Hellboy (2019) Preview

Patrick and Jamie look through binoculars at their prey. Santa is happily carving a toy for a child amongst his elf friends in the BMTverse’s North Pole. Poor bastard. Jamie leans back, “I’m not even sure why you’re here,” he says and Patrick squints at him in confusion. Jamie shrugs and snaps into a slim jim, “I mean, I was the one that told the troll I would do him a favor. Not you.” Patrick smiles and sends Jamie to start on a Santa trap. Patrick needs time to think. Hours pass, sweat drips down his brow, but Patrick can’t think of a way to save Santa. In his calm he withdraws deep within himself and finds a light. Reaching for it he suddenly has access to a great power. “I need something to save Santa,” he thinks and a large amount of silk from the rare Siberian Silkworm winks into existence. Thinking quick he used his twin powers to construct a flawless (but highly illegal) Santa costume and dons the disguise. Looking up he is horrified to see Jamie having completed an elaborate tiger trap and Santa bumbling his way towards it. Using his preternatural speed, Patrick is able to tackle both he and the real Santa into the trap. The troll comes cackling forward, but is confused by the appearance of two Santas. Who should he shoot?! He points his gun back and forth and the hesitation is enough for Jamie to trip the troll right back into the tiger trap. Hooray! With the troll dispatched, Jamie, Patrick, and Santa sit around the fire with some delicious Coca-Colas. Patrick is distracted by the discovery of the great power within, but Jamie is ready for some magical tales of wonder. “Santa, where did you come from?” he asks and Santa smiles a jolly smile. “Oh ho ho ho, that’s an interesting story, my boy. Well, I guess it started when I was born… IN HELL.” Bum bum bum. That’s right! It’s the first BMT Live! of the year after a … frankly it was a shockingly light bad movie winter season. Here’s to watching an unnecessary reboot and to a hopefully bumper crop of bad movies in the spring season. Let’s go!

Hellboy (2019) – BMeTric: 42.5

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(That rating actually look right. I think it’ll perk up a bit in three months once non-Hellboy fans get a hold of it, they won’t care about some of the most nitty-gritty issues with the film as related to the comic or the Del Toro versions.)

RogerEbert.com – 1.5 stars –  Individually, Harbour might have a humorous moment or two with his co-stars, but decreasingly so as the movie staggers toward its messy, cacophonous end. And it just will … not … end. After an overlong two-hour running time, “Hellboy” suggests optimistically that it’s the start of its own franchise, but it will probably end up stuck in purgatory instead.

(Long and boring! Noooooooo. I don’t want to see a long and boring film in theaters! But I must. You guys owe me.)

Trailer – https://www.youtube.com/watch?v=dt5g5_1cKVk/

(The “Sorry, my bad” joke in the beginning is obvious and dumb. And the reset looks … loud and incoherent? I have a feeling the soundtrack is an abomination.)

Directors – Neil Marshall – (Known For: The Descent; Dog Soldiers; Doomsday; Centurion; Tales of Halloween; BMT: Hellboy; Notes: Most famous for directing some of the most notable Game of Thrones episodes (Blackwater, and The Watchers on the Wall).)

Writers – Andrew Cosby (screenplay by) – (BMT: Hellboy; Notes: Created the television series Eureka. Created BOOM! Studios which is a comic book publisher.)

Mike Mignola (based on the Dark Horse Comic Book “Hellboy” created by) – (Known For: Hellboy; Hellboy II: The Golden Army; Batman: Gotham by Gaslight; BMT: Hellboy; Notes: Created the comic. Apparently he handed off the spin off series (B.P.R.D.) which has recently ended. I don’t think there is a current active Hellboy series, although it is unclear.)

Actors – David Harbour – (Known For: Brokeback Mountain; The Equalizer; War of the Worlds; Quantum of Solace; Revolutionary Road; A Walk Among the Tombstones; The Green Hornet; End of Watch; Black Mass; State of Play; Snitch; Kinsey; X/Y; Parkland; The Convincer; Future BMT: Sleepless; Suicide Squad; Every Day; Awake; W.E.; Knife Fight; Between Us; BMT: Hellboy; Notes: Been around for a while obviously as a character actor, but has rose to a new level of fame as one of the stars of Stranger Things.)

Milla Jovovich – (Known For: The Fifth Element; Dazed and Confused; Zoolander; Chaplin; Paradise Hills; A Perfect Getaway; He Got Game; Stone; The Claim; Dummy; Future BMT: Resident Evil: Retribution; Future World; Return to the Blue Lagoon; Resident Evil: The Final Chapter; Anarchy: Ride or Die; Survivor; Two Moon Junction; Resident Evil: Afterlife; The Fourth Kind; No Good Deed; The Million Dollar Hotel; Resident Evil: Apocalypse; Kuffs; Resident Evil: Extinction; Joan of Arc; Bringing Up Bobby; Shock and Awe; A Warrior’s Tail; Resident Evil; Dirty Girl; BMT: Ultraviolet; Zoolander 2; Hellboy; The Three Musketeers; Razzie Notes: Nominee for Worst Actress in 2000 for Joan of Arc; and in 2013 for Resident Evil: Retribution; Nominee for Worst Supporting Actress for The Fifth Element in 1998; and Nominee for Worst New Star for Return to the Blue Lagoon in 1992; Notes: A bad movie all-star! Her recent big budget fair has mostly been via collaboration with her husband Paul W. S. Anderson who directed four of the six Resident Evil films.)

Ian McShane – (Known For: John Wick; John Wick: Chapter 2; Snow White and the Huntsman; Hercules; Coraline; Jack the Giant Slayer; The Golden Compass; Kung Fu Panda; Shrek the Third; The Sorcerer’s Apprentice; Death Race; Sexy Beast; Battle of Britain; We Are Marshall; Scoop; Performance; Cuban Fury; Bilal: A New Breed of Hero; The Last of Sheila; Nine Lives; Future BMT: Agent Cody Banks; The Hollow Point; Grimsby; Case 39; Pottersville; Hot Rod; BMT: The Seeker: The Dark Is Rising; Hellboy; Pirates of the Caribbean: On Stranger Tides; Notes: He’s been all over the place, but his cameo in Game of Thrones and starring role in Deadwood before that suggests he’s really but more famous on the small screen in the later career,)

Budget/Gross – $50 million / Domestic: $19,676,271 (Worldwide: $19,676,271)

(This is going to be a huge disaster, especially with Avengers: Endgame coming out in a week. Completely screwed and might kill the film franchise. Interestingly the comic series apparently came to a disastrous end just this week … so Hellboy legit might be completely dead as a media item which is crazy.)

#136 for the Comic Book Adaptation genre

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(This I think will end up near R.I.P.D. which is crazily mid-table for BMT in this sub-genre. Obviously Marvel/Disney has been dominating this recently with Black Panther having an insane $700 million domestically.)

#109 for the Superhero genre

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(I guess this is different than the previous one … it is obviously taking off recently with the recent Marvel/Disney succuesses.)

Rotten Tomatoes – 14% (25/174): Bereft of the imaginative flair that made earlier Hellboys so enjoyable, this soulless reboot suggests Dante may have left a tenth circle out of his Inferno.

(The reviews are eviscerating basically calling the film a big void filled with action set pieces. This is an astonishingly low percentage, might just end up being the lowest score for a big budget film for the year. Reviewer Highlight: Watching the “Hellboy” reboot is like eating a rice cake – you don’t feel bad afterward, but at the same time you’re not entirely sure you really experienced anything at all. – Matthew Rozsa, Salon.com)

Poster – Hellsklog (C+)

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(Points for the font done in an interesting way (behind the horns, like a physical thing in the poster), deduction for kind of having a flat color, we get it he’s the devil. I think much like what the critics said about the film, it is mostly blah, but I’ll give it a little bump because I think it looks more cool that silly which I guess is what you want.)

Tagline(s) – Give Evil Hell (C-)

(I don’t think I like it. It doesn’t tell you anything, and it is definitely the “clever” product that came out of a writers’ room. But it does have that kernel of cleverness, so I won’t just give it an F.)

Keyword(s) – based on comic; Top Ten by BMeTric: 94.6 Batman & Robin (1997); 85.9 Fantastic Four (2015); 71.0 The Spirit (2008); 69.7 Steel (1997); 65.9 Teenage Mutant Ninja Turtles III (1993); 62.0 Virus (1999); 61.7 Monkeybone (2001); 61.5 Transformers: The Last Knight (2017); 59.5 Red Sonja (1985); 59.3 Spawn (1997);

(Smashing it. I’ve seen The Spirit, which I’m sure I’ve mentioned in this section before. That film is completely incomprehensible garbage.)

Welcome to Earf (HoE Number 17) – The shortest path through The Movie Database cast lists using only BMT films is: Milla Jovovich is No. 2 billed in Hellboy and No. 1 billed in Ultraviolet, which also stars Cameron Bright (No. 2 billed) who is in Godsend (No. 4 billed), which also stars Rebecca Romijn (No. 2 billed) who is in Rollerball (No. 3 billed), which also stars Chris Klein (No. 1 billed) who is in Here on Earth (No. 2 billed) => 2 + 1 + 2 + 4 + 2 + 3 + 1 + 2 = 17. If we were to watch Joan of Arc, Hook, Jack, and The Glass House we can get the HoE Number down to 15.

Notes – In mid 2012, Ron Perlman once again endured the 4-hour makeup routine required to transform him into Hellboy – not for a sequel or other acting job but to fulfill the Make-A-Wish request of a six-year-old boy named Zachary who has leukemia. Creature effects house Spectral Motion, who had worked on the two previous Hellboy films, applied Perlman’s Hellboy makeup (and later, also made up Zachary as Hellboy as well), so that Zachary could spend the day hanging out with his favorite superhero. Guillermo del Toro was so touched by this event that it inspired him to start production on Hellboy 3. However, the project was announced to be cancelled and this reboot’s development started soon after.

Following the success that Deadpool had in getting the movie made through social media, Ron Perlman tweeted a proposal that if #HellboyIII started trending that a third Hellboy film might finally get funds to be made.

In February 2017 Guillermo Del Toro stated “Spoke with all parties. Must report that 100% the sequel will not happen.” (I think these first three completely exemplify the weird relationship between the Hellboy franchise and its audience. It never really made money, but the hardcore fans believe in their hearts it would if given the chance. Spoiler alert … it wouldn’t, that film will never be made)

The VFXperts cite the Mike Mignola comics as a visual influence on the film’s creatures, and sought to avoid reference to the Guillermo del Toro films. Joel Harlow explained that as monsters, “their look is entirely nonhuman and very frightening, it’s a glimpse into a world of beings that do not follow the anatomical laws of anything on Earth.”

Mike Mignola takes a more direct involvement in the production of this film than he did on the Guillermo del Toro Hellboy films. According to him, the idea with this one was to downplay the superhero elements in the film and stay closer to the darker tone of the graphic novels, making a much more horror-oriented entry into the franchise. (Interesting. Recipe for a disaster, puts too much power into a single person to go ahead an F it up)

On August 21, 2017, Ed Skrein was cast as Major Ben Daimio in the film. However, upon discovering that Daimio was portrayed in the comic books as a Japanese-American character, Skrein announced a week later that he was pulling out to allow an actor of Asian heritage to be cast instead.Skrein’s decision marked the first time a white actor had left a high-profile role after such criticism according to The Hollywood Reporter. (First, bullet dodged for him. Second, I completely forgot about this, what a terrible look)

The movie originally began production as the second sequel to 2004’s Hellboy after The Golden Army, but Creative Differences led to Del Toro and Perlman both leaving, thus causing a long hiatus until it was decided to reboot following the rise of R-rated superhero movies. (There is no way they would have made a third film quickly, The Golden Army didn’t make that much money and Del Toro probably didn’t want to rein in the budget)

The movie’s title was Hellboy: The Blood Queen initially, before reverting to simply Hellboy. (I like the original better)

Hellboy claims he is a Capricorn. According to the comic, he was born in October 5, which makes him a Libra. (BOOOOOOOOOOO)

Doug Jones, who played Abe Sapien in the Guillermo del Toro Hellboy films, was offered a cameo but was unable to participate due to commitments to Star Trek: Discovery (2017). (He’s great in Discovery)

Levin interrupted Marshall frequently in front of the crew as Marshall tried to rehearse actors, sometimes giving them different directions than the director. Singer’s attorney disputed that: “In fact, Mr. Levin would speak to Neil Marshall after rehearsals and discuss issues with him at that time.” (Sounds pleasant)

Harbour repeatedly walked off set, refusing Marshall’s requests for more takes. Singer responded for Levin: “My client has no recollection of that ever happening. To the contrary, David Harbour gave everything he was asked of and more during filming.” (Sounds pleasant)

The script was re-written throughout the production. One said those doing the rewriting included actors Harbour and co-star Ian McShane. Singer responded: “Only a few scenes were rewritten during production, and neither David Harbour nor Ian McShane did any rewriting of the screenplay at all. Rewriting certain scenes of a movie during production is customary in the entertainment industry, including by actors, producers, writers and directors.” (Sounds fucking pleasant)

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Proud Mary Preview

Jamie chases after Truth who ran away after revealing that she suffers from Statham’s Disease. They run all the way to the top of the Space Needle and Jamie shouts “Please, don’t do it!” But it’s too late, Truth jumps, only to deploy a base-jumping parachute and land safely at the bottom. They continue this mad dash about town as Truth attempts to keep her adrenaline up and stay alive. “Stop please, there are other ways to keep your adrenaline up,” Jamie pants. “I tried,” Truth responds, “it’s why we were thieves. But you can’t be with a thief. So I have to find another way,” and with that she jumps the Grand Canyon on a rocket skateboard. Just when Truth looks to bungee jump from the Gateway Arch, Jamie is able to grab her, “Look into my eyes. There are other ways to keep your adrenaline up.” She does. She looks deep into Jamie’s eyes and with that they spend the rest of the summer making out so hard (perhaps more? It’s implied) that Truth’s adrenaline never falters. As the summer comes to the close, Jamie falls asleep on the beach after a particularly hard make-out sesh only to awaken to find Truth near death. “I… I just didn’t want to wake you. You looked so peaceful.” Tears are streaming down Jamie’s face. “ Please, do one thing for me,” Truth coughs, “That dog you saved with the cut ear? It wasn’t Arf Collector Von Schnauzer. You have to save the real Arf Collector… he’s working for our boss, Briggs,” and with that Truth dies. Jamie and Patrick donate a small part of their considerable Bad Movie Twins fortune to find a cure for Statham’s Disease and don their hoodies once again to go after Briggs. That’s right! We’re watching Proud Mary starring Taraji P. Henson who plays a hitman with a heart of gold. I feel like this is the yin to the Death Wish yang, which is more like a regular person with a heart of shit. Let’s go!

Proud Mary (2018) – BMeTric: 42.2

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(This is heartening. This felt like one of the films we were kind of forced into because of the chain reaction, but sub-5.0 is pretty amazing. The film might genuinely be pretty terrible, which would be kind of fun.)

RogerEbert.com – 2.5 stars –  Screen Gems, the studio responsible for “Proud Mary” was nice enough to make their product almost impossible for me to see before my deadline. Genre films such as this often don’t have critics’ screenings, which is fine, but practically every film nowadays has night screenings. Manhattan has hundreds upon hundreds of movie screens, yet not one of them was playing “Proud Mary” on Thursday. I do not believe this had anything to do with quality; “The Snowman,” which is about 50 times worse than this film, not only gave us all the clues but it also gave us early screenings at every single theater that ran it on its opening Friday.

(I kind of love the hit on The Snowman at the end there. Yeah, the big thing about this film was it wasn’t screened for critics which was somewhat odd considering the reviews ultimately were bad but not terrible (almost 30% on Rotten Tomatoes). So now I have two differing opinions. Critics think its meh. IMDb suggests it is terrible. I’m going with the critics. Who knows, it is possible IMDb is getting brigaded by racists because of the predominantly black cast. It has been known to happen.)

Trailer – https://www.youtube.com/watch?v=kQ1Zcv54USA

(Like the songs. Hate how they drop the audio out throughout. Just really dumb. I also don’t really get it … it is a remake of Gloria, but the kid is in the trailer for about 4 seconds which is an odd choice. Finally, who wears the most conspicuous blonde wig to a hit? Whatever, this looks dumb.)

Directors – Babak Najafi – (Known For: Easy Money II: Hard to Kill; BMT: Proud Mary; London Has Fallen; Notes: Iranian by birth, but grew up in Sweden as a refugee in the 80s. A huge refugee success story to say the least.)

Writers – John Stuart Newman (story by & screenplay by) – (BMT: Proud Mary; Notes: Wrote on 805 episodes of Days of Our Lives. More recently he wrote for the wildly successful television adaptation of Get Shorty. I hope they get to adapt Be Cool into something good as well (zing).)

Christian Swegal (story by & screenplay by) – (BMT: Proud Mary; Notes: Nothing online about the guy. He does have this very enigmatic website though)

Steve Antin (screenplay by) (as Steven Antin) – (Known For: Inside Monkey Zetterland; Future BMT: Chasing Papi; Gloria; BMT: Proud Mary; Burlesque; Notes: Brother of Robin Antin the founder of the Pussycat Dolls. He was an actor in the 80s, then turned to writing. He adapted the 1980 Gloria into the not-so-well-received 1999 version which is why he has this credit.)

Actors – Taraji P. Henson – (Known For: Ralph Breaks the Internet; The Curious Case of Benjamin Button; Hidden Figures; The Karate Kid; Four Brothers; Date Night; Think Like a Man; Hustle & Flow; Baby Boy; Top Five; The Good Doctor; The Adventures of Rocky & Bullwinkle; I Can Do Bad All by Myself; Something New; The Family That Preys; Talk to Me; Future BMT: Hair Show; No Good Deed; Think Like a Man Too; Term Life; Larry Crowne; Acrimony; Peep World; Smokin’ Aces; Not Easily Broken; BMT: Proud Mary; Notes: Nominated for Best Supporting Actress in The Curious Case of Benjamin Button. Has become famous more recently as the star of the show Empire.)

Billy Brown – (Known For: Star Trek; Cloverfield; The Lost World: Jurassic Park; Race to Witch Mountain; Lakeview Terrace; Geronimo: An American Legend; The Wild Thornberrys Movie; Future BMT: The Beautician and the Beast; BMT: Proud Mary; Notes: Mostly a television actor, most recently in 68 episodes of How to Get Away with Murder. Apparently the narrator of US Marines commercial.)

Jahi Di’Allo Winston – (Known For: The Upside; BMT: Proud Mary; Notes: Was recently in Everything Sucks!, a television show set in the 90s … which means there are nostalgia based shows set in the 90s now, ooooof.)

Budget/Gross – $14–30 million / Domestic: $20,877,013 (Worldwide: $21,753,365)

(The $30 million probably includes the promotion. Which makes this a pretty big bomb. Which isn’t surprising considering they kind of buried it knowing it wasn’t going to be particularly well received.)

#41 for the Hitman / Assassin genre

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(The big boom for the genre was with the Bourne movies. It is just now getting back into the swing of things. That is likely to do with John Wick, there isn’t much else impressive recently. This Means War is strangely the most successful of the BMT films. Not surprisingly the Nic Cage classic Bangkok Dangerous was the least successful.)

Rotten Tomatoes – 28% (18/64): Proud Mary proves Taraji P. Henson has more than enough attitude and charisma to carry an action movie — just not, unfortunately, one this indifferently assembled.

(And I’m back to being concerned. It seems strange it has such bad reviews, but even stranger to see it be one of the worst reviewed films of the year on IMDb. Just seems weird. Reviewer Highlight: “Proud Mary” isn’t a retro action thriller at all, but a staid family drama, and an incredibly boring one at that. – Katie Walsh, Los Angeles Times)

Poster – Proud Mary Keep on Sklogin’ (A)

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(Yup, I like it. Very artistic. Could see this on a wall somewhere of someone who didn’t even watch the film but just likes the poster. Got a unique style, nice balance, and nice color.)

Tagline(s) – Killing for the man every night and day. (B-)

(Play on the song that the title is based on. It’s clever enough, but a little long and clunky. Meh.)

Keyword(s) – hitwoman; Top Ten by BMeTric: 75.2 Elektra (2005); 65.1 The Crow: City of Angels (1996); 58.6 The First Purge (2018); 46.6 Double Impact (1991); 42.2 Proud Mary (2018); 39.6 Haywire (2011); 36.2 Around the World in 80 Days (2004); 35.6 Skyscraper (2018); 29.9 Chek law dak gung (2002); 29.6 Shadowboxer (2005);

(It is too bad Skyscraper didn’t qualify. I just watched it on a plane, and it is some of the silliest shit I’ve ever seen. The Rock climbs hand over hand up a 1000+ foot crane. I’m not joking. He scales the Empire State Building hand over hand basically.)

Notes – Loosely based on the movie Gloria (1980). (Looks interesting. Fun fact is that Gloria, despite being critically acclaimed, is a Razzie winner for Worst Supporting Actor. Plus it was remade in 1999, and that version definitely qualifies.)

This is the second time Taraji P. Henson has played a hit woman. She had a similar role in Smokin’ Aces (2006).

This film reunites Danny Glover and Margaret Avery, who starred together in The Color Purple (1985).

For all the shootings and killings, no police are ever visible in the movie.

Midnight Sun Preview

“Truth or Dare, Bad Movie Twins,” Truth says. “Dare,” responds Patrick without hesitation. “We dare you to battle us,” Dare says with a laugh. Patrick and Truth engage in an increasingly tense battle of wits. Twisted twin riddles are thrown forth by Patrick, counterbalanced by Truth Bombs lobbed by Truth. As the furious battle gives way to grudging respect they turn their attention to Dare and Jamie who have decided on a physical confrontation. Twin Chops are counterattacked by Daring Dropkicks. As sweat and blood fly, Jamie can’t help but notice that the fight has become a dance of seduction. Patrick and Truth begin to get uncomfortable with the sexual tension in the room. It is thick in the air and when they look at each other Patrick quickly says “I’m married with four rambunctious kids, actually.” Truth nods. “Me too,” and with a smile and they begin to share pictures of their children. Meanwhile, Jamie and Dare continue fighting with furious passion. Suddenly Dare gets a big creepy smile on her face and asks again, “Truth or Dare, Jamie.” Jamie breathes heavily from exertion, but he knows what’s about to happen. “Truth,” he whispers. “Do you love me?” Dare asks breathlessly. “Yes,” Jamie responds, “Truth or Dare, Dare.” To which she also asks for truth. “Do you love me?” Jamie asks. “Yes,” Dare responds, “But you can’t love me. I have a medical condition called Statham’s Disease.” Jamie gasps. “Of course. It’s why you steal and parkour. To keep your adrenaline up at all times.” Truth lets out a sob and begins to run away. That’s right! We are watching Midnight Sun. A young girl has a very rare disease and a very hot new boyfriend. Will she tell him? Won’t she? Will she definitely die at the end totally Notebook-ing us? I assume so. Let’s get into it!

Midnight Sun (2018) – BMeTric: 12.6

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(Wowza, high rating. It is becoming increasingly obvious that anything below around 20 BMeTric is pretty rough. Which shouldn’t be a surprise. The number of “bad” films a year is debatable, but there were 158 films with IMDb ratings below 6.0 with over 3000 votes released in 2017. Out of any given year I would imagine we should be aiming to watch about 1/5th of those … which would be around 32 films. How many films have over 50 BMeTric? 33 in 2017. Which is why I tend to look to 50 as the general cut off for a guarantee watch. Which is correct I think. Anything below around 35 I imagine you have to look into the detes like with this or Death Wish. It also obviously depends on the genre. Teen rom-drams have inflated ratings and lower vote counts which hurt it … man, I really need to revamp the BMeTric into a real model.)

RogerEbert.com – 2.5 stars –  “Midnight Sun” does what it means to do for the people it means to do it for—and that might just be enough. The 12-year-old girls who are the film’s target audience probably won’t realize what it’s derivative of: a little bit of John Hughes and a lot of “Love Story.” “Midnight Sun” also bears more than a slight resemblance to last summer’s Young Adult drama “Everything, Everything,” in which a rare disease supposedly spells doom for a blossoming teen romance.

(I’m actually getting the feeling that this film might be a secretly good film. I’m not the audience, but I think I’ll be able to channel my inner 12 year old and perhaps appreciate what it is trying to do. I hope I’m wrong though and that there is like … a ghost mom or something.)

Trailer – https://www.youtube.com/watch?v=WS-kCiCVEp0

(I have a sneaking feeling of spoilees at the end there because … I mean, they kind of suggest she’s going to die if she’s outside and then at the end she’s outside so … Anyways, I’m getting bad acting vibes from Thorne and Schwarzenegger, but otherwise it looks incredibly sappy.)

Directors – Scott Speer – (Known For: Step Up 4: Miami Heat; Future BMT: I Still See You; Status Update; BMT: Midnight Sun; Notes: Both I Still See You and this can out this year … which is nuts. Was a music video director for years winning a multitude of awards in that industry.)

Writers – Kenji Bando (based on the motion picture screenplay “Taiyô no uta” by) – (BMT: Midnight Sun; Notes: There is little to nothing about the guy, but a Japanese screenwriter who wrote the film this film is a remake of.)

Eric Kirsten (screenplay) – (BMT: Midnight Sun; Notes: Has an unproduced script on the 2012 Blacklist called “The Lighthouse”, otherwise there is literally nothing about this guy in the trades.)

Actors – Bella Thorne – (Known For: Assassination Nation; The Babysitter; The Duff; Alexander and the Terrible, Horrible, No Good, Very Bad Day; Stuck on You; The Unbeatables; Future BMT: Amityville: The Awakening; Alvin and the Chipmunks: The Road Chip; Boo! A Madea Halloween; Ratchet & Clank; Big Sky; I Still See You; Finishing the Game: The Search for a New Bruce Lee; BMT: Blended; Midnight Sun; Notes: Was young Taylor Townsend on the O.C.! Has three actor siblings, but she’s the most famous.)

Patrick Schwarzenegger – (Known For: Scouts Guide to the Zombie Apocalypse; Stuck in Love; BMT: Grown Ups 2; The Benchwarmers; Midnight Sun; Notes: The son of Arnie! Started with roles in Happy Madison productions, and how he’s all growed up.)

Rob Riggle – (Known For: 12 Strong; The Hangover; 21 Jump Street; Step Brothers; Hotel Transylvania; The Other Guys; Hotel Transylvania 2; 22 Jump Street; Talladega Nights: The Ballad of Ricky Bobby; Middle School: The Worst Years of My Life; Big Miracle; Going the Distance; Opening Night; Blackballed: The Bobby Dukes Story; Future BMT: Dumb and Dumber To; Nature Calls; The Goods: Live Hard, Sell Hard; Absolutely Anything; True Memoirs of an International Assassin; My Big Fat Greek Wedding 2; Larry Crowne; Night School; Hell and Back; How to Be a Latin Lover; The Internship; Let’s Be Cops; Just Before I Go; Status Update; BMT: Furry Vengeance; Killers; Unaccompanied Minors; Midnight Sun; Notes: Bam. Well known for his (pretty terrible) football comedy skits on whatever channel’s NFL pregame he works for. Was a Marine, but left to become a comedian. Was briefly on SNL before joining the Daily Show.)

Budget/Gross – $2.8 million / Domestic: $9,561,064 (Worldwide: $27,365,467)

(That seems fine. That’s what you need. Just like with Truth or Dare there is a level of safety with films like this since even $10 million, which you can maybe get just from teen girls, the movie probably breaks even.)

#107 for the Romantic Drama genre

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(Fifty Shades of Grey holds the top three highest grossing BMT film in the category. We’ve seen twelve in total, and a number of Nicholas Sparks adaptations which is fun. The lowest grossing BMT film? Surprisingly The Scarlet Letter. Interestingly while the number of theaters the genre occupies has rebounded since 2008, its recent box office success has been lackluster. Possibly could be getting sniped by Netflix originals like The Kissing Booth.)

#48 for the Teen Romance genre

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(Nothing will ever beat Here on Earth (although ooooo Endlesssss Looooooooove got the closest I think). That big peak is very obviously Twilight which is fun, and the genre has entered a relative slumber. It’ll be back.)

#63 for the Young-Adult Book Adaptations genre

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(These really fell off a cliff after Hunger Games huh. Definitely an interesting genre and one that will come back (there are a few this year, like Mortal Instruments). I think the favorite of the ones we’ve seen is The Seeker: The Dark is Rising. Great twin film. Also, BTW, this isn’t based on a book. There is a book novelization, but the movie isn’t based on it, it is a remake of a Japanese film.)

Rotten Tomatoes – 21% (12/56): Midnight Sun is a typically manipulative and contrived teen romance that’s unfortunately distinguished by its offensively inaccurate portrayal of a real-life disease.

(Hmmm, that’s actually weirdly promising. I will like to see how weird they go with the disease. The only other thing of interest was whether this was like a Sparks adaptation, and this reviewer seems to have answered my question in the negative. Reviewer Highlight: The authentic Sparks movies at least tend to be howlers, with shamelessly overcomplicated narratives and risible twists. Midnight Sun, on the other hand, is straightforward and trite. – Ignatiy Vishnevetsky, AV Club)

Poster – Midnight Sklog (D+)

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(Just like Truth or Dare this went with an arbitrary picture of our main characters for the thrust of the poster, which is bad. But it does have some quirky unique font, which is good. The rest is bad though. Like… I know they’re on a boat, but do you really want a poster where I have to guess that they’re probably on a boat?)

Tagline(s) – Dreams Come True at Night. (C+)

(Hmmmm, sounds like a tagline. It feels like a tagline. Certainly a little cliched, other than the fact that it works better for this film than perhaps the hundred other films it could have been the tagline for. At least it’s short.)

Keyword(s) – father daughter relationship; Top Ten by BMeTric: 89.6 Speed 2: Cruise Control (1997); 88.4 Manos: The Hands of Fate (1966); 87.6 BloodRayne (2005); 87.4 Crossroads (I) (2002); 86.9 Left Behind (I) (2014); 86.1 Superman IV: The Quest for Peace (1987); 86.0 In the Name of the King: A Dungeon Siege Tale (2007); 85.8 Fantastic Four (2015); 81.9 I Know Who Killed Me (2007); 80.3 Littleman (2006);

(So … every film ever? This is literally just a who’s who of terrible movies. And guess what? We watch a lot of bad movies. Even, on occasion, Uwe movies like BloodRayne.)

Notes – -It is based on the 2006 Japanese movie of the same name. (Unavailable for us to watch anywhere. Thank God… I mean, rats.)

Based on the teen novel of the same name by author Trish Cook. (FAKE NEWS! The Trish Cook book is a novelization of the screenplay for this film.)

Death Wish (2018) Preview

As Jamie and Patrick eat some mega ice cream cones and take in the wonderful doggies at the Premier Dog Show they just feel thankful that they don’t have to deal with any vampires or interdimensional cops for a moment. Just time to relax to the max and wear some rad sunglasses while taking in all that Nashville,TN has to offer. As the show is wrapping up and the world famous Arf Collector Von Schnauzer is about to win again (duh), the #1 dog in the world is snatched up by a bunch of thieves who parkour their way out of the arena. Jamie and Patrick shake their heads at each other as if to say “Here we go again.” Hot on the trail of the parkour fiends they eventually corner them in a darkened alleyway. “Let him go, scumbags, and we might not have to use our twin powers on you.” Laughing, the head thief grabs Von Schnauzer and makes the tiniest nick in his ear. “Bwahaha, he shall never win another show again,” and they grab his diamond studded dog collar and parkour out of the alley. Concerned only for the safety of Von Schnauzer, Jamie and Patrick rush over. He’s fine, but his economic livelihood had taken a serious hit. With tears streaming down their faces both Jamie and Patrick lift the hoods of their sweatshirts simultaneously to declare, “you just created some twin vigilantes, mother…” That’s right! We’re watching Death Wish, the Bruce Willis remake of a Charles Bronson classic. It’s supposed to be terrible and offensive and more or less a walking advertisement for guns. Great! Let’s go!

Death Wish (2018) – BMeTric: 20.0

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(I probably shouldn’t be terribly surprised that this film is basically “above average”, but I still, somehow, am. It is pretty interesting that what I would call “average” gets a 20 BMeTric. I think this does, ultimately, make sense. The way we do it currently kind of suggests a 20 is very borderline, and could either be a good or bad movie. I tend to specifically hunt for 50+, with 25+ kind of representing a minor cutoff. The rating will tumble as well.)

RogerEbert.com – 1.5 stars –  Eli Roth’s remake of “Death Wish,” starring Bruce Willis as a surgeon tracking the criminals who murdered his wife and put his daughter in a coma, is either the film we need right now or the film we absolutely don’t need. It depends on whether you think the movie’s self-aware take on vigilante daydreams speak deep and eternal truths about manhood, or reheat macho white guy fantasies of urban badassery that were questionable when Charles Bronson first incarnated them back in 1974.

(Yeah … that is basically what it seems like. The author of the book was pretty upset about the original somewhat glorifying vigilante justice. To bring it back during what could be described as a mass shooting epidemic seemed to require a delicate hand. Which doesn’t exactly describe Eli Roth.)

Trailer – https://www.youtube.com/watch?v=jsPLw7I06eY

(Poor music choice I think. Definitely comes across as very pro-vigilante. I’m glad they tipped the shock jock part as that is quite a large part of the film in general, and also probably its worst aspect for me. I think you have to be ready to buy into morning zoo nonsense to really “accept” the film as it is presented.)

Directors – Eli Roth – (Known For: The House with a Clock in Its Walls; Inglourious Basterds; Hostel; Cabin Fever; Hostel: Part II; Grindhouse; Future BMT: Knock Knock; The Green Inferno; BMT: Death Wish; Notes: Arguably ushered in an era of torture porn in horror films. Played The Bear Jew in Inglourious Basterds.)

Writers – Joe Carnahan (screenplay by) – (Known For: The A-Team; The Grey; Stretch; Narc; Blood, Guts, Bullets and Octane; Future BMT: Smokin’ Aces; Pride and Glory; BMT: Death Wish; Notes: One of the writers for Bad Boys for Lif3 … you didn’t read that wrong, the third Bad Boys film has the number three instead of an “e” in the word “life”. Is the brother of Matthew Michael Carnahan.)

Brian Garfield (from the novel by) – (Known For: Death Wish; The Stepfather; Hopscotch; Future BMT: Death Wish V: The Face of Death; The Stepfather; Death Wish 4: The Crackdown; Death Wish 3; Death Wish II; Stepfather II; Death Sentence; BMT: Death Wish; Notes: Grisham credits him for helping him write The Firm via his Ten Rules For Suspense Fiction.)

Wendell Mayes (based on the 1974 motion picture by) – (Known For: The Poseidon Adventure; Death Wish; Anatomy of a Murder; In Harm’s Way; The Spirit of St. Louis; North to Alaska; Von Ryan’s Express; The Enemy Below; Advise & Consent; Future BMT: Monsignor; BMT: Death Wish; Notes: Died in 1992 and hadn’t written anything of consequence since the early 80s. Interesting that he would get a credit here as it is arguably just a re-adaptation of the book.)

Actors – Bruce Willis – (Known For: Pulp Fiction; Split; The Sixth Sense; Unbreakable; Die Hard; Sin City; Le cinquième élément; Moonrise Kingdom; Twelve Monkeys; Looper; Death Becomes Her; Die Hard 4.0; Sin City: A Dame to Kill For; Ocean’s Twelve; RED; The Expendables; Grindhouse; Planet Terror; Die Hard: With a Vengeance; Alpha Dog; Future BMT: Look Who’s Talking Too; Vice; The Cold Light of Day; The Prince; Extraction; Lay the Favorite; Breakfast of Champions; Precious Cargo; Cop Out; First Kill; Once Upon a Time in Venice; Fire with Fire; Perfect Stranger; Marauders; Acts of Violence; Striking Distance; Reprisal; Rock the Kasbah; The Story of Us; Blind Date; Mercury Rising; Loaded Weapon 1; Billy Bathgate; Surrogates; Sunset; The Jackal; Last Man Standing; Armageddon; Tears of the Sun; Hostage; Four Rooms; Grand Champion; BMT: North; A Good Day to Die Hard; Color of Night; The Whole Ten Yards; The Bonfire of the Vanities; G.I. Joe: Retaliation; Hudson Hawk; Death Wish; Razzie Notes: Winner for Worst Screenplay for Hudson Hawk in 1992; Winner for Worst Actor in 1999 for Armageddon, Mercury Rising, and The Siege; and Nominee for Worst Actor in 1992 for Hudson Hawk; and in 1995 for Color of Night, and North; Notes: Y’all know Bruce Willis. Most of the recent news is about him selling a home in Idaho for $5+ million, and his vintage hot rod just went up for auction. It doesn’t look like he is having financial issues, although his recent film choices suggest otherwise perhaps. He has five daughters from his two marriages.)

Vincent D’Onofrio – (Known For: Full Metal Jacket; Jurassic World; The Magnificent Seven; Sinister; Men in Black; The Cell; Mystic Pizza; Escape Plan; Ed Wood; JFK; The Judge; Adventures in Babysitting; Brooklyn’s Finest; Strange Days; Kill the Irishman; Run All Night; The Player; El Camino Christmas; Cadillac Records; Chained; Future BMT: Fire with Fire; The Break-Up; Feeling Minnesota; Ass Backwards; Hustlers; Dying Young; Impostor; Chelsea Walls; The Velocity of Gary; Don’t Go in the Woods; Staten Island; The Necessary Death of Charlie Countryman; Broken Horses; In Dubious Battle; The Winner; The Salute of the Jugger; BMT: Rings; CHIPS; Stuart Saves His Family; Death Wish; Notes: Can’t get enough of the D’Onofrio. Best known for his early role in Full Metal Jacket and then later for his long running lead role in Law & Order: Criminal Intent. It’s been a veritable D’Onfrissance lately with CHIPS, Rings, and Death Wish in the last year or so.)

Elisabeth Shue – (Known For: Battle of the Sexes; The Karate Kid; Back to the Future Part II; Piranha 3D; Leaving Las Vegas; Back to the Future Part III; Adventures in Babysitting; Mysterious Skin; City of Angels; Tuck Everlasting; Soapdish; Hope Springs; Heart and Souls; Deconstructing Harry; Dreamer: Inspired by a True Story; The Trigger Effect; Gracie; Hamlet 2; Twenty Bucks; Underneath; Future BMT: Behaving Badly; House at the End of the Street; Hollow Man; Hide and Seek; The Saint; Palmetto; Molly; Link; Don McKay; BMT: Cocktail; The Marrying Man; Death Wish; Notes: The always beautiful Elisabeth Shue actually graduated from Harvard with a degree in Government. Nominated for an Oscar for Leaving Las Vegas.)

Budget/Gross – $30 million / Domestic: $34,017,028 (Worldwide: $34,017,028)

(Wait … the budget was $30 million? Why? What a disaster. Who decided that was a good idea?)

#15 for the Action Remake genre

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(Rollerball, Get Carter, Point Break, and Red Dawn are the big four. And we’ve seen three of those already! Action remakes are in a lull, probably because most action films are either franchises or adaptations at the moment, so there isn’t much room to remake the classic action films of … the 90s I guess? All of the remakes on this list are 70s and 80s, and the list is also surprisingly short, so maybe there just is no need to remake action films or something.)

Rotten Tomatoes – 17% (24/141): Death Wish is little more than a rote retelling that lacks the grit and conviction of the original — and also suffers from spectacularly bad timing.

(You know, I think this nails it (against all odds). It really is the conviction that manages to win you over a bit with the original. Here it seems like it is trying to play both sides. Winking when trying to convince itself it isn’t gross, and being gross when it wants its target audience to cheer. Reviewer Highlight: Vigilante dad rock. – Matt Zoller Seitz, RogerEbert.com)

Poster – Gun Porn: The Movie (A)

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(This font is perfection. It’s exactly the type of creativity that I’m looking for. I also like the staging and artistry of the poster with a hit of red as the dominant color. Still needed a small bit more for the A+, but this is very good.)

Tagline(s) – How Far Would You Go To Protect Your Family? (F)

(I give this an F for the fact that it is terrible and has nothing to do with the film. Bruce Willis’ family is killed/seriously injured in a botched robbery while he is at work. So… how does becoming a vigilante after the fact “protect his family?” Also, even if he had a shitload of guns at the time, he wasn’t home, so… Oh, and also if the night had went as planned then he and his family would have been out to eat together when the robbery occurred, so guns would have played no factor other than being something that might have been stolen in the robbery… I need to stop because this is nonsense.)

Keyword(s) – remake; Top Ten by BMeTric: 89.6 The Wicker Man (2006); 89.0 The Last Airbender (2010); 86.9 Left Behind (I) (2014); 86.1 The Avengers (1998); 85.8 Fantastic Four (2015); 85.1 The Fog (2005); 84.5 Super Mario Bros. (1993); 83.7 Rollerball (2002); 82.6 Inspector Gadget (1999); 82.2 Prom Night (I) (2008);

(Well … Super Mario Bros. isn’t a remake … and neither is Inspector Gadget really. So Prom Night is the only one we are missing. Hooray? This keyword is a mess and makes me wonder why I even bother.)

Notes – During a torture scene, Bruce Willis comments saying it’s “the most pain a human can endure before going into cardiac arrest”. This was discovered by scientists of Unit 731 (a covert biological and chemical warfare R&D; unit of the Imperial Japanese Army during WW II) who experimented with various ways to torture someone without killing them by actually torturing prisoners of war. (ugh)

Eli Roth spent a lot of time with Chicago detectives to get the details of the police district (station) correct. In the film in the corner of an open murder case board appears a card that says “We’re gonna need a bigger board,” a reference to the famous Jaws (1975) line “You’re gonna need a bigger boat.” This was something Roth actually saw on a board in the police captain’s office. (ugh)

Eli Roth wanted the film to be a modern, contemporary take on the story and used morning radio DJs Sway in the Morning and Mancow Muller as a Greek chorus to comment on the violence and function as the film’s moral compass. Roth wanted the scenes to feel totally authentic, and sent them the situations and let the DJs film and direct themselves and comment how they would naturally as if it was happening. Roth also used viral videos, memes, and the urban gossip site mediatakeout, which director Roth is a fan of. Roth wanted to show the reactions the way they would really happen, making the point that tragic violence becomes a internet meme within hours. (Oh god, I’m going to hate this film)

Originally set to star Sylvester Stallone, however Stallone backed out after “creative differences” and to work on other projects. (Honestly would have made a whole lot more sense with him)

Although not credited, Dean Georgaris re-wrote the screenplay from page one with director Eli Roth. There were nine writers on the screenplay by the final shooting draft, and the Writer’s Guild ultimately decided to give Joe Carnahan sole credit despite the fact almost none of his dialogue remained in the final version of the film. (The mystery of the writer’s guild)

In the original Death Wish (1974), Charles Bronson’s Paul Kersey character’s profession was an architect. In this remake, Bruce Willis’ Paul Kersey character’s profession is now a surgeon. (Which I believe is in the original book? Although I could be wrong)

Eli Roth cast Camila Morrone in the lead role of Jordan Kersey despite her never having acted in a feature film before. Roth met Morrone with her mother Lucila Solá in 2011 at the Ischia Global Film Festival, and Roth thought she would be perfect for the role. After shooting the movie, Morrone signed with agency WME and booked two other films. (Wait … who is this person? No seriously … who is this person?)

Eli Roth met with Chicago musician Chance the Rapper before shooting to discuss violence in Chicago and talk about possibly collaborating on the film musically. Although the collaboration did not happen, Chance’s brother Taylor Benett’s appears in the opening montage of radio calls, talking with Sway in the Morning about violence in Chicago. (coooool)

Eli Roth and actress Camila Morrone did the “snowball challenge” all throughout shooting during the cold, snowy winter. The challenge was to ask a serious question during a scene but then suddenly throw a snowball in the other’s face and post it on social media. Roth was nearly always the recipient of said snowball, posted to Morrone’s 1 million fans on social media. (Jesus, these notes are nuts? And why are there so many of them? Because it is a Roth film?)

After the debut of the film’s first theatrical trailer, it sparked criticism from left-wing journalists and film critics, with many criticizing the film as “alt-right” and “racist”, due to the film’s premise and setting. (Which is probably is though? Like … even the original film is pretty much exactly that?)

This is a remake of Death Wish (1974) which was widely considered to be star Charles Bronson’s breakout role as a major action hero.

When the original was made in 1974 New York was the murder capital of the United States and had one of the highest crime rates. When this version was made murders and in New York their murder rate and crime rate had significantly dropped and Chicago had become the city with the highest murder and crime rate in the country setting records in 2016 and 2017 and a record over a three year span from 2016-2018.

The Women (2008) Preview

Usually I start off the preview for a film by talking about how excited I am to watch it. Not this time! For the Girls Night Out section we jumped to an adaptation of a play. While we had a number of terrible musicals to choose from we at the BMT Media Empire HQ are always looking to buck trends. That’s right! We’re watching The Women… you know, that dramedy you definitely know came out starring Meg Ryan and an ensemble of women living it up in the Greater New York City Area. It’s based on the 1936 play by Clare Booth Luce, which ran on Broadway for a number of years and has been revived and adapted for the screen many times over. This is the latest such adaptation and the critics were less than thrilled. I’m less than thrilled to watch it. Thank god it’s only… 2 hours long! Gah! Let’s go!

The Women (2008) – BMeTric: 58.9

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(This movie actually has a bit more votes than I would expect, and the number seems to just keep on growing. That initial rise is somewhat interesting, why would the early viewers hate on this movie so? Especially when the thousands of viewers that voted subsequently seem to agree with is about a ~5/10 film. I’m going to go ahead a assume it is a case of Early Viewers Are Fans syndrome, and that they tend towards hating what fails to meet expectations. But … who would have expectations about The Women? God … I hope this isn’t a The Internet Hates Things Aimed At Women thing. I really do.)

Roger Ebert – 3 stars –  “The Women” isn’t a great movie, but how could it be? Too many characters and too much melodrama for that, and the comedy has to be somewhat muted to make the characters semi-believable. But as a well-crafted, well-written and well-acted entertainment, it drew me in and got its job done.

(Wowza, is that two in a row? Very interesting take ultimately. I think he admired the actresses so much (as almost pitch perfect for the movie they were creating) he got a little blinded that the movie was in fact (as he even admits) just not good. We’ll see though. Maybe we’ve discovered a hidden gem.)

Trailer – https://www.youtube.com/watch?v=RlxwcwESDkQ

(I have to say… that didn’t look like the most boring thing in the world for one reason: literally everyone in the trailer is a woman. Even the extras and shit. It’s actually amazing and might make the film at least visually interesting to look at.)

Directors – Diane English – (BMT: The Women; Notes: Effectively her one-and-done directorial project. There is another movie called Timbuktu but it seems like it was never released.)

Writers – Diane English (screenplay) – (BMT: The Women; Notes: Well known as a writer for Murphy Brown. The Women was her only writing gig after that series went off the air. But guess what? There is going to be a new season of Murphy Brown (with Candice Bergen) this year, 20 years after its last season!)

Clare Boothe Luce (play) – (Known For: The Women; BMT: The Women; Notes: Was the U.S. Ambassador to Italy under Dwight D. Eisenhower.)

Anita Loos (1939 screenplay) – (Known For: Gentlemen Prefer Blondes; The Women; San Francisco; Babes in Arms; Strange Cargo; BMT: The Women; Notes: An early screenwriter in Hollywood (her first screenplay was for a Griffith film in 1912). Her brother created the Blue Cross health insurance company.)

Jane Murfin (1939 screenplay) – (Known For: Pride and Prejudice; The Women; Come and Get It; BMT: The Women; Notes: She brought Strongheart the dog, Hollywood’s first canine film star, to the U.S. in the 20s.)

Actors – Meg Ryan – (Known For: Top Gun; You’ve Got Mail; Anastasia; When Harry Met Sally…; Sleepless in Seattle; Innerspace; The Doors; In the Land of Women; Kate & Leopold; Addicted to Love; City of Angels; Proof of Life; Courage Under Fire; French Kiss; When a Man Loves a Woman; Restoration; Joe Versus the Volcano; The Presidio; I.Q.; Flesh and Bone; Future BMT: Hanging Up; Amityville 3-D; In the Cut; Against the Ropes; Serious Moonlight; Armed and Dangerous; Ithaca; BMT: The Women; Notes: Mostly known for co-starring with Tom Hanks as love interests in three separate movies: Sleepless in Seattle, Joe Versus the Volcano, and You’ve Got Mail. She was married to Dennis Quaid for about 10 years.)

Eva Mendes – (Known For: Training Day; The Place Beyond the Pines; Fast & Furious 5; The Other Guys; Hitch; Once Upon a Time in Mexico; Stuck on You; Last Night; Out of Time; We Own the Night; Holy Motors; Bad Lieutenant; The Wendell Baker Story; Live!; Future BMT: The Spirit; Urban Legends: Final Cut; Exit Wounds; Lost River; Trust the Man; All About the Benjamins; Girl in Progress; Cleaner; A Night at the Roxbury; BMT: Ghost Rider; The Women; 2 Fast 2 Furious; Notes: Cuban-American, she’s the only one in her family to have been born in the U.S., her three siblings were born in Cuba.)

Annette Bening – (Known For: American Beauty; 20th Century Women; Film Stars Don’t Die in Liverpool; Mars Attacks!; Open Range; Rules Don’t Apply; The American President; The Great Outdoors; Ruby Sparks; The Kids Are All Right; Danny Collins; The Grifters; Bugsy; The Siege; Valmont; Regarding Henry; Postcards from the Edge; Ginger & Rosa; Richard III; What Planet Are You From?; Future BMT: In Dreams; Girl Most Likely; Running with Scissors; Love Affair; BMT: The Women; Notes: She was the original choice for Catwoman in Batman Returns, but had to drop out when she became pregnant. She’s been married to Warren Beatty for nearly 30 years.)

Budget/Gross – $16 million / $26,902,075 ($50,007,546 Worldwide)

(Eh, below what it probably expected. For a film like this you’d kind of want to double those numbers I would think. Not a bomb, but not really raking in much cash … unless The Women talk over their problems with a refreshing ice-cold Bud Light at one point that is.)

Rotten Tomatoes – 13% (19/146): The Women is a toothless remake of the 1939 classic, lacking the charm, wit and compelling protagonists of the original.

(Again, thank you RT. I guess this consensus is old enough to actually be useful. This is a brutal score for a film like this. I can only assume it is disastrously boring, which doesn’t bode well for me staying awake watching it on a plane. Reviewer Highlight: One of the worst movies I’ve ever seen.” – Richard Schickel, Time Magazine)

Poster – The Sklogettes (F)

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(Nooooooooooooooooo. Why does this keep happening. Look at all the people! Look at the basic white color of it. Dear god, look at the spacing. Even the font is shit.)

Tagline(s) – It’s all about… (F)

(Lol. Wot? I mean I get it… it’s all about The Women but still… lol. Wot?)

Keyword(s) – divorce; Top Ten by BMeTric: 81.9 Kazaam (1996); 78.8 Striptease (1996); 77.7 Bratz (2007); 64.2 Dr. T & the Women (2000); 63.1 North (1994); 63.1 Beethoven’s 2nd (1993); 63.1 Ben & Arthur (2002); 62.1 Sliver (1993); 58.9 Mr. Woodcock (2007); 58.9 The Women (I) (2008);

(Oh shit, Kazaam. I’ve seen this movie (well, the first half of it …) so many times. Dr. T weirdly doesn’t qualify for BMT actually, so looks like we’ll never complete this list. My favorite movie with divorce? Why not Mrs. Doubtfire, great stuff.)

Notes – Tanya the manicurist (Debi Mazar) talks about meeting Madonna. Mazar and Madonna are long-time friends; Mazar appeared in four Madonna music videos: “True Blue” and “Papa Don’t Preach” (1986), “Deeper and Deeper” (1992) and “Music” (2000).

Like the 1939 version, the film has an all-female cast. (noice)

While the project was being put together in Julia Roberts and Meg Ryan were set to star. The production stalled because Roberts and Ryan ended up wanting the same role.

The painting in the restaurant scene features Courtney Love and Anna Nicole Smith.

In The Women (1939) the only scene in color was the fashion show sequence. In this version the fashion show begins with all-black and white clothes, and the scene before it takes place in a black-and-white room.

In the late 1970’s a remake of the 1939 classic was proposed to star Jane Fonda, Barbra Streisand, and Faye Dunaway, but it was not made. (That sounds like this could have been fun)

Blythe Danner, Marisa Tomei, Queen Latifah, Whitney Houston, Ashley Judd and Sandra Bullock were all in the running for various parts in the film.

For scenes planned on being shot in the Boston Public Library, it was suggested that all the portraits and busts of men to be replaced with those of women. However, the scene was never shot. (Excuuuuuuse me? You talking ‘bout the Boston Public Library? Why would you not shoot that?)

There is an abundance of the use of the color green, from the color of the sets, props, costumes, in almost every scene throughout the movie. In the final fashion show, except for the models, almost every guest is wearing green.

Candice Bergen previously played Meg Ryan’s mother in Rich and Famous (1981).

Edie’s (Debra Messing) daughters are called January, April, May and June. The last three are the names of Daisy Duck’s nieces (counterparts to Donald Duck’s nephews Huey, Dewey and Louie).

Before development was put on hold in 2006, Annette Bening and Uma Thurman were rumored to have been considered for the roles of Mary Haines and Crystal Allen respectively. Also Lisa Kudrow and Anne Hathaway were in talks for the roles of Mirian Aarons and Peggy Day, but the roles were cut out of the final script.

According to Diane English, the project was in development, from the first draft to the final green light, for fifteen years. (Jesus. No wonder it ended up being a mess)

The original Broadway production opened on 7 September 1937 and had 666 performances at the Ethel Barrymore Theatre in New York. (666? How does that happen I wonder. I would think with how superstitious theater operators are that they would have avoided it)

“The Women’s” screenwriter Anita Loos who wrote this film’s original 1939 screenplay, started her writing career in 1912 with her first full film screenplay The Musketeers of Pig Alley (1912) starring Lillian Gish for the American Mutoscope & Biograph Co. which is still in existence today. After writing many scripts for Biograph, Loos went on to write such other films such as Saratoga (1937), Another Thin Man (1939), San Francisco (1936), A Tree Grows in Brooklyn (1945), and Gentlemen Prefer Blondes (1953).

Except for the newly-born baby boy in the final scene, there are no male characters in the entire film, not even the extras in wide shots. (That is actually quite cool)

Nominated for the Razzie Award for Worst Actress (Annette Bening, Eva Mendes, Debra Messing, Jada Pinkett Smith, Meg Ryan)

Flatliners (2017) Preview

Our keen BMT instincts had us eyeing Flatliners since May for a potential Fall BMT Live! We needed something to bridge the gap between The Mummy and (hopefully) the weather disaster film Geostorm and it just didn’t seem possible that a remake of a 1990 cult classic that no one was asking for could possibly be good. Boy were we right. Taking a break from our Bring a Friend cycle we will be heading to the theater for some BMT fun. Coming into this weekend it stands as the worst reviewed major release of the year (2% on RT compared to 6% for the Rings sequel) and is everything that nobody was hoping it would be. Destined to be forgotten to the sands of time, but not to BMT, let’s get ourselves geared up for a sci fi/horror romp. We haven’t lived until we’ve died, babbbbbyyyyyyy! Let’s go!

Flatliners (2017) – BMeTric: 15.0 (October 1, 2017)

RogerEbert.com – 1.5 stars –  This sort of movie can be more frustrating than a maliciously terrible or blunderingly incompetent film because at each step you can tell that everyone involved in the production sincerely believed in the material, both as raucous entertainment and as a tale of moral growth. But when the best you can say about a movie is that it means well, that’s proof that it’s not working on any level that matters.

(Just to be clear … this is a film which got 35 bad reviews in a row and sits at 2%. It is likely to be the worst reviewed film of a year that includes The Emoji Movie. Apparently a movie that merely “means well” is a movie everyone can rally behind and give uniformly bad reviews to.)

Trailer – https://www.youtube.com/watch?v=a1S52y5ZVlY

(I can’t tell if it is a good choice to go full horror or not. I do know that I don’t think this is a particularly interesting choice for a remake to Flatliners. Whether it is an IP grab or a legitimate choice to remake what is kind of a forgotten film of the 90s is yet to be scene, but it feels like an IP grab. Which probably means safe garbage-y horror.)

Directors – Niels Arden Oplev – (Known For: The Girl with the Dragon Tattoo; Drømmen; Future BMT: Dead Man Down; BMT: Flatliners; Notes: Danish, and that is naturally the original The Girl with the Dragon Tattoo, not the American remake. He’s worked on several American television shows since including directing an episode of Mr. Robot.)

Writers – Peter Filardi (story by) – (Known For: Flatliners; The Craft; BMT: Flatliners; Notes: He is from a family of screenwriters including his brother and wife. Oddly hasn’t written all that much though, although he was attached to some sort of supernatural project a few years ago.)

Ben Ripley (screenplay by) – (Known For: Source Code; The Choir; BMT: Flatliners; Notes: Ha, he wrote the direct-to-video sequels to Species as his first jobs for Fox! He somewhat hit it big with Source Code (his original idea) and is attached to the sequel that is in production.)

Actors – Ellen Page – (Known For: Inception; X-Men: Days of Future Past; Juno; X-Men: The Last Stand; Mercy; Hard Candy; Into the Forest; Super; The Cured; To Rome with Love; My Life as a Courgette; Whip It; Tallulah; The East; Freeheld; Smart People; Window Horses; Mouth to Mouth; The Stone Angel; Marion Bridge; Future BMT: Touchy Feely; The Tracey Fragments; BMT: Flatliners; Notes: Vegan and well-known LGBT advocate having come out as gay a few years ago. In a relationship with professional surfer Samantha Jones.)

Diego Luna – (Known For: The Bad Batch; Rogue One; Elysium; Blood Father; Y Tu Mamá También; Open Range; The Terminal; The Book of Life; Frida; Milk; Contraband; Before Night Falls; Casa de mi Padre; Mister Lonely; Criminal; Rudo y Cursi; Nicotina; Future BMT: Vampires: Los Muertos; Dirty Dancing: Havana Nights; BMT: Flatliners; Notes: A mexican actor appearing in numerous mexican films and some telenovelas. He’s started producing with his company Canana Films.)

Nina Dobrev – (Known For: xXx: Return of Xander Cage; The Perks of Being a Wallflower; Chloe; The Final Girls; Away from Her; Fugitive Pieces; How She Move; Future BMT: Barely Lethal; Let’s Be Cops; BMT: The Roommate; Flatliners; Notes: Bulgarian, although she grew up in Canada. She starred in Vampire Diaries, and has started to make the shift to major features including Bring a Friend film xXx: The Return of Xander Cage.)

Budget/Gross – $19 million / Domestic: $2,150,000 (Worldwide: $5,250,000) (October 1, 2017)

(That budget is … respectable actually. It won’t make it back (it is a colossal bomb already), but this now seems like a kind of shot in the dark to try and get some cheap nostalgia cash instead of a poorly thought out use of sweeeeeeeet IP.)

#58 for the Horror Remake genre (October 1, 2017)

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(Can’t really remake horror films without horror films to remake I guess. The boom in the late-00s suggest this is a very nice genre for bad movies. It seemed like it was surging again, but nay, this was the first placed in the genre in nearly two years. And it is not making much money at the moment, soooooo probably won’t help matters)

Rotten Tomatoes – 2% (1/47): Flatliners falls flat as a horror movie and fails to improve upon its source material, rendering this reboot dead on arrival.

(It falls flat? Really? Anyways, this is probably the worst reviewed film of the year. At least up there, sub-5% is extremely rare. I figured this film was going to be terrible because it is a terrible idea (not the killing themselves part, the part where they remake Flatliners), but I never really imagined it would get quite this bad reviews.)

Poster – Sklogliners (A-)

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(This poster is good. Seems a bit more like an art piece than a poster, but still good. Only wish the majority of the poster wasn’t so dull colorwise.)

Tagline(s) – You Haven’t Lived Until You’ve Died (A)

(I would say this is a near perfect tagline. It is short, plays on a common phrase, and hints at the plot. Check marks all around. The only concern I have is that I’m not sure it captures the tone of the film, which seems to be a sci fi/horror. But hard to tell without having seen the film.)

Keyword(s) – medical student; Top Ten by BMeTric: 78.0 Jason X (2001); 65.4 Valentine (2001); 54.2 Annabelle (I) (2014); 44.3 Unrest (I) (2006); 35.7 The Ruins (2008); 33.7 The Prince & Me (2004); 31.3 Victor Frankenstein (2015); 30.1 Wrong Turn (I) (2003); 29.9 Pathology (2008); 28.0 The Taking (2014);

(Awesome. Victor Frankenstein is one of those films we should have just watched and then never got around to it. I don’t think it even got any Razzie nods, which is also super weird. From everything I heard it is as bad as I, Frankenstein.)

Notes – Sequel to Flatliners (1990) which starred Kiefer Sutherland, Kevin Bacon, Julia Roberts, Oliver Platt and William Baldwin.

With Kiefer Sutherland returning as Nelson, the same character he played in the 1990 version of the movie, makes this a sequel rather than a remake.

This movie is NOT a sequel to the 1990 movie. It is a remake, a re-imagining, or a version of the previous movie and has no other connection to it at all. Although Kiefer Sutherland appears in both versions, he plays two different characters. (See above … this production sounds very clear and coherent)

Ellen Page also voiced and motion captured the lead character Jodie Holmes from the 2013 video game Beyond: Two Souls (2013). The game explores the “infraworld” which is analogous to the world after death where the souls reside. Ellen Page’s character in the game also experiences supernatural activities and communicates with entities from the “other side.”

Avery Bederman, the daughter of one of the executive producers of the film, Michael Bederman, has a small role in this movie.

Friday the 13th (2009) Preview

Huge week for BMT as we finish up our adventure through the Friday the 13th series. I’m actually getting a little emotional as I relive our journey from F13 n00bs to veterans of the series and big enough fans to be legitimately disappointed when they scrapped the planned reboot this year. The 11th movie in the series, Freddy vs. Jason, pitted two of the most famous film slashers against each other and earned enough goodwill to not qualify for BMT, so that’s just a bonus this week. As for the Bring A Friend for Friday the 13th we went with Black Friday the 13th, pairing a Bargain Bin C-list Gary Daniels martial arts film, Black Friday, with the conclusion of the horror franchise. There had been some questions for as as to what qualified for “Bargain Bin,” but this certainly does: stars a C-list actions star, does not have a trailer, and was directed by the same guy who made Saving Christmas. That is legit lower than Direct-to-DVD… that’s like Might-not-ever-be-on-DVD level. But of course my local public library had a copy ready to rent (my library is amazing). All things considered I’m willing to bet watching Black Friday will be a more horrifying experience than finishing up Friday the 13th. Let’s go!

Friday the 13th (2009) – BMeTric: 46.6

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(Nice. Opened high with the horror fans hitting the ratings hard, and they it goes a-tumblin’ down to the “mean”. The idea of an average rating is actually quite fascinating. The mean rating for IMDb as a whole is something like 7.0 (weighted by number of votes). For the top 10 thousand films (by popularity) it is closer to 6.4 instead. And I think if you were to postulate a limit, the mean rating a movie would hit if it was (1) perfectly average, and (2) an infinite number of people rated it, I think it would be around 5.8 all said and done. What does it say about BMT that so many of our movies approach this 5.8 limit like clockwork? I think it tells you a bit about how bad the “average” movie is, but this could also all be horseshit. Only deep diving data-analysis can tell the tale. Stay tuned.)

Leonard Maltin – 1.5 stars –  The 12th Friday isn’t a sequel but something like a remake of the 1st and 3rd. As before, some annoying teenagers encounter the silent, murderous Jason, who chops, stabs, and bludgeons his way through the cast, though without as much gore as in previous entries. Plodding, dull, and repetitive, this is only occasionally creepy and never scary. Yes, there’s a setup for a sequel, if anyone cares.

(Leonard loves lists. Although I do like the rhythm created by “chops, stabs and bludgeons” and “Plodding, dull, and repetitive”. Brutal takedown at the end, mainly because yeah, no one cared and Paramount cancelled the sequel mere months ago. Sigh.)

Trailer – https://www.youtube.com/watch?v=NVsVKn-MS14

(As far as a remake is concerned this is probably the best storyline available. Use the hiker looking for his sister conceit. Replace Mama Voorhees with Jason. And give a few call backs (like the bag over the head). I like the idea of him being a weirdo protecting his territory as well. I am genuinely interested in seeing how they screw it up. Although judging by how much Camp Crystal Lake there is in the trailer, they might have caught a case of over-explainitis.)

Directors – Marcus Nispel – (Future BMT: Conan the Barbarian; The Texas Chainsaw Massacre; BMT: Pathfinder; Friday the 13th; Notes: Was originally attached to End of Days as his feature directorial debut, but left due to budget issues. Was originally a commercial and music video director.)

Writers – Damian Shannon and Mark Swift (screenplay & story) – (Known For: Freddy vs. Jason; Future BMT: Baywatch; BMT: Friday the 13th; Notes: True blue writing partners (they even have a joint wiki page). Brought in after Wheaton (and the originally attached director) was fired, having written Freddy vs. Jason.)

Mark Wheaton (story) – (Future BMT: The Messengers; BMT: Friday the 13th; Notes: He wrote for a number of film magazines prior to becoming a screenwriter despite going to school for playwriting. Writes for video games as well, and has had a few crime novels published in the past few years.)

Victor Miller (characters) – (Known For: Friday the 13th; Freddy vs. Jason; Jason Lives: Friday the 13th Part VI; BMT: Jason X; Friday the 13th Part VIII: Jason Takes Manhattan; Friday the 13th: A New Beginning; Friday the 13th Part VII: The New Blood; Friday the 13th; Friday the 13th Part III; Friday the 13th: The Final Chapter; Friday the 13th Part 2; Notes: Wrote the original film.)

Actors – Jared Padalecki – (Known For: Phantom Boy; Future BMT: House of Wax; Cry_Wolf; Flight of the Phoenix; BMT: New York Minute; Friday the 13th; Cheaper by the Dozen; Notes: His IMDb profile is very details and weirdly focused on his high school academic achievements (like being a Presidential Scholar and an “exceptional” chess player). Played Dean Forester on Gilmore Girls.)

Amanda Righetti – (Known For: Captain America: The First Avenger; Role Models; BMT: Friday the 13th; Notes: Was Hailey Nichol on The O.C.! That’s Kirsten’s little sister for those playing at home. Mainly a television actress she had major parts on The Mentalist and Colony most recently.)

Derek Mears – (Known For: Percy Jackson: Sea of Monsters; Popstar: Never Stop Never Stopping; I Don’t Feel at Home in This World Anymore.; Predators; Signs; Zathura: A Space Adventure; Død snø 2; Hatchet III; MacGruber; Future BMT: Wild Wild West; The Haunted Mansion; The Hills Have Eyes II; Cursed; Men in Black II; Live by Night; Pirates of the Caribbean: On Stranger Tides; The Demolitionist; Gangster Squad; BMT: Dragon Wars; Friday the 13th; Teenage Mutant Ninja Turtles; Hansel & Gretel: Witch Hunters; Notes: Known for his “towering height”. Makes sense he would take over as Jason. I don’t have issues with not having Hodder return in the remake, if they had planned on making it a series I think you try out a few people to find someone who can bring something new and fresh to the part.)

Budget/Gross – $19 million / Domestic: $65,002,019 (Worldwide: $91,379,051)

(I mean, that’s a hit. $65 million is nothing to scoff at for a horror. They probably expected more, but none of these films made money, so I don’t know why they would. I am actually stunned they cancelled the sequel. The only plausible explanation is that they are rebooting it again to give it back that microbudget feel with a Blumhouse Pictures deal, but who could possibly know. Perhaps the cut they saw was so bad it would have killed the franchise forever.)

#7 for the Horror – Slasher genre

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(Second best of the remakes of classic horror franchises, beaten only by Texas Chainsaw Massacre. This franchise died with the remake wave. Is there no novel ways to make a slasher? Is the genre too narrow and self-aware. Possibly. Only time will tell. Would make me sad if true, but I have to imagine someone will come up with a twist and revive it, even if the glory of practical effects fueled 80s slashers are dead and gone.)

#7 for the Horror Remake genre

fridaythe13th09_horrorremake

(You can kind of see how the slasher died at the same time the remake boom died. There aren’t really any 90s horrors worth rebooting, so possibly they are just waiting a bit before delving back into more recent films? Unclear. Horror is experiencing a renaissance at the moment, so remakes don’t seem like the are entirely wanted or needed.)

Rotten Tomatoes – 25% (42/166): Though technically well-constructed, Friday the 13th is a series rehash that features little to distinguish it from its predecessors.

(Yeah … well I’m not sure going the other way would have worked out very well either. Honestly, I’m hard pressed to think how you could reboot a horror franchise like this without rehashing quite a bit. Any type of “innovation” I don’t think comes across as anything but gimmicky. Maybe set it after all of films (besides Jason X …) and don’t explain his resurrection? Soft reboot into Jason as a ghost story in the woods around Crystal Lake, something everyone forgot about.)

Poster – Friday the 13th (B-)

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(I like it! Some similarities to the original, although less artistic and more generic. Like the spacing, Jason-centric nature of it, and the coloring is dark but nice. Biggest flaw is they took a series with unique font and made it boring as shit.)

Tagline(s) – Welcome to Crystal Lake (B-)

(Concise and to the point, hinting at what’s to come (hopefully): a Friday the 13th film. Not clever in the least bit though.)

Keyword(s) – camp; Top Ten by BMeTric: 94.5 Batman & Robin (1997); 85.3 Troll 2 (1990); 81.3 Plan 9 from Outer Space (1959); 78.4 Pledge This! (2006); 75.9 Freddy Got Fingered (2001); 69.8 Year One (2009); 64.0 Seed of Chucky (2004); 60.5 Shrooms (2007); 53.6 Exit to Eden (1994); 50.8 Silent Night, Deadly Night 2 (1987);

(Booooooo, unless … does camp mean like a camp … or like campy? Because then Batman & Robin makes sense. Seems like a mix to be honest, which would make this list an absolutely bonkers marathon.)

Notes – The first time Paramount has any association with the “Friday the 13th” series since 1989.

Producer Michael Bay walked out in the movie premiere, stating that the movie featured too much sex. (Ha! Just too much for him)

Adrienne King, star of the original 1980 film, was approached by producers Andrew Form and Bradley Fuller to do a cameo appearance during preproduction. A few days later, the producers called her back and told her they didn’t want anyone from the original film to appear in the remake. (This production sounds organized).

The first film in the series released by both New Line Cinema and Paramount Pictures. Originally, Paramount owned the rights to the series after the original was released in 1980 but sold the rights to New Line Cinema in the early 1990’s after poor box office returns of Friday the 13th Part VIII: Jason Takes Manhattan (1989). New Line bought the rights to the characters of Jason Voorhees and Pamela Voorhees, the Crystal Lake name, and the trademark for the title “Friday the 13th”. All footage from the first eight films and the remake rights for the first film remained the property of Paramount. New Line Cinema released Jason Goes to Hell: The Final Friday (1993), Jason X (2001) and Freddy vs. Jason (2003). When Platinum Dunes came aboard to develop the new film, they wanted the freedom to use scenarios and characters from the films still owned by Paramount. After a legal dispute, the companies decided to co-produce the 2009 film.

In this movie Jason wears both the legendary hockey mask and the burlap sac, although neither of those appeared in the original Friday the 13th (1980). (Hmmmm, that’s a lot of fan service)

With $42.2 mil, had the biggest opening weekend of a horror-remake beating out former record holder The Grudge (2004) ($39.1 mil).

The title card of the movie isn’t displayed until the end of the opening segment, nearly 25 minutes into the film, which is one of the longest prologues for a horror film ever. (Holy shit, that is ridiculous)

Tommy Jarvis, a character that appeared in Friday the 13th: The Final Chapter (1984), Friday the 13th: A New Beginning (1985), and Jason Lives: Friday the 13th Part VI (1986) was at one point confirmed by producers Bradley Fuller and Andrew Form of Platinum Dunes to be returning as Jason’s nemesis. (That would have actually been cool maybe, set them up in a trilogy or something to battle it out. I could have gotten behind that).

According to co-writer Damian Shannon, the character of Jason Voorhees was re-envisioned as more territorial, like a hunter, someone who doesn’t kill people at random but will defend his territory from anyone invading it, and this in the most horrible manner. Director Marcus Nispel similarly claims the film shows new aspects of Jason’s personality. Derek Mears says his portrayal of Jason as a survivalist defending his territory is partially inspired by the character of John Rambo in First Blood (1982). (That makes a lot of sense)

Despite the title, the date the events supposedly take place on, Friday the 13th, is only mentioned once. The date can be seen on a tear-away type calendar in the police station, as the officers leave to investigate towards the end of the movie.

One of the victims was originally supposed to drown due to exhaustion as Jason waited her out from the shore of the lake.

Travis Van Winkle portrayed the same character from Transformers (2007) which was directed by Michael Bay.

The film’s setting (New Jersey) is an homage to the original film being filmed in New Jersey. (Wellllll … Crystal Lake is in New Jersey so easy peasy).

Jason just randomly appearing out of thin air as in the earlier films wouldn’t fly this time around. So, they decided he traveled via a series of underground tunnels. That concept was in Mark Wheaton’s original script, but Mark Swift and Damian Shannon claimed to have never read Wheaton’s script until the film was finished, having come up with the same idea about the tunnels on their own. As for the marijuana plant farm which Jason appears to use to lure teenagers into traps, apparently no writer can claim that as their own. According to Swift and Shannon, that was actually director Marcus Nispel’s idea from early on in the development process, and it was their job to work it into the script. (Huh, that could work, but it sounds a bit too over-explainy to me).

The character of Sheriff Bracke, played by Richard Burgi, is named after author Peter Bracke, who wrote the book “Crystal Lake Memories: The Complete History of Friday the 13th”.

Screenwriters Mark Swift and Damian Shannon wanted Jason’s body count in the film to be just 13 as an easter egg for fans. It was surprising how much work it was to kill thirteen people.” Friday the 13th Part IV: The Final Chapter pulled off the “just 13 kills” thing as well, and Friday the 13th Part VI: Jason Lives writer/director Tom McLoughlin originally turned in a film featuring just 13 kills. Executive Producer Frank Mancuso, Jr. forced him to perform re-shoots to up the body count to 18. (Ha, yeah, 13 is pretty close to typical for Friday the 13th, 18 is a lot).

A follow up to 2009’s Friday the 13th was slated for release on October 13, 2017, and was all set to go into production in a matter of weeks. But in February 2017 it was announced that paramount had pulled the plug on the project. (Sigh, yep, this is why we were doing this entire thing)

The film takes place on June 13, 1980 and in 2009.

It shares screenwriters with Freddy Vs. Jason, who had previously turned down the chance to do a Freddy Vs. Jason sequel. Damian Shannon and Mark Swift, as a result of the legal delays, Friday the 13th lost its original director (Jonathan Liebesman) and screenwriter (Mark Wheaton). Freddy Vs. Jason writers Mark Swift and Damian Shannon, who had earned their first writing credit with Freddy Vs. Jason but had yet to get another script onto the screen, were brought in to replace Wheaton. Both grew up huge Jason/Freddy fans, but their Freddy Vs. Jason script was largely re-written by David S. Goyer, who went uncredited, and the far campier film that came out of that was not to their liking. Still, New Line actually offered them the chance to pitch ideas for a Freddy Vs. Jason 2, which they turned down, according to Shannon, because “we thought maybe somebody else should tackle it because we shot our wad so to speak. Every idea we had about that was in the first. I don’t know what we could have done with a second one.”

Mark Wheaton’s original pitch to New Line was to reboot the series with “a new Part V,” ignoring the original “New Beginning” and everything that happened after while featuring a prologue showing Jason Voorhees witnessing the murder of his mother. The characters who come to Crystal Lake then know of Jason as they did in Friday the 13th Parts 2, 3-D, and IV, but Voorhees is not yet supernatural as he is beginning with Part VI (or is a demon worm, or has gone to space, etc.). To further suit the needs of a reboot, Wheaton had Voorhees in first the canvas bag as he was in Part 2 only to replace it with the hockey mask halfway through the film.

The character Richie was one of a few characters to have CGI effects added into his death. Derek Mears (Jason) was holding only the handle with half the blade of the fake machete, making it look like it impaled Richie’s (Ben Feldman’s) head. The visual effects crew digitally superimposed the fake machete to look like it was a completely bladed weapon in the final film. Director Marcus Nispel usually allowed minimal use of CGI effects into his films.