After Preview

Adam Banks is horrified by the latest demands by Jamie and Patrick. “They are monsters,” he whispers in shock, “I can handle them being proud of what they’ve made. But this is just greed. We need something on them, Rod. Some scandal that will let us fire them.” With that he orders Rod back to the set with a scandalous new member of the cast.

Jamie looks deep into the eyes of Leighton Vanderschmidt, cast opposite him as the Ghost of Christmas War. Apparently when Banks heard about the demand for a ghost he insisted that Leighton be cast, which was fine by them… she is by all accounts boffo box office. The spooky character is meant to evoke the fleeting nature of life and love, but Jamie isn’t yet sure the message is getting through. Mostly they’ve just done a whole bunch of kung fu and made out. Nice. Looking around Jamie starts to think that perhaps it is getting through because everyone on set looks truly horrified. Likely due to existential dread. With shooting done for the day he turns and runs directly into Patrick, who spills a half-eaten cake onto his costume. “Jeez Louise, my costume is ruined,” Jamie snaps, stamping his foot. “Here let me help with that,” Leighton chimes in. How charming. She escorts him to her trailer and proceeds to help clean up all the cake. Jamie notices just how scandalous this must look, them alone in Leighton’s trailer, him pantsless, ruined cake everywhere. Gee, he sure does hope that no one is conveniently taking pictures at this moment through the open window, because that would be quite the scandal. But he waves off the eerie feeling… he’ll cross that bridge when he comes to it. That’s right! We’re watching the 2019 teen romance After, based on a book that started as One Direction fanfiction. It tells the story of a goodl girl who just can’t resist the mysterious bad boy in town (who also can’t resist her). Oooo, forbidden love. It had me at One Direction fanfiction. Let’s go!

After (2019) – BMeTric: 46.5; Notability: 18 

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(Tumbling quite nicely. Didn’t open that high as well. On a nice streak for the Notability. Shows how a lot of the bad movies you find in the late 2010s end up being those films with relatively few famous crew. Makes sense from a business perspective, throw a flier out there using a shoestring budget.)

RogerEbert.com – 1.0 stars – “After” opens with some narration about how certain moments in life seem to define a person, and from there, the clichés pretty much don’t stop. If there’s a defining moment in the life of Tessa Young (Josephine Langford), it’s either meeting, initially being annoyed by, falling in love with, being heart-broken by, or reuniting with Hardin Scott (Hero Fiennes Tiffin).

(Ha! Pretty solidly destroying the entire concept of the film there. I am not looking forward to this though. Seems like it is going to mostly be frustrating.)

Trailer – https://www.youtube.com/watch?v=2ZAdcWHuCmY/

(DRAMA. That is what they should have called the movie: Drama and Rain: The Movie. So much rain and drama. It is making me all excited, but in that special BMT kind of way.)

Directors – Jenny Gage – (BMT: After; Notes: She produced and directed a documentary called All This Panic about girls coming of age in Brooklyn. Makes sense she would be tapped for this adaptation.)

Writers – Tom Betterton (screenplay by) – (BMT: After; Notes: Gage’s husband. I’m sure this was part of some rewrites, but he seems to have worked alongside her quite closely throughout her career.)

Tamara Chestna (screenplay by) – (BMT: After; Notes: Seems to be working on a similarly themed film for Netflix called Moxie. Was an assistant to a producer (I think) on Last Holiday. Seems to have bounced around across a bunch of production studios.)

Jenny Gage (screenplay by) – (BMT: After; Notes: The director. Her and her husband probably were able to rewrite the script once she was put on board.)

Susan McMartin (screenplay by) – (Future BMT: Son in Law; BMT: After; Notes: A very successful television writer, she wrote 58 episodes of Mom and 15 episodes of Two and a Half Man along with being a producer on both shows.)

Anna Todd (novel) – (BMT: After; Notes: This film was created as a fanfiction involving One Direction. It was the first book she ever wrote.)

Actors – Josephine Langford – (Future BMT: Wish Upon; BMT: After; Notes: Younger sister of Katherine Langford who we have not seen in a BMT film yet.)

Hero Fiennes Tiffin – (Known For: Harry Potter and the Half-Blood Prince; Private Peaceful; Bigga Than Ben; BMT: After; Notes: Nephew of Ralph Fiennes which is why he was hired to play a young Tom Riddle in Harry Potter. Went to school nearby where I currently live in London which is amusing.)

Khadijha Red Thunder – (BMT: After; Notes: Doesn’t seem to even have a wikipedia page … well she’s slated for the sequel, so maybe she’ll get one soon. Very weird.)

Budget/Gross – $14,000,000 / Domestic: $12,138,565 (Worldwide: $69,497,587)

(Solid worldwide success. Much like horror films it is pretty easy for teen romances to make money since you don’t have to pay much to make them.)

Rotten Tomatoes – 17% (6/35): Tepid and tired, After’s fun flourishes are let down by its generic story.

(Uh oh. Usually I like something like “An unmitigated disaster that is more laughable than sexy” … those are usually more entertaining. Hopefully it is indeed very laughable and not very sexy. Reviewer Highlight: The real problem with After is that it’s a lifeless slog of thinly written clichés, one that’s missing the charismatic spark of the actual One Direction boys. – Caroline Siede, AV Club)

Poster – Teen Romance Sklog-daption (2019) (A) 

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(My god, it’s beautiful. Not only is it actually a fine example of a poster (interesting font, overall color scheme, and sexy spacing to really let us know we’re in for a steamy ride), but it’s like a romance novel front cover on steroids. Yes, yes, a thousand times yes.)

Tagline(s) – After Your First, Life is Never the Same. (B)

(First… love? God I hope they mean first love. But you know they’re implying virginity. I think this is fine. Could be more clever, but it has a cadence to it and it feels right.)

Keyword – high school senior

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Top 10: After (2019), Superbad (2007), The Perks of Being a Wallflower (2012), Varsity Blues (1999), Central Intelligence (2016), The Girl Next Door (2004), 21 Jump Street (2012), Project X (2012), 17 Again (2009), The Spectacular Now (2013); 

Future BMT: 27.4 Senior Trip (1995), 17.6 Varsity Blues (1999), 15.8 Inventing the Abbotts (1997), 13.2 Tuff Turf (1985); 

BMT: After (2019), Project X (2012)

(Not much here, and honestly not many good keywords for this one yet. Project X is a very high school senior thing, but this one … aren’t they in college in After? Whatever.)

Welcome to Earf (HoE Number 22) – The shortest path through The Movie Database cast lists using only BMT films is: Selma Blair is No. 3 billed in After and No. 3 billed in Down To You, which also stars Freddie Prinze Jr. (No. 1 billed) who is in Summer Catch (No. 1 billed), which also stars Jessica Biel (No. 2 billed) who is in Valentine’s Day (No. 2 billed), which also stars Jessica Alba (No. 1 billed) who is in Mechanic: Resurrection (No. 2 billed), which also stars Jason Statham (No. 1 billed) who is in In the Name of the King: A Dungeon Seige Tale (No. 1 billed), which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 3 + 3 + 1 + 1 + 2 + 2 + 1 + 2 + 1 + 1 + 4 + 1 = 22. If we were to watch Feeling Minnesota, Hardball, and The Glass House we can get the HoE Number down to 18.

Notes – Hardin’s copy of Wuthering Heights is the copy that Anna Todd has had since she was a teenager.

Was originally a One Direction fanfiction on a website called Wattpad. (Oh my, that’s excellent)

The original After trilogy gained over 1 billion reads on Wattpad. (No!)

Josephine Langford admitted in an interview that she read the first few chapters of After on Wattpad several years before being cast as Tessa. (Oh don’t admit that! Say you tried to read it, but it was incomprehensible trash. How are we going to have seen multiple fan fiction adaptation for BMT. How did this happen?)

The rights to the film were originally sold to Paramount. However, Anna Todd wanted more freedom when it came to adapting the film. The rights were then given back and eventually sold to Aviron.

Josephine Langford only had about a week or so to prepare for her role as Tessa Young. She read the book(s) and the script while on a plane. (Cheap as ffffffff)

Before being a novel, After was a fan fiction on the website Wattpad where some of the characters’ names were based on the members of One Direction: Hardin = Harry Styles; Zed = Zayn Malik; Landon = Liam Payne; Nate = Niall Horan; Logan = Louis Tomlinson.

The full After series includes After, After We Collided, After We Fell, After Ever Happy, and Before (HA! Before takes the cake)

Mercury Rising Preview

Patrick and the Rambos climb through the air vents of The Square. The Rambos bodies are well-greased and gleaming as they slip and slide their way around. “Here,” the eldest grunts pointing through an opening and Patrick gasps as he sees Jamie being carried by Vampiro and some scantily clad ladies. Patrick puts on his glasses to take a closer look and confirms that they are some bodacious babes. Patrick looks to the Rambos for help but they’re already moving. They drop into an area filled with glass cages. The Rambos start knocking on a few of the cages. “My god,” Patrick whispers, “The Baldwins.” Stephen, William, and Daniel Baldwin peer out from deep in their cages but they don’t recognize those names. They are Brian McCafferty, J. J. Hendricks, and Weed. Patrick is truly through the looking glass on this one. “Where?” grunts the youngest Rambo and the Baldwins look on with fear. Weed’s teeth chatter as he points to the ground, “Here.” Suddenly the door opens.

Buford Vampiro and his Beach Bunnies lead the way with Jamie in tow. Things were already looking dire, but they get even worse when Sticks and Stones join them with… Alec Baldwin? But he introduces himself as Kudrow. Jamie shakes his head. They all seem agitated about Patrick, but Sticks and Stones insist that he’s somewhere here and they could use Jamie as a trap. Not likely, Jamie thinks as he flexes his biceps. They enter a room full of glass cells and Jamie is left alone. He sees even more Baldwins around… he must be in some kind of Baldwin jail. Jamie smiles. Do you know what’s better than waiting for Patrick to save him from jail… waiting for Patrick to save him from jail with a whole mess of Baldwins. That’s right! We are going into a Baldwin extravaganza for the Bring A Friend entry in the Bring A Friend cycle. We are partaking in the classic thriller Mercury Rising. Big time thriller for Bruce Willis and Alec Baldwin and I’m pretty excited because it’s about puzzles and we’re puzzle maniacs. As for the friends we tried to pick the worst of the worst from the other Baldwin bros. We settled on the truly terrible looking Dead Weekend for Stephen, Fallout (about space ships) for Daniel, and Backdraft 2 (yes they made a sequel) for William. Why are we doing this to ourselves? Let’s go!

Mercury Rising (1998) – BMeTric: 29.4 

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(I remember when this came out. I don’t remember it being particularly poorly received … and 6.1 is pretty high for a 30 BMeTric film. 60K votes! That’s a lot.)

Leonard Maltin – 2.5 stars –  An autistic nine-year-old boy innocently cracks a top-secret government code; cold-eyed bureaucrat Baldwin orders him killed, while over-the-hill FBI agent Willis tried to protect him. Except for the boy’s autism, a routine suspense thriller, but well made and interesting throughout. Willis’s standard action hero character shows a softer side here, while Baldwin plays out-and-out heavy.

(Sounds like kind of a boring rote thriller, but with maybe a boring performance by Willis and an insane performance by Baldwin … which is basically all I could ask for.)

Trailer – https://www.youtube.com/watch?v=l-L7Gbh4u0I/

(Yeah looks potentially pretty boring. BUT … I do like both Willis and Baldwin, especially in 1998, so sock it to me. Let’s do it.)

Directors – Harold Becker – (Known For: Sea of Love; Taps; Malice; Vision Quest; The Onion Field; City Hall; The Big Town; The Black Marble; The Boost; Future BMT: Domestic Disturbance; BMT: Mercury Rising; Notes: He started out as a still photographer, and was mainly a commercial and documentary filmmaker through the 70s. Most of his feature films were made in the 80s. He’s 90 years old.)

Writers – Ryne Douglas Pearson (novel) – (Future BMT: Knowing; BMT: Mercury Rising; Notes: Apparently Art Jefferson, the character Bruce Willis plays, is part of a series he wrote. Mercury Rising is the fourth Art Jefferson book.)

Lawrence Konner (screenplay) – (Known For: The Sorcerer’s Apprentice; Planet of the Apes; Star Trek VI: The Undiscovered Country; The Legend of Billie Jean; The Jewel of the Nile; Mighty Joe Young; Flicka; Future BMT: Desperate Hours; The Concierge; Mona Lisa Smile; BMT: Superman IV: The Quest for Peace; The Beverly Hillbillies; Mercury Rising; Notes: Wrote on The Sopranos and Boardwalk Empire as he’s mostly done television work since around 2000.)

Mark Rosenthal (screenplay) – (Known For: The Sorcerer’s Apprentice; Planet of the Apes; Star Trek VI: The Undiscovered Country; The Legend of Billie Jean; The Jewel of the Nile; Mighty Joe Young; Flicka; Future BMT: Desperate Hours; The Concierge; Mona Lisa Smile; BMT: Superman IV: The Quest for Peace; The Beverly Hillbillies; Mercury Rising; Notes: He’s the long time writing partner of Konner, although he hasn’t done the same amount of television work, and mainly seems to work with Konner on features.)

Actors – Bruce Willis – (Known For: Pulp Fiction; Motherless Brooklyn; Split; The Lego Movie 2: The Second Part; The Fifth Element; The Sixth Sense; Sin City; Die Hard; Twelve Monkeys; Unbreakable; RED; Looper; Sin City: A Dame to Kill For; Charlie’s Angels: Full Throttle; Moonrise Kingdom; Ocean’s Twelve; The Expendables; RED 2; Die Hard: With a Vengeance; Die Hard 4.0; Future BMT: Look Who’s Talking Too; Vice; The Cold Light of Day; The Prince; Extraction; Lay the Favorite; Precious Cargo; Breakfast of Champions; First Kill; Reprisal; Cop Out; Once Upon a Time in Venice; Acts of Violence; The Bombing; Marauders; Fire with Fire; Perfect Stranger; Striking Distance; Rock the Kasbah; Rugrats Go Wild; The Story of Us; Blind Date; Billy Bathgate; Loaded Weapon 1; Surrogates; Sunset; The Jackal; Last Man Standing; Tears of the Sun; Hostage; Glass; Grand Champion; Four Rooms; 10 Minutes Gone; BMT: North; A Good Day to Die Hard; Color of Night; The Whole Ten Yards; G.I. Joe: Retaliation; The Bonfire of the Vanities; Hudson Hawk; Mercury Rising; Death Wish; Armageddon; Razzie Notes: Winner for Worst Screenplay for Hudson Hawk in 1992; Winner for Worst Actor in 1999 for Armageddon, Mercury Rising, and The Siege; and Nominee for Worst Actor in 1992 for Hudson Hawk; in 1995 for Color of Night, and North; and in 2019 for Death Wish; Notes: Apparently Ashton Kutcher (who married Willis’ ex Demi Moore) apparently was convinced his then-girlfriend January Jones had an affair with Willis on the set of Bandits in 2001 … they have a really weird relationship.)

Miko Hughes – (Known For: Tropic Thunder; Pet Sematary; Apollo 13; Kindergarten Cop; Wes Craven’s New Nightmare; Zeus and Roxanne; Future BMT: Spawn; Clockstoppers; Cops and Robbersons; BMT: Baby Geniuses; Mercury Rising; Notes: Still vaguely makes appearances, but not many. He was the son of a gynocologist in Kindergarten Cop who says a bunch of inappropriate stuff and has acted since he was 22 months old.)

Alec Baldwin – (Known For: Beetlejuice; A Star Is Born; Mission: Impossible – Fallout; Motherless Brooklyn; The Departed; BlacKkKlansman; The Aviator; Notting Hill; Mission: Impossible – Rogue Nation; The Hunt for Red October; The Good Shepherd; The Royal Tenenbaums; My Sister’s Keeper; Rock of Ages; The Boss Baby; Concussion; Glengarry Glen Ross; Blue Jasmine; Rise of the Guardians; Working Girl; Future BMT: Aloha; Thomas and the Magic Railroad; Andròn: The Black Labyrinth; Hick; Along Came Polly; The Juror; My Best Friend’s Girl; The Getaway; Fun with Dick and Jane; Pearl Harbor; The Shadow; Running with Scissors; Heaven’s Prisoners; Elizabethtown; Blind; BMT: The Cat in the Hat; Pluto Nash; Mercury Rising; The Marrying Man; Razzie Notes: Nominee for Worst Supporting Actor for The Cat in the Hat in 2004; Notes: He is going to have his sixth child soon. He had one child, Ireland, with Kim Bassinger, and now will have five children with his second wife.)

Budget/Gross – $60 million / Domestic: $32,935,289 (Worldwide: $93,107,289)

(That is pretty rough given the budget, an out and out disaster financially.)

Rotten Tomatoes – 17% (6/35)

(I’ll have to make a consensus! Here goes: Boring without much action between the two leads. Only a scenery chewing heel-turn by Alec Baldwin saves this from complete disaster. Reviewer Highlight: If a 9-year-old kid can break your code, don’t kill the kid, kill the programmers. – Roger Ebert, Chicago Sun-Times)

Poster – Mercury Sklogging (B+)

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(Gah! If only they had some interesting font. Otherwise I think this is what we’re looking for. We got the stars of the film presented in an artistic way with a bold color scheme… maybe a little hint at what the film was about would also help. Not bad though. Patrick’s Shallow Fake: I think this is the best one I’ve done. The color on the face isn’t quite right, and neither is my eyeline. Great fake tagline from Jamie though. A-)

Tagline(s) – Someone knows too much. (D)

(Terrible. So vague. Almost sounds like they did it as a joke but then forgot to replace it before printing the poster. At least it’s short.)

Keyword(s) – autistic child; Top Ten by BMeTric: 64.0 The Darkness (I) (2016); 29.4 Mercury Rising (1998); 24.4 Dear John (I) (2010); 16.1 Silent Fall (1994); 15.6 Redwoods (2009); 10.6 Triangle (2009); 9.6 Hurry Sundown (1967); 8.6 Tully (2018); 6.8 X+Y (2014); 6.1 El faro de las orcas (2016);

(It is plausible this is the best example of this keyword ever made! I’ve never seen The Darkness though, so maybe an autistic child is a major part of that film as well … Wait, doesn’t Extremely Loud and Incredibly Close feature an autistic child?)

Welcome to Earf (HoE Number 16) – The shortest path through The Movie Database cast lists using only BMT films is: Bruce Willis is No. 1 billed in Mercury Rising and No. 1 billed in The Whole Ten Yards, which also stars Natasha Henstridge (No. 4 billed) who is in Ghosts of Mars (No. 1 billed), which also stars Jason Statham (No. 3 billed) who is in In the Name of the King: A Dungeon Seige Tale (No. 1 billed), which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 1 + 1 + 4 + 1 + 3 + 1 + 4 + 1 = 16. If we were to watch Last Man Standing, and The Glass House we can get the HoE Number down to 10.

Notes – Actor Miko Hughes spent time with many autistic children at a special school to understand how to portray an autistic child. Bennett Leventhal, head of the child psychiatry department at the University of Chicago, spent six weeks before the shoot tutoring Hughes at a school for autistic children. Leventhal, a big doctor on autism, complimented Hughes at the film’s premiere and said “Even I believed you.”. (Good for him, it was a much more unknown thing at the time I feel like)

The plot bears a striking resemblance to a real event in history as reported by Bruce Watson on DailyFinance’s Website on 24 December 2009: ‘…In December 1955, Sears Roebuck ran a newspaper ad with what they claimed was Santa’s direct number. Unfortunately, the phone number they offered was one digit off; instead of Sears, it linked to a top secret line at CONAD, the Continental Air Defense Command. When Colonel Harry Shoup, the command’s director of operations, answered the phone, he expected to hear about a missile strike against the US. Instead, he got a little kid who wanted to talk to Santa. Although the conversation ended with the child crying and Shoup fuming, the Colonel eventually came around and began giving the children updates on Santa’s travels through the night sky. The following year, CONAD offered a new, non-secret, phone number that children could call. In 1958, when CONAD became NORAD, the new command continued the tradition…’ (Holy shit, I’ve heard of that! That is a crazy origin story if it is true)

Alec Baldwin appeared in this film due to a contractual obligation to Universal Pictures. Baldwin had previously backed out of a film for Universal and signed an agreement promising the studio another film. Years later, this film was presented to him and he did it to avoid further litigation.

The wine that Art opens in Kudrow’s basement is Chateau Petrus from Pomerol (identifiable by the red seal at the bottom left corner of the label), is probably the most expensive Bordeaux red wine, and contrary to what Art said in the movie, even young Petrus costs much more than 75 dollars per bottle. (Fun fact)

This movie marks the second time Bruce Willis has battled a soldier believed to have died years before the events of the movie take place. The first was “Die Hard 2” (1990).

Chad Lindberg, who plays James, would go on to appear in The Fast and the Furious (2001), another movie from Universal Pictures, three years after this movie was released. Also, like his character in this movie, Lindberg’s character in The Fast and the Furious, Jesse, also gets killed. (Ha!)

Awards – Winner for the Razzie Award for Worst Actor (Bruce Willis, 1999)

The Circle Preview

With his cadre of Rambos leading the way, Patrick enters the BMTverse. He breathes in the dull, uninspiring air and a part of him knows it’s home. The old rickety Rambo crouches down, his knees giving off loud popping noises, and tastes the earth. “Your brother, he’s been here.” The young spry Rambo with the sad eyes tastes a different spot, “another was with him. The man in black.” At that the older garbage Rabmo hisses, “Vampiro.” Patrick steps forward, “Which way did they head?!” At that the youngest of the Rambos replies bluntly, “No.” But Patrick pleads “I need to get to him before it’s too late. Please!” The Rambos nod, “OK.” At that they head off. From the few monosyllabic statements the Rambos make Patrick is able to glean that Vampiro is a Dracula who has been sucking the BMTverse dry in some mysterious scheme and that Jamie is in grave danger. “So what is the scheme Vampiro has set up?” Patrick asks, and immediately the Rambos point to a large building dominating the skyline of New Angeles. The sign reads, “The Square.” Patrick doesn’t want to say anything but to him The Square looks pretty hip. That’s right! We’re watching the 2017 classic The Circle starring Emma Watson and Tom Hanks about a big ol’ company that totally spies on you. Sound the Ointment Alarm, cause this movie is topical. Let’s go!

Meanwhile, the man in black backflips from his skateboard and and grabs Jamie by the throat. He squints at him, “You really don’t remember me, do you?” Jamie looks closer and notices the sharp Dracula teeth of the Dracula that turned him into a Dracula at Dracula School a year ago. “Vampiro,” he wheezes. “Let him be, baby,” a young sexy voice says from behind Vampiro and four beautiful bodacious beach bunnies come out from the steam. “Sticks and Stone will not be happy if you kill him, Vampiro,” the sexiest of them coos. “Call me Buford, baby,” He replies. That’s right! We’re going for the only Jim Hanks vehicle in history, Buford’s Beach Bunnies. Tom Hanks’ bro plays the titular Buford being titillated by the titular Beach Bunnies. It should be a hoot and in no way sad probably. Let’s go!

The Circle (2017) – BMeTric: 56.8 

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(Ooooooo for a film like this low-5s is incredibly incredibly low, that is promising. And very consistent across the years as well. Interesting.)

RogerEbert.com – 1.5 stars –  When the story turns into something akin to a nightmarish cousin of “The Truman Show” or “Network,” or the kid sister of Cronenbeg’s “ExistenZ,” you want it to get bigger, wilder, more outrageous, more frightening, and it’s too nice and reasonable and conscientious to do that. The result feels undernourished in just about every way, although Hanks’s performance, John Boyega’s brief role as a founding programmer, and a couple of frightening action sequences break through the tedium.

(Yeah I would have expected it to go very broad in the end … it is pretty concerning that it doesn’t. Like what is this movie about then?)

Trailer – https://www.youtube.com/watch?v=QUlr8Am4zQ0/

(Watching that trailer and I’m thinking Firewall starring Harrison Ford. Reading the review above it … and I’m getting whiffs of The Space Between Us. Which is concerning because that movie was boring.)

Directors – James Ponsoldt – (Known For: The Spectacular Now; The End of the Tour; Smashed; Off the Black; BMT: The Circle; Notes: Went to Yale, and then got a Masters in Fine Arts from Columbia.)

Writers – James Ponsoldt (screenplay by) – (Known For: Smashed; Off the Black; BMT: The Circle; Notes: Is writing and directing a film about “wild animals in Los Angeles” called Wild City.)

Dave Eggers (screenplay by & based on the novel by) – (Known For: Where the Wild Things Are; A Hologram for the King; Promised Land; Away We Go; BMT: The Circle; Notes: Actually an amazing story concerning his parents both dying when he was a young man, and he dropped out of school to raise his youngest brother who was 8 at the time. It became the subject of his fictionalized memoir, the acclaimed A Heartbreaking Work of Staggering Genius.)

Actors – Emma Watson – (Known For: Beauty and the Beast; Harry Potter and the Philosopher’s Stone; Harry Potter and the Deathly Hallows: Part 2; Harry Potter and the Goblet of Fire; Harry Potter and the Prisoner of Azkaban; Harry Potter and the Order of the Phoenix; Harry Potter and the Chamber of Secrets; Harry Potter and the Half-Blood Prince; Harry Potter and the Deathly Hallows: Part 1; The Perks of Being a Wallflower; This Is the End; Noah; My Week with Marilyn; The Bling Ring; The Tale of Despereaux; Future BMT: Regression; BMT: The Circle; Razzie Notes: Nominee for Worst Actress for The Circle in 2018; Notes: She’s going to be in Little Woman later this year, obviously most famous for her roles in the Harry Potter films where she played Hermoine.)

Tom Hanks – (Known For: Toy Story 4; A Beautiful Day in the Neighbourhood; Forrest Gump; The Green Mile; Saving Private Ryan; Catch Me If You Can; Toy Story; Toy Story 3; Cloud Atlas; Sleepless in Seattle; Cast Away; Cars; Road to Perdition; Toy Story 2; Sully: Miracle on the Hudson; The Post; Apollo 13; Bridge of Spies; Saving Mr. Banks; Big; Future BMT: He Knows You’re Alone; Larry Crowne; Inferno; Ithaca; The Da Vinci Code; Angels & Demons; BMT: The Circle; The Bonfire of the Vanities; Notes: Ya’ll know Tom Hanks! He’s getting Oscar buzz for his role as Mr. Rogers in A Beautiful Day in the Neighborhood.)

John Boyega – (Known For: Star Wars: Episode VIII – The Last Jedi; Star Wars: Episode VII – The Force Awakens; Pacific Rim: Uprising; Detroit; Attack the Block; Half of a Yellow Sun; Imperial Dreams; Junkhearts; BMT: The Circle; Notes: British. You can hear his natural sccent in Attack the Block.)

Budget/Gross – $18 million / Domestic: $20,497,844 (Worldwide: $20,497,844)

(Hmmmm, given the budget that isn’t actually that bad I suppose, but it is a box office disappointment. Their Netflix distribution may have made a bit more of that back since. I’m a little surprised it could be made for so little.)

#55 for the Young-Adult Book Adaptations genre

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(Our 8th BMT film of this genre. Came right as these types of films stopped making money. Weirdly, not even close to the worst box office we’ve seen beating out The Darkest Minds, Midnight Sun, The Seeker: The Dark Is Rising, and Vampire Academy)

#52 on the Worst Openings – Super Saturated chart

Rotten Tomatoes – 15% (20/135): The Circle assembles an impressive cast, but this digitally driven thriller spins aimlessly in its half-hearted exploration of timely themes.

(Yeah that sounds about right. Float through something significant, but straddle the fence and make it as milquetoast as possible. This is indeed what I expect. Reviewer Highlight: The Circle is a big honking sloppy mess of a movie, one that flops around so aimlessly that it’s baffling so many intelligent people had a hand in making it. – Will Leitch, The New Republic)

Poster – Corporate Sklog-vallience (C+)

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(It’s artsy in the framing and the color is fine. Font makes me sad. At least make the C in Circle be the company’s logo. Not just block bullshit.)

Tagline(s) – Knowing is good. Knowing everything is better. (A-)

(Do you know what’s better than a billion dollars? A gazillion dollars. While I don’t support the message of the tagline I can still recognize that it’s a good tagline.)

Keyword(s) – video surveillance; Top Ten by BMeTric: 82.3 Halloween: Resurrection (2002); 79.5 The Devil Inside (2012); 67.8 College Road Trip (2008); 65.7 Captivity (2007); 65.5 Pulse (I) (2006); 60.4 Maid in Manhattan (2002); 60.2 Sliver (1993); 56.8 The Circle (I) (2017); 52.5 Everly (2014); 52.2 Bangkok Dangerous (2008);

(This is a pretty interesting keyword. Like is that really what Halloween: Resurrection has? College Road Trip? This seems to be one of the rare ones where it is a central theme to the film.)

Welcome to Earf (HoE Number 20) – The shortest path through The Movie Database cast lists using only BMT films is: Tom Hanks is No. 2 billed in The Circle and No. 1 billed in Bonfire of the Vanities, which also stars Bruce Willis (No. 2 billed) who is in The Whole Ten Yards (No. 1 billed), which also stars Natasha Henstridge (No. 4 billed) who is in Ghosts of Mars (No. 1 billed), which also stars Jason Statham (No. 3 billed) who is in In the Name of the King: A Dungeon Seige Tale (No. 1 billed), which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 2 + 1 + 2 + 1 + 4 + 1 + 3 + 1 + 4 + 1 = 20. If we were to watch Angels & Demons, and The Glass House we can get the HoE Number down to 12.

Notes – Bill Paxton died before the film’s release. Glenne Headly, who played his wife in the film, died the same year after the film’s release. (What? I knew Pacton died, but I didn’t realize Glenne Headly died.)

Re-shoots took place four months before release, aimed at making Emma Watson’s character more appealing, but test audience reactions were even worse than previous test screenings. (Jesus THAT was their attempt at making her MORE appealing? She’s insane in the movie)

The scene where Annie video calls Mae was shot by Karen Gillan’s crew while they were filming Gillan’s feature film; The Party’s Just Beginning (2018) in Scotland. (Wow that is interesting)

In the U.K. this film did not get a cinema release but went straight to streaming service Netflix. (Yeah I noticed)

The logo of The Circle was created before the Uber redesign, despite them looking very similar.

The lead role of Mae was first offered to Alicia Vikander, which according to her, was one of three roles offered simultaneously, alongside the roles of Maria in Assassin’s Creed (2016) and Heather in Jason Bourne (2016). Due to fan factor, she opted to do Bourne, thus the producers moving on to casting second choice Emma Watson.

Received a “D+” CinemaScore, which is quite rare. [Variety 2017] (Not surprised)

This is the second time that Tom Hanks has a role in an adaptation of a novel by Dave Eggers. The first was A Hologram for the King (2016). (Never heard of it)

The auditorium scenes were filmed at Citrus Community College’s Haugh Performing Arts Center in Glendora, California.

Opening bridge shot is Dumbarton Bridge in Northern California near Silicon Valley. Fake image of the Circle building located on the Coyote Point recreation park.

The ending was changed significantly for the film adaptation. In the novel, Mae, fully believing in The Circle’s goals and mantras, betrays Ty in his attempt to bring down the company and he is effectively silenced. (WHAT?! THAT IS CRAZY)

Awards – Nominee for the Razzie Award for Worst Actress (Emma Watson, 2018)

Gangster Squad Preview

Patrick drags himself, broken and bleeding, onto the highway shoulder. His captors would be back, but he just needs a second to think. Just then a dark limousine pulls up and an intimidating figure rolls down the window. “So you escaped. Good,” the man says, chomping down on a cigar, “that makes our lives a little easier. Get in.” Patrick hesitates, but when he looks back up the highway he sees Lost and Found’s truck driving erratically back down the road in search. Hopping in he asks the man who he is and why he was following him. “We have a mutual friend in Nic… Nic Cage,” he says as Patrick’s heart leaps. “He still holds out hope that you two can save the world. I’m not so sure, especially after you so easily fell into Sticks and Stones’ trap. But you don’t let down Nicky. Not in this world… or any other.” Patrick’s blood has run cold… Sticks and Stones… no wonder they seemed so familiar. “You’re with my squad now, so relax,” he finishes as he and his companions load their guns. That’s right! We’re using Anthony Mackie from Runner Runner to go to Gangster Squad starring… everyone basically. It was a classic style-over-substance critique for the film that dropped it into BMT territory and we pounds like BMT tigers going after BMT prey. Let’s go!

Jamie zooms through the air, taking his hanglider to the limit. As he skirts the highest building in New Angeles he sees a figure lean out of one of the windows. Jamie happily waves at him, but stops when he sees the crossbow. His beautiful hanglider takes an arrow her majestic wing and only through the immense power of his biceps and pilot skills is he able to land safely. Steam rises from the street and neon lights flash as his hanglider companion slides out of the mist on a skateboard. Jamie’s heart sinks when he sees the gun in his hand. “Welcome to the future,” the man says, “Where you either fight… or you die.” That’s right! We are pairing the Sean Penn Gangster Squad with the Chris Penn futuristic martial arts (?) film Future Kick. It starred one of the best kickboxers of all time, Don “The Dragon” Wilson, and is about kickboxing robots. Don’t think there’s more to say than that. Let’s go!

Gangster Squad (2013) – BMeTric: 14.7 

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(Ooooo the first one in a while that started really high and is regressing down instead of up. I do know that there are fans of this film, mostly due to the stellar cast.)

Leonard Maltin – 2 stars –  In 1949 L.A., police chief William Parker (Nolte) hires square-jawed WW2 veteran Brolin to assemble an elite team that will work under the radar to bring down ferociously ambitious gangster Mickey Cohen (Penn, in an outlandish performance), who wants to take over California. Garishly colorful but ludicrous, despite a promising start; a comic-book rendering of a fascinating true story as reported by Paul Lieberman in his book of the same name. Worth a glance for Maher Ahma’s stylish production design.

(Well I got my semi-colon so I can’t complain. An absolutely epic review though which honestly mostly just describes the film? Like, the actual review boils down to: Penn is crazy, the film is ludicrous, but worth a watch just for the production design alone.)

Trailer – https://www.youtube.com/watch?v=LlbN5cQKZik/

(I AM THE FUTURE! It does look very stylish, and I like the song. But it also looks a little too badass for its own good. Showing the true story of taking down crooks using their own criminal ways is one thing … but this is arguable the glorification of extrajudicial punishment which is a whole other thing. But we’ll see.)

Directors – Ruben Fleischer – (Known For: Zombieland; 30 Minutes or Less; Future BMT: Venom; BMT: Gangster Squad; Notes: Is married to Emma Stone’s publicist, Emma Stone introduced them. They got married in 2012, so all of that definitely happened prior to Fleischer presumably casting Stone in this film.)

Writers – Will Beall (written by) – (Known For: Aquaman; BMT: Gangster Squad; Notes: Was a story editor for Castle for years, and then developed the Training Day show as well. He is tapped to write the up coming Conan sequel starring Schwarzeneggar.)

Paul Lieberman (book) – (BMT: Gangster Squad; Notes: He wrote for the Los Angeles Times for 24 years, which is where he researched and wrote the book the movie is based on.)

Actors – Sean Penn – (Known For: Mystic River; Fast Times at Ridgemont High; The Secret Life of Walter Mitty; The Tree of Life; The Game; Angry Birds; I’m Still Here; The Thin Red Line; Being John Malkovich; Carlito’s Way; Risky Business; 21 Grams; U Turn; Fair Game; Milk; Bad Boys; Taps; Dead Man Walking; This Must Be the Place; At Close Range; Future BMT: It’s All About Love; The Weight of Water; All the King’s Men; Hugo Pool; Crackers; BMT: Shanghai Surprise; The Gunman; Gangster Squad; Razzie Notes: Nominee for Worst Actor for Shanghai Surprise in 1987; Notes: Somewhat notably gave David Spade a tattoo somewhere outside of New York (he wasn’t licensed) during SNL. Recently he gave Spade a second tattoo as well.)

Ryan Gosling – (Known For: Blade Runner 2049; The Big Short; First Man; Remember the Titans; La La Land; The Notebook; Drive; The Nice Guys; Crazy, Stupid, Love.; Blue Valentine; The Place Beyond the Pines; The Ides of March; Fracture; Only God Forgives; Song to Song; Lars and the Real Girl; Half Nelson; The Believer; The Slaughter Rule; Future BMT: Murder by Numbers; All Good Things; Stay; BMT: Gangster Squad; Notes: Was a child actor, primarily with Beaker High and Young Hercules, and has been nominated for two oscars.)

Emma Stone – (Known For: The Favourite; Superbad; Zombieland; La La Land; The Help; The House Bunny; Birdman or (The Unexpected Virtue of Ignorance); Crazy, Stupid, Love.; The Amazing Spider-Man; Easy A; The Amazing Spider-Man 2; Friends with Benefits; The Croods; Irrational Man; The Interview; Battle of the Sexes; Popstar: Never Stop Never Stopping; Magic in the Moonlight; The Rocker; Future BMT: Aloha; Unlikely Hero; BMT: Movie 43; Marmaduke; Ghosts of Girlfriends Past; Gangster Squad; Notes: Won the oscar for La La Land. Broke out with Superbad which was genuinely her first feature film.)

Budget/Gross – $60–75 million / Domestic: $46,000,903 (Worldwide: $105,200,903)

(Not good, although that isn’t that far off from the budget for Rambo 4 and the eventual gross, and for some reason Stallone places $100 million worldwide as the market for the success of a “small-ish” film. So maybe this is a success … less opportunity for product placement in a period piece though.)

#24 for the Crime Time genre

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(Weirdly of the now six crime films we watched, this is the highest grossing. This came right at the peak of the post-2008 financial collapse boom in crime based films. You can discuss the psychology of that trend amongst yourselves.)

#9 for the True Crime genre

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(The first true crime film we’ve watched. Other potential options: The Black Dahlia, Texas Killing Fields, King of Thieves, and Wonderland (2003). We could just polish those right off.)

Rotten Tomatoes – 32% (64/202): Though it’s stylish and features a talented cast, Gangster Squad suffers from lackluster writing, underdeveloped characters, and an excessive amount of violence.

(Stylish seems to be the name of the game here. And I knew it! Excessive amounts of violence is code for “I feel uncomfortably with how they seem to be glorifying extrajudicial punishments here.” Dollars to donuts.)

Poster – Gangster Sklog (A-)

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(This is checking off a lot of boxes for font, spacing, and look. A little too stylish for its own good maybe and dark in tone, but I think they are doing an homage to an era of film I’m probably not knowledgeable enough about to really appreciate. Still good though.)

Tagline(s) – No names. No badges. No mercy. (A+)

(Uhhhhhh, yah. This is what I want. All day every day give me that clear, concise, and clever tagline with flow for days. This is pretty much perfect.)

Keyword(s) – police vigilantism; Top Ten by BMeTric: 83.1 RoboCop 3 (1993); 58.5 The Mod Squad (1999); 58.5 Alex Cross (2012); 55.6 Leatherface (2017); 54.6 Max Payne (2008); 51.7 The Crow: Salvation (2000); 48.0 Samurai Cop (1991); 46.3 Machete Kills (2013); 45.8 Edison (2005); 42.8 Exit Wounds (2001);

(I’ve actually seen Machete Kills, it is awful. I think I watched it outside of BMT for the Razzies or something. We’ll finish these up at some point )

Welcome to Earf (HoE Number 19) – The shortest path through The Movie Database cast lists using only BMT films is: Nick Nolte is No. 3 billed in Gangster Squad and No. 4 billed in Zookeeper, which also stars Sylvester Stallone (No. 3 billed) who is in Expendables 3 (No. 1 billed), which also stars Jason Statham (No. 2 billed) who is in In the Name of the King: A Dungeon Seige Tale (No. 1 billed), which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 3 + 4 + 3 + 1 + 2 + 1 + 4 + 1 = 19. If we were to watch Stay, The Island, and The Black Dahlia we can get the HoE Number down to 14.

Notes – In the movie, the Gangster Squad is assembled to go after Mickey Cohen. However, in real life Chief W.H. Parker set up the squad to prevent other gangsters from taking over Cohen’s rackets after Cohen went to prison on income tax evasion. Whenever the squad learned that out-of-town gangsters were coming to Los Angeles to try to set up new operations, the Gangster Squad would kidnap them, beat them up (some rumors say torture) and then send them back to wherever they came from with the warning that if they ever returned, they would be killed. (Fun facts)

There are two surviving members of the original gangster squad, and they, along with relatives of the deceased members, came to visit the set.

De’aundre Bonds’ first film role in ten years. He served ten years in prison for manslaughter. (There is no additional information about the killing, but good for him, seems to still be acting a bit)

Two of the reasons Ryan Gosling decided to make the movie was because he wanted to act in a scene with Sean Penn and shoot a Tommy gun. He was disappointed when he found out he didn’t have any scenes with Sean Penn. (I guess that means he shoots a Tommy gun)

Nick Nolte, who portrays Chief W.H. Parker, previously played the leader of the gangster squad in Mulholland Falls (1996). (WHAT)

Robert Patrick lost 30 pounds for the part, in order to look more like a “cowboy”. (Weird, but okay)

The big nightclub in the film was originally an old furniture store that was converted. Bellflower, CA–where this was shot–was hit hard by the 2007 recession, and the production company was able to take over a main street in the city and turn it into period Los Angeles.

The film is based on a series of L.A. Times articles that were turned into a book written by Paul Lieberman. He turned those stories into a book..

Ryan Gosling’s character makes a joke where he pretends that the only famous Mickey he has heard of is Mickey Mouse. As a child, Gosling starred in MMC (1989). (Huh, I wouldn’t have caught that)

Ryan Gosling agreed to join the film in exchange for the studio financing his directorial debut Lost River. (B-b-b-b-b-b-ut I thought he wanted to shoot a Tommy gun!)

Nick Nolte portrays Police Chief W.H. Parker. The real W.H. Parker was in his mid-40’s during the time this movie is set. Nick Nolte was 71 years old when the film was released. (He also sounds like he has smoked all of the cigarettes in the world)

The screenplay for this film was featured in the 2010 Blacklist; a list of the “most liked” unmade scripts of the year.

Body count: 59.

The movie culminates in a giant shootout at the hotel in which dozens of gangsters are mowed down by Tommy guns. The leader of the squad, Jack O’Mara (Josh Brolin) assaults Mickey Cohen (Sean Penn) and arrests him for murder. In real life, Mickey Cohen was arrested for tax evasion. Also, by the time Cohen was imprisoned in 1961, the real Jack O’Mara was retired and watched the trial as a civilian.

Sleeping with the Enemy Preview

Rolled up in the carpet in the back of the semi, Patrick is disoriented. Normally in such a situation either he or Jamie would wriggle free of their binding and then free the other. But alas, Jamie is gone and the ropes containing Patrick’s raw athletic ability seem tight… almost too tight. Getting an idea he slowly dribbles sweat over his rippling abs into the rope. As it swells the tension becomes too great and the rope breaks! Ha! Who needs stupid Jamie anyway. Unrolling himself he comes face to face with a beautiful lady. “Hey!” says Patrick, “If you were back here the whole time why didn’t you help me?” But as a sultry smile graces her lips he realizes exactly why, “oh, you’re the enemy aren’t you?” She simply nods, but her eyes are telling him that maybe she’s thinking about him in a more friendly way. He looks at his wedding ring and thinks of his children. Jamie would sure come in handy for this part. Putting on a stylish hat to complement his shirtless bod and wrangler jeans, he winks at her and asks, “but maybe we can be more like frienemies.” That’s right! We’re watching Sleeping with the Enemy, the Julia Roberts thriller about the husband from hell. This is one of those films that has a bit of a cult following presumably because it played on cable TV back when people either watched cable TV or stared at a wall (legends say). Always nice to get a star vehicle. Let’s go!

Teamed with the dark figure, Jamie is able to dispatch the mailmen with ease. It’s like there’s some telepathic link with the man, but Jamie shakes off his unease. “Hiya, bro. I’m just trying to find my way back to New Angeles and could use a ride. You got another pair of those sweet RBlades?” The man grimaces but quickly turns it into a friendly smirk. “I’ll do you one better… bro,” he hisses as he reveals a totally pimped out hang glider. “Cool,” Jamie breathes as he buckles up for the ride of his life, “This is going to be T.N.T.” That’s right! We’re pairing the Julia Roberts entree with an Eric Roberts dessert in T.N.T. That of course stands for Tactical Neutralization Team. And lest you think that some lame backronym… there actually was a Tactical Neutralization Team in the Air Force. So… jokes on you (and probably us because we’re watching this film). Let’s go!

Sleeping with the Enemy (1991) – BMeTric: 25.7 

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(Wow this really actually genuinely made a comeback. That is more than regression to the mean, because that usually regresses to around 6.0 or a little higher. It is a little higher, but the trajectory is suggesting people actually like this film more now I think.)

Leonard Maltin – 2 stars –  Practically suspense-less thriller about a young woman who flees from her brutal husband and tries to start life anew in Iowa. Unabashed star vehicle for Roberts (complete with “cute” montage set to the oldie “Brown-Eyed Girl”) is relentlessly predictable.

(Suspense-less would be bad. That’s all I’m here for. The rest of it I don’t really see as criticism … so what if it is a star vehicle for Roberts. She was one of the big up and coming stars of the time. Just a strange idea, although maybe that came across more cynically back when this review was written.)

Trailer – https://www.youtube.com/watch?v=FcQqsrf2gik/

(WOW, they start the trailer like it is a romantic comedy! That is a crazy way to advertise what is legitimately a thriller, and then by the end it looks like a horror film complete with creepy John Carpenter synth music. Nope, don’t like it.)

Directors – Joseph Ruben – (Known For: Dreamscape; Return to Paradise; True Believer; The Stepfather; Future BMT: Money Train; The Forgotten; The Good Son; The Ottoman Lieutenant; BMT: Sleeping with the Enemy; Notes: He’s amazingly still working having directed The Ottoman Lieutenant in 2017, a rare WWI movie.)

Writers – Nancy Price (novel) – (BMT: Sleeping with the Enemy; Notes: This appears to basically be her only novel. She has a few others, but nothing significant. Amazingly this film was made within four years of publication.)

Ronald Bass (screenplay) – (Known For: My Best Friend’s Wedding; What Dreams May Come; Rain Man; Stepmom; Waiting to Exhale; The Joy Luck Club; When a Man Loves a Woman; Black Widow; How Stella Got Her Groove Back; Gardens of Stone; Future BMT: Amelia; Entrapment; Passion of Mind; Dangerous Minds; Snow Flower and the Secret Fan; Before We Go; Snow Falling on Cedars; BMT: Sleeping with the Enemy; Notes: Apparently very prolific employing his own team of research assistants to help him out.)

Actors – Julia Roberts – (Known For: Wonder; Steel Magnolias; Notting Hill; Charlie Wilson’s War; Ocean’s Eleven; My Best Friend’s Wedding; Pretty Woman; Mystic Pizza; Closer; Ocean’s Twelve; Erin Brockovich; Stepmom; August: Osage County; Flatliners; Ben Is Back; The Pelican Brief; Michael Collins; Runaway Bride; The Player; Conspiracy Theory; Future BMT: Full Frontal; Ready to Wear; Love, Wedding, Marriage; I Love Trouble; America’s Sweethearts; Eat Pray Love; Something to Talk About; Mary Reilly; Larry Crowne; Smurfs: The Lost Village; Dying Young; Secret in Their Eyes; Mona Lisa Smile; Fireflies in the Garden; Grand Champion; Hook; BMT: Valentine’s Day; Mother’s Day; Sleeping with the Enemy; Razzie Notes: Nominee for Worst Actress in 1997 for Mary Reilly; and in 2017 for Mother’s Day; and Nominee for Worst Supporting Actress for Hook in 1992; Notes: Somewhat notorious early in her career for leaving Kiefer Sutherland at the altar and running away with his friend Jason Patric. Her niece Emma Roberts has herself become rather famous.)

Patrick Bergin – (Known For: Free Fire; Ella Enchanted; Patriot Games; Mountains of the Moon; Map of the Human Heart; The Boys & Girl from County Clare; Silent Grace; Future BMT: Eye of the Beholder; The Invisible Circus; Strength and Honour; Love Crimes; Age of Kill; The Wee Man; BMT: Lawnmower Man 2: Beyond Cyberspace; Sleeping with the Enemy; Notes: I kind of used up all my fun facts on Lawnmower Man 2 … he was apparently at a Dog Festival in Dublin with his dog Kayla the other day, that’s fun.)

Kevin Anderson – (Known For: Risky Business; Charlotte’s Web; Hoffa; Heaven Is for Real; Salomé; The Night We Never Met; Firelight; In Country; Liebestraum; Miles from Home; Orphans; Eye of God; Future BMT: Rising Sun; BMT: Sleeping with the Enemy; A Thousand Acres; Notes: Has portrayed both JFK and RFK which is apparently quite rare.)

Budget/Gross – $19 million / Domestic: $101,599,005 (Worldwide: $174,999,005)

(That is a massive success. Obviously they kind of stopped releasing these to theaters over the years, possibly because it is so difficult to capitalize on the success … like it isn’t like you’re going to make a sequel or anything.)

#2 for the Thriller – Psycho / Stalker / Blank from Hell genre

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(Easily the highest grossing bad film. And amazingly the only other one that grossed over $100 million besides Fatal Attraction. Amazing. The wave-like pattern is nice. Like they just regurgitate the same thriller ideas over and over every ten years.)

Rotten Tomatoes – 21% (7/33): A game Julia Roberts gives it her all, but Sleeping with the Enemy is one stalker thriller that’s unlikely to inspire many obsessions of its own.

(Obsession feels like an odd way of putting it … like, this is a domestic abuse situation, and one more about control and paranoia at that. Not really an obsession right? Whatever. Reviewer Highlight: There are good performances all through the movie, but the filmmakers don’t keep faith with their actors. – Roger Ebert, The Chicago Sun-Times)

Poster – Sleeping with the Frienemy (C+)

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(Very odd. Looks more like a book cover (spoiler alert on the tagline). Font is weird and bland and even the spacing is a little jarring. I’m not sure what to think… I think I appreciate it?… Like how I appreciate modern art.)

Tagline(s) – She is a stranger in a small town. She changed her name. Her looks. Her life. All to escape the most dangerous man she’s ever met. Her husband. (D)

(If I wanted to read a book I would have went to my local public library.)

Keyword(s) – psychopath; Top Ten by BMeTric: 88.9 Speed 2: Cruise Control (1997); 83.9 The Human Centipede II (Full Sequence) (2011); 82.7 Prom Night (I) (2008); 82.3 Halloween: Resurrection (2002); 82.2 I Know Who Killed Me (2007); 79.7 Highlander II: The Quickening (1991); 79.3 Texas Chainsaw Massacre: The Next Generation (1994); 78.9 Jason X (2001); 75.0 Jason Goes to Hell: The Final Friday (1993); 74.5 The Human Centipede III (Final Sequence) (2015);

(Noice. All basically horror films as you would expect. Highlander II and Speed 2 out of nowhere. Speed 2 is a weird one as well. Dafoe was a psycho? He was a man who was made sick by his job seeking revenge on the corporation who screwed him over … is that a psycho? That is just a weird take on that character.)

Welcome to Earf (HoE Number 16) – The shortest path through The Movie Database cast lists using only BMT films is: Julia Roberts is No. 1 billed in Sleeping with the Enemy and No. 2 billed in Mother’s Day, which also stars Jennifer Aniston (No. 1 billed) who is in Just Go With It (No. 2 billed), which also stars Adam Sandler (No. 1 billed) who is in Jack and Jill (No. 1 billed), which also stars Al Pacino (No. 3 billed) who is in 88 Minutes (No. 1 billed), which also stars Leelee Sobieski (No. 3 billed) who is in Here on Earth (No. 1 billed) => 1 + 2 + 1 + 2 + 1 + 1 + 3 + 1 + 3 + 1 = 16. If we were to watch Hook, Jack, and The Glass House we can get the HoE Number down to 12.

Notes – Julia Roberts caused a controversy after she left Abbeville, South Carolina, where the film shot some location work. She said the place was “a living hell” and a “horribly racist” town and she would never return there. (Holy shit!)

Julia Roberts’ lead female role in Sleeping with the Enemy (1991) was originally written for Jane Fonda. (Really? Huh, it works really well for Roberts)

The name Laura chooses for herself is connected to her past life. The first name of Sarah means Princess, which is what Martin used to call her, and the last name of Waters symbolizes Laura’s supposed drowning. (Cool)

Julia Roberts, aged 22 when the film was shot in spring 1990, became the youngest actress to earn a seven-figure fee for a single performance. (She deserved it, this movie made bank wholly supported by her main performance and not much else)

It was Patrick Bergin’s idea to use composer Hector Berlioz’s song, one of his favorite pieces of music, as Martin Burney’s song of choice. (I liked it … although it seemed a bit over wrought in the end)

At the time director Joseph Ruben was hired, Kim Basinger was attached to the project as Laura Burney. She ultimately turned down the part, though, feeling she wasn’t right for the role. The character in the end was cast with Julia Roberts. (Kimmy B could have been good there, just a bit after her Batman role)

When this movie was submitted to the Motion Picture Association of America (MPAA)for a rating it was given a rating of NC-17. An NC-17 rated film can only have limited advertisement in the US and many theaters will not show an NC-17 rated film. So to make a profit, the movie had to have a rating of R. In order for the MPAA to give this film an R rating, several seconds of the first sex scene between Martin and Laura had to be cut. The version of this film with the entire sex scene is known as the International version which was seen in the UK and other parts of Europe. (Huh, none of the sex scenes were crazy, and that is pretty crazy in retrospect)

[There was a long note here about Bergin’s potential sociopathy which just seemed a bit too speculative for my liking]

Upon its release, the movie ended an eleven week and almost three-month reign of Home Alone (1990) at the top of the North American box office. Both pictures were from the same 20th Century Fox.

The stars that were originally attached to the film’s lead roles were Kim Basinger, Sean Connery and Aidan Quinn. (Sean Connery would have been amazing).

The use of Berlioz’ “Symphonie Fantastique” is appropriate since the piece is a programmatic symphony depicting a young man, under the influence of opium, dreaming that he kills his girlfriend, is executed and ends up in hell. (Cool)

The film was made and released about four years after its source novel of the same name written by Nancy Price had first been published in 1987. (That is quick!)

The scene that Ben’s students are rehearsing when Martin spies on the class is from the play ‘The Seagull’ by Anton Chekhov.

The Lawnmower Man Preview

Meanwhile… Poe and Brock are getting psyched for the big championship game. Suddenly Poe watches in alarm as the lawnmower men around the field stop in unison, their eyes suddenly glassy and unseeing. “Lawnmower Men,” Poe whispers while Brock stares on in shock. “Lawnmower Men? It can’t be. They… they are just silly legends used to scare kids.” But no, they are real and something has brought them out of their slumber. Poe suddenly realizes what it is and turns to Brock, “It’s Rich. He needs my help.” One of the other players begins to protest, but Brock stops them, “If you need my help, you have my bat, bro.” And they seal the deal with a Predator Handshake. That’s right! In celebration of the 500th BMT film (say what?!) we are also watching The Lawnmower Man and Lawnmower Man 2: Beyond Cyberspace. The sequel has been on my bad movie bucket list forever because it actually seems impossible that it got released to theaters. But it did and we couldn’t have asked for a better pairing for this celebration than the hacking computer technobabble extravaganza of Hackers and the Lawnmower Man franchise. Let’s go! 

The Lawnmower Man (1992) – BMeTric: 49.5 

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(Solidly below average. If it gets a few thousand more votes it could creep back up above 50, and that seems pretty appropriate given everything I know about it now.)

Leonard Maltin – 1.5 stars –  Scientist Brosnan needs a guinea pig for hitherto failed experiments in drug therapy and computer instruction; who better than the grinning mental defective who mows his lawn? At least the pyrotechnics at the end (simulating “virtual reality”) are full of visual buzz. Fahey in a blond wig is really tough to take. Has nothing to do with the Stephen King short story it’s ostensibly based on.

(As usual Leonard teases me with his semi-colon work, he’s a true artist. And then “hitherto”? Now I’m really into it. This review is also somehow a novel, it is incredibly long, and I love it. He clearly just hated this film.)

Trailer – https://www.youtube.com/watch?v=YCxFGxqLsHE/

(NOT FROM THE IMAGINATION OF STEPHEN KING. That is very very specifically not the case. That trailer makes the film look a lot more interesting that I suspect it ultimately will be.)

Directors – Brett Leonard – (Known For: Feed; T-Rex: Back to the Cretaceous; Future BMT: Man-Thing; Virtuosity; Hideaway; BMT: The Lawnmower Man; Notes: Also a major music video director at the time. Won the 1994 MTV Music Award for best video for Peter Gabriel’s Kiss That Frog.)

Writers – Stephen King (title only) (credit removed following lawsuit) – (Known For: It; Pet Sematary; The Shawshank Redemption; The Shining; Stand by Me; Pet Sematary; The Green Mile; Gerald’s Game; The Mist; Carrie; 1922; Misery; The Running Man; Christine; Carrie; Cujo; The Dead Zone; Creepshow; Silver Bullet; 1408; Future BMT: Cell; The Rage: Carrie 2; The Mangler; Children of the Corn II: The Final Sacrifice; Sleepwalkers; Graveyard Shift; The Dark Tower; Children of the Corn; Riding the Bullet; A Good Marriage; Thinner; Firestarter; Creepshow 2; The Night Flier; Needful Things; Tales from the Darkside: The Movie; BMT: Dreamcatcher; The Lawnmower Man; Maximum Overdrive; Razzie Notes: Nominee for Worst Director for Maximum Overdrive in 1987; Notes: This is a hilarious credit (apparently removed). I’ve read The Lawnmower Man short story by Stephen King and it has literally nothing to do with this film… I haven’t even see this movie but I guarantee you that.)

Brett Leonard (screenplay) – (BMT: The Lawnmower Man; Notes: He actually did kinda start the Cyber genre with The Lawnmower Man. Only major feature writing credit.)

Gimel Everett (screenplay) – (BMT: The Lawnmower Man; Notes: Producer who worked with Leonard on a number of credits. Died in 2011 at the age of 60.)

Actors – Jeff Fahey – (Known For: Alita: Battle Angel; Grindhouse; Machete; Planet Terror; Silverado; Wyatt Earp; Too Late; Psycho III; Body Parts; Sushi Girl; White Hunter Black Heart; Future BMT: Urge; Stranded; Impulse; BMT: The Lawnmower Man; Notes: Has had a very interesting life traveling the world and doing dance, then theater, and then film.)

Pierce Brosnan – (Known For: Mamma Mia! Here We Go Again; The World Is Not Enough; Mrs. Doubtfire; Mamma Mia!; The Foreigner; The World’s End; GoldenEye; Percy Jackson & the Lightning Thief; Mars Attacks!; Die Another Day; Tomorrow Never Dies; No Escape; The Ghost; The Thomas Crown Affair; Final Score; Seraphim Falls; Spinning Man; The Long Good Friday; The Tailor of Panama; The Mirror Has Two Faces; Future BMT: I Don’t Know How She Does It; Urge; I.T.; Survivor; Dante’s Peak; Lessons in Love; The Love Punch; Laws of Attraction; Salvation Boulevard; Nomads; The November Man; After the Sunset; Live Wire; Love Affair; A Long Way Down; The Magic Sword: Quest for Camelot; The Only Living Boy in New York; Grey Owl; A Christmas Star; BMT: The Lawnmower Man; Razzie Notes: Winner for Worst Supporting Actor for Mamma Mia! in 2009; and Nominee for Worst Screen Couple for The World Is Not Enough in 2000; Notes: They just announced he is going to be working with Will Ferrell and Rachel McAdams in a comedy film focused on the Eurovision Song Contest. I highly recommend Eurovision, it is hilarious.)

Jenny Wright – (Known For: St. Elmo’s Fire; Near Dark; Pink Floyd: The Wall; The World According to Garp; A Shock to the System; The Chocolate War; I, Madman; Future BMT: Young Guns II: Blaze of Glory; Queens Logic; BMT: The Lawnmower Man; Notes: Apparently people don’t even know where she currently is as they attempted to locate her for a Near Dark reunion unsuccessfully. Was apparently involved with Nic Cage for two years.)

Budget/Gross – $10 million / Domestic: $32,100,816

(That is an astonishingly high number. I’m going to assume that that is partially because the Stephen King name actually carried a lot of cache at the time. And it is absolutely no wonder they were already considering a sequel by the time the VHS was released (see the notes))

#135 for the Horror – R-Rated genre

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(This predates most of the other R-rated Horror films that have some out which have become a very on trend genre of late.)

#9 for the Virtual Reality genre

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(Oh wow, I kind of didn’t realize both this and Hackers were put into this genre. That is awesome. We’ve officially doubled the number of Virtual Reality movies we’ve seen for BMT.)

Rotten Tomatoes – 35% (14/40): The Lawnmower Man suffers from a predictable, melodramatic script, and its once-groundbreaking visual effects look dated today.

(Basically all the reviews say that it is cheesy and the only thing it really has going for it are the special effects which admittedly dazzled at the time. Reviewer Highlight: So loosely based on a Stephen King short story as to constitute fraud, The Lawnmower Man goes right to the bottom of a growing list of failed King adaptations. – Richard Harrington, Washington Post)

Poster – The Lawnmower Man: Inspired by Stephen King’s The Lawnmower Man (B-)

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(This entire thing is silly. Look at that poster. It is literally a man mowing grass with a giant eye in the sky with a… gyroscope? In the center? What are you supposed to think this film is about? Spacing is fine, as is the color scheme. The font is unfortunate and I know in my heart they could have done better.)

Tagline(s) – God made him simple. Science made him a god. (A-)

(I like this. Tells me what’s up and does it in a clever way. It’s a little long, but you get what you pay for.)

Keyword(s) – virtual reality; Top Ten by BMeTric: 82.8 Spy Kids 3: Game Over (2003); 78.9 Jason X (2001); 67.2 Lawnmower Man 2: Beyond Cyberspace (1996); 55.7 Stormbreaker (2006); 54.6 Soldiers of Fortune (2012); 52.0 Let’s Be Evil (2016); 51.9 Surfer, Dude (2008); 49.5 The Lawnmower Man (1992); 47.3 Open Windows (2014); 46.3 Kill Switch (I) (2017);

(Two of the ten! I quite like that. None of the other one except maybe Spy Kids 3 are on our radar.)

Welcome to Earf (HoE Number 26) – The shortest path through The Movie Database cast lists using only BMT films is: Dean Norris is No. 7 billed in The Lawnmower Man and No. 3 billed in Death Wish (2018), which also stars Bruce Willis (No. 1 billed) who is in The Whole Ten Yards (No. 1 billed), which also stars Natasha Henstridge (No. 4 billed) who is in Ghosts of Mars (No. 1 billed), which also stars Jason Statham (No. 3 billed) who is in In the Name of the King: A Dungeon Seige Tale (No. 1 billed), which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 7 + 3 + 1 + 1 + 4 + 1 + 3 + 1 + 4 + 1 = 26. If we were to watch I Don’t Know How She Does It, If Lucy Fell, and The Black Dahlia we can get the HoE Number down to 15.

Notes – New Line Cinema had obtained the rights to the Stephen King short story “The Lawnmower Man”, and the producers also had an unrelated script called “Cyber God”. They simply placed King’s title on the production of “Cyber God”. King was furious at this abuse of his name, and he sued the studio to have his name and title removed from the film and promotion. They refused, until the studio was ordered to pay ten thousand dollars and full profits. (Yeah that makes more sense than actually thinking this was an adaptation)

The scene where the cop (Troy Evans) says that the missing piece of the dead man is in the bird bath, is the only thing in the movie that was taken from Stephen King’s short story.

The eight minutes of computer generated effects took seven people eight months to complete on a budget of five hundred thousand dollars. (Wow, impressive)

It was discovered through FBI tapes that this was former Waco cult leader David Koresh favorite movie

Several of the symbols Jobe (Jeff Fahey) sees flying at him, during his first VR treatment, are demon evocation seals taken from the infamous Key of Solomon.

A remote controlled lawnmower was specifically built for the movie. In another movie adapted from a Stephen King story, Maximum Overdrive (1986), a remote controlled lawnmower chases a teenager. (And in yet another movie everyone almost dies in Honey, I Shrunk the Kids! due to a remote controlled lawnmower)

Dr. Angelo’s line “I’ve decided to take my work back underground”, was used as a sample in the intro track for the Music For The Jilted Generation album by The Prodigy. (Yet another connection to Hackers, Voodoo People from that album is on the soundtrack)

There are three video games based on the movie. Scrolling action game The Lawnmower Man (1993) for Game Boy, Genesis, and Super Nintendo, loosely follows the plot of the movie. FMV adventure game The Lawnmower Man (1993) for DOS, Macintosh, and SEGA CD, uses clips from the movie, and is a direct sequel to the movie, since Its plot begins where the movie ends. Adventure game Cyberwar (1994) for DOS and PlayStation is a non-FMV sequel to the FMV game.

The Guardian (1990) Preview

Hats backward and cargo shorts a-baggin’, Rich and Poe skateboard their way to the Italiano Arcade & Pizzeria to smash on some video games and eat some ‘za. They immediately own a bunch of middle schoolers in Super Mario Bros 3 like some video game wizards and make their way to the top of the social pyramid. There are some dope tweens around, but they are by far the dopest. “Haven’t seen you two around here before. You guys sure can whiz on the j-stick,” one of the kids say, “they call me Toad, who are you?” Rich steps up, “I’m Big M and this is my bro LJ. We’d mash the ‘cade all day, but our Granny is a real lamester. You chilling me?” Toad nods and laughs while Poe tries not to cry. That’s his beloved Granny they’re talking about. Nobody calls her a lamester. Rich continues, “but maybe that’s not the worst thing, you feelz? We heard some real slippery things going on around here.” Toad looks a bit nervous, “Yeah, real canopy thang. But it’s just Elivira, the new nanny. Everyone else is icy.” Rich and Poe look at each other. Elvira? That doesn’t sound like Gruber. They looks around but Poe can’t see anyone that looks suspicious. “Rich, I don’t think this is working… Rich?” Rich is staring off into the distance. The crowds part between him and the most beautiful woman in the world. She flips her golden hair to the side and beckons to him. He floats towards her… the seductive and super creepy nanny who looks both ageless and yet thousands of years old. His mind is telling him to resist, but he has eyes only for this scary witch nanny and the creepy tree she’s sitting in. Wait, what? That’s right! You knew right from the start when I was talking about witch nannies and creepy trees that there was only one film I could be talking about. Let’s say it all together. The Guardian (1990). Of course. That film that everyone knows. Well at least one person knew about it and his name was Roger Ebert and he hated this film. In fact he said it was one of the worst he had ever seen. Good enough for us. Let’s go!

The Guardian (1990) – BMeTric: 31.9

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(The rating feels really low for a film from the early 90s and for a film I’ve never heard of. Even after the regression that is pretty astonishing. It really must be a terrible horror film. Getting a little excited here.)

Leonard Maltin – 2 stars –  Yuppie couple hires a nanny for their newborn child, but we know there’s something odd about her: she feeds babies to a tree in a nearby gully. Friedkin’s first return to horror after The Exorcist has a few good scenes, but a ludicrous story and a hormorless approach. Seagrove is very good in an almost unplayable role. Cowritten by the director from the novel The Nanny by Dan Greenburg.

(I probably knew this was based on a book and forgot to be honest. Everything in this preview is about Friedkin. He really squandered a lot of his good will by 1990 it seems. He only really directed sporadically after 1985.)

Trailer – https://www.youtube.com/watch?v=kbl1b664ivk/

(‘Member the Exorcist? Me too … member that thing where William Friedkin was the director … cool me too.’ I literally have no idea what this film is about or what it is beyond a horror film made by the director of the Exorcist. Should I watch the Exorcist then? It feels like a good extra homework assignment.)

Directors – William Friedkin – (Known For: The Exorcist; The French Connection; Killer Joe; To Live and Die in L.A.; Cruising; Sorcerer; Bug; The Boys in the Band; Rampage; The Brink’s Job; Future BMT: Jade; Deal of the Century; The Hunted; Blue Chips; Rules of Engagement; BMT: The Guardian; Razzie Notes: Nominee for Worst Director, and Worst Screenplay for Cruising in 1981; Notes: Given he directed The Exorcist it might be surprising to know he grew up Jewish, became agnostic, and then is clearly a Christian in some capacity given recent quotes.)

Writers – Dan Greenburg (novel & screenplay) – (Future BMT: Private Lessons; BMT: The Guardian; Notes: Was married to Nora Ephron ages ago. His son was the kid in Lorenzo’s Oil.)

Stephen Volk (screenplay) – (Known For: The Awakening; Gothic; Future BMT: Octane; BMT: The Guardian; Notes: Famously wrote and directed Ghostwatch, a fake documentary which played on the BBC which confused a bunch of people who thought it was real. It was banned from replay for a decade.)

William Friedkin (screenplay) – (Known For: To Live and Die in L.A.; Cruising; Rampage; BMT: The Guardian; Razzie Notes: Nominee for Worst Director, and Worst Screenplay for Cruising in 1981; Notes: Cruising was considered by many as anti-gay, and the film was protested by the gay community at the time of production)

Actors – Jenny Seagrove – (Known For: Local Hero; Another Mother’s Son; Moonlighting; Future BMT: Run for Your Wife; BMT: The Guardian; Notes: Long time partner of Bill Kenwright who is an actor and … the chairman of Everton F.C. since 2004? Still works as an actress, although not as often.)

Dwier Brown – (Known For: Field of Dreams; House; Red Dragon; Gettysburg; To Live and Die in L.A.; The Cutting Edge; Reunion; Future BMT: House II: The Second Story; Mom and Dad Save the World; BMT: The Guardian; Notes: If you’re racking your brain trying to figure out who he was in Field of Dreams, he was Kevin Costner’s father at the end.)

Carey Lowell – (Known For: Leaving Las Vegas; Licence to Kill; Sleepless in Seattle; Fierce Creatures; Future BMT: Club Paradise; Love Affair; BMT: The Guardian; Notes: You’d know her from Law & Order, she was on the order side of things, as a DA.)

Budget/Gross – N/A / Domestic: $17,037,887

(Probably not great … although you could make these things for less than a million around this point in time, so maybe it turned as profit.)

#233 for the Horror – R-Rated genre

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(It feels like this came at a peak of the genre in the late eighties. Kind of went on a bit of a hiatus after. Still having a moment now, especially with It Part 2 coming out this year, should be good for R-rated horror.)

Rotten Tomatoes – 22% (2/9): No Consensus

(Nice I get to make a consensus: Hysterically funny … wait, it was supposed to be a horror film? Reviewer Highlight: Maybe after years of banging his head against the system Friedkin decided with “The Guardian” to make a frankly commercial exploitation film. … give us a break. – Roger Ebert, Chicago Sun-Times)

Poster – The Guardian Not Starring Kevin Costner (B+)

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(Too many words and the image itself is a bit small, but I’m digging the simplicity of it and the coloring. The font isn’t the worst either. Good effort.)

Tagline(s) – Tonight, while the world is asleep… an ancient evil is about to awaken. (F)

(I literally don’t understand this… when? Tonight? Is that like… when I’m watching the movie or is the film set over a single night during which the ancient evil awakens? Neither? Cool cool cool. Just one more thing. Would it have mattered if that ancient evil awoke while everyone was awake? No? Interesting.)

Keyword(s) – baby; Top Ten by BMeTric: 92.6 Date Movie (2006); 92.1 Son of the Mask (2005); 91.0 Scary Movie 5 (2013); 84.0 Baby Geniuses (1999); 76.3 Junior (1994); 75.9 In the Land of Blood and Honey (2011); 74.7 Jason Goes to Hell: The Final Friday (1993); 73.9 Look Who’s Talking Too (1990); 70.6 The Animal (2001); 69.0 Texas Chainsaw 3D (2013);

(Shit. I have to watch The Animal for a third time. Maybe Jamie will appreciate it more given it stars someone from Survivor. [Editor’s Note: I will])

Welcome to Earf (HoE Number 24) – The shortest path through The Movie Database cast lists using only BMT films is: Xander Berkeley is No. 10 billed in The Guardian and No. 6 billed in Seeking Justice, which also stars Nicolas Cage (No. 1 billed) who is in The Wicker Man (No. 1 billed), which also stars Leelee Sobieski (No. 5 billed) who is in Here on Earth (No. 1 billed) => 10 + 6 + 1 + 1 + 5 + 1 = 24. If we were to watch Savage Islands we can get the HoE Number down to 15.

Notes – Jenny Seagrove was unhappy with the film’s constant re-writes, and wanted to make a completely different film. She said to The Guardian in 2007: “It was about this druid nanny who became a tree. I begged Universal to make it about a real nanny who kidnaps babies. ‘No, no, we can’t do that,’ they said, ‘the thirty somethings in America won’t come and see the film.’ I said, ‘I think you’re completely wrong; this film is total fantasy, and it’s just awful.’ Two years later The Hand That Rocks the Cradle (1992) was released, so I rang up my friend at Universal and he said, ‘Don’t. Don’t even talk about it, you were right.’ ” (haha)

Was to originally be directed by Sam Raimi, but he left the project early to direct Darkman (1990). Producers brought in William Friedkin, and the project suffered through several re-writes sending co-writer Stephen Volk into a breakdown. Friedkin eventually took over the writing duties. (oooooooooooof)

William Friedkin’s first horror movie in seventeen years since The Exorcist (1973). (Maybe a mistake)

One of only two feature films that William Friedkin wrote nothing about, positive or negative, in his memoir The Friedkin Connection (see also Deal of the Century (1983)).

A new effects crew was brought onto the scene after the initial tree failed to work mechanically. The new team constructed a tree that held 500 gallons of fake blood and detachable bark. (oh no, haha)

The delivery scene used real footage of an actual live birth. (oh no … I would just say haha here, but that would feel redundant)

The film was released three years after its source novel “The Nanny” by Dan Greenburg had been published in 1987. (Fact: I did not read this book)

The movie’s dark villain, Camilla (Jenny Seagrove), is included in the compilation film Boogeymen: The Killer Compilation (2001).

A cable television version of the film is not billed to William Friedkin, but to Alan Smithee, a generic name which is used by directors when they don’t want to be associated with a picture. This, despite the fact that Friedkin claims on the film’s audio-commentary he never heard of such a version. There are two versions of “The Guardian”: the theatrical cut, credited to Friedkin, and a modified cut, credited to Smithee. The Smithee cut has never been released on home video or DVD, and has only been shown on cable. It includes new scenes, including another scene in the hospital, different dream sequences, a scene of the nanny waking the wife up and alternate angles for other scenes. Also, the ending of the cable cut is different and omits much of the gore. (Oh wow, that is kind of cool. They cut a version and clearly didn’t ask him about it. Sounds like we can’t get it though)

Chicago Sun-Times movie critic Roger Ebert named the picture one of his “Most Hated Films” of all-time. (Noice, it is on his end of the year worst of list so …)

One of three movies with “The Guardian” title made during the modern era of Hollywood. This supernatural horror movie was made and released around six years after the 1984 action crime thriller The Guardian (1984) and sixteen years before the sea rescue drama The Guardian (2006). (We have now watched two for BMT. Martin Sheen’s 1984 film doesn’t have any reviews. That sounds like I have to cook up 5 fake reviews to get this onto Rotten Tomatoes …)