madness; Harold; Notes: Again, very notable for his work with Christopher Guest, but also a titan of comedy in general I would say. He was part of The Second City. Makes me think a good cycle would be something like The Second Shitty … amirite? Movies involving The Second City alums.)

Budget/Gross – $20 million / Domestic: $39,739,367 (Worldwide: $86,865,564)

(That’s solid. No wonder they’d go on to make two (!) spoof movies in 2008. At the time it must have seemed like they could just print money with these things. This garbage genre is somewhat saturated now though and I think must mainly go to VOD. I guess we’ll see with the next plot.)

#17 for the Comedy – Spoof genre

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(Just below A Haunted House seems okay. Obviously Fifty Shades of Black was the most recent big release. Kind of puts this haul in perspective, Fifty Shades sits at number 48 with only $11 million return, oof. This literally is the start of the genre saturation (as I guessed), and indeed the genre is straight dying. People lament the death of the spoof genre, but its been dead since the 80s. Scary Movie was an aberration. If only more things like Wet Hot American Summer existed, sigh.)

Rotten Tomatoes – 2% (1/64): A crude comedy with nothing new or insightful to say about the subjects it satirizes.

(Yup. Sounds about right. I’ll have to just psych myself into “everything is funny” mode for this. I remember watching InAPPropriate Comedy. This can’t be worse than that. I will survive.)

Poster – Epic Sklog? (U)

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(Ho-ly shit. That’s a U for Unacceptable. I do not accept that this is a poster that someone made for a film released to over a thousand theaters.)

Tagline(s) – We Know It’s Big. We Measured. (What the FFFFFFFFFFFFuuuu…)

(This is worse than the poster! Why are you doing this to us? What did we ever do to you?)

Keyword(s) – orphan; Top Ten by BMeTric: 95.9 Epic Movie (2007); 93.0 Dragonball Evolution (2009); 89.6 Alone in the Dark (2005); 86.0 Norbit (2007); 85.5 Fantastic Four (2015); 85.5 The Room (2003); 83.4 Super Mario Bros. (1993); 81.1 Prom Night (I) (2008); 77.9 Superhero Movie (2008); 71.4 The Next Karate Kid (1994);

(Ooooo The Next Karate Kid would be a nice one to do. Finally have an excuse to watch the third one too. I like this list because, I think, all of them nicely fit the keyword which is not always the case. Also, logging a 71.4 BMeTric as the tenth makes the list guaranteed to be amazing.)

Notes – Jayma Mays and Adam Campbell met on the set of the film, and they married in October 2007. (cool)

This film was not screened for critics. (Of course it wasn’t. It would be the biggest upset in film history if they screened this for critics)

The rest of the notes basically just explains all of the things this movie parodies … we get it, Glover impersonated Johnny Depp’s Willy Wonka.

Awards – Nominated for the Razzie Award for Worst Supporting Actress (Carmen Electra)

Nominated for the Razzie Award for Worst Remake or Rip-Off

Nominated for the Razzie Award for Worst Screenplay (Jason Friedberg, Aaron Seltzer)

Car 54, Where Are You? Recap

Jamie

You may ask why we would even care to delve deep into what is essentially just dog poo in our faces… why? Because it’s what we do. Here are the details!

What?! Officer Toody is a fun-loving Brooklyn cop just looking to have a good time. When he and his new uptight partner are tasked to protect a mob witness targeted for a hit, it’s made clear that he needs to shape up or lose his badge. Uh oh! Can they keep the party going while keeping the witness safe? Find out in… Car 54, Where Are You?!

Why?! Talk about a loaded question. Why, indeed? Officer Toody is our main character and the action almost exclusively follows him. His motivation for 95% of the film is to remove the stick up the ass of his new partner by getting him paid and laid. Doesn’t sound like much of a plot, right? It isn’t. Concurrently the station that he works in has struck up a deal to protect a state’s witness against a mob boss. After several nearly successful assassination attempts on the witness’ life the captain decides to hide him with Toody (who would ever suspect?!). Even then Toody doesn’t seem to care much about the witness until he loses him and has to hunt him down or get stripped of his badge. So that’s kind of a secondary motivation… first off, get his partner laid, second save the witness. Even writing this all down is making me sad.

How?! You have the general idea of most of the film from the motivations. There are two other aspects of the plot that play almost no role until the climax. The first is that the police station Toody works in has upgraded to a new computer system called Madd Cop (a play on police brutality? Hard to say), which is a futuristic crime-tracking system… this is strictly a plot device. The second is that Toody is obsessed with a Cops-like show and hopes to be on it one day. This luckily happens a week later when he begins to be followed by a camera crew… this is also strictly a plot device. After Toody has lost the witness, he ingratiates himself with the mob, impersonates a hitman, and goes after the witness. At the same time his partner uses Madd Cop and the tracking devices to locate the witness and goes after Toody. The real mob hitmen see a promo for the cops-like show and figure out that Toody is an imposter and go after both Toody and the witness. They all converge at Coney Island and after a brief chase the mobster is snagged by the police and everyone lives happily ever after. Confusing? No kidding.

Who?! There are a number of interesting musical cameos in the film, which include The Ramones, Tone Loc, and Coati Mundi. But by far the most interesting thing is the Ghostbusters-like rap theme song to the film called “Car 54 Rap.” It is terrible and yet mesmerizing. Unfortunately it’s not available online so you just have to take my word for it. But even that’s not as interesting as the artist that created the masterpiece: legitimate band MMM&S. They seem to be a funk band full of the whitest kids in the world according to the videos I can find:

That’s a banger! Seems like the same story as the Beasties Boys. White kids who started in funk/punk and moved to rap… except they never made it. Weird and wild stuff.

Where?! As MMM&S say in their rap, “Brooklyn! Busting out on a hot tip. Two of New York’s finest you can’t diss.” Brooklyn indeed. This is basically as close as you can get to an A without it being part of the title. Drips with Brooklyn and culminates on Coney Island. Perfection. B+.

When?! Secret holiday film alert! There is very little overt indication of the time at which this film takes place. That is until the mob boss laments the fact that his witness isn’t dead yet by opening a newspaper detailing who was killed by mistake. On the opposite page of that headline? A disastrous July 4th fireworks accident! This may in fact be my favorite ever. So fucking random. B+!

I just gave you so much unnecessary detail, let’s find out if it’s BMT. Patrick?

Patrick

‘Ello everyone! Car 54, Where are You? More like Bizarre Shitty Chore, It’s Dog Poo! (In my face … it’s dog poo in my face). Orion Pictures, on the brink of bankruptcy, decides to IP dump a Car 54 movie as a musical starring David Johansen, shelves it for 3 years, and then releases it without the musical numbers and cut to shit. What could go wrong? Sigh. Let’s get into it.

  • The Good – A few of the side actors, O’Donnell and Fran Drescher were solid for sure. The relationship between Rosie and Johansen feels real somehow, and even Johansen for all his over-the-top stage mannerisms (which Jamie pointed out to me was probably the reason he was cast and hardly a knock against him as an actor, the guy already has a starring role in Scrooged, they knew what they were getting) comes across as a genuine guy. There are a few jokes here and there as well including maybe the best spit take I’ve ever seen.
  • The Bad – Parts of the movie look like something I could shoot. The quality is dire. If this movie were to be released today it would have been dumped on VOD and forgotten about. There are basically no good jokes in the film, and the acting throughout from the main players is terrible. I will say that I didn’t necessarily feel bored during the film, but there is a level of wackiness that just doesn’t really work (or maybe it is that it isn’t consistent?). I’m usually not one to harp on things like this but … this movie is like 95% sex jokes strung together by basically no coherent story. Take from that what you will.
  • The BMT – Not since Dino De Laurentiis dumped King Kong Lives and Raw Deal have we seen such a blatant barely-movie widely released to theaters from a dying production company. If there is any legacy to this film it is the opening: if the movie got even close to “okay” for the rest of the film it may have gone down as the one true movie that is ruined by the opening scene (similar to how The Call was ruined by literally the last five seconds, a much more common trope). The opening is legendary, including terrible singing in a dream sequence complete with a cartoon bird dressed as a rapper. Bomb. Thinking about it I would actually give this is a pretty good BMeTric too, because I would definitely watch this again with a crowd. It is just so weird that I’m betting there are a million layers to unpeel.

I mean there is really only one thing to do: Prequel! It might not be pretty but we need to see Car 54, Where Are You? When Toody Met Leo … my god, the title even sounds like When Harry Met Lloyd. Anyways, in the first film we were given what is an oh so tantalizing glimpse of the hilarious (and heartfelt!) relationship between Toody and his partner Leo before they are torn asunder by Leo’s retirement in the beginning of the film. “We want more Leo!” was what I assume the Car 54-heads were screaming in their packed opening day theaters. Bonus, the film will feature a cameo by none other than a person who could pass as a young Rosie O’Donnell to show the early stages of Gunther’s courtship of Lucille. The screenwriter for this film (me) says, “the courtship is much like the Cyclone of Coney Island: A Rollercoaster!”.

Cheerios, 

The Sklogs

Car 54, Where Are You? Preview

The big question as we head into the comedy entry of the What the ?!&%*# cycle is what punctuation mark we’ll go for next? It’s a question that we’re going to answer with a question. That’s right, we’re watching Car 54, Where Are You? (the crowd boos vociferously as they realize that we’re not watching Stop! Or My Mom Will Shoot). Hold on! Sly Stallone flicks are like gold. You don’t throw gold around willy-nilly. Need to save it for when it’s truly needed. Anywho, the most interesting thing about this film is that it was nearly impossible to find. It is not free or rentable on any streaming service and is not available from Netflix DVD. I was lucky enough to find that there was a single copy in the MN Public Library system up in Mountain Iron, MN (real name, real place. Pop. 2886). Once it arrived in the mail I could see that the DVD was absolutely pristine. I might in fact be the only person to ever watch this film. It’s like they ordered it new just for me. Thank you, local public library system. I love you. Let’s go!

Car 54, Where Are You? (1994) – BMeTric: 42.1

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(A classic extreme rating example of these types of plots where despite only having a few thousand votes it still manages an impressive 40+ based solely on its sub-3.0 rating. Kind of cool that you can see the BMeTric go through the inflection. Also like any good street cred BMT film the rating stays solidly low despite increased votes suggesting only bad movie aficionados are watching and reviewing the film at this point.)

Leonard Maltin – 1.5 stars –  This retread of the hilarious 1960s TV show about N.Y.C. cops with a hefty Keystone quotient is a woefully embarrassing assemblage of gags that would bring up the read in Police Academy. O’Donnell (her screen debut), Drescher, and Piven acquit themselves well, under the circumstances. Despite presence of Al Lewis – reprising his Schnauzer role from the original Nat Hiken series – this turkey sat on the shelf after completion in 1991.

(Not a BOMB! Not a BOMB! Not a BOMB! And oh wow, I forgot this is a rare example of very delayed wide release films. Leonard tips his hand a bit that he is an old man by doting on the original. I’ve seen clips and it is funny I suppose, but I wouldn’t laugh out loud as you would imagine. This should be an experience though. Makes me truly wonder where the half star comes from … from the actors who acquit themselves well I suppose.)

Trailer – https://www.youtube.com/watch?v=kh2_IWz50jM

(From the people who didn’t bring you Lethal Weapon?… that film came out seven years before this one. Weird. Otherwise this just looks like a cheap comedy almost in the same vein as Weekend at Bernies. Looks boring.)

Directors – Bill Fishman – (Known For: Tapeheads; My Dinner with Jimi; BMT: Car 54, Where Are You?; Notes: Mainly a music video director this was a rare foray into features. His videography is impressive, and it isn’t too surprising he was chosen considering the movie was apparently initially supposed to be a musical (see notes below).)

Writers – Nat Hiken (television series) – (BMT: Car 54, Where Are You?; Sgt. Bilko; Notes: He died in 1968 so years before two of his shows (Car 54 and the Phil Silvers Show which became Sgt. Bilko) became movies. Well known as a songwriter as well.)

Erik Tarloff (story & screenplay) – (Known For: Cheetah; BMT: Car 54, Where Are You?; Notes:  Chiefly a television writer in the 70s and 80s this marked the end of his Hollywood writing career. He is married to Laura Tyson who was chief economic advisor to the Clinton Administration, and his brother-in-law is Alan D’Andrea a cancer researcher at Harvard Medical School.)

Ebbe Roe Smith (screenplay) – (Known For: Falling Down; BMT: Car 54, Where Are You?; Notes: He wrote Falling Down solo which is kind of nuts. Mostly an actor all the way up to today where he’ll appear on occasion on Portlandia as characters such as Swinger Husband.)

Peter McCarthy (screenplay) – (Known For: Tapeheads; Floundering; BMT: Car 54, Where Are You?; Notes: Not much on him. On variety his news is dominated by his directoral debut Floundering which was released to some acclaim at Sundance with a cast including John Cusack, Ethan Hawke, and Jeremy Piven)

Peter Crabbe (screenplay) – (BMT: McHale’s Navy; Car 54, Where Are You?; Notes: Almost nothing to say about this guy beyond that it appears he parlayed his involvement in this film into another 60s television adaptation McHale’s Navy, so congrats to him for that.)

Actors – David Johansen – (Known For: Married to the Mob; Scrooged; A Very Murray Christmas; Cats Don’t Dance; Glass Chin; Naked in New York; The Tic Code; Candy Mountain; BMT: Mr. Nanny; Car 54, Where Are You?; Freejack; 200 Cigarettes; Tales from the Darkside: The Movie; Notes: Started the bands New York Dolls and David Johansen Group in addition to touring under as the character Buster Poindexter producing a total of twelve albums across the three acts. He appeared on SNL six times as Buster Poindexter, and has a surprisingly extensive acting career considering he’s first and foremost a singer.)

John C. McGinley – (Known For: The Belko Experiment; Se7en; The Rock; Platoon; Point Break; Office Space; Identity; 42; Any Given Sunday; Wall Street; Born on the Fourth of July; World Trade Center; Set It Off; Nixon; Kid Cannabis; Shadow Makers; Talk Radio; Mother’s Boys; A Midnight Clear; The Discoverers; Mother; Shakedown; Article 99; Sweet Liberty; Crazy as Hell; Johns; BMT: Highlander II: The Quickening (BMT); The Animal; Are We Done Yet? (BMT); On Deadly Ground (BMT); Alex Cross (BMT); Get Carter (BMT); Summer Catch; Stealing Harvard; Car 54, Where Are You?; Get a Job; Wagons East; Wild Hogs (BMT); Three to Tango; Surviving the Game; Hear No Evil; Nothing to Lose; Truth or Consequences, N.M.; Notes: Our seventh McGinley film and we could easily get to ten if we wanted to by adding The Animal, Wagons East!, and Summer Catch. He was on the celebrity version of American Gladiators in 1994.)

Fran Drescher – (Known For: This Is Spinal Tap; Hotel Transylvania; Hotel Transylvania 2; Saturday Night Fever; Ragtime; UHF; Cadillac Man; Doctor Detroit; The Big Picture; BMT: Car 54, Where Are You?; Jack; The Beautician and the Beast; Notes:  Nominated for the Razzie Award in 1998 for Worst Actress for The Beautician and the Beast. Well known for her distinctive voice. I knew her best as Pamela Finklestein from UHF growing up. But her work on TV’s The Nanny is probably her claim to fame.)

Budget/Gross – $10.7 million / Domestic: $1,238,080 (N/A)

(Obviously brutal, but what else would you imagine considering this is a film based on a 60’s television show, it was shelved for three years, and by all accounts was cut to shit. For the number of theaters it was released to (over 600) this is also a ridiculously low number. $2K per theater is just insane.)

#85 for the TV Adaptation (Live Action) genre

basedontv_85

(I feel like I shouldn’t be, and yet I am surprised by how many films are based on television shows these days and how successful they are. Probably in no small part due to things like Star Trek. This was on the leading edge of a boom that then settled into a more consistent value overall, and is literally the lowest grossing wide release on the list.)

Rotten Tomatoes – 0% (0/16): No consensus yet.

(Obviously of special note because it is one of maybe 70 films with 15+ reviews and 0% on rotten tomatoes. I shall make a consensus: Simply not funny and only of note as an example of a truly terrible film. As one reviewer said: If you paid money to see this you are stupid. Coooooold Bloooooooded.)

Poster – Sklog 54, Where Are You? (C+)

car_fifty_four_where_are_you

(This also seems very 80’s… like the Meatballs poster or something. OK blue and yellow color. OK font. Interesting sketch style. Ultimately too busy to really get a great grade, but not bad.)

Tagline(s) – An Arresting Comedy (D)

(Cliche pun alert. This is more suitable for a review of the film by a time-strapped and not very creative film critic. Nothing more to say. It’s not worth the effort as they clearly didn’t expend any.)

Keyword(s) – number in title; Top Ten by BMeTric: 89.9 Fifty Shades of Grey (2015); 87.8 Battlefield Earth (2000); 84.8 Speed 2: Cruise Control (1997); 83.7 Fantastic Four (2015); 81.1 Movie 43 (2013); 78.6 Sex and the City 2 (2010); 77.4 RoboCop 3 (1993); 76.9 Piranha 3DD (2012); 76.0 Highlander II: The Quickening (1991); 74.4 Plan 9 from Outer Space (1959);

(We’ve done a few of these, although that isn’t surprising considering something on the order of 5000 films on IMDb have this tag (so basically it has to be real bad to get on the list in the first place). You might be saying “hey wait a minute, Battlefield Earth doesn’t have a number in the title. Bullshit”. But it is also known as Battlefield Earth: A Saga of the Year 3000 which is the title of the book. I wouldn’t necessarily call that official though.)

Notes – John C. McGinley worked on this film and Article 99 (1992) at the same time. He would work on this film Monday to Wednesday and the other film Thursday to Friday. (That seems like it suggested that one or both films were going to be terrible …)

Al Lewis and Nipsey Russell were in the original Car 54, Where Are You? (1961) TV series, playing Officer Leo Schnauser and Officer Dave Anderson, respectively. Here they play the same characters years older, as if this film were a sequel to the original series, rather than the updated and (otherwise) recast remake that it is. (As if the film was a sequel. What a weird choice).

According to a recent interview with John C. McGinley (AV Club’s Random Roles- April 2013), the film was original shot as a musical with full musical numbers. After editing, only two musical numbers remained. McGinley was unsure of why specifically the numbers were cut or by whom, but McGinley mused that he found the film in its’ present form an incoherent mess. (wait …. What? Wait wait wait. This movie is a musical. Wait … what?)

During Gunther Toody’s dream sequence he is wearing the same uniform that was worn by his character in the original show. (fun. fact.)

Awards – Won the Razzie Award for Worst Supporting Actress (Rosie O’Donnell)

Norbit Preview

A small note prior to this post: Last July we decided to take a look back at the movies that we watched over five years ago and choose a Hall of Fame class, five movies that we thought embodied BMT in some way. Perhaps they were particularly bad, or an example of a specific bad movie trope, whatever, something made them stand out as special in our minds. Since we didn’t do email previews back in 2011 we also decided to provide a preview for the movie as well. This is the fourth in a series of five leading up to our yearly awards the Smaddies Baddies. A recap (Hall of Fame speech really) will follow immediate afterwards to explain why the movie was chosen, things we loved about the movie, and things we discovered upon second viewing. Enjoy!

Norbit (2007) – BMeTric: 81.2

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(Sweet 2011 inflection. It is definitely a strong trend. Yet again, despite thousands and thousands of votes coming it the movie’s rating doesn’t regress to the mean. It is generally unusual, but three out of the four Hall of Fame movies exhibit this unusual trend. Old Dogs was the only exception which is also very interesting. I suppose as a fairly innocuous family comedy it managed to evade the bad movie cultists that surround the more popular fair.)

Leonard Maltin – 1.5 stars – As in Coming to America and the Nutty Professor vehicles Murphy plays several characters: Norbit a meek young man brought up by Chinese restaurant owner Mr. Wong and stuck in a terrifying marriage with the hideously overweight Rasputia. All three are in search of a script. Murphy shows his comedic range but is let down by the material, which includes all of the fat jokes the writers (including Murphy his brother Charles) could come up with. Prophetic ad line for the movie asked, “Have You Ever Made a Really Bad Mistake?”

(I like the idea of Murphy getting all pissed about the writers failing to live up to his comic genius and then realizing that he wrote the movie. I’m also genuinely shocked Mr. Wong’s mind-blowing racism isn’t mentioned alongside the (seemingly) unlimited store of fat jokes the Murphy brothers could muster. I’m skeptical Leonard watched this film … this review is low on detes. I’m onto you Leonard.)

Trailer – https://www.youtube.com/watch?v=MmSZJ17ppEQ

(So she punches him in the face and she throws him through a window in the trailer. This trailer is aggressive, it is in your face. They use that song Don’t Cha by the Pussy Cat Dolls like five times. I don’t like the trailer, it hints that it might be the worst thing you’ve ever seen … but it does manage to hide the fact that the movie is more horror film than comedy. So congrats.)

Directors – Brian Robbins – (Known For: Varsity Blues; BMT: Norbit (BMT); The Shaggy Dog; Meet Dave; Ready to Rumble; Good Burger; The Perfect Score; A Thousand Words (BMT); Hard Ball; Notes:  Nominated for the Razzie Award in 2008 for Worst Director for Norbit; Good Burger?! Say What? He was a main character on the show Head of the Class appearing in all 114 episodes. He got his start directing with Kenan & Kel and Good Burger, and many Murphy projects. He is also an extremely accomplished producer in both television and streaming services.)

Writers – Eddie Murphy (screenplay & story) – (Known For: Coming to America; Beverly Hills Cop II; Boomerang; BMT: Norbit (BMT); Vampire in Brooklyn; Another 48 Hrs.; Harlem Nights (BMT); Notes: See below for Razzie Notes; He doesn’t write as many of his starring roles than I personally would have expected. He didn’t seem very enthused about directing with Harlem Nights, so maybe he’d rather riff on screen and doesn’t really care to write? He hadn’t done it in years before Norbit (1995 was his last feature prior to Norbit in 2007).)

Charlie Murphy (screenplay & story) (as Charles Murphy) – (BMT: Norbit (BMT); Vampire in Brooklyn; Notes:  Nominated for the Razzie Award in 2008 for Worst Screenplay for Norbit; Funny he was going by Charles Murphy … perhaps this suggests the screenplay was written long before the movie came out? Chappelle’s Show was in 2003-2006, and at that point he would have been far more well known as Charlie Murphy. Perhaps he got credited from an original draft written years before. It also perhaps resolves the curiosity that Eddie Murphy seemingly didn’t write a movie for all those years … huh, this movie was probably written in like 2000 wasn’t it?)

Jay Scherick and David Ronn (screenplay) – (Known For: Guess Who; BMT: Norbit; Zookeeper; I Spy; The Smurfs; The Smurfs 2; Serving Sara; National Security; Notes:  Nominated for the Razzie Award in 2008 for Worst Screenplay for Norbit; The writers for the upcoming Baywatch adaptation (the trailer looks pretty funny). These guys’ filmography make me a bit skeptical, but maybe they are punch-up artists? … I was just thinking that maybe they are like Robert Ben Garant and Thomas Lennon … who it turns out also wrote Baywatch. Two other dudes got final credit. Yeah, Baywatch clearly fired those two writing teams during production. Wow.)

Actors – Eddie Murphy – (Known For: Shrek; Shrek 2; Shrek the Third; Mulan; Coming to America; Beverly Hills Cop; Trading Places; Dreamgirls; Tower Heist; Shrek Forever After; Beverly Hills Cop II; 48 Hrs.; Doctor Dolittle; The Nutty Professor; Life; Dr. Dolittle 2; Bowfinger; Boomerang; Imagine That; BMT: Norbit (BMT); Nutty Professor II: The Klumps; Pluto Nash (BMT); Vampire in Brooklyn; The Haunted Mansion; Meet Dave; Holy Man; I Spy; Beverly Hills Cop III; Showtime; Daddy Day Care; Metro; Another 48 Hrs.; The Golden Child (BMT); A Thousand Words (BMT); The Distinguished Gentleman; Harlem Nights (BMT); Notes: See below for Razzie notes; There isn’t much more to say about Murphy. He is both a legend in his own right, and a BMT legend. Since maybe 2000 his legacy has been marred by poorly reviewed films, bitterness, and poor public relations. The thing recently I remember was his awkward appearance at the SNL 40 celebrations.)

Thandie Newton – (Known For: Crash; RocknRolla; The Pursuit of Happyness; Mission: Impossible II; Interview with the Vampire: The Vampire Chronicles; W.; Run Fatboy Run; Beloved; Vanishing on 7th Street; BMT: Norbit (BMT); The Truth About Charlie; 2012 (BMT); Good Deeds; For Colored Girls; Jefferson in Paris; How to Lose Friends & Alienate People; The Young Americans; The Chronicles of Riddick; Notes:  Nominated for the Razzie Award in 2001 for Worst Supporting Actress for Mission: Impossible II; Actually has an incredible filmography, including the recent HBO smash hit Westworld. Grew up in England and her accent limited her early work. She is vegan, and was even named the Sexiest Vegan of 2014!)

Terry Crews – (seen in Scary Movie 5, The Ridiculous 6, White Chicks, The Benchwarmers, Gamer, The Single Moms Club, The Expendables 3, Blended … that’s more than Neil McDonough!)

Eddie Murphy Razzie Cred – Won the Razzie Award in 2010 for Worst Actor of the Decade; Won the Razzie Award in 2008 for Worst Actor, Supporting Actor, and Supporting Actress for Norbit; Won the Razzie Award in 1990 for Worst Screenplay for Harlem Nights; Nominated for the Razzie Award in 2008 for Worst Director and Screenplay for Norbit; Nominated for the Razzie Award in 2013 for Worst Actor for A Thousand Words; in 2010 for Imagine That; in 2009 for Meet Dave; and in 2003 for The Adventures of Pluto Nash, I Spy, and Showtime; Nominated for the Razzie Award in 2009 for Worst Screen Couple for Meet Dave; in 2008 for Norbit; in 2003 for Showtime, I Spy, The Adventures of Pluto Nash;

Budget/Gross – $60 million / Domestic: $95,673,607 (Worldwide: $159,313,561)

(That’s actually not that bad. Looking through his boxofficemojo he had had bombs before, and I remember comments surrounding The Haunted Mansion, Daddy Day Care, and The Adventures of Pluto Nash concerning his turn in quality. But I also remember that it wasn’t really until Meet Dave that faith was completely lost. That completely bombed and it was then three years before Tower Heist was supposed to get him back into the comedy game. We’ll see about the new Beverly Hills Cop I suppose.)

#11 for the Comedy – Fat Suit genre

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(Better than Big Momma’s House 2 and Big Momma Like Father Like Son. Only a shade below the original Big Momma’s House as well. Obviously a major player in the genre, Eddie Murphy was a trailblazer with the Nutty Professor franchise. Is it crazy to say that this movie marked the end of the Fat Suit Era of Hollywood? I can think of two reasons why. First, the genre is garbage. Second, they can kind of pull it off with cheaper CGI it seems (see Central Intelligence).)

#29 for the Romantic Comedy genre

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(Man … the romcom genre kind of sucks. No joke, there are like 300 films in this list and the 31st is Sex in the City 2. Gross. Once again this graphic is interesting. Such a major genre you can kind of see Hollywood grow through the 90s and reach saturation in about 2000 and then it just holds steady. Nothing really causes the fall. The movies just seem to consistently not make money. Thinking of a 2000 theater release $24K per theater is $50 million dollars. Since the 80’s only 80 or so movies have broken that mark, and only 28 broke $100 million. Plus I’m sure, given the cultural restrictions on romance in particular, these movies perform quite poorly if at all overseas. My guess is that, yet again, this is a genre destined for VOD release going forward.)

Rotten Tomatoes – 9% (11/123): Coming off his Oscar-nominated performance in Dreamgirls, the talented-but-inconsistent Eddie Murphy plays three roles in Norbit, a cruel, crass, stereotype-filled comedy that’s more depressing than funny.

(Less than 10% on rotten tomatoes is incredible. Cruel (yep), crass (yep), stereo-type filled (yep) those are the things I remember about this film on my first viewing. It made me feel gross and it seems like 91% of critics also felt gross while watching it.)

Poster – Bore-it … get it? (C+)

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(I know Jamie would be hating on this poster because it is basically just white. I actually think it does an adequate job at highlighting literally the only thing you want from this movie: Eddie Murphy as a big ol’ fat girl. I gave it b-b-b-b-bonus points because of how they squeezed the title. Very hard to spoof if I wanted to.)

Tagline(s) – Have You Ever Made A Really Big Mistake? (C-)

(I was going to give this an F, but then I envisioned Rasputia on th eposter and thought, ah, big mistake. I get it. I don’t like it, but I get it, and it makes sense for them movie. So I merely declared this below average.)

Keyword(s) – orphan; Top Ten by BMeTric: 90.6 Epic Movie (2007); 86.3 Dragonball Evolution (2009); 83.6 Fantastic Four (2015); 81.5 Alone in the Dark (2005); 81.2 Norbit (2007); 78.0 The Room (2003); 77.5 Super Mario Bros. (1993); 74.1 Prom Night (I) (2008); 73.8 Superhero Movie (2008); 64.3 The Next Karate Kid (1994);

(Huh, interesting list. I’m shocked the Next Karate Kid is so loathed actually. I never did get around to that. Besides that Alone in the Dark is the only other must see, although a 70+ horror film in Prom Night does hold some allure.)

Notes – One scene shows Rasputia watching a talk show with a paternity test theme. Eddie Murphy endured a paternity scandal before the film’s theatrical run, involving Spice Girl Melanie Brown. A DNA test confirmed the actor was the baby’s father.

The set used in the film is the same one that “Gilmore Girls” (2010) used as Stars Hollow in their 7 season run. (awesome. I’ll have to look out for that on my watch of Gilmore Girls)

The car wash scene is a parody of a TV ad featuring Paris Hilton. (oh alright, that’s didn’t hold up)

For security purposes, early prints were shipped under the title ‘Jupiter’, an apparent allusion to Eddie Murphy’s film Pluto Nash (2002). (fun facts)

This is the second film that Cuba Gooding Jr. played in, that starred Eddie Murphy playing multiple characters. The first film was Coming To America (1988), he had a small non- speaking role, as boy in barber shop chair.

WatchMOJO lists Norbit number 10 on its top worst comedy movies list. (Number 10?! Let me see this fucking list: Norbit, Chairman of the Board (BMT), Dumb and Dumberer: When Harry Met Lloyd (Seen it), Little Nicky (Seen it), Freddy Got Fingered (BMT), It’s Pat. Son of Mask, Master of Disguise (BMT), Bio-Dome (Seen it), Jack and Jill (BMT). Alright … that’s a pretty legit list.)

Awards – Nominated for the Oscar for Best Achievement in Makeup (Rick Baker, Kazuhiro Tsuji)

Won the Razzie Award for Worst Actor (Eddie Murphy)

Won the Razzie Award for Worst Supporting Actress (Eddie Murphy)

Won the Razzie Award for Worst Supporting Actor (Eddie Murphy)

Nominated for the Razzie Award for Worst Picture

Nominated for the Razzie Award for Worst Actor (Cuba Gooding Jr.)

Nominated for the Razzie Award for Worst Screen Couple (Eddie Murphy)

Nominated for the Razzie Award for Worst Director (Brian Robbins)

Nominated for the Razzie Award for Worst Screenplay (Eddie Murphy, Charlie Murphy, Jay Scherick, David Ronn)