Dolittle Preview

As the chamber melts away, the craggy dry peaks of The Waste shine through the blistering walls. John Travolta screams in rage as a tower of melting rocks fall on top of him and Rich and Poe hear his final plea, “never forget meeeeeeee.” Together, as brothers, Rich and Poe step out into the light to their freedom. Just then they hear a weak voice behind them, “Bad Movie Twins.” They turn and see the badly burned face and upper torso of Nic Cage sticking out of the melting ruin. There is a twinkle in his eyes and a smile plays through a painful grimace. “I always knew you two would save the world… together,” he whispers, putting out a shaky hand. Rich and Poe take it. “You… you knew the whole time, didn’t you?” they ask. It must be, even though if you really think through it it probably doesn’t make much sense. “Of course,” he croaks, “I knew the only way to stop him was to get you two in the game… and now… you must help me… I’m gravely injured… there is only one cure for my condition… it’s all explained… in… *gasp*… journal… *cough*… and…” and with that he faints. Rich and Poe are badly shaken. They wonder what could possibly be in Nic Cage’s Journal (all rights reserved) that could bring someone back from so close to death. More importantly they wonder how they are going to find something they didn’t even know existed before now. “You looking for that journal?” they hear from a tiny voice. They look around but don’t see anyone. “No, down here,” it says again and when they look down they gasp in astonishment. Looks like this is the start of another wondrous bad movie twins adventure. That’s right! We are starting right in on another adventure as we do one of the only essential BMT films of 2020. What was shaping up to be a stellar BMT year was thrown by Covid, but not before delivering Robbie D. Jr. and Dolittle into our laps. Let’s walk the walk and talk the talk with the animals. Let’s go!

Dolittle (2020) – BMeTric: 44.3; Notability: 60 

(Ha, that early rating. If that isn’t some sort of proof that there are attempts to manipulate online polls early in a film’s release, then I’m not sure what is. I mean … why would early viewers of this films be like “yes! 7 out of 10, nailed it” when every indication is that the film is an unmitigated disaster. A notability of 60 is absolutely huge though, I suppose that’s what happens when you have a giant ensemble cast of famous actors providing voices.)

RogerEbert.com – 1.5 stars – It’s hard to know what, exactly, went wrong here. The concept is fine, even the adaptation is fine: eccentric doctor who can talk to animals goes on a series of madcap adventures! Sure! Nothing wrong with that! Hugh Lofting’s popular children’s book series, published in regular intervals during the 1920s and ’30s (with a couple of books of previously uncollected stories appearing posthumously), has been adapted many times before, for film, for television, animated, live action, etc. The “property” has been its own little franchise for a century now. But “Dolittle,” with Robert Downey Jr. in the eponymous role, is a wild whirlwind of a mess, without any coherence, without even a guiding principle. … “Dolittle”‘s post-production was troubled and turbulent, with other directors brought in to do last-minute surgery (if you believe the reports), and three weeks’ worth of re-shoots. That speaks to pretty severe problems. The release date was pushed back for months (usually an ominous sign). None of this would matter, though, if the confusion didn’t show so clearly on the screen.

(You know, right up until I read this review I had kind of forgotten about that. I knew about the infamous dragon fart scene at the end. But I forgot that mostly the film was slammed by critics for being so obviously edited from a pile of disjointed scenes and a complete mess of a production. Should be interesting if, indeed, it is as wildly obvious that is suggested by this review.)

Trailer – https://www.youtube.com/watch?v=FEf412bSPLs/

(Oh my god, I forgot about the co-opted song … one of the worst examples of it I think. It is too bad Robert Downey Jr. does the weird accent, because without it and the horrible song choice the film merely looks like a shiny kids’ movie. With those two elements though you kind of know it is going to be a disaster.)

Directors – Stephen Gaghan – (Known For: Syriana; Gold; Future BMT: Abandon; BMT: Dolittle; Notes: Directed one of the James Bond Heineken commercials. The partnership is somewhat notable in that Heineken has effectively paid the entirety of the production cost of several of the films, so hundreds of millions of dollars. Heineken claims that their internal numbers suggest the deal has netted them billions in extra revenue. Win win I suppose.)

Writers – Stephen Gaghan (screenplay by) – (Known For: Traffic; Syriana; Havoc; Future BMT: Abandon; The Alamo; Rules of Engagement; BMT: Dolittle; Notes: Won an Oscar for writing for his work on Traffic.)

Dan Gregor and Doug Mand (screenplay by) – (Known For: Magic Camp; Most Likely to Murder; BMT: Dolittle; Notes: Were writers for How I Met Your Mother most notably I think. Are tapped to write Rookie of the Year (which I assume is a remake of the 90s classic) and a live-action Chip ‘n’ Dale: Rescue Rangers film.)

Thomas Shepherd (screen story by) – (BMT: Dolittle; Notes: He has no notable credits and such a generic name as to make it impossible to search for information on him … I’m going to guess he’s like 20 and was given a first pass at the screenplay before handing it over to the writing team above.)

Hugh Lofting (character created by) – (Known For: Doctor Dolittle; Dr. Dolittle 2; Future BMT: Doctor Dolittle; BMT: Dolittle; Notes: Doctor Dolittle was created as part of illustrated letters to his children from the trenches of World War I. Moved to Connecticut after the war.)

Actors – Robert Downey Jr. – (Known For: Avengers: Endgame; Zodiac; Avengers: Infinity War; Spider-Man: Homecoming; Sherlock Holmes; Avengers Assemble; Iron Man; Avengers: Age of Ultron; Captain America: Civil War; Sherlock Holmes: A Game of Shadows; Iron Man Three; Iron Man 2; Tropic Thunder; The Incredible Hulk; Weird Science; Chef; Natural Born Killers; The Judge; Back to School; Kiss Kiss Bang Bang; Future BMT: The Shaggy Dog; Johnny Be Good; Black and White; Gothika; In Dreams; Air America; The Singing Detective; Lucky You; One Night Stand; Friends & Lovers; Girls Just Want to Have Fun; Hugo Pool; Up the Academy; Eros; Due Date; U.S. Marshals; Fur: An Imaginary Portrait of Diane Arbus; Tuff Turf; Moving In; Too Much Sun; BMT: Dolittle; Notes: Nominated for two Oscars (Tropic Thunder and Chaplin). Has played Iron Man for over a decade. This was his first non-Tony Stark role since 2014.)

Antonio Banderas – (Known For: Interview with the Vampire: The Vampire Chronicles; Spy Kids; The Skin I Live In; The Mask of Zorro; Frida; The Laundromat; Philadelphia; Pain and Glory; Haywire; Shrek 2; Femme Fatale; Knight of Cups; Shrek the Third; Once Upon a Time in Mexico; Desperado; Ruby Sparks; Acts of Vengeance; Shrek Forever After; Puss in Boots; Spy Kids 3: Game Over; Future BMT: Spy Kids 4: All the Time in the World; Machete Kills; The Other Man; Never Talk to Strangers; Play It to the Bone; Gun Shy; The Body; The Big Bang; The Legend of Zorro; Two Much; Thick as Thieves; Automata; Original Sin; Of Love and Shadows; Assassins; Justin and the Knights of Valour; Imagining Argentina; Four Rooms; Black Gold; Life Itself; The House of the Spirits; The Music of Silence; BMT: Ballistic: Ecks vs. Sever; Dolittle; The Expendables 3; The 13th Warrior; Notes: Was married to Melanie Griffith for nearly 20 years. Was a famous actor in Spain before transitioning to Hollywood in the early 90s.)

Michael Sheen – (Known For: Nocturnal Animals; The Twilight Saga: Breaking Dawn – Part 2; Alice in Wonderland; Tron; Apostle; Midnight in Paris; Blood Diamond; How to Build a Girl; Far from the Madding Crowd; Frost/Nixon; Kill the Messenger; The Queen; The Four Feathers; Brad’s Status; Wilde; The Damned United; Bright Young Things; Othello; Norman: The Moderate Rise and Tragic Fall of a New York Fixer; Resistance; Future BMT: The Twilight Saga: Breaking Dawn – Part 1; Slaughterhouse Rulez; Admission; Home Again; Laws of Attraction; Mary Reilly; The Adventurer: The Curse of the Midas Box; Alice Through the Looking Glass; Underworld: Rise of the Lycans; My Last Five Girlfriends; Underworld: Evolution; Jesus Henry Christ; Passengers; Underworld; Kingdom of Heaven; Music Within; BMT: The Twilight Saga: New Moon; Dolittle; Timeline; Notes: Welsh. He played Motzart on Broadway around 2000 which is when his career took off. Has also found television success with Masters of Sex.)

Budget/Gross – $175,000,000 / Domestic: $77,047,065 (Worldwide: $245,229,088)

(I mean … terrible, a huge bomb if you believe that budget. But not the biggest bomb in the world, and not nearly as bad as I was expecting. Maybe benefited from being one of the only films to be released majorly to theaters in 2020.)

Rotten Tomatoes – 14% (31/227): Dolittle may be enough to entertain very young viewers, but they deserve better than this rote adaptation’s jumbled story and stale humor.

(All of the reviews are about the reshoots. Everything from how you can tell the story is cut up into a mish mash of ideas, to how Robert Downey Jr. never seems to be facing the camera when he speaks with all of this lines seemingly re-recorded. Reviewer Highlight: It really is horribly inert, and every time Downey opens his mouth to say something unintelligible, the film dies a bit more. – Peter Bradshaw, Guardian)

Poster – Dr. Skloglittle

(I don’t love it mostly because it’s just a lot going on. I like an artistic theme, a color scheme, a triple beam lyrical dream… you know? But it’s got some nice font and the layout is good. So not terrible either. B-)

Tagline(s) – He’s just not a people person. (A-)

(This is certainly clever and all that. Just always a little weird to have a tagline like this where you probably have to be considerably older than the audience to even understand what’s going on with it. It’s a strange concept to think that an adult would look at the poster, chuckle at the tagline, and then when they take their kids to the movies they look and say “maybe Dolittle… it had a fun tagline.”  But again, clever, short, and a play on the plot. Overall pretty good.)

Keyword – live action and animation

Top 10: Avengers: Endgame (2019), The Lord of the Rings: The Fellowship of the Ring (2001), Thor: Ragnarok (2017), Casper (1995), Jumanji: The Next Level (2019), Jurassic Park (1993), Avengers: Infinity War (2018), The Lord of the Rings: The Return of the King (2003), The Lion King (2019), Maleficent (2014)

Future BMT: 76.5 Alvin and the Chipmunks: Chipwrecked (2011), 75.9 Alvin and the Chipmunks: The Squeakquel (2009), 67.3 Scooby-Doo (2002), 64.0 Scooby-Doo 2: Monsters Unleashed (2004), 60.0 Alvin and the Chipmunks (2007), 54.5 Alvin and the Chipmunks: The Road Chip (2015), 53.6 The Smurfs (2011), 53.3 The Smurfs 2 (2013), 49.0 Hop (2011), 46.7 Men in Black: International (2019);

BMT: Dolittle (2020), Warcraft: The Beginning (2016), Pixels (2015), Teenage Mutant Ninja Turtles (2014), The Cat in the Hat (2003), Kangaroo Jack (2003), Cool World (1992), Eragon (2006)

(Ascendant in the 90s, a little too much in the 00s, and now just settled as a normal part of all levels of filmmaking. That’s how I interpret that plot. The Scooby-Doo films are probably the big ones we are missing from the BMT list.)

Welcome to Earf (HoE Number 21) – The shortest path through The Movie Database cast lists using only BMT films is: Antonio Banderas is No. 2 billed in Dolittle and No. 1 billed in Ballistic: Ecks vs. Sever, which also stars Talisa Soto (No. 5 billed) who is in Mortal Kombat: Annihilation (No. 2 billed), which also stars Robin Shou (No. 1 billed) who is in Street Fighter: Legend of Chun Li (No. 6 billed), which also stars Chris Klein (No. 2 billed) who is in Here on Earth (No. 2 billed) => 2 + 1 + 5 + 2 + 1 + 6 + 2 + 2 = 21. If we were to watch Assassins, and The Glass House we can get the HoE Number down to 12.

Notes – Originally titled “The Voyage of Doctor Dolittle.” It was shortened in August 2019.

Robert Downey, Jr. based his character on Dr. William Price, an eccentric Welshman. Dr. Price is now a revered historical figure in Wales – there’s even a statue of him in his hometown of Llantrisant.

This is Robert Downey Jr.’s first non-Iron Man role since The Judge (2014).

This movie was originally going to be released on May 24, 2019 by Universal Pictures, but was moved to April 12, 2019 to avoid competition with Star Wars: The Rise of Skywalker (2019). It was later pushed back again to January 17, 2020.

When the movie rights went up for auction, several studios went to bid before Universal Pictures got the rights. Amongst them were Sony and Twentieth Century Fox, with the latter having previously produced three theatrical movies based on the Dr. Dolittle series.

The cast includes five Oscar winners: Rami Malek, Jim Broadbent, Dame Emma Thompson, Octavia Spencer, and Marion Cotillard; and four Oscar nominees: Robert Downey, Jr., Antonio Banderas, Ralph Fiennes, and Kumail Nanjiani.

Originally, Randy Newman was the first choice to score this movie, seeing how his uncle Lionel Newman had involvement with Doctor Dolittle (1967).

To differentiate from his earlier British characters, Robert Downey, Jr. decided to use what he described as a “passable” Welsh accent for his version of Dr. Dolittle.

Universal Pictures drafted in Seth Rogen as a consultant during pre-production when the studio executives realized that re-shoots would be necessary.

The name of Rassouli, the King of Pirates is a likely reference to Mulai Ahmed er Raisuni. Known as Raisuli to most English speakers, he was a leader of the Jebala tribal confederacy in Morocco at the turn of the twentieth century. While regarded by foreigners and the Moroccan government as a brigand, some Moroccans, especially amongst the Jebala, considered him a heroic figure, fighting a repressive, corrupt government, while others considered him a thief. He was considered by many as “The last of the Barbary Pirates” though Barbary Coast piracy had ended by the middle of the nineteenth century. A fictionalized version of him was played by Sir Sean Connery in The Wind and the Lion (1975).

In Doctor Dolittle (1967), Chee-Chee was Judy the Chimpanzee.

House of Wax Preview

As the gamemasters cackle and begin the unnecessarily long process of putting the two pieces of the Dongle back together, Rich begins to hear a whistle. It steadily grows louder until even the gamemasters stop and look around. A lightning strike suddenly hits the Earth. It quakes and Poe emerges from a crack. “Im… impossible,” John Travolta gasps in horror. Rich and Poe clasp hands in a Predator high five. “I’m here, brother,” Poe says, “now let’s pound some dweebs.” While Rich and Poe’s greasy abs, gleaming in the sunlight, would normally strike fear into anyone’s hearts (and in fact, even more so now as Poe emerged from the Earth entirely in the nude), the gamemasters simply smile. “Silly brothers, you have no chance against the power of the twins,” screams Travolta in crazed glee, but when he attempts to smash the pieces of the Dongle together an unseen power prevents him. “Wha wha whaaaaaa?” he says like a total dumbo. The pieces of the dongle are suddenly wrenched from his hands and float over to Rich and Poe. A look of peace is on their face as they use their new found powers to provide an anticlimactic ten minute long expository monologue directly into the gamemasters’ heads. It’s incredibly detailed and reveals formerly unknown facts about Rich and Poe’s upbringing on the bayou. It’s a tale of twins, separated at birth, one taken in by a rich family, the other a poor, but forever linked by their sense of justice and attitude towards rulez. They are and have forever been… the Bad Movie Twins. And with that they place the pieces of the Dongle together and totally pound those dweebs. The ceremonial chamber melts under the intense power of the Dongle. Looks like it’s time to blow this joint. That’s right! We are transitioning to a very special 2020 year in review cycle by watching House of Wax (2005). I’m sure you’re all like “but wait, that wasn’t made in 2020!” and you’d be right. Because of world events there just aren’t that many major motion pictures for the year. So instead we are doing what we are calling Hindsight is 2020. We are mixing together some of the films that did get released early in the year with a retrospective look at films released 5, 10, 15, etc. years ago and a few holiday films to boot. It’ll be an extravaganza the likes of which we’ll (hopefully) never see again. Let’s go!

The literary agent looks in fear at the two cyborg men. “Wh-what do you want with me?” he asks in fear and then looks down at the basket they have brought into the office, “and what’s in the basket?” he wonders aloud. “Oh, just something I think you’ll be very interested in,” the two cyborg men say before they turn and take off their stylish fedoras to reveal none other than… Sticks and Stones! Bum bum bum. That’s right! We are finishing our Bring a Friend cycle by partaking in the lesser known horror franchise Basket Case 2. It’s a little questionable just how bad some of these films are as they have niche audiences that love them, but can’t we just watch a weird horror sequel involving a tiny deformed twin in a basket in peace? Let’s go!

House of Wax (2005) – BMeTric: 58.0; Notability: 34 

(Nice, 2005 is basically the oldest a movie can be and still see the beginning of the film’s release on the internet archive it looks like. I find it interesting that it opened so low … maybe finicky horror fans slamming a not-great horror film? Maybe people trying to brigade a Paris Hilton film? Maybe back then IMDb was much more of a movie aficionado’s site. It is hard to tell, but still pleasantly low rating even today. Fun trajectory.)

RogerEbert.com – 2.0 stars – The Dead Teenager Movie has grown up. The characters in “House of Wax” are in their 20s and yet still repeat the fatal errors of all the “Friday the 13th” kids who checked into Camp Crystal Lake and didn’t check out. … Where the movie excels is in its special effects and set design. Graham “Grace” Walker masterminds a spectacular closing sequence in which the House of Wax literally melts down, and characters sink into stairs, fall through floors and claw through walls. There is also an eerie sequence in which a living victim is sprayed with hot wax and ends up with a finish you’d have to pay an extra four bucks for at the car wash.

(I agree with Ebert about the final scene. I saw this film long ago and that is, indeed, an impressive set piece in a way. I’m more surprised, though, that he didn’t reject the film flat out as torture porn garbage. Because it is pretty close to Hostel-level in how it revels in gore. Unpleasant in my opinion, just not my cup of tea as far as horror is concerned. This is, of course, based on my memory of watching it over 15 years ago.)

Trailer – https://www.youtube.com/watch?v=-DnFKwVcM10/

(Pretty standard. Having watched it a few times now I can say they are being a bit deceptive about the set up for the film. The set up is epically stupid. But it gives the right vibe: Texas Chainsaw Massacre basically.)

Directors – Jaume Collet-Serra – (Known For: Orphan; The Shallows; The Commuter; Non-Stop; Unknown; Run All Night; Future BMT: Goal II: Living the Dream; BMT: House of Wax; Notes: Tapped for Black Adam and Jungle Cruise, two upcoming Dwayne Johnson features. From Spain, and directs music videos under the mononym Juame.)

Writers – Charles Belden (story) – (Known For: House of Wax; Dracula’s Daughter; Mystery of the Wax Museum; Charlie Chan at the Opera; BMT: House of Wax; Notes: This is why I found it odd that people talk about the 1953 film as the predecessor, when this guy wrote the 1933 Mystery of the Wax Museum and gets a credit listed on IMDb on this and the 1953 film. The story is a lot closer for that film as well.)

Chad Hayes and Carey W. Hayes (screenplay) – (Known For: The Conjuring; The Conjuring 2; Future BMT: The Turning; The Reaping; The Crucifixion; BMT: House of Wax; Whiteout; Notes: You guessed it, they are twins! They are twins that wrote a horror film about twins. They also played twins in the movie Rad starring Lori Loughlin. They are part of the writing team for the Die Hard prequel McClane.)

Actors – Chad Michael Murray – (Known For: Freaky Friday; Max Winslow and the House of Secrets; Fruitvale Station; Camp Cold Brook; Future BMT: The Haunting in Connecticut 2: Ghosts of Georgia; Survive the Night; Megiddo: The Omega Code 2; A Cinderella Story; Home of the Brave; Cavemen; Outlaws and Angels; BMT: Left Behind; House of Wax; A Madea Christmas; Notes: Most notable for his star turn on One Tree Hill. He never quite made it to being a movie star, but he’s done a ton of television. Apparently he was up for the Ryan Atwood role on The O.C. but turned it down to do One Tree Hill.)

Paris Hilton – (Known For: Zoolander; The Bling Ring; Snakes on a Plane; Repo! The Genetic Opera; Win a Date with Tad Hamilton!; Future BMT: The Hottie & the Nottie; Pledge This!; Raising Helen; Wonderland; BMT: The Cat in the Hat; House of Wax; Razzie Notes: Winner for Worst Actress, and Worst Screen Couple for The Hottie & the Nottie in 2009; Winner for Worst Supporting Actress in 2006 for House of Wax; and in 2009 for Repo! The Genetic Opera; and Winner for Worst Actress of the Decade in 2010 for House of Wax, Repo! The Genetic Opera, and The Hottie & the Nottie; Notes: The heiress of the Hilton fortune, but apparently has made around $300 million herself mostly through fragrance royalties overseas. Allegedly her antics caused her grandfather to donate 97% of his fortune to charity, thus costing her relatives billions in inheritance. Can’t say I’m crying a river over that, that sounds swell.)

Elisha Cuthbert – (Known For: The Girl Next Door; Love Actually; Old School; Goon: Last of the Enforcers; He Was a Quiet Man; Future BMT: Captivity; The Quiet; Just Before I Go; BMT: House of Wax; Razzie Notes: Nominee for Worst Actress for Captivity in 2008; Notes: I think she’s still known for being Jack Bauer’s daughter on 24. But beyond that she also had a starring role on Happy Endings, and on Ashton Kutcher’s show The Ranch. Married to the professional hockey player Dion Phaneuf.)

Budget/Gross – $40,000,000 / Domestic: $32,064,800 (Worldwide: $68,766,121)

(Hmmmm, not great. I’m actually really surprised by this, usually horror films are money in the bank. I have two guesses. First, its word of mouth was so bad it torpedoed the release. This is most likely. Second, this is right around when things like Hostel were starting to come out and it ended up playing into a much more niche audience than the producers realized. This is maybe supported by Hostel, a film I feel is wildly successful and spawned multiple sequels, “only” made $47 million domestically. Saw II and The Ring 2 were released the same year and made far more despite being worse than Hostel … but maybe that is the sequel effect.)

Rotten Tomatoes – 26% (41/158): Bearing little resemblance to the 1953 original, House of Wax is a formulaic but better-than-average teen slasher flick.

(I’m actually a bit surprised they even mention the original. The original really has nothing to do with this film. I don’t even really think they considered it a remake in any capacity, it just used the same name. Reviewer Highlight: Related to the 1953 Vincent Price film in name, embalming technique and Warner Bros. pedigree only, the new House of Wax is a dreary, predictable tale. – Kevin Crust, Los Angeles Time)

Poster – House of Racks on Racks

(That house is making bank on those wax sculptures fo sho. This is just a flat out good poster. Creepy and getting me intrigued. I like the subtle color scheme and the font is just enough, although I would have enjoyed them melting a little too. A)

Tagline(s) – Prey. Slay. Display. (A+)

(I mean… that’s… I’m speechless. This is the creativity I want. Stay within the tried and true formula while also surprising me. Rule of three with a rhyme scheme?! Come on. A little hint of the gory details of the plot and do it all in three words?!?! It’s a masterclass.)

Keyword – twins

Top 10: Harry Potter and the Philosopher’s Stone (2001), Doctor Sleep (2019), Harry Potter and the Goblet of Fire (2005), Harry Potter and the Deathly Hallows: Part 2 (2011), Harry Potter and the Chamber of Secrets (2002), The Great Outdoors (1988), House of Wax (2005), Lord of the Flies (1990), A Cinderella Story (2004), Hellboy II: The Golden Army (2008)

Future BMT: 92.7 Date Movie (2006), 58.2 Deck the Halls (2006), 54.9 The Back-up Plan (2010), 51.2 Dude, Where’s My Car? (2000), 36.2 A Cinderella Story (2004), 31.0 It Takes Two (1995), 13.4 Little Women (2018);

BMT: House of Wax (2005), Double Impact (1991), Cheaper by the Dozen (2003), Father Figures (2017), Cheaper by the Dozen 2 (2005), Jack and Jill (2011), Urban Legends: Final Cut (2000), The Astronaut’s Wife (1999), Pluto Nash (2002), Mrs. Winterbourne (1996), The Identical (2014)

(And with that we finish our twin cycle with eleven bona fide “twins” films. A wild success if I say so myself. It Takes Two is probably the only one on the list which is definitely “twins” and we should do. A Cinderella Story is close, but it is just the step sisters that are twins in that case (and it is really hard to tell if it is real or assumed online).)

Welcome to Earf (HoE Number 15) – The shortest path through The Movie Database cast lists using only BMT films is: Chad Michael Murray is No. 5 billed in House of Wax and No. 2 billed in Left Behind (2014), which also stars Nicolas Cage (No. 1 billed) who is in The Wicker Man (No. 1 billed), which also stars Leelee Sobieski (No. 5 billed) who is in Here on Earth (No. 1 billed) => 5 + 2 + 1 + 1 + 5 + 1 = 15. There is no shorter path at the moment.

Notes – Aside from the title and the setting of a wax museum, this film has no connection to the original film House of Wax (1953) in terms of plot.

Jared Padalecki is one foot taller than co-star Elisha Cuthbert. To make herself appear taller in scenes where she and Padalecki would be filmed together, Cuthbert taped two-inch blocks of wood to the bottoms of her boots. This was only done during scenes where they would be shot from the knee and up.

Names mentioned in the script but not the film are the roadkill collector (Lester), and Carly and Nick’s last name (Jones). Chad Michael Murray (Nick), in a radio interview, was shocked to hear his character finally had a last name, and said that it was an ongoing debate on set.

The town of Ambrose was constructed in 10 weeks, and was modeled after a real town in Eritrea called Asmara. Asmara was built by the Italians in Africa during World War II in the Modern Style rather than the Deco Style, which was more popular at the time. (Whaaaaaa?)

On 26 June 2004, a sound stage being used for the film burned to the ground during a test of special-effects equipment. The fire, started by a candle, destroyed a studio at Warner Bros Movie World on Australia’s Gold Coast. One crew member was treated for burns to his arm, but no one else was injured.

Paris Hilton was actually the first to be cast for this film. The cast was then built around her. (Whaaaaaa?)

Though the film takes place in Florida, USA, the film was actually shot in Australia. (False, the film is set in Louisiana, they are coming from Florida. But whatever)

The first end credits song and one of the songs on the film’s soundtrack, “Helena” which is by the rock band, My Chemical Romance, was released about two months before the film’s release and was already a huge hit. (I love fun facts about made-for-film songs. Just bizarre how famous some songs ostensibly made for films can be over time despite the films themselves not being particularly notable)

This is Dark Castle Entertainment’s fifth film.

The film takes place in Florida. One of the filming locations of this film’s predecessor, House of Wax (1953), was Saint Augustine, Florida. (Wait … this is the second note to suggest it is in Florida. But I swear, they are travelling to Louisiana to see a Florida-LSU game? Maybe I have the direction wrong. This has to be confirmed!)

The film originally opened with a character named Jennifer (Emma Lung) stuck on an empty road with car troubles and is attacked and killed by either Bo or Vincent (this alternate opening is included as a special feature on the DVD and Blu-ray). Though this scene was scrapped, Jennifer’s presence still lingers in the film. She is the female sculpture that Vincent is working on and is later displayed with a pink dress and bouquet of flowers outside the movie theater. (WHAT? This is my exact criticism of the film. That they needed an early kill of a person you’d later see as a wax figure. Why scrap it?)

Awards – Winner for the Razzie Award for Worst Actress of the Decade (Paris Hilton, 2010)

Winner for the Razzie Award for Worst Supporting Actress (Paris Hilton, 2006)

Nominee for the Razzie Award for Worst Picture (2006)

Nominee for the Razzie Award for Worst Remake or Sequel (2006)

Double Impact Preview

Jill McBrawn taps nervously at the table looking at Rich. He begins to try to explain but she interrupts, “it’s about the Dongle, right?” she stammers, “It’s all he was talking about all this last month. It’s like he’s been infected and the only cure is to his hand on that damn Dongle… I’m sorry” She takes a sip of water and looks away. Rich isn’t sure how far to press. He places a hand on her arm. She flinches and apologizes, “it’s just you shouldn’t be here. It’s all he talked about. ‘My father is the key,’ he would say. ‘He has the Dongle and I’ll get it from him.’” Her eyes are asking him whether it’s true, whether it’s possible, but Rich shakes his head in disbelief. As he does, his chest begins to glow, responding to the words being spoken. Just as has happened during the four trials of the gamemasters. The light gets brighter and so does Jill’s eyes. “You must give it to me, before he gets back!” she yells desperately, “you don’t understand how strong he is. The hatred, the power, he likes it. But I know him. I can keep it from him.” She puts out her hand and as she does Rich tentatively reaches towards his chest and pulls out the shard of the Dongle. Suddenly Jill jumps for it and grabs it and begins to cackle with glee and the world around them crumbles revealing the ceremonial chamber in which the Nic Cages have been toying with Rich’s mind. All an elaborate game in order to have him hand over the shard of his own volition. “You fool,” Travolta Nic Cage says, “with the Dongle and our power combined the world is doomed. Double impact, babbbby.” That’s right! We’re watching Double Impact starring JCVD for the Bring a Friend section. This is the earlier of the two JCVD twin films, so fortunately we haven’t yet exhausted our stock. Let’s go!

The dragons are quite smitten with their buddy cop beaus and have decided to keep them around Hell for eternity when suddenly Poe forgets momentarily to undo his ponytail while also wearing the glasses. “Wait… where’s Rich?” one of the dragons screeches in horror and both began to wail in heartbroken agony. I guess this is the end for Poe… except suddenly his twin protectors step. The twins are just as smitten with their new twin beaus and scoff at Poe and his equally substantial and well-oiled muscles. Stepping past them to the volcano’s edge, Poe hopes this is what he needs to do. He jumps, “I’m coommming Riiiiich.” That’s right! Since this is the Bring a Friend cycle we thought we better do something good for the Bring a Friend entry. So we took the Breen plunge and jumped full tilt into the latest Neil Breen joint called Twisted Pair. Breen plays a set of twins with special powers and that’s all you really need to know. It’s Neil Breen. If you don’t know him then look him up, he’s garnered some real bad movie cache in the last decade.. Let’s go!

Double Impact (1991) – BMeTric: 43.8; Notability: 33 

(I’m really surprised by how low the rating is for this film on IMDb. This seems like exactly the type of film which would have an ironic inflation of its score over the past ten years. But it seems to be following a normal trajectory, and is still below 6.0.)

RogerEbert.com – 2.0 stars – Inspired by the example of Arnold Schwarzenegger, who is now the No. 1 movie star in the world, the entire martial arts genre is going upmarket as fast as it can. The established names in the field, including Steven Seagal, Jean-Claude Van Damme and Jeff Speakman, are appearing in slicker productions with better scripts and sexier locations, and there are times, watching these ambitious films, when I feel a twinge of nostalgia for the bargain-basement Chuck Norris and Bruce Lee pictures, which had fewer pretensions and projected a crazed intensity. … Because the martial arts genre has had so much success recently, its stars are condemned to play only leading men. Van Damme and Seagal are always at the center of their plots. That will hurt their careers in the long run, since martial arts movies are limited by their formulas, and the heroes are supplied with almost ritualistic plot patterns. Since Seagal seems to have more talent than any of his movies has been able to use, and Van Damme also has possibilities, it’s too bad the marketplace won’t let them play supporting roles in more ambitious movies. They would make splendid villains. And we wouldn’t believe it if they couldn’t hit anything.

(This is an extremely prescient review. He basically predicts the trajectory of JCVD and Seagal’s careers to a tee and diagnoses it (correctly) as their inability to break from the mold to become supporting actors or villains in film. To hear Speakman’s name being uttered in the same breath as Seagal and Van Damme is something else entirely. It actually makes little sense, but was probably Ebert just grasping at the other martial artist who made a film in 1991, because Speakman’s one and only wide release film was The Perfect Weapon in 1991 so it really is bizarre to pick him out as a guy who wouldn’t last in film … he wasn’t even a thing in 1991 and never became a thing afterwards. Wild.)

Trailer – https://www.youtube.com/watch?v=Rftm3yRSD_0/

(Wow the hard guitar riffing soundtrack. Double the “Van Damage”? This is somehow everything I want, and the worst thing I’ve ever seen. It is a little odd because it feels a lot like Knock Off which would come out seven years later. Like they had a bunch of leftover Hong Kong footage lying around and decided to make that one on a lark.)

Directors – Sheldon Lettich – (Future BMT: The Order; A.W.O.L.: Absent Without Leave; Only the Strong; BMT: Double Impact; Razzie Notes: Nominee for Worst Screenplay for Rambo III in 1989; Notes: Directed a bunch of straight to video films starring Dolph Lendgren, but mostly Van Damme. Is slated to direct a few films in the upcoming year.)

Writers – Sheldon Lettich (screen story & screenplay) – (Known For: Bloodsport; Future BMT: Legionnaire; A.W.O.L.: Absent Without Leave; Russkies; Max; Only the Strong; BMT: Double Impact; Rambo III; Razzie Notes: Nominee for Worst Screenplay for Rambo III in 1989; Notes: Was in the Marines for four years including fighting in Vietnam. Originally a photographer prior to writing scripts.)

Jean-Claude Van Damme (screen story & screenplay) – (Known For: Kickboxer: Retaliation; Future BMT: Kickboxer: Vengeance; The Order; Kickboxer 2: The Road Back; Legionnaire; The Quest; A.W.O.L.: Absent Without Leave; Kickboxer; BMT: Double Impact; Razzie Notes: Winner for Worst Screen Couple for Double Team in 1998; and Nominee for Worst New Star for Bloodsport in 1989; Notes: Van Damme was the closest martial artists to get to that Sly Stallone stature, so he wrote a bunch of films in the 90s. He also directed, and used to edit a bunch of films really early in his career to punch up the action scenes. Impressive run.)

Steve Meerson and Peter Krikes (screen story) – (Known For: Star Trek IV: The Voyage Home; Anna and the King; Back to the Beach; BMT: Double Impact; Notes: )

Actors – Jean-Claude Van Damme – (Known For: Bloodsport; Kung Fu Panda 3; The Expendables 2; Hard Target; Kung Fu Panda 2; Timecop; Sudden Death; Kickboxer: Retaliation; Universal Soldier: Day of Reckoning; Lukas; JCVD; Enemies Closer; Future BMT: Street Fighter; Derailed; Welcome to the Jungle; Kickboxer: Vengeance; The Order; Legionnaire; Maximum Risk; Inferno; Replicant; The Quest; Black Water; Missing in Action; Pound of Flesh; Nowhere to Run; A.W.O.L.: Absent Without Leave; Breakin’; Last Action Hero; Kickboxer; BMT: Universal Soldier: The Return; Double Team; Cyborg; Knock Off; Double Impact; Universal Soldier; Razzie Notes: Winner for Worst Screen Couple for Double Team in 1998; and Nominee for Worst New Star for Bloodsport in 1989; Notes: We have a ton of JCVD films to do. Out of all of the martial arts stars from the 90s I think he ended up coming out looking okay. At least he isn’t a weirdo like Seagal or have tax problems. Just seems like he does a ton of straight-to-video garbage.)

Geoffrey Lewis – (Known For: The Devil’s Rejects; Maverick; Midnight in the Garden of Good and Evil; Heaven’s Gate; High Plains Drifter; Night of the Comet; Thunderbolt and Lightfoot; The Way of the Gun; Point of No Return; 10 to Midnight; My Name Is Nobody; The Man Without a Face; Tom Horn; The Wind and the Lion; Down in the Valley; Dillinger; Bronco Billy; The Great Waldo Pepper; Wicked Little Things; Macon County Line; Future BMT: Blueberry; Pink Cadillac; The New Guy; Moving McAllister; Fletch Lives; Any Which Way You Can; Every Which Way but Loose; Lucky Lady; Only the Strong; Lust in the Dust; BMT: The Lawnmower Man; Double Impact; Tango & Cash; Notes: Received a Golden Globe nomination for a supporting role in the television series Flo (which I had never heard of). He has 10 children, at least 6 of which are in the industry including Juliette Lewis)

Alonna Shaw – (Known For: King of New York; BMT: Double Impact; Notes: Was a model prior to becoming an actress. Appears to have been retired for a while. She does not have a wikipedia which is insane … she starred in a major motion picture in 1991!!)

Budget/Gross – $15 million / Domestic: $30,102,717 (Worldwide: $30,102,717)

(Actually halfway decent. I’m not surprised it didn’t get a sequel though. I imagine it is a pain in the ass to do the whole double thing with the split screen. This is the type of film where you do it to get some media play, and then you never ever do it again.)

Rotten Tomatoes – 35% (7/20)

(Surprisingly good reviews, mostly saying that the action scenes are excellent and the film brisk. I think the good reviews tend to be more recent, whereas Ebert’s probably captured the spirit of the time a bit better: I wish it didn’t seem so pretentious and was more like older martial arts films. Reviewer Highlight: The notion of casting pretty-boy kickboxer Jean-Claude Van Damme — the Rob Lowe of the steroid set — in a double role sounded like fun. In fact, it doesn’t come to much. – Owen Gleiberman, Entertainment Weekly)

Poster – Identichop

(I’ve always called it a Twin Chop, but Identichop seems appropriate for the poster. This looks like garbage which is appropriate for the film. I actually am not sure what would have happened if I saw this poster hanging in a movie theater… fainted probably. It’s mediocre/not good in almost every way. C-)

Tagline(s) – Feel The Impact (A+ but ironically)

Twin brothers torn apart by violence. On a mission of revenge. One packs a punch. One packs a piece. Together they deliver… (A+ but not ironically)

(The second one is now the tagline for BadMovieTwins.com. Can we be sued? I don’t care. Together me and Patrick deliver the goods so it’s simply truth in advertising. I don’t love “One packs a piece” let’s work on that. Ok. “One packs a punch. One packs a lunch.” nailed it. First try. In this scenario, of course, one of us is a skinny cop and the other a jolly fat cop.)

Keyword – twins

Top 10: Harry Potter and the Philosopher’s Stone (2001), Doctor Sleep (2019), Harry Potter and the Goblet of Fire (2005), Harry Potter and the Deathly Hallows: Part 2 (2011), Harry Potter and the Chamber of Secrets (2002), House of Wax (2005), Meet the Robinsons (2007), Cheaper by the Dozen (2003), Hellboy II: The Golden Army (2008), The Great Outdoors (1988)

Future BMT: 92.7 Date Movie (2006), 58.2 Deck the Halls (2006), 57.9 House of Wax (2005), 54.9 The Back-up Plan (2010), 51.2 Dude, Where’s My Car? (2000), 36.2 A Cinderella Story (2004), 31.0 It Takes Two (1995), 13.4 Little Women (2018);

BMT: Cheaper by the Dozen (2003), Cheaper by the Dozen 2 (2005), Jack and Jill (2011), Double Impact (1991), Father Figures (2017), Urban Legends: Final Cut (2000), The Astronaut’s Wife (1999), Pluto Nash (2002), Mrs. Winterbourne (1996), The Identical (2014)

(There it is, ten films with the keyword “twins”. And we have another on the docket next week, so we’ll get to 11. And I’m sure if I continued to add the keyword where appropriate it will turn out we have done like … 20 of these. I should probably put together a definitive list at some point. Maybe include twin reviews on the website or something.)

Welcome to Earf (HoE Number 19) – The shortest path through The Movie Database cast lists using only BMT films is: Jean-Claude Van Damme is No. 1 billed in Double Impact and No. 1 billed in Double Team, which also stars Mickey Rourke (No. 3 billed) who is in Get Carter (2000) (No. 4 billed), which also stars Sylvester Stallone (No. 1 billed) who is in Expendables 3 (No. 1 billed), which also stars Jason Statham (No. 2 billed) who is in In the Name of the King: A Dungeon Seige Tale (No. 1 billed), which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 1 + 1 + 3 + 4 + 1 + 1 + 2 + 1 + 4 + 1 = 19. If we were to watch Maximum Risk we can get the HoE Number down to 14.

Notes – Van Damme wanted to play twins to help change his image. “One of them is violent and the other is not, so the audience can see the contrast in my work,” he said. “This picture has comedy, romance, a love story. So it is not all action and fighting. When I fight on screen, I blend dancing and fighting. Grace plus power is very nice.” (Actually kind of true. The Bad Damme, Alex, hits a woman in the film and everything. It is pretty nuts)

Van Damme said his real life personality was closer to Chad than Alex. “In real life I am not this cold, quiet guy who goes around kicking butt.”

Due to a strong friendship formed between the two actors on the set of Bloodsport (1988), Jean-Claude Van Damme wanted no one but Bolo Yeung to play the lead villain in this movie. (Yeah, he’s great. A martial artist body builder? I guess there are a ton of people kind of like that these days, but he just has a very interesting body shape for the time)

In 2010, Jean-Claude Van Damme and Bolo Yeung were giving a martial art demonstration and Van Damme said hopefully one day he and Yeung will put a project together “Double Impact 2” and maybe Yeung will play a friend and not any enemy. In a 2012 interview promoting The Expendables 2 (2012), Van Damme mentioned that he would like to make another Double Impact movie with a more serious tone. During the interview, he also gave a rough idea of the plot: “Two twins one is coming back from Asia to Los Angeles to help his brother who is a con-artist and pretending to be a big Hollywood producer and he’s in trouble with the mob”. A Double Impact 2 script has been written by Van Damme and Sheldon Lettich (who co-wrote Bloodsport and Double Impact). Van Damme said “Hopefully, somebody smart enough, like an agent or a producer, can put that back together…I’m excited about it, you know?” (Hoooooooly shiiiiiiiiit. I’m down)

Director Albert Pyun was briefly approached when the project was then called ‘The Corsican Brothers’ in the late 1980s. He said on his Facebook page in 2012: “The last time I’ve spoken with JCVD was on the roof of a building across the street from Cannon on Wilshire. JCVD wanted to talk in private and he told me the story he wanted to do for his next film called “Corsican Brother” which became Double Impact I believe. JCVD asked if I would want to direct it for him. The whole idea of TWO JCVDs seemed a bit far fetched and I did not commit either way but told him I had reservations about how the twins idea would work. I told him I thought he should keep moving in the direction of a pure action star and leave the gimmick movies behind. Haven’t seen or talked to him since directly.” (Jesus Christ, why would you call it that? Were there bits about the twins being able to “feel” each other in the original script? Also Pyun was wrong. The biggest issue for JCVD was always going to be his accent. Unlike Schwarzenegger he never had the acting chops or charm to overcome it. So what is the point in not doing gimmick films?)

Freely based on Alexandre Dumas’s novel “The Corsican Brothers”, as the original working title was. It was even set to take place in France and Corsica. (What the hell are they even talking about!?)

Whiteout Preview

As the monsters descend to the beautiful (not creepy) lagoon it becomes clear that they are gigantic super soldiers from General Tiniman’s army. They are outgunned and outmatched and this is where their journey will end. They hug Rio and pat Bessy on the head. They reminisce about all the fun times they had. “Remember that time we karate chopped the President in the neck?” Rich says, “and it turned out he wasn’t even a robot,” he recalls and oh boy how they laugh. Back in the real world Rich has a wife and six wonderful children. Poe has a very solid collection of old books. But most importantly they have love. Rich and Poe nod and go in for one final Predator high five. But this isn’t a time for high fives. This is a time for hugs. With tears in their eyes, they bro hug it out. Suddenly Poe is blasted away from Rich as the beam of light shoots forth once more from his chest. Screaming in pain from the quickening he is experiencing, Rich watches in joyful horror as it destroys all the foes in front of them. No matter how advanced their super armor is, the power of love emanating from Rich’s chest destroys it. The power is so great… unstoppable. Almost as if… and in that moment Rich realizes what is happening. A chill runs down his spine. So long ago, when they destroyed the Obsidian Dongle. When they made the universe whole once more. It was never destroyed. It lay in wait, embedded in the body of Rich. It brought them to Nic Cage. It brought them to this tournament. It is the ultimate prize. They are the ultimate prize. They are fighting for themselves. And with that thought everything goes white. That’s right! We’re watching Whiteout starring Kate Beckinsale. I feel like this has always been on the horizon as there is always room for another Antarctica film in BMT. This one won’t beat out AvP and its bullshit Predator-Human collaboration, but it’ll give it a shot. Let’s go!

One man takes out several guards with his bionic karate chops while the other does a patented Robot Split and takes out several more. Their prize is so close… their revenge. “Eagle has fallen, eagle has fallen!” one of the guards screams watching in horror as the men approach. They smile and then everything goes black. That’s right! We’re bringing along Black Eagle as a friend for this one. It’s a classic martial arts film from the 80’s which also features Van Damme as a bad guy and is set in Malta! What fun. Let’s go!

Whiteout (2009) – BMeTric: 47.0; Notability: 29 

(Pretty low actually. I’m always surprised when these smallish films, films I kind of barely remember existing, seem to get pretty thoroughly trounced on IMDb. I just imagine in my mind that there would be super fans of some kind flooding the ratings … but nope, hit mid-5.0 hard and hasn’t budged in years.)

Leonard Maltin – 2 stars –  Good-looking but paper-thin thriller involving U.S. marshal Beckinsale, stationed in Antarctica, who struggles to exorcise her demons while investigating some gruesome killings. Even though her character is constantly in danger, Beckinsale is always perfectly coiffed; early on, she even peels off her clothes to take a steamy shower. Only in the movies … Based on a graphic novel by Greg Rucka and Steve Lieber.

(Only in the movies indeed! Very interesting he gave it what I would say is a pretty decent review? Like two stars doesn’t seem so bad. Maybe there is something salvageable from it after all.)

Trailer – https://www.youtube.com/watch?v=GqxjF9qR5Cg/

(Pretty intense actually. Honestly the CGI looks like garbage, and it looks like a rote thriller, but the setting is interesting.)

Directors – Dominic Sena – (Known For: Kalifornia; BMT: Season of the Witch; Whiteout; Gone in Sixty Seconds; Swordfish; Notes: Won a Grammy for Best Music Video (Long Form) for the Janet Jackson song Rhythm Nation 1814. We have officially completed his BMT filmography, and I think he retired from directing in 2011.)

Writers – Erich Hoeber and Jon Hoeber (screenplay) – (Known For: The Meg; My Spy; RED; RED 2; BMT: Whiteout; Battleship; Razzie Notes: Nominee for Worst Screenplay for Battleship in 2013; Notes: They are writing a live-action Naruto film (not a good idea). They are also tagged to write the sequel to The Meg. They are brothers.)

Chad Hayes and Carey W. Hayes(screenplay) – (Known For: The Conjuring; The Conjuring 2; Future BMT: House of Wax; The Turning; The Reaping; The Crucifixion; BMT: Whiteout; Notes: Twin brothers. Amazingly they wrote ten episodes of Baywatch Nights, the straight crime-drama spin off of Baywatch. They have been tapped to write the Die Hard prequel McClane. They were non-theatrical all-stars in the late-90s, and somehow transitioned back to wide releases in the 2000s.)

Greg Rucka (graphic novel) – (Known For: Wonder Woman: Bloodlines; BMT: Whiteout; Notes: Wrote Stumptown which has been adapted into a television show starring Colby Smulders. His graphic novel Queen & Country is being adapted into a film by Ridley Scott.)

Steve Lieber (graphic novel) – (BMT: Whiteout; Notes: An illustrator. He also illustrated the sequel novel Whiteout: Melt. There was supposed to be a Whiteout: Thaw, but I don’t believe it was ever released.)

Actors – Kate Beckinsale – (Known For: The Aviator; Contraband; Much Ado About Nothing; Serendipity; Eliza Graves; Vacancy; Love & Friendship; Laurel Canyon; Farming; Everybody’s Fine; The Last Days of Disco; Haunted; Snow Angels; Fragments; The Golden Bowl; Shooting Fish; Future BMT: The Disappointments Room; The Face of an Angel; Underworld: Blood Wars; Absolutely Anything; Van Helsing; Pearl Harbor; Total Recall; Click; Underworld Awakening; The Only Living Boy in New York; Underworld: Rise of the Lycans; Brokedown Palace; Underworld: Evolution; Underworld; BMT: Whiteout; Tiptoes; Razzie Notes: Nominee for Worst Screen Couple for Pearl Harbor in 2002; Notes: Voiced Queen Aryenn in multiple Elder Scrolls games. Had a child with Michael Sheen in 1999.)

Gabriel Macht – (Known For: Love & Other Drugs; The Good Shepherd; The Recruit; The Object of My Affection; A Love Song for Bobby Long; Grand Theft Parsons; The Adventures of Sebastian Cole; A Bag of Hammers; Future BMT: The Spirit; Simply Irresistible; Bad Company; Middle Men; BMT: Whiteout; Because I Said So; American Outlaws; Behind Enemy Lines; Notes: Most famous for his role as Harvey Specter in the show Suits. This film came out right in that brief moment where he was a genuine movie star.)

Tom Skerritt – (Known For: Top Gun; Alien; Steel Magnolias; Ted; Contact; The Dead Zone; A River Runs Through It; M.A.S.H.; Up in Smoke; Harold and Maude; SpaceCamp; Singles; Lucky; A Hologram for the King; Big Bad Mama; Smoke Signals; The Turning Point; At Middleton; Ice Castles; The Big Town; Future BMT: Poltergeist III; Poison Ivy; The Rookie; The Devil’s Rain; Beer for My Horses; Knight Moves; Tears of the Sun; The Other Sister; Fighting Back; BMT: Whiteout; Texas Rangers; Notes: Nominated for two Emmys for his role in Picket Fences. This film is his last leading role in a wide release film.)

Budget/Gross – $35,000,000 / Domestic: $10,275,638 (Worldwide: $17,976,667)

(Yeah not great. The budget at least makes sense. They definitely had to build something that looked vaguely like the South Pole station. There is only so much smoke and mirrors you can pull off with blue screen and stagecraft.)

Rotten Tomatoes – 7% (8/115): Kate Beckinsale is as lovely as ever, and does her best with the material, but moribund pacing and an uninspired plot leave Whiteout in the cold.

(The reviews kind of outline the problem with most 00s thrillers don’t they? Bad plotting, bad twists, no thrillz. It seems like there was a streak of weird thrillers based around a poorly thought out twist, or just a book (in this case a graphic novel) which doesn’t adapt well. That was the issue with the (frankly cheesy) Alex Cross books. Reviewer Highlight: Even in a whiteout, you can see the plot twists coming. – Richard Roeper, Chicago Sun-Times)

Poster – Chillz

(Artistic and does its job pretty well. While I don’t understand the font they’ve chosen, I still appreciate it. I guess the only question is whether going all in on “Kate Beckinsale vehicle” was the best move or if they should have highlighted something else. Because that’s really the only story you get. B+)

Tagline(s) – See Your Last Breath. (A-)

(Huh… I think… I think I might like this. Telling me about the danger. Telling me about the cold. Short and sweet and a little bit of a twist on the phrase “Take Your Last Breath.” I dig it. It’s not perfect, but it’s pretty solid.)

Keyword – antarctica

Top 10: Watchmen (2009), Godzilla: King of the Monsters (2019), The Thing (1982), Madagascar (2005), The Day After Tomorrow (2004), The Thing (2011), AVP: Alien vs. Predator (2004), Happy Feet (2006), Good Luck Chuck (2007), Minions (2015)

Future BMT: 64.7 Norm of the North (2016), 42.3 The Brothers Solomon (2007), 27.2 The Thing (2011), 25.6 The Pebble and the Penguin (1995);

BMT: AVP: Alien vs. Predator (2004), Good Luck Chuck (2007), Whiteout (2009)

(Amazing that we’ve seen three films either set in Antarctica or with plot elements concerning Antarctica. I genuinely believe such films boomed in the 00s because that was when juuuuust enough cheap CGI was available to make it look … fine, without having to set it inside or at night most of the time. Oddly, the only really good movie of the bunch is The Thing and that was made long before cheap CGI. Huh.)

Welcome to Earf (HoE Number 17) – The shortest path through The Movie Database cast lists using only BMT films is: Kate Beckinsale is No. 1 billed in Whiteout and No. 4 billed in Tiptoes, which also stars Gary Oldman (No. 1 billed) who is in Lost in Space (No. 1 billed), which also stars Heather Graham (No. 5 billed) who is in Say It Isn’t So (No. 2 billed), which also stars Chris Klein (No. 1 billed) who is in Here on Earth (No. 2 billed) => 1 + 4 + 1 + 1 + 5 + 2 + 1 + 2 = 17. If we were to watch Pearl Harbor we can get the HoE Number down to 9.

Notes – Dominic Sena is a fan of the “Whiteout” graphic novel, and when rights were acquired by Dark Castle Entertainment Sena petitioned president Joel Silver for the opportunity to direct. (Oh snap, this is based on a graphic novel? That’s … a bit surprising considering the reviews)

Warner Bros. shelved the film for about two years, according to Entertainment Weekly (Issue #1085). (Whaaaaaaaaaaa?)

Screenwriter and novelist Alexander Stuart wrote an early draft of the script, while Reese Witherspoon was still attached, following a studio-sponsored research trip to Barrow, Alaska (the northernmost point in continental North America) – which scientists said was the closest location in “feel” to McMurdo Station in Antarctica. (Could have been cool)

The British Flag in the Communications room is hanging upside down. This is an inside joke common among South Pole installations. Since they are at the bottom of the world, if you were to look at the globe proper, the flag would appear to be right side up.

Both real and fake snow were used in production. (There was too much of it at times for it to be fake I think. I have to imagine they breathed in a crazy amount of it by accident)

Primeval Preview

In a fun montage we see Rich, Poe, and Roach enact their scheme to construct mashed potato based deep fakes of themselves to escape from Tiniman’s camp. Step 1: Enter the big camel race. Step 2: win camel race, beating Gen. Tiniman’s prized camel. Step 3: get potato peeling duty. Step 4: use natural artistic abilities to craft potato people. Step 5: place potato people in bed and sneak away. “Come on, Roach,” Rich says before accidentally plunging his hand into who he thought was Roach, but was in fact his potato person. They all laugh nervously at the unsettling photorealism of the duplicate and tiptoe their way out of camp. Just when it seems like they are in the clear, a light shines in their faces and Gen. Tiniman steps out from behind a spotlight. “But… but how?” Rich and Poe say, but when they turn to Roach he has a badge out and grunts “Cop.” Saboteur! A group of military police approach them and it seems like the end! Oh, woe is them, woe is the Earth! Suddenly the beacon of light shines from Rich’s chest again and Gen. Tiniman is temporarily blinded. Taking action, Rich and Poe escape Roach’s last blind grab and sprint into the fire desert. Rich and Poe’s muscles aren’t just for show and boy howdy do they demonstrate that here. Their endurace is stunning and their legs churn with lightning quickness taking them away from the pursuing trucks. They would almost certainly outrun the vehicles using their unrivaled athletic abilities, but suddenly Poe pulls up with a cramp. My god, the climactic tension is almost unbearable! Once again the military police approach, but no light is there to save them now. Suddenly a deafening roar rings out. The alligators are here. That’s right! We’re watching the not-so-original big crocodile horror film Primeval. Set in Burundi and “based on a true story” it has been high on the list of craziest settings for BMT. Let’s go!

Primeval (2007) – BMeTric: 56.6; Notability: 28 

(Creeping up, but seems like it is settling right around sub-5.0 which is nice. Notability hits right where I imagine. I think the sense I’m getting it that 25ish is like a normal wide release. Above that and it scales with the size of the production. Below that (down to like 10) and you’re looking at a really small film (intriguingly so). Nice string of 50+ films recently it feels like.)

Leonard Maltin – 2 stars –  American reporters reluctantly trek to Africa to capture a huge man-eating crocodile the locals call Gustave, and becomes embroiled in a local war. Peculiar blend of Jaws and a Blood Diamond-like subplot has its moments, but is mostly routine, with herky-jerky editing in the frequent action scenes. Loosely based on real events.

(I am down with that. Mixing Jaws with some bizarre B-plot? Yes please. I’m very ready for a creature feature, and I’ll even take one with … herky-jerky editing? Alright, Leonard, let’s go with that description.)

Trailer – https://www.youtube.com/watch?v=RARfk8cXPeg/

(The entire marketing campaign around this film was about this mayyyybe being a serial killer film … nope psych it is about a crocodile. This trailer is garbage though, way too many cuts to black and choppiness.)

Directors – Michael Katleman – (BMT: Primeval; Notes: Huge television guy. He directed individual episodes from the early 90s, and has been a major producer since 2000. I think my favorite one is the very short lived series Reunion … yeah I watched that live.)

Writers – Michael Ferris and John Brancato (written by) – (Known For: The Game; Terminator 3: Rise of the Machines; Future BMT: The Net; The Hunter’s Prayer; Surrogates; Terminator Salvation; BMT: Catwoman; Primeval; Razzie Notes: Winner for Worst Screenplay for Catwoman in 2005; Notes: Most of their credits are for The Net and subsequent spinoffs of that. I vaguely knew there was a television series, but I didn’t know there was a straight-to-video sequel The Net 2.0. Ferris wrote Bloodfist 2 prior to them working together.)

Actors – Dominic Purcell – (Known For: Mission: Impossible II; Equilibrium; Straw Dogs; Blood Creek; Gridlocked; Vikingdom; The Gravedancers; Scenes of the Crime; Future BMT: The Carrier; Blade: Trinity; Bailout: The Age of Greed; Elimination Game; Killer Elite; BMT: Primeval; Notes: You will know him from Prison Break (which yeah, I’ve seen basically the entire series, want to fight about it?), but I first saw him in the short-lived series John Doe … man there are so many television people involved in this film.)

Orlando Jones – (Known For: Magnolia; Office Space; The Replacements; Bedazzled; Evolution; Runaway Jury; Drumline; Liberty Heights; Enemies Closer; Future BMT: Biker Boyz; I Think I Love My Wife; Cirque du Freak: The Vampire’s Assistant; Double Take; The Time Machine; Woo; Beyond a Reasonable Doubt; Sour Grapes; The Devil and the Deep Blue Sea; BMT: Primeval; Say It Isn’t So; Notes: Roomed with Artie Lange when both were on MadTV. That is basically where he got his start.)

Brooke Langton – (Known For: The Replacements; Swingers; The Deal; Playing Mona Lisa; Future BMT: Terminal Velocity; Kiss the Bride; BMT: Primeval; The Benchwarmers; Notes: Ha! She starred in The Net television show! No wonder she got the job in this case. Was on 68 episodes of Melrose Place.)

Budget/Gross – N/A / Domestic: $10,597,734 (Worldwide: $15,291,277)

(That is likely not going to do it. But I also imagine, given the talent was mostly pulled from television, that you maybe could have gotten away with a budget of $10 million? While trying to figure this out I ended up stumbling onto The Numbers page for Primeval. Their categorization of this film is “serial killer” … this is not a serial killer film from what I can tell, but for a hint as to why someone might think so go check out the tagline section.)

Rotten Tomatoes – 19% (11/57): Primeval is a low-quality horror film, which due to the inane political messages does not even qualify as campy fun.

(Oh wow. Read the description of the film on Rotten Tomatoes … like, for a split second I thought “wait … is this a serial killer film?!”. Again, I don’t think it is, but some descriptions make it seem like it is. So many of the reviews slam the film for the political message, described as blending a giant crocodile film with Hotel Rwanda. Reviewer Highlight – The sub-sub-Anaconda bottom-feeder Primeval makes the mistake of taking itself far too seriously; with its exploitative images of civil war and genocide, it’s the Blood Diamond of 25-foot-killer-crocodile movies. – Scott Tobias, AV Club)

Poster – Sklogeval

(But… why? This looks like shit. The alternate poster with a bunch of bones that pretends the film is about a serial killer is much better. This just looks like a bad photo. Nice font though. C-)

Tagline(s) – Inspired by the true story of the most prolific serial killer in history. (D)

He’s 20 feet long, and has taken 300 lives. Now, he’s about to resurface. (D)

(Both of these aren’t great. The first is just being tricky with what the film is about. While I like when a tagline tells you about the plot, I don’t love when they basically lie about it. The second one is just using numbers and I guess that’s supposed to be interesting. Hard to say. Both are too long and not nearly clever enough to make up for it.)

Keyword – crocodile

Top 10: Suicide Squad (2016), Jumanji: Welcome to the Jungle (2017), Jumanji (1995), Annihilation (2018), Indiana Jones and the Temple of Doom (1984), Exodus: Gods and Kings (2014), Pan (2015), Octopussy (1983), The Legend of Tarzan (2016), Romancing the Stone (1984)

Future BMT: 43.8 King Solomon’s Mines (1985), 42.2 Pan (2015), 38.6 Firewalker (1986), 34.5 Suicide Squad (2016), 33.9 Exodus: Gods and Kings (2014), 31.0 Rugrats Go Wild (2003), 30.2 Eraser (1996), 29.6 Inkheart (2008), 27.5 The Legend of Tarzan (2016);

BMT: Runner Runner (2013), Crocodile Dundee II (1988), Anacondas: The Hunt for the Blood Orchid (2004), Crocodile Dundee in Los Angeles (2001), Primeval (2007)

(The second recent film where we’ve used this keyword. The other is obviously Crocodile Dundee II. Really just crushing those Crocodile features recently. Maybe we’ll look into Firewalker soon, that would be a weird one.)

Welcome to Earf (HoE Number 9) – The shortest path through The Movie Database cast lists using only BMT films is: Orlando Jones is No. 3 billed in Primeval and No. 3 billed in Say It Isn’t So, which also stars Chris Klein (No. 1 billed) who is in Here on Earth (No. 2 billed) => 3 + 3 + 1 + 2 = 9. There is no shorter path at the moment.

Notes – In real life, as seen in this film, an attempt to bait the crocodile failed. The team used a live goat as bait one night, and the team continued this for days. One day the goat disappeared. The camera failed the night before due to a storm, and then political issues in the area forced the team out of the country. Leaving them unable to know what happened that night.

Since Gustave has not been captured, his exact length and weight is unknown, but in 2002 it was stated that he could be “easily more than 18 feet (5.5 m)” long, and weigh more than 2,000 pounds (910 kg). He was estimated to be around 100 years old in order to achieve such outstanding size; however, further more careful observation of Gustave revealed a complete set of teeth when he opened his mouth. Since a 100-year-old crocodile “should be nearly toothless” (according to the documentary), he was estimated to be “probably no older than 60, and likely, still growing”. Gustave is also known for the three bullet scars on his body. His right shoulder blade was also found to be deeply wounded. Circumstances surrounding the four scars are unknown. Scientists and herpetologists who have studied Gustave claim that his uncommon size and weight impede his ability to hunt the species’ usual, agile prey such as fish, antelope and zebra, forcing him to attack larger animals such as hippopotamus, large wildebeest and, to some extent, humans. According to a popular local warning, he is said to hunt and leave his victims’ corpses uneaten. The documentary film also stated that since crocodiles can go several months without eating, Gustave could afford to select his prey carefully. In 2009 the croc had reappeared in Ruzizi River near Lake Tanganyika.

Gustave was named by Patrice Faye, a herpetologist who has been studying and investigating him since the late 1990s. Much of what is known about Gustave stems from the film Capturing the Killer Croc, which aired in 2004 on PBS. The film documents a capture attempt and study on Gustave.

In the Army Now Preview

Rich and Poe plunge into the water. A slow motion shot shows them float slowly downward as sad music plays. They are seemingly dead and this is the end of their story… the end of their quest… the end of their world… or is it?! Suddenly a beam of light shoots from Poe’s chest pointing their way to safety. They swim like a couple of totally majestic dolphins and burst forth onto a beautiful beach, sputtering for air. They look around. Their surroundings are so exotic. Just being able to place their eyes on such a beautiful exotic location makes everything seem way better than it actually is. “I… don’t understand… is this a new quest? Or did they kill us? Also why did that random beam of light shoot from your chest out of nowhere to save our lives?” Rich has so many questions and yet Poe has no answers. He sniffs the air and he turns quickly to Rich in panic, “do you smell that?” Rich sniffs too and narrows his eyes. “Is that…” but before he can finish the thought they both scramble up the nearest sand dune and lay eyes on a sea of fire and desert. It was all a facade. An oasis in a world of shit. Suddenly a convoy of trucks come screaming through the fire and smoke to come to a screeching halt in front of them. A small military man steps out of the nearest car and looks them up and down before nodding to a nearby soldier. The soldier steps up to Rich and Poe and thrusts some guns into their hands. “Congratulations,” he says in an unidentifiable (but definitely not racist) accent, “General Tiniman has recruited you. You are officially in the army now.” That’s right! We’re watching the Pauly Shore classic In the Army Now, which is set in the African country of Chad for some reason. It is somehow the first of the five major Pauly Shore films that we’ve done for BMT, which seems like a mistake. Let’s go!

In the Army Now (1994) – BMeTric: 51.8; Notability: 41 

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(Great BMeTric obviously, and the notability is incredibly impressive. Looking through his filmography the notability for Shore-led films is always around 30-40. Sub-5.0 films are relatively rare. This is a film that was inevitable for BMT, and one I’m quite excited to actually see, since I’ve seen the other major Pauly Shore films.)

Leonard Maltin – 1.5 stars –  Pauly is a pacifist who joins the army so he can “be all that he can be for free,” only to learn that there’s more to enlisting than receiving complimentary room and board. Latest in a long line of barracks comedies proves no competition for Buck Privates. Pauly’s fans might disagree. Brendan Fraser appears unbilled.

(Absolute deep cut with Buck Privates, a comedy from 1941. Just whip that ref out like it’s nothing. And yeah, I think between the two Iraq wars there was a sense of, I don’t know … comedy about the army again. That would obviously go away real quick in the 2000s. I can’t think of a comedy-army film that has come out since the 90s to be honest … A brief look suggests Delta Farce might be a rare breed indeed.)

Trailer – https://www.youtube.com/watch?v=D8WQ8sgWaVU

(Ha, they call Encino Man “California Man” in the beginning, so this trailer is maybe for European consumption? I had to change all of those in the autogenerated preview because I think that is what it is called in the UK. Other than that it looks like a Pauly Shore movie. If that is what “toning down” the weasel character was to the producers … I don’t know what to say really.)

Directors – Daniel Petrie Jr. – (Future BMT: Toy Soldiers; Stranded; BMT: In the Army Now; Notes: Is the son of Daniel G. Petrie who won three Primetime Emmys, and Dorothy Petrie who won two Primetime Emmys. His brother, Donald Petrie, directed BMT classic Welcome to Mooseport.)

Writers – Steve Zacharias and Jeff Buhai  (story) – (Known For: Revenge of the Nerds; Future BMT: Revenge of the Nerds II: Nerds in Paradise; Johnny Be Good; Eddie; BMT: In the Army Now; Notes: Long time writing partners. They released the Johnny Be Good screenplay as a book in the early 2000s.)

Robbie Fox (story) – (Known For: So I Married an Axe Murderer; BMT: In the Army Now; Playing for Keeps; Notes: Son of Charles Fox, a composer who was nominated for two Oscars for original songs in the 70s.)

Ken Kaufman (screenplay) – (Known For: The Expendables 2; Space Cowboys; The Missing; Curious George; Muppets from Space; BMT: In the Army Now; Notes: In 2013 he wrote a novel called Ramblefoot.)

Stu Krieger (screenplay) – (Known For: The Land Before Time; Monkey Trouble; Future BMT: A Troll in Central Park; BMT: In the Army Now; Razzie Notes: Nominee for Worst Screenplay for Where the Boys Are in 1985; Notes: Briefly wrote feature films in the mid-90s, he has mostly worked in television (both movies and shows). He developed the kid’s show Toot & Puddles.)

Daniel Petrie Jr. (screenplay) – (Known For: Beverly Hills Cop; Beverly Hills Cop II; Turner & Hooch; The Big Easy; Deadly Pursuit; Future BMT: Toy Soldiers; BMT: In the Army Now; Beverly Hills Cop III; Notes: Was was nominated for an Oscar for Beverly Hills Cop.)

Fax Bahr and Adam Small (screenplay) – (Known For: Bad Grandpa; Future BMT: Malibu’s Most Wanted; Son in Law; BMT: In the Army Now; Notes: These guys worked on In Living Color and MadTV together. Just prior Bahr, to start his career, made Hearts of Darkness: A Filmmaker’s Apocalypse, the acclaimed and award winning documentary about the making of Apocalypse Now.)

Actors – Pauly Shore – (Known For: A Goofy Movie; Pauly Shore Is Dead; Future BMT: Bio-Dome; Jury Duty; Sandy Wexler; The Wash; Encino Man; Son in Law; 18 Again!; Class Act; For Keeps?; BMT: Bucky Larson: Born to Be a Star; In the Army Now; Razzie Notes: Winner for Worst Actor in 1996 for Jury Duty; and in 1997 for Big Bully, Bio-Dome, Carpool, and The Stupids; Winner for Worst New Star of the Decade in 2000 for Bio-Dome, Encino Man, and Jury Duty; Winner for Worst New Star for Encino Man in 1993; and Nominee for Worst Actor of the Century in 2000 for Bio-Dome, Encino Man, and Jury Duty; Notes: Debuted on MTV with Totally Pauly in the late 80s. From the 80s through 2010 he only actually starred in 5 films: Encino Man, Son-in-Law, In the Army Now, Jury Duty, and Bio-Dome. He hosts Random Rants on YouTube.)

Lori Petty – (Known For: A League of Their Own; Point Break; Free Willy; Tank Girl; Cadillac Man; Prey for Rock & Roll; Relax… It’s Just Sex; The Glass Shield; Future BMT: Dead Awake; Poetic Justice; BMT: In the Army Now; Notes: Was apparently originally cast in the Bullock role in Demolition Man, but left over creative differences. The Glass Shield was the last in a series of starring turns for her in the mid-90s.)

Andy Dick – (Known For: Old School; Road Trip; Laputa: Castle in the Sky; Zoolander; Dr. Dolittle 2; Funny People; The Cable Guy; Reality Bites; Hoodwinked; Permanent Midnight; For the Boys; Pauly Shore Is Dead; The Hebrew Hammer; Scotland, Pa.; The Independent; Future BMT: Inspector Gadget; The Comebacks; Happily N’Ever After; Hoodwinked Too! Hood vs. Evil; Blonde Ambition; Dude, Where’s My Car?; Loser; Employee of the Month; Bongwater; Best Men; Abducted; BMT: Zoolander 2; Double Dragon; In the Army Now; Notes: Allegedly reintroduced Phil Hartman’s wife to cocaine, something that would contribute to her murdering her husband and committing suicide. Had a years long feud with Jon Lovitz over it, although he denies any culpability. In the Army Now was a rare star turn for him, he was mostly a television actor (News Radio) and supporting comedic actor (like in Old School).)

Budget/Gross – N/A / Domestic: $28,881,266 (Worldwide: $28,881,266)

(That’s kind of okay. $10 million less than Son in Law which is probably the benchmark they were looking at. This is the beginning of the end for his starring career. Jury Duty would make $17 million, and then Bio-Dome would make $13 million, and that was it, he wouldn’t star in a feature film (of consequence) again.)

Rotten Tomatoes – 6% (2/32): This 1994 Pauly Shore vehicle stretches its star’s thin shtick to the breaking point with a laugh-deficient screenplay that borrows shamelessly from Bill Murray’s far superior Stripes.

(The comparisons to Stripes are thick across all reviews. Would a movie like this made now draw such comparisons? Probably not. Just because its popularity (and the popularity of Bill Murray in general) has waned so much in the last 25 years. But it is interesting that a film made nearly 15 years later is getting condemned to comparing unfavorably to a classic … like, can people not make comedies about the military unless they are better than Stripes? Reviewer Highlight: The screenplay, work by five writers, based on a story by three others, seems to have been rewritten often enough that any individuality has been lost. – Roger Ebert, Chicago Sun-Times.)

Poster – Stupid Soldier

in_the_army_now

(Hate the font. Hate the color. But I love the framing and think it’s a pretty well put together poster besides being aesthetically gross. B- Patrick’s Shallow Fake: Whenever these things compress they always look a bit off. Love that for no reason they have two totally different fonts. Decent shadow on my face this time, just needed to be a bit more matte? The idea behind the fake movie is that there is a super soldier serum that I take that makes me Captain America, but it also makes me super dumb for the duration of my super powers. Like … you can pay me for that spec whenever Netflix, the lines are open.)

Tagline(s) – America, sleep tight! The safety of the free world rests in his hands! (F)

(That is unpleasantly bad. Although now that Patrick is making parody posters and we have been trying to make up taglines for these films I do appreciate that there are probably larger forces at play a lot of the time when we get something bad like this. Like there is an obvious tagline in The Few, The Proud, The Stupid… but I think they had to tread carefully in their treatment of the military. So they went with something inoffensive but bad.)

Keyword – u.s. military

IntheArmyNow_u.s. military

Top 10: Midway (2019), Saving Private Ryan (1998), Top Gun (1986), Spider-Man (2002), Fury (2014), 2012 (2009), Platoon (1986), The Predator (2018), Stripes (1981), Black Hawk Down (2001)

Future BMT: 68.4 Delta Farce (2007), 34.4 Transformers: Revenge of the Fallen (2009), 33.5 Red Tails (2012), 30.4 The Monuments Men (2014), 27.8 Pearl Harbor (2001), 25.2 The Fifth Estate (2013), 23.2 The General’s Daughter (1999), 22.1 Renaissance Man (1994);

BMT: 2012 (2009), The Predator (2018), Hunter Killer (2018), The Mummy (2017), The Pacifier (2005), In the Army Now (1994)

(Vaguely ebbs and flows with things like the Cold War (peaking around 1990), and then post-9/11 … or maybe that is just the career of Michael Bay? Hard to tell. The kind of regular gaps in the 80s and 90s is interesting … makes me wonder if it has something to do with recruitment cycles for the U.S. military.)

Welcome to Earf (HoE Number 23) – The shortest path through The Movie Database cast lists using only BMT films is: Art LaFleur is No. 7 billed in In the Army Now and No. 6 billed in Cobra, which also stars Sylvester Stallone (No. 1 billed) who is in Expendables 3 (No. 1 billed), which also stars Jason Statham (No. 2 billed) who is in In the Name of the King: A Dungeon Seige Tale (No. 1 billed), which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 7 + 6 + 1 + 1 + 2 + 1 + 4 + 1 = 23. If we were to watch Encino Man, and Extraordinary Measures we can get the HoE Number down to 13.

Notes – According to an interview, the scar on the back of Pauly Shore’s neck, visible when he first encounters the female drill sergeant, occurred during filming, when a shell casing ejected and landed on his neck, burning him. This scar is first visible when the barber turns him around after his haircut.

This is the third Pauly Shore movie to feature Brendan Fraser as Link in progressive life roles. The others are Encino Man (1992) (High School) and Son in Law (1993) (College).

Most of the basic training and war scenes were shot at Fort Sill in Lawton, Oklahoma. A sign saying “Fort Sill” is clearly visible in one scene.

The video game Bones plays in the opening sequence is Return Fire (1994) for the 3DO.

In a 2017 interview with Joe Rogan, Pauly Shore admitted that this film was the beginning of the end of his movie career. While he enjoyed making it, and doesn’t regret doing it, he was offered the script when he was under a 3-film contract with Disney. He’d already made Encino Man (1992) and Son in Law (1993), which had been modest box office hits. Executives at New Line Cinema offered him a role in a film called “Totally London,” in which Shore would’ve continued a variation on his popular Weasel character. Disney CEO Jeffery Katzenberg refused to let Shore out of his contract. Disney bought the script from New Line Cinema, and decided to shelve it. Katzenberg then gave Shore the option to do this movie. Shore’s agents advised him against it because they thought the script was mediocre. They also felt audiences wouldn’t accept Shore without his usual Weasel style, since he would have to cut off all his hair in the beginning for the basic training sequences. Shore said he made the film because it was his only available choice at the time, and he desperately wanted to be on a movie set. When this movie earned less at the box office than his previous films, Disney wouldn’t let him make anymore movies for them. His next two films, Jury Duty (1995) and Bio-Dome (1996), were box-office failures, though the latter eventually gained a big cult following. (You can glean as much from his career trajectory. He started in supporting roles in major films, then made those five films as a leading man, and then immediately just churned out a bunch of supporting roles in non-theatrical films … it is bizarre, but he never really got many leading man roles for video releases. Just seems odd considering he was genuinely quite famous among teen audiences in the mid 90s)

Bones enlists as a Water Purification Specialist in the Army Reserve thinking he’ll be in safe position far from danger. In reality, a reserve water purification unit assigned to the 14th Quartermaster Detachment suffered the highest casualty rate of any American unit in the Gulf War. A Scud missile struck their barracks in Saudi Arabia, killing or wounded 81% of the soldiers of the unit. (Oooooooof, … could this have been a recruitment tactic to try and make that unit more appealing afterwards. I mean … assuming they are talking about the first Gulf War)

The script was originally much raunchier and was supposed to be Pauly Shore’s first R rated film similar to Stripes (1981). Disney rejected the original script due to Pauly Shore’s popularity at the time with teenage audiences and said the film could not exceed a PG-13 rating so the younger crowd could see it. The script then went through several changed and was toned down to its eventual PG rating.

Damon Wayans was considered for the role of Fred. He turned it down to work on Blankman (1994). (Wowza!)

Whoopi Goldberg was considered for the role of Drill Sergeant Ladd. She turned it down because she was filming Corrina, Corrina (1994). (Semi-wowza!)

Godzilla (1998) Preview

Jamie and Patrick crawl through the wasteland, no civilization in sight. “What are we going to do, Patrick?” Jamie cries through parched lips. “We’ll never find a police station.” Patrick meditates on this possibility while looking in his backpack of supplies. Only one delicious five-dollar footlong from Subway left. They each get a half-foot and sit against a rock to snack. Without warning Jamie stands up, his eyes ablaze, and throws his remaining sandwich to the ground. “This Subway sandwich is delicious, but what’s the point? We’re going to die anyway!” Suddenly they hear a faint buzz in the distance as a police car approaches… or is it a car? As it nears they notice that it’s a rocket skateboard. Rad. The police officer hops off his board, dark visor down, and gets right up in Jamie’s face. “Littering, dirtbag? Do it again, scum, I dare you. You are a weed. And I’m a weedkiller.” Patrick tries to interrupt, but the police officer pushes him back. “You want to get blown away too, filth? Both of you are coming with me and you’re lucky to be alive.” Jamie and Patrick look at each other in shock and shrug. Guess they’ll make it to the police station after all. After a super cool ride on the police issue rocket skateboard they enter the station, loose paper blowing around their feet and dangerous looking punks attempting escape at every turn. Almost immediately they hear a loud roar from up ahead “Fultz! Get in here, you no-good, rule-breaking piece of shit!” Other police officers whistle and clap as the officer, apparently Fultz, drags Jamie and Patrick into the sergeant’s office. “You wanted to see me Sarge?” He asks, looking annoyed. When the desk chair turns Jamie and Patrick are shocked… is that… Godzilla? That’s right! We’re watching the 1998 smash hit Godzilla starring Matthew Broderick and directed by Roland Emmerich. A bit of a surprise that it is on the rejected list given that it had such anticipation and star power and is still known today as a giant critical failure. People were basically laughing at it. But perhaps it didn’t quite reach the depths of Batman & Robin. Let’s go!

Godzilla (1998) – BMeTric: 58.7

GodzillaIMDb_BMeT

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(I guess it makes sense … a little weird that it would drop to almost below 50. This film should be a classic bad movie and thus immune to regression to the mean. Then again, mid-5.0s probably makes sense. A rating in the 4s is incredibly low for a blockbuster no matter how bad.)

Leonard Maltin – 2.5 stars –  Giant lizard monster moves swiftly from the Pacific to N.Y. harbor, and terrorizes the Big Apple. Biologist Broderick hooks up with mystery man Reno and his team to stop it. Giant-scale fx-driven no-brainder doesn’t make much sense, has shallow characters, and goes on too long – but still offers a surprising amount of fun. Followed by an animated series.

(Did I just hear “animated series” … I think I know what I’m doing for the You Just Got Schooled section. Anywho, quite a mild review to be honest, but also a little bit like how I remember it. I saw this in theaters almost certainly, and I remember thinking it was fine. I was 12 at the time … but still, I distinctly remember thinking it was silly but fine.)

Trailer – https://www.youtube.com/watch?v=pt6bMHUoE6I/

(Ooooof that Hank Azaria shot at the end. I just watched a video where he went through his filmography and he said this film was a terrible experience, that they were just soaking them with water the entire time and he got sick like four times.)

Directors – Roland Emmerich – (Known For: Stargate; The Patriot; The Day After Tomorrow; Independence Day; White House Down; Anonymous; Future BMT: Stonewall; BMT: 10,000 BC; Independence Day: Resurgence; Godzilla; 2012; Universal Soldier; Razzie Notes: Nominee for Worst Director, and Worst Screenplay for Independence Day: Resurgence in 2017, and for Godzilla in 1999; and Nominee for Worst Written Film Grossing Over $100 Million for Independence Day in 1997; Notes: We literally just watched Universal Soldier which he directed. For all intents and purposes we’ve finished his filmography, Stonewall is too small to qualify. So good for us I guess.)

Writers – Dean Devlin (screenplay & story) – (Known For: Stargate; Independence Day; Universal Soldier: Day of Reckoning; BMT: Universal Soldier: The Return; Independence Day: Resurgence; Godzilla; Geostorm; Universal Soldier; Razzie Notes: Nominee for Worst Screenplay in 1999 for Godzilla; and in 2017 for Independence Day: Resurgence; and Nominee for Worst Written Film Grossing Over $100 Million for Independence Day in 1997; Notes: Good friends with Mel Gibson.)

Roland Emmerich (screenplay & story) – (Known For: Stargate; The Day After Tomorrow; Independence Day; BMT: 10,000 BC; Independence Day: Resurgence; Godzilla; 2012; Razzie Notes: Nominee for Worst Director, and Worst Screenplay for Independence Day: Resurgence in 2017, and for Godzilla in 1999; and Nominee for Worst Written Film Grossing Over $100 Million for Independence Day in 1997; Notes: I think I mentioned this in the Universal Soldier preview as well, but he was one of the first openly gay directors in Hollywood.)

Ted Elliott (story) (credit only) – (Known For: Pirates of the Caribbean: The Curse of the Black Pearl; Aladdin; Shrek; Pirates of the Caribbean: At World’s End; Pirates of the Caribbean: Dead Man’s Chest; The Mask of Zorro; Treasure Planet; Small Soldiers; The Road to El Dorado; Future BMT: The Legend of Zorro; The Puppet Masters; National Treasure: Book of Secrets; BMT: Godzilla; The Lone Ranger; Pirates of the Caribbean: On Stranger Tides; Pirates of the Caribbean: Salazar’s Revenge; Razzie Notes: Nominee for Worst Screenplay for The Lone Ranger in 2014; Notes: He used to spell check reviews for Roger Ebert. Collaborates with Rossio frequently.)

Terry Rossio (story) (credit only) – (Known For: Pirates of the Caribbean: The Curse of the Black Pearl; Aladdin; Shrek; Pirates of the Caribbean: At World’s End; Pirates of the Caribbean: Dead Man’s Chest; Deja Vu; The Mask of Zorro; Treasure Planet; Small Soldiers; The Road to El Dorado; Future BMT: The Legend of Zorro; The Puppet Masters; National Treasure: Book of Secrets; BMT: Godzilla; The Lone Ranger; Pirates of the Caribbean: On Stranger Tides; Pirates of the Caribbean: Salazar’s Revenge; Razzie Notes: Nominee for Worst Screenplay for The Lone Ranger in 2014; Notes: Was at one point a Machine Parts Inspector. The writing partner of Elliott for the most part, although their filmographies differ slightly.)

Actors – Matthew Broderick – (Known For: The Lion King; Manchester by the Sea; Ferris Bueller’s Day Off; WarGames; Trainwreck; Glory; Bee Movie; Tower Heist; The Cable Guy; The Producers; To Dust; Ladyhawke; Rules Don’t Apply; Election; You Can Count on Me; The Tale of Despereaux; Margaret; The Freshman; Addicted to Love; The Road to Wellville; Future BMT: Inspector Gadget; Deck the Halls; The Stepford Wives; Family Business; She’s Having a Baby; Dirty Weekend; Finding Amanda; Diminished Capacity; BMT: Godzilla; New Year’s Eve; Notes: He’s done a lot of random guest spots on television more recently. He’s been married to Sarah Jessica Parker for over 20 years now.)

Jean Reno – (Known For: Leon; The Promise; Mission: Impossible; Hotel Rwanda; Ronin; Flushed Away; Nikita; The Big Blue; French Kiss; L’immortel; Margaret; La ragazza nella nebbia; The Crimson Rivers; Subway; Wasabi; Armoured; Al di là delle nuvole; Comme un chef; La rafle; Future BMT: Couples Retreat; The Pink Panther; The Pink Panther 2; The Last Face; Just Visiting; Xia dao lian meng; Flyboys; The Da Vinci Code; Days and Nights; BMT: Rollerball; Godzilla; Alex Cross; Notes: One of the more notable french actors to have transitioned into an international film star. He worked with Luc Besson early in his career.)

Maria Pitillo – (Known For: True Romance; Natural Born Killers; Chaplin; She-Devil; Bright Lights, Big City; White Palace; I’ll Do Anything; Spike of Bensonhurst; Future BMT: Dear God; Wise Guys; Bye Bye Love; Frank & Jesse; BMT: Godzilla; Razzie Notes: Winner for Worst Supporting Actress for Godzilla in 1999; Notes: She got married in 2002 and has a daughter, so it is likely because of that that she seems semi-retired. Sang in The Lost Capone.)

Budget/Gross – $130–150 million / Domestic: $136,314,294 (Worldwide: $379,014,294)

(That seems … fine-ish. They were certainly expecting much higher, but that is kind of shockingly high for a film without a sequel. I guess how badly it was critically panned might have done it in.)

#24 for the CGI Star genre

godzilla_cgistar

(Below a Transformers or two, and the new Teenage Mutant Ninja Turtles … so this is basically the Michael Bay category. Still quite high considering it came out in 1998. People loved their CGI star in 2010.)

#11 for the Creature Feature genre

godzilla_creaturefeature

(Highest grossing creature feature we’ve seen for BMT, right at the late-90s peak. This is indeed the highest grossing bad creature feature available.)

#15 for the Disaster genre

godzilla_disaster

(Somehow beaten out by 2012 as far as BMT goes, and the highest we can get is Armageddon. An interesting genre. There was a set of exploitation films in the 60s and 70s (like Towering Inferno), which I have to say I find rather distasteful. Then as CGI blew up it came back in the late nineties, and then it surged again around 2010-15 … it certainly seems like when things are “going well” in the US people like to see some big disaster films, and when things aren’t … well then reality will suffice I suppose.)

Rotten Tomatoes – 16% (12/75): Without compelling characters or heart, Godzilla stomps on everything that made the original (or any monster movie worth its salt) a classic.

(Yeah, a complete catastrophe considering this is a beloved cult franchise. It was supposed to break out a whole new world of remakes for Hollywood, but alas, they had to stick with garbage J-Horror adaptations instead for a bit. Reviewer Highlight: You have to absorb such a film, not consider it. But my brain rebelled, and insisted on applying logic where it was not welcome. – Roger Ebert, Chicago Sun-Times)

Poster – Sklog Does Matter (A-)

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(Kinda working for me in an old school kind of way. Needs a bit more green maybe. You could image a version of this being the poster for a 1982 Godzilla reboot, although that font is straight 90’s and I love it. Artistic, nice framing, font, and tells a story. I dig it, what can I say?)

Tagline(s) – Size Does Matter (B+)

(Short and sweet and can’t help but love a blockbuster that uses a dick joke as a tagline. I think the biggest problem for me is that it’s not really clever… just kind of using the dick joke and having that be the joke. Still, it’s working.)

Keyword(s) – giant monster; Top Ten by BMeTric: 82.2 Skyline (2010); 74.8 After Earth (2013); 64.3 Max Steel (2016); 62.3 Ghostbusters (2016); 62.3 Turbo: A Power Rangers Movie (1997); 62.0 Independence Day: Resurgence (2016); 59.9 Monsters: Dark Continent (2014); 58.7 Godzilla (I) (1998); 54.7 Resident Evil: Retribution (2012); 54.6 Children of the Corn III: Urban Harvest (1995);

(Wowza, there are a lot available. The Ghostbusters one is fake though, at least, it doesn’t qualify by a country mile … you know what, I’m going to bold that because I’ve seen it, so there.)

Welcome to Earf (HoE Number 10) – The shortest path through The Movie Database cast lists using only BMT films is: Jean Reno is No. 2 billed in Godzilla and No. 5 billed in Rollerball, which also stars Chris Klein (No. 1 billed) who is in Here on Earth (No. 2 billed) => 2 + 5 + 1 + 2 = 10. There is no shorter path at the moment.

Notes – Despite the less-than-expected box office performance, this film still made more money worldwide than any other American movie based on a foreign film. It held this record until Godzilla (2014) claimed it 16 years later, although accounting for inflation, this movie still made more. (Yeah it is kind of crazy. Imagine if the movie was halfway decent!)

Godzilla has only about 11 minutes of screentime. (I guess, having watched it he is still all over the film even if you aren’t seeing him)

Mayor Ebert and his assistant Gene are spoofs of the late film critics Roger Ebert and his partner Gene Siskel (who would pass away less than a year after the film’s release). This is in response to the duo giving negative reviews to Emmerich and Devlin’s earlier films Stargate (1994) and Independence Day (1996). (That’s pretty funny)

An animated series called Godzilla: The Series (1998) was made which continued the storyline of the film. In the series, Tatopoulos accidentally discovers the egg that survived the destruction of the nest. The creature hatches and imprints on Nick as its parent. (Great ….)

Toho Studios gave the American creators a 75-page dossier of what they can and cannot do with Godzilla’s character. This included the following rules: Godzilla cannot eat people, only fish, he has to have three rows of dorsal plates, no more or less than three toes on his feet and four fingers on his hand, she cannot be made to look silly, he cannot die in the movie. Almost all of these points were disregarded, and according to Patrick Tatopoulos, the only specific instructions Roland Emmerich gave him was that Godzilla should be able to run incredibly fast and that it shouldn’t resemble a dinosaur too closely. (WTF)

The lead role was written specifically for Matthew Broderick. Indeed, the actor committed to the film without reading a finished screenplay. (Kind of cool)

Dean Devlin aggressively defended the movie on internet message boards, at times telling the Godzilla fans “to hell with you” if they had a negative opinion over it. The official Godzilla message board was shut down soon thereafter due to all the heated arguing. Years later, Devlin has admitted to recognizing the movie’s faults and apologized to the fans in various interviews. (Internet forums are poison Devlin)

Roland Emmerich and Dean Devlin abandoned Godzilla’s iconic atomic breath in favor of a “power breath”, where their Godzilla would simply blow objects away by exhaling a strong wind-like breath. However, news of the power breath leaked before the film’s release, which outraged fans and forced Emmerich and Devlin to make last minute changes on scenes involving the power breath, effects supervisor Volker Engel stated, “Dean and Roland wanted this monster to retain a certain menace and credibility, but Godzilla’s breath is something everyone expects to see at some point, So they came up with instances in which you would see something like the old breath, but with a kind of logic applied to it. We make the assumption that something in his breath, when it comes in contact with flame, causes combustive ignition. So you get this flame-thrower effect, which causes everything to ignite.” Creature designer Patrick Tatopoulos added, “We were creating an animal. We weren’t creating a monster.” (Actually pretty good reasoning, but completely makes sense that fans would be annoyed as well)

The number of the cabs used in the chase at the end of the movie is MN 44. Moon 44 (1990) is the title of an earlier film that was directed by Roland Emmerich and in which Dean Devlin appeared. (Fun fact)

Patrick Tatopoulos, who designed the new Godzilla, states that the creature design mixes elements of various reptiles; also, he wanted the creature to be imposing and to inspire respect. To achieve that, he was inspired from the character Shere-Kan featured in The Jungle Book (1967); the tiger had a noticeable chin and Tatopoulos applied this characteristic on his design, taking the appearance of it from what he refers to be a “Selfin Dragon.” He also gave the creature humanoid shoulders and hands, very similar to the features included in the original design. (It … actually does kind of look like a tiger chin)

Godzilla’s design is based off a marine iguana as they originated in the Galapagos which is in the South Pacific. (It isn’t in the South Pacific, it is on the equator, but yeah, you can see a marine iguana in the opening)

The tanks used in the fish feeding scenes were actually big plastic/fiberglass mock-ups that were wheeled around on big dollies. (Movie magic)

When a cross-promotional deal with Anheuser-Busch was cancelled, visual effects artists had to digitally “erase” all Budweiser labels seen on beer bottles in the film. (Ha, when product placement goes wrong)

Was meant to be the cinematic debut of actress Maria Pitillo. The movie immediately “won” her a Golden Raspberry Award as the Worst Supporting Actress and she stopped receiving movie roles some years later. (Ridiculous since the film gives her absolutely nothing to do)

Roland Emmerich wanted his Godzilla to be fast. He can run about 200 mph. (Huh, that seems … too fast)

In a 2014 interview for the British film magazine Empire, Roland Emmerich admitted that he wanted to make a disaster movie about meteors rather than a Godzilla flick. However, Armageddon (1998) and Deep Impact (1998) had already been made by the time he was done directing this movie, which frustrated him as he wanted to make one first. (Ha)

Razzie Notes

Winner for the Razzie Award for Worst Supporting Actress (Maria Pitillo, 1999)

Winner for the Razzie Award for Worst Remake or Sequel (1999)

Nominee for the Razzie Award for Worst Picture (Dean Devlin, 1999)

Nominee for the Razzie Award for Worst Director (Roland Emmerich, 1999)

Nominee for the Razzie Award for Worst Screenplay (Dean Devlin, Roland Emmerich, 1999)

Predator 2 Preview

When Jamie and Patrick enter the Police Academy they are immediately approached by the officer in charge. He says that given their perfect physiques and solid references he thought they could keep an eye on the jokester recruits until they quit. Just as Patrick beings to politely decline (they ain’t no snitches) a strong gust of wind results in the freak pantsing of the officer. Looking around he sees Jamie laughing with the rest of the party animal recruits. “You’ll regret this!” screams the officer in charge. “I’ll make sure both of you are run out of this Academy!” Oh yeah? Not when they are the best recruits the Academy has ever seen. They backflip their way through obstacle courses and use their years of experience with heavy weaponry to blow through the simulations. One day as graduation nears they return to their bunks to find 50 kgs of cocaine sitting on our beds. God damn sabotage! “How can we get rid of a shitload of cocaine?” Jamie wails. “Hold on,” says Patrick thinking, “Shitload… load… load of laundry. I got an idea!” Recalling the tight writing of Exit Wounds, Jamie and Patrick quickly soak 3,000 t-shirts in a vat of cocaine water. When the police arrive all they find is Jamie and Patrick and a shitload of t-shirts. “What’s going on here?” Asks the commander, “we got a tip for a drug bust.” “Nope,” responds Patrick, “Just us and our t-shirt business inventory.” The commander is impressed and we graduate first in the class for our mad skillz and entrepreneurship. In disbelief the officer in charge gets wind of a pretty tough first assignment. Precinct 16 has a Predator problem and he’s pretty sure he knows who’s going to be on Predator Duty. That’s right! This week we are taking the opportunity of the Franchise-zzz cycle to finish (?) the Predator franchise with Predator II. We really jumped around that franchise but somehow never got around to the film set in the far crime-ridden future of 1997 that co-starred Gary Busey. Seems like an oversight. No more! Let’s go!

Predator 2 (1990) – BMeTric: 24.4

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(There is almost no logical eplanation in my mind why the Predator 2 IMDb rating would be above 6.0, almost none. The movie is a joke that sidelined quite an impressive idea for a franchise for a decade.)

Leonard Maltin – 2.5 stars –  Fast-paced (if too derivative) sequel, minus Arnold. This time, cop Glover and cronies take on the title alien in 1997 L.A. Good production design and lots of hit-’em-across-the-face action, but don’t looke for anything resembling inventive dialogue or character development. Then again, you wouldn’t expect either from a film with Morton Downey, Jr., in its cast.

(Wow Morton Downey Jr. was basically a morning zoo guy, but more trash TV. His filmography was dire. Was a weirdly pro-cigarette advocate right up until he got cancer and had to have a lung removed. Sounds like a delight.)

Trailer – https://www.youtube.com/watch?v=6yPdBVUP5Zw

(Ha “With a few days to kill” classic. Seems just okay. It certainly seems ludicrous. Honestly, they didn’t need to make it a heatwave and have everyone sweating profusely the entire time. Its gross.)

Directors – Stephen Hopkins – (Known For: The Ghost and the Darkness; Race; Under Suspicion; The Life and Death of Peter Sellers; Future BMT: Lost in Space; A Nightmare on Elm Street 5: The Dream Child; The Reaping; Blown Away; Judgment Night; BMT: Predator 2; Notes: Directed most of the first season of 24, including the pilot for which he was nominated for an Emmy. Won an Emmy for The Life and Death of Peter Sellers. Has a hilarious quote about Predator 2 where he said that his main mistake was taking it too seriously and trying to add too much depth to the film. Sure man, whatever you say.)

Writers – John Thomas and Jim Thomas (characters & written by) – (Known For: Predator; Predators; Executive Decision; Future BMT: Mission to Mars; BMT: Aliens vs. Predator: Requiem; Wild Wild West; The Predator; AVP: Alien vs. Predator; Predator 2; Behind Enemy Lines; Razzie Notes: Winner for Worst Screenplay for Wild Wild West in 2000; Notes: God I kinda love all these films and cannot wait for Mission to Mars now. These two are writing partners and brothers. Just like us… exactly like us… with the exact same level and success as us.)

Actors – Danny Glover – (Known For: The Old Man & the Gun; Sorry to Bother You; Saw; Shooter; The Rainmaker; Lethal Weapon; Witness; Silverado; The Royal Tenenbaums; The Prince of Egypt; Escape from Alcatraz; The Color Purple; Blindness; Dreamgirls; Lethal Weapon 2; Antz; Lethal Weapon 4; Maverick; Lethal Weapon 3; Future BMT: The Shaggy Dog; Rage; Gone Fishin’; Age of the Dragons; Operation Dumbo Drop; Diablo; Barnyard; Andron; The Cookout; Monster Trucks; Pure Luck; Angels in the Outfield; Flight of the Intruder; Supremacy; Switchback; Legendary; Wild America; LUV; Gospel Hill; BMT: Alpha and Omega; Proud Mary; 2012; Dirty Grandpa; Predator 2; Notes: In 1984-5 he appeared in three Best Picture nominated films, Places in the Heart, The Color Purple, and Witness. He never got a nomination, though. He did get nominated for four Emmys throughout his career.)

Gary Busey – (Known For: A Star Is Born; Point Break; Lethal Weapon; The Firm; Fear and Loathing in Las Vegas; Lost Highway; Under Siege; Silver Bullet; Thunderbolt and Lightfoot; The Player; The Buddy Holly Story; Big Wednesday; Bounty Killer; Straight Time; Insignificance; Barbarosa; The Gingerdead Man; Cloud 9; Wild in the Streets; Carried Away; Future BMT: Piranha 3DD; Behaving Badly; Chasers; Drop Zone; Homo Erectus; Rookie of the Year; D.C. Cab; Black Sheep; Surviving the Game; Entourage; The Gumball Rally; BMT: Soldier; Predator 2; Notes: Nominated for an Oscar for The Buddy Holly Story. Father of Jake Busey who was actually in the latest Predator film. Nearly died in a motorcycle accident in 1988 when he crashed while not wearing a helmet. Strangely not long before the accident he had appeared at a rally aimed at preventing a law requiring people to wear helmets when using a motorcycle. Sad.)

Kevin Peter Hall – (Known For: Predator; Harry and the Hendersons; Future BMT: Big Top Pee-wee; BMT: Predator 2; Notes: Sadly died very young after contracting AIDS from a blood transfusion received following a car accident.)

Budget/Gross – $35 million / Domestic: $30,669,413 (Worldwide: $57,120,318)

(Eh. If you squint your eyes you can only kind of tell that this lost millions of dollars for the studio. Yeah, killed any hopes for a franchise for a while.)

#46 for the Creature Feature genre

predator2_creaturefeature

(Right in the original creature feature boom from the 80s, although given it looks like dogshit compared to Jurassic Park it isn’t that much of a surprise it would take a while to figure out how to transition from mega expensive animatronics to CGI like that film did. Alien Vs. Predator is the highest grossing BMT film we’ve done.)

#45 for the Future – Near genre

predator2_future

(Right in the sweet spot where the genre was punching above its weight a bit. Predicting the future in film has been around for about as long as film and follows the technological advancements as well. A Sound of Thunder is the lowest grossing, but probably most entertaining example we’ve done)

Rotten Tomatoes – 27% (7/26): No consensus yet.

(A lot higher that I personally would have expected, but people do love Predator. Reviewer Highlight: [T]he film’s greatest loss is one of spirit. We live on a speck in a corner of a vast universe, and what makes us human is our ability to wonder about what’s out there. Since we do not know, the fables we create serve only to inspire our dreams. “Predator 2” is a movie whose dreams are angry and ugly. – Roger Ebert, Chicago Sun-Times)

Poster – Alium Hunter 2: Aliums in the City (D-)

predator_two_ver1

(My eyes! My god, my eyes! Almost The Avengers (1998) level but that weird slanted predator blocks out most of the jarringly bright colors to mitigate the damage. At least it got that classic Predator font. Last Year’s reboot forgot that to its great detriment.)

Tagline(s) – He’s in town with a few days to kill. (Ha, no.)

Silent. Invisible. Invincible. The Ultimate Hunter. (Warmer.)

This Time… Los Angeles, 1997. (Yes… and…)

(Cocaine is the only explanation for any of this. From the poster to the three wildly different taglines. They must have typed out like 500 taglines in an all night bender and then began yelling and punching each other because of how genius they all were until they fell unconscious from exhaustion and the producers just used all of them because fuck it. They got a party to go to.)

Keyword(s) – alien; Top Ten by BMeTric: 94.6 Battlefield Earth (2000); 93.9 Dragonball Evolution (2009); 90.3 Alone in the Dark (2005); 82.5 Highlander II: The Quickening (1991); 82.2 Skyline (2010); 81.9 Plan 9 from Outer Space (1959); 78.1 The Flintstones in Viva Rock Vegas (2000); 76.3 AVPR: Aliens vs Predator – Requiem (2007); 74.8 Species II (1998); 74.8 After Earth (2013);

(My god. Who would have thought the last “alien” film we’d have to do to polish off this keyword is The Flintstones in Viva Rock Vegas. No I.)

Notes – The filming of the alley scene was very troublesome for the filmmakers, due to it being filmed in a very rough neighborhood. The alley was littered with garbage, most of which was used in the film, and plagued with large rats. Local residents angered by the noise created by the film crew, would throw bottles and paper bags filled with feces from windows at the crew in the alley below. Worst of all, the film crew found a dead body hidden amongst the garbage. (This does not sound real. They found a dead body in an alleyway filled with trash that they chose as a filming location? Come on.).

The Jamaican voodoo posse gangs, seen in the film, were based on actual gangs that were terrorizing New York City and Kansas City in the mid to late 1980s.

Arnold Schwarzenegger said no to Predator 2 (1990), because he didn’t like the new director, or the new script.

In the backstory behind why Dutch, the main protagonist of the first film did not return for the sequel. Keyes had learned of Dutch’s encounter with the Predator, and he tracked Dutch down to a hospital, in which Dutch was being treated for an illness from radiation sickness, thought to be a result of exposure of the Predator’s Self-Destruct Device. After hearing Dutch’s account of events, Keyes and the O.W.L.F. team were sent to the jungle to investigate, and studied the site where the Predator detonated it’s Self-Destruction Device, and discovered evidence of a spaceship launch in the jungle, and that the deceased Predator’s ship had automatically returned to the Predator homeworld, and Dutch later escaped from the hospital and vanished, and Keyes personally believed he was still alive. (Ugh, it would have been perfect for The Predator this year, to have him having been abducted and then returned to Earth as its savior)

With more time than the original Predator (1987), Stan Winston, Stephen Hopkins, and Lawrence G. Paull came up with ideas and designs with more exotic weapons (the retractable spear, the detachable pincers, the Smart Disc, the net, et cetera.) for the Predator to use, to differentiate this film from the previous one.

The spear weapon, that was used in the film, disappeared and was reported stolen after filming was completed.

The plot underwent a few changes in its earliest stages. Gary Busey’s character, Keyes, was actually intended to be Dutch, Arnold Schwarzenegger’s character from the first film. Schwarzenegger was very outspoken against the sequel’s concept, feeling that taking it into the city was a bad idea, and declined the role. (I don’t think he’s right, I just think it would have been smarter to go Cambodia 1967 first as that was already mentioned, would have allowed to make LA 1997 not take place in the future as well)

Kevin Peter Hall had studied African tribal dances, in order to get into the feel and flexibility of the Predator, and to give him a personality.

Stephen Hopkins was given the task of directing Predator 2 (1990) after greatly impressing the studio when directing A Nightmare on Elm Street 5: The Dream Child (1989). He had been given just four weeks to shoot, and a further four weeks to edit the film. This meant that he had to shoot on one stage, while the crew dressed the other, allowing them to shoot almost continually.

The film was re-cut over twenty times, according to Stephen Hopkins, because of more graphic shots of mutilated bodies and decapitations by the Predator.

Rubén Blades was giving a live television interview to Good Morning America (1975) from the set of this movie. During the interview, Stephen Hopkins walked on camera, and ordered Blades back to work very loudly. The incident was so embarrassing, Blades and Hopkins did another interview a few days later to apologize.

King Willie (Calvin Lockhart) is said to practice Voodoo, yet Voodoo is not commonly practiced in Jamaica and actually comes from Haiti. King Willie is more likely a Rastafarian, which is a common religion in Jamaica and would explain his dreadlocks and the fact he calls Harrigan “Babylon” (a Rastafarian term for the justice system which they see as oppressive and corrupt).

Elpidia Carrillo, who played Anna in the first film, has her name listed in the sequel’s credits, yet doesn’t seem to appear in the actual film. Look carefully during the scene inside Peter Keyes’ mobile headquarters, and you will spot her. When Keyes (Gary Busey) describes how the creature activated a self-destruct device in Predator (1987), you can briefly spot Anna on one of the video screens. Carrillo filmed a debriefing scene, in which she talks to the camera and describes the events of the first film, but it was cut from the sequel.

The subway attack scene was directly adapted from the first Predator comic book series. The producers thought it was cool, and wanted to use it in the film. (Huh, I honestly didn’t realize the comics came before the second film)

Respirators were required during the slaughterhouse sequence, due to the debris and chemicals that had filled up inside the set.

John McTiernan’s fee after Die Hard (1988) was two million dollars. That’s why he declined to direct this movie, because the executives wanted to keep the budget the same as on the first film.

Keyes is the only character to ever use the word “predator” to refer to the Predator on-screen the word “predators” is also used by Isabelle in Predators (2010) but she uses it to refer to the human characters in the film not the Predator creatures.

According to Screenwriters Jim Thomas and John Thomas, a Predator sequel had not been planned, and they had to wait to see how successful the Predator comic book series would be. After the series was a hit, Producer Joel Silver was finally able to convince Fox to make the sequel, which was immediately greenlit.

The original storyline of the film was to have taken place in New York City, but Jim Thomas and John Thomas quickly changed it to Los Angeles, because of budget concerns. The scene where the Predator raises the skull during the lighting storm, was to have taken place atop the Chrysler Building.

This was the first film to be given the newly instituted NC-17 rating in the U.S. for its graphic violence, before it was re-cut to its final theatrical length. (Huh. I was actually rather skeptical of this when I read it, but as it makes sense it was the first. You’d need a load of violence these days to get NC-17 and it would have to be a lot more graphic than this)

Several of the hunting party members were played by players from the Los Angeles Lakers; Danny Glover was a big fan, and when the production needed several very tall people to play the background Predators, he asked them to help out. (Awesome)

The first film Gary Busey made after his nearly fatal motorcycle accident. (He looks good)

The brief scene with the hunting party was the most expensive to make in the entire film. Stan Winstons effects team had to build nine additional, unique Predator suits for just a few minutes of screentime. (That sounds dumb … but weirdly worth it)

John McTiernan was offered the chance to direct, but turned it down to work on The Hunt for Red October (1990). (Smart)

[There were a bunch more notes mostly with info gleaned from either the novelization or comics, but you can go to IMDb for those]

A Sound of Thunder Preview

A small note prior to this post: Last July we decided to take a look back at the movies that we watched over five years ago and choose a Hall of Fame class, five movies that we thought embodied BMT in some way. Perhaps they were particularly bad, or an example of a specific bad movie trope, whatever, something made them stand out as special in our minds. Since we didn’t do email previews before 2013ish we also decided to provide a preview for the movie. This is the first in a series of five leading up to our yearly awards the Smaddies Baddies. A recap (Hall of Fame speech really) will follow immediately afterwards to explain why the movie was chosen, things we loved about the movie, and things we discovered upon second viewing. Enjoy!

A Sound of Thunder (2005) – BMeTric: 72.0

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(Oh those sweet summer children who gave this good reviews initially. It is a bit shocking that it is that high actually. The CGI alone I would have imagined would have dropped it into the 3’s.)

Leonard Maltin – 1.5 stars –  In Chicago, 2055, a company takes expeditions back in time to hunt dinosaurs. Precautions are taken, but (of course) something goes wrong, and a tiny change in the past sends alterations down through time that our heroes try to set right. Misguided expansion of Ray Bradbury short story with mediocre effects and a confusing script. It’s easy to see why this stayed on the shelf so long. Filmed in 2002.

(“Mediocre effects” is extremely kind even in 2005. Final Fantasy: Spirits Within was released in 2001 and this is like … five years prior to that level of quality. And they had full creates in CGI. It is too much. It just look like garbage. It sat on the shelf, I believe, because they were trying to finish the really bad looking CGI.)

Trailer – https://www.youtube.com/watch?v=yTmKsKhMcIg

(The beginning is pretty crazy. I understand why they put it in there, but that isn’t part of the film. And weirdly the CGI doesn’t look that bad in the trailer. Which makes sense, you’re trying to trick people into seeing the film.)

Directors – Peter Hyams – (Known For: 2010: The Year We Make Contact; Stay Tuned; Sudden Death; Outland; Timecop; Capricorn One; Running Scared; The Star Chamber; The Presidio; Enemies Closer; Hanover Street; Narrow Margin; Future BMT: The Musketeer; End of Days; The Relic; Beyond a Reasonable Doubt; BMT: A Sound of Thunder; Razzie Notes: Nominee for Worst Director for End of Days in 2000; Notes: One of the few writer/directors of major films who also serves as his own cinematographer.)

Writers – Ray Bradbury (short story) – ((Known For: Fahrenheit 451; Moby Dick; Something Wicked This Way Comes; King of Kings; It Came from Outer Space; The Illustrated Man; The Beast from 20,000 Fathoms; The Wonderful Ice Cream Suit; Future BMT: Fahrenheit 451; BMT: A Sound of Thunder; Notes: A close friend of both Ray Harryhausen (who was best man at his wedding) and Gene Roddenberry. Perhaps the greatest American Science Fiction writer.)

Thomas Dean Donnelly and Joshua Oppenheimer (screen story & screenplay) – (Future BMT: Dylan Dog: Dead of Night; Sahara; BMT: A Sound of Thunder; Conan the Barbarian; Notes: Penned a first draft of the long-awaited and always-upcoming Uncharted film based on the Playstation video game.)

Gregory Poirier (screenplay) – (Known For: Rosewood; Future BMT: Tomcats; The Spy Next Door; See Spot Run; Gossip; National Treasure: Book of Secrets; A Warrior’s Tail; BMT: A Sound of Thunder; Notes: Born in Hawaii, and apparently wrote a draft for Superman Returns.)

Actors – Edward Burns – (Known For: Saving Private Ryan; The Holiday; 27 Dresses; She’s the One; The Brothers McMullen; Friends with Kids; Confidence: After Dark; The Fitzgerald Family Christmas; Sidewalks of New York; The Groomsmen; Newlyweds; Future BMT: Life or Something Like It; Echelon Conspiracy; 15 Minutes; Man on a Ledge; Ash Wednesday; No Looking Back; BMT: One Missed Call; A Sound of Thunder; Alex Cross; Notes: Has a brother Brian Burns with whom he owns a production company called Irish Twins … presumably because they are, in fact, brothers born within a calendar year.)

Ben Kingsley – (Known For: Schindler’s List; The Jungle Book; Iron Man 3; Shutter Island; Operation Finale; Night at the Museum: Secret of the Tomb; Hugo; Ender’s Game; The Dictator; Knight of Cups; War Machine; A.I. Artificial Intelligence; Dave; Lucky Number Slevin; Gandhi; The Walk; Sexy Beast; Transsiberian; House of Sand and Fog; Future BMT: BloodRayne; Thunderbirds; The Last Legion; War, Inc.; The Ten Commandments; Exodus: Gods and Kings; Collide; Suspect Zero; Slipstream; Rules of Engagement; Self/less; Prince of Persia: The Sands of Time; An Ordinary Man; The Ottoman Lieutenant; BMT: The Love Guru; A Sound of Thunder; Species; Razzie Notes: Nominee for Worst Supporting Actor in 2007 for BloodRayne; and in 2009 for The Love Guru, The Wackness, and War, Inc.; Notes: Ferdinand Kingsley, his son, is a notable television actor, including an appearance in Doctor Who.)

Catherine McCormack – (Known For: Braveheart; 28 Weeks Later; Spy Game; Dangerous Beauty; Shadow of the Vampire; Magic in the Moonlight; The Tailor of Panama; The Journey; The Land Girls; Strings; Renaissance; Dancing at Lughnasa; Born Romantic; Future BMT:The Weight of Water; BMT: A Sound of Thunder; Notes: A British actress who appears to have more recently been performing in the theatre, including work with the Royal Shakespeare Company.)

Budget/Gross – $80 million / Domestic: $1,900,451 (Worldwide: $11,665,465)

(A truly catastrophic bomb. As a matter of fact, if you dug into it, it might actually be one of the worst box office bombs in history, or at least since 2000)

#78 for the Creature Feature genre

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(The lowest grossing film we’ve done in the genre. After this it is pretty obvious everyone looked around at each other and said “yup, that’s about enough of those for now, we should wait a bit before tricking people into watching more of these.”)

#77 for the Future – Near genre

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(2012 is by far the most successful BMT film of the genre. It has blown up since 2010, plausibly because we still are in a dystopian kick. I’m surprised Hunger Games doesn’t qualify as Near Future as I wouldn’t be surprised if that is what actually kick started things in 2012.)

#48 for the Time Travel genre

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(Only Timeline and this amazingly. There are plenty in the future though (heyyyyooooo, get it?). Unfortunately Timecop doesn’t qualify, but we do get to watch The Time Machine again …)

Rotten Tomatoes – 6% (6/99): Choppy logic and uneven performances are overshadowed by not-so-special effects that makes the suspension of disbelief a nearly impossible task.

(Somewhat oddly most of the reviews don’t seem to mention the special effects. Which makes me wonder if they actually watched the film. It is literally the craziest thing you’ll see (unless you watch hundreds of bad films … it is still top ten craziest thing I’ve seen in a BMT film, no joke). Reviewer Highlight: So perfect in its awfulness, it makes one seriously consider a theory of unintelligent design. – Scott Brown, Entertainment Weekly)

Poster – A Sklog of Thunder (C+)

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(I hate the font. It looks super silly and I don’t think it gets across anything important about the film. The red hand and butterfly is interesting, although perhaps feels more like a horror film? I’m giving it the benefit of the doubt. I like the style outside of the writing, so I’ll go above average for it., even if it looks a bit cheap)

Tagline(s) – Some Rules Should Never Be Broken. (D)

(First, it sounds like a tagline, but it isn’t. It is a tautology. Of course there are rules that should never be broken. They are rules. Second, what is even the rule being broken here? The butterfly effect rule? The sound of thunder rule? Neither. The actual rule broken? Don’t turn off the biofilter on your time machine … yeah, I’m not sure the tagline is getting that across. But it sounds nice, so it isn’t an F.)

Keyword(s) – time travel; Top Ten by BMeTric: 73.8 The Butterfly Effect 2 (2006); 72.0 A Sound of Thunder (2005); 71.4 S. Darko (2009); 67.7 Black Knight (2001); 65.8 Teenage Mutant Ninja Turtles III (1993); 62.9 Lost in Space (1998); 62.6 Paranormal Activity: The Marked Ones (2014); 59.1 Hot Tub Time Machine 2 (2015); 58.1 The Seeker: The Dark Is Rising (2007); 53.1 Hellraiser IV: Bloodline (1996);

(The Seeker doesn’t have time travel according to Box Office Mojo, but whatever. Teenage Mutant Ninja Turtles III though, now that is a ridiculous and pointless film.)

Notes – Renny Harlin was fired from the production, because he made a creative decision that made Ray Bradbury very unhappy, and this film’s producers decided to support Ray Bradbury.

One major reason for the film’s long delay is that the original production company went bankrupt during post-production, and there simply wasn’t money to finish the film. (Which is why the CGI is absolutely the worst thing you’ll ever see)

Production was slowed when severe floods in the summer of 2002 in the Czech Republic caused considerable damage to the set.

This film was originally set for release in 2003.

Spota’s supermarket is a reference to director Peter Hyams’s wife’s family name.

The T.A.M.I. acronym stands for “Time Alteration Manipulator Interface”

When Hatton (Ben Kingsley) receives his clients after their time safari, he likes to compare them with great explorers: Marco Polo, Columbus, Armstrong… and he also says “like Brubaker on Mars”, remembering a future (past for him) conquest of the Red Planet. Brubaker was the name of the commander of the Mars expedition in the film Capricorn One (1977), also directed by Peter Hyams. (Whaaaaaaaaaaaaaaa?)

Based on the short story A Sound of Thunder by Ray Bradbury

Pierce Brosnan and director Renny Harlin were originally attached to this film. (See above note about Harlin)

The film takes place millions of years in the past and in 2055. (I can’t wait to see if that 2055 is made explicit, I honestly cannot remember)

A video game based on the film was released for the Game Boy Advance. It also had been considerably delayed, and ended up coming out slightly before the film, in March 2005. It was an overhead shooter with some driving stages, and included support for co-op and deathmatch multiplayer via link cable. A third-person action-adventure shooter based on The Thing (2002) engine was being developed by Computer Artworks for BAM! Entertainment for the PlayStation 2 and Xbox, but ended up being cancelled. Its plot differed from that of the film: the changes in the course of evolution were not an accident, but acts of terrorism caused by a Luddite cult. The “present” time was also changed to 2038. The game was to have nine missions taking place in both the past and present. Real-life bands would have been hired to provide the music. (I have to definitely never play that game because that would be a huge waste of time)

The change in the timeline is caused by a single butterfly. This probably alludes to the so called “butterfly effect” in which a small change in one state of a system can result in large differences in a later state.

The Predator Preview

As the Viking King Vikling celebrates Jamie’s victory over Vlurg with booze and wenches, Jamie drags the rotting corpse down to the seaside and throws it in as bait for Frang. Almost immediately there is a tug at the rope and with a jerk he is pulled into the raging ocean. Just as he is about to succumb to the pounding surf a mighty whale surfaces and eats Jamie in a single gulp. It smells like death in the belly of the beast. Attempting to crawl to the mouth, Jamie stumbles onto a rotting mound of flesh. It’s Frang! The whale must have eaten the monstrous shark months ago and Vikling never noticed. If Frang couldn’t get back out the mouth what hope does even a super muscly guy like Jamie have? Pounding his fists against the rotting flesh of Frang’s useless corpse, Jamie wails in anguish. “Have you forsaken me, Vikling?! Has everything you wanted dead not ended up dead?… At least… in the end. Not necessarily killed by me, but that’s mostly semantics, right?” Suddenly he realizes that a faint glow can be seen further down the gullet of the whale. Crawling towards it, dragging Frang behind him, he find a small encampment and fire. A humanoid monster is sitting there eating a small bit of food. “My God,” Jamie whispers in horror. “It’s a Predator.” Wanting to weep he takes solace in the fact that Patrick must be having even crazier adventures in the alternate universe he’s been sucked into.

Patrick is walking down the beach of terrible CGI birds following Sticks and Stones who have gone silent in the wake of the Z-Movie Multiverse revelation. Every so often he brushes aside one of the birds until … is that Jamie in the distance? Thank God he thinks and starts quicken his pace only to be thrown to the ground as the beach set begins to shift and chlorinated pool water sloshes over him, spilled from the “ocean”. Shoddy workmanship this, he thinks, who built this set? … Wait … presumably no one built the set. His eyes begin to blur, the birds becoming gigantic, filling his field of vision, until one grabs him in pixelated claws and begins to carry him off. He’s thousands of feet into the air, but … how could a z-movie afford just a spectacular effect? The bird explodes into a blob of pixelated blood, and Patrick crumples to the ground, the beach set righting itself, and the birds returning to normal size. “Gosh dern it,” says Stones, “it’s happening.” Stick nods, “Kid, you gotta keep your mind straight, you don’t belong here. This place will drive you mad.” “As sure a pig loves mud.” Stones chimes in. Patrick feels dizzy and his vision shifts again. He sees Jamie, but now a far distance away, talking to what appears to be a … giant bug? Jamie’s going to handle that one on his own, Patrick thinks, and then passes out.

That’s right! It’s impossible to pass up the chance at a major motion picture release that qualifies BMT. Not to mention one that is meant to reboot a major franchise, and one of the most anticipated action films of the year. Let’s go!

The Predator (2018) – BMeTric: 24.3

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(Kind of heartening that it kind of dropped a ton even before most votes had been cast. Pretty hilarious still. It plays right into the 14-year-old boy demo though, so it’ll float around 6.0 I bet and never really get too far below that.)

RogerEbert.com – 3 stars –  With a fantastic cast and razor-sharp pacing, the fact is that this is what you want from a movie called The Predator.

(Wow, one of the rare top critics who gave this a halfway decent review. And I like to think this was in the spirit of Ebert who was an early pioneer of cutting some slack with the good-for-what-it-is type films (a viewpoint I mostly disagree with).)

Trailer – https://www.youtube.com/watch?v=WaG1KZqrLvM

(So that was probably the best of the three trailers. The other two … looked not so great. And then the film … kind of mostly ended up being regarded as not so great. So it did kind of even out. I was expecting this to be high 50s on Rotten Tomatoes. The critics inability to tolerate things like cursing or violence or other nonsense for the sake of such things heartened me a bit. Making an R-rated movie because “that’s what Predator should be” is dumb and puts violence (unnecessarily) to the front of one’s mind. It certainly seemed to be the case here, but I guess I’ll see.)

Directors – Shane Black – (Known For: Iron Man 3; The Nice Guys; Kiss Kiss Bang Bang; BMT: The Predator; Razzie Notes: Nominee for Worst Screenplay for Last Action Hero in 1994; Notes: Kind of fun that he was in the original Predator as an actor. The films he’s directed had, thus far, been notable as critical darlings, but commercial flops.)

Writers – Fred Dekker (written by) – (Known For: The Monster Squad; House; Night of the Creeps; Ricochet; Future BMT: House II: The Second Story; Teen Agent; BMT: RoboCop 3; The Predator; Notes: Notably was a classmate of Black’s at UCLA, which is likely how he got The Monster Squad produced as writer-director.)

Shane Black (written by) – (Known For: Iron Man 3; The Nice Guys; Kiss Kiss Bang Bang; Lethal Weapon; The Monster Squad; Lethal Weapon 2; The Long Kiss Goodnight; The Last Boy Scout; Lethal Weapon 4; Lethal Weapon 3; Future BMT: Last Action Hero; BMT: The Predator; Razzie Notes: Nominee for Worst Screenplay for Last Action Hero in 1994; Notes: Sold Lethal Weapon when he was 22 and quickly became the highest paid screenwriter ever (selling The Long Kiss Goodnight for a reported $4 million). He took a seven year break in the late 90s.)

Jim Thomas and John Thomas (based on characters created by) – (Known For: Predator; Predators; Executive Decision; Future BMT: Mission to Mars; Predator 2; BMT: AVPR: Aliens vs Predator – Requiem; Wild Wild West; AVP: Alien vs. Predator; Behind Enemy Lines; The Predator; Razzie Notes: Winner for Worst Screenplay for Wild Wild West in 2000; Notes: Wrote the original Predator. This is the third of their films we’ve seen this year, and Predator 2 (which we’ve seen, but outside of BMT) will officially be done soon enough.)

Actors – Boyd Holbrook – (Known For: Gone Girl; Logan; A Walk Among the Tombstones; Run All Night; Out of the Furnace; Milk; Behind the Candelabra; Jane Got a Gun; Higher Ground; The Skeleton Twins; The Free World; Little Accidents; Future BMT: Morgan; The Reunion; The Oranges; Very Good Girls; BMT: The Host; The Predator; Notes: Born in Kentucky and became a model after being found in a playhouse there where he was working as a carpenter. Was engaged to Elizabeth Olsen for a time.)

Trevante Rhodes – (Known For: 12 Strong; Moonlight; Song to Song; Burning Sands; Future BMT: Open Windows; BMT: The Predator; Notes: Crazy good filmography thus far. Was a football player at the University of Texas.)

Jacob Tremblay – (Known For: Wonder; Room; Before I Wake; Future BMT: Shut In; Extraterrestrial; The Smurfs 2; The Book of Henry; BMT: The Predator; Notes: Both his older and younger sisters are quite prolific child actors. His younger sister was even in the amazing The Bye Bye Man last year!)

Budget/Gross – $88 million / N/A

(It made $24 million in its opening weekend and around $50 million worldwide. That $88 figure also possibly doesn’t include reshoots as I think it was announced before they announced the reshoot schedule … so it could be a bit more. It’ll be a flop, but kind of how Solo was a flop. Like … if they had just kept the budget under control a tight $150 million-ish worldwide wouldn’t be such a bummer … but it is, and that, honestly, looks optimistic at this point.)

#50 for the Creature Feature genre

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(Alien V Predator is the highest grossing of the genre that we’ve seen thus far actually. Domestically it looks unlikely that this will top that given world of mouth. Just went back-to-back with Jaws: The Revenge, and we watched the entire Anaconda series earlier this year. Kind of the year for the creature feature. Major takeaway: these shouldn’t be considered horror films ever, none of them are scary.)

#30 for the Sci-Fi Chase genre

thepredator_scifichase

(Jumper is the highest grossing here around were Alien V Predator ended up, so, again, unlikely to beat it. I feel like a genre like this is definitely starting to get relegated to things like Netflix. Hell some of the best horror and sci-fi films have already been released straight-to-VOD this year. Strange times coming.)

Rotten Tomatoes – 34% (62/185): The Predator’s energetic blend of black humor and fast-paced action hits just hard enough to nudge this oft-waylaid franchise back on track while setting up sequels to come. (Original consensus at 41%)

The Predator has violence and quips to spare, but its chaotically hollow action adds up to another missed opportunity for a franchise increasingly defined by disappointment.

(I originally generated this when the film sat at 41% and looked like it would maybe just miss out on qualifying. It then dropped dramatically and now seems very unlikely to recover. The two consensuses are interesting, I’ve never actually noticed them change one before.)

Poster – A Definitely Hard-R Predator Film, Look at All That Gore! (C+)

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(I like the bold move with the orange and got some artistry, but I can’t get past the fact that it looks stupid, you know? Like, I would like it if it didn’t look extra dumb. Also gotta get some font work. Ever heard of it? Interestingly AvP: Requiem is the only other film in the series to also have a totally boring font. Appropriate.)

Tagline(s) – The Hunt has Evolved (B+)

(Alright. So I have to put my personal beliefs to the side for this one. Concise and hints at the plot. Also had a little double meaning in there to up the cleverness a tad. All in all pretty good… What this hints at though is a terrible movie that lazily uses the “evolution” ploy to claim that somehow this has totally amped up the ultimate predator into the EXTRA ULTIMATE PREDATOR, BRRROOOOOOOOO. So… that’s not super great.)

Keyword(s) – commando mission; Top Ten by BMeTric: 90.2 Alone in the Dark (2005); 68.8 The Marine (2006); 61.2 Transformers: The Last Knight (2017); 61.0 Doom (2005); 59.4 Monsters: Dark Continent (2014); 57.3 Suburban Commando (1991); 56.7 The Devil’s Tomb (2009); 54.7 Resident Evil: Retribution (2012); 53.1 Red Dawn (2012); 51.6 You Don’t Mess with the Zohan (2008);

(The Devil’s Tomb is some weird direct-to-DVD film starring Cuba Gooding Jr. and Ron Perlman. I feel like weird films like that deserve a voice somehow. They seem totally ignored in a very profound and sad way.)

Notes – The film was directed and co-written by Shane Black, as a sequel to Predator (1987), Predator 2 (1990) and Predators (2010). Shane Black had played Hawkins in the original film.

The film was originally conceived as a reboot of “Predator”, until Shane Black came aboard and confirmed he would be making a sequel instead, as he wanted to continue to explore the “Predator” mythology.

Jake Busey plays the son of Peter Keyes, the government official from Predator 2 (1990) who died during the hunt for the Predator. Peter Keyes was played by Gary Busey, who is Jake’s father in real life as well. (Huh, that is kind of fun)

Shane Black had gone on record stating he wanted this movie to be true to the spirit of the original, and for it to be R-rated, saying, “It’s an odd thing. Whether Deadpool (2016) helped is an open question, but I suspect it did. I made a condition of my participation with ‘Predator,’ that it be the same rating as the first movie, and the first movie was rated R. In other words, I don’t want to cut away every time the Predator does something violent. I was watching the American version of The Grudge (2004), which was PG-13, and I remember being so frustrated by the fact that everything that was scary in the Japanese version, they had to cut away from in the PG-13 American version.”

After the success of Iron Man 3 (2013), Shane Black was approached by 20th Century Fox with an Iron Man 3 (2013)-sized budget to direct a new “Predator” movie, and he could not resist. (I think people very much underestimate the effect of the MCU on making a lot of those films great. While they give young directors a chance to show off their stuff within a studio context, there always seems to be a lot of hand holding, and I wonder if it pumped up Black’s stock as a director too much.)

Arnold Schwarzenegger turned down the opportunity to return as Dutch. (That also would have been fun as a cameo. Arnold does pick a choose with this things, rumor is he is going to appear in the Terminator reboot).

Adrien Brody expressed interest in reprising his role from Predators (2010). (Naw we’ve good)

Shane Black confirmed via twitter that the film will be rated R. He tweeted that “And, just to be clear… PG-13 is for pussies. Spines bleed… a lot.” Black also tweeted “I am standing on set next to a 7-foot tall gentleman in a Predator suit – so no, it is not all CGI.” This tweet confirmed that this movie will stay true to the original by having the Predator be played by a guy in a suit instead of CGI. (blah. How would Shane Black know that spines bleed a lot?)

Benicio Del Toro was originally supposed to star in the lead role but he was replaced by Boyd Holbrook due to scheduling conflicts. (Nooooooooooo. Benicio is like … an actor I know the name of!)

Shane Black revealed that the rough cut was so dark, it was nicknamed the Night Cut and led to reshooting the third act. (… dark shots are the worst)

When Casey Bracket (Munn) first enters the lab and is examining the recovered Predator items, one of the shelves in the background contains the Xenomorph Tail Spear from AVP: Alien vs. Predator (2004). (Fine. It is kind of canon after all … although I think I would consider it sub-A. Like I think they could scrub the AvP stuff without too much trouble at least)

The actor Steve Wilder Striege was originally cast as a minor character in this movie, but 20th Century Fox removed his scenes a few days before picture lock, when actress Olivia Munn informed the studio that he was arrested, charged and registered as a sex offender in 2010 after facing allegations that he attempted to lure a 14-year-old female into a sexual relationship via the internet. (Yeah … do there is a bit of controversy surrounding the film. Another moment where Shane Black sounds like a idiot)

Edward James Olmos’ scenes ended up on the cutting room floor. (I love me some Olmos, so that is too bad)

If you look closely to the school, the football field, and the barn that was filmed in this movie, you’ll recognize that it’s the same school, football field and barn that was used on the TV show Smallville. (fun fact)

The Predator shown in the teaser poster is actually the Crucified Predator from Predators (2010), identifiable by the damage to its Bio-Mask. (whaaaaaa?)

In the Halloween scene when Rory first wears the bio-mask the original predator suit that Jean-Claude Van-Damme wore for the 1st Predator film is seen. That suit was eventually abandoned when John McTiernan and Stan Winston decided to redesign the creature. (I’ll have to keep a look out, the thing looks ridiculous)

After the Loonies are escaping from the bus, they see some motorcycles parked nearby. McKenna yells “get to the choppers!”, a throwback to a line from Predator (1987) made famous by Arnold Schwarzenegger’s character Dutch. (NOOOOOOOOOOOOOOO)