Monte Carlo Preview

Monte Carlo (2011) – BMeTric: 37.2

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(Well known plot I’m going to call … the Built-in Fanbase Plot. Don’t worry, I’ll promptly forget it in a week and coin a new term. Basically big Selena Gomez fans (I assume) would rate this a 6.5. People who love (to rate) movies (on the internet like weirdos) though would give it closer to a 5.1. And then once general audiences get a hold of it it is generally moving up to between the two, 5.8. It should roughly stick there, this plot screams “average movie” and 6.0 would be where I would expect such a thing.)

Leonard Maltin – 1.5 stars –  Three girls from a small town in Texas spend their savings on a dream trip to Paris. Once there, the girls discover that one of them (Gomez) looks just like a British socialite and use her mistaken identity to their advantage. Cast is attractive and likeable but the story is predictable … and dull. Although its target audience may not notice the poor editing and plot development, this still should have been a better movie. Loosely based on the novel Headhunters by Jules Bass.

(Actually rather harsh of Leonard, I would have thought he would go easy on a movie like this since he is definitely not the target audience as he points out. Dull is a bad word here. Kids’ movies are usually dull which is why we banished them from BMT back in the day (we realized our mistake more recently though). Hopefully as huge Selena Gomez fans we’ll be able to see past the poor editing though.)

Trailer – https://www.youtube.com/watch?v=Rxm_bVVhbr8

(“Cordelia gets to play hooky for a few days” … if this line is accurate and they actually agree to swap placed with the British Selena Gomez then this is just Prince and the Pauper, so why make it a Headhunters adaptation? If not then what are they talking about? I’m more confused coming out of the trailer than going in.)

Directors – Thomas Bezucha – (Known For: The Family Stone; Big Eden; BMT: Monte Carlo; Notes: His last name is pronounced “bazooka”. He used to be a fashion design with Ralph Lauren.)

Writers – Thomas Bezucha (screenplay) – (Known For: The Family Stone; Big Eden; BMT: Monte Carlo; Notes: Has a special thanks on The Way Way Back, probably because he did some initial legwork in getting the script ready to be shot. This article explains it a bit if you search his name.)

April Blair (screenplay) – (BMT: Monte Carlo; Notes: Mainly a television writer and producer now, including having a writing credit on Sklog favorite Heart of Dixie!)

Maria Maggenti (screenplay) – (Known For: Before I Fall; The Incredibly True Adventure of Two Girls in Love; Puccini for Beginners; Future BMT: The Love Letter; BMT: Monte Carlo; Notes: He is attached to an announced Dirty Dancing remake. Guess where it takes place … obviously Peru! Wait what?! And yeah, it is really a remake of the classic Swayze film that takes place in Peru, barf.)

Kelly Bowe (screen story) – (BMT: Monte Carlo; Notes: She also wrote Private Valentine: Blonde and Dangerous starring Jessica Simpson … she has a thing about singers turns actors it would seem.)

Jules Bass (novel) – (BMT: Monte Carlo; Notes: Go back and watch the trailer … if this is Prince and The Pauper then this credit is nuts. This Jules Bass novel is not Prince and The Pauper. I am officially intrigued by this “adaptation”.)

Actors – Selena Gomez – (Known For: The Big Short; Spring Breakers; Bad Neighbours 2; Hotel Transylvania; Hotel Transylvania 2; The Fundamentals of Caring; Horton Hears a Who!; Spy Kids 3: Game Over; The Muppets; Ramona and Beezus; Rudderless; Future BMT: Behaving Badly; Aftershock; Arthur and the Great Adventure; Arthur 3: la guerre des deux mondes; In Dubious Battle; BMT: Getaway; Monte Carlo; Notes: Just rewatched Getaway, where she is amazing (obvs). She apparently holds 10 Guiness Book of World Records.)

Leighton Meester – (Known For: The Judge; Date Night; Going the Distance; Life Partners; Like Sunday, Like Rain; Future BMT: Hangman’s Curse; The Oranges; Country Strong; The Beautiful Ordinary; BMT: The Roommate; That’s My Boy; Monte Carlo; Notes: From Gossip Girl (so obviously amazing). Like Selena Gomez she has extended beyond acting with a few different singles in the early 2010s.)

Katie Cassidy – (Known For: Taken; The Scribbler; The Lost; Live!; Future BMT: Black Christmas; A Nightmare on Elm Street; When a Stranger Calls; Click; BMT: Monte Carlo; Notes: Plays Laurel on the show Arrow. I know this because … well people seem to have an unreasonable amount of hatred for her. I say unreasonable because any non-zero amount of hatred for a character in a CW superhero show is unreasonable.)

Budget/Gross – $20 million / Domestic: $23,186,769 (Worldwide: $39,667,665)

(Not too shabby. Won’t be knocking down doors trying to get Monte Carlo 2 made, but with DVD / cable tie-ins I would imagine they made off fine with the film.)

#34 for the Comedy – High School genre

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(I remember this genre growing up because around 1998 there was a question about where all of the coming of age films went. Breakfast Club, Weird Science, Ferris Bueller’s Day Off … the 80s were jam packed with the Hughes films. Can’t Hardly Wait was a breath of fresh air in 1998, and then there was another heyday. So either this current dip is all part of the genre recharging … or more likely they are going straight to VOD at this point.)

#170 for the Romantic Comedy genre

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(Perhaps The Big Sick will reignite the genre, but more likely, again, this is a small indie genre or a VOD type deal at this point. Which will make things a bit harder for our Girls Night Out category. But then again … that category is a bit sexist anyways. Our most recently made entry is Blended … man we don’t really watch recent Romantic Comedies.)

#18 for the Summer Girl Power genre

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(These are rare, and … of a type. Material Girls and Bratz are the two films we’ve seen in the genre. The list kind of claims that they just went extinct almost two years ago though. Couldn’t really say why though … but most likely summer tentpoles chased them to earlier in the year.)

Rotten Tomatoes – 39% (36/92): Although it has its charming moments, Monte Carlo is mostly silly, predictable stuff that never pushes beyond the boundaries of formula.

(Juuuuuuuuuuuuust squeaking in there. Which is probably a good sign. Means it is at the very least tolerable as a film. Maybe won’t scratch that Bad Movie Twins Itch, but also won’t put me to sleep hopefully.)

Poster – Monte Car-Sklog (C-)

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(Oooff that’s a rough Sklog incorporation into the title. I like the balance of the poster, but everything else is tough. No clear color, basic font, and too much going on. I feel like I might be going easy on it, but it’s not offensive either.)

Tagline(s) – She’s having the time of someone else’s life. (B)

(Certainly tells us what’s up and is a clever-ish play on a common phrase. A little long for my tastes but does the job.)

Keyword(s) – tied feet; Top Ten by BMeTric: 79.1 Street Fighter: The Legend of Chun-Li (2009); 63.7 The Phantom (1996); 60.8 Paul Blart: Mall Cop (2009); 58.7 The Snowman (2017); 57.3 Witless Protection (2008); 56.7 Glen or Glenda (1953); 56.4 Knock Off (1998); 53.4 Sinister 2 (2015); 51.5 Charlie’s Angels (2000); 51.3 Bride of Chucky (1998);

(… What? I need more Billy Zane in my life, but sadly The Phantom doesn’t qualify. The number of very hated films which were kind of reasonably well liked by critics is pretty stunning. Like Popeye. It has a 59% on RT and a 5.2 (which is terrible) on IMDb. I watched some clips of Popeye just to remind myself … woof, it is pretty rough to be honest.)

Notes – Nicole Kidman and Julia Roberts were originally the stars of the film, but the producers decided to shoot the film with a younger cast. Kidman also remained on board as a producer. (And then she played Grace Kelly in the also BMT qualifying Grace of Monaco).

Leighton Meester and Katie Cassidy, two of the film’s stars, previously worked together on The CW drama, Gossip Girl (2007) (2007).

The production spent four days filming in Paris and two weeks filming in Monaco. The rest of the filming took place in Hungary, with Budapest doubling for Paris and Monte Carlo. Raleigh Studios Budapest was used to substitute for Monte Carlo’s Hotel de Paris for the filming. (Good for Budapest?)

Meg’s first and middle names are the names of two princesses from the English house of Tudor.

It seems unusual, but “Meg” seems to be a nickname derived from the middle name of the character. Her full name, seen in the passport on her arrival in France, is Mary Margaret Kelly. (Huh, that is some great close watching by this IMDb user. This is Bad Movie Twins stuff).

As seen on their passports, the full names of girls are Grace Ann Bennett, Emma Danielle Perkins and Mary Margaret Kelly. (Yiiiiiiissssss, these are the notes I come for)

The first name of Selena Gomez’s character is “Grace” and the last name of Leighton Meester’s character is “Kelly”. Academy-Award winning American actress, Grace Kelly, became Princess consort of Monaco in 1955 when she married Prince Rainier of Monaco. In addition to this, Monte Carlo is located in Monaco, and in Gossip Girl (2007), which starred Leighton Meester, her character married the Prince of Monaco. (WHAT? Spoiler for Gossip Girl, but … Blair Waldorf marries the Prince of Monaco in Gossip Girl? That’s cray cray).

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The Women (2008) Preview

Usually I start off the preview for a film by talking about how excited I am to watch it. Not this time! For the Girls Night Out section we jumped to an adaptation of a play. While we had a number of terrible musicals to choose from we at the BMT Media Empire HQ are always looking to buck trends. That’s right! We’re watching The Women… you know, that dramedy you definitely know came out starring Meg Ryan and an ensemble of women living it up in the Greater New York City Area. It’s based on the 1936 play by Clare Booth Luce, which ran on Broadway for a number of years and has been revived and adapted for the screen many times over. This is the latest such adaptation and the critics were less than thrilled. I’m less than thrilled to watch it. Thank god it’s only… 2 hours long! Gah! Let’s go!

The Women (2008) – BMeTric: 58.9

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(This movie actually has a bit more votes than I would expect, and the number seems to just keep on growing. That initial rise is somewhat interesting, why would the early viewers hate on this movie so? Especially when the thousands of viewers that voted subsequently seem to agree with is about a ~5/10 film. I’m going to go ahead a assume it is a case of Early Viewers Are Fans syndrome, and that they tend towards hating what fails to meet expectations. But … who would have expectations about The Women? God … I hope this isn’t a The Internet Hates Things Aimed At Women thing. I really do.)

Roger Ebert – 3 stars –  “The Women” isn’t a great movie, but how could it be? Too many characters and too much melodrama for that, and the comedy has to be somewhat muted to make the characters semi-believable. But as a well-crafted, well-written and well-acted entertainment, it drew me in and got its job done.

(Wowza, is that two in a row? Very interesting take ultimately. I think he admired the actresses so much (as almost pitch perfect for the movie they were creating) he got a little blinded that the movie was in fact (as he even admits) just not good. We’ll see though. Maybe we’ve discovered a hidden gem.)

Trailer – https://www.youtube.com/watch?v=RlxwcwESDkQ

(I have to say… that didn’t look like the most boring thing in the world for one reason: literally everyone in the trailer is a woman. Even the extras and shit. It’s actually amazing and might make the film at least visually interesting to look at.)

Directors – Diane English – (BMT: The Women; Notes: Effectively her one-and-done directorial project. There is another movie called Timbuktu but it seems like it was never released.)

Writers – Diane English (screenplay) – (BMT: The Women; Notes: Well known as a writer for Murphy Brown. The Women was her only writing gig after that series went off the air. But guess what? There is going to be a new season of Murphy Brown (with Candice Bergen) this year, 20 years after its last season!)

Clare Boothe Luce (play) – (Known For: The Women; BMT: The Women; Notes: Was the U.S. Ambassador to Italy under Dwight D. Eisenhower.)

Anita Loos (1939 screenplay) – (Known For: Gentlemen Prefer Blondes; The Women; San Francisco; Babes in Arms; Strange Cargo; BMT: The Women; Notes: An early screenwriter in Hollywood (her first screenplay was for a Griffith film in 1912). Her brother created the Blue Cross health insurance company.)

Jane Murfin (1939 screenplay) – (Known For: Pride and Prejudice; The Women; Come and Get It; BMT: The Women; Notes: She brought Strongheart the dog, Hollywood’s first canine film star, to the U.S. in the 20s.)

Actors – Meg Ryan – (Known For: Top Gun; You’ve Got Mail; Anastasia; When Harry Met Sally…; Sleepless in Seattle; Innerspace; The Doors; In the Land of Women; Kate & Leopold; Addicted to Love; City of Angels; Proof of Life; Courage Under Fire; French Kiss; When a Man Loves a Woman; Restoration; Joe Versus the Volcano; The Presidio; I.Q.; Flesh and Bone; Future BMT: Hanging Up; Amityville 3-D; In the Cut; Against the Ropes; Serious Moonlight; Armed and Dangerous; Ithaca; BMT: The Women; Notes: Mostly known for co-starring with Tom Hanks as love interests in three separate movies: Sleepless in Seattle, Joe Versus the Volcano, and You’ve Got Mail. She was married to Dennis Quaid for about 10 years.)

Eva Mendes – (Known For: Training Day; The Place Beyond the Pines; Fast & Furious 5; The Other Guys; Hitch; Once Upon a Time in Mexico; Stuck on You; Last Night; Out of Time; We Own the Night; Holy Motors; Bad Lieutenant; The Wendell Baker Story; Live!; Future BMT: The Spirit; Urban Legends: Final Cut; Exit Wounds; Lost River; Trust the Man; All About the Benjamins; Girl in Progress; Cleaner; A Night at the Roxbury; BMT: Ghost Rider; The Women; 2 Fast 2 Furious; Notes: Cuban-American, she’s the only one in her family to have been born in the U.S., her three siblings were born in Cuba.)

Annette Bening – (Known For: American Beauty; 20th Century Women; Film Stars Don’t Die in Liverpool; Mars Attacks!; Open Range; Rules Don’t Apply; The American President; The Great Outdoors; Ruby Sparks; The Kids Are All Right; Danny Collins; The Grifters; Bugsy; The Siege; Valmont; Regarding Henry; Postcards from the Edge; Ginger & Rosa; Richard III; What Planet Are You From?; Future BMT: In Dreams; Girl Most Likely; Running with Scissors; Love Affair; BMT: The Women; Notes: She was the original choice for Catwoman in Batman Returns, but had to drop out when she became pregnant. She’s been married to Warren Beatty for nearly 30 years.)

Budget/Gross – $16 million / $26,902,075 ($50,007,546 Worldwide)

(Eh, below what it probably expected. For a film like this you’d kind of want to double those numbers I would think. Not a bomb, but not really raking in much cash … unless The Women talk over their problems with a refreshing ice-cold Bud Light at one point that is.)

Rotten Tomatoes – 13% (19/146): The Women is a toothless remake of the 1939 classic, lacking the charm, wit and compelling protagonists of the original.

(Again, thank you RT. I guess this consensus is old enough to actually be useful. This is a brutal score for a film like this. I can only assume it is disastrously boring, which doesn’t bode well for me staying awake watching it on a plane. Reviewer Highlight: One of the worst movies I’ve ever seen.” – Richard Schickel, Time Magazine)

Poster – The Sklogettes (F)

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(Nooooooooooooooooo. Why does this keep happening. Look at all the people! Look at the basic white color of it. Dear god, look at the spacing. Even the font is shit.)

Tagline(s) – It’s all about… (F)

(Lol. Wot? I mean I get it… it’s all about The Women but still… lol. Wot?)

Keyword(s) – divorce; Top Ten by BMeTric: 81.9 Kazaam (1996); 78.8 Striptease (1996); 77.7 Bratz (2007); 64.2 Dr. T & the Women (2000); 63.1 North (1994); 63.1 Beethoven’s 2nd (1993); 63.1 Ben & Arthur (2002); 62.1 Sliver (1993); 58.9 Mr. Woodcock (2007); 58.9 The Women (I) (2008);

(Oh shit, Kazaam. I’ve seen this movie (well, the first half of it …) so many times. Dr. T weirdly doesn’t qualify for BMT actually, so looks like we’ll never complete this list. My favorite movie with divorce? Why not Mrs. Doubtfire, great stuff.)

Notes – Tanya the manicurist (Debi Mazar) talks about meeting Madonna. Mazar and Madonna are long-time friends; Mazar appeared in four Madonna music videos: “True Blue” and “Papa Don’t Preach” (1986), “Deeper and Deeper” (1992) and “Music” (2000).

Like the 1939 version, the film has an all-female cast. (noice)

While the project was being put together in Julia Roberts and Meg Ryan were set to star. The production stalled because Roberts and Ryan ended up wanting the same role.

The painting in the restaurant scene features Courtney Love and Anna Nicole Smith.

In The Women (1939) the only scene in color was the fashion show sequence. In this version the fashion show begins with all-black and white clothes, and the scene before it takes place in a black-and-white room.

In the late 1970’s a remake of the 1939 classic was proposed to star Jane Fonda, Barbra Streisand, and Faye Dunaway, but it was not made. (That sounds like this could have been fun)

Blythe Danner, Marisa Tomei, Queen Latifah, Whitney Houston, Ashley Judd and Sandra Bullock were all in the running for various parts in the film.

For scenes planned on being shot in the Boston Public Library, it was suggested that all the portraits and busts of men to be replaced with those of women. However, the scene was never shot. (Excuuuuuuse me? You talking ‘bout the Boston Public Library? Why would you not shoot that?)

There is an abundance of the use of the color green, from the color of the sets, props, costumes, in almost every scene throughout the movie. In the final fashion show, except for the models, almost every guest is wearing green.

Candice Bergen previously played Meg Ryan’s mother in Rich and Famous (1981).

Edie’s (Debra Messing) daughters are called January, April, May and June. The last three are the names of Daisy Duck’s nieces (counterparts to Donald Duck’s nephews Huey, Dewey and Louie).

Before development was put on hold in 2006, Annette Bening and Uma Thurman were rumored to have been considered for the roles of Mary Haines and Crystal Allen respectively. Also Lisa Kudrow and Anne Hathaway were in talks for the roles of Mirian Aarons and Peggy Day, but the roles were cut out of the final script.

According to Diane English, the project was in development, from the first draft to the final green light, for fifteen years. (Jesus. No wonder it ended up being a mess)

The original Broadway production opened on 7 September 1937 and had 666 performances at the Ethel Barrymore Theatre in New York. (666? How does that happen I wonder. I would think with how superstitious theater operators are that they would have avoided it)

“The Women’s” screenwriter Anita Loos who wrote this film’s original 1939 screenplay, started her writing career in 1912 with her first full film screenplay The Musketeers of Pig Alley (1912) starring Lillian Gish for the American Mutoscope & Biograph Co. which is still in existence today. After writing many scripts for Biograph, Loos went on to write such other films such as Saratoga (1937), Another Thin Man (1939), San Francisco (1936), A Tree Grows in Brooklyn (1945), and Gentlemen Prefer Blondes (1953).

Except for the newly-born baby boy in the final scene, there are no male characters in the entire film, not even the extras in wide shots. (That is actually quite cool)

Nominated for the Razzie Award for Worst Actress (Annette Bening, Eva Mendes, Debra Messing, Jada Pinkett Smith, Meg Ryan)

Ouija Preview

Oh boy. I am pretty excited for this week’s film. It’s not just because Horror/Thriller has turned into my favorite section of the cycle, but also because this film in particular looked so misguided and awful when it was released that it piqued my curiosity. That’s right! We are watching Ouija, the horror film based on the Hasbro spirit board game and one of the many horror films produced by Michael Bay over the years (he’s a noted enthusiast). Seems like an obvious choice to make an adaptation out of. It’s already about spirits and spooky ghosts so as long as it’s not totally unoriginal and terrible you should be fine. Easy, right? Wrong. Let’s go!

Ouija (2014) – BMeTric: 75.7

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(Pretty good. A film in the 4.0’s staying strong and not rising as votes are added is a very very good sign. This is a case of what I will call Arrested Regression. The film should be regressing to the mean (the mean being that of films with around the same number of votes), but it isn’t. This is because it is in actuality as terrible as it initially seemed, so people seemingly are choosing to see the film despite knowing that it is terrible.)

RogerEbert.com – 3 stars –  Though I admit 16-year old me enjoyed the hell out of “Witchboard,” I didn’t think I’d have fun at “Ouija.” But I did, and assisting me were actors who gave their paper thin teenage types a little humor and character, and the film’s look. Shot by veteran camera operator, David Emmerichs, “Ouija” is a glossy hoot, showing more flair than a throwback to the 80’s horror movie should. As a lifelong horror movie viewer, I wasn’t scared by the film, but I dug the many ways it tried to goose me.

(Wowza! Three stars?! The review reads a little oddly, admitting he basically had a soft spot for the nostalgia the film evoked, but it is an interesting take I suppose. Not very many people agree to say the least.)

Trailer – https://www.youtube.com/watch?v=xBLmBdn2QF8

(Classic case where the less you show the better. Definitely parts that make me think it’ll be spooky scary. But then all the parts that they actually show the ghost or have someone flossing with their mouth stitched shut is just… not.)

Directors – Stiles White – (BMT: Ouija; Notes: Started in the industry in special effects before launching his career in screenwriting with his writing partner/wife Juliet Snowden.)

Writers – Juliet Snowden (written by) – (Known For: Ouija: Origin of Evil; The Possession; Future BMT: Boogeyman; Knowing; BMT: Ouija; Notes: Married to Stiles White. Also executive producer on the film.)

Stiles White (written by) – (Known For: Ouija: Origin of Evil; The Possession; Future BMT: Boogeyman; Knowing; BMT: Ouija; Notes: Apparently they are both attached to a remake of a German film called Du Hast Es Versprochen. Hoping it works out as well as this one did.)

Actors – Olivia Cooke – (Known For: The Limehouse Golem; Thoroughbreds; Me and Earl and the Dying Girl; The Signal; Katie Says Goodbye; Future BMT: The Quiet Ones; BMT: Ouija; Notes: Notably starring in the upcoming blockbuster release Ready Player One. Also in the new Amazon adaptation of Vanity Fair.)

Ana Coto – (BMT: Ouija; Notes: Really hasn’t done anything much since Ouija. Weirdly was just in a Logan Paul film released exclusively to Shudder called Can’t Take It Back which is coincidentally about putting something on the internet that you can’t take back… must not have been much of an acting stretch for Logan.)

Daren Kagasoff – (BMT: Ouija; Notes: Probably best known as one of the leads of the show The Secret Life of the American Teenager.)

Budget/Gross – $5 million / Domestic: $50,856,010 (Worldwide: $103,590,271)

(Obviously a colossal hit. They all are aren’t they? These small budget horror films. It is quite the phenomenon that they can effectively print money with these types of movies.)

#39 for the Horror – Supernatural genre

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(Comes is right around The Devil Inside which isn’t a good look. Being a major money-maker for cheap horror means it has been growing in power throughout the 2000s, although it looks like maybe it is reaching its saturation point now. BMT: The Ring Series, The Devil Inside, Silent Hill, Thirteen Ghosts, Ghost Ship, The Fog, Bless the Child, The Forest, The Gallows, and  The Bye Bye Man)

#13 for the Toy Adaptation genre

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(They are desperately trying to make this a thing. It looks like it has so far resisted moving beyond a few big budget franchises into faller fair. I feel like this is going to stay in the realm on animated films for the most part though, they’re all adapted from cartoons basically, so Transformers is really the odd-man out, no the other way around. BMT: The Transformer series, GI Joe: The Rise of Cobra, Bratz)

Rotten Tomatoes – 6% (5/79): Slowly, steadily, although no one seems to be moving it in that direction, the Ouija planchette points to NO.

(I wish someone at RT would tell them that no one wants a joke consensus. Just tell me the actual consensus of the critics, which is kinda the point of your website. This tells me nothing other than you spent too much time trying to think up something clever.)

Poster – Sklog-ja (B-)

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(I can dig this. Bold choice with some interesting font. Decidedly not scary though. Literally just a ouija board… why would I be scared of that?)

Tagline(s) – Keep telling yourself it’s just a game (B)

(I think this is good. Sometimes I have to say it a few times to make sure it isn’t nonsense. But this is short enough and gives a hint of the spooky scary concept. Wish it was a bit more clever.)

Keyword(s) – ghost; Top Ten by BMeTric: 84.8 The Fog (2005); 80.2 One Missed Call (2008); 78.9 Feardotcom (2002); 76.9 Exorcist II: The Heretic (1977); 75.7 Ouija (II) (2014); 73.2 Zoolander 2 (2016); 72.8 The Apparition (2012); 70.7 The Gallows (2015); 68.7 The Haunting (1999); 67.5 Pulse (I) (2006);

(We are killing this list. The Fog is by far the best one there. Although The Haunting is a pretty special viewing experience as well.)

Notes – The name can either be pronounced ‘wee-ja’ or ‘wee-gee’. Charles Kennard, founder of the company manufacturing the boards, claimed he learned the name “Ouija” from asking the board what it wanted to be called. (My god)

Far from being ancient, the Ouija Board was patented on May 28, 1890. (Well … yeah, that isn’t a surprise)

Hasbro Studios first horror film. (Probably last? Oh wait, they made (a pretty good) sequel to this film.)

According to costume designer Mary Jane Fort, the cast and crew would often take breaks between shooting and use the Ouija board to jokingly predict the box office opening weekend numbers. (Z-E-R-O D-O-L-L-A-R-S … you know what this is stupid)

The film’s tagline, “Keep telling yourself it’s just a game,” was used for several years as the advertising slogan for the Ouija board game.

Though there are many other horror movies about Ouija boards – some with the same title – this film is not officially a remake of any of them and tells its own story revolving around the titular game. (Well yeah, it is a Hasbro production)

None of the actors portraying teenagers in the film were actually in their teens. The youngest actor was Olivia Cooke who was 21 at the time of filming.

When re-shoots went underway, in the process of drastically changing Doris Zander’s backstory, two new characters were created including her sister and mother. Lin Shaye, who plays Paulina Zander, was not in the original version of the film and was cast for the re-shot footage.

The location where Laine goes to visit Paulina Zander is also known as Eichen House in MTV’s hit TV show, Teen Wolf (2011), where Shelley Hennig, who plays Debbie, stars as Malia Tate/Hale.

Although this is the first film theatrically released starring Shelley Hennig, she filmed this after completing her work on Unfriended (2014) which was previously released as Cybernatural making it her proper film debut (technically). It would be theatrically released about 6 months after the release of this film.

Some cast members are said to have experienced supernatural occurrences since the production of the film Ouija ended. It is said to be influenced by the making of the film.

In the original unaltered version of the film, Doris Zander had a much different look to her. In the original cut she took the appearance of a young girl with half of her face burnt while always carrying a doll. The re-shoots version is a rotting girl with sewn lips. (What? Changing the fundamental look, and thus backstory, of a character like that seems like an odd decision)

Erin Moriarty was cast in the film in an undisclosed role though she does not appear in the finished project. Her scenes were deleted when the film was reshot.

Another theory of where the name of the Ouija Board comes from is that it is the French and German for “Yes”: Oui-ja. The Board has Yes and No answers as well as the alphabet. (No that seems much more plausible)

Film debut of actors Ana Coto, Darren Kagasoff, Bianca A. Santos, and (technically) Shelley Hennig.

Directorial debut of Stiles White.

Although Sarah Morris is supposed to be Laine’s younger sister in the film, in real-life the actress Ana Coto is actually 3 years older than Olivia Cooke, who plays Laine.

The first trailer for the film was released with the theatrical release of The Fault in our Stars (2014) containing alternate footage. A new trailer was released in the summer containing new scenes. In an interview, Olivia Cooke stated that about 50% of the film was reshot due to a negative reaction from test audiences, as a result Universal ordered a week’s worth of re-shoots during the summer 4 months before its theatrical release which drastically altered the original plot. The original cut contained a different assortment of footage including an alternate death scene for Debbie where she instead falls to her death instead of hanging herself (which is why the chandelier is swinging when Pete sees it because she struck it while falling) along with the most advertised scene where Sarah’s eyes roll back and she says “it’s not even real okay? It’s just a game”. Nona was also supposed to have a more prominent role in the film as it implied she becomes possessed in the promotional material. (Wow … this is going to be a mess)

Strange Wilderness Preview

A small note prior to this post: Once again we take a look back at the movies that we watched over five years ago and choose a Hall of Fame class, five movies that we thought embodied BMT in some way. Perhaps they were particularly bad, or an example of a specific bad movie trope, whatever, something made them stand out as special in our minds. Since we didn’t do email previews back in 2011/2012 we also decided to provide a preview for the movie as well. This is the second in a series of five leading up to our yearly awards the Smaddies Baddies. A recap (Hall of Fame speech really) will follow immediate afterwards to explain why the movie was chosen, things we loved about the movie, and things we discovered upon second viewing. Enjoy!

Strange Wilderness (2008) – BMeTric: 48.8

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(So I’m going to dub this trajectory the Teenage Boy Arc. Basically I think what happens is that the only people who want to watch this film when it is difficult to get are people who like this brand of terrible humor. Then once people can watch the film and it is featured on rental sites it drops. And now the only people who watch the film are, again, teenage boys who watch stoner comedies unironically. Not to shit on an entire class of people, but I was a teenage boy, and I had terrible taste in comedy. Just terrible.)

Leonard Maltin – BOMB –  Painfully unfunny farce about producers of a ratings-challenged wildlife TV series who desperately seek Bigfoot in the wilds of Ecuador. You can’t help feeling embarrassed or Zahn, as the clueless host, when a wild turkey chomps on his private parts and won’t let go. Shelved for nearly two years before a fleeting theatrical run.

(I forgot it was shelved for years before it was released. The rumor is that Paramount stripped their name off of the film entirely. After watching the movie again the turkey scene is the worst thing I’ve ever seen, so if you are reading this preview before watching the film … enjoy.)

Trailer – https://www.youtube.com/watch?v=ZKyowLXH8sk

(Yeah, seems about right. That trailer has more of a direction and storyline than the actual film by the way. It is far far less coherent when they try to stretch this out to 90 minutes.)

Directors – Fred Wolf – (Known For: The House Bunny; BMT: Strange Wilderness; Razzie Notes: Nominated for Worst Screenplay for Grown Ups 2 in 2014; Notes: Both of the movies he directed came out in 2008 and he has been doing straight-to-video and shorts since. He is slated to have an Alec Baldwin film, Drunk Parents, out next year though.)

Writers – Peter Gaulke (written by) – (Known For: Ice Age 2: The Meltdown; Future BMT: Black Knight; The Babymakers; BMT: Say It Isn’t So; Strange Wilderness; Notes: I wouldn’t call him the writing partner of Wolf necessarily, but he was a staff writer on SNL at the same time as Wolf and is writing Drunk Parents with Wolf slated for later this year.)

Fred Wolf (written by) – (Known For: I Want Candy; Future BMT: Dickie Roberts: Former Child Star; Joe Dirt; Without a Paddle; Black Sheep; Dirty Work; BMT: Grown Ups 2; Strange Wilderness; Grown Ups; Razzie Notes: Nominated for Worst Screenplay for Grown Ups 2 in 2014; Notes: He was a staff writer for SNL during Sandler’s stint which was his big break. After all of those guys got fired he was asked back to be the head writer and featured player. I can only find one clip with him in it though, a short Weekend Update piece.)

Actors – Steve Zahn – (Known For: War for the Planet of the Apes; Captain Fantastic; Dallas Buyers Club; Diary of a Wimpy Kid; You’ve Got Mail; The Good Dinosaur; That Thing You Do!; Out of Sight; Lean on Pete; Roadkill; Stuart Little; Diary of a Wimpy Kid: Dog Days; Rescue Dawn; A Perfect Getaway; Crimson Tide; Diary of a Wimpy Kid: Rodrick Rules; Bandidas; Reality Bites; Knights of Badassdom; Stuart Little 2; Future BMT: Daddy Day Care; National Security; Chicken Little; Saving Silverman; Sahara; Race the Sun; Chelsea Walls; Employee of the Month; BMT: The Ridiculous 6; Strange Wilderness; Escape from Planet Earth; Notes: Was born and raised in Minnesota, and trained for stage acting in Boston. He met his wife while they were touring with a production of Bye Bye Birdie. Cool life story.)

Allen Covert – (Known For: Hotel Transylvania 2; Happy Gilmore; 50 First Dates; Big Daddy; Hotel Transylvania; The Wedding Singer; The House Bunny; Never Been Kissed; Anger Management; Future BMT: Little Nicky; Eight Crazy Nights; Sandy Wexler; Deuce Bigalow: Male Gigolo; Mr. Deeds; Bulletproof; The Waterboy; Bedtime Stories; Airheads; The Longest Yard; Heavy Weights; Grandma’s Boy; BMT: Jack and Jill; Bucky Larson: Born to Be a Star; Paul Blart: Mall Cop; Grown Ups 2; Strange Wilderness; Pixels; I Now Pronounce You Chuck & Larry; Just Go with It; Blended; Razzie Notes: Nominated for Worst Screenplay for Bucky Larson: Born to Be a Star in 2012; Notes: Often vaguely seen as a sidekick to Adam Sandler’s characters in his various films. He had a string of writing credits which appears to have ended with Bucky Larson and Jack and Jill.)

Justin Long – (Known For: Jeepers Creepers; Dodgeball: A True Underdog Story; Idiocracy; Die Hard 4.0; He’s Just Not That Into You; 10 Years; Galaxy Quest; Tusk; Zack and Miri Make a Porno; Walk Hard: The Dewey Cox Story; Drag Me to Hell; Veronica Mars; Herbie Fully Loaded; Funny People; Youth in Revolt; Comet; Going the Distance; Frank & Lola; The Conspirator; For a Good Time, Call…; Future BMT: Crossroads; Alvin and the Chipmunks: The Squeakquel; Alvin and the Chipmunks: Chipwrecked; Alvin and the Chipmunks; Yoga Hosers; Alvin and the Chipmunks: The Road Chip; Jeepers Creepers II; Walking with Dinosaurs 3D; Alpha and Omega; The Break-Up; Serious Moonlight; Planet 51; Trauma; Ghost Team; Accepted; The Lookalike; Best Man Down; Literally, Right Before Aaron; Waiting…; BMT: Movie 43; Old Dogs; Strange Wilderness; Notes: Pretty famous comedic actor, who might still be most well known as the Mac Guy from the Apple ads featuring John Hodgman. His BMT filmography is … formidable.)

Budget/Gross – $20 million / Domestic: $6,575,282 (Worldwide: $6,964,734)

(Just no money. Like nothing. An absolute catastrophe. No wonder the director couldn’t really get anything done for a while.)

Rotten Tomatoes – 2% (1/45): Strange Wilderness is a laugh-free comedy that’s both aimless and overly crass.

(Laugh free. Aimless. Overly crass. Yeah, that is just about how I remember this film. One of the worst reviewed films ever made. Excellent.)

Poster – Sklog Wilderness (C-)

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(So the poster is a hard-F. Like unforgivably ugly … but the boldness of the color choice is almost interesting in itself. And then the font on the title is actually quite good. Like the silhouette. Something about it gets it close to average I think.)

Tagline(s) – This ain’t March of the Penguins. (B)

(Like it actually. Pretty descriptive idea. Bump it down because it is aging quite poorly and will only get worse as time goes on.)

Keyword(s) – bigfoot; Top Ten by BMeTric: 55.3 Eegah (1962); 48.8 Strange Wilderness (2008); 44.5 Willow Creek (2013); 43.3 The Barbaric Beast of Boggy Creek, Part II (1984); 39.1 Exists (2014); 36.2 Judy Moody and the Not Bummer Summer (2011); 32.6 Harry and the Hendersons (1987); 31.3 Abominable (2006); 29.9 Bigfoot: The Lost Coast Tapes (2012); 27.4 The Legend of Boggy Creek (1972);

(Huh, some of those are pretty big! I didn’t realize it until now, but Harry and the Hendersons was originally released as Bigfoot and the Hendersons in the UK.)

Notes – During the clip of the zebra being eaten by the vultures, the zebra “responds” to the birds with “oh my god, oh my god…” is actually a clip taken from the movie “Super Troopers”. It is Paul Soter when his character is “flashing” Marisa Coughlan outside of the police station while on the phone with her. (I think I actually caught that)

“Strange Wilderness” began its life in the 1990’s as a series of independently produced short videos by former “Saturday Night Live” writers Fred Wolf and Peter Gaulke. “They started out as little parodies of wildlife shows,” explains writer and producer Gaulke. “Fred and I went out and shot them with the help of John Burrud, who actually has a real-life wildlife show. His father Bill used to host ‘Animal World’ and other travel and nature shows back in the ’60s. So John helped us produce these little shorts which we eventually got onto Comedy Central.” (Ugh, that’s embarrassing. Reminds me of how Friedberg and Seltzer kind of got their start because Rick Friedberg made a cheesy golf instructional video with Leslie Nielsen)

The two main characters are named after the film’s screenwriters.

Some of the clips used when the TV executive proves that Strange Wilderness is too inappropriate are clips from the Faces of Death series. For example, Man on fire with Jesus music, Man being attacked by an alligator, and Pygmy footage) (I didn’t know this was a thing and I don’t really like that I now know that is a thing … but maybe I’m somehow better because I know this thing? It is a confusing time for me)

The Emoji Movie Preview

Gotta end 2017 with a bang and there isn’t any BMT film bigger than the one tapped for the transition to 2018’s first cycle. It came into the year as one of the most anticipated BMT releases (along with Geostorm and Fifty Shades) and only escaped the BMT Live! treatment because we had already watched Fifty Shades and The Mummy by the time it came out. Better late than never. That’s right! We’re finally watching The Emoji Movie. This movie looked like absolute trash from the get go and now we get to see if it lived up to the hype as one of the few sub-10% films of the year (standing at 9% RT). As for the transition, we are starting 2018 off with a cycle of adaptations. Like a lot of cycles we are going to try to do nine different adaptations so not just books, but TV shows, comic books, theme park rides, etc. That’s where The Emoji Movie fits in. It is one of the few cases where technology in general has been adapted into film (the only one that came to mind for us was You’ve Got Mail… great example). What a start! Let’s go!

The Emoji Movie (2017) – BMeTric: 86.9

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(Steadily rising, but it won’t get much higher that the mid-3’s I don’t think. People obviously pile on at first, but even early reviewers were giving it reviews in the 2-3 range, so it’ll settle at a more reasonable 3-4 over time I would think.)

RogerEbert.com – 0.5 stars The failure of imagination in “The Emoji Movie” is not limited to its depiction of the app world. This is a film that has literally nothing to offer viewers—there are no moments of humor, excitement or insight regarding a culture that considers emojis to be the pinnacle of contemporary communication. The actors go through their lines with such a lack of enthusiasm that they make Krusty the Klown seem focused and committed by comparison.

(If you read the rest of this preview you’ll learn this is one of the fastest produced computer animated films ever made. So it isn’t that surprising that the voice work is sub-par. The rest of the review doesn’t give much else besides suggesting it is just cynically made, and that he like other obviously superior animated films more.)

Trailer – https://www.youtube.com/watch?v=o_nfdzMhmrA

(Yeah … so, that trailer is not great. It doesn’t really present any major plot and really is just a mishmash of a bunch of different apps I guess. It manages to just look really really dumb. But I am not 10 years old so what do I know?)

Directors – Tony Leondis – (Future BMT: Igor; BMT: The Emoji Movie; Notes: Been involved with another animated film B.O.O. about ghost secret agents. Lots of actors attached but seems like Igor and The Emoji Movie might have put it on permanent hold.)

Writers – Tony Leondis (screenplay by & story by) – (Future BMT: Igor; BMT: The Emoji Movie; Notes: Cut his teeth as a story artist. Most notably on The Prince of Egypt.)

Eric Siegel (screenplay by & story by) – (BMT: The Emoji Movie; Notes: Husband of longtime CSI: NY actress Anna Belknap.)

Mike White (screenplay by) – (Known For: School of Rock; Brad’s Status; Nacho Libre; Beatriz at Dinner; The Good Girl; Year of the Dog; Chuck & Buck; Future BMT: Dead Man on Campus; BMT: The Emoji Movie; Notes: Probably best known for School of Rock, IMDb also says he wrote nine episodes of Dawson’s Creek. Coolio.)

John Hoffman (additional screenplay material) – (Known For: Good Boy!; Future BMT: Igor; BMT: The Emoji Movie; Notes: Must have known Tony Leondis from Igor. He’s also one of the executive producers of Grace and Frankie.)

Actors – T.J. Miller – (Known For: Office Christmas Party; Deadpool; Big Hero 6; She’s Out of My League; How to Train Your Dragon; How to Train Your Dragon 2; Rock of Ages; Cloverfield; Goon: Last of the Enforcers; Get Him to the Greek; Seeking a Friend for the End of the World; Extract; Our Idiot Brother; Future BMT: Gulliver’s Travels; The Goods: Live Hard, Sell Hard; Search Party; BMT: The Emoji Movie; Transformers: Age of Extinction; Notes: There is a fair chance he is a terrible person as he has been accused of doing terrible things.)

James Corden – (Known For: Trolls; Into the Woods; Begin Again; The Lady in the Van; Starter for 10; The History Boys; One Chance; All or Nothing; Pierrepoint; Telstar: The Joe Meek Story; Heartlands; Whatever Happened to Harold Smith?; Future BMT: Gulliver’s Travels; Norm of the North; Lesbian Vampire Killers; Konferenz der Tiere; Planet 51; How to Lose Friends & Alienate People; Kill Your Friends; BMT: The Emoji Movie; The Three Musketeers; Notes: Our very own Planchet. Obviously now a major talk show host.)

Anna Faris – (Known For: Brokeback Mountain; Just Friends; Lost in Translation; The Dictator; Scary Movie; The House Bunny; 22 Jump Street; Keanu; Cloudy with a Chance of Meatballs; Cloudy with a Chance of Meatballs 2; I Give It a Year; Observe and Report; My Super Ex-Girlfriend; May; Frequently Asked Questions About Time Travel; Smiley Face; Future BMT: Alvin and the Chipmunks: The Squeakquel; Alvin and the Chipmunks: Chipwrecked; Scary Movie 4; Scary Movie 2; Scary Movie 3; The Hot Chick; Alvin and the Chipmunks: The Road Chip; Mama’s Boy; What’s Your Number?; Take Me Home Tonight; Waiting…; BMT: The Emoji Movie; Movie 43; Notes: Been in the news since she and Chris Pratt broke up in what was probably 2017’s biggest celeb split.)

Budget/Gross – $50 million / Domestic: $86,089,513 (Worldwide: $216,970,871)

(That is a lot of money. I hope they don’t make a sequel though. Not because people shouldn’t go get their money. I just don’t want to watch another Emoji Movie.)

#105 for the Animation genre

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(Animation has apparently held steady over the years as far as gross is concerned. The big jumps are likely technologically related. Late-90s was the advent of computer animated films. Mid 2000s is when that process became cheaper than traditional animation. And the big jump around now is likely concerning the ability for a single studio to produce a full-length feature in roughly the same amount of time as live-action production (something like that, i.e. the ability for a film like this to be made and profitable).)

#86 for the Animation – Computer genre

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(Tells the same story as above, basically confirming the mid-2000s jump was computer animation supplanting traditional animation. It makes sense with the above as well actually. The mid-2010s probably marks when animation because easy and cheap enough to produce television shows and made “kids films” almost entirely computer animated.)

Rotten Tomatoes – 9% (10/108): 🚫

(Sub-10% means we kind of have to do the film at some point. It is kind of the crown jewel of any BMT year. The consensus here though is an embarrassment and Rotten Tomatoes should be embarrassed. It is an emoji if you can’t tell … I thought my email generator program was broken at first.)

Poster – The Sklogmoji Movie (D)

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(Not into it. This is essentially a slightly better version of the Father Figures poster. Slightly better because… well how couldn’t it be better than that disaster? But only marginally. That font is embarrassing. I’m embarrassed for you, poster.)

Tagline(s) – An adventure beyond words (A+)

(Oh shit… that’s actually pretty clever. Oh man. I’m starting to really like it. I better grade this before I give it an A+ because I take pride in how tough my grading is. Too late. That’s an A+ if I’ve ever seen one. Short, sweet, and clever. Gives a hint at the plot and works as an effective advertisement for emojis to boot. Daaannnnggggggg.)

Keyword(s) – food; Top Ten by BMeTric: 86.9 The Emoji Movie (2017); 85.8 In the Name of the King: A Dungeon Siege Tale (2007); 85.4 Troll 2 (1990); 84.1 Home Alone 3 (1997); 75.7 In the Land of Blood and Honey (2011); 71.7 The Flintstones (1994); 64.8 10,000 BC (2008); 64.0 Leprechaun (1993); 63.1 North (1994); 61.2 Foodfight! (2012);

(Ah yes. In the Name of the King a Dungeon Siege Tale and … food. Two peas in a pod. Amazingly there appears to be no … food in Batman & Robin. A strange mix of films here which nearly pushes an actual food movie (Foodfight!) off of the list. Foodfight will be done as part of a Worst Movie Ever series I assume, it is apparently quite the experience.)

Notes – John Douglass, owner of the “jacksfilms” YouTube account, was invited to the world premiere of this movie by Sony because he praised it sarcastically since its announcement. (So getting early fake good reviews is actually a thing huh?)

Sony promoted the latter release of the trailer by hosting a press conference in Cannes, the day before the 2017 Cannes Film Festival, which featured T.J. Miller parasailing in. Variety called the event “slightly awkward” and The Hollywood Reporter described it as “promotional ridiculousness.” (That doesn’t sound fun or funny, good job Emoji Film PR team)

According to T.J. Miller, this is the fastest produced animated film in history. (I’m loving this fact for some reason)

Tony Leondis, the director of the movie, does not take emoji’s seriously. He sees them as “the toys of the 21st century” and said he needed to rush the movie because “who even knows if people are going to like emoji’s in [six years]”.

The film was shown alongside Puppy, a short film based on the Hotel Transylvania films.

The original title was Emoji Movie: Express Yourself. (Would have joined The Nut Job 2: Nutty By Nature and Jumanji: Welcome to the Jungle on the list of 2017 films that inexplicably used a random song title as the subtitle to a film. Not loving that trend)

In the Latin American Spanish version, the name of Jailbreak was changed with the name of “Lady Hacker”.

A week before the film was released, Sony tweeted a controversial promotional picture parodying the Hulu series The Handmaid’s Tale (2017). It was immediately met with criticism for being tasteless, considering the content and themes of the Hulu series. Following the backlash, the tweet was deleted. (Haaaaaaa)

The official artwork of the main trio bears a strong resemblance to the final poster for Free Birds (2013). (So artwork in posters follows a kind of wave-like pattern. Father Figures, which just came out, has a very similar poster to Emoji Movie among a few others actually. I do not like the seven-faced-shoved-together look though)

The opera music being played when the trash is being emptied translates to “If Sarastro does not through you feel the pain of death” (weird)

NOTE: Most of the other notes are just saying how many animated film each of the ten or so main cast members were in prior to the Emoji Movie. I’m genuinely shocked at how few notes there are, I would think a ton of gross set stories would have come out once everyone realized this was going to be critically panned.

Manos: The Hands of Fate Preview

As mentioned in the Bye Bye Man preview, Manos: Hands of Fate doesn’t fit traditionally into BMT because of its pre-1980 release. Buuuuuut, since it is so iconic, we felt like it deserved the real preview / recap respect. Shot in 1966 on a super low budget by a random Texan businessman/amateur theater actor I have no more expectations for this than I would a film like Birdemic. It’s just an amateurish film made by a delusional person that should never have seen the light of day. Will likely be a bore, but that’s what this cycle is all about. Finding out whether these categories are as boring as we assumed when we precluded them. Let’s go!

Manos: The Hands of Fate (1966) – BMeTric: 88.1 (#5 on the IMDb Bottom 100)

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(Obviously the reason we are here. I’m most interested in that jump in 2013. I found two plausible explanations in the wikipedia page. First there was a kickstarter that year to get a puppet version made. I think that is a bit niche and thus unlikely. That was also the year they announced a prequel being made. I’m more inclined to believe something like that’s when the Mystery Science Theater 3000 episode went on netflix, but I don’t really have any evidence for that. A mystery, although likely an extremely solvable one.)

?????? – ??? stars –  ????

(I couldn’t really find a review for this film at all. There are some … but they are about at the level of this blog anyways (and our monthly hits are … not impressive). Rather than confusingly link to something like that let’s marvel at the fact that a film can be as revered at this one and yet no legitimate news source has decided to retroactively review the film. C’mon … that’s weird.)

Trailer – https://www.youtube.com/watch?v=tRcGukCdr3c

(I mean … like what the fuck? Just like … what the fuck?)

Directors – Harold P. Warren – (BMT: Manos: The Hands of Fate; Notes: Often referred to as a fertilizer salesman even though he actually sold insurance at the time of filming.)

Writers – Harold P. Warren (screenplay) – (BMT: Manos: The Hands of Fate; Notes: Ultimately even though he admitted the film was terrible he remained proud of it and would often where his costume throughout the rest of his life.)

Actors – Tom Neyman – (BMT: Manos: The Hands of Fate; Notes: I going to be be in some strange revival of the film (Manos Returns) next year, may God help us all.)

John Reynolds – (BMT: Manos: The Hands of Fate; Notes: Helped to design the trademark “knees” of Torgo in the film, for which he would become (mildly) famous.)

Diane Adelson – (BMT: Manos: The Hands of Fate; Notes: Became a rather accomplished model after Manos and is currently, seemingly, an antiques dealer.)

Budget/Gross – $19,000 / N/A

(Not real obviously. This film made no money basically only being shown in El Paso, Texas where is was made. The budget it seemingly real at least.)

Rotten Tomatoes – 7% (1/14): No consensus yet.

(I’ll have to make a consensus: Barely a movie, in that soul-crushingly not-fun way we all know and love. Oof. Always though with films like this since all of the reviews are from now. Was a 0% until literally months ago for example.)

Poster – Manos: Sklogs of Fate (F)

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(This certainly didn’t have a poster when released. I think everything online is probably from the post-fame era of the film’s existence. Still an F.)

Tagline(s) – It’s Shocking! It’s Beyond Your Imagination! (F)

(I doubt this had any taglines in reality. It was basically not released so why would it need a tagline. I kept this one as a warning to all those that attempt to pass something like this off as a real tagline. I don’t accept it!)

Keyword(s) – family in peril; Top Ten by BMeTric: 88.1 Manos: The Hands of Fate (1966); 57.7 The Seeker: The Dark Is Rising (2007); 17.4 Supremacy (I) (2014);

(NOPE. Hilarious that Seeker comes up in both this and Bye Bye Man in a way though. Although in the most tangential way possible. This movie shares a keyword with it. The Bye Bye Man’s main character’s brother was in Seeker … small world?)

Notes – Cast and crew recall that John Reynolds was on LSD during filming, explaining his confused behavior and incessant twitching in virtually all of his scenes.

The entire film was shot with a hand-held camera that could only record 32 seconds of film at a time. It was also shot without sound; all the lines were dubbed later by two men and one woman. Jackey Neyman Jones cried when she first heard her dubbed voice.

The film had a gala premiere in El Paso. Many local dignitaries attended. Members of the audience began heckling the film during the premiere. Many of the film’s cast and crew sneaked out of the theater before the film ended, to avoid having to admit being part of it.

The only cast members who were paid for their performances were Jackey Neyman Jones, who got a bicycle, and the Doberman, which got a bag of dog food. The rest of the cast was supposed to receive a cut of the movie’s profits, which never materialized. Director Harold P. Warren also gave the crew shares, instead of a salary.

Lighting was limited for the film, which explains the infamous scene in which two cops literally take two steps to investigate, then turn back.

Despite the film’s negative reception, Harold P. Warren was so proud of it that he began wearing the Master’s robe every Halloween. His son Joe Neal Warren has carried on the tradition.

The film was popularized by a 1993 episode of Mystery Science Theatre 3000 (1988), in which Joel and the Bots, Tom Servo and Crow T. Robot, go mad while suffering through the film’s endless boredom. The creators of the show called this the worst film that had been featured.

In 2011, Benjamin Solovey found the work print, made from the original 16mm reversal stock. It was in pristine condition. Solovey released the digitally restored film in DVD and Blu-ray formats in October 2015. A new short documentary about the Making of Manos, including interviews with surviving cast members, was included.

The endless driving sequences at the beginning were supposed to have the opening credits over them.

The snake Michael shoots looks a lot better than the rest of the film because it was stock footage lifted from a Disney nature documentary. It’s also why the snake is on purple carpet.

Harold P. Warren only did two takes of each shot. If things didn’t go well, he reassured the novice cast that the magic of Hollywood would fix any errors in post-production.

As filming dragged on and on, the increasingly disgruntled crew began to refer to the movie as “Mangos: The Cans of Fruit”.

Geostorm Preview

This would have been the closing week of the Bring a Friend cycle but the Barometric Macroclimate Targeting satellites Patrick and I sent into orbit last year malfunctioned and blew in a GEEOOOOOSSTTTOOORRRRMMMMM. That’s right! As was foretold on an ancient Egyptian scroll, we are indeed watching the much anticipated Geostorm for the final BMT Live! of 2017. The movie was delayed, reshot, and delayed some more to the point where I honestly didn’t actually believe they were releasing the film. Boy was I wrong! They released it all right and it was glorious. Garnering 15% on RT (and still only the third worst reviewed wide release of the week thanks to The Snowman and Tyler Perry’s Boo 2! A Madea Halloween), it got us to where we were needed to be and capped off a particularly fruitful year of BMT Live! with Fifty Shades Darker, The Mummy, Flatliners, and now Geostorm. Get excited. Let’s go!

Geostorm (2017) – BMeTric: 15.6 (October 22, 2017)

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(Haaaaa. I usually don’t put up these plots for films that just came out, but this one was too good. Opens inexplicably at 7.0 on IMDb and then (wait for it …) drops like a goddamned stone. It is below 6.0 as of writing, although I won’t update the plot, so this should be a solid 30+ pretty easily even before people see it on VOD. Great stuff.)

AV Club – D+ –  In the tradition of KFC’s Famous Bowl—famously described by Patton Oswalt as “a failure pile”—comes Geostorm, which attempts to be every possible apocalyptic weather-based disaster movie at once.

(Hmmmm, an interesting take. The story does seem like a kind of mish-mash of disaster film / conspiracy thriller / action film. That did kind of throw me when I first heard of this film. The plot just sounds like the mix of four different terrible films.)

Trailer – https://www.youtube.com/watch?v=EuOlYPSEzSc

(After a chilly reception to a first trailer if I recall they went all in with the second. It does look fun if you can look past a questionable choice in music and a dire closing one-liner. “Marry her!” was a major criticism on the net (as the kids call it), and it turned out to be more reflective of this movie than this relatively fun trailer is overall.)

Directors – Dean Devlin – (BMT: Geostorm; Razzie Notes: Nominated for Worst Screenplay in 1999 for Godzilla; and in 2017 for Independence Day: Resurgence; and Nominated for Worst Written Film Grossing Over $100 Million for Independence Day in 1997; Notes: Mainly a producer and writer (see below), but he’s slowly been taking on more directing projects. Some minor TV Movies, and four episodes of the Librarian television series which he produces.)

Writers – Dean Devlin (written by) – (Known For: Independence Day; Stargate; Universal Soldier: Day of Reckoning; Future BMT: Universal Soldier: The Return; Godzilla; Universal Soldier; BMT: Independence Day: Resurgence; Geostorm; Razzie Notes: Nominated for Worst Screenplay in 1999 for Godzilla; and in 2017 for Independence Day: Resurgence; and Nominated for Worst Written Film Grossing Over $100 Million for Independence Day in 1997; Notes: The son of two prolific Hollywood writers / actors from the 1960s, his wife is also an actress and has appeared in several of his Librarian projects.)

Paul Guyot (written by) – (BMT: Geostorm; Notes: Primarily a television writer he wrote seven episodes of Librarians. Devlin is, as I said, heavily involved with the Librarian television movies and series concerning the character of Flynn Carsen, and Indiana Jones-esque protector of ancient artifacts. I will likely never see any of them.)

Actors – Gerard Butler – (Known For: 300; RocknRolla; Olympus Has Fallen; How to Train Your Dragon; How to Train Your Dragon 2; Reign of Fire; Tomorrow Never Dies; Mrs Brown; Coriolanus; Nim’s Island; Beowulf & Grendel; Dear Frankie; Harrison’s Flowers; The Cherry Orchard; Future BMT: Dracula 2001; Lara Croft Tomb Raider: The Cradle of Life; Tale of the Mummy; The Ugly Truth; Machine Gun Preacher; The Game of Their Lives; A Family Man; BMT: Movie 43; Gods of Egypt; The Bounty Hunter; Timeline; Gamer; Playing for Keeps; London Has Fallen; Geostorm; Razzie Notes: Nominated for Worst Actor in 2011 for The Bounty Hunter; and in 2017 for Gods of Egypt, and London Has Fallen; and Nominated for Worst Screen Couple/Worst Screen Ensemble for The Bounty Hunter in 2011; Notes: Scottish, but often plays Americans with vaguely Scottish accents. He has a law degree, but was fired a week before being able to practice. Plenty of BMTs to go for this BMT All Star.)

Jim Sturgess – (Known For: Cloud Atlas; Deception; The Other Boleyn Girl; Across the Universe; Eliza Graves; The Way Back; Legend of the Guardians: The Owls of Ga’Hoole; Spike Island; Fifty Dead Men Walking; Heartless; Mouth to Mouth; The Browning Version; Future BMT: Kidnapping Freddy Heineken; Upside Down; 21; Electric Slide; Crossing Over; BMT: Geostorm; Notes: Awarded the Worst Haircut in Hollywood Award (joking, but his hair does look particularly weird in this film). Was mainly a musician from around 2000 to 2005 in bands like Saint Faith and Dilated Spies, but re-broke into acting as Jude in Across the Universe.)

Abbie Cornish – (Known For: 6 Days; Three Billboards Outside Ebbing, Missouri; Limitless; Seven Psychopaths; RoboCop; Legend of the Guardians: The Owls of Ga’Hoole; Bright Star; Candy; Stop-Loss; Somersault; The Monkey’s Mask; The Girl; Future BMT: Trauma; Solace; W.E.; A Good Year; Elizabeth: The Golden Age; BMT: Sucker Punch; Geostorm; Notes: Raps under the name MC Dusk, and older sister to Isabelle Cornish who is in the new disastrous Marvel series Inhumans.)

Budget/Gross – $120 million / Domestic: $4,300,000 (Worldwide: $29,800,000)

(Unless it turns out China loooooves disaster movies (audiences there might actually) this will not even break even in the gross-equals-budget kind of way. It’ll float to something like $80 million. Turns out the biggest disaster was … this movie’s box office returns (ayoooooo))

Rotten Tomatoes (October 22, 2017)  – 11% (6/53): Lacking impressive visuals, well-written characters, or involving drama, Geostorm aims for epic disaster-movie spectacle but ends up simply being a disaster of a movie.

(Blah, not a very informative consensus. But the reviews are shockingly bad. This movie should be a prime good-for-what-it-is, and yet people just trashed it. There is some hope in the world!)

Poster – GeoSklog (C-)

geostorm

(Basically a poster that lives up to the film. Boring, terrible font, and nothing consistent to tie it together. It does tell a story, so that’s a minor plus.)

Tagline(s) – Some Things Were Never Meant to Be Controlled (C)

(Not clever enough to make up for the length. Combined with the poster it does tell a nice concise story on what to expect. All around meh for both poster and tagline, which is disappointing. Feel like they could have gone crazy with it.)

Keyword(s) – malfunction; Top Ten by BMeTric: 72.7 The Apparition (2012); 64.3 Stealth (2005); 55.5 Dark Tide (2012); 49.1 Fortress 2 (2000); 36.6 Two Moon Junction (1988); 33.3 Atlas Shrugged II: The Strike (2012); 32.7 Barbarella (1968); 28.5 Igor (2008); 28.1 Phantom (I) (2013); 24.6 Surrogates (2009);

(HA. Stealth is definitely a malfunction. The only other one I think that will really be on the radar is The Apparition, and borderline Surrogates. That film was barely BMT though.)

Notes – The film underwent re-shoots under the auspices of Jerry Bruckheimer, who was brought in in a producer capacity at a very late stage. Reportedly, these extensive re-shoots, featuring new material written by Laeta Kalogridis, were helmed by ” CSI ” alumnus Danny Cannon over a two week period at a cost of $15m. (Not worth it)

Noted by several cast and crew (even the film’s extras) as being the movie where producer and lead star Gerard Butler kept forgetting all his lines. (hahahahah)

Some NASA scenes were filmed at NASA Facility in New Orleans.

Dean Devlin’s feature directorial debut. (could it be a one and done?! Prob not, he already has another film slated for next year)

The film was set for March 25, 2016 release, But later in August 2014, Warner cancelled the March 2016 date for the film, and replaced the film Batman v Superman: Dawn of Justice (2016) with its original date. On December 11, 2014, WB shifted its live-action animated film Jungle Book: Origins to 2017 and gave its previous date October 21, 2016 to Geostorm. In September 2015, the studio again moved back the film to release on January 13, 2017. It has once again been rescheduled to an October 20, 2017 release date per its trailer on the Kong Skull Island Dvd. (Jesus Christ, that is a delay)

Originally set up at Paramount, but moved to Warner Bros. (Not a super great sign, as if companies didn’t really think it was going to make money)

The idea of catastrophic consequences of weather control by space based stations also is a major plot point in the directorial debut of Dean Devlin’s long time collaborator, Roland Emmerich, _Das Arche Noah Prinzip (1984)_.

Skydance’s 2nd project not released by Paramount. Instead, Warner Bros. Pictures will produce the film.

A game under the same name was released by developer Sticky Studios, which was featured by Apple. It keeps the same premise but follows an alternative plot where three people gather data on Earth to locate a rogue satellite. The game is a turn-based puzzler and generally has very positive reviews. (Huh … I might actually check that out)