Batman Forever Preview

Big week highlighting one of the few changes the BMT Board of Directors (BMTBD) proposed for the year. That was to try to bring in some of the many major bad movies that we had watched prior to BMT and as a result never gave the full BMT treatment. Originally such films were totally excluded from consideration. No more! So for the SciFi/Fantasy/Other category of the adaptation cycle we went straight for the crown jewel. That’s right! We’re bringing the single highest scoring BMeTric film of all time, the critically reviled superhero film Batman & Robin. We obviously watched this as kids and probably didn’t even think it was all that bad (we were like 11, so I’m not sure I had ever watched a film and thought it was bad). Let’s see if it holds up (holds down?) on a rewatch. But first we have some homework to do! That’s right, Batman Forever qualifies (RT 39%) so it will be included as a bonus here. Let’s go!

Batman Forever (1995) – BMeTric: 55.4

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(Sacre Bleu! That … it is so beautiful. It is the most steady unwavering below average IMDb ratings I’ve ever seen. It is pristine. Shhhhh, don’t scare it away, just appreciate that you get to appreciate it.)

Leonard Maltin – 3 stars –  Kilmer makes the role of Batman/Bruce Wayne his own in this well-written sequel in which the Caped Crusader battles Two-Face (Jones) and The Riddler (Carrey) while attempting – at least for a while – to resist the advances of a sexy psychologist (Kidman). He also acquires a partner in O’Donnell (as Robin), and it’s this aspect of the film – the character relationships – that give it solidity. The loud, razzle-dazzle special effects are overkill. Ed Begley, Jr., appears unbilled.

(Wow, that is a pretty solid review. Better than most that’s for sure. I’m not sure “well-written” is how I would describe the film from what I recall, but this does get me a bit more excited about the whole affair.)

Trailer – https://www.youtube.com/watch?v=ROLvjRB4E_Q

(Besides how over-the-top both of the villains looks that trailer is actually quite good. It even makes the whole Robin introduction make a bit more sense: Batman is fighting two villains and thus needs a partner … makes sense to me.)

Directors – Joel Schumacher – (Known For: Flatliners; The Lost Boys; A Time to Kill; St. Elmo’s Fire; Falling Down; Phone Booth; The Client; Flawless; Tigerland; Town Creek; Veronica Guerin; Cousins; Future BMT: Bad Company; Dying Young; The Incredible Shrinking Woman; 8MM; BMT: Batman & Robin; Batman Forever; Trespass; The Number 23; Razzie Notes: Nominated for Worst Director for Batman & Robin in 1998; Notes: Started his career with the Brat Pack and then adapting Grisham novels. Has been openly gay throughout his career.)

Writers – Bob Kane (characters) – (Known For: Justice League; The Dark Knight; The Dark Knight Rises; Batman Begins; The LEGO Batman Movie; Batman; Batman Returns; The LEGO Movie; Batman: The Killing Joke; Batman: The Movie; Batman: Mask of the Phantasm; Batman: Return of the Caped Crusaders; Future BMT: Suicide Squad; Batman v Superman: Dawn of Justice; BMT: Batman & Robin; Catwoman; Batman Forever; Notes: Original creator of Batman. Died in 1998 having acted as a consultant on all of the Burton/Schumacher Batman films.)

Lee Batchler and Janet Scott Batchler (story & screenplay) – (BMT: Batman Forever; Pompeii; Notes: Married screenwriting team. They wrote the first pass with Robin Williams in mind which was subsequently re-written by Goldsman.)

Akiva Goldsman (screenplay) – (Known For: A Beautiful Mind; I Am Legend; I, Robot; A Time to Kill; Cinderella Man; The Client; Future BMT: Lost in Space; The Dark Tower; Practical Magic; Insurgent; Silent Fall; The Da Vinci Code; Angels & Demons; BMT: Batman & Robin; Rings; Transformers: The Last Knight; The 5th Wave; Batman Forever; A New York Winter’s Tale; Razzie Notes: Nominated for Worst Screenplay for Batman & Robin in 1998; and Nominated for Worst Written Film Grossing Over $100 Million for A Time to Kill in 1997; Notes: Incredible career which we touched on in several previews already. Is an executive producer on the upcoming Dark Tower television series … good luck.)

Actors – Val Kilmer – (Known For: Heat; Top Gun; True Romance; Song to Song; Tombstone; Willow; Kiss Kiss Bang Bang; Deja Vu; The Prince of Egypt; The Doors; Top Secret!; Real Genius; Palo Alto; Felon; Kill the Irishman; MacGruber; Bad Lieutenant; The Missing; The Ghost and the Darkness; Pollock; Future BMT: The Island of Dr. Moreau; The Snowman; Twixt; Alexander; The Traveler; Red Planet; Planes; 5 Days of War; Hard Ca$h; Delgo; The Real McCoy; At First Sight; Masked and Anonymous; The Saint; Mindhunters; Wonderland; 10th & Wolf; Stateside; Summer Love; BMT: The Love Guru; Batman Forever; Notes: His health reports are quite strange. It seems like he had throat cancer which is why he didn’t do any films for two years. He was back this year with The Snowman … but tabloids are still pushing stories about his cancer spreading to his brain and being terminal? Just super weird stuff. He at one point denied having cancer and then said “I’ve had a healing of cancer” … what?)

Tommy Lee Jones – (Known For: No Country for Old Men; Captain America: The First Avenger; Lincoln; Jason Bourne; Men in Black; The Fugitive; Natural Born Killers; Men in Black 3; JFK; Space Cowboys; Small Soldiers; The Homesman; Love Story; Under Siege; In the Valley of Elah; The Client; The Company Men; Blue Sky; The Missing; Volcano; Future BMT: Man of the House; Wings of the Apache; The Hunted; Men in Black II; Black Moon Rising; The Family; Blown Away; Criminal; Double Jeopardy; Rules of Engagement; U.S. Marshals; Just Getting Started; Emperor; BMT: Batman Forever; Mechanic: Resurrection; Notes: Famously the college roommate of Al Gore. Also played Offensive Guard on the undefeated Harvard football team that played in the famous 29-29 game.)

Jim Carrey – (Known For: The Truman Show; Eternal Sunshine of the Spotless Mind; The Bad Batch; Dumb and Dumber; Ace Ventura: Pet Detective; A Series of Unfortunate Events; The Mask; Bruce Almighty; Man on the Moon; How the Grinch Stole Christmas; Liar Liar; Yes Man; Me, Myself & Irene; Earth Girls Are Easy; Anchorman 2: The Legend Continues; The Cable Guy; I Love You Phillip Morris; A Christmas Carol; Peggy Sue Got Married; Horton Hears a Who!; Future BMT: Dumb and Dumber To; Pink Cadillac; Once Bitten; The Incredible Burt Wonderstone; Fun with Dick and Jane; Ace Ventura: When Nature Calls; Kick-Ass 2; BMT: Batman Forever; The Number 23; Notes: One of the many breakout stars of the television show In Living Color and went on to be one of the most famous comedic actors in the world. Despite winning two Golden Globes he has never even been nominated for an Oscar. Also noted crazy person.)

Budget/Gross – $100 million / Domestic: $184,031,112 (Worldwide: $336,529,144)

(Basically nothing by today’s standards. Kind of amazing, but the first Burton one was the highest grossing of the three. Forever actually did better than Returns.)

#39 for the Comic Book Adaptation genre

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(Basically Superman and Batman kicked off a chain of comic book films that peaked in 1995 and then collapsed. Spiderman rejuvenated the genre which is now averaging 64 thousand theaters a year … considering you kind of max out at 4K theaters, or roughly 16 comic book movies in a calendar year at one point. Steel and Barb Wire are kind of the lowest of the lows for the genre)

#38 for the Superhero genre

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(Same as above although it is kind of interesting to see that we are at a peak for superhero films, but not for comic book movies. Makes sense, the set of comic book movies almost entirely contains the set of superhero films.)

Rotten Tomatoes – 39% (24/61): Loud, excessively busy, and often boring, Batman Forever nonetheless has the charisma of Jim Carrey and Tommy Lee Jones to offer mild relief.

(This actually went from 40% flat to just a shade below this year! Rotten Tomatoes scores change unfortunately. The extra review was a short review from CNN in 1995, it just hadn’t been recovered yet. We had to jump at the chance to do the film though, one more good review and it won’t qualify.)

Poster – Sklogman Forever (B)

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(I wish they had done more to tone down the colors brought in by the different characters so that there was a little consistency, but otherwise this is a well laid out poster that gives us everything we need to see without going overboard. Font is even given a unique spin. I like it.)

Tagline(s) – Courage now, truth always…. (B-)

(Apparently this is from the trailer and ended with “Batman Forever.” Which may or may not be obvious. It’s a good cadence and sounds like a tagline, but dips a little into the generic zone. Also I like my taglines on the poser. Just a preference.)

Keyword(s) – partner; Top Ten by BMeTric: 94.5 Batman & Robin (1997); 68.0 Double Team (1997); 67.8 Vampire in Brooklyn (1995); 61.4 Exposed (III) (2016); 58.2 Alex Cross (2012); 55.4 Batman Forever (1995); 54.6 Jungle 2 Jungle (1997); 51.1 The Mummy (2017); 51.0 Twisted (I) (2004); 50.9 Scream 3 (2000);

(Interesting. We need to watch Vampire in Brooklyn for sure, tick off another Murphy film. This is somewhat of an enigmatic one though, basically all cop / batman films … so what does partner in Jungle 2 Jungle mean?)

Notes – According to Jim Carrey, he did not get along with Tommy Lee Jones, who told him that he hated him and his films. (Sounds about right)

Jim Carrey’s original idea – to shave a question mark into his scalp – had to be scratched as he was due in court to finalize his divorce. (Jeez, that is a dark reason)

While Tim Burton was still slated to direct the film, Micky Dolenz was considered to play The Riddler. After Burton dropped out, Robin Williams was offered the role by Warner Brothers, but refused due to being bitter about being used as “bait” to lure Jack Nicholson to commit to play the Joker in Batman (1989).

Michelle Pfeiffer was considered to reprise her role as Catwoman.

In the first Batman (1989), District Attorney Harvey Dent was played by Billy Dee Williams. Williams accepted the role with the knowledge and expectation that Dent would eventually become Two-Face. He reportedly had a clause put into his contract, reserving the role for him in any sequels, which Warner Bros. had to buy out, so they could cast Tommy Lee Jones. Williams would eventually voice the character in The Lego Batman Movie (2017). (Huh, I guess I understand wanting a bigger name in there, but that would have been pretty fun maybe)

Dick Grayson suggests “Nightwing” for a hero name. This was the name used by the adult Dick Grayson in the comic books.

Before deciding not to don the cape and cowl for a third time, Michael Keaton met with Joel Schumacher and declined to join the project after deciding that he did not like the direction in which Schumacher was looking to take the franchise. In the brief time that Tim Burton was still considering doing a third Batman film, Riddler was the only villain that he planned on using. The idea of using Two-Face did not come up until Schumacher joined the project.

While learning to twirl a cane, Jim Carrey reportedly broke around a dozen prop canes and some of his trailer furniture.

The Batmobile was usually driven by stunt drivers, but Chris O’Donnell insisted on driving it himself in the joyride scene. He crashed it into a curb, and dented a fender. (nice)

Val Kilmer and Joel Schumacher clashed during filming. Schumacher described Kilmer as “childish and impossible”. According to Schumacher, Kilmer refused to talk to him for two weeks.

Val Kilmer and Jim Carrey became good friends during filming. They bonded over the deaths of their fathers.

Tommy Lee Jones was Joel Schumacher’s first choice for the role of Two-Face after working with him in The Client (1994). Jones accepted the role because his son Austin, eleven at the time, said Two-Face was his favorite character.

Joel Schumacher’s decision to put nipples and enlarged codpieces on the Bat-costumes, as well as an earring on Robin caused controversy – it even bothered Batman creator Bob Kane. Schumacher said he wanted the costumes to have an anatomic look, while the earring was supposed to make Robin more hip. He also claimed that the basis for the Batman and Robin suits came from statues of the gods of ancient Greece. (Joel Schumacher everyone!)

Robin’s costume is not the classic costume of the comics that Dick Grayson wore, but it is based on the costume worn by the third Robin, Tim Drake. This costume was introduced in 1990, and it is rumored that Tim Burton had a hand in designing it.

So heavy was his Batsuit, that Val Kilmer lost five pounds filming the opening fight scene alone. (NOPE, that fact is fake. FAKE)

Will Shortz, “puzzlemaster” on National Public Radio and editor of the New York Times crossword puzzle, created the Riddler’s riddles. (Wow)

Tim Burton said “I always hated those titles like Batman Forever. That sounds like a tattoo that somebody would get when they’re on drugs or something. Or something some kid would write in the yearbook to somebody else. I have high problems with some of those titles.” It is rumored that Burton was considering the title Batman Continues while he was still slated to direct.

For the scene where Chase Meridian is visited by Batman on her balcony at night, Nicole Kidman was not wearing any clothing underneath the white silk sheet, with which she was covering herself. (But why?)

William Baldwin was reported to be considered for the role of Batman. Other names considered for the part before Val Kilmer was cast included Daniel Day-Lewis, Kurt Russell, Alec Baldwin, Ethan Hawke, Ralph Fiennes, Tom Hanks, and Johnny Depp. (TOM HANKS)

Olympic gymnast Mitch Gaylord was a stunt double for Chris O’Donnell. (That is BMT legend Mitch Gaylord to you)

Joel Schumacher said in an interview about Val Kilmer “Val did me two great favors when I wanted him to be Batman, he said yes. Then he created a situation which allowed me not to have him play Batman again, they were both happy, happy instances for which I will always be grateful”. (Cooooooold bloooooooded)

Unlike the two Tim Burton Batman films, this is not scored by Danny Elfman. Also, unlike those two, this film features original songs performed by multiple artists. The trailers for this film and Batman & Robin (1997) feature Elfman’s score from Batman (1989) and Batman Returns (1992), however. (Oh I didn’t know that)

The handgun Two-Face uses throughout the movie is a chrome plated Benelli mp95e. (gun facts, a staple of any good IMDb trivia section)

Awards – Nominated for the Oscar for Best Cinematography (Stephen Goldblatt)

Nominated for the Oscar for Best Sound (Donald O. Mitchell, Frank A. Montaño, Michael Herbick, Petur Hliddal)

Nominated for the Oscar for Best Effects, Sound Effects Editing (John Leveque, Bruce Stambler)

Nominated for the Razzie Award for Worst Original Song (Bono)

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Marmaduke Preview

I actually did not mind watching our previous film The Women. Unfortunately that means we’ll inevitably turn around and do some film that’s a giant pile of dog poo in our face. Not looking like it’ll be any different here. For the Chain Reaction we are jumping from A Dog’s Purpose through it’s star Josh Gad straight into another dog-centric film. That’s right! We’re watching Marmaduke! What should have been a slam dunk success (what kid doesn’t like talking animals?) turned out to be a critical and financial train wreck (hooray?). In it Josh Gad played *squints at casting sheet* Bandana Dog… huh. Alrighty. This film is of course about the titular great dane from the old comic strip that essentially asks the question: what if you had a dog that might be just a little too big? Presumably big laughs as he gets into all kinds of zany situations… sigh. This is gonna be a tough one. Let’s go!

Marmaduke (2010) – BMeTric: 66.4

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(So sometimes it is hard to tell: is that regression to the mean? Or is it basically people who didn’t watch the movie shitting on it in 2010 and then forgetting about it (allowing people who have watched the film to give it a more appropriate 4/10 review)? A combination of both actually makes the most sense. With regression to the mean you aren’t regressing to the overall mean (although I sometimes use it that way). You are regressing to the film’s mean rating. The early reviewers might be more discriminatory (or more lax) than the general population, but eventually with enough votes it will get to where it is truly meant to be. This suggests the film is bad (a rating of 4 is objectively bad), but that it wasn’t nearly as bad as the initial reactions suggest (a rating of 2 is an all time bad film). Sounds innocuous to be honest, which doesn’t not bode well for the Bad Movie Twins.)

Leonard Maltin – 1.5 stars –  Fans of the long-running comic strip by Brad Anderson and Phil Leeming may be surprised to learn that Marmaduke, the humongous Great Dane who often tests the patience of this “two-legger” owners, speaks in a lazy hipster voice (supplied by Wilson) that suggests a California stoner. Unfortunately, that’s one of the very few novelties in this otherwise derivative, unimaginative comedy that relies heavily on the intermingling of human actors in thankless parts and CGI-tweaked live animals voices by familiar actors. Strictly kid stuff.

(Oh no, strictly kid stuff. I want to point out something: this is one of the longest reviews I’ve ever seen in a Leonard Maltin book. In other reviews they will insert abbreviations awkwardly, seemingly just to get them a character or two shorter. Why would Marmaduke be allowed this luxurious review length? No idea.)

Trailer – https://www.youtube.com/watch?v=NerHJqENCvs

(Dance scene alert. That better be during a post-credits bloopie reel. Loving the music, loving the setting (California is basically a character), and loving the Black-Eyed Peas shout with Fergie getting ludicrously high billing. Everything about this suggests I will hate-love this film.)

Directors – Tom Dey – (Known For: Shanghai Noon; Future BMT: Showtime; BMT: Marmaduke; Failure to Launch; Notes: Interesting that he has almost nothing in the pipeline. Did a commercial reel which landed him at Ridley Scott’s production company, which lead to his (almost exclusively) directorial career.)

Writers – Tim Rasmussen and Vince Di Meglio (written by) – (Future BMT: Smother; BMT: Marmaduke; License to Wed; Notes: Interesting. They are writing partners it looks like. But Di Meglio is also a visual artist on a number of films including Miss Congeniality and Hansel & Gretel.)

Brad Anderson and Phil Leeming (comic) – (BMT: Marmaduke; Notes: Brad Anderson and Phil Leeming created the original strip. Anderson created it, and Leeming helped for the first ten or so years of its run.)

Actors – Owen Wilson – (Known For: Wonder; Cars 3; Wedding Crashers; The Grand Budapest Hotel; Cars; Inherent Vice; Midnight in Paris; Night at the Museum: Secret of the Tomb; The Royal Tenenbaums; Fantastic Mr. Fox; Zoolander; Night at the Museum; No Escape; The Life Aquatic with Steve Zissou; Marley & Me; Night at the Museum: Battle of the Smithsonian; The Darjeeling Limited; The Cable Guy; Meet the Parents; She’s Funny That Way; Future BMT: Anaconda; Breakfast of Champions; I Spy; Little Fockers; How Do You Know; You, Me and Dupree; Are You Here; Drillbit Taylor; Masterminds; Hall Pass; Free Birds; Cars 2; Meet the Fockers; The Internship; Father Figures; Behind Enemy Lines; Armageddon; BMT: Zoolander 2; The Haunting; Marmaduke; Around the World in 80 Days; Notes: Y’all know Owen Wilson. Has had a working relationship with Wes Anderson throughout both of their careers. Shanghai Dawn with Jackie Chan is currently in the works.)

Judy Greer – (Known For: War for the Planet of the Apes; Jurassic World; Ant-Man; Dawn of the Planet of the Apes; The Village; Tomorrowland; 13 Going on 30; 27 Dresses; Love & Other Drugs; Our Souls at Night; The Descendants; Carrie; What Women Want; Three Kings; Wilson; Adaptation.; Lemon; Neko no ongaeshi; Grandma; All We Had; Future BMT: Cursed; The Wedding Planner; Jawbreaker; Love Happens; Kissing a Fool; Peep World; Elizabethtown; Addicted to Fresno; I Love Your Work; Entourage; The Amateurs; Men, Women & Children; BMT: Marmaduke; Playing for Keeps; Notes: If you saw her you’d recognize her, she is a well known comedic character actor. I know her best as Kitty from Arrested Development. She had her directorial debut, A Happening of Monumental Proportions, in early 2017.)

Lee Pace – (Known For: Guardians of the Galaxy; The Twilight Saga: Breaking Dawn – Part 2; The Hobbit: The Battle of the Five Armies; The Hobbit: An Unexpected Journey; Lincoln; The Hobbit: The Desolation of Smaug; The Fall; The Good Shepherd; A Single Man; Miss Pettigrew Lives for a Day; The Program; Infamous; The White Countess; Ceremony; Future BMT: The Resident; 30 Beats; The Book of Henry; BMT: Marmaduke; When in Rome; Notes: Maybe most well known for his television work, including the lead in Pushing Daisies. He was a dwarf in The Hobbit franchise, and owns a farm.)

Budget/Gross – $50 million / Domestic: $33,644,788 (Worldwide: $83,761,844)

(I wouldn’t say it is a bomb, but they would have wanted to crack $100 I think. Especially considering how well the Chipmunk franchise was doing around this time. These things are so easy to make I can kind of understand why you just dump it and move onto the next one honestly.)

#26 for the Dog genre

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(I’m going to field a guess here: I think the basically seven year gap in Dog movies after 2010 was partially a reaction to Marmaduke and Beverly Hills Chihuahua, partially that films like those ended up going direct-to-VOD after 2010, and partially because big kids’ films started just using cheap animation instead of animals at the time. Fascinating stuff. And A Dog’s Purpose was the first Dog movie we watched for BMT as far as I can tell. And I love dogs.)

#28 for the Family – Talking Animal (Live action) genre

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(Hot to Trot was also our firsts. 2017 really was a year of firsts for BMT. This came right at the peak, like the tippy top before the fall. Again, I think it is because talking animal movies are released to VOD now. Why would you bother going to a theater to watch Garfield 5 when the kids are going to be distracted anyways and your house is quiet and comfortable? Kind of inevitable that big releases like this would eventually die off, not really worth it.)

Rotten Tomatoes – 9% (9/100): Dull and unfunny, Marmaduke offers family filmgoers little more than another round of talking animals and scatological humor.

(Brutalized. Yeah, this is kind of why we shy away from the family friendly affairs here at the BMT Media Empire HQ. Dull, unfunny, kid humor. Almost never a rewarding combination. I’m kind of loving the very matter of fact Reviewer Highlight: Lines like “Get your bark on,” “Who let the dogs out?” and “Cowabarka” abound. Many of the jokes revolve around excretory functions. – Michael O’Sullivan, The Washington Post)

Poster – Marmasklog (F)

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(I do not like the contrasting blue and red colors there. Jarring and frankly ugly. And don’t pretend Marmaduke is too big for the title to be on the poster, you are just depriving people like me from seeing what garbage font the graphical design intern painstakingly chose during their lunchbreak. No one called him “the Duke”, everything about this makes me angry actually.)

Tagline(s) – Live Large (C-)

(We get it: Marmaduke is a big dog. Then again, wasn’t that the point of the comic strip? Wasn’t it just about a dog that was just too big for the house and family to deal with? So … fine I’ll bump it up to a passing grade … barely.)

Keyword(s) – great dane; Top Ten by BMeTric: 66.8 Scooby-Doo (2002); 66.4 Marmaduke (2010); 62.9 Scooby-Doo 2: Monsters Unleashed (2004); 33.6 The Other Woman (2014); 32.2 Good Boy! (2003); 29.6 Committed (I) (2000); 24.0 Teenage Cave Man (1958); 16.8 The Heat (I) (2013); 13.3 Oliver & Company (1988); 10.8 Jay and Silent Bob Strike Back (2001);

(Huh … well a lot of those don’t qualify, but still a little nuts this is the first Great Dane film we’ve seen. The Scooby-Doos have to happen because they are on the Calendar though.)

Notes – The film has the distinction of featuring two dog farts, three urine gags, two hits to the groin, one animal belch, two record scratch moments and two uses of the phrase “Who let the dogs out?” (This IMDb user is doing the Lord’s work)

Twin dogs were used for the titular character. (Twin film!!!)

Ron Perlman was originally cast as the voice of Chupadogra, but for unknown reasons, Sam Elliott took over the role.

Amanda Seyfried was the first choice for Mazie.

In the original comics, Marmaduke never talked. (uuuuuuugh)

In 2010, George Lopez, who does the voice of Carlos, the cat, was accused of being extremely rude to a fan and refusing to take a picture with her. The fan turned out to be a Mexican radio show personality and she had taken the incident to live radio.Mexican radio show personality, La Vozalona (Marlene Quinto), as part of the Mexican radio show, “El Show de Don Cheto”, said that she had met George Lopez at a Cuban restaurant. When she saw that he had finished eating and was on his way out, she approached him near the exit of the restaurant. While he was taking a picture with a fan, she had asked to take a picture with him, to which she said he became very rude and disrespectful. She had to wait and was told that “even Mexicans have manners and say please”. Confused, La Vozalona said she told Lopez she was a big fan and one of his many followers on Twitter. In response, Lopez told her to shut up and take the picture. La Vozalona said she told Lopez to stop being rude or else she would “burn” him on talk radio. He responded with a, “What, you think I care?”.This was very surprising for many and many considered Lopez a big hypocrite for the incident, considering he had also been criticizing and ridiculing _CHiPs (1977)_ star ‘Erik Estrada’ for many years. This prior incident, like his most recent, was for not shaking his hand and refusing to sign an autograph, while Estrada filmed an episode of CHiPs near Lopez’s neighborhood. (Do I leave this in the preview? It seems so crazy that this long-winded story is on the Marmaduke page, … like it has nothing to do with Marmaduke. Why is it here? It is just so crazy I can’t stop thinking about it … I hope it gives someone else as much confusion-joy)

Nominated for the Razzie Award for Worst Supporting Actor (George Lopez)

The Women (2008) Preview

Usually I start off the preview for a film by talking about how excited I am to watch it. Not this time! For the Girls Night Out section we jumped to an adaptation of a play. While we had a number of terrible musicals to choose from we at the BMT Media Empire HQ are always looking to buck trends. That’s right! We’re watching The Women… you know, that dramedy you definitely know came out starring Meg Ryan and an ensemble of women living it up in the Greater New York City Area. It’s based on the 1936 play by Clare Booth Luce, which ran on Broadway for a number of years and has been revived and adapted for the screen many times over. This is the latest such adaptation and the critics were less than thrilled. I’m less than thrilled to watch it. Thank god it’s only… 2 hours long! Gah! Let’s go!

The Women (2008) – BMeTric: 58.9

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(This movie actually has a bit more votes than I would expect, and the number seems to just keep on growing. That initial rise is somewhat interesting, why would the early viewers hate on this movie so? Especially when the thousands of viewers that voted subsequently seem to agree with is about a ~5/10 film. I’m going to go ahead a assume it is a case of Early Viewers Are Fans syndrome, and that they tend towards hating what fails to meet expectations. But … who would have expectations about The Women? God … I hope this isn’t a The Internet Hates Things Aimed At Women thing. I really do.)

Roger Ebert – 3 stars –  “The Women” isn’t a great movie, but how could it be? Too many characters and too much melodrama for that, and the comedy has to be somewhat muted to make the characters semi-believable. But as a well-crafted, well-written and well-acted entertainment, it drew me in and got its job done.

(Wowza, is that two in a row? Very interesting take ultimately. I think he admired the actresses so much (as almost pitch perfect for the movie they were creating) he got a little blinded that the movie was in fact (as he even admits) just not good. We’ll see though. Maybe we’ve discovered a hidden gem.)

Trailer – https://www.youtube.com/watch?v=RlxwcwESDkQ

(I have to say… that didn’t look like the most boring thing in the world for one reason: literally everyone in the trailer is a woman. Even the extras and shit. It’s actually amazing and might make the film at least visually interesting to look at.)

Directors – Diane English – (BMT: The Women; Notes: Effectively her one-and-done directorial project. There is another movie called Timbuktu but it seems like it was never released.)

Writers – Diane English (screenplay) – (BMT: The Women; Notes: Well known as a writer for Murphy Brown. The Women was her only writing gig after that series went off the air. But guess what? There is going to be a new season of Murphy Brown (with Candice Bergen) this year, 20 years after its last season!)

Clare Boothe Luce (play) – (Known For: The Women; BMT: The Women; Notes: Was the U.S. Ambassador to Italy under Dwight D. Eisenhower.)

Anita Loos (1939 screenplay) – (Known For: Gentlemen Prefer Blondes; The Women; San Francisco; Babes in Arms; Strange Cargo; BMT: The Women; Notes: An early screenwriter in Hollywood (her first screenplay was for a Griffith film in 1912). Her brother created the Blue Cross health insurance company.)

Jane Murfin (1939 screenplay) – (Known For: Pride and Prejudice; The Women; Come and Get It; BMT: The Women; Notes: She brought Strongheart the dog, Hollywood’s first canine film star, to the U.S. in the 20s.)

Actors – Meg Ryan – (Known For: Top Gun; You’ve Got Mail; Anastasia; When Harry Met Sally…; Sleepless in Seattle; Innerspace; The Doors; In the Land of Women; Kate & Leopold; Addicted to Love; City of Angels; Proof of Life; Courage Under Fire; French Kiss; When a Man Loves a Woman; Restoration; Joe Versus the Volcano; The Presidio; I.Q.; Flesh and Bone; Future BMT: Hanging Up; Amityville 3-D; In the Cut; Against the Ropes; Serious Moonlight; Armed and Dangerous; Ithaca; BMT: The Women; Notes: Mostly known for co-starring with Tom Hanks as love interests in three separate movies: Sleepless in Seattle, Joe Versus the Volcano, and You’ve Got Mail. She was married to Dennis Quaid for about 10 years.)

Eva Mendes – (Known For: Training Day; The Place Beyond the Pines; Fast & Furious 5; The Other Guys; Hitch; Once Upon a Time in Mexico; Stuck on You; Last Night; Out of Time; We Own the Night; Holy Motors; Bad Lieutenant; The Wendell Baker Story; Live!; Future BMT: The Spirit; Urban Legends: Final Cut; Exit Wounds; Lost River; Trust the Man; All About the Benjamins; Girl in Progress; Cleaner; A Night at the Roxbury; BMT: Ghost Rider; The Women; 2 Fast 2 Furious; Notes: Cuban-American, she’s the only one in her family to have been born in the U.S., her three siblings were born in Cuba.)

Annette Bening – (Known For: American Beauty; 20th Century Women; Film Stars Don’t Die in Liverpool; Mars Attacks!; Open Range; Rules Don’t Apply; The American President; The Great Outdoors; Ruby Sparks; The Kids Are All Right; Danny Collins; The Grifters; Bugsy; The Siege; Valmont; Regarding Henry; Postcards from the Edge; Ginger & Rosa; Richard III; What Planet Are You From?; Future BMT: In Dreams; Girl Most Likely; Running with Scissors; Love Affair; BMT: The Women; Notes: She was the original choice for Catwoman in Batman Returns, but had to drop out when she became pregnant. She’s been married to Warren Beatty for nearly 30 years.)

Budget/Gross – $16 million / $26,902,075 ($50,007,546 Worldwide)

(Eh, below what it probably expected. For a film like this you’d kind of want to double those numbers I would think. Not a bomb, but not really raking in much cash … unless The Women talk over their problems with a refreshing ice-cold Bud Light at one point that is.)

Rotten Tomatoes – 13% (19/146): The Women is a toothless remake of the 1939 classic, lacking the charm, wit and compelling protagonists of the original.

(Again, thank you RT. I guess this consensus is old enough to actually be useful. This is a brutal score for a film like this. I can only assume it is disastrously boring, which doesn’t bode well for me staying awake watching it on a plane. Reviewer Highlight: One of the worst movies I’ve ever seen.” – Richard Schickel, Time Magazine)

Poster – The Sklogettes (F)

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(Nooooooooooooooooo. Why does this keep happening. Look at all the people! Look at the basic white color of it. Dear god, look at the spacing. Even the font is shit.)

Tagline(s) – It’s all about… (F)

(Lol. Wot? I mean I get it… it’s all about The Women but still… lol. Wot?)

Keyword(s) – divorce; Top Ten by BMeTric: 81.9 Kazaam (1996); 78.8 Striptease (1996); 77.7 Bratz (2007); 64.2 Dr. T & the Women (2000); 63.1 North (1994); 63.1 Beethoven’s 2nd (1993); 63.1 Ben & Arthur (2002); 62.1 Sliver (1993); 58.9 Mr. Woodcock (2007); 58.9 The Women (I) (2008);

(Oh shit, Kazaam. I’ve seen this movie (well, the first half of it …) so many times. Dr. T weirdly doesn’t qualify for BMT actually, so looks like we’ll never complete this list. My favorite movie with divorce? Why not Mrs. Doubtfire, great stuff.)

Notes – Tanya the manicurist (Debi Mazar) talks about meeting Madonna. Mazar and Madonna are long-time friends; Mazar appeared in four Madonna music videos: “True Blue” and “Papa Don’t Preach” (1986), “Deeper and Deeper” (1992) and “Music” (2000).

Like the 1939 version, the film has an all-female cast. (noice)

While the project was being put together in Julia Roberts and Meg Ryan were set to star. The production stalled because Roberts and Ryan ended up wanting the same role.

The painting in the restaurant scene features Courtney Love and Anna Nicole Smith.

In The Women (1939) the only scene in color was the fashion show sequence. In this version the fashion show begins with all-black and white clothes, and the scene before it takes place in a black-and-white room.

In the late 1970’s a remake of the 1939 classic was proposed to star Jane Fonda, Barbra Streisand, and Faye Dunaway, but it was not made. (That sounds like this could have been fun)

Blythe Danner, Marisa Tomei, Queen Latifah, Whitney Houston, Ashley Judd and Sandra Bullock were all in the running for various parts in the film.

For scenes planned on being shot in the Boston Public Library, it was suggested that all the portraits and busts of men to be replaced with those of women. However, the scene was never shot. (Excuuuuuuse me? You talking ‘bout the Boston Public Library? Why would you not shoot that?)

There is an abundance of the use of the color green, from the color of the sets, props, costumes, in almost every scene throughout the movie. In the final fashion show, except for the models, almost every guest is wearing green.

Candice Bergen previously played Meg Ryan’s mother in Rich and Famous (1981).

Edie’s (Debra Messing) daughters are called January, April, May and June. The last three are the names of Daisy Duck’s nieces (counterparts to Donald Duck’s nephews Huey, Dewey and Louie).

Before development was put on hold in 2006, Annette Bening and Uma Thurman were rumored to have been considered for the roles of Mary Haines and Crystal Allen respectively. Also Lisa Kudrow and Anne Hathaway were in talks for the roles of Mirian Aarons and Peggy Day, but the roles were cut out of the final script.

According to Diane English, the project was in development, from the first draft to the final green light, for fifteen years. (Jesus. No wonder it ended up being a mess)

The original Broadway production opened on 7 September 1937 and had 666 performances at the Ethel Barrymore Theatre in New York. (666? How does that happen I wonder. I would think with how superstitious theater operators are that they would have avoided it)

“The Women’s” screenwriter Anita Loos who wrote this film’s original 1939 screenplay, started her writing career in 1912 with her first full film screenplay The Musketeers of Pig Alley (1912) starring Lillian Gish for the American Mutoscope & Biograph Co. which is still in existence today. After writing many scripts for Biograph, Loos went on to write such other films such as Saratoga (1937), Another Thin Man (1939), San Francisco (1936), A Tree Grows in Brooklyn (1945), and Gentlemen Prefer Blondes (1953).

Except for the newly-born baby boy in the final scene, there are no male characters in the entire film, not even the extras in wide shots. (That is actually quite cool)

Nominated for the Razzie Award for Worst Actress (Annette Bening, Eva Mendes, Debra Messing, Jada Pinkett Smith, Meg Ryan)

Ouija Preview

Oh boy. I am pretty excited for this week’s film. It’s not just because Horror/Thriller has turned into my favorite section of the cycle, but also because this film in particular looked so misguided and awful when it was released that it piqued my curiosity. That’s right! We are watching Ouija, the horror film based on the Hasbro spirit board game and one of the many horror films produced by Michael Bay over the years (he’s a noted enthusiast). Seems like an obvious choice to make an adaptation out of. It’s already about spirits and spooky ghosts so as long as it’s not totally unoriginal and terrible you should be fine. Easy, right? Wrong. Let’s go!

Ouija (2014) – BMeTric: 75.7

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(Pretty good. A film in the 4.0’s staying strong and not rising as votes are added is a very very good sign. This is a case of what I will call Arrested Regression. The film should be regressing to the mean (the mean being that of films with around the same number of votes), but it isn’t. This is because it is in actuality as terrible as it initially seemed, so people seemingly are choosing to see the film despite knowing that it is terrible.)

RogerEbert.com – 3 stars –  Though I admit 16-year old me enjoyed the hell out of “Witchboard,” I didn’t think I’d have fun at “Ouija.” But I did, and assisting me were actors who gave their paper thin teenage types a little humor and character, and the film’s look. Shot by veteran camera operator, David Emmerichs, “Ouija” is a glossy hoot, showing more flair than a throwback to the 80’s horror movie should. As a lifelong horror movie viewer, I wasn’t scared by the film, but I dug the many ways it tried to goose me.

(Wowza! Three stars?! The review reads a little oddly, admitting he basically had a soft spot for the nostalgia the film evoked, but it is an interesting take I suppose. Not very many people agree to say the least.)

Trailer – https://www.youtube.com/watch?v=xBLmBdn2QF8

(Classic case where the less you show the better. Definitely parts that make me think it’ll be spooky scary. But then all the parts that they actually show the ghost or have someone flossing with their mouth stitched shut is just… not.)

Directors – Stiles White – (BMT: Ouija; Notes: Started in the industry in special effects before launching his career in screenwriting with his writing partner/wife Juliet Snowden.)

Writers – Juliet Snowden (written by) – (Known For: Ouija: Origin of Evil; The Possession; Future BMT: Boogeyman; Knowing; BMT: Ouija; Notes: Married to Stiles White. Also executive producer on the film.)

Stiles White (written by) – (Known For: Ouija: Origin of Evil; The Possession; Future BMT: Boogeyman; Knowing; BMT: Ouija; Notes: Apparently they are both attached to a remake of a German film called Du Hast Es Versprochen. Hoping it works out as well as this one did.)

Actors – Olivia Cooke – (Known For: The Limehouse Golem; Thoroughbreds; Me and Earl and the Dying Girl; The Signal; Katie Says Goodbye; Future BMT: The Quiet Ones; BMT: Ouija; Notes: Notably starring in the upcoming blockbuster release Ready Player One. Also in the new Amazon adaptation of Vanity Fair.)

Ana Coto – (BMT: Ouija; Notes: Really hasn’t done anything much since Ouija. Weirdly was just in a Logan Paul film released exclusively to Shudder called Can’t Take It Back which is coincidentally about putting something on the internet that you can’t take back… must not have been much of an acting stretch for Logan.)

Daren Kagasoff – (BMT: Ouija; Notes: Probably best known as one of the leads of the show The Secret Life of the American Teenager.)

Budget/Gross – $5 million / Domestic: $50,856,010 (Worldwide: $103,590,271)

(Obviously a colossal hit. They all are aren’t they? These small budget horror films. It is quite the phenomenon that they can effectively print money with these types of movies.)

#39 for the Horror – Supernatural genre

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(Comes is right around The Devil Inside which isn’t a good look. Being a major money-maker for cheap horror means it has been growing in power throughout the 2000s, although it looks like maybe it is reaching its saturation point now. BMT: The Ring Series, The Devil Inside, Silent Hill, Thirteen Ghosts, Ghost Ship, The Fog, Bless the Child, The Forest, The Gallows, and  The Bye Bye Man)

#13 for the Toy Adaptation genre

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(They are desperately trying to make this a thing. It looks like it has so far resisted moving beyond a few big budget franchises into faller fair. I feel like this is going to stay in the realm on animated films for the most part though, they’re all adapted from cartoons basically, so Transformers is really the odd-man out, no the other way around. BMT: The Transformer series, GI Joe: The Rise of Cobra, Bratz)

Rotten Tomatoes – 6% (5/79): Slowly, steadily, although no one seems to be moving it in that direction, the Ouija planchette points to NO.

(I wish someone at RT would tell them that no one wants a joke consensus. Just tell me the actual consensus of the critics, which is kinda the point of your website. This tells me nothing other than you spent too much time trying to think up something clever.)

Poster – Sklog-ja (B-)

ouija

(I can dig this. Bold choice with some interesting font. Decidedly not scary though. Literally just a ouija board… why would I be scared of that?)

Tagline(s) – Keep telling yourself it’s just a game (B)

(I think this is good. Sometimes I have to say it a few times to make sure it isn’t nonsense. But this is short enough and gives a hint of the spooky scary concept. Wish it was a bit more clever.)

Keyword(s) – ghost; Top Ten by BMeTric: 84.8 The Fog (2005); 80.2 One Missed Call (2008); 78.9 Feardotcom (2002); 76.9 Exorcist II: The Heretic (1977); 75.7 Ouija (II) (2014); 73.2 Zoolander 2 (2016); 72.8 The Apparition (2012); 70.7 The Gallows (2015); 68.7 The Haunting (1999); 67.5 Pulse (I) (2006);

(We are killing this list. The Fog is by far the best one there. Although The Haunting is a pretty special viewing experience as well.)

Notes – The name can either be pronounced ‘wee-ja’ or ‘wee-gee’. Charles Kennard, founder of the company manufacturing the boards, claimed he learned the name “Ouija” from asking the board what it wanted to be called. (My god)

Far from being ancient, the Ouija Board was patented on May 28, 1890. (Well … yeah, that isn’t a surprise)

Hasbro Studios first horror film. (Probably last? Oh wait, they made (a pretty good) sequel to this film.)

According to costume designer Mary Jane Fort, the cast and crew would often take breaks between shooting and use the Ouija board to jokingly predict the box office opening weekend numbers. (Z-E-R-O D-O-L-L-A-R-S … you know what this is stupid)

The film’s tagline, “Keep telling yourself it’s just a game,” was used for several years as the advertising slogan for the Ouija board game.

Though there are many other horror movies about Ouija boards – some with the same title – this film is not officially a remake of any of them and tells its own story revolving around the titular game. (Well yeah, it is a Hasbro production)

None of the actors portraying teenagers in the film were actually in their teens. The youngest actor was Olivia Cooke who was 21 at the time of filming.

When re-shoots went underway, in the process of drastically changing Doris Zander’s backstory, two new characters were created including her sister and mother. Lin Shaye, who plays Paulina Zander, was not in the original version of the film and was cast for the re-shot footage.

The location where Laine goes to visit Paulina Zander is also known as Eichen House in MTV’s hit TV show, Teen Wolf (2011), where Shelley Hennig, who plays Debbie, stars as Malia Tate/Hale.

Although this is the first film theatrically released starring Shelley Hennig, she filmed this after completing her work on Unfriended (2014) which was previously released as Cybernatural making it her proper film debut (technically). It would be theatrically released about 6 months after the release of this film.

Some cast members are said to have experienced supernatural occurrences since the production of the film Ouija ended. It is said to be influenced by the making of the film.

In the original unaltered version of the film, Doris Zander had a much different look to her. In the original cut she took the appearance of a young girl with half of her face burnt while always carrying a doll. The re-shoots version is a rotting girl with sewn lips. (What? Changing the fundamental look, and thus backstory, of a character like that seems like an odd decision)

Erin Moriarty was cast in the film in an undisclosed role though she does not appear in the finished project. Her scenes were deleted when the film was reshot.

Another theory of where the name of the Ouija Board comes from is that it is the French and German for “Yes”: Oui-ja. The Board has Yes and No answers as well as the alphabet. (No that seems much more plausible)

Film debut of actors Ana Coto, Darren Kagasoff, Bianca A. Santos, and (technically) Shelley Hennig.

Directorial debut of Stiles White.

Although Sarah Morris is supposed to be Laine’s younger sister in the film, in real-life the actress Ana Coto is actually 3 years older than Olivia Cooke, who plays Laine.

The first trailer for the film was released with the theatrical release of The Fault in our Stars (2014) containing alternate footage. A new trailer was released in the summer containing new scenes. In an interview, Olivia Cooke stated that about 50% of the film was reshot due to a negative reaction from test audiences, as a result Universal ordered a week’s worth of re-shoots during the summer 4 months before its theatrical release which drastically altered the original plot. The original cut contained a different assortment of footage including an alternate death scene for Debbie where she instead falls to her death instead of hanging herself (which is why the chandelier is swinging when Pete sees it because she struck it while falling) along with the most advertised scene where Sarah’s eyes roll back and she says “it’s not even real okay? It’s just a game”. Nona was also supposed to have a more prominent role in the film as it implied she becomes possessed in the promotional material. (Wow … this is going to be a mess)

Max Payne Preview

Alright so we’ve covered an adaptation of a tech product and a TV show. Time to get down to real business because this week for our Action entry is the always reliable video game adaptation. There have been numerous adaptations over the years and none (NONE!) have actually achieved a fresh RT score. In fact, it’s incredibly rare for a video game adaptation to escape qualification for BMT (Angry Birds being the most recent). So we had a lot to choose from and went for a film that’s been on our BMT radar for years. That’s right! We’re nabbing the Mark Wahlberg classic Max Payne. There was a moment in time where it looked like Wahlberg’s career might be headed to a dark place. Just two years after getting an Oscar nomination for The Departed he did The Happening and Max Payne in the same year! Incredible. Of course he rallied and is now one of the biggest movie stars on the planet so good for him. Keep making those Transformers for us. Let’s go!

Max Payne (2008) – BMeTric: 54.5

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(Always a good sign when the rating is unchanged for years on end effectively. And that’s a lotta votes. Definitely a popular below average rated film if I’ve ever seen one.)

Leonard Maltin – 2 stars –  A Dirty Harry-like homicide cop (Wahlberg) seeks revenge against the killers of his loved ones. Good-looking film falls flat dramatically. There’s plenty of gore, though it’s not graphic enough to earn this an R rating. Based on a popular video game.

(Loving the hyphen game as usual from Leonard. The visual style certainly looks unique, along the lines of Sin City and 300. That can be hit or miss, and is certainly isn’t particularly popular at the moment.)

Trailer – https://www.youtube.com/watch?v=Q2jAEoBz6RY

(Oooooof the voice over start. And jesus this could not be more stylized with the music and the visual design. I remember the visual of the guy getting pulled out of the building from when this trailer came out … I was unimpressed then. The trailer kind of makes the film look like crap.)

Directors – John Moore – (Future BMT: The Omen; I.T.; Flight of the Phoenix; Behind Enemy Lines; BMT: A Good Day to Die Hard; Max Payne; Notes: Irish. He started in commercials and got his big break after creating the launch add for the Sega Dreamcast (RIP). It was apparently “so visually impressive” that they offered him a $40 million action film. While I don’t buy that, I do love commercial directors making films.)

Writers – Beau Thorne (screenplay) – (BMT: Max Payne; Notes: What are the odds of two Beaus involved in the same movie, I wonder if him and Beau Bridges hung out. He is apparently best friends with Bryan Bertino a writer-producer of horror films.)

Sam Lake (video game by Remedy Entertainment and 3-D Realms Entertainment) – (BMT: Max Payne; Notes: Finnish, he wrote the screenplay for many Remedy Entertainment video games around that time as he is good friends with the founder Petri Järvilehto. His real name is Sami Järvi, Järvi is Finnish for Lake.)

Actors – Mark Wahlberg – (Known For: All the Money in the World; The Departed; Deepwater Horizon; Patriots Day; Ted 2; Boogie Nights; Ted; Shooter; Planet of the Apes; Lone Survivor; The Italian Job; The Other Guys; Pain & Gain; 2 Guns; The Fighter; Four Brothers; Rock Star; Date Night; Three Kings; The Basketball Diaries; Future BMT: The Truth About Charlie; Daddy’s Home; Mojave; Broken City; Fear; Renaissance Man; Daddy’s Home 2; Entourage; The Lovely Bones; BMT: The Happening; Transformers: The Last Knight; Max Payne; Transformers: Age of Extinction; Notes: Bomb, just watched him in yet another Transformers film. We need to get our hands on his fitness documentary Creating Form… Focus… Fitness, the Marky Mark Workout from 1993. That shit is def bananas.)

Mila Kunis – (Known For: Bad Moms; Black Swan; Ted; Friends with Benefits; Oz the Great and Powerful; The Book of Eli; Forgetting Sarah Marshall; Date Night; Blood Ties; Get Over It; Extract; Piranha; Future BMT: Annie; Krippendorf’s Tribe; The Angriest Man in Brooklyn; Moving McAllister; A Bad Moms Christmas; The Color of Time; Third Person; BMT: Jupiter Ascending; Max Payne; Notes: Married to Ashton Kutcher now. She had to lie about her age in order to get her big break in That 70s Show, which she started on when she was 15 (gross). In the first episode Kutcher (who was 20) was making out with a 15-year-old on camera … g-g-g-gross)

Beau Bridges – (Known For: The Mountain Between Us; Jerry Maguire; The Descendants; Charlotte’s Web; The Ballad of Jack and Rose; Hit and Run; The Tale of the Princess Kaguya; From Up on Poppy Hill; The Fabulous Baker Boys; Eden; The Hotel New Hampshire; Norma Rae; The Landlord; Heart Like a Wheel; Force of Evil; The Incident; The Runner Stumbles; For Love of Ivy; Gaily, Gaily; Hammersmith Is Out; Future BMT: Sidekicks; Village of the Giants; The Good German; The Wizard; RocketMan; Spinning Into Butter; Two-Minute Warning; Rushlights; BMT: Max Payne; Notes: The older brother of actor Jeff Bridges. He is nearly 80. Fun facts about this dude: he was nominated for a Golden Globe in 1969. He is only 5’ 10’’ but played basketball for UCLA in probably like 1959. His father is Lloyd Bridges from Airplane!)

Budget/Gross – $35 million / Domestic: $40,689,393 (Worldwide: $85,416,905)

(That isn’t great, considering it is an action film you would hope you’d get to $100 million at least. The domestic total also isn’t very impressive, especially at the time. But I also wouldn’t necessarily call it a bomb. One Bud Light ad and you’re good to go.)

#16 for the Video Game Adaptation genre

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(During the 2000s they were trying so hard to make video game films a thing. They’ve never really done well though. Famously, there has never been a “fresh” video game adaptation on Rotten Tomatoes. We’ve seen Warcraft, Silent Hill, Silent Hill: Revelations, Lara Croft: Tomb Raider, Need for Speed, Hitman, Hitman: Agent 47, Street Fighter: Legend of Chun Li, Doom, In the Name of the King: A Dungeon Siege Tale, Wing Commander, … YIKES.)

Rotten Tomatoes – 16% (21/134): While it boasts some stylish action, Max Payne suffers severely from an illogical plot and overdirection.

(Yiiiiiiiiiiis. Over direction and illogical plots are my jam. A very impressive critical bomb, probably among the worst of the major released in 2008. Finally getting that street cred going.)

Poster – Max Sklog (B)

Camp C Eng (Page 1)

(Give it props for bold choices, most of them good. Feels a little empty and amateurish, but maybe just because it’s different than most posters. Also never a huge fan of black as a primary color, but better than white.)

Tagline(s) – None! (F——)

(Oh fuck you, Max Payne. You too good for a tagline? Is that what it is? I’m sure you could have whipped up an OK pun on the name Payne.)

Keyword(s) – based on video game; Top Ten by BMeTric: 90.1 Alone in the Dark (2005); 88.6 House of the Dead (2003); 88.5 Street Fighter (1994); 87.4 BloodRayne (2005); 86.4 Mortal Kombat: Annihilation (1997); 85.8 In the Name of the King: A Dungeon Siege Tale (2007); 83.9 Super Mario Bros. (1993); 79.0 Street Fighter: The Legend of Chun-Li (2009); 72.6 Far Cry (2008); 69.6 Wing Commander (1999);

(Just because we refuse to do all of the Uwe Boll films, we kind of get screwed here. BTW, check out last week’s Hall of Fame inductee: In the Name of the King: A Dungeon Siege Tale! It is straight garbage juice.)

Notes – The game designers at 3D-Realms were apparently unimpressed by the motion picture adaptation. (literally no game design stoudio has ever been impressed with a film adaptation)

The extra scene after the end credits was supposed to set the stage for a sequel. But due to the film’s poor performance at the box-office, 20th Century Fox decided to abandon plans for a sequel.

James McCaffrey, the voice of Max Payne in the video game franchise, makes a cameo as the FBI Agent that Lieutenant Jim Bravura introduces to the “real” police officer. He also shows up near the end of the film, asking if Bravura is alright, before calling in Division One over the radio. (cool)

Due to the PG-13 rating that the studio wanted, John Moore filmed two versions of the two biggest action sequences in the film, a) The Aesir Swat Building Shoot-out, and b) Max Payne’s attack on the Aesir building starting from the parking garage scene. John Moore filmed a version with impact squibs (seen in the PG-13 cut) and one with bloody wound squibs. Moore also stated that the parking garage scene during the filming of using the blood wound squibs was “one of the bloodiest shootouts he has ever filmed”.

In the film, Valkyries are shown as male. In Norse Mythology, all Valkyries are female. They are also referred to as “Odin’s Girls” for the same reason. (What is this? A fourth grade Norse Mythology Unit?)

Early in the film, Max beats up three thugs in the Roscoe Street subway station. This fictitious station is the setting of one of the first levels in the video game, where DEA Agent Alex Balder (upon whom the film’s Detective Alex Balder is based) is murdered.

Mark Wahlberg reportedly never played the video game, as he didn’t want to become addicted, and felt the script connected him to the story enough. (We have something in common then)

Very little of the movie was actually shot on greenscreen. Instead, Director John Moore opted to shoot in Toronto during the night, in order to add extra reality to his actors’ reactions.

The name of the club is RAGLAN AND BROCK. Some of the letters are burned out and it makes the sign look like it reads RAG NA ROCK. (Cool Norse mythology shit)

Olga Kurylenko’s second movie based on a video game. The first was Hitman (2007). (Noice)

Voted online as “One of the worst movies ever made”.(Not so noice)

Max keeps most of the stuff from his old house in a shipping container at a place called Gognitti’s Self-Storage. The place is named after Mafia Lieutenant Vinnie Gognitti, one of the video game’s minor villains.

The trailer for Max Payne is seen playing on a television in the background of Ari Gold’s office in Entourage (2004) – a show produced by Mark Wahlberg. (Gross)

John Moore has said that he tried to please fan requests as much and frequently as possible. (Almost always a mistake)

In the post-credits scene, as Max Payne walks into the bar, a marquee across the street reading “Forgotten Rebels” and “The 3Tards” is visible. Visual Effects Supervisor Jeff Campbell is the guitarist for the punk band Forgotten Rebels. “The 3Tards” is a shout-out to the fellow Ontario-born punk band (both have played shows together, including during post-production of “Max Payne”). (The 3tards is one of the worst names for a band I’ve ever seen)

This is the second video game adaptation Olga Kurylenko appears in, the other being Hitman (2007). Coincidentally they both feature former Prison Break (2005) actors as antagonists. (Everyone knows I love me some Prison Break)

Awards – Nominated for the Razzie Award for Worst Actor (Mark Wahlberg)

In the Name of the King: A Dungeon Siege Tale Preview

A small note prior to this post: Once again we take a look back at the movies that we watched over five years ago and choose a Hall of Fame class, five movies that we thought embodied BMT in some way. Perhaps they were particularly bad, or an example of a specific bad movie trope, whatever, something made them stand out as special in our minds. Since we didn’t do email previews back in 2011/2012 we also decided to provide a preview for the movie as well. This is the first in a series of five leading up to our yearly awards the Smaddies Baddies. A recap (Hall of Fame speech really) will follow immediate afterwards to explain why the movie was chosen, things we loved about the movie, and things we discovered upon second viewing. Enjoy!

In the Name of the King: A Dungeon Siege Tale (2007) – BMeTric: 85.7

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(Wow that started low. The way this is fading makes me wonder how much actual legs this has in the end, but there is a reason this is one of the worst reviewed films on IMDb. Other than that not much else to say, classic legendary bad movie.)

Leonard Maltin – BOMB –  Reluctant warrior Statham joins forces with a brave king (Reynolds) to battle a treacherous usurper (Lillard) and a wicked wizard (Liotta). Another video-game-inspired fiasco from the unfortunately prolific Boll. Even with a bigger budget and better actors than usual, this is a plodding patchwork of haphazardly edited action sequences. Alternate version runs 162 min.

(I will likely try and watch the (gulp) three hour cut. Jamie owns it, although on Blu-Ray I think. Regardless that cut it likely happening and I will not enjoy. Deep burn on Uwe, but that is expected since Uwe is a terrible filmmaker who has been openly ridiculed by critics for years.)

Trailer – https://www.youtube.com/watch?v=A7Um98FZei8

(You can kind of see the ridiculousness of the fight scenes in this film from the trailer. And you can kind of see how ridiculous everyone’s costumes are. But they keep this generic-fantasy for now. Smart.)

Directors – Uwe Boll – (Future BMT: Alone in the Dark; House of the Dead; BloodRayne; Postal; Blackwoods; Bailout: The Age of Greed; BMT: In the Name of the King: A Dungeon Siege Tale; Razzie Notes: Won for Worst Director in 2009 for In the Name of the King: A Dungeon Siege Tale, Postal, and Tunnel Rats; Nominated for Worst Director in 2006 for Alone in the Dark; and in 2007 for BloodRayne; and Nominated for Worst Supporting Actor for Postal in 2009; Notes: Well known for spitting out tons of schlock. Was a critic in the 80s and seems to revel in bad reviews. He challenged a number of critics to a boxing match and won all of the matches as chronicled in Raging Boll)

Writers – Doug Taylor (screenplay & story) – (Known For: Splice; A Christmas Horror Story; They Wait; BMT: In the Name of the King: A Dungeon Siege Tale; Razzie Notes: Nominated for Worst Screenplay for In the Name of the King: A Dungeon Siege Tale in 2009; Notes: Canadian. He had a few interesting articles written about how he still lived in Montreal, even while working on promoting a big project like Splice. I don’t know what he’s precisely up to know, but it is an interesting glimpse into a screenwriters world. The number of projects he was working on was noted as “head-spinning” and yet he only has had four credited screenwriting jobs result in a theater release. It sounds nuts.)

Jason Rappaport and Dan Stroncak (story) – (BMT: In the Name of the King: A Dungeon Siege Tale; Notes: I don’t think these guys are necessarily writing partners, but there is no info on them. I think they probably work for Uwe Boll’s production company? Would make sense to have Taylor write the script, and then have some of your own guys help with whatever Uwe wants in there.)

Chris Taylor (video game “Dungeon Siege”) – (BMT: In the Name of the King: A Dungeon Siege Tale; Notes: Just the video game guy. Was named the 30th most influential developer of all time in 2002. Left his company in 2016 to work on indie games)

Actors – Jason Statham – (Known For: Fast & Furious 8; Fast & Furious 7; Snatch; Spy; Furious 6; The Italian Job; Lock, Stock and Two Smoking Barrels; Collateral; The Expendables; The Expendables 2; Parker; Homefront; The Mechanic; The Transporter; Death Race; The Bank Job; Hummingbird; Transporter 2; Future BMT: The Pink Panther; Wild Card; The One; Transporter 3; 13; Turn It Up; Killer Elite; Revolver; Mean Machine; London; BMT: Crank; Crank: High Voltage; In the Name of the King: A Dungeon Siege Tale; Ghosts of Mars; Mechanic: Resurrection; The Expendables 3; Notes: An all-star of BMT naturally. I’ve also heard great things about him over the years. Mainly that he’s hilarious and has a magnetic personality. Makes sense.)

Ron Perlman – (Known For: Fantastic Beasts and Where to Find Them; Pacific Rim; Drive; Hellboy; The Bleeder; Tangled; Alien Resurrection; Blade II; Hellboy II: The Golden Army; Percy Jackson: Sea of Monsters; Enemy at the Gates; The Book of Life; The Spiderwick Chronicles; The Name of the Rose; Looney Tunes: Back in Action; Titan A.E.; The City of Lost Children; Kid Cannabis; Poker Night; La guerre du feu; Future BMT: Police Academy: Mission to Moscow; The Island of Dr. Moreau; Conan the Barbarian; Mutant Chronicles; Sleepwalkers; Bad Ass; Down; The Ice Pirates; Stonewall; Skin Trade; Outlander; Bunraku; Star Trek: Nemesis; Crave; Romeo Is Bleeding; BMT: In the Name of the King: A Dungeon Siege Tale; Season of the Witch; Notes: We should watch Ice Pirates. Ron Perlman is probably most well known now for either Sons of Anarchy or Hellboy, but he’s been in a bunch of stuff obviously. Was in Del Toro’s debut Chronos in 1993 which lead to a life-long friendship.)

Ray Liotta – (Known For: Goodfellas; The Place Beyond the Pines; Blow; Sin City: A Dame to Kill For; Identity; Killing Them Softly; Bee Movie; Date Night; The Iceman; Field of Dreams; Cop Land; Kill the Messenger; Heartbreakers; Youth in Revolt; Muppets Most Wanted; Narc; Something Wild; Unlawful Entry; Battle in Seattle; Observe and Report; Future BMT: Turbulence; The Son of No One; Operation Dumbo Drop; Crazy on the Outside; Revenge of the Green Dragons; The Identical; Forever Mine; Even Money; Powder Blue; Revolver; Better Living Through Chemistry; The Lonely Lady; The Death and Life of Charlie St. Cloud; Unforgettable; Slow Burn; Smokin’ Aces; Corrina, Corrina; Hannibal; Crossing Over; Pilgrim; BMT: In the Name of the King: A Dungeon Siege Tale; Wild Hogs; Notes: He is most well known for looking like he is wearing a Halloween mask of himself. Joking, but this is the first movie I watched where I was like Liotta looks a little odd these days. Hugely famous, mainly for Goodfellas, he still gets decent enough jobs. Definitely an interesting career.)

Budget/Gross – $60,000,000 / Domestic: $4,775,656 (Worldwide: $13,097,915)

(So, Uwe Boll had a decent racket going for a while. The way it works is detailed here, but here’s the short version: if you are a German citizen looking for a tax shelter you can set up a shell company, “finance a film” for millions of euros (immediately tax deductible), and then lease back the rights to a Hollywood studio for almost the entire amount saving millions in taxes. The key is having a German director to direct … wait a minute I know a German director by the name of Uwe! I think they closed that loophole, it is the only explanation as to why Uwe isn’t still churning out trash. This is also the definition of “sweet IP”: video games no one else wanted to make into movies … so sell it to Uwe.)

#106 for the Fantasy – Live Action genre

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(A genre of the 2000s. Just about at the nadir of the genre though. Below Troll from 1986, and paired up with Seeker the Dark of Rising (twin film) for bringing down the gross for a time. Has held mostly steady since, but the new Harry Potters could help it along the way.)

#32 for the Sword and Sorcery genre

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(Literally the lowest grossing example released to more than 4 theaters! There isn’t much to the graphic except that it is small and kind of consistently made over the years. Hopefully the disaster that was Warcraft doesn’t handicap the genre too much going forward.)

#34 for the Video Game Adaptation genre

inthenameoftheking_videogameadaptation

(This guy basically sits … well around other Uwe films. Not that many video game adaptation are super successful. They are coming hot and quick now though, so we’ll see if they can cross that $100 million threshold consistently.)

Rotten Tomatoes – 4% (2/50): Featuring mostly wooden performances, laughable dialogue, and shoddy production values, In the Name of the King fulfills all expectations of an Uwe Boll film.

(Sick burns … although true. The film looks like a few episodes of The Mighty Morphin Power Rangers strung together. Considering it is through and through a German production … that might actually not be a bad analogy.)

Poster – In the Name of the Sklog: A Dungeon Sklog Tale (C+)

in_the_name_of_the_king_a_dungeon_siege_tale_ver3

(I like the color, but not much else. I can kind of give it credit for being in that high-fantasy mold. It is shockingly similar to some of the artwork for Lord of the Rings. But too much going on and not enough done with the font. I’m giving it a C+ for at least being derivative of something good, but most of the deduction is for being cheap looking to boot.)

Tagline(s) – Rise and fight (C+)

(I’ll give it credit for being short and sweet and fantasy-epic-esque. Doesn’t tell you anything, and is boring though, so I mark most of the credit off. Sorry Uwe.)

Keyword(s) – farmer; Top Ten by BMeTric: 85.7 In the Name of the King: A Dungeon Siege Tale (2007); 84.1 Piranha 3DD (2012); 69.8 Year One (2009); 58.0 Monsters: Dark Continent (2014); 57.7 The Seeker: The Dark Is Rising (2007); 49.3 Seventh Son (I) (2014); 45.0 Jeepers Creepers II (2003); 43.8 The Watch (I) (2012); 43.7 The Giant Spider Invasion (1975); 43.7 Priest (2011);

(We will never watch Piranha 3DD, but Priest is going to happen. Farmer is prooooobably pushing it, although The Seeker and Seventh Son did genuinely have farmers in it … and the main character of this is literally “Farmer”.)

Notes – Kevin Smith and Juliette Lewis were filming Catch and Release (2006) on an adjoining set, and came to visit this set. Burt Reynolds saw them steal two boxes of Krispy Kreme donuts. (I believe it, but Burt Reynolds throughout these notes sounds ridiculous).

Script development took over a year. In the end, Doug Taylor re-wrote eighty percent of the script, because the original story was considered too reminiscent of the “Lord of the Rings” trilogy. (Amazing, what could the storyline have even been?)

Production of the computer graphics imagery in the movie was convoluted and problematic. Uwe Boll claims he had to fire several different CGI providers, who outsourced their jobs to lower-quality providers, who worked for less money. (Yup, this is why graphics in movies causes so much trouble, bullshit like this)

The “medicine” Merick gives Farmer was actually tea mixed with ketchup. Uwe Boll purposely concocted the mixture to get a disgusted reaction from Jason Statham.

During production, Uwe Boll sponsored a charity visit to the set. Guests got to see behind-the-scenes work, and proceeds were donated to a children’s hospital. Reportedly, Ray Liotta was extremely upset by it. In future interviews, he talked about how “crazy” Boll was for allowing so many spectators onto the set.

Siu-Tung Ching’s salary was higher than Uwe Boll’s. (HA!)

Jason Statham filmed many of his action scenes while nursing an injured tendon in his foot. He is noticeably impaired while running.

John Gajdecki had trouble filming many visual effects shots, especially scenes with outdoor “greenscreens”. Jan Kruse left the project, due to conflict with Gajdecki, who was eventually fired, and replaced by Doug Oddy. (These notes are ridiculous)

Some of the Krug costumes cost over ten thousand dollars each to produce. (Not a great idea)

Uwe Boll considered releasing the original cut of the film in two installments because of its length. Instead, it was edited into a theatrical release, and the Director’s Cut was released on DVD. (Smart …)

While filming an outdoor fight scene, Burt Reynolds grew overheated in his armored costume, became unconscious, and fell from the platform, on which the duel was being filmed. Reynolds claims this was the only time in his career that he had to miss a day of filming, due to sickness or injury.

Kevin Costner was offered the lead role. Uwe Boll claims Costner wasn’t interested in filming a large-scale action film, and instead offered Boll the opportunity to direct the project he was working on at the time, Mr. Brooks (2007). Boll turned it down. (WHAT, why would anyone offer Boll to director anyone?)

Claire Forlani was the last major performer to be cast. Her role had been previously offered to Jessica Alba and Jessica Biel. (Who probably just laughed into the phone for half a minute)

Though Siu-Tung Ching was the action Director, Uwe Boll personally choreographed the scene featuring Jason Statham and Ron Perlman fighting the Krug in the barn. (The one where it literally looks like Puttys from Power Rangers I think)

A day of filming was lost due to heavy fog. Some of the forest terrain and mountaintops could only be accessed via helicopter, and on a particular foggy day, Uwe Boll and part of his crew were literally stranded on a mountain for over two hours, because the helicopter wouldn’t take off.

Burt Reynolds extensively re-wrote and edited the dialogue for his death scene, creating friction with Script Supervisor Ingrid Kenning. Reynolds had never played a character who died in a film, and was adamant that the scene be something special.

Won the Razzie Award for Worst Director (Uwe Boll)

Nominated for the Razzie Award for Worst Picture

Nominated for the Razzie Award for Worst Supporting Actress (Leelee Sobieski)

Nominated for the Razzie Award for Worst Supporting Actor (Burt Reynolds)

Nominated for the Razzie Award for Worst Screenplay (Doug Taylor)

The Emoji Movie Preview

Gotta end 2017 with a bang and there isn’t any BMT film bigger than the one tapped for the transition to 2018’s first cycle. It came into the year as one of the most anticipated BMT releases (along with Geostorm and Fifty Shades) and only escaped the BMT Live! treatment because we had already watched Fifty Shades and The Mummy by the time it came out. Better late than never. That’s right! We’re finally watching The Emoji Movie. This movie looked like absolute trash from the get go and now we get to see if it lived up to the hype as one of the few sub-10% films of the year (standing at 9% RT). As for the transition, we are starting 2018 off with a cycle of adaptations. Like a lot of cycles we are going to try to do nine different adaptations so not just books, but TV shows, comic books, theme park rides, etc. That’s where The Emoji Movie fits in. It is one of the few cases where technology in general has been adapted into film (the only one that came to mind for us was You’ve Got Mail… great example). What a start! Let’s go!

The Emoji Movie (2017) – BMeTric: 86.9

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(Steadily rising, but it won’t get much higher that the mid-3’s I don’t think. People obviously pile on at first, but even early reviewers were giving it reviews in the 2-3 range, so it’ll settle at a more reasonable 3-4 over time I would think.)

RogerEbert.com – 0.5 stars The failure of imagination in “The Emoji Movie” is not limited to its depiction of the app world. This is a film that has literally nothing to offer viewers—there are no moments of humor, excitement or insight regarding a culture that considers emojis to be the pinnacle of contemporary communication. The actors go through their lines with such a lack of enthusiasm that they make Krusty the Klown seem focused and committed by comparison.

(If you read the rest of this preview you’ll learn this is one of the fastest produced computer animated films ever made. So it isn’t that surprising that the voice work is sub-par. The rest of the review doesn’t give much else besides suggesting it is just cynically made, and that he like other obviously superior animated films more.)

Trailer – https://www.youtube.com/watch?v=o_nfdzMhmrA

(Yeah … so, that trailer is not great. It doesn’t really present any major plot and really is just a mishmash of a bunch of different apps I guess. It manages to just look really really dumb. But I am not 10 years old so what do I know?)

Directors – Tony Leondis – (Future BMT: Igor; BMT: The Emoji Movie; Notes: Been involved with another animated film B.O.O. about ghost secret agents. Lots of actors attached but seems like Igor and The Emoji Movie might have put it on permanent hold.)

Writers – Tony Leondis (screenplay by & story by) – (Future BMT: Igor; BMT: The Emoji Movie; Notes: Cut his teeth as a story artist. Most notably on The Prince of Egypt.)

Eric Siegel (screenplay by & story by) – (BMT: The Emoji Movie; Notes: Husband of longtime CSI: NY actress Anna Belknap.)

Mike White (screenplay by) – (Known For: School of Rock; Brad’s Status; Nacho Libre; Beatriz at Dinner; The Good Girl; Year of the Dog; Chuck & Buck; Future BMT: Dead Man on Campus; BMT: The Emoji Movie; Notes: Probably best known for School of Rock, IMDb also says he wrote nine episodes of Dawson’s Creek. Coolio.)

John Hoffman (additional screenplay material) – (Known For: Good Boy!; Future BMT: Igor; BMT: The Emoji Movie; Notes: Must have known Tony Leondis from Igor. He’s also one of the executive producers of Grace and Frankie.)

Actors – T.J. Miller – (Known For: Office Christmas Party; Deadpool; Big Hero 6; She’s Out of My League; How to Train Your Dragon; How to Train Your Dragon 2; Rock of Ages; Cloverfield; Goon: Last of the Enforcers; Get Him to the Greek; Seeking a Friend for the End of the World; Extract; Our Idiot Brother; Future BMT: Gulliver’s Travels; The Goods: Live Hard, Sell Hard; Search Party; BMT: The Emoji Movie; Transformers: Age of Extinction; Notes: There is a fair chance he is a terrible person as he has been accused of doing terrible things.)

James Corden – (Known For: Trolls; Into the Woods; Begin Again; The Lady in the Van; Starter for 10; The History Boys; One Chance; All or Nothing; Pierrepoint; Telstar: The Joe Meek Story; Heartlands; Whatever Happened to Harold Smith?; Future BMT: Gulliver’s Travels; Norm of the North; Lesbian Vampire Killers; Konferenz der Tiere; Planet 51; How to Lose Friends & Alienate People; Kill Your Friends; BMT: The Emoji Movie; The Three Musketeers; Notes: Our very own Planchet. Obviously now a major talk show host.)

Anna Faris – (Known For: Brokeback Mountain; Just Friends; Lost in Translation; The Dictator; Scary Movie; The House Bunny; 22 Jump Street; Keanu; Cloudy with a Chance of Meatballs; Cloudy with a Chance of Meatballs 2; I Give It a Year; Observe and Report; My Super Ex-Girlfriend; May; Frequently Asked Questions About Time Travel; Smiley Face; Future BMT: Alvin and the Chipmunks: The Squeakquel; Alvin and the Chipmunks: Chipwrecked; Scary Movie 4; Scary Movie 2; Scary Movie 3; The Hot Chick; Alvin and the Chipmunks: The Road Chip; Mama’s Boy; What’s Your Number?; Take Me Home Tonight; Waiting…; BMT: The Emoji Movie; Movie 43; Notes: Been in the news since she and Chris Pratt broke up in what was probably 2017’s biggest celeb split.)

Budget/Gross – $50 million / Domestic: $86,089,513 (Worldwide: $216,970,871)

(That is a lot of money. I hope they don’t make a sequel though. Not because people shouldn’t go get their money. I just don’t want to watch another Emoji Movie.)

#105 for the Animation genre

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(Animation has apparently held steady over the years as far as gross is concerned. The big jumps are likely technologically related. Late-90s was the advent of computer animated films. Mid 2000s is when that process became cheaper than traditional animation. And the big jump around now is likely concerning the ability for a single studio to produce a full-length feature in roughly the same amount of time as live-action production (something like that, i.e. the ability for a film like this to be made and profitable).)

#86 for the Animation – Computer genre

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(Tells the same story as above, basically confirming the mid-2000s jump was computer animation supplanting traditional animation. It makes sense with the above as well actually. The mid-2010s probably marks when animation because easy and cheap enough to produce television shows and made “kids films” almost entirely computer animated.)

Rotten Tomatoes – 9% (10/108): 🚫

(Sub-10% means we kind of have to do the film at some point. It is kind of the crown jewel of any BMT year. The consensus here though is an embarrassment and Rotten Tomatoes should be embarrassed. It is an emoji if you can’t tell … I thought my email generator program was broken at first.)

Poster – The Sklogmoji Movie (D)

emoji_movie_ver12

(Not into it. This is essentially a slightly better version of the Father Figures poster. Slightly better because… well how couldn’t it be better than that disaster? But only marginally. That font is embarrassing. I’m embarrassed for you, poster.)

Tagline(s) – An adventure beyond words (A+)

(Oh shit… that’s actually pretty clever. Oh man. I’m starting to really like it. I better grade this before I give it an A+ because I take pride in how tough my grading is. Too late. That’s an A+ if I’ve ever seen one. Short, sweet, and clever. Gives a hint at the plot and works as an effective advertisement for emojis to boot. Daaannnnggggggg.)

Keyword(s) – food; Top Ten by BMeTric: 86.9 The Emoji Movie (2017); 85.8 In the Name of the King: A Dungeon Siege Tale (2007); 85.4 Troll 2 (1990); 84.1 Home Alone 3 (1997); 75.7 In the Land of Blood and Honey (2011); 71.7 The Flintstones (1994); 64.8 10,000 BC (2008); 64.0 Leprechaun (1993); 63.1 North (1994); 61.2 Foodfight! (2012);

(Ah yes. In the Name of the King a Dungeon Siege Tale and … food. Two peas in a pod. Amazingly there appears to be no … food in Batman & Robin. A strange mix of films here which nearly pushes an actual food movie (Foodfight!) off of the list. Foodfight will be done as part of a Worst Movie Ever series I assume, it is apparently quite the experience.)

Notes – John Douglass, owner of the “jacksfilms” YouTube account, was invited to the world premiere of this movie by Sony because he praised it sarcastically since its announcement. (So getting early fake good reviews is actually a thing huh?)

Sony promoted the latter release of the trailer by hosting a press conference in Cannes, the day before the 2017 Cannes Film Festival, which featured T.J. Miller parasailing in. Variety called the event “slightly awkward” and The Hollywood Reporter described it as “promotional ridiculousness.” (That doesn’t sound fun or funny, good job Emoji Film PR team)

According to T.J. Miller, this is the fastest produced animated film in history. (I’m loving this fact for some reason)

Tony Leondis, the director of the movie, does not take emoji’s seriously. He sees them as “the toys of the 21st century” and said he needed to rush the movie because “who even knows if people are going to like emoji’s in [six years]”.

The film was shown alongside Puppy, a short film based on the Hotel Transylvania films.

The original title was Emoji Movie: Express Yourself. (Would have joined The Nut Job 2: Nutty By Nature and Jumanji: Welcome to the Jungle on the list of 2017 films that inexplicably used a random song title as the subtitle to a film. Not loving that trend)

In the Latin American Spanish version, the name of Jailbreak was changed with the name of “Lady Hacker”.

A week before the film was released, Sony tweeted a controversial promotional picture parodying the Hulu series The Handmaid’s Tale (2017). It was immediately met with criticism for being tasteless, considering the content and themes of the Hulu series. Following the backlash, the tweet was deleted. (Haaaaaaa)

The official artwork of the main trio bears a strong resemblance to the final poster for Free Birds (2013). (So artwork in posters follows a kind of wave-like pattern. Father Figures, which just came out, has a very similar poster to Emoji Movie among a few others actually. I do not like the seven-faced-shoved-together look though)

The opera music being played when the trash is being emptied translates to “If Sarastro does not through you feel the pain of death” (weird)

NOTE: Most of the other notes are just saying how many animated film each of the ten or so main cast members were in prior to the Emoji Movie. I’m genuinely shocked at how few notes there are, I would think a ton of gross set stories would have come out once everyone realized this was going to be critically panned.