Pirates of the Caribbean: Dead Men Tell No Tales Preview

We hit two of the major action bombs this year for BMT Live! in The Mummy and Geostorm. This left us with a few of the lesser options available for this week. What we ended up landing on might come as a bit of a shock, but with a newly found love of franchises it shouldn’t. That’s right! We’re catching up on the Pirates of the Caribbean franchise with the final two installments (the only two that qualify), Pirates of the Caribbean: On Stranger Tides and Pirates of the Caribbean: Dead Men Tell No Tales… wait, is that actually the name of the latest one? Wow, that is not good. The latest entry came this year, six years after the last installment, and while I would have assumed it was a bomb (I barely remember it came out), it still made $800 million worldwide. Feed those international audiences what they want, Disney, and what they want is Johnny Depp. Ugh. Let’s go! er … wait one second … we’re forgetting something. Oh yeah, this is our 400th BMT ever! Why did we choose such an anonymous film as our 400th? Well, the Calendar kiiiiind of handcuffs us these days. The rules are rather strict. The sacrifices we make for BMT. Let’s go!

Pirates of the Caribbean: Dead Men Tell No Tales (2017) – BMeTric: 14.6

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(This might as well be identical to On Stranger Tides’ plot to be honest. Tumbling its way down to 6.6 as we speak. I assume it will dip a tad bit further (6.5 or 6.4), but it’ll sit around there. People love their Pirates movies. And to be honest, after watching the fourth, I can kind of see why. There is something charming about the silliness, the costumes, and the Rube-Goldberg-esque action scenes on gigantic set pieces. Something very much reminiscent of something like Indiana Jones.)

RogerEbert.com – 2 stars –  The most ridiculous though satisfying sequence involves Sparrow’s entrance that could double as a metaphor for the entire movie. A new bank is being celebrated on the isle of Saint Martin and the ceremony revolves around a giant safe. Once opened, Jack is found inside taking a nap atop stacks of money as well as someone’s wife. He apparently was supposed to pull off a robbery and ends up accidentally stealing the entire building instead. Alas, once the pursuit runs its course, most of the riches have been emptied out onto the streets. Those who go to see “Dead Men Don’t Tell Tales” might just recognize that hollow feeling as they leave the theater.

(Shots fired. There is something about these series which does scream “diminishing returns”. Something about the character of Sparrow and charming as he can be, that really overstays its welcome after the third or fourth movie. I’m not sure what you do about it though. It isn’t like switch to Mark Whalberg helped anything with Transformers.)

Trailer – https://www.youtube.com/watch?v=KrGyD4kHTSE

(Still seems like fun. What is wrong with me? Why do I watch that and think “huh, these films are fun, I kind of want to watch that”. I now it is going to be like 4 hours long. I know ultimately it is going to be set-piece action scenes held together by exposition and Depp being a weirdo. Stop making them so I can stop watching them!)

Directors – Joachim Rønning and Espen Sandberg – (Known For: Kon-Tiki; Bandidas; Max Manus: Man of War; BMT: Pirates of the Caribbean: Dead Men Tell No Tales; Notes: Childhood friends from Norway, this appears to be the last film they are directing as a directorial team. Sandberg is apparently working on a bio-pic about the Arctic explorer Roald Amundsen. Rønning is working on a Sci-fi film called Origin, and Maleficent 2.)

Writers – Jeff Nathanson (screenplay by & story by) – (Known For: Catch Me If You Can; The Terminal; Indiana Jones and the Kingdom of the Crystal Skull; Rush Hour 2; Tower Heist; The Last Shot; Future BMT: Speed 2: Cruise Control; Rush Hour 3; New York, I Love You; BMT:Pirates of the Caribbean: Dead Men Tell No Tales; Razzie Notes: Nominated for Worst Screenplay for Speed 2: Cruise Control in 1998; Notes: Currently writing the new live-action Lion King adaptation. He is apparently famous for being uncredited on a ton of scripts, including Twister for example.)

Terry Rossio and Ted Elliott (story by & based on characters created by) – (Known For: Pirates of the Caribbean: The Curse of the Black Pearl; Aladdin; Pirates of the Caribbean: At World’s End; Shrek; Pirates of the Caribbean: Dead Man’s Chest; Treasure Planet; Small Soldiers; The Mask of Zorro; The Road to El Dorado; Deja Vu; Future BMT: Godzilla; The Legend of Zorro; The Puppet Masters; National Treasure: Book of Secrets; Pirates of the Caribbean: On Stranger Tides; BMT: The Lone Ranger; Pirates of the Caribbean: Dead Men Tell No Tales; Razzie Notes: Nominated for Worst Screenplay for The Lone Ranger in 2014; Notes: These guys again. They wrote on the fourth installment as well. They got an Oscar nomination for Shrek.)

Stuart Beattie (based on characters created by) – (Known For: Pirates of the Caribbean: The Curse of the Black Pearl; Pirates of the Caribbean: At World’s End; Pirates of the Caribbean: Dead Man’s Chest; Collateral; 30 Days of Night; Australia; Tomorrow, When the War Began; Future BMT:G.I. Joe: The Rise of Cobra; Pirates of the Caribbean: On Stranger Tides; Derailed; BMT: I, Frankenstein; Pirates of the Caribbean: Dead Men Tell No Tales; Razzie Notes: Nominated for Worst Screenplay for G.I. Joe: The Rise of Cobra in 2010; Notes: One of the original screenwriters. He is currently writing a spec script for a Halo adaption.)

Jay Wolpert (based on characters created by) – (Known For: Pirates of the Caribbean: The Curse of the Black Pearl; The Count of Monte Cristo; Pirates of the Caribbean: At World’s End; Pirates of the Caribbean: Dead Man’s Chest; Future BMT: Pirates of the Caribbean: On Stranger Tides; BMT: Pirates of the Caribbean: Dead Men Tell No Tales; Notes: One of the original screenwriters. He at one point wrote eight episodes of the 90s talk show Into the Night with Rick Dees.)

Actors – Johnny Depp – (Known For: Murder on the Orient Express; Fantastic Beasts and Where to Find Them; Charlie and the Chocolate Factory; Edward Scissorhands; Pirates of the Caribbean: The Curse of the Black Pearl; A Nightmare on Elm Street; Sleepy Hollow; Platoon; Black Mass; Pirates of the Caribbean: At World’s End; 21 Jump Street; Blow; What’s Eating Gilbert Grape; Alice in Wonderland; Pirates of the Caribbean: Dead Man’s Chest; Into the Woods; Sweeney Todd: The Demon Barber of Fleet Street; Finding Neverland; Corpse Bride; Fear and Loathing in Las Vegas; Future BMT: Freddy’s Dead: The Final Nightmare; Yoga Hosers; The Astronaut’s Wife; Private Resort; The Tourist; Dark Shadows; Alice Through the Looking Glass; Nick of Time; The Man Who Cried; The Libertine; Pirates of the Caribbean: On Stranger Tides; The Brave; BMT:Jack and Jill; Mortdecai; Transcendence; The Lone Ranger; Pirates of the Caribbean: Dead Men Tell No Tales; Razzie Notes: Nominated for Worst Actor, and Worst Screen Combo for Mortdecai in 2016; Nominated for Worst Actor for The Lone Ranger in 2014; and Nominated for Worst Supporting Actor, and Worst Screen Combo for Alice Through the Looking Glass in 2017; Notes: Once again, kind of just easier to go with recent news. In this case, following his divorce from Amber Heard, Depp seems to have started shedding his Los Angeles penthouses. He sold his fifth and final recently. I imagine it is in part because of the financial difficulties he’s found himself in. That sweet Harry Potter money will get some of that back though.)

Geoffrey Rush – (Known For: Pirates of the Caribbean: The Curse of the Black Pearl; Finding Nemo; Pirates of the Caribbean: At World’s End; Pirates of the Caribbean: Dead Man’s Chest; The King’s Speech; Shakespeare in Love; Munich; Deception; Minions; Frida; Elizabeth; The Book Thief; Mystery Men; Quills; Legend of the Guardians: The Owls of Ga’Hoole; Les Misérables; Final Portrait; The Daughter; Holding the Man; Candy; Future BMT: Green Lantern; House on Haunted Hill; The Warrior’s Way; Pirates of the Caribbean: On Stranger Tides; Elizabeth: The Golden Age; BMT: Gods of Egypt; Pirates of the Caribbean: Dead Men Tell No Tales; Notes: Australian actor who won an Oscar for King’s Speech. He says he is done with Pirates of the Caribbean franchise after this one.)

Javier Bardem – (Known For: Mother!; No Country for Old Men; Skyfall; Vicky Cristina Barcelona; Collateral; To the Wonder; Jamon Jamon; Biutiful; The Sea Inside; Before Night Falls; Live Flesh; The Dancer Upstairs; Tacones lejanos; Los lunes al sol; Future BMT: The Counsellor; Eat Pray Love; The Last Face; Autómata; Love in the Time of Cholera; Perdita Durango; Sin noticias de Dios; BMT: The Gunman; Pirates of the Caribbean: Dead Men Tell No Tales; Notes: Also an Oscar winner (for No Country For Old Men). Married to Penelope Cruz who oddly starred in the previous installment.)

Budget/Gross – $230 million / Domestic: $172,558,876 (Worldwide: $794,775,567)

(Obviously underwhelming for the brand I would think. Worldwide it still has some pull, but sub-billion worldwide, and below the reported budget domestic is not great, even if a lot of films would be perfectly satisfied with that performance.)

#15 for the Adventure – Period genre

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(This is the same as in the fourth Pirates preview, but here you can kind of see that this film was at least part of the resurgence of the genre this year. I think people like costumes and action that takes place at least tangentially in our world. Kind of a faux-historical adventure fiction. And every so often if you wish hard enough you get a Planchet bumbling down the stairwell in A Three Musketeers film. Sigh, there are not enough Planchets in the world.)

#95 for the IMAX (Feature-length) genre

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(IMAX is interesting because it really doesn’t seem like it will stop. I would assume most every theater will eventually do something to at least have the capability, because the money that comes in per theater isn’t dropping while the theaters per year is obviously still growing tremendously.)

#5 for the Swashbuckler genre

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(Also obviously not a real genre. It might as well be called Pirates of the Caribbean, Zorro, and the Three Musketeers, because those are the main players here.)

Rotten Tomatoes – 29% (69/234): Pirates of the Caribbean: Dead Men Tell No Tales proves that neither a change in directors nor an undead Javier Bardem is enough to drain this sinking franchise’s murky bilge.

(Actually higher than I remembered, this is very close to the response to the fourth film. While I didn’t love the fourth film, I was surprised by how much watching it didn’t bother me. Often tired franchise just get on my nerves after a while (*cough* Transformers *cough*), but this changed the pace enough that I kind of liked it. I’m wondering whether they went a little too much back to the well with Knightley and Bloom returning … I guess I’ll see.)

Poster – Sklog-rates of the Caribbean: Dead Sklogs Tell No Tales (B-)

pirates_of_the_caribbean_dead_men_tell_no_tales_ver3

(Considerably better than the other one. Focuses on the characters and gives an undersea blue tone to everything. I can forgive the clutter from the zombie sharks and random ship image in the background.)

Tagline(s) – All pirates must die. (D)

(Not sure where this comes from. Not from the poster. Maybe from some other promotional material where you don’t have to produce something very good. I hope so because this is not very good.)

Keyword(s) – pirate; Top Ten by BMeTric: 96.2 Epic Movie (2007); 68.7 DOA: Dead or Alive (2006); 65.3 Miss Congeniality 2: Armed and Fabulous (2005); 63.5 The Phantom (1996); 61.5 Virus (1999); 60.7 Conan the Barbarian (2011); 59.6 Cyborg (1989); 46.2 Double Impact (1991); 40.9 Cutthroat Island (1995); 39.2 Six Days Seven Nights (1998);

(Again the same as in the previous preview. I find it interesting to two types of Pirates represented here as well. I think Six Days and Seven Nights, Double Impact, Cyborg, Virus, and DOA: Dead or Alive might be “modern” pirates. And the rest I think are Pirates of the Caribbean kind of caricatures. Funny that it is basically exactly 50-50.)

Notes – The severed heads in the guillotine basket are of the film directors Joachim Rønning and Espen Sandberg. (Probably cost a cool million dollars)

The joke Jack Sparrow’s uncle tells Jack is the same joke Al Pacino told Johnny Depp during production of Donnie Brasco: “A skeleton walks into a bar, orders a beer and a mop… “

Although this movie was initially claimed to be the last one in the series, a sixth installment was announced after its release. (Hmm, I wonder if it will happen. I think the double trilogy would feel right, and it would give them an opportunity to let Depp go out with a bang with the character. I guess we’ll see)

The film was being produced as Johnny Depp was going through a bitter divorce from his wife Amber Heard. He was chronically late to the set, to the point where it ate into the schedule as the set often came to a halt for hours at a time. It got to the point where a production assistant was hired just to wait outside Depp’s house and announce that he was awake when they saw the lights inside come on.

At two hours and nine minutes long, this has been the shortest running time of all the “Pirates of the Caribbean” films. (hooooraaaaay)

Christoph Waltz was originally cast in the role of Captain Brand, but dropped out due to other work commitments. Javier Bardem was then given the role, but the name was changed from Brand to Salazar to sound more Mediterranean to accompany Bardem’s Spanish descent. Bardem and Waltz both previously played villains in Daniel Craig James Bond films. Bardem in Skyfall (2012), and Waltz in Spectre (2015).

After failing to return for Pirates of the Caribbean On Stranger Tides, Disney reached back out to Martin Klebba (Marty), Lee Arenberg (Pintel), Makenzie Crook (Raghetti), David Bailie (Cotton), Angus Barnett (Mullroy) and Giles New (Murtogg) to return for Pirates of the Caribbean Dead’s Men Tell No Tales. Only Martin Klebba, Angus Barnett and Giles New were able to make it work within his schedule.

In an interview, Orlando Bloom said this movie will be a soft reboot of the previous installments. (I … don’t think that happened? I could be mistaken, that sounds crazy)

Paul McCartney is seen singing a song “Maggie Mae”. It is an old drinking song of the sea from Liverpool and featured on The Beatles “Let it Be” Album. On the album, the song was sung by John Lennon. (whaaaaaaaaaa?)

To prevent fans from interfering with the production, secret filming locations used the production name of “Herschel”.

In a flashback scene of Captain Salazar, one of his crew members recognizes a ship as Bonnet’s ship called “Royal James”. Stede Bonnet was a real life pirate that was active from December of 1717 to December of 1718 before being hanged in Charles Town for piracy and also worked closely with Edward Teach, a.k.a. Blackbeard.

With a release six years after its predecessor, marks the largest gap between the Pirates of the Caribbean films.

Javier Bardem’s wife Penélope Cruz starred in the previous installment, Pirates of the Caribbean: On Stranger Tides (2011).

Salazar’s face was full makeup that took Javier Bardem three hours to put on, but the hair was all CG. To achieve this, Bardem’s hair was pulled back and a makeup artist added marking dots on his face, which tracked the motion of his head in post production.

During filming, Johnny Depp and his wife Amber Heard breached Australia’s strict bio-security laws when they failed to declare their two dogs to the Australian Customs Service when they flew by private jet into Queensland, where filming was taken place. Heard was charged with two counts of illegally importing the dogs into the country and one count of producing a false document. In April 2016, Heard appeared in the Southport Magistrates Court and pleaded guilty to falsifying quarantine documents, stating that she was sleep deprived and made a mistake. The two bio-security charges were dropped, and she was placed on a one-month good behavior bond, paying a $1,000 fine for producing a false document. Heard and Depp also released a video in which they apologized for their behavior and urged people to adhere to the bio-security laws. Australian newspaper The Guardian called the case the “highest profile criminal quarantine case” in Australian history. (Dummies. As a person who has gone through the nightmare that is importing a dog into the UK I am deeply offended by this act of gross entitlement)

The father of Captain Jack Sparrow was played by a Rolling Stone (Keith Richards) and in this film, the uncle of Captain Jack Sparrow is played by a Beatle (Paul McCartney). (Alright, this annoys me. Mainly because Keith Richards are atrocious as his father in the fourth film. I bet McCartney is also terrible)

In the flashback scene, we see Jack is on a ship called the Wicked Wench. This is actually the Black Pearl, it gets renamed when Davy Jones brings it back from the depths, after it’s set ablaze, in the book Pirates of the Caribbean The Price of Freedom, making the book Canon. (THE BOOK IS CANON!)

The film’s action takes place in 1755. During the third act, Barbossa said that it has been five years since Blackbeard shrunk The Black Pearl in the bottle. The producers have said that the previous installment, On Stranger Tides, takes place in 1750. This also means that Henry is 21 years of age, given that he is 12 during the prologue, two years after the post-credits scene of At World’s End. (You listening Jamie? We got some setting possibly)

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Pirates of the Caribbean: On Stranger Tides Preview

We hit two of the major action bombs this year for BMT Live! in The Mummy and Geostorm. This left us with a few of the lesser options available for this week. What we ended up landing on might come as a bit of a shock, but with a newly found love of franchises it shouldn’t. That’s right! We’re catching up on the Pirates of the Caribbean franchise with the final two installments (the only two that qualify), Pirates of the Caribbean: On Stranger Tides and Pirates of the Caribbean: Dead Men Tell No Tales… wait, is that actually the name of the latest one? Wow, that is not good. The latest entry came this year, six years after the last installment, and while I would have assumed it was a bomb (I barely remember it came out), it still made $800 million worldwide. Feed those international audiences what they want, Disney, and what they want is Johnny Depp. Ugh. Let’s go!

Pirates of the Caribbean: On Stranger Tides (2011) – BMeTric: 17.0

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(Decidedly above average from an IMDb rating perspective. Which is a lot more impressive than I thought it would be. My perception had always been that no one likes these films anymore. But 350K votes with a 6.7ish rating is actually fine. Sits around the same place as Quantum of Solace or Armageddon.)

Leonard Maltin – 2 stars –  Capt. Jack Sparrow (Depp, broader than ever) finds himself on a ship with Blackbeard (McShane) and his daughter (Cruz), which whom he has a checkered history, sailing in search of Ponce de Leon’s Fountain of Youth. Meanwhile, Capt. Barbossa (Rush) is piloting his own vessel on the exact same course. Among the perils they face: a host of alluring but vicious mermaids. More of the same, with a convoluted, often incomprehensible story designed to string a series of large-scale action set pieces together. Not so much a movie as a consumer product.

(Shots fired. Honestly that was probably the pitch: “more of the same, with several large scale action pieces that we know and love. It’ll be great summer fun!” The convoluted plot is actual a surprise given that, arguably, that is where the second and third stumbled. By creating an over complicated plot they weighed down what should have otherwise been light fun with the flamboyant Depp. That is probably my biggest hesitation with that review.)

Trailer – https://www.youtube.com/watch?v=KR_9A-cUEJc

(The only thing I remember from that trailer was the sword coming through the door. I think I must have seen it in a theater with 3D glasses on. I actually forgot this was kind of a big 3D release at the time. Looks like okay fun, although, again, I remembered not really understanding the connection to the previous movies at the time.)

Directors – Rob Marshall – (Known For: Chicago; Into the Woods; Future BMT: Nine; BMT: Pirates of the Caribbean: On Stranger Tides; Notes: He has been nominated for six Tony awards and later an Oscar for Chicago.)

Writers – Ted Elliott and Terry Rossio (screenplay & screen story & characters) – (Known For: Pirates of the Caribbean: The Curse of the Black Pearl; Aladdin; Pirates of the Caribbean: Dead Man’s Chest; Treasure Planet; Pirates of the Caribbean: At World’s End; Shrek; The Mask of Zorro; Small Soldiers; The Road to El Dorado; Future BMT: Godzilla; The Legend of Zorro; The Puppet Masters; National Treasure: Book of Secrets; Pirates of the Caribbean: Dead Men Tell No Tales; BMT: The Lone Ranger; Pirates of the Caribbean: On Stranger Tides; Razzie Notes: Nominated for Worst Screenplay for The Lone Ranger in 2014; Notes: Ted Elliot used to spell check Roger Ebert’s movie reviews, and Terry Rossio used to be a machinist. Pretty interesting.)

Stuart Beattie (characters) – (Known For: Pirates of the Caribbean: The Curse of the Black Pearl; Pirates of the Caribbean: Dead Man’s Chest; 30 Days of Night; Pirates of the Caribbean: At World’s End; Collateral; Australia; Tomorrow, When the War Began; Future BMT: G.I. Joe: The Rise of Cobra; Derailed; Pirates of the Caribbean: Dead Men Tell No Tales; BMT: I, Frankenstein; Pirates of the Caribbean: On Stranger Tides; Razzie Notes: Nominated for Worst Screenplay for G.I. Joe: The Rise of Cobra in 2010; Notes: Australian who attended the same High School as Hugh Jackman. He gets credits because he is the screenwriter for the first film.)

Jay Wolpert (characters) – (Known For: Pirates of the Caribbean: The Curse of the Black Pearl; Pirates of the Caribbean: Dead Man’s Chest; Pirates of the Caribbean: At World’s End; The Count of Monte Cristo; Future BMT: Pirates of the Caribbean: Dead Men Tell No Tales; BMT: Pirates of the Caribbean: On Stranger Tides; Notes: Also wrote on the original, he is a producer of a number of television game shows including the New Price is Right and New Match Game.)

Tim Powers (novel) (suggestion) – (BMT: Pirates of the Caribbean: On Stranger Tides; Notes: Writes adventure novels with a sci-fi twist. This novel, On Stranger Tides, was the inspiration for the Monkey Island videos games, which are great, and was directly optioned for this film.)

Actors – Johnny Depp – (Known For: Murder on the Orient Express; Sleepy Hollow; A Nightmare on Elm Street; Fantastic Beasts and Where to Find Them; Edward Scissorhands; Pirates of the Caribbean: The Curse of the Black Pearl; Charlie and the Chocolate Factory; Corpse Bride; Alice in Wonderland; Sweeney Todd: The Demon Barber of Fleet Street; Black Mass; Pirates of the Caribbean: Dead Man’s Chest; Blow; The Ninth Gate; Pirates of the Caribbean: At World’s End; Platoon; 21 Jump Street; Fear and Loathing in Las Vegas; Finding Neverland; Into the Woods; Future BMT: Freddy’s Dead: The Final Nightmare; Yoga Hosers; The Astronaut’s Wife; Private Resort; The Tourist; Dark Shadows; Alice Through the Looking Glass; Nick of Time; The Man Who Cried; The Libertine; The Brave; Pirates of the Caribbean: Dead Men Tell No Tales; BMT: Jack and Jill; Mortdecai; Transcendence; The Lone Ranger; Pirates of the Caribbean: On Stranger Tides; Razzie Notes: Nominated for Worst Actor, and Worst Screen Combo for Mortdecai in 2016; Nominated for Worst Actor for The Lone Ranger in 2014; and Nominated for Worst Supporting Actor, and Worst Screen Combo for Alice Through the Looking Glass in 2017; Notes: Kind of easier just to look through recent news for such a big name actor. The biggest current news is that he is playing Grindelwald in the next Fantastic Beasts movie, which is causing quite a stir. Let’s just say he has a weird hairdo and leave it at that.)

Penélope Cruz – (Known For: Murder on the Orient Express; Blow; Vicky Cristina Barcelona; To Rome with Love; Open Your Eyes; Jamon Jamon; Volver; Bandidas; All About My Mother; Live Flesh; Los amantes pasajeros; Broken Embraces; Elegy; Don’t Move; The Hi-Lo Country; Belle Epoque; Future BMT: Sex and the City 2; G-Force; The Counsellor; Woman on Top; Gothika; Nine; Sahara; All the Pretty Horses; Waking Up in Reno; Masked and Anonymous; Grimsby; The Good Night; Fanfan; Noel; La reina de España; Head in the Clouds; Sin noticias de Dios; BMT:Vanilla Sky; Zoolander 2; Captain Corelli’s Mandolin; Pirates of the Caribbean: On Stranger Tides; Razzie Notes: Nominated for Worst Actress in 2002 for Blow, Captain Corelli’s Mandolin, and Vanilla Sky; Notes: Married to Javier Bardem (with whom she has two children) who would appear six years later in Dead Men Tell No Tales.)

Ian McShane – (Known For: John Wick: Chapter 2; John Wick; Coraline; Hercules; The Golden Compass; Snow White and the Huntsman; Kung Fu Panda; Death Race; Shrek the Third; The Sorcerer’s Apprentice; Hot Rod; Jack the Giant Slayer; Sexy Beast; We Are Marshall; Scoop; Jawbone; Battle of Britain; Bilal: A New Breed of Hero; Cuban Fury; Performance; Future BMT: Agent Cody Banks; The Hollow Point; Grimsby; Case 39; BMT: The Seeker: The Dark Is Rising; Pirates of the Caribbean: On Stranger Tides; Notes: Probably the funniest thing I’ve heard about him was his response to Game of Thrones fans being all pissy about him spoiling stuff about his (one-off) character in the show: “I was accused of giving the plot away, but I just think get a f—ing life. It’s only tits and dragons.” He has a point.)

Budget/Gross – $410.6 million / Domestic: $241,071,802 (Worldwide: $1,045,713,802)

(That budget can’t possibly be real. It is reported somehow as “gross” on wikipedia which I’ve never seen before. Probably tries to estimate marketing or something? Made a mint worldwide though, so you gotta go for the sequel if people are game. A billion isn’t something to shrug at.)

#44 for the 3D genre

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(Came right as the 3D craze his that saturation point. People have declared it dead for years, but it will live on as long as it is a “unique” experience that theaters can offer consumers. The 3D television experiment failed, so it seems like 3D will remain the domain of a theatrical experience for the foreseeable future.)

#7 for the Adventure – Period genre

piratesofthecaribbean4_adventureperiod

(Man they were creating a whole bunch of crap between 2010 and 2015. No wonder they took a breather, they nearly killed the genre. Jungle book brought it back though, plus this take isn’t too shabby at all.)

#5 for the Treasure Hunt genre

piratesofthecaribbean4_treasurehunt

(Reeks of a genre that doesn’t really exist but is just kind of floating around with random people checking it. I still believe in Box Office Mojo, but moments like this make me question whether anything they report is real, or whether it is mostly guessing from the crazy skeleton crew IMDb uses to man that janky website. The genre makes a lot of money it looks like, so that is something.)

Rotten Tomatoes – 32% (85/262): It’s shorter and leaner than the previous sequel, but this Pirates runs aground on a disjointed plot and a non-stop barrage of noisy action sequences.

(Yeah, sounds about right. I’m quite excited about the shorter and leaner part though. It is crazy how long franchise films are these days.)

Poster – Sklog-rates of the Caribbean: On Skloger Tides (D+)

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(Almost everything is wrong with this. Look at how many things are on this poster? Look at how many different colors. It’s incoherent. Small plus in the unique font.)

Tagline(s) – None (FFFFFFFF)

(Wha? That seems impossible and yet it seems to be so. Unacceptable as always.)

Keyword(s) – pirate; Top Ten by BMeTric: 96.2 Epic Movie (2007); 68.7 DOA: Dead or Alive (2006); 65.3 Miss Congeniality 2: Armed and Fabulous (2005); 63.5 The Phantom (1996); 61.5 Virus (1999); 60.7 Conan the Barbarian (2011); 59.6 Cyborg (1989); 46.2 Double Impact (1991); 40.9 Cutthroat Island (1995); 39.2 Six Days Seven Nights (1998);

(None of them naturally. Cutthroat Island will be done at some point. Double Impact will likely come in some strange Van Damme series we do. And, wow, I totally forgot there was a significant storyline involving pirates in Miss Congeniality 2 … just fantastic.)

Notes – While filming in London in October 2010, Johnny Depp received a letter from a local nine-year old schoolgirl, telling him her classmates needed help to “mutiny” against her teachers. He turned up with almost no warning at the school in full Sparrow outfit, but advised against mutiny. (awwwww, we need less terrible on-set stories, and more wholesome stories in BMT I think)

After Walt Disney’s chairman of 38 years, Dick Cook was fired, Johnny Depp talked to the Los Angeles Times, and said his enthusiasm for the fourth Pirates movie had reduced after Cook left the project. “There’s a fissure, a crack in my enthusiasm at the moment,” Depp said. “It was all born in that office.” One of the reasons Johnny Depp committed to Pirates of the Caribbean: The Curse of the Black Pearl (2003), was because he trusted Cook, who supported him while “others at the studio were less than enthusiastic about my interpretation of the character, Dick was there from the first moment. He trusted me.”

During filming in London, a Jack Sparrow impersonator just walked onto the set. The guards did not think to ask for any ID, as he looked so much like the character (Reported in the English papers).

Jerry Bruckheimer gave strict instructions to casting directors that actresses auditioning for the mermaid roles must have natural breasts. During shooting of their scenes, they were not allowed outside until dusk, in order to avoid spoiling their make-up. (haha, gross. Not that that isn’t a legitimate condition to ask concerning an actress expected to appear near-topless as a part of the character, more maybe the idea of the character trait at all … feels gross)

Penélope Cruz was pregnant throughout production, but it wasn’t noticeable until September 2010. As Penélope’s baby bump grew, it caused difficulties in wardrobe, so the producers enlisted the help of Cruz’s younger sister, Mónica Cruz. According to reports, Penélope filmed the close-up shots, while Mónica doubled for her in the long-distance scenes. (Oh, cool. Nice way to accommodate)

Johnny Depp bought new water proof jackets for five hundred crew members on the set, to protect them from the cold weather. He spent a total of 64,200 dollars from his own pocket. (Now that he’s on the verge of bankruptcy I wonder if he regrets such frivolities)

Penélope Cruz was the only choice for the role of Angelica. She agreed to the role without reading the script.

The film does make an actual reference to Blackbeard’s historical death, in which he was beheaded and then had his head hung from the bow of his own ship.

The real-life pirate Blackbeard did indeed have a ship called the Queen Anne’s Revenge. It was a vessel that he’d captured from the French Navy, and renamed.

Johnny Depp said he agreed to star in this film before “there was a script or anything.”

As Jack enters the Santiago, the camera flashes to a skeletal Ponce de León laying on a bed, surrounded by treasure. This is a reference to the Pirates of the Caribbean ride in Disneyland where guests see a skeletal pirate Captain laying in bed, surrounded by treasure. (Always looking for those shouts. Amusing if not the most exciting ride these days)

When making Pirates of the Caribbean: The Curse of the Black Pearl (2003), the scriptwriters revealed that they placed the story in a thirty-year environment set loosely between 1720 and 1750. They also said that they did not intend the films to be entirely historically accurate. However, it was revealed that this movie takes place in 1750. (Interesting, will have to try and catch that)

The snake in the jungle scene is a king snake, and references the rhyme about coral snakes. Red on yellow kill a fellow, red on black friend of Jack.

The name of “Syrena” means mermaid in Spanish. The origin of “Syrena” is Greek, from Homer’s epic Odyssey. The songs of “syrenas” used to lure sailors to their island, where they were killed.

The only “Pirates of the Caribbean” film to not receive any Oscar nominations. (Not a surprise, although I guess you could kind of argue they always do a decent costume design job)

The film budget had to be scaled down to no more than two hundred million dollars (the Pirates of the Caribbean: At World’s End (2007) budget was three hundred million dollars). This was mandated by studio president Rich Ross (who replaced the fired Dick Cook), in addition to the then 2008 economic slowdown in the U.S. (Jesus, $300M is absurd)

Blackbeard says that his quartermaster sees things before they happen. This is an oblique reference to the character of Fedallah in the novel Moby Dick, the source of various prophecies about the death of his Captain.

As of May 20, 2011, this installment has the second shortest run-time of the franchise, at 136 minutes. (My god, these films are monsters!)

This film is loosely based on the 1988 pirate novel “On Stranger Tides”, by Tim Powers. The novel’s protagonist is a pirate named Jack, but his character is significantly different from Jack Sparrow.

Was denied a release in China because the story line consisted of ghosts, the afterlife, and the supernatural. (As was usual, although I assume this practice is/has changed with China becoming a box office power house)

Barbossa’s ship, the Providence, was portrayed by the H.M.S. Surprise, part of the collection of ships of the Maritime Museum of San Diego (www.sdmaritime.org), where it is open daily to Museum visitors. To sail the ship during the filming, Disney hired a crew from among volunteers and staff of the Maritime Museum. Surprise is a 179 foot full-rigged ship. She was built in Nova Scotia in 1970, from original Admiralty plans for the 1757 British 24-gun frigate H.M.S. Rose, for which she was originally named. The ship was purchased in 2001 by 20th Century Fox, and modified to serve as the H.M.S. Surprise, under the command of fictional Captain Jack Aubrey in Master and Commander: The Far Side of the World (2003). The Maritime Museum of San Diego purchased the ship from Fox Studios in 2004, and retained her movie name. In both of her names, the prefix “H.M.S.” (meaning Her (or His) Majesty’s Ship) is an honorary, rather than an official designation, since she does not hold a royal warrant. (Loving those factoids)

Alfred Molina was considered for the role of Blackbeard. (I love Ian McShane, but Alfred Molina would have also killed it I think, although I’m not sure Molina could have sold Blackbeard’s brutality)

The outdoor entrance to the Fountain of Youth, is the Waikapala’e Wet Cave on the north shore of Kauai. Analogous to the film’s magical watery passage to The Fountain of Youth, the cave holds a real submerged (depending on water level) passage, through which explorers can travel, in order to reach an isolated chamber known as “The Blue Room.” Some Hawaiians tell of an actual pirate treasure found hidden in “The Blue Room” by the original discoverers. The pirate treasure (if it ever existed) is gone, but the cave and chamber remain a natural treasure, still accessible to intrepid explorers.

Baywatch Recap

Jamie

Mitch Buchannon is a lifeguard extraordinaire protecting all Emerald Bay visitors from harm. When a ruthless businesswoman moves in hoping to privatize the beach and sell illicit drugs, Mitch and his crew aim to stop her. Can they bring down the baddie and learn valuable life lessons at the same time? Find out in… Baywatch.

How?! Mitch Buchannon runs the beach at Emerald Bay like a boss and everyone loves him for it. When a ruthless businesswoman moves in on the beach hoping to privatize it Mitch becomes suspicious. What is she up to and does the recent influx of street drugs have anything to do with her? He’s dead set on finding out. At the same time his crew is looking for three new members and after some political maneuvering disgraced olympian Matt Brody is thrust onto the team despite his sour attitude and general douchiness. After several high-profile bodies wash up on the beach, local officials blame Mitch and his obsession with the businesswoman which they say has driven him to distraction. Despite a large amount of circumstantial evidence they have uncovered he is replaced by Matt Brody as head lifeguard. This plan backfires though as Matt turns out to have learned the meaning of family and teamwork (the underlying theme of every Dwayne Johnson film) and continued Mitch’s detective work. This culminates in a climactic fight aboard a fireworks barge where they are able to blow the evil businesswoman to smithereens and uncover the larger conspiracy involving the corrupt local officials. If this doesn’t sound at all like the plot of a comedy it’s because it isn’t. It’s an action film that they turned into a comedy… or at least tried. THE END.

Why?! The Rock is an interesting actor in that I think he’s often used as a charisma machine to fill roles with little or no underlying motivations or character depth. He is simply an empty vessel filled with honor and truth. His greatest weakness always seems to be that he cares too much about honor and truth (also my greatest weakness, per any job interview I might have). Baywatch is no different. He just wants to stop the bad guy and keep the beach safe because he is a perfect, upstanding citizen of Emerald Bay. The more interesting character is actually Efron’s character. He suuuuuuucks. He care only about getting drunk and being lauded for his olympics feats of the past. This only changes once he is able to learn a thing or two about life and love from Mitch. Once he does his motivation is also all about truth and justice.

What?! This film is an absolute onslaught of product placements. First we have a TAG Heuer watch play a vital role in the plot of the film. It’s such a good watch that an upstanding local politician is persuaded to break the law just to get his hands on it. Then we have The Rock relegated to working in a Sprint store after losing his job at the beach. Like seriously. Here’s a picture of The Rock rocking a Sprint shirt in the movie:

BaywatchRecap1

Shameless. But I think my favorite was when Zac Efron, showing that he’s too cool for school, sits out the lifeguard tryouts sipping on a delicious Mike’s Hard Lemonade… when I first saw it I thought it was going to be played for a joke. Then it wasn’t and I realized that he was just hanging and drinking it unironically. Unironically!!!!!

Who?! There are a number of cameos in the film, most prominently former Baywatch stars David Hasselhoff and Pamela Anderson. Their cameos are done pretty well compared to something like the new Ghostbusters film where they make no sense. Much like the rest of the film they serve a singular purpose: to poke fun at the premise of the original Baywatch.

Where?! By all accounts this takes place in Emerald Bay, Florida. I didn’t necessarily notice anything to confirm this while watching the film, but there are a bunch of pictures online with the lifeguard boat with “Broward County” prominently displayed. So that does it. C.

When?! Another case where I bet if you had a really high resolution of a film then you would be able to get an exact date. In particular there is a close up of a land deed that I’m sure has the date on it, but the DVD resolution makes it impossible to figure out. It’s an F, nothing else to be done about it.

Despite everything horrible about this film I actually expected worse. It had some amusing moments, played the action well, and the leads are dopes but you want them to succeed. It is super lame, just not as lame as I thought it would be. One big question this raised, though, was how we are still at the point where several jokes in a major motion picture are based entirely on the concept of gay panic? A whole scene devoted to the hilariousness of convincing a man to touch a guy’s balls? Really? An ending where Efron is shocked and horrified to find that he is getting CPR from The Rock? He is saving your life using the medical standard in resuscitation. Why are you yelling in terror as a result? Will we ever be beyond this? Seems like the answer might be no. Can’t wait to be further baffled in this area by CHiPs, which I’ve heard is even worse. Patrick?

Patrick

‘Ello everyone! You’re a producer looking wistfully at the office memo concerning the cast party for 22 Jump Street. No, you are not invited, and yes you are pissed about this. What can you do though? Wait! Sweet IP! Of course, you just need some of that sweet IP. We got Baywatch right? That show was ridiculous. Nailed it. Cast party with The Rock incoming, what could go wrong? Let’s get into it!

The Good (Sequel, Prequel, Remake) – Honestly, the film is kind of fun. They are right there on the cusp of being okay I think, just needed to not hire literally seven writers to write the thing and they would have been fine. The action scenes are on point and by far the best part of this film. I was practically on charisma overload with The Rock and Efron. And they didn’t gross me out too much with the portrayal of women, which was a pleasant surprise. I want a Remake with a twist: give me a tv show! Make it a kind of half-serious melodrama action thing. Use the template of Riverdale, brand it as a kind of self-serious (but still secretly ironic) crime serial that takes place on the beach, and try your best to kind of knowingly build up something fun. It is a difficult maneuver, but I think that is where this movie shined. If it had pumped the brakes a bit on the comedy (which was the worst part of the film) it might have had something kind of Fast and the Furious like fun. But I acknowledge that it is a tough ask.

The Bad (Sklog-cabulary Quiz) – The character of Ronnie which was supposed to kind of be an audience stand-in who lampshades the rest of the ridiculousness, but he is really the one thing that stands in the way of this film just going for being an action film instead of an action-comedy. The comedy bits are the worst part of the film. Part stupid dick-jokes, part gay panic, basically nothing works. And the root cause of this I think is Ronnie who, acting as straight man, makes everything comedic in comparison. Ronnie also serves as the “hacker” solving all of the problems right at the end, which it itself a crime. Really the only unforgivable bit of all of those is the gay panic. It is dumb this is still a thing in comedies in 2017. I’m introducing a new game for the bad section which is where I coin a term for a bad movie trope. Perhaps coin is inaccurate, I don’t actually check to see if the term is coined elsewhere, but it should highlight a bad movie idea of some kind anyways. This week for the Sklog-cabulary Quiz we have

Deus Ex Hackina (n.) – an unexpected computer hacking power saving a seemingly hopeless situation, especially as a contrived plot device in a terrible movie.

It is basically what I described above, it is when a character is endowed with a special “hacking” ability that allows him or her to solve everyone’s problems all at once right at the end. Otherwise known as “Ronnie from Baywatch”, who manages to not only gather a ton of incriminating evidence to prove the baddies are bad, but they also foil their getaway by (not joking) hacking a fireworks display. Geostorm actually gives a decent example as well in the character of Dana played by Zazi Beetz, and I’m sure there are countless other examples.

The BMT (Legacy / StreetCreditReport.com) – As usual these are a little tough for recent films. For legacy I think this has none unless an (unlikely) sequel is made. We might look back fondly at Ronnie as the origin of our thoughts on Deus Ex Hackina events though (much like Planchet from The Three Musketeers represents the idea of a tangential character whose sole purpose is to be made fun of by the main characters) For the street cred it has a bit because it can be grouped with future-BMT CHiPs as kind of a weird situation in which people started to reboot television shows again. But of that pair CHiPs is going to be the one people look at as more terrible.

I think that’s it. Nothing to report as far as homework is concern, I chose not to watch any of the original Baywatch television show in prep. I’ll see if I decide to watch any CHiPs in a few months. I probably won’t.

Cheerios,

The Sklogs

Baywatch Preview

The official transition to the Worst of 2017 cycle we start with comedy. In an interesting coincidence we also had one of the worst reviewed comedies of the year released this very week in Daddy’s Home 2 (currently at 16%), but it was not released concurrently in the US and UK. Bummer. So we stuck with our original plan as it was quite the doozy in its own right. That’s right! We’re watching the Dwayne Johnson/Zac Efron vehicle Baywatch. Following the wild success of 21 Jump Street and 22 Jump Street we were treated to not one, but two unnecessary adaptations of niche 80s/90s shows in Baywatch and CHiPs. Both turned out poorly. Now we get to find out just how poorly Baywatch turned out. Let’s go!

Baywatch (2017) – BMeTric: 46.5

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(I kind of love this ratings graph. So you can see it starting high (people who haven’t seen the film but like the idea of the film chiming in like dummies) and then dropping once people actually start seeing it. But that overcorrects a bit, as more and more of the “fans” see it corrects back up. But the interesting bit is that once it drops on VOD the rating goes down again. The mean IMDb rating is somewhere around 6.0 so it basically corrected back to what will ultimately be around its eventual rating of slightly below-average. I just find that fascinating. It is hard to find films that really teeter on the edge of good/bad. To get 70K votes in a few months as well? I’m always stunned by how “popular” current movies are, they get so many more votes than even popular films from the 90s.)

Leonard Maltin – 1.5 stars –  [The movie] features long periods of too-sincere homilies about teamwork, weirdly gratuitous brutality (one innocuous character is subjected to a grotesquely grisly death) and an extended corpse-penis joke which, in the dishonorable tradition of “Dirty Grandpa,” subjects a character played by Zac Efron to humiliation in a way that’s not even stealthily homophobic. On the plus side, the movie has a pervading air of crass amiability about it—it’s almost like a two-hour end-credits gag reel. (Nevertheless, it contains an end credits gag reel.) But as I said, if you saw the trailer, you got the best the movie has to offer.

(Hmmmm. So let me get this straight. Two films based on older television series (CHiPs being the other) were released the same year and both were overtly homophobic? The gay panic riddles the CHiPs trailer. They seem to have hidden it well here with Baywatch. Which makes it all the more disappointing.)

Trailer – https://www.youtube.com/watch?v=nZ5tqzw841s

(See this actually doesn’t look bad. It at least tries to do what the original did. They at least avoided what CHiPs did which was overtly use three or four gay panic scenes in the advertising. It was to the point where I thought the movie might have been called Gay Panic: The Movie. But I was shocked by the reviews because this trailer looks decent.)

Directors – Seth Gordon – (Known For: Horrible Bosses; Future BMT: Four Christmases; Identity Thief; BMT: Baywatch; Notes: Director of acclaimed documentary King of Kong. Parlayed that into several feature films and a whole mess of television shows, most recently The Goldbergs.)

Writers – Michael Berk and Douglas Schwartz (based on the series “Baywatch” created by) – (Known For: Soul Surfer; BMT: Baywatch; Notes: Also the creators of the Hulk Hogan television series Thunder in Paradise, so basically legends.)

Gregory J. Bonann (based on the series “Baywatch” created by) – (BMT: Baywatch; Notes: See above. Legend.)

Jay Scherick and David Ronn (story by) – (Known For: Guess Who; Future BMT: I Spy; The Smurfs; The Smurfs 2; Serving Sara; National Security; BMT: Norbit; Zookeeper; Baywatch; Razzie Notes: Nominated for Worst Screenplay for Norbit in 2008; Notes: BMT faves. Just got a pilot picked up with the following synopsis: hard as nail female CIA agent gets partners with self-absorbed male agent trained to use sex and seduction to keep America safe… … Bad TV Tuesday, anyone?)

Thomas Lennon  and Robert Ben Garant (story by) – (Known For: Night at the Museum: Secret of the Tomb; Night at the Museum; Night at the Museum 2; Mr. Peabody & Sherman; Herbie Fully Loaded; Future BMT: Balls of Fury; Hell Baby; Reno 911!: Miami; Let’s Go to Prison; BMT: Taxi; Baywatch; The Pacifier; Notes: Prolific screenwriters who even wrote a whole book on how best to sell-out in Hollywood. Part of The State and Reno 911!)

Damian Shannon and Mark Swift (screenplay by) – (Known For: Freddy vs. Jason; BMT: Friday the 13th; Baywatch; Notes: This finishes their filmography having just watched the Friday the 13th films they wrote. Writing the upcoming Aladdin film, so they are on the rise.)

Actors – Dwayne Johnson – (Known For: Moana; Fast & Furious 8; Fast & Furious 7; San Andreas; Furious 6; The Other Guys; Central Intelligence; Hercules; Faster; Fast & Furious 5; The Mummy Returns; Pain & Gain; Get Smart; The Scorpion King; Journey 2: The Mysterious Island; Snitch; Welcome to the Jungle; Race to Witch Mountain; Gridiron Gang; Future BMT: Tooth Fairy; Why Did I Get Married Too?; Jem and the Holograms; Southland Tales; You Again; Reno 911!: Miami; Planet 51; Walking Tall; The Game Plan; BMT: Doom; Baywatch; Be Cool; G.I. Joe: Retaliation; Razzie Notes: Nominated for Worst Actor for Doom in 2006; Notes: Still known widely by his WWE monicker The Rock. He is amazingly one of the most bankable stars in Hollywood now. What he’s got charisma in spades.)

Zac Efron – (Known For: The Disaster Artist; Bad Neighbours 2; Hairspray; Bad Neighbours; 17 Again; The Lorax; We Are Your Friends; The Paperboy; Parkland; High School Musical 3: Senior Year; Liberal Arts; At Any Price; Me and Orson Welles; Future BMT: Mike and Dave Need Wedding Dates; That Awkward Moment; The Lucky One; The Death and Life of Charlie St. Cloud; BMT: Baywatch; New Year’s Eve; Dirty Grandpa; Notes: Broke out with the High School Musical Series. Has struggled with substance abuse and alcoholism during his career, but appears to be clean now.)

Alexandra Daddario – (Known For: San Andreas; Percy Jackson & the Lightning Thief; Percy Jackson: Sea of Monsters; The Squid and the Whale; Bereavement; Future BMT: Texas Chainsaw 3D; The Layover; The House; Hall Pass; Burying the Ex; The Babysitters; The Hottest State; BMT: Baywatch; The Choice; Notes: Made her acting debut on All My Children. I recognize her more from her various television roles than her movie work.)

Budget/Gross – $69 million / Domestic: $58,060,186 (Worldwide: $177,856,751)

(Not super great domestically, but potentially okay overall. We won’t be seeing Baywatch 2 though. They were obviously expecting a 21 Jump Street level take which is closer to $140/$200 million. Not even close.)

#35 for the Action – Buddy Comedy genre

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(This is just above the Tom Hanks classic Dragnet. They kind of blew it in 2002 / 2003 by somehow released 11 buddy action films in those two years and audiences rebelled. This included things like future BMT Bad Company starring Chris Rock and Anthony Hopkins. It has come back over the past ten years, and is a steady genre releasing three films this year … all terrible.)

#47 for the TV Adaptation (Live Action) genre

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(Ah I remember that boom (it included the recently watched Beverly Hillbillies). I feel like I’m continually surprised at how many films are made that are based on television shows. Near Star Trek V: The Final Frontier. Otherwise known as the worst one.)

Rotten Tomatoes – 19% (38/201): Baywatch takes its source material’s jiggle factor to R-rated levels, but lacks the original’s campy charm — and leaves its charming stars flailing in the shallows.

(Which is basically what 21 Jump Street did right. They took the ridiculous thing (cops going undercover in a high school) and took it to its logical conclusion (everyone basically doesn’t believe they are actually high school students). Here it doesn’t seem like they took the original’s hook (attractive people in skimpy outfits solve crimes for some reason on a beach) and took it anywhere at all. And that’s a shame.)

Poster – Sklogwatch (C+)

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(A poster is a delicate thing. You want it to be artistic, tell a story, and sell a product. This seems singularly focused on the last point. The Rock and some hotties (looking at you Efron) are here to save the day and capture your heart. Let’s throw their pics on the poster and put a weird giant wave behind them. That’s about it. That being said, great font game guys. That ‘A’ with the lifeguard station is bomb. I’m putting you above average just for that.)

Tagline(s) – Beaches ain’t ready (D)

(Ohhhh nooooooo. This is like 7 levels too high, guys. Reel it back in. I know the entire movie is based on making something so stupid that it might go all the way around and become good again but this is unfortunate. While this secretly might be a very good tagline. I can do nothing but hate it. Sorry.)

Keyword(s) – lifeguard; Top Ten by BMeTric: 84.2 Piranha 3DD (2012); 61.7 Agent Cody Banks 2: Destination London (2004); 54.3 Lovewrecked (2005); 52.9 Aquamarine (2006); 51.3 Sand Sharks (2012); 47.5 Bait (III) (2012); 46.5 Baywatch (2017); 36.7 The To Do List (2013); 34.7 Joe Dirt (2001); 33.5 The Lifeguard (2013);

(Oooo, I like that it isn’t the top. Most of these are kind of crap though. Like Piranha 3DD and Joe Dirt I don’t think will be done in our lifetimes (perhaps our grandchildren will do it on a throwback week for the BMT News Network, BMTNN). The only safe bet is Cody Banks to be honest.)

Notes – Zac Efron gave Dwayne Johnson all the names to call him in the movie, like One Direction. (This sounds like something Zac Efron would say but isn’t true)

In an interview, Priyanka Chopra said that the role of the main antagonist was written for a man, but the director changed the role and the script upon meeting her. (This sounds like something Priyanka Chopra would say but isn’t true)

After scathing reviews poured in from critics and fans alike, Dwayne Johnson tweeted that the film wasn’t made for critics. (This sounds like something Dwayne Johnson would say but isn’t true)

Nina Dobrev, Ashley Benson, Alexandra Shipp, Shelley Hennig, Bianca A. Santos, and Denyse Tontz were considered for the role of Summer. (Nina Dobrev! Of Flatliners and XxX: The Return of Xander Cage fame?)

Robert Ben Garant was going to write and direct the film.

Jeremy Garelick was set to write and direct the film. (love me some alternate directors)

Pamela Anderson also performs a cameo at the very movie’s end but, like the original Mitch Buchanon appearance, all is spoiled from the beginning since their names are listed at the initial credits. (Ha. That’s pretty stupid.)

Cameo…David Hasselhoff appears in a scene with this “Mitch” where they interact and call each other “Mitch”.

The Bye Bye Man Recap

Jamie

Don’t say it. Don’t think it. Don’t say it. Don’t think it. He’s the Bye Bye Man and he’s out to get some Wisconsin college students. Once they learn his name he has the ability to manipulate them into committing terrible deeds. Can they say bye bye to the Bye Bye Man before it’s too late? Find out in… The Bye Bye Man.

How?! Ethan, his girlfriend Sasha, and his best bud forever John take the plunge and rent an off-campus house to live it up like real adults. When his brother comes to visit, Ethan’s niece discovers some odd coins near an old end table. When he goes to put the coins back in the drawer, Ethan discovers some creepy writing repeating the phrase, “Don’t think it. Don’t say it,” and the name The Bye Bye Man etched into the wood. “Who’s that?” he wonders. “He must be super rad with such a rad name that is in no way ridiculous or silly sounding.” During a seance set up to ease Sasha’s mind about the super creepy house they moved into, Ethan is spooked into invoking the name of the Bye Bye Man. Almost immediately everyone who heard it starts to have crazy things happen to them. Ethan keeps imagining a man in a dark cloak, Sasha gets a mysterious sickness, and John keeps hallucinating death and pestilence of those around him. Delving into the mystery Ethan discovers a local journalist who wrote a story with the Bye Bye Man’s name in it. The story was never published, but it turns out that just days after writing it the journalist went crazy and killed a bunch of his neighbors and himself. Realizing that they are being haunted by the Bye Bye Man, Ethan races to save his roommates. Knowing that there is only two things that can kill the Bye Bye Man: 1) killing everyone you know or 2) not fearing him, Ethan opts for the second choice (obvs). But when he gets back to his house to inform his roommates of the Bye Bye Man’s weakness, Ethan is tricked by the Bye Bye Man into killing Sasha. Seeing no end to the horror he burns down the house and kills himself before he can tell anyone else. Unfortunately in a huge unforeseeable twist, John survives the fire just long enough to tell a police officer the Bye Bye Man’s name. Uh oh! Do I smell a franchise?!

Why?! Our main victims are simply living and loving. They want to get out of the dorms and live it up in a house like adults. They can and will have it all. We get a little taste of some motivation for Elliot in the oft-mentioned death of his parents as a kid. It’s why he’s best friends with John, it’s why his brother is worried about him, and seems to be part of the grow-up-fast mentality that gets him into trouble. He pushes himself forward so that he can have the family that he lost at such a young age (and which he misses even more now that his big brother has a family of his own) and playing house with Sasha in a creepy mansion haunted by the Bye Bye Man is part of that. As for the titular Bye Bye Man, he just wants to spread like a virus infecting all that hear his name because he’s an evil demon whose only aim is chaos. His plan is particularly shitty though because he drives all who hear his name insane which leads to them killing themselves and everyone else who heard the name. So much for spreading the virus. You would think the Bye Bye Man would start out like a salesman. “Forgive my weird pale skin, lack of tongue and eyes, and weird demon dog but the deals I can provide you will drive you craaaaazzzzy. That’s Bye Bye Man. Spread the word and say my name.” Soon people would find themselves driving all over the country selling Bye Bye Man door-to-door only to discover that it was all a ruse and they’ve doomed the world to chaos and destruction! That would be a better plan. Fortunately for humanity the Bye Bye Man is a big ol’ dumb dumb who thinks only in the short term. His fatal flaw really.

What?! Good place to note just how many accessories The Bye Bye Man already has in only the first installment of the series (there will be five more, right? I hope). He has gold coins that jingle and jangle when he’s near, he’s got a spooky cloak that he wears, he has a creepy demon dog that he keeps close by, and he has a train that he rides (in your dreams! Oooooo, spooky). Super rare to get to this height in the accessory game and extra rare to get a vehicle. Worst part? The train is never explained nor really comes into play in any significant way at all. If you’re gonna give him a train the least you can do is let him use it.

Who?! Writer and Survivor celeb Jonathan Penner shows up in the film as Mr. Daizy, the landlord of the house who helpfully reminds our young tenets that they signed a lease, Bye Bye Man infestation or not. Also would like to point out that we had a particularly bad American accent by Cressida Bonas. She’s young and has time to work it out but for all those that say how unfair it is that British actors can seemingly play American with ease I would use this as a counterpoint.

Where?! We get an intertitle in the beginning informing us that the intro to the film takes place in Madison, Wisconsin. This setting continues for the whole film evidenced by a plethora of Wisconsin license plates. B-

When?! Like the Wisconsin setting we are treated to an intertitle placing the flashback scenes on October 20, 1969. Finding the date for the main thrust of the film is a little tougher. We can presume that it’s winter due to all the ice we see, but it’s not until later when we catch a glimpse of a sticky note in a gardening shop detailing a recent order for nightshade placed on “12/15” that we get that sweet, sweet exact date. Gonna give that a C+.

It’s been awhile since Patrick and I have had as much fun with a film as this one. It’s a silly film, with a silly name, and an even sillier monster. It is inherently hilarious and I cannot wait for The Bye Bye Man 2. Patrick?

Patrick

‘Ello everyone! I can see the producers meeting now. Mr. Penner, love the Bye Bye Man. Super atmospheric, super spooky. Helps that horror films just print money, amirite? I just have a few notes. So this Bye Bye Man, he’s like an albino with a cloak right? But, like, what if he also had a dog? Amps up that spook-factor and the kiddies love it, amirite? And how about people hear train noises when he’s around, and like find gold coins and stuff. Think on it, think on it, but I’m just saying … it would be a shame if something were to happen to your movie if you didn’t at least consider my notes … amirite, Mr. Penner? Let’s get into it!

The Good (Sequel, Prequel, Remake) – The film had a decent bit of atmospheric haunted-house spookiness to it early on. That is it. That needs a Remake there is just so much that could be done. First, strip down The Bye Bye Man! It is so obvious he has too much going on. I think you go train and that’s it. Even his look is off. He should be a raggedy man. Like a serial killing hobo riding from town to town. A ghostly figure which infects a person, makes them go crazy, and makes them kill for him like he used to back in the day. No need for the haunted house. Strip out the weird jealousy love triangle B-story. A guy is living with his two roommates. One day he finds an old coin along some train tracks and he begins to go mad. Ultimately, The Bye Bye Man comes to life and kills his roommates and as a final act makes the protagonist kill himself which is ultimately passed off as a mass murder. Easy peasy! Close with another person across the country finding an identical coin along some train tracks. Bam! This movie botches literally everything about what is kind of an interesting urban legend. It is nuts.

The Bad (Crimes Against BMT-anity) – Let’s see. The acting is terrible. The Bye Bye Man looks hilarious (I hate horror films and I can’t stop making jokes about The Bye Bye Man. Like he looks goofy as fuck. You look goofy Bye Bye Man! Yo goofy). The scares are non-existent. And what’s the one weird trick all Bye Bye Mans hate? If you just don’t fear him he can’t hurt you. Who’da thunk it? What a waste. And yet … this week’s Crime Against BMT-anity is that I just could not get over the spooky (not really) haunted house these guys live in. First, when was this movie supposed to take place? They just started to rent a house in Wisconsin, the keys are frozen to the ground when they get there, and they are wandering around in like light jackets? What kind of janky trimester system are they running over at Buchanan-Williams University that they are moving house in like November? Already call bullshit on that. Second, that house would be a nightmare to heat. It is huge. And it has these little tiny radiators. You better be snagging some plastic wrap at Menards Elliot. You better be saving big money. Because you are going to need to double wrap those definitely-not-double-paned windows in this ancient house. Ugh, I’m cold just thinking about it. The most horrifying thing about this movie is their monthly heating bill.

The BMT (Legacy / StreetCreditReport.com) – Um, this is one of the most hilarious films I’ve ever seen for BMT. The movie is actually rather dull, but you cannot help but make fun of it after seeing it. I think this has a bright Smaddies Baddies future ahead of it. Man, bad horror films can be so fun. This is like The Fog level silliness. As for the StreetCreditReport.com, there won’t be many official lists until the year it nearly up, but I did find at least one list which places the Bye Bye Man in the top 20 worst of the year so far. I think it might be ultimately forgotten though, it came out quite a long time ago and wasn’t really a big film. We’ll see.

And we’ll wrap with a short Bring and Friend analysis. This week we watched the legendary Manos: The Hands of Fate, which was featured on Mystery Science Theater 3000 (considered possibly the best episode they’ve ever done) as a kind of pre-1980 what does the pre-Blockbuster era have to offer us. This is a good example of a Z-film from the 50s/60s. It actually does remind me of Plan 9 From Outer Space. But would I want to watch more of them? Not really. Santa Claus Conquers the Martians would be another I would consider doing eventually, but they need to be special, on the IMDb Bottom 100 or something. Verdict: Good for special occasions and not much else.

Cheerios,

The Sklogs

Manos: The Hands of Fate Recap

Jamie

Michael and Margaret are on vacation but become lost in the desert. As night descends they stumble on a ranch where they take shelter only to find strange things afoot. Can they escape the clutches of the evil master, Manos, before it’s too late? Find out in… Manos: Hands of Fate.

How?! Michael, his wife Margaret, their daughter, and their dog are on their way to a ranch for vacation. After taking a wrong turn in the desert they stumble upon a ranch maintained by a satyr (who looks more like a normal person with giant legs than a mythical being) named Torgo. Asking if they can stay the night Torgo warns them that his master, Manos, won’t be happy but Michael insists that they stay there until they can find the ranch in the morning. Almost immediately creepy (but mostly suuuuuppper boring) things start to happen. When Torgo takes a liking to Margaret he goes to his hibernating master and tells him that he has enough wives and this one is his. He incapacitates Michael and imprisons Margaret only to have Manos awaken and plan all of their deaths. After a brief argument on what to do with Margaret and the child they agree that Torgo and Michael must die. Torgo is sacrificed, but when they go to collect Michael and his family they find that they have run into the desert. After a brief escape Michael and Margaret agree that the desert spells certain death and they return to the ranch to ultimately be taken prisoner by Manos for all of eternity. The End.

Why?! Our “heroes” just want a place to stay for the night and directions to the ranch. After Manos reveals himself they only want escape. As for Manos he just wants more wives and people to sacrifice. In fact we get very little insight into what, who, and why he is (but why would we… it was made by a delusional person who didn’t know how to write or make a movie). The only other character is Torgo and he’s just a sad satyr with giant legs that hops about hoping to find a wife. Sad.

What?! Not really sure what to highlight here, so I’m just not going to. This film was basically amateur hour made up of 95% awkward pauses. It’s a film that deserved to disappear forever, but instead lives on in infamy. There is no what in the entire thing. Only a distinct lack of what.

Who?! Michael is played by writer/director Harold P. Warren. He was in the amateur theater scene of El Paso and bet a local screenwriter that he could make a horror film on a low budget… I guess he lost that bet.

Where?! The location is not given specifically, but obviously filmed in El Paso and the location certainly had the feel of the Texas desert. But that won’t cut it for BMT! D.

When?! A film of this level transcends time and space. It is unknowable in so many ways, so to expect any insight into the exact date is far far far too much to expect. F.

So that’s about it. Manos pretty much was as expected. It may be one of the most boring experiences of my life. Almost the entire thing is just people staring at each other not saying a word. In the end I’m not surprised that MST3K made this film famous. Not only can they so effectively use all the dead space in the film, but they can play on how much the film messes with your head. Throughout the film you wonder what the point of the entire thing is and it drives. You. Crazy. By itself though? Just mind melting. Do not recommend and this is part of the reason we generally avoid films like this for the main entries of BMT. Patrick?

Patrick

‘Ello everyone! What do you get when you cross an amateur filmmaker / full-time weirdo with a bet he refuses to lose? A boring piece of garbage. Let’s get into it!

The Good (Sequel, Prequel, Remake) – I mean, it is obviously nothing, the film doesn’t make sense or anything. The only really good thing you get out of it is the Mystery Science Theater 3000 episode which is often listed as one of the (if not the) best episode of the original run. During that episode the evil scientists end up apologizing for subjecting Joel and the robots (who are often weeping about how boring the movie it) to Manos: The Hands of Fate. It is honestly the only way to make it bearable since they interject during extended sequences of silence. If we were to go Sequel I think I would rather they just do another Mystery Science Theater 3000. Literally, just make the new crew do the same episode in a weird seance-like ritual to resurrection the MST3K of the past. I think it could be fun just because the movie has now been dissected so much since MST3K injected it into the collective consciousness 30 years ago.

The Bad (Sklognalogy) – Everything obviously. The acting is ridiculous. The entire thing doesn’t make sense. The lighting is awful. The story is garbage. The acting is ridiculous. The idea is creepy. The story is trash, … wait where was I? Oh yeah, Manos: The Hands of Fate is awful. Don’t watch it (although maybe just watch the Mystery Science Theater 3000 version and call it a day). The Sklognalogy is strangely obvious: Plan 9 From Outer Space. The same kind of surreal nonsensicalness. The director who is delusional and is making schlock almost as a compulsion. The stilted crazy acting. Weird choices, etc. etc. etc. If Warren, the director / writer / star, had any clout he might have been able to continue making films like a crazy person. Luckily he didn’t have an clout outside of the insurance industry.

The BMT (Legacy / StreetCreditReport.com) – The legacy will be merely that we watched a movie we kind of had to watch at some point for BMT. The film, like Plan 9, is mostly boring and actually no fun to watch beyond marveling that such a thing could be created. The street cred though is up the wazoo. There aren’t many reviews online, so perhaps I’m over-blowing it, but this film is, I think, considered among the top 5 worst films ever made. The Room and Plan 9 From Outer Space are for sure there. Then there would be some debate about more modern films like Mac and Me, Ballistic Ecks vs. Sever, etc. But I think it would be hard to box it out of top 5. But that isn’t a good thing necessarily. Bad movies are bad. We want fun bad movies. This is not a fun bad movie. It is a bad movie. Remember that.

I’ll leave the discussion about pre-1980s bad movies for The Bye Bye Man recap, and just end there.

Cheerios,

The Sklogs

Manos: The Hands of Fate Preview

As mentioned in the Bye Bye Man preview, Manos: Hands of Fate doesn’t fit traditionally into BMT because of its pre-1980 release. Buuuuuut, since it is so iconic, we felt like it deserved the real preview / recap respect. Shot in 1966 on a super low budget by a random Texan businessman/amateur theater actor I have no more expectations for this than I would a film like Birdemic. It’s just an amateurish film made by a delusional person that should never have seen the light of day. Will likely be a bore, but that’s what this cycle is all about. Finding out whether these categories are as boring as we assumed when we precluded them. Let’s go!

Manos: The Hands of Fate (1966) – BMeTric: 88.1 (#5 on the IMDb Bottom 100)

ManosTheHandsofFate_BMeT

ManosTheHandsofFate_RV

(Obviously the reason we are here. I’m most interested in that jump in 2013. I found two plausible explanations in the wikipedia page. First there was a kickstarter that year to get a puppet version made. I think that is a bit niche and thus unlikely. That was also the year they announced a prequel being made. I’m more inclined to believe something like that’s when the Mystery Science Theater 3000 episode went on netflix, but I don’t really have any evidence for that. A mystery, although likely an extremely solvable one.)

?????? – ??? stars –  ????

(I couldn’t really find a review for this film at all. There are some … but they are about at the level of this blog anyways (and our monthly hits are … not impressive). Rather than confusingly link to something like that let’s marvel at the fact that a film can be as revered at this one and yet no legitimate news source has decided to retroactively review the film. C’mon … that’s weird.)

Trailer – https://www.youtube.com/watch?v=tRcGukCdr3c

(I mean … like what the fuck? Just like … what the fuck?)

Directors – Harold P. Warren – (BMT: Manos: The Hands of Fate; Notes: Often referred to as a fertilizer salesman even though he actually sold insurance at the time of filming.)

Writers – Harold P. Warren (screenplay) – (BMT: Manos: The Hands of Fate; Notes: Ultimately even though he admitted the film was terrible he remained proud of it and would often where his costume throughout the rest of his life.)

Actors – Tom Neyman – (BMT: Manos: The Hands of Fate; Notes: I going to be be in some strange revival of the film (Manos Returns) next year, may God help us all.)

John Reynolds – (BMT: Manos: The Hands of Fate; Notes: Helped to design the trademark “knees” of Torgo in the film, for which he would become (mildly) famous.)

Diane Adelson – (BMT: Manos: The Hands of Fate; Notes: Became a rather accomplished model after Manos and is currently, seemingly, an antiques dealer.)

Budget/Gross – $19,000 / N/A

(Not real obviously. This film made no money basically only being shown in El Paso, Texas where is was made. The budget it seemingly real at least.)

Rotten Tomatoes – 7% (1/14): No consensus yet.

(I’ll have to make a consensus: Barely a movie, in that soul-crushingly not-fun way we all know and love. Oof. Always though with films like this since all of the reviews are from now. Was a 0% until literally months ago for example.)

Poster – Manos: Sklogs of Fate (F)

manos_the_hands_of_fate

(This certainly didn’t have a poster when released. I think everything online is probably from the post-fame era of the film’s existence. Still an F.)

Tagline(s) – It’s Shocking! It’s Beyond Your Imagination! (F)

(I doubt this had any taglines in reality. It was basically not released so why would it need a tagline. I kept this one as a warning to all those that attempt to pass something like this off as a real tagline. I don’t accept it!)

Keyword(s) – family in peril; Top Ten by BMeTric: 88.1 Manos: The Hands of Fate (1966); 57.7 The Seeker: The Dark Is Rising (2007); 17.4 Supremacy (I) (2014);

(NOPE. Hilarious that Seeker comes up in both this and Bye Bye Man in a way though. Although in the most tangential way possible. This movie shares a keyword with it. The Bye Bye Man’s main character’s brother was in Seeker … small world?)

Notes – Cast and crew recall that John Reynolds was on LSD during filming, explaining his confused behavior and incessant twitching in virtually all of his scenes.

The entire film was shot with a hand-held camera that could only record 32 seconds of film at a time. It was also shot without sound; all the lines were dubbed later by two men and one woman. Jackey Neyman Jones cried when she first heard her dubbed voice.

The film had a gala premiere in El Paso. Many local dignitaries attended. Members of the audience began heckling the film during the premiere. Many of the film’s cast and crew sneaked out of the theater before the film ended, to avoid having to admit being part of it.

The only cast members who were paid for their performances were Jackey Neyman Jones, who got a bicycle, and the Doberman, which got a bag of dog food. The rest of the cast was supposed to receive a cut of the movie’s profits, which never materialized. Director Harold P. Warren also gave the crew shares, instead of a salary.

Lighting was limited for the film, which explains the infamous scene in which two cops literally take two steps to investigate, then turn back.

Despite the film’s negative reception, Harold P. Warren was so proud of it that he began wearing the Master’s robe every Halloween. His son Joe Neal Warren has carried on the tradition.

The film was popularized by a 1993 episode of Mystery Science Theatre 3000 (1988), in which Joel and the Bots, Tom Servo and Crow T. Robot, go mad while suffering through the film’s endless boredom. The creators of the show called this the worst film that had been featured.

In 2011, Benjamin Solovey found the work print, made from the original 16mm reversal stock. It was in pristine condition. Solovey released the digitally restored film in DVD and Blu-ray formats in October 2015. A new short documentary about the Making of Manos, including interviews with surviving cast members, was included.

The endless driving sequences at the beginning were supposed to have the opening credits over them.

The snake Michael shoots looks a lot better than the rest of the film because it was stock footage lifted from a Disney nature documentary. It’s also why the snake is on purple carpet.

Harold P. Warren only did two takes of each shot. If things didn’t go well, he reassured the novice cast that the magic of Hollywood would fix any errors in post-production.

As filming dragged on and on, the increasingly disgruntled crew began to refer to the movie as “Mangos: The Cans of Fruit”.