Speed 2: Cruise Control Preview

We sit on our perch, chilling with the night security guard, Ed, while he protects the Ivory Socket. We discuss at length his hopes and dreams. His passions, his loves and his greatest fears. He asks if we would like a cracker. Ed, you devil, you always know just what would hit the spot. As we munch on our crackers Ed asks us when we plan to steal the Socket. We freeze… cracker crumbs spilling down out parrot costumes. How did he know? Of course, he always knew (the devil), for we are full grown adult humans in parrot costumes. But he enjoyed our company and thought he’d delay our arrest for as long as he could. Today was supposed to be the day he finally turned us in, but he just can’t. We’ve changed his life (and honestly, Ed has changed ours too). He hands us the Ivory Socket and tells us to go, throwing rocks at us to goad us on. “I never even liked you stupid birds!” He screams with tears streaming down his face and we squawk our way out of the Royal Library. When we attempt to use the Socket to destroy the Dongle we find it’s port jammed with a note. “Before you make two pieces one, a sacred liquid must be found. Venture to the isle of sun, and find it deep within the ground.” Wait… another MacGuffin? Or is the Socket still the only MacGuffin and the sacred liquid is like… part of it that helps power it? Regardless, the riddle is trash (suspiciously so, hmmmmmm) and obviously points to the Isla del Sol in Bolivia. Time to catch a boat and get some R&R on a relaxing cruise where nothing super crazy should happen along the way. That’s right! We’re watching Speed 2: Cruise Control. This is one of the most critically reviled sequels in film history with an well deserved place on our Calendar. We’ve obviously seen it before, but probably not since its release so I remember almost none of it. Let’s go!

Speed 2: Cruise Control (1997) – BMeTric: 89.5

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(Notorious, but I think it gets a bit of a pass as an action film with a charming and still-loved lead in Bullock. It’ll rise steadily with more votes, although I’m not sure it’ll ever actually get to 4.0 … I mean, it would need people to give it a 5/10 at least … are people giving Speed 2 ratings of 5 or above? That would be crazy.)

Leonard Maltin – BOMB –  Mind-numbingly stupid action yarn opens with a chase scene that makes no sense, and never improves. Bullock (whose character here is especially annoying) agrees to go on a Caribbean cruise with boyfriend Patric, an L.A.P.D. officer. When a madman Dafoe takes control of the ship, Patric feels it’s his duty to try and stop him. Did anyone read the script before signing on for this one?

(Keanu Reeves did. That’s why he then skipped out on it. The director had to do it, and I think Bullock was at an early point in here career where she still needed the job/money. Patric … well this kind of derailed whatever career he had I think, so yeah, he should have thought this guy through.)

Trailer – https://www.youtube.com/watch?v=SVsHrIEIlbs

(My word. Loud, choppy cuts, one liners out the wazoo. C’mon now, this is going to be amazing. Dafoe is also just completely ridiculous as well. Get hyped.)

Directors – Jan de Bont – (Known For: Twister; Speed; Future BMT: Lara Croft Tomb Raider: The Cradle of Life; BMT: Speed 2: Cruise Control; The Haunting; Razzie Notes: Nominee for Worst Director in 1998 for Speed 2: Cruise Control; and in 2000 for The Haunting; and Nominee for Worst Screenplay for Speed 2: Cruise Control in 1998; Notes: There is very little explanation as to why he basically retired after Lara Croft 2. He was a cinematographer for years before becoming, briefly, one of the most in demand action directors of the late 90s.)

Writers – Graham Yost (characters) – (Known For: Speed; Broken Arrow; The Last Castle; Future BMT: Mission to Mars; BMT: Speed 2: Cruise Control; Hard Rain; Notes: Writes and produces television now. Only credited because he wrote the original Speed screenplay.)

Jan de Bont (story) – (BMT: Speed 2: Cruise Control; Razzie Notes: Nominee for Worst Director in 1998 for Speed 2: Cruise Control; and in 2000 for The Haunting; and Nominee for Worst Screenplay for Speed 2: Cruise Control in 1998; Notes: The only film he has a story credit for, presumably because it is based off of a dream he had (? Read the notes below).)

Randall McCormick (story & screenplay) – (Known For: Titan A.E.; BMT: Speed 2: Cruise Control; Razzie Notes: Nominee for Worst Screenplay for Speed 2: Cruise Control in 1998; Notes: This was his first screenplay after getting the Nicholl Fellowship in Screenwriting from the Academy of Motion Picture Arts & Sciences.)

Jeff Nathanson (screenplay) – (Known For: Catch Me If You Can; Indiana Jones and the Kingdom of the Crystal Skull; The Terminal; Rush Hour 2; Tower Heist; The Last Shot; Future BMT: Rush Hour 3; New York, I Love You; BMT: Speed 2: Cruise Control; Pirates of the Caribbean: Salazar’s Revenge; Razzie Notes: Nominee for Worst Screenplay for Speed 2: Cruise Control in 1998; Notes: Apparently was an uncredited screenwriter on Twister (also directed by de Bont) along with Joss Whedon, which I imagine is how he got attached to this film. Is somewhat famous for uncredited rewrites of many notable projects.)

Actors – Sandra Bullock – (Known For: Ocean’s Eight; The Proposal; Gravity; Crash; Minions; The Heat; Miss Congeniality; Speed; While You Were Sleeping; The Prince of Egypt; A Time to Kill; Extremely Loud & Incredibly Close; Two Weeks Notice; Forces of Nature; The Vanishing; The Thing Called Love; Divine Secrets of the Ya-Ya Sisterhood; Infamous; Wrestling Ernest Hemingway; Future BMT: Premonition; Love Potion No. 9; The Net; Stolen Hearts; Hope Floats; 28 Days; Murder by Numbers; Gun Shy; Practical Magic; Our Brand Is Crisis; Loverboy; In Love and War; BMT: Speed 2: Cruise Control; All About Steve; Miss Congeniality 2: Armed & Fabulous; Demolition Man; The Lake House; Razzie Notes: Winner for Worst Actress, Worst Actress, and Worst Screen Couple for All About Steve in 2010; Nominee for Worst Actress, and Worst Screen Couple for Speed 2: Cruise Control in 1998; and Nominee for Worst Supporting Actress for Demolition Man in 1994; Notes: She’s opened up recently about sexism and other tough subjects in Hollywood. But she does give a good shout out to de Bont whom she credits with giving her her big break when no one else would.)

Jason Patric – (Known For: The Yellow Birds; The Lost Boys; Sleepers; The Losers; My Sister’s Keeper; In the Valley of Elah; Rush; Narc; Geronimo: An American Legend; The Confines; Roger Corman’s Frankenstein Unbound; Your Friends & Neighbors; After Dark, My Sweet; The Journey of August King; Keyhole; Expired; Three Days of Rain; Future BMT: The Prince; Cavemen; The Outsider; The Alamo; Downloading Nancy; BMT: Speed 2: Cruise Control; Solarbabies; Razzie Notes: Nominee for Worst Screen Couple for Speed 2: Cruise Control in 1998; Notes: Was a sort of child actor in things like Solarbabies. His father was nominated for an Oscar for The Exorcist.)

Willem Dafoe – (Known For: Murder on the Orient Express; John Wick; Finding Nemo; Spider-Man 3; The Florida Project; What Happened to Monday; The Grand Budapest Hotel; Spider-Man; Finding Dory; American Psycho; Platoon; The Fault in our Stars; Inside Man; Spider-Man 2; Death Note; John Carter; Fantastic Mr. Fox; The Aviator; Antichrist; The English Patient; Future BMT: New Rose Hotel; Anamorph; Cirque du Freak: The Vampire’s Assistant; The Great Wall; Tomorrow You’re Gone; Flight of the Intruder; The Boondock Saints II: All Saints Day; Jiminy Glick in Lalawood; Fireflies in the Garden; Lulu on the Bridge; A Family Man; Adam Resurrected; The Reckoning; Miral; Odd Thomas; BMT: Speed 2: Cruise Control; xXx²: The Next Level; Body of Evidence; Razzie Notes: Nominee for Worst Actor for Body of Evidence in 1994; and Nominee for Worst Supporting Actor for Speed 2: Cruise Control in 1998; Notes: He’s playing the villain in the upcoming Aquaman film. There are tons of rumors about him as the Joker as well, although that obviously seems pretty unlikely … since he’s the villain in Aquaman.)

Budget/Gross – $110 million (official) $135–160 million (estimated) / Domestic: $48,608,066 (Worldwide: $164,508,066)

(That is pretty catastrophic. Ultimately that is likely in the $30-50 million write off range if my admittedly amateur box office math works correctly. Although, this movie was a pretty long time ago so who knows how this all worked back then.)

Rotten Tomatoes – 3% (2/69): Speed 2 falls far short of its predecessor, thanks to laughable dialogue, thin characterization, unsurprisingly familiar plot devices, and action sequences that fail to generate any excitement.

(One of the worst reviewed films ever I would presume, 3% is quite low. Given the first has a RT score above 95% this also certainly qualifies as one of the worst sequels of all time (if not the worst sequel ever made). Reviewer Highlight: An ear-splitting amusement-park attraction posing as a movie. – Jamie Bernard, New York Daily News)

Poster – Speed 2: Sklog Control (D)

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(Wow. A true tragedy nearly on the level of 1998’s The Avengers, which has become my watermark for how bad a poster can be. Look at those two electric colors and… like, rain or something across everything. Truly misguided. Does have unique font though and it’s not super cluttered like some posters can be, so just above the bottom of the barrel.)

Tagline(s) – Rush hour hits the water. (D+)

(Ha! For some reason this is very amusing to me. The idea that this would deal with some kind of boat traffic or whatever. It’s got fine construction, but is just so stupid that it’s funny.)

Keyword(s) – time bomb; Top Ten by BMeTric: 90.2 Alone in the Dark (2005); 89.5 Speed 2: Cruise Control (1997); 88.6 Street Fighter (1994); 85.4 Spice World (1997); 83.6 RoboCop 3 (1993); 78.9 Torque (2004); 78.0 Universal Soldier: The Return (1999); 70.3 On Deadly Ground (1994); 68.2 Double Team (1997); 64.4 Fair Game (1995);

(Awesome. We do have to go back and smash Street Fighter at one point. We stupidly didn’t do it when we did Legend of Chun Li or again when we inducted that into the Hall of Fame. Although that would have required a outside of the box Bonus, which we’ve never done … this is some pretty niche BMT behind the scenes talk)

Movie Stub – Speed 2: Cruise Control (GA-class) – Look at this beauty. There isn’t much in the talk page, although there is a pretty thorough review commentary which I plan on looking at as some point. No specific public notes on improvements, nor do I think it needs any, so I’ll leave it be for now.

Notes – The original script was intended to be the third film in the “Die Hard” series. After the success of the first film though, the script was reworked into a Speed sequel instead. (Huh. Vengeance is a much better idea for that (and Vengeance’s script was supposed to be a Lethal Weapon sequel)).

In a 2000 interview, Sandra Bullock jokingly referred to this movie as “the biggest piece of crap ever made.” (Not really, but it isn’t great)

Gary Oldman turned down the role of the villain, and instead chose to make Air Force One (1997). (Great choice)

Although the movie was close to being universally panned by film critics, Roger Ebert and Gene Siskel were among the very few critics to give the movie a positive review. Before his death, Ebert stated that this was the review he had to defend more than any other he had written, and that it was the one most often cited as an example of him being a poor film critic. (Ebert was a rare critic who could make a convincing argument for “it’s good for what it is”. It worked for him because he rarely deployed it for really dire films and also didn’t tend to bump films up that much using the excuse. It is understandable he’d be criticized here though, it is quite a leap to call this movie anything but garbage IMO)

Keanu Reeves turned down the movie to go on tour with his band Dogstar. (FAKE NEWS. According to Keanu. See the note below)

Matthew McConaughey was one of the male stars considered once Keanu Reeves bailed. (Would have been 1000x better. Sorry Jason)

Sandra Bullock’s character Annie was not given a last name at all in Speed (1994). movie. Here, it is revealed to be Porter. (Coooool)

Sandra Bullock agreed to star in this film in order to get financing for her pet project Hope Floats (1998). (Get yo money Sandra)

Jason Patric only agreed to make the film contingent on some major script changes being made. However, when he eventually arrived onset three months later, he found that the script hadn’t changed at all and he was contractually obligated to make the film. He found the whole experience to be thoroughly miserable and depressing. (Awwwww)

Susan Barnes plays Constance in this film. In the first Speed film, she plays the frozen-in-fear female executive who is the last one out of the perilous elevator. In this film, her character is seen calmly sitting down smoking while being trapped among others in a life-threatening situation. This may allude to her character’s survival from the first film. She is one of four people to appear in both films. (Nooooooo)

Jon Bon Jovi, ‘Patrick Muldoon’, and Christian Slater were also considered for the male lead. (Jon Bon Jovi might have worked, especially if they recast Bullock as well)

The oil tanker bears the name “Eindhoven”, the Dutch hometown of director Jan de Bont. (ooooo fun fact)

The device labeled “Fiber Optic Converter” used by the hacker is really a mechanical KVM switch (a device used to operate several PCs with one set of keyboard, mouse and monitor). (Who knows these kinds of things?)

Keanu Reeves passed on the role to star in the horror film The Devil’s Advocate (1997), which was filmed at the same time as Speed 2, and subsequently toured with his band, Dogstar. Reeves said that Fox was “furious” with his decision and released “propaganda” against him, falsely claiming that he turned down the role to tour with his band.

The sequence where the Seabourn Legend rams into port was, at the time, the most expensive stunt ever filmed, accounting for $25,000,000 of the film’s $110,000,000 budget. (holy shit)

Director Jan de Bont initially felt that Speed (1994) had no sequel potential, but he was contractually obliged to direct a sequel when it was green-lit after the success of the first movie. Many ideas were pitched, including a plane which cannot ascend above a certain altitude without exploding. Finally, de Bont used an idea of his own after he had recurrent nightmares about a cruise ship crashing into an island. (Oooof. The airplane idea is much better. Should have also recast once Keanu dropped, would have made it a bit more believable maybe.)

When Annie is retaking her driving test at the end of the film, a bus identical to the one in the original Speed passes by on the highway. Annie notes to her instructor about the bus “going way too fast”.

When the oil tanker explodes, what looks like a cow can be seen flying out with the rest of the debris from the tanker, possibly a reference to the flying cow from Twister (1996). (Noooooooo)

A total of 3 different ships were used in this film: Seaborn Legend (actual cruise liner; used for most exterior shots of the ship) “Bridge Ship” (Sturgeon Atlantic freighter ship built with a false hull and bridge; used for bridge scenes and the boat crashes in the marina) “Rail Ship” (false hull built on an underwater rail; used for the island crash finale scene). All other shots of the ship were complete computer graphic effects. (Super interesting. This is what I live for)

Awards – Winner for the Razzie Award for Worst Remake or Sequel (1998)

Nominee for the Razzie Award for Worst Picture (Jan de Bont, 1998)

Nominee for the Razzie Award for Worst Actress (Sandra Bullock, 1998)

Nominee for the Razzie Award for Worst Screen Couple (Sandra Bullock, Jason Patric, 1998)

Nominee for the Razzie Award for Worst Supporting Actor (Willem Dafoe, 1998)

Nominee for the Razzie Award for Worst Director (Jan de Bont, 1998)

Nominee for the Razzie Award for Worst Screenplay (Randall McCormick, Jeff Nathanson, Jan de Bont, 1998)

Nominee for the Razzie Award for Worst Original Song (1998)

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Cool World Preview

After seeing Rich get accused of vigilante murder (again), Poe quickly pulls out a small evidence notebook to reveal that he is also a vigilante cop (what a twist!). Secretly we know this is all a frame job and they just need to stick together so they can take down their ultimate foe. They go on trial and are thrown in the slammer (again). Luckily, being Rich and Poe, they escape like the badasses they are, punching people in the throats and faces along the way. They track their arch nemesis back to a secret iron smelting plant/cocaine factory/headquarters and find that it is none other than Helmut Gruber! He’s alive! Gruber leads them on a chase through a house of mirrors. There appears to be twenty Grubers… who do they shoot? Wrong question, who don’t they shoot? They blow him to pieces with their dual miniguns and with dead doll eyes set the factory ablaze, evidence and all. They high five a whole bunch and are reinstated to the force no questions asked. THE END … [fade from imagination script world] … We nervously sit across of a high powered studio executive, the script to Rich & Poe in his hands. We’ve been waiting for hours while he’s read it in a single sitting. “Jamie and Patrick. This script is a true masterpiece. I love it more than my children. Just one thing.” We hold our breath. “I think we need to change this ending… what if, and hear me out… what if we have Rich and Poe fuck a cartoon” That’s right! We’re watching Cool World. It’s the classic tale of boy meets cartoon girl, boy has sex with a cartoon. Straight from the deranged mind of Frank Mancuso Jr., the producer of I Know Who Killed Me, this is like Who Framed Roger Rabbit except super weird and a guy has sex with a cartoon. This also officially transitions to the Calendar cycle of the year where we try to knock a few more dates off that challenge. Let’s go!

Cool World (1992) – BMeTric: 61.4

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(Makes sense it would slowly increase. It sounds like something that animation fans would kind of grow to respect over time despite its problems at the time of release. Even pulling punches on hard-R and ending up at PG-13 can be forgiven given when it was released.)

Leonard Maltin – 1.5 stars –  Pointless live-action / animation feature from Bakashi, who’s covered this ground before, much more successfully. Ex-con comic-book artist Byrne discovers his cartoon creations are real, and live in a parallel universe called Cool World. After sexy “doodle” Holli (Basinger) has sex with Byrne, she becomes human and escapes to the real world, with detective Pitt in tow. Too serious to be fun, too goofy to take seriously; lead characters unlikable and unappealing. Looks like a Roger Corman version of Roger Rabbit.

(Such a long review. Too serious to be fun and too goofy to be serious sounds exactly like I expected. Sounds ludicrous.)

Trailer – https://www.youtube.com/watch?v=_kJAVgY8DMk

(Wow, I don’t think I’ve ever seen a trailer that seemingly walks through the entire plot of a film so precisely… and boy does it seem really weird and yet super boring.)

Directors – Ralph Bakshi – (Known For: The Lord of the Rings; Fritz the Cat; Wizards; American Pop; Heavy Traffic; BMT: Cool World; Notes: Considered one of the greatest animators of all time.)

Writers – Michael Grais and Mark Victor (written by) – (Known For: Poltergeist; Future BMT: Poltergeist; Poltergeist II: The Other Side; Marked for Death; BMT: Cool World; Notes: Grais co-wrote Poltergeist with Steven Spielberg which basically influenced the rest of these two guys’ careers. Surprisingly little about them online though.)

Actors – Gabriel Byrne – (Known For: Hereditary; The Usual Suspects; Excalibur; Little Women; Enemy of the State; Miller’s Crossing; Assault on Precinct 13; Dead Man; Mad to Be Normal; The 33; Point of No Return; Vanity Fair; Louder Than Bombs; Spider; Gothic; Carrie Pilby; A Dangerous Woman; Shade; P.S.; No Pay, Nudity; Future BMT: Vampire Academy; End of Days; The Bridge of San Luis Rey; The Keep; Stigmata; Hello Again; The End of Violence; All Things to All Men; The Man in the Iron Mask; Quest for Camelot; Trial by Jury; Siesta; BMT: Cool World; Ghost Ship; Trigger Happy; Razzie Notes: Nominee for Worst Supporting Actor in 2000 for End of Days, and Stigmata; Notes: Irish. Is notable for only starting acting when he was 29, far later than most actors.)

Kim Basinger – (Known For: The Nice Guys; L.A. Confidential; Batman; 8 Mile; Nine 1/2 Weeks; Wayne’s World 2; Never Say Never Again; The Natural; The Door in the Floor; Cellular; Final Analysis; People I Know; Nadine; Fool for Love; Future BMT: The Informers; Prêt-à-Porter; My Stepmother Is an Alien; While She Was Out; The Getaway; The Real McCoy; Blind Date; The Sentinel; The Man Who Loved Women; Even Money; Third Person; I Am Here; The Death and Life of Charlie St. Cloud; The Burning Plain; BMT: Fifty Shades Darker; Cool World; Bless the Child; No Mercy; I Dreamed of Africa; The Marrying Man; Grudge Match; Razzie Notes: Winner for Worst Supporting Actress for Fifty Shades Darker in 2018; and Nominee for Worst Actress in 1987 for Nine 1/2 Weeks; in 1992 for The Marrying Man; in 1993 for Cool World, and Final Analysis; in 1995 for The Getaway; and in 2001 for Bless the Child, and I Dreamed of Africa; Notes: Kimmy B! I missed her in Fifty Shades Freed. Her daughter Ireland is a model now.)

Brad Pitt – (Known For: Deadpool 2; Ocean’s Eleven; Inglourious Basterds; Fight Club; Se7en; Ocean’s Thirteen; Ocean’s Twelve; Troy; Fury; 12 Years a Slave; The Big Short; Snatch; World War Z; The Curious Case of Benjamin Button; Mr. & Mrs. Smith; Twelve Monkeys; Megamind; True Romance; Interview with the Vampire: The Vampire Chronicles; Allied; Future BMT: The Counsellor; Full Frontal; By the Sea; Cutting Class; The Devil’s Own; The Favour; Johnny Suede; BMT: Cool World; Razzie Notes: Winner for Worst Screen Couple in 1995 for Interview with the Vampire: The Vampire Chronicles, and The Specialist; Notes: Basically just in the new recently for his high profile divorce proceedings involving Angelina Jolie, they have five children together which … complicates things.)

Budget/Gross – $30 million / Domestic: $14,110,589

(Complete bomb, but honestly that is expected. It is a Roger Rabbit knockoff and a terrible one at that.)

#222 for the Animation genre

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(Shockingly only the fourth animated film we’ve seen (The Emoji Movie, Escape From Planet Earth, Legends of Oz: Dorothy’s Return, Doogal). I believe the big jumps are introductions of new technology (CG in the mid-90s), and the various phases of those technologies. Recently, I think the jump is the complete takeover of cheap animation by CG leaving basically no traditionally animated features being released.)

Rotten Tomatoes – 4% (2/46): Cool World throws a small handful of visual sparks, but they aren’t enough to distract from the screenplay’s thin characters and scattered plot.

(I did not realize how low this rating was. That is pretty stunning. Review Highlight: A realm with precious little humor and zero pathos, to be admired only for its considerable technical achievements. – Brian Lowry, Variety … at least it is a technical achievement.)

Poster – Sklog World (C)

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(Brad Pitt looks so out of place on this poster… which is probably foreshadowing to how the effect will work in the actual film. Doesn’t even have good framing with the toons even. OK coloring and some kooky toon font rescues it a bit.)

Tagline(s) – Holli would if she could …and she will (C-)

(A little play on the character’s name and her ambitions to seduce a human… which we wouldn’t know because it’s not based on some known property. So it kinda just ends up being a meaningless play on words.)

Keyword(s) – profanity; Top Ten by BMeTric: 85.8 Troll 2 (1990); 71.5 The Human Centipede III (Final Sequence) (2015); 68.1 Vice (2015); 65.8 Problem Child 2 (1991); 64.4 Stealth (2005); 63.7 Body of Evidence (1993); 63.1 Ben & Arthur (2002); 61.9 Blair Witch (2016); 61.4 Cool World (1992); 61.1 Transformers: The Last Knight (2017);

(Problem Child 2? It is rated PG-13 and basically made for like … 13-year-olds. Why would it get a profanity keyword. You’d think you’d save that for like … specifically profane movies.)

Movie Stub – Cool World – Rated GA-Class – GA is very high by the way, likely because of the pretty big sections on the production, release, and reception. Reception is actually often noted as a blind spot for film wikipedia pages. I’m not sure what they tend to look for, I guess a few choice soundbites from bit critics, but almost all C/B-class pages mention that the reception section is lacking. To me this is a perfect wiki page for the film, and I would hope that all BMT films could aspire to the svelte plot summary and expansive notes.

Notes – Ralph Bakshi was almost fired and sued by Frank Mancuso Jr. for punching him in the nose after he told him this film was being changed.

Ralph Bakshi wanted Brad Pitt to play Jack Deebs. Brad said he wanted the same, but Paramount Pictures disagreed.

As a publicity stunt, Paramount Pictures placed a huge cut-out of Holli Would on the D of the Hollywood sign in Los Angeles. Although they did not have to pay any fees, the studio still had to make a donation of $27,000 to the sign’s maintenance fund, another $27,000 to the Rebuild L.A. fund (this was just after the L.A. riots), and the cost of two park rangers to guard the sign 24 hours a day. However, the publicity stunt angered local residents who picketed and demanded that the cut-out be taken down. (ha, fun fact)

Since the characters were simply created from scratch, the directors thought this to be appropriate to parody both popular Disney and Warner Bros. cartoon characters. A few examples would be the medium used for the rabbits, the old bald man and their own version of Geppetto and Pinnochio in a larger character’s stomach, or Daffy Duck’s face seen in a building on the movie.

In Ralph Bakshi’s original script, Holli Would was named Debbie Dallas, after the porn film Debbie Does Dallas (1978). (Kind of gross)

The movie was originally sold as a “hard-R” animated/live action horror film. The original concept art that Ralph Bakshi used to pitch the film was significantly more disturbing than what ultimately ended up onscreen, and had character designs stylistically similar to those found in Frank Miller’s “Sin City”. Once Kim Basinger became attached, she and the studio became ambivalent about the kind of reaction the movie would generate, resulting in the studio deciding to “soften” the picture to a PG-rated dark comedy (though the ratings board ultimately gave this a PG-13). (Ambivalent seems like the wrong work, to change things so dramatically one would have to be concerned about the negative buzz the picture could generate).

In the press release for the film, the studio tried to sell the movie both as a down-and-dirty Who Framed Roger Rabbit (1988) and as a technical achievement in creating a multiplane effect using live-action and animation. The claims were somewhat foolhardy as Roger’s adult situations better served its plot and Roger had scores of technical breakthroughs in its attempt to seamlessly combine live-action and animation. (Alright, calm down IMDb trivia writer. I agree, but no need to throw Roger Rabbit’s “scores” of technical breakthroughs in their faces)

Ralph Bakshi originally wanted Drew Barrymore to play the sultry Holli Would. (Oooof, that would have been weird … did they decide that was a bad idea before or after they realized she was 17 at the time? …)

The character of Nails the Spider is borrowed from Bakshi’s own Christmas in Tattertown character Sidney the Spider. Charlie Adler provides the voices for both characters.

As of 2017, this is Ralph Bakshi’s last film, though he does intend to return to filmmaking soon, after being annoyed by every major animated film being made with computer animation. (He’s going to be annoyed for a long time sadly)

Despite the film’s less than stellar performance, its soundtrack gained critical acclaim and popularity which consists of electronic dance and rock songs by David Bowie, Moby, Neil Tennant and Mark Isham, the film’s composer.

The song, “Disappointed” by Electronic, appeared on the film’s soundtrack before this appeared on any of the band’s own albums. In 2006, this was finally released on the band’s compilation album, “Get the Message – The Best of Electronic”. (WHAT that is crazy)

During a meeting mid-production, Kim Basinger told Ralph Bakshi and Frank Mancuso Jr. that this would be wonderful if she could show this movie to sick children in hospitals. Bakshi replied “Kim, I think that’s wonderful, but you’ve got the wrong guy to do that with. Why didn’t you tell me that on the way in? How are you telling me that halfway through the picture?” Mancuso reportedly agreed with Basinger that this was a good idea. (This I assume was the incident that Bakshi punched Mancuso in the nose over. I love that this is the producer of I Know Who Killed Me as well.)

Awards

Nominee for the Razzie Award for Worst Actress (Kim Basinger, 1993)

Underclassman Preview

Pacing the room and slamming Mountain Dew, Patrick and I brainstorm our barnburner of a film. Chris Klein has already signed on and our mind is on action (and plenty of it, you betta believe). However, when we open the door for our old bag of a stenographer we are taken aback. She’s no old bag at all! Quite the contrary! Did the company not see where we wrote “old bag” in the comment section? Oh well, being consummate professionals we get right to work. She’s efficient and hardworking and together we make quick work of the script. We shake hands with her and provide a glowing review to her temp agency. We offer each other some honest feedback for future improvement. Where boundaries may have been crossed in the name of romance, instead a beautiful professional relationship built on mutual respect had bloomed. After she departs we look at the script. It reads Rich & Poe and boy howdy do these hard-boiled detectives get into some deep undercover action in this action flick. That’s right! We’re watching Underclassman, the Nick Cannon 21 Jump Street knock-off where he’s a cop that has to infiltrate a high school. No doubt we’re gonna have some sweet inappropriate jokes about underage girls and teachers sleeping with students. Can’t wait. Let’s go!

Underclassman (2005) – BMeTric: 51.1

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(Wow that started amazingly low. Its creeped up to where I think maybe it should be (mid-4.0s, which is basically really fucking bad … but not so bad you’d have heard of it for being bad). Kind of amazing how hated it is though, I would have imagined this would have just gotten forgotten. Maybe because it was released just as IMDb was coming into their own? You can even see this plot starts basically right when the movie was released which is pretty stunning for a 2005 release. Look at the first scrape!)

Leonard Maltin – BOMB –  Pause here for a Jack Webb “uh-huh”: Instead of being canned when he precipitates half a mile’s worth of car-chase damage, barely-literate cop Cannon is assigned to pose incognito as a student at a swanky prep school that’s been victimized by a car-theft ring. Few clichés are missed, including Cannon’s inevitable yen for the campus Spanish instructor (Sanchez). Script is in serious stupor, as if it has spent a month in a locked room with some of Cheech’s old stash.

(Jack Webb was in Dragnet which Leonard is kind of cryptically referencing. This is a very weird review, especially the end. I think Leonard just hates lazy cliché ridden garbage? There is almost no reason this is a BOMB considering some of the other passes he tends to dole out for simple nonsense.)

Trailer – https://www.youtube.com/watch?v=nB3rqT7X4Bw

(Ooooof, that looks absolutely terrible. Terrible race jokes. Terrible sex-with-the-teacher insinuations. Terrible sports scenes. Oh wait, did I say terrible? I meant I am very excited for this film.)

Directors – Marcos Siega – (Future BMT: Chaos Theory; Pretty Persuasion; BMT: Underclassman; Notes: He’s pretty exclusively a television producer/director. He directed a ton of The Following, Dexter, and Vampire Diaries among others. He’s also made quite a few television movies as well.)

Writers – Brent Goldberg (story & screenplay) and David Wagner (story) (as David T. Wagner & screenplay) (as David T. Wagner) – (Known For: The Girl Next Door; Future BMT: Van Wilder 2: The Rise of Taj; My Baby’s Daddy; Van Wilder: Party Liaison; BMT: Underclassman; Notes: These guys killed it in the early 2000s. They really dropped off the radar in 2005 though, here’s an interview concerning their collaboration from 2004.)

Nick Cannon (story) – (BMT: Underclassman; Notes: He actually has a ton of writing credits, but they are either on concert/music projects or the movies he’s been involved with don’t have enough reviews on Rotten Tomatoes. I wish there was a way to know the level of involvement with the “story” Nick Cannon had though.)

Actors – Nick Cannon – (Known For: Chi-Raq; Monster House; Drumline; Bobby; Shall We Dance; Roll Bounce; The Killing Room; King of the Dancehall; American Son; Future BMT: Garfield; Love Don’t Cost a Thing; Whatever It Takes; Goal II: Living the Dream; Men in Black II; Even Money; Weapons; BMT: Underclassman; Notes: Was married to Mariah Carey for eight years, they had a pair of twins (heyyyyyoooo) in 2011.)

Shawn Ashmore – (Known For: X-Men: Days of Future Past; X-Men; X-Men: The Last Stand; X-Men 2; The Ruins; Mother’s Day; Frozen; Strike!; Mariachi Gringo; Future BMT: The Day; Hatchet II; Acts of Violence; Breaking the Girls; The Quiet; BMT: Underclassman; Notes: Played the Iceman in X-Men. Has a twin brother who has mostly been on television, including five episodes of Veronica Mars.)

Kelly Hu – (Known For: X-Men 2; The Scorpion King; The Doors; Strange Days; Americanese; Future BMT: Surf Ninjas; Harley Davidson and the Marlboro Man; Wo zhi nv ren xin; BMT: Friday the 13th Part VIII: Jason Takes Manhattan; Underclassman; Cradle 2 the Grave; Notes: Was a Miss Teen USA, born in Hawaii.)

Budget/Gross – $25 million / Domestic: $5,655,459 (Worldwide: $5,879,555)

(A complete and utter disaster. Kind of a wonder they released it at all. It was apparently delayed from 2004, so they certainly could have pushed it out onto cable. Although … I suppose the movie does skew a bit old for the Nick Cannon demographic. What a strange strange movie.)

Rotten Tomatoes – 6% (5/83): Despite the appealing presence of Nick Cannon, Underclassman is a shopworn Beverly Hills Cop/ 21 Jump Street knockoff.

(Single digits baby. Nearly one hundred reviews as well, which is nothing to sniff at. That time, around 2005, was a weird time huh? Uwe Boll films, and Nick Cannon in actual movies. Wild. Reviewer Highlight: Almost comically unambitious, Underclassman seldom tries to be funny, and never even attempts to be original. – Nathan Rabin, AV Club)

Poster – UnderSklogins (D)

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(I find it incredibly weird that he’s holding his gun like that in the poster… he’s like casually pointing it at the audience. Put that away! You’re scaring the children! I kid because I love… how terrible this all is. Woof.)

Tagline(s) – A Comedy About Upholding The Law And Disturbing The Peace (C-)

Get Ready To Be Schooled (A-)

(Both are on the poster, both are getting judged. First one is terrible. Too long and self-referential like it’s from the old days or something. “A Comedy About…” really? Just do the joke you’re aiming for. Upholding the law and disturbing the peace… Underclassman. Boom. Easy. Second one is better. Clever, hints at the plot, short and sweet. I like it.)

Keyword(s) – undercover; Top Ten by BMeTric: 84.3 Police Academy: Mission to Moscow (1994); 82.2 Barb Wire (1996); 81.1 Stop! Or My Mom Will Shoot (1992); 74.9 Taxi (I) (2004); 73.6 Jason Goes to Hell: The Final Friday (1993); 71.8 Big Mommas: Like Father, Like Son (2011); 70.4 Big Momma’s House 2 (2006); 70.3 On Deadly Ground (1994); 67.8 Larry the Cable Guy: Health Inspector (2006); 65.5 Miss Congeniality 2: Armed & Fabulous (2005);

(Big Momma Like Father Like Son best be there. We’ll probably hit all of these, although the Cable Guy movies will get a bit dicey. There are some things that kind of make you wonder “why am I doing this?” and I have a feeling watching the Larry the Cable Guy movies would be one of those things. Although, I have to admit … he was fine in Madea Christmas, so what do I know?)

Movie Stub – Underclassman (Start-class) – So when I got to this webpage the critical reception and box office response was jammed together. Also the entire thing sounded “non-encyclopedia” and it was suggested that the entire article be rewritten. I wouldn’t go so far, it had the proper structure, it was just a little loosey goosey with the lingo. Finally, I expanded the plot summary to a comfortable 410 words, and re-submitted the article for review. Viola, now that is a start-class wiki page! Actually, I think it is borderline C-class according to the quality guidelines, although some notes about production I think would be needed to put it over the top.

Notes – Originally set for a US theatrical release in 2004. Then two massive waves of layoffs were sustained at Miramax and Dimension, and the infamous Disney and Miramax split reached its height. This film thus remained in the Miramax vaults unreleased during this time of uncertainty. When the Disney and Miramax divorce was finally completed, numerous films under the Miramax and Dimension label were finally released theatrically. (I do love production issues, usually explains a lot)

The scene where Trey shoots Murdock and eventually tackles an undercover DEA agent which results in him explaining that Murdock can’t be a murder suspect because he was out of town on that date is extremely reminiscent of an exact same scene from Point Break (1991) where Tom Sizemore is the DEA agent. (fun fact?)

Alone in the Dark Preview

Ruffles, our beloved dog lawyer, has been kidnapped by the assassin Aitch and Patrick and I are crushed. We end up going on a weeklong bender in beautiful Vancouver fighting anyone and everyone that gets in our way. Alone except for the booze, we are approached by an NCIS: New Orleans agent who looks suspiciously like mega-star Scott Bakula from the smash television hit Quantum Leap. “Hi, I’m Scott Bakula,” he says and offers us a deal. He will tell us where Ruffles is in exchange for help on a matter of national security. We know what that means: g-g-g-g-g-ghosts! In the end we relent… for Ruffles. When we go to where Ruffles is being held we are ambushed by the cops. Fortunately, Aitch swoops in with some wire-fu and explosions galore and frees us. Turns out Aitch is a lady assassin and is on our side after all. What a twist! She was actually keeping Ruffles safe from mega-star Scott Bakula. But wait, it turns out she’s not a “she” but in fact mega-star Scott Bakula himself! What a double twist! He peels off his Mission Impossible facemask as we look on in shock. “What are you doing here? You betrayed us,” we say. “Did I,” he says softly, “Or did I save you… sons?” What a triple twist! We hug mega-star Scott Bakula and know that there is one final thing to do before we start setting up that production company. “Still need some help fighting those g-g-g-g-g-ghosts, Dad?” To which he responds with a wink, “Hope you’re not afraid of the dark.” That’s right! We’re watching Alone in the Dark. When we watched In the Name of the King: A Dungeon Siege Tale all those years ago we promised ourselves we would never watch another Uwe Boll movie. Mostly because he doesn’t make real movies, but rather financial scheme disguised as movies. But promises are meant to be broken, especially when we are looking for a producer that also produced that HoFer ItNotK:ADST… which pretty much limits us to Uwe Boll films. Well fuck us, right? Let’s go!

Alone in the Dark (2005) – BMeTric: 90.2

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(Legendary naturally. To just sit cold at 2.3 is just nuts. Would be one of the highest BMeTric films if people bothered to watch it. If that vote count doubled (and I’m not sure the rating would go up even if it did) it would exceed Meet the Spartans.)

Leonard Maltin – BOMB –  Paranormal investigator Slater tangles with a mad scientist in this unintelligible time-waster based on an Atari video game. The opening crawl is dopey and overlong; what follows is mind-numbingly awful. Casting Reid as an anthropologist is like assigning Curly Howard the role of neurosurgeon.

(Kind of an unnecessary dig at Tara Reid there. That was the obvious intention of the casting, to make it somewhat of a joke in and of itself. I’m glad I get an overlong and awful opening crawl though, I’ll revel in that a bit before my brain starts to scream.)

Trailer – https://www.imdb.com/title/tt0369226/videoplayer/vi4088725785?ref_=tt_ov_vi

(If you get this far the video above that is embedded is just a teaser, the link itself though is to IMDb which has the full trailer (youtube for some reason doesn’t). The CGI looks like complete garbage, the dialogue and action look terrible and blessedly ludicrous. It is pretty sweet I think.)

Directors – Uwe Boll – (Future BMT: House of the Dead; BloodRayne; Postal; Blackwoods; Bailout: The Age of Greed; BMT: Alone in the Dark; In the Name of the King: A Dungeon Siege Tale; Razzie Notes: Winner for Worst Director in 2009 for In the Name of the King: A Dungeon Siege Tale, Postal, and Tunnel Rats; Nominee for Worst Director in 2006 for Alone in the Dark; and in 2007 for BloodRayne; and Nominee for Worst Supporting Actor for Postal in 2009; Notes: He literally makes tax shelter films. He is quoted as saying “Maybe you know it, but it’s not so easy to finance movies in total. The reason I am able to do these kind of movies is I have a tax shelter fund in Germany, and if you invest in a movie in Germany you get basically 50% back from the government.” This though can’t actually be one because it was filmed in Canada which violates the agreement.)

Writers – Elan Mastai (written by) – (Known For: What If; Future BMT: The Samaritan; BMT: Alone in the Dark; Notes: Just wrote his debut novel All Our Wrong Todays which is about time travel and seems to have gotten pretty excellent reviews actually.)

Michael Roesch and Peter Scheerer (written by) – (BMT: Alone in the Dark; Notes: They have written several Uwe Boll films, although mostly the later ones which didn’t get real releases. Here is an article about the production.)

Actors – Christian Slater – (Known For: Nymphomaniac: Vol. I; True Romance; Heathers; Austin Powers: International Man of Mystery; Robin Hood: Prince of Thieves; Interview with the Vampire: The Vampire Chronicles; The Wife; Zoolander; The Name of the Rose; Bullet to the Head; FernGully: The Last Rainforest; The Legend of Billie Jean; Broken Arrow; Very Bad Things; King Cobra; Bobby; Star Trek VI: The Undiscovered Country; La Cordillera; Pump Up the Volume; Untamed Heart; Future BMT: Hot Tub Time Machine 2; Soldiers of Fortune; Stranded; Playback; Sofia; The Ten Commandments; Hard Ca$h; Slipstream; Windtalkers; Igor; True Deception; Kuffs; Masked and Anonymous; Jimmy Hollywood; The Wizard; Mobsters; Tales from the Darkside: The Movie; Mindhunters; Bed of Roses; Young Guns II: Blaze of Glory; Gleaming the Cube; Who Is Cletis Tout?; BMT: Alone in the Dark; Hard Rain; 3000 Miles to Graceland; Razzie Notes: Nominee for Worst Supporting Actor in 1992 for Mobsters, and Robin Hood: Prince of Thieves; Notes: Got his break in Heathers, and has been working consistently to a degree since. He’s now a part of the hit television program Mr. Robot.)

Tara Reid – (Known For: American Pie; The Big Lebowski; Cruel Intentions; American Reunion; American Pie 2; Josie and the Pussycats; Dr. T & the Women; Future BMT: My Boss’s Daughter; The Crow: Wicked Prayer; Urban Legend; Body Shots; Just Visiting; Van Wilder: Party Liaison; BMT: Alone in the Dark; Razzie Notes: Nominee for Worst Actress for Alone in the Dark in 2006; Nominee for Worst Supporting Actress, and Worst Screen Couple for My Boss’s Daughter in 2004; and Nominee for Worst Screen Couple for Just Married in 2004; Notes: Somewhat of a punchline these days unfortunately. An example of how quickly one’s career can crater when you don’t guard against taking on poor projects. Her starring turn in Sharknado kind of revitalized her career a bit, although perhaps ironically.)

Stephen Dorff – (Known For: Public Enemies; Blade; The Iceman; Zoolander; World Trade Center; Somewhere; The Gate; Felon; Cecil B. DeMented; I Shot Andy Warhol; Blood and Wine; Backbeat; The Motel Life; Brake; City of Industry; The Deal; Nanking; Zaytoun; Entropy; Future BMT: Cold Creek Manor; Leatherface; A Glimpse Inside the Mind of Charles Swan III; Space Truckers; American Hero; Immortals; Steal; Deuces Wild; Shadowboxer; Tomorrow You’re Gone; Jackals; Botched; S.F.W.; Judgment Night; Den of Lions; BMT: Alone in the Dark; Feardotcom; Bucky Larson: Born to Be a Star; Notes: Will play a prominent role in HBO’s True Detective Season 3.)

Budget/Gross – $20 million / Domestic: $5,178,569 (Worldwide: $10,442,808)

(Funny enough I had a whole thing written about how this film made money from tax breaks … but it probably actually couldn’t because it was filmed in Canada, not Germany. Which means … as crazy as it sounds, someone decided to make Alone in the Dark with actual financing. Naturally it was a complete bomb … congrats.)

#65 for the Creature Feature genre

aloneinthedark_creaturefeature

(There is a fascination with the creature feature, and there always has been I suppose. Jaws busted it out in the blockbuster, and then with CGI things like Anaconda made them huge in the late 90s. Alien, King Kong, Godzilla, Jurassic World … it really isn’t ever going to stop. A Sound of Thunder and Critters 2 made less money than this piece of garbage, think on that for a hot second.)

#332 for the Horror – R-Rated genre

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(This is having a moment naturally, although it is interesting that it isn’t doing exceptionally well financially. By which I mean: with IT and Get Out’s success I would have thought that the dollar per theater number would have just been huge. But really it seems like it has just returned to the position it was in in the late-90s weirdly. At least on average.)

#35 for the Video Game Adaptation genre

aloneinthedark_videogameadaptation

(They really have been trying to make this a thing since it all began. It has actually ticked up a bit on the return recently, and the reviews are coming in … but then again, Marvel/Star Wars/ Disney just kind of consume everything as well, so I don’t really see much room for giant video game franchises. Maybe they’ll end up on television though which could actually be quite cool now that I think about it.)

Rotten Tomatoes – 1% (1/120): Inept on almost every level, Alone in the Dark may not work as a thriller, but it’s good for some head-slapping, incredulous laughter.

(This is arguably the second worst reviewed film of all time. It kind of depends on how you define things. Our last movie, Ballistic: Ecks vs. Sever has less review (116), but all bad. The former BMT thriller Twisted has more reviews (136) but two are good. One missed call also has a perfect 0% with only 80 reviews as well. So depending on how you calculate things I think there is a strong argument this is the second worst reviewed film of all time.)

Poster – Alone in the Sklog (C+)

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(While cheap looking and with totally uninteresting font and color scheme, it’s not as bad as I would have expected. It also has some artistic touch that makes it a bit more interesting that it probably should be.)

Tagline(s) – Evil awakens. (D)

(Blah. Really hard to have an original and interesting two word tagline to a film. This is neither of those.)

Keyword(s) – battle; Top Ten by BMeTric: 96.2 Epic Movie (2007); 95.9 Meet the Spartans (2008); 94.6 Battlefield Earth (2000); 93.7 Dragonball Evolution (2009); 90.2 Alone in the Dark (2005); 88.6 House of the Dead (2003); 88.6 Street Fighter (1994); 87.4 The Last Airbender (2010); 86.5 Mortal Kombat: Annihilation (1997); 85.9 In the Name of the King: A Dungeon Siege Tale (2007);

(Given that I’ve seen Street Fighter and Mortal Kombat: Annihilation (in theaters …) I am kind of one away from completing this list … that is pretty impressive. For the keyword battle!)

Notes – The lengthy opening text crawl was added after numerous test audience members said they were confused by the plot. (As I assume most such terrible beginnings are made)

After execs read the green draft of the shooting script, the film got an additional $10 million. Uwe Boll poured the money into special effects. (After they saw how real this tax shelter of a film was some rich German decided to evade several million more dollars worth of taxes … that is literally how this probably worked).

Was named worst film of 2005 by the Stinkers Bad Movie Awards. (One of the last ones)

Every piece of body armor worn by the various extra foot soldiers during major battle scenes is paintball body protection made by JT USA. (Sigh)

Uwe Boll wanted Christian Bale and Jessica Alba for the leads. (I’m sure he wanted many a thing in this pipe dream of a film)

One of the two films that received an “F” CinemaScore from audiences upon their release in 2005, along with Wolf Creek (2005). (That is actually pretty awesome. Wolf Creek doesn’t even qualify)

Nuclear Blast spend $30,000 on the soundtrack rights to promote their bands.

Uwe Boll stated on various occasions that he regretted having Tara Reid in the film. (I’m sure she regretted being in the film)

The song that can be heard during the shooting sequence is “Ghost” by Mnemic.

Uwe Boll changed the ending from the original script to make a more ambiguous note.

A love scene between Christian Slater and Tara Reid featuring the song “Seven Seconds” by Youssou N’Dour and Neneh Cherry can be seen in the extended version. (Nooooooooo, I best be getting the extended version)

Awards

Nominee for the Razzie Award for Worst Actress (Tara Reid)

Nominee for the Razzie Award for Worst Director (Uwe Boll)

Meet the Spartans Preview

Fresh off our hike to Spain, Patrick and I are captured by the Absterlutely FerSher Industries goons and thrust into the Amnimals machine. Turns out it was all a ruse (what a twist!) and they didn’t want to help us get the Obsidian Dongle at all! Instead they wanted to hook our super big brains (nbd) into the machine to triangulate the location of the Dongle and grab it for themselves so they can control the world (told you the Obsidian Dongle was rad). “No way!” we say. Time to double cross and grab the Dongle right back. They didn’t count on our ninja skillz as we totally karate chop them in the wrist and get all up in that Dongle business. However, upon fleeing using our jet packs the goons reverse the Amnimals machine to brain drain us! Oh no! We are becoming extra dumb dumbs! As we crash land in Greece we know deep down what we must do with the Obsidian Dongle but keep getting distracted by the dumbest things possible. That’s right! We’re watching Meet the Spartans. Almost certainly one of the dumbest things we’ll ever watch this is also the highest BMeTric scoring films left for BMT and obviously appears on the BMT Calendar. Perfect for our Challenges entry in the cycle. We’ve avoided it for too long. Let’s go!

Meet the Spartans (2008) – BMeTric: 95.9

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(Even this gets a little bit of that sweet sweet regression to the mean. Given that there are now nearly 100K votes on IMDb I guess it isn’t a surprise that they aren’t all ones and twos. It must get a few threes thrown to it once in a while. This is just a shade below Epic Movie as the worst (best?) BMeTric of all time.)

Leonard Maltin – BOMB –  The creators of Date Movie and Epic Movie concocted this moronic, product-placement-laden spoof of the homoeroticism of 300, aimed at adolescent boys. Plot involves King Leonidas of Sparta (Maguire) and his self-adoring, scantily clad warriors as they battle the Persians. Oodles of pop-cultural references are complete duds. Unrated version runs 87m.

(That run time pleases me, as does the kick ass hyphen game from Leonard, and that this is the second BOMB of the cycle. Funny enough looking around I think this is only the second BOMB in something like eight months, although that is slightly less clear. He is certainly precious with them.)

Trailer – https://www.youtube.com/watch?v=RY-zJtYYolo

(Oooooof the Britney Spears part. That actress plays like four or five different parts and was in over one hundred MadTv episodes (that makes so much sense …). The film looks aggressively dumb and not funny. Why? Why are we doing this?)

Directors – Jason Friedberg and Aaron Seltzer – (Future BMT: Disaster Movie; Date Movie; Vampires Suck; The Starving Games; Best Night Ever; BMT: Epic Movie; Meet the Spartans; Razzie Notes: Nominee for Worst Director in 2009 for Disaster Movie, and Meet the Spartans; and in 2011 for Vampires Suck; and Nominee for Worst Screenplay in 2008 for Epic Movie; in 2009 for Disaster Movie, and Meet the Spartans; and in 2011 for Vampires Suck; Notes: Over a year ago it was rumored that they were working on a Star Wars spoof … I kind of hope it happens. It does have an IMDb page. So I think the title will ultimately change, seems way too close to the movies that Craig Moss produces like this and this.)

Writers – Jason Friedberg  and Aaron Seltzer (written by) – (Known For: Scary Movie; Future BMT: Disaster Movie; Date Movie; Vampires Suck; The Starving Games; Scary Movie 4; Scary Movie 2; Spy Hard; Scary Movie 3; Best Night Ever; BMT: Epic Movie; Meet the Spartans; Razzie Notes: Nominee for Worst Director in 2009 for Disaster Movie, and Meet the Spartans; and in 2011 for Vampires Suck; and Nominee for Worst Screenplay in 2008 for Epic Movie; in 2009 for Disaster Movie, and Meet the Spartans; and in 2011 for Vampires Suck; Notes: Recently they’ve been brought up on multiple sites to slam Ready Player One. The comparison is mainly about the sheer amount of product placement they use.)

Actors – Sean Maguire – (Known For: Waterland; The Dukes; BMT: Meet the Spartans; Notes: After this film he turned down Kröd Mändoon and the Flaming Sword of Fire, a British show, because he wanted to be taken more seriously. He reconsidered at the behest of his agent. He played Robin Hood in Once Upon a Time.)

Kevin Sorbo – (Known For: Soul Surfer; Let There Be Light; Future BMT: God’s Not Dead; Bitch Slap; Big Fat Important Movie; Kull the Conqueror; The Kings of Mykonos; BMT: Meet the Spartans; Notes: Hercules. Raised in Minnesota he’s done a number of Christian films recently. He claims he isn’t overly religious, although he endorsed Donald Trump for president saying that “Jesus would have voted for Trump”.)

Carmen Electra – (Known For: Scary Movie; Starsky & Hutch; Get Over It; Mr 3000; I Want Candy; Future BMT: Disaster Movie; Date Movie; Pledge This!; My Boss’s Daughter; Scary Movie 4; Dirty Love; Good Burger; Bedtime Stories; Uptown Girls; Christmas in Wonderland; Full of It; Perfume; The Mating Habits of the Earthbound Human; BMT: Epic Movie; Meet the Spartans; Cheaper by the Dozen 2; Razzie Notes: Winner for Worst Supporting Actress in 2007 for Date Movie, and Scary Movie 4; and Nominee for Worst Supporting Actress in 2005 for Starsky & Hutch; in 2006 for Dirty Love; in 2008 for Epic Movie; and in 2009 for Disaster Movie, and Meet the Spartans; Notes: I knew her mostly from MTV’s Singled Out, but her career is nuts. Fronted for a rap group in LA until being discovered by Prince, then toured with him as his opening act. Ended up getting her big break on Baywatch.)

Budget/Gross – $30 million / Domestic: $38,233,676 (Worldwide: $84,646,831)

(Solid return. Not a surprise they produced a sequel. Oh, what’s that, you think they didn’t make a sequel? Well, at one point a wikipedia page existed for Meet the Spartans 2, which now redirects to Disaster Movie. It is almost definite that they realized that making fun of 300 didn’t work any more so they transitioned the planned sequel into something more fresh. Still, not surprising that they continued on their merry way with the franchise.)

#20 for the Comedy – Spoof genre

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(This came at a peak for the Friedberg / Seltzer brand of spoof. Subsequently the genre has well and truly died I think. Fifty Shades of Black was the last real example and it made so little money I don’t think the Wayans brothers are going to do anymore. It really depends on how you define things like Popstar: Never Stop Never Stopping. Then again, that didn’t make much money either. Given the success of the Wet Hot American Summer television series, I wonder if we’ll see a few more TV examples in the coming years.)

Rotten Tomatoes – 2% (1/48): A tired, unfunny, offensive waste of time, Meet the Spartans scrapes the bottom of the cinematic barrel.

(Amazing. That one good review basically says “don’t expect much and this isn’t literally the worst thing you’ve ever seen” .. Reviewer Highlight: What’s the point of making a parody that’s dumber than the stuff it parodies? – Gene Seymour, Newsday)

Poster – Meet the Sklogans (F)

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(Designed like a heat seeking missile aimed at me not wanting to watch this movie. Nope. Pass.)

Tagline(s) – The Bigger the Hit, The Harder They Fall (C+)

(Oh geez. This is on the level of “From the producers of..” type self-referential taglines that I don’t like. Doesn’t tell me much about the film other than that it is a spoof… which everyone knows. Though it is at least a little clever, so climbs out of the basement.)

Keyword(s) – greece; Top Ten by BMeTric: 95.9 Meet the Spartans (2008); 82.6 The Legend of Hercules (2014); 51.0 Lara Croft Tomb Raider: The Cradle of Life (2003); 49.0 Mortdecai (2015); 48.7 Hercules Reborn (2014); 47.8 Alexander (2004); 41.1 Clash of the Titans (2010); 40.8 Wrath of the Titans (2012); 40.5 Hercules (1983); 40.2 Ben-Hur (2016);

(Sigh nothing will ever beat it. It will be stuck on the Mapstreet’s Map Alright! Sklogpacking Across Europe forever and ever. Good news is Alexander will be amazing to watch I think.)

Notes – Not screened for critics. (duh)

The entire movie was shot in a week. (WHAT)

The film led Sean McGuire to be cast as the title character of the short-lived fantasy comedy series “Krod Mandoon and the Flaming Sword of Fire”, which was discontinued after 1 season due to it’s mixed reviews.

The narrator introduces Xerxes as looking like the fat guy from Borat, he’s played by Ken Davitian who played the fat guy in Borat.

To date (2011), one of two movies written and directed by both Jason Friedberg and Aaron Seltzer, not to have the word “movie” in the title. The other is Vampires Suck (2010).

Nominee for the Razzie Award for Worst Picture

Nominee for the Razzie Award for Worst Supporting Actress (Carmen Electra)

Nominee for the Razzie Award for Worst Prequel, Remake, Rip-Off or Sequel

Nominee for the Razzie Award for Worst Director (Jason Friedberg, Aaron Seltzer)

Nominee for the Razzie Award for Worst Screenplay (Jason Friedberg, Aaron Seltzer)

Extreme Ops Preview

Wild success on our first official trek of the cycle. It was a tough hike from Norway to The Netherlands, but well worth it as we arrived in Amsterdam to the sweet stench of dog poo. But our time in this dog poo location was only too brief and we must pack up our stuff and take a literal hike to the mighty Alps. That’s right! We’re watching Extreme Ops, the extreme sports action thriller set in Austria. Wiener schnitzel and Edelweiss awaits our arrival, but one can only hope that we are instead served up another steaming pile of dog poo instead… have I said dog poo enough times? Let’s go!

Extreme Ops (2002) – BMeTric: 46.5

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(The fact that this keeps climbing up probably means it isn’t legendarily bad. But it is pretty stunning that the film opened as low as it did. Below 4.0 for a film that should only really be watched by the people it was designed to please? That is pretty nuts.)

Leonard Maltin – 2  stars –  Ho-hum actioner in which a wild-and-crazy film crew, shooting a commercial in the Austrian Alps, tangles with a Serbian war criminal in hiding. The genetic snowboarding/skiing/kayaking sequences look as it they’ve been lifted from a sports video.

(Jesus, drop the mic a bit more Leonard. This movie is boring and the scenes with actual extreme sports look boring too! That is what it boils down to, and yet two stars? That might be the most stunning part of all. That Leonard Maltin seemingly didn’t mind Extreme Ops.)

Trailer – https://www.youtube.com/watch?v=2ZoACTYqwbg

(It starts looking like a horror film? And the terrorism parts looks crazy, I have a hard time believing that is actually how it ultimately looks like, because the minicam footage looks like cinema quality. It also looked like they just gave up the end of the film with the helicopter blowing up … like how wouldn’t that be the end of the film?)

Directors – Christian Duguay – (Known For: Un sac de billes; The Assignment; Belle et Sébastien, l’aventure continue; Future BMT: The Art of War; Live Wire; Screamers; BMT: Extreme Ops; Notes: Canadian, started his career as a camera operator across commercials and documentaries and film. He’s more recently done a string of French films.)

Writers – Timothy Scott Bogart (story) – (Known For: The I Inside; BMT: Extreme Ops; Notes: He started a production company, Boardwalk Entertainment Group, at some point around 2013, but there is very little information about the productions they have done.)

Mark Mullin (story) – (BMT: Extreme Ops; Notes: The note from variety shows that he was at some point attached to an Untitled Smokejumpers Project. That is literally a fake movie from Entourage, Smokejumpers. Vinny and the director get into such a big fight they end up cancelling the production entirely.)

Michael Zaidan (screenplay) – (BMT: Extreme Ops; Notes: Again, not much about him, but you can read the Variety blurb which describes, presumably, this film, originally entitled The Extremists apparently.)

Actors – Rufus Sewell – (Known For: Hercules; Dark City; A Knight’s Tale; The Holiday; The Illusionist; Hamlet; Paris, je t’aime; Dangerous Beauty; Amazing Grace; Carrington; Blinky Bill; The Sea; Vinyan; A Man of No Importance; Twenty-One; Future BMT: Abraham Lincoln: Vampire Hunter; The Legend of Zorro; The Tourist; All Things to All Men; I’ll Follow You Down; Downloading Nancy; Tristan + Isolde; Hotel Noir; Martha – Meet Frank, Daniel and Laurence; BMT: Gods of Egypt; Bless the Child; Extreme Ops; Notes: Son of the animator who did the Lucy in the Sky with Diamonds segment from Yellow Submarine. Raised in Twickenham with an impressive London theatre resume.)

Devon Sawa – (Known For: Casper; Little Giants; SLC Punk!; The Guilty; 388 Arletta Avenue; A Cool, Dry Place; Future BMT: Slackers; Life on the Line; Idle Hands; Wild America; Final Destination; Now and Then; BMT: Extreme Ops; Notes: Kind of came from a Hollywood family, his mother was a production designer. Did all of his own stunts in Extreme Ops.)

Bridgette Wilson-Sampras – (Known For: Billy Madison; Shopgirl; Higher Learning; Nixon; Unhook the Stars; Future BMT: The Wedding Planner; House on Haunted Hill; Mortal Kombat; Just Visiting; The Suburbans; Beautiful; Last Action Hero; Love Stinks; The Real Blonde; BMT: Extreme Ops; I Know What You Did Last Summer; Notes: Married to Pete Sampras obviously. At one point you could get the (terrible) 150-1 odds that their first son Christian would win Wimbledon … I’m not even sure he plays tennis so that would have been a waste of money.)

Budget/Gross – $40 million / Domestic: $4,842,259 (Worldwide: $10,959,475)

(A complete disaster, although I’m a bit skeptical of the budget. It feels like one of those things where the more they report the larger the tax break from Austria or wherever this was actually filmed. I have a hard time believing they managed to sink $40 million into this for reals.)

#20 for the Sports – Extreme genre

extremeops_extremesports

(Oh my right at the peak. xXx: State of the Union, Out Cold, Rollerball were previous BMT films. There really was a moment though. xXx, this, and Blue Crush all came out in the same year. I do think this is exactly the type of niche genre that, like movies made for car or gun fanatics, inevitably made more sense to release to VOD.)

Rotten Tomatoes – 7% (5/67): The various stunts in Extreme Ops don’t compensate for the inane storyline and bad dialogue.

(All. day. Long. I love inane storyline and bad dialogue, so I watch this all day. Reviewer Highlight: The impossible plot and laugh-out-loud dialogue would have been tolerable if the tricks were impressive. – Christy Lemire, Associated Press.)

Poster – Extreme Sklogs (B+)

extreme_ops

(I actually dig this poster. Bold blue with an artistic bent to presenting the extreme sports the film is meant to promote. Also nice unique font. Not perfect, but pretty… rad.)

Tagline(s) – Fear is a trigger (F)

(I literally don’t know what this means. Does this actually have something to do with fear being a trigger… like this is a trigger warning that they will be afraid and have trouble watching the film. I seriously don’t understand.)

Keyword(s) – time bomb; Top Ten by BMeTric: 90.1 Alone in the Dark (2005); 89.4 Speed 2: Cruise Control (1997); 88.5 Street Fighter (1994); 85.2 Spice World (1997); 83.5 RoboCop 3 (1993); 78.8 Torque (2004); 77.9 Universal Soldier: The Return (1999); 70.2 On Deadly Ground (1994); 68.0 Double Team (1997); 64.2 Fair Game (1995);

(Fun fact: having watched the movie, there isn’t a time bomb in it. So good job random IMDb user, you completely botched that one. And that is why I don’t totally trust IMDb keywords. It was probably inserted by some guy who was like, “wait, there was a time bomb in this right … totes, otherwise why would I think this is so gnarly”. WRONG)

Notes – The closing credits begin with ‘To Werner’ – Werner Koenig had died in an avalanche in 2000 while location scouting for this movie. (Oh wow, that is terrible)

Deuce Bigalow: European Gigolo Preview

We are Sklogpacking right across Europe and there is literally no other choice for the comedy entry in the cycle than the film for this week. Based on historical evidence this will either be an underrated comedy that he hold close to our hearts… or it will literally be the worst thing we’ve ever seen. That’s right! We’re watching Deuce Bigelow European Gigolo. Obviously watching this critically reviled sequel will involve a bonus viewing of the first film (generally thought to be bad, but at least better than the second film). The sequel took Rob Schneider to beautiful Amsterdam to attempt to figure out who was out killing Male Gigolos across Europe. If it can at least not be a lazy sack of shit then it should come out on top of Strange Wilderness… I’m not holding out hope. Also a reminder that we now have the European mapl.de.map up on the website if you want to check it out. Let’s go!

Deuce Bigalow: European Gigolo (2005) – BMeTric: 74.3

DeuceBigalowEuropeanGigolo_BMeT

DeuceBigalowEuropeanGigolo_RV

(A goddamned catastrophe, sub-5.0 with 40K votes is incredible. And it just goes there and sticks for the most part. If that rating hadn’t actually moved over the years I would think we were dealing with a BMT legend, but in reality this film is likely just very very terrible.)

Leonard Maltin – BOMB –  Ads for this woefully unfunny sequel show Schneider sitting under a phallic Leaning Tower of Pisa that appears to be protruding from his groin area. This would have been the film’s best joke – except it’s not in the film; nor is any other form of humor. Deuce is sent to Holland to train as a high-end Euro man whore. When he discovers some of his fellow gigolos are being killed, he jumps undercover(s). Can we possibly prevent another sequel? Famous faces appear in cameos, if that matters to you.

(Rough undercover(s) joke there, but, then again, this review was also funnier than this movie. It has been a while since we hit a BOMB from Maltin (especially since we tend to default to RogerEbert.com for recent films, since Maltin’s book is defunct). It is good to see that we definitely hit the worst Amsterdam has to offer us.)

Trailer – https://www.youtube.com/watch?v=vDTU4-tLR_g

(Oh wow they used the worst joke in the film (the wine coming out of the tracheotomy) in the trailer and as the closer. That is incredible. Not to tip my hand, but having seen the film … this trailer somehow makes the film look less crass and stupid than it actually is. It is so gross and dumb. Hopefully this trailer dissuaded you from ever watching this pile of garbage.)

Directors – Mike Bigelow – (BMT: Deuce Bigalow: European Gigolo; Notes: One and done, one and done. He was a commercial director with quite a bit of acclaim. A tale as old a time, commercial director gets a break, and then doesn’t do any other movies.)

Writers – Harris Goldberg (characters) – (Future BMT: I’ll Be Home for Christmas; Without a Paddle; BMT: The Master of Disguise; Deuce Bigalow: European Gigolo; Deuce Bigalow: Male Gigolo; Notes: Was an actor on a show called 30 Dates to a Soul Mate in 2012 which lasted 23 episodes, although it is a little unclear what platform the show was made for.)

Rob Schneider (characters & story & screenplay) – (Future BMT: The Animal; The Hot Chick; BMT: Deuce Bigalow: European Gigolo; Deuce Bigalow: Male Gigolo; Notes: Has been a writer on both of his recent television shows as well which lasted, together, 24 episodes.)

David Garrett (screenplay) – (Future BMT: Corky Romano; BMT: Deuce Bigalow: European Gigolo; Razzie Notes: Nominee for Worst Screenplay for Deuce Bigalow: European Gigolo in 2006; Notes: Is an accomplished trial lawyer who is (was?) Vice-President of development at Intrigue Entertainment.)

Jason Ward (screenplay) – (Future BMT: Corky Romano; BMT: Deuce Bigalow: European Gigolo; Razzie Notes: Nominee for Worst Screenplay for Deuce Bigalow: European Gigolo in 2006; Notes: Was a writer on the Fran Drescher television show Living with Fran.)

Actors – Rob Schneider – (Known For: 50 First Dates; Big Daddy; Muppets from Space; Future BMT: Littleman; Deuce Bigalow: European Gigolo; The Animal; Norm of the North; Little Nicky; Knock Off; You Don’t Mess with the Zohan; The Hot Chick; InAPPropriate Comedy; Eight Crazy Nights; Sandy Wexler; Surf Ninjas; Deuce Bigalow: Male Gigolo; Mr. Deeds; You May Not Kiss the Bride; The Adventures of Pinocchio; The Waterboy; Bedtime Stories; Down Periscope; Big Stan; Click; The Longest Yard; Necessary Roughness; Home Alone 2: Lost in New York; BMT: Deuce Bigalow: European Gigolo; The Ridiculous 6; The Beverly Hillbillies; Judge Dredd; The Benchwarmers; Deuce Bigalow: Male Gigolo; Around the World in 80 Days; Grown Ups; I Now Pronounce You Chuck & Larry; Demolition Man; Razzie Notes: Winner for Worst Actor for Deuce Bigalow: European Gigolo in 2006; Nominee for Worst Screenplay, and Worst Screen Couple for Deuce Bigalow: European Gigolo in 2006; Nominee for Worst Actor in 2007 for Littleman, and The Benchwarmers; Nominee for Worst Supporting Actor in 2000 for Big Daddy; in 2008 for I Now Pronounce You Chuck & Larry; and in 2011 for Grown Ups; and Nominee for Worst Actor of the Decade in 2010 for Deuce Bigalow: European Gigolo, Grandma’s Boy, I Now Pronounce You Chuck & Larry, Little Nicky, Littleman, The Animal, The Benchwarmers, and The Hot Chick; Notes: Remember the girl selling girl scout cookies in the first Deuce Bigalow movie? That was his daughter Elle King.)

Eddie Griffin – (Known For: The Last Boy Scout; Undercover Brother; Jason’s Lyric; Brain Donors; The Wendell Baker Story; Future BMT: Date Movie; Coneheads; Scary Movie 3; The Meteor Man; House Party 3; My Baby’s Daddy; American Hero; The New Guy; Double Take; Armageddon; Foolish; The Walking Dead; BMT: Norbit; Deuce Bigalow: European Gigolo; Redline; Pinocchio; Notes: There aren’t many reviews out so far (the one I found was quite positive), but he has a new Showtime stand-up special airing soon, which dominates his newsfeed.)

Jeroen Krabbé – (Known For: Ocean’s Twelve; The Fugitive; EverAfter; The Living Daylights; Dangerous Beauty; Immortal Beloved; Scandal; The Prince of Tides; An Ideal Husband; King of the Hill; The Fourth Man; Kafka; Spetters; Soldier of Orange; Crossing Delancey; Farinelli; Turtle Diary; A World Apart; Future BMT: The Punisher; Jumpin’ Jack Flash; Transporter 3; BMT: Deuce Bigalow: European Gigolo; No Mercy; Notes: Dutch, he’s been married to his wife for over 50 years!)

Budget/Gross – $22 million / Domestic: $22,400,154 (Worldwide: $45,109,561)

(That is pretty rough. To just make back the reported budget is bad, but to do it at a time when Sandler was just turning out $100 million comedies like it was the easiest thing in the world probably but a nail in the coffin of Schneider’s leading man career.)

#46 for the Comedy – R-Rated Youth genre

deucebigalow2_r-ratedcomedy

(I won’t reiterate what I said in the Deuce Bigalow preview, but here the amusing thing is that Deuce Bigalow came out during the American Pie meteoric rise of the genre. This on the other hand sits right at the point where people were just churning out mostly garbage sequels … so it fits right in naturally.)

#91 for the Comedy – Sequel (Live Action) genre

deucebigalow2_comedysequel

(Ha, you can almost convince yourself that this movie actually made producers look at each other and say “alright then, I think that about does that, let’s get some original ideas in here so that we can make sequels again in 5 years”. I always note the wave form of these plots whenever a sequel comes up, which is exactly that I think. Hollywood going through periods of making originals, then making their sequels, rinse and repeat.)

Rotten Tomatoes – 9% (9/99): A witless follow-up to the surprise 1999 hit, Deuce Bigalow: European Gigolo is raunchy, politically incorrect, and not particularly funny.

(Alright … politically incorrect is putting it mildly. Having actually seen this already this is bar-none the most homophobic film you’ll watch anytime soon. They drop the f-word like it is nothing, without a care in the world. It is shocking. Different time and all that, but … if I was in charge of this film I would have pulled as many DVD copies back in to edit some of the shit out and quickly as possible. It just comes across very very poorly.)

Poster – Deuce Bigelow European Gigosklog (D)

deuce_bigalow_european_gigolo

(I do not like this poster for a variety of reasons but I think I’m inordinately bothered by the fact that this features the Leaning Tower of Pisa and yet is almost entirely set in Amsterdam… why? It would be like if the first one had the Empire State Building as a stand in for his penis. It doesn’t make sense and is unacceptable. Oh and nothing else is good about it either.)

Tagline(s) – For the women of Europe… The price of love just got a lot cheaper. (C-)

(Too long and not clever, although at least a bit better than the first one. It’s just so old fashioned.)

Keyword(s) – prostitute; Top Ten by BMeTric: 92.3 Date Movie (2006); 87.4 BloodRayne (2005); 77.8 Basic Instinct 2 (2006); 74.3 Wild Wild West (1999); 74.3 Deuce Bigalow: European Gigolo (2005); 72.7 Jonah Hex (2010); 66.9 Extreme Movie (2008); 65.3 Baise-moi (2000); 64.7 The Crow: City of Angels (1996); 63.6 The Crow: Wicked Prayer (2005);

(Hopefully we never watch Extreme Movie. But this does remind me of one of the goals of the Bad Movie Twins over the coming months: watch more of the bad movies we had seen before we started the Bad Movie Twins Media Empire. They deserve the treatment we decided, so Wild Wild West here we come.)

Notes – Upon learning that the film received 5 Golden Raspberry (‘Razzie’) Award nominations, Rob Schneider himself took out a full page ad in the trades, boasting that the film was nominated for Worst Picture, Worst Actor – Rob Schneider, Worst Remake or Sequel, Worst Screenplay, and Worst Screen Couple – Rob Schneider and his diaper. Schneider later won the Worst Actor award. (Good for him? If he really wanted to impress though he would have attended and accepted the award in person. People get a ton of props for that every time)

The song that is being whistled throughout the movie is entitled “Something Stupid” (Good to know)

Roger Ebert hated the movie so much that he told Rob Schneider, “Mr. Schneider, your movie sucks.” Ebert recounted this incident in his book, “Your Movie Sucks.” Schneider later sent Ebert flowers when Ebert was in the hospital with cancer. Ebert said that he was moved by Schneider’s gesture and that he hoped he’d someday see Schneider in a film he thought was great. (Awww. Kind of heartwarming. Sadly, and I’m really meaning no offense, I don’t think Ebert did ever see him in a film and thought it was great)

Happy Madison moved to Columbia to produce the sequel due to creative differences with Disney. Disney wanted a PG-13 sequel while Adam Sandler and Rob Schneider wanted it to be R-rated like the original. (Hmmm, probably a bad decision on Happy Madison’s part. The first was harmless and kind of charming enough in its own weird way. The second though … woof).

Rob Schneider twisted his ankle while filming the sword fight scene, the footage can be seen in the DVD Making of feature. (I wonder why I don’t get to see this hilarious footage, can’t be hiding those sweet extras from me).

Rachel Stevens, who appears as Louisa, the Dirty Girl, also performs the song heard over the end credits “I Said Never Again (But Here We Are)”. (WOW. I didn’t realize that was a singer, what a strange … cameo I guess you would call that).

Jeroen Krabbé was persuaded to be in the movie by his son, who was a big fan of the original Deuce Bigalow: Male Gigolo (1999). (Poor choice)

Many of the Dutch extras and bit players in the movie are well-known actors and TV personalities in the Netherlands.

The word “man-whore” and it’s variations (“man-whoring” and “man-whores”) is said 47 times throughout the course of the movie. (Gross!)

The film is included on film critic Roger Ebert’s “Most Hated” list. In his zero-star review of the movie, he called it “aggressively bad, as if it wants to cause suffering to the audience”, and as “a movie that [the film’s studio and producers] should be discussing in long, sad conversations with their inner child.” (YUP)

Awards

Nominee for the Razzie Award for Worst Actor of the Decade (Rob Schneider)

Winner for the Razzie Award for Worst Actor (Rob Schneider)

Nominee for the Razzie Award for Worst Picture

Nominee for the Razzie Award for Worst Screen Couple (Rob Schneider)

Nominee for the Razzie Award for Worst Remake or Sequel

Nominee for the Razzie Award for Worst Screenplay (Rob Schneider, David Garrett, Jason Ward)