The Intruder Recap

Jamie

After scoring the big deal at work, Scott and Annie go looking to buy a house in Napa. They meet Charlie, who is looking to unload his million dollar family home and it seems like a match made in heaven. But soon it becomes clear that it’s a match made in hell because Charlie is a total nutso psycho. Can they stop Charlie before it’s too late? Find out in… The Intruder.

How?! Scott and Annie are the perfect couple. They are smart, beautiful and super rich and so we all identify with them and love them. They are looking to make their perfect lives complete by buying a multimillion dollar mansion in Napa and lo and behold Charlie is selling his dream house at this very moment. They pull the trigger and soon they are making that mansion their home. One problem though, Charlie is totally nuts and super weird and shows up at the house all the time being nuts and weird. Soon he’s doing all this creepy stuff around the house and Scott starts to suspect that Charlie may not be all that he seems. This paranoia puts stress on their marriage and soon it becomes clear that Charlie is seeing a little opening to get his house back and it involves wooing Annie and giving Scott the boot. Fed up, Scott confronts Charlie and then almost immediately gets run off the road while jogging (hmmm, wonder who did that?). Now totally freaked Scott insists that his friend go and make sure that Charlie isn’t wooing his wife while he’s laid up in the hospital. Wrong move, bro! Cause he gets an axe in the chest courtesy of Charlie. At this point, Annie is even a little creeped by Mr. Murder over there and it all culminates with her realizing that (spoiler alert!) he actually never left the house at all! He was living in some tunnels under the property like some Rambo. What a twist! In a final confrontation, Scott and Annie do battle with Charlie Rambo and totally blow him away in a ripoff of Sleeping with the Enemy (topical). THE END. Big Question: Was Charlie like… eating their food? I just really want to know more about how exactly he was living under their house for months… like… did he have a working toilet? Wouldn’t they have heard it? Lots of questions.

Why?! Well, Scott and Annie just want to live and have a happy marriage. Charlie… now that guy has a plan. What we learn is that he had a failing business built on lies that put him millions of dollars into debt. In order to pay off his debts he had to sell his house. But he’s not leaving (oh no) instead he’s gonna hang around long enough to woo Annie despite giving off sexy grandpa vibes (at best) and then marry her (?) and get his house back (???). It’s all very vague because he’s nuts.

Who?! While I was obviously tempted to use Dennis Quaid here as an actor-turned-musician, I restrained myself and will instead highlight Alvina August, a minor side actress in the film, who is also an aspiring singer… … never forget, though.

What?! One of the side characters sure does love his Audi, but really the star of this film is Recover 180°. Scott works on advertising for the drink several times in the film. They even show a full commercial for it. It’s actually a clever idea. Make your main character an advertising executive and then you can literally show entire commercials without anyone batting an eye. 

Where?! Superb San Fran/Napa setting. I think they could have gotten away with a New York City/NYC suburb dynamic. But that might be it. If they really wanted that A they would have probably had to have the house be a vineyard or something. Or have Scott be a tech entrepreneur rather than in advertising… you know, still giving it an A.

When?! Secret Holiday Film… kinda. This is like a roadtrip through time because after Scott and Annie buy the house we get a clear Thanksgiving scene and then some preparations for Christmas. If I had to choose I would say that Thanksgiving is the dominant as we get a rare thanksgiving dinner scene. Not a huge number of those in BMT films. A-.

This movie is mostly a pile of cliches built around rich people with rich people problems… alright, well maybe having Dennis Quaid living in some tunnels under your house isn’t exactly a rich person problem, but still. Really the only thing that this had going for it was that Dennis Quaid is off the hook and is snacking on scenery left and right. I’d also argue that the twist is fun, but also pretty standard, being in the same vein as “the call is coming from inside the house.” Except in this case it’s “the Quaid is coming from inside the house.” I personally felt like the film is more watchable than really thrilling or scary… but that still means it’s watchable. As for P.U.N.K.S., standard kids film made only mildly interesting by continual product placement, Randy Quaid putting on a full “nerd” character, and some wild character work by a couple of the kid actors… like one of the kids was super into health food… I have no idea why or what the joke actually was. It was pretty bizarre. As if Sly Stallone wrote the film or something, amiright? Patrick?

Patrick

‘Ello everyone! I do remember when I rented my new apartment and discovered the landlord living under the house in a weirdo crawl space … I mean, it’s fine I still lived there, have you seen the rental market recently?! It’s as insane as my weirdo landlord! Let’s go!

P’s View on the Preview – I legit barely remembered this film existed when we chose it for the 2019 cycle. But Dennis Quaid as a psycho? I’m in. The cast did make me wonder if I was the target audience for the film … so did all the reviews which suggested it was made for people who wanted to shout at the characters in theaters. But I’m game, I’m always game to try new things. What are my expectations? I expect to see Dennis Quaid as a psycho. The more of a psycho he can be the better. I’ll probably be pretty unsatisfied if people aren’t like “Why is this pyscho around all the time?” though, I don’t know if I could bear it.

The Good – I liked Dennis Quaid. No offense to the other actors in this film, but Quaid seemed like the only genuine “film” actor in the film … we’ll get to that in the Bad section, sorry. I liked the creepy hole Dennis Quaid apparently lived in, that was a fun reveal. I kind of wish that reveal plus battling Quaid in this house he knows inside and out was more like 50% of the film, but the end is pretty fun for as short as it lasts.

The Bad – First, the film isn’t very thrilling, just kind of eerie. Second, the actors aren’t really that good, like they are all television actors, which is fine … for a thriller that is fine I think. Third, the actual last second ending in which the main character killed Dennis Quaid in cold blood after totally unarming him is a bit unsavory. It isn’t like The Call level offensive, but it is a bit bothersome. But hey, it was pretty much the only thing the film had going for it. It is quite literally going to be the only thing I’ll remember from this film in two weeks … well, that and Dennis Quaid screaming “NO!” which will haunt my dreams forever.

The BMT – Hmmmm, no. I think I like the idea of the film more than the film itself. I like this as the future mold for streaming titles. You make like … 100 of these films and a bunch of them are going to be good. Keep them a-comin’ is what I think. I’ll watch all the bad ones too. Did it meet my expectations? Sadly, much like all of the bad reviews for this film, I have to agree with the critics: the female lead in the film, Meagan Good, is just waaaaaaay too calm with Charlie wandering around and pretending he has anything to do with this house anymore. Every moment he shows up everything he says and does screams “I am a lunatic who is trying to steal your life/house/family” and yet she keeps on being like “He’s harmless”. If not for that I would say yes because I like Dennis Quaid’s psycho, people just needed to not pretend he wasn’t the biggest creeper in the world.

Roast-radamus – He isn’t a Planchet, but Scott’s friend Mike is something else … he’s the guy who’s such a doofus that you just don’t care when Dennis Quaid kills him, and he’s kind of great at it. I’ll give a shoutout for some great Product Placement (What?) with the main character driving his sweet Audi around all of the time. Very minor, but very a propos Setting as a Character (Where?) with the start-up scene in San Francisco and the solitude of Napa playing a huge part in the film. Obviously this ends up up for a Live Smaddies Baddies, but I doubt it’ll actually get any of the big awards in the end.

StreetCreditReport.com – This film came out long enough ago that it is on a few worst of lists already. Looper agrees with the critics in saying Quaid is good but the film is bad. Something called iDaily has it at 9 … and possibly is just aggregating Rotten Tomatoes data? I think this will go down as one of the worst … creepy homeowner selling his house, but still living in it and being creepy films ever made. For real, it’ll be number one.

Bring a Friend Analysis – Phew, the final friend of the year. The Intruder stars Dennis Quaid. And everyone knows his much more famous older brother Randy. I’m only kind of joking, that was probably at one point true. Randy Quaid started to slip a bit into obscurity after Independence Day in 1996. By 1999 he was staring opposite Henry Winkler in the genuine straight-to-video children’s film called P.U.N.K.S. In this film the son of Randy Quaid is worried about his genius father (Randy acting like a nerd-alert) having a heart attack while testing his super-strength machine for the eeeevil Edward Crow (Winkler). So he assembles his friends (the P.U.N.K.S.) to steal the invention and take Crow down. It has a decent anti-bullying message, but is cheesy with some of the worst acting I’ve ever seen. A young Jessica Alba was fun to see as Samantha, as was Patrick Renna whom some would know as Ham in The Sandlot. C+, I found it a pleasant enough watch, but ultimately kids’ films are just a bit too weird to stomach routinely.

Cheerios,

The Sklogs

The Intruder Quiz

Oh man, so last night I discovered that my landlord was living under my apartment like a weirdo. But then … the last thing I remember was him attacking me and then nothing. Huh. Do you remember what happened in The Intruder?

Pop Quiz Hot Shot!

1) Scott and Annie are living the high life in the start-up scene of San Francisco. Killing it, natch. What does Scott do for a living?

2) But Annie wants to start a family (natch) and she’s got her eye on moving out of the big city to the quiet life of Napa Valley. That’s where they meet Charlie and his beautiful home. What is the name of Charlie’s estate?

3) One of the many things that Scott does that annoys Charlie is that he won’t abide by guns, whereas Charlie loves to hunt. Why doesn’t Scott like guns?

4) During the course of the film Charlie claims he is or will be living in two different places. Name them, and also where has Charlie actually been living this entire time?

5) While investigating the age old question “what’s the deal with Charlie, the weirdo who used to own my house?” Scott discovers that Charlie had gotten into two major bits of legal trouble culminating in him having to sell the house to Scott. What did Charlie do? What’s the deal with Charlie?!

Answers

The Intruder Preview

“Let’s blow this joint,” Patrick says, approaching Jamie’s glass prison, but he’s greeted with a shush. The Baldwins are acting out their favorite roles for him and they just got to his favorite part of Bio-Dome. But the moment is ruined and the Baldwin’s ask who the dope with the Rambos is. “Fine,” Jamie says peeved, “we can go.” The Baldwin’s laugh. “No one leaves here, bro,” they say, pointing to the lock on the door, “It’s the latest BMTNSA encryption tech.” It’s Jamie and Patrick’s time to laugh. With that they look at the lock and their faces go slack. The Baldwin’s and the Rambos look on in wonder as symbols flash across their glassy dolls eyes as their twin brains crush the encryption software. They punch in a series of numbers and the lock falls to pieces on the floor. Jamie steps out of prison and they predator high five. “With our twin powers combined,” Jamie says. Patrick nods and in that moment they realize that only together can they solve the Rich and Poe problem. “You… you forgot your cable-knit sweater,” Patrick says. Jamie responds by pulling the sweater over his head as the prison erupts in cheers. But just as they start to head out an alarm goes off. “Oh no! I forgot about my magnetic prison boots!” Jamie says pointing to his incredibly heavy boots. “They must be rigged to a separate alarm,” Intruder Alert! Intruder Alert! It wails. That’s right! We’re watching the last of the Bring a Friend cycle, which also means we are transitioning to the final cycle of the year *gasp*. This is of course the current year cycle and so we chose the Dennis Quaid thriller The Intruder that looks just dumb enough in its thrills for our liking.

Meanwhile, Sticks and Stone look at the security feed with Vampiro. “What are we going to do?” Vampiro whines but Sticks and Stones slam their fists down on the table to silence him. “You know exactly what we’re going to do. We’re gonna stop those punks.” That’s right! We’re also watching the Randy Quaid kids film P.U.N.K.S. where he plays a major nerdy whose kid steals from top secret advanced weaponry. I always like to know what kind of stupid backronym they used to make the title P.U.N.K.S. but alas. It’s just a collection of all the characters’ last names. Booooo. 

The Intruder (2019) – BMeTric: 33.4 

TheIntruderIMDb_BMeT

CountdownIMDb_RV

(Actually pretty impressive that it opened sub-6.0. Possibly there is a bit of something going on there, because usually rating open high because hardcore fans see it in theaters and review it well. But I choose not to read too much into it. A 30 BMeTric sounds about right.)

RogerEbert.com – 1 stars –  Like director Deon Taylor’s abysmal last film, “Traffik,” it takes forever to get to what would be considered “the good parts” in a better movie. It is also completely devoid of suspense despite numerous jump scares. Worst of all, its heroine not only does mind-numbingly stupid things, this film is so retro that it requires that she get rescued by her husband.

(Yeah sounds about right. Looking through the reviews it seems like it was designed as a “participation” film (plausibly a first of its kind? It is unclear whether a director has ever designed a film with that specifically in mind))

Trailer – https://www.youtube.com/watch?v=aKXvex7b1Ew/

(Meh. Looks kind of boring and predictable to be honest. And also, like the review, that all of the thrills are just from jump scares which are boring. Plus when the jump scares from from a lurking Dennis Quaid I’m not sure I find them thriller per se, but rather they seem more silly.)

Directors – Deon Taylor – (Known For: Black and Blue; Future BMT: Meet the Blacks; Chain Letter; Traffik; Supremacy; BMT: The Intruder; Notes: Black and Blue almost got bad reviews as well and was also considered predictable and boring. Notable for his Nitetale Series.)

Writers – David Loughery (written by) – (Known For: Nurse 3-D; Dreamscape; Lakeview Terrace; Future BMT: Obsessed; Money Train; Tom and Huck; Passenger 57; The Three Musketeers; Flashback; BMT: Star Trek V: The Final Frontier; The Intruder; Razzie Notes: Nominee for Worst Screenplay for Star Trek V: The Final Frontier in 1990; Notes: Went to Iowa State and grew up in Chicago.)

Actors – Michael Ealy – (Known For: Think Like a Man; Last Vegas; About Last Night; Margaret; Barbershop; Kissing Jessica Stein; Barbershop 2: Back in Business; Unconditional; Future BMT: Bad Company; Think Like a Man Too; The Perfect Guy; Takers; Miracle at St. Anna; Jacob’s Ladder; November; Underworld Awakening; For Colored Girls; BMT: 2 Fast 2 Furious; The Intruder; Never Die Alone; Notes: Does a lot of television work including the new show Stumptown with Cobie Smulders.)

Meagan Good – (Known For: Shazam!; Don Jon; Friday; Brick; Anchorman 2: The Legend Continues; Think Like a Man; Eve’s Bayou; Jumping the Broom; A Boy. A Girl. A Dream.; Roll Bounce; Deliver Us from Eva; Future BMT: You Got Served; The Unborn; Biker Boyz; Venom; D.E.B.S.; Stomp the Yard; Saw V; The Cookout; 3 Strikes; Think Like a Man Too; Waist Deep; LUV; BMT: The Love Guru; One Missed Call; The Intruder; Notes: Has been acting professionally since she was four starting in commercials. Her sister is La’Myia Good who is in the hip hop group Bad Gyrl.)

Dennis Quaid – (Known For: A Dog’s Journey; The Day After Tomorrow; The Parent Trap; Traffic; Stripes; Footloose; Soul Surfer; Any Given Sunday; The Right Stuff; I Can Only Imagine; Frequency; Innerspace; Wyatt Earp; DragonHeart; Breaking Away; Far from Heaven; Enemy Mine; The Rookie; In Good Company; Dreamscape; Future BMT: Legion; Cold Creek Manor; Beneath the Darkness; American Dreamz; Yours, Mine & Ours; G.I. Joe: The Rise of Cobra; Horsemen; Something to Talk About; Kin; Flight of the Phoenix; The Alamo; Caveman; Undercover Blues; Vantage Point; Switchback; Wilder Napalm; Pandorum; All Night Long; BMT: Jaws 3-D; Movie 43; What to Expect When You’re Expecting; Playing for Keeps; The Intruder; A Dog’s Purpose; Notes: Y’all know Dennis Quaid. Or at least, you know his band The Sharks. I always forget he is actually the younger brother to the initially much more successful Randy Quaid.)

Budget/Gross – $5–8 million / Domestic: $35,419,122 (Worldwide: $36,599,361)

(Huuuuuuge success. Now you won’t see a sequel, but you might see another faux-remake of a 90s/00s thriller with a non-white cast and an older actor like Quaid.)

Rotten Tomatoes – 32% (30/94): The Intruder might appeal to fans of shout-at-the-screen cinema, but this thriller’s ludicrous plot robs it of suspense — and undermines Dennis Quaid’s suitably over-the-top performance.

(Ohhhhh yeah. When this film came out all of the reviews all said it was basically created to be yelled at in theaters. I forgot about that. That actually kind of makes me love it more. That it is so specifically that. Reviewer Highlight: Nearly every scene is practically an invitation for the audience to talk back to the screen and ask these people if they’ve lost their minds. – Richard Roeper, Chicago Sun-Times)

Poster – Get Paid, Get Quaid, Gatorade (A)

intruder

(Yes, yes, yes. Artistic, font has straight up people in it, and bold red in my face. Oh, and lest you think this doesn’t tell you a little about the plot of the film: check out those creepy Quaid eyes watching those people. I love it.)

Tagline(s) – Your House. His Home. (A)

(I also like this. It’s not impossible for a terrible film to have a good poster and a good tagline, but a pretty rare treat for us. Short, sweet, clever wordcraftsmanship, and tells me what’s up. It’s good.)

Keyword(s) – couple; Top Ten by BMeTric: 80.2 A Wrinkle in Time (2018); 79.4 Feardotcom (2002); 69.1 The Twilight Saga: Eclipse (2010); 65.7 Chernobyl Diaries (2012); 60.9 Legion (2010); 59.7 Truth or Dare (I) (2018); 50.6 Couples Retreat (2009); 47.4 By the Sea (2015); 40.2 I Give It a Year (2013); 39.5 Life After Beth (2014);

(The twilight saga … when the hell are we going to do that now?! That is going to be brutal, those films suck. Not that they are particularly bad (the acting at least is fine), it is just a lot and shiny … nothings. They are all shiny nothings.)

Welcome to Earf (HoE Number 18) – The shortest path through The Movie Database cast lists using only BMT films is: Meagan Good is No. 2 billed in The Intruder and No. 5 billed in The Love Guru, which also stars Jessica Alba (No. 2 billed) who is in Mechanic: Resurrection (No. 2 billed), which also stars Jason Statham (No. 1 billed) who is in In the Name of the King: A Dungeon Seige Tale (No. 1 billed), which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 2 + 5 + 2 + 2 + 1 + 1 + 4 + 1 = 18. If we were to watch Legion we can get the HoE Number down to 13.

Notes – In this movie Dennis Quaid plays the psycho terrorizing the couple who bought his old house. In Cold Creek Manor (2003), Quaid plays the husband of the couple who bought Stephen Dorff’s old house and are then terrorized by Dorff. (… this genuinely seems like a remake of that film. Too bad I can’t watch this one as a bonus at this point.)

Michael Ealy and Meagan Good also starred together in the Think Like A Man series.

This isn’t the first time Dennis Quaid played a Napa Valley resident. He previously played Nick Parker in The Parent Trap (1998), a Napa Valley resident who owned his own vineyard.

When Charlie is carrying Annie upstairs he says, “We’ve had this date from the beginning.” This is what Stanley Says to Blanche in A Streetcar Named Desire (1951) just before he rapes her. (Whaaaaaaaaaaaaaaaaaaaaaa?)

Daylight Recap

Jamie

Kit Latura is a disgraced badass ready to make everyone regret doubting him. When the Holland Tunnel collapses it’s up to him to save the remaining survivors. He totes goes in there and leads them like the leader that he is. Can he save them all (and perhaps get the girl) before it’s too late? Find out in… Daylight.

How?! Act I: Our main players all converge on the Holland Tunnel, where a truck filled with toxic waste (obviously) explodes when a car filled with highly flammable jewel thieves crashes into it. In an absolutely wild coincidence the former head of the EMS, Kit Latura, is driving a cab just outside the tunnel. He volunteers to head in on a rescue mission to save them all with his big muscles. Meanwhile we are introduced to the only survivors in the tunnel… which are honestly mostly criminals and cheats. Act II: Sly enters the tunnel ready to rock-and-roll. Unfortunately he enters through the ventilation system that is only a one-way entrance. Realizing that he needs to strengthen their position he decides to collapse part of the tunnel with explosives. Who does he ask for help? The pretty playwright, Maddy, of course. The biggest question here is whether Maddy is actually his love interest. She is a beautiful thirty-something, he looks like he’s been carved from an old tree. I was getting some serious father-daughter vibes, but not sure that’s what they were going for. Anyway, he blows the tunnel, but soon realizes that their position is even more vulnerable when water starts to flood and they hear the rescue workers trying to break into the tunnel (which would kill them). Attempting to find a way out, Kit leads the group to long unused areas of the tunnel (with only minimal fatalities). Finding a way out he forces the group to go to safety, while him and Maddy are stranded in the tunnel. Act III: We end with Kit and Maddy deciding that they have to try everything to survive. They decide to use the remaining explosives to blow out the tunnel and have the pressure hopefully push them to the surface of the river. This, of course, works because it’s a movie. Kit and Maddy still don’t kiss because everyone probably realized it would be weird. THE END. 

Why?! Weirdly, atonement. The backstory for Kit is that he’s been disgraced and forced to become a taxi driver because he got rescue workers killed while trying to save people. You get the sense that by voluntarily going back in he is trying to save those lives to make up for his perceived failure. Perhaps he even would have sacrificed himself for this atonement if Maddy hadn’t been there to force him to take one last drastic action. As for the main antagonist, The Tunnel, well it just wants to be a tunnel. Usually that’s not too much to ask.

Who?! For the first time ever I think I’m going to call a Nepotism Alert! Sage Stallone, Sly’s son, actually has a fairly prominent role as Vincent, one of the juvenile delinquents. Much like Kevin Costner’s daughter in The Postman I actually think he was pretty good though. I really think if I didn’t know he was Sly’s son then I would have just been like “he’s actually an OK actor.”

What?! I feel like I’ve mentioned this before, but there is a very special product placement associated with this film. It’s Sly Stallone’s Panerai watch that he wears and subsequently became associated with a number of action stars. They are big and bulky and designed for use in submarines, but Sly Stallone took one look at it in Italy and, “immediately knew it had star power.” That’s real. That’s a quote. He thought the watch was good character development and insisted his character wear one. I mean… that’s just good writing.

Where?! Very very very good NYC film. The Holland Tunnel itself is more or less a role in the film. We even get some history lessons about the construction of the tunnel and very intricate geography of exactly how it’s laid out. A all the way.

When?! I went back through it and confirmed that indeed they don’t make specific mention of when this takes place. We see some spotty snow on the ground and one character is seen contemplating whether to buy a Super Bowl ad for his company, so it’s clearly winter before the big game. I also think post-Christmas because otherwise we’d probably have a character be like “this is the worst Christmas ever,” or something. So January? D+ I think… I have to look back on my grading rubric.

This film really harkened back to an older time in action films. It felt very Towering Inferno or Poseidon Adventure. There isn’t some major terrorist plot or millions of dollars at stake. Just a few survivors of a major disaster hoping to get saved by the ultimate badass with a heart of gold. Despite being a major film it felt very small, and that was both good and bad. It was good in that the plot didn’t seem contrived and there wasn’t some silly MacGuffin to laugh at, but also bad because at times it almost seemed meandering. The survivor’s plight in the tunnel seemed so hopeless that they were just screaming “we’re going to die! What are we going to do?!” and Sly would kinda just shrug and wait it out. It’s almost like they were writing the film as they were making it… and Sly seriously didn’t know what they were going to do. Other than obviously he shouldn’t panic because he forced a rewrite where his character would survive. Overall it’s an entertaining film, but just fine otherwise. As for Roller Blade Seven, I was surprised by the coherency. It wasn’t as totally off-the-rails as I expected given the IMDb score. It did feel like there was a vision there… at least from a filmmaking perspective and not necessarily from a storytelling perspective. Like there were some Crank-type roller blade handheld camera stuff going on and the random cuts and repeats of scenes that people make fun of did seem purposeful. Like I think he was trying to say something about time and memory as part of the Zen Filmmaking idea that he espouses. So, dare I say it, I think Roller Blade Seven is maybe underrated? Is that right? That can’t be right… Patrick?

Patrick

‘Ello everyone! I swear to God I’ve seen this movie before … or at least I’ve seen the ending of this film a few dozen times on TNT. Either way, let’s get into it!

P’s View on the Preview – Last year, after finding Skyscraper absolutely insufferable, I watched Towering Inferno a few days afterwards. Disaster films from various decades are interesting, and the 90s was mostly aliens, and comets, and real large scale stuff. This was pleasantly small scale. So I was excited to see just how it compared to the various other disaster films I’ve seen in my life. What was I expecting? I was expecting a terrible acting performance from Stallone, melodrama, and for this ragtag team of misfits to go out there and beat the Holland Tunnels, yeah! The sports analogy works.

The Good – This is bar none one of the best plane movies I’ve ever watched, breezes by with no gore or nudity to embarrass you in front of nosey neighbors. Ideal. The set is incredibly impressive, and the tension is ratcheted up to 11 because they actually give a decently plausible series of minor disasters for Stallone to individually tackle to save everyone. The film was decently paced because of this. This is a very old school film, with the various characters all getting their little introduction, and you learn about them, and care for them, and in the end you’re like: “You did good kid” and you wink at Stallone, who gives you a thumbs up and everything and it is awesome, you know?

The Bad – The acting was quite bad top to bottom. This is one year prior to Stallone earning a bit of redemption for Cop Land, and you kind of see the humble, sheepish, reluctant hero in the making here as well. Almost like he was insisting that the brash 80s action hero brand was ovah baby and had already started to twist it back around … I think it is merely embarrassing here as it is clear Stallone is the only competent person in the movie and his fake humility probably got a bunch of people killed. Anyways, the storyline of the tunnel and the gigantic coincidences that put Stallone in the position to be this reluctant hero are a bit too much such that it sinks the first act. The second act is weighed down by the realization that most of the people in the tunnel are garbage people and you kind of don’t care if they live or die. And the third act is an implausible ‘splosion … when you put it that way this film really doesn’t have much going for it. Whatever it is entertaining as hell I think.

The BMT – For the set piece alone I would give it to it. As I said, I’ve watched a bunch of disaster films in my life and this lies closer to the Poseidon Adventure area. The reluctant hero saves a small group of people, some of whom die one by one (mostly the nice ones), etc. They naturally pulled the punch and had Stallone live. This is in stark contrast to the real old school flicks like Towering Inferno or Avalanche which both reveled in showing you the various ways all of the good and bad people could die (god is dead, amirite?). And also contrasts with Skyscraper is on the other end with The Rock deploying death to only those he deems the baddies with tactical efficiency leaving every good person alive and well. This is a nice (and kind of rare I think) 90s disaster film that operates on the small scale. Plus Stallone, so like … yeah, its BMT. Did it meet my expectations? Only partially. As I said the film was entertaining as hell so that makes it tough to really crap on. But also they kill off too many of the good guys on Team Stallone for my liking. The score was like what? Team Stallone 9, Holland Tunnels 4 or something? It was a lot closer than you like to see I think.

Roast-radamus – I wish there was something for the Matthew Lillard Most Sidekick-est Character award or something for Amy Brenneman, but alas. I do like the very specific Holland Tunnel as a Setting as a Character (Where?). Other than that … there isn’t much of a twist unless you could the deus ex blow-out-ea to save Stallone and Brenneman. So that really is it. I don’t think it gets a Good, Bad, or BMT nod.

StreetCreditReport.com – Amazingly it juuuuust narrowly gets onto this disaster film list by Newsweek tied for 49th out of 50. It gets a pretty decent 23rd best Stallone film list from Men’s Health. Otherwise it could get what? Worst film set in a tunnel I think for sure. I could definitely be on a list of worst 90s disaster films, although I think it might get beaten out by a few of the crazier late 90s ones (Godzilla comes to mind), and also some real crap ones (Firestorm comes to mind). Even Volcano … whatever, it would get top ten for sure.

Bring a Friend Analysis – As the first installment of the Sibling Rivalry Bring a Friend we chose Roller Blade Seven. I’m not actually sure what put this film on my radar besides that fact that it stars both Frank Stallone and Joe Estevez and thus seemed to have super sibling powers of some kind. Written and directed by Donald G. Jackson and co-written with Scott Shaw (who both also starred in the film), it comes across as part micro-budget 80s sci-fi dystopian crazy film, and part art film. Using a style he dubs zen filmmaking (see above), Jackson creates a dream-like atmosphere by replaying some clips over and over, especially during fight scenes. Starring C/Z-list actors, plus a few famous cult film stars, it comes across a lot like what I imagine Manos Hands of Fate wanted to be. While Manos was made on a bet, the intention was to partially buck the Hollywood system and show that a man with a plan and a camera could make a movie. Unlike Manos Jackson actually succeeded in breaking into Hollywood and cultivates a following with his most successful venture Hell Comes to Frogtown. It is hard to even describe what I think of this film. I think it is terribly made, terribly acted, nonsensical, and aggravating. But at the same time I find something very alluring about zen filmmaking. Something about this film makes me think I’ll watch more Donald G. Jackson in my life, and something about the film tells me that is necessary to really understand the weirdness that was 80s/90s off-Hollywood productions. As a friend I give it an A for being thought provoking. But I have to say, I’m glad we didn’t watch Rollergator this week, as that would have been too much Donald G. Jackson too quickly.

You Just Got Schooled – Without a logical choice for learning in Daylight, I decided to watch this documentary about The Roller Blade Seven (and its sequel). You can get the gist of this bizarre documentary and Zen Filmmaking as a whole in the first five minutes, it is pretty much explained in the opening crawl and the whole thing is boring and awful. Some other interesting bits: The film was entirely filmed at Golden Hour, which means it took a lot longer to finish that I would have thought at first glance. The roller cam is pretty funny and works well for the film as a whole. In a different universe these guys are genuinely funny guys making an interesting art film, but with the early-90s Hollywood quality it is just … a bit sad? The dog collar, the outfits they are wearing, the fake reporters, the chosen location. The experience of watching this “film” is very much like the tuxedo scene in Step Brothers: “Oh I get it, it’s ironic, that’s funny, that’s cool, I’m into it, let’s do this … [watches the filmmaking documentary] Oh … nope, now this all seems pretty fucked up to be honest.” … I think it now gets a B as a friend.

Phew, what a combo! Already loving this cycle. Cheerios,

The Sklogs

Daylight Preview

Jacked in and jacked up, Rich and Poe zoom about cyberspace looking for the FangTime2000 virus. Soon a group of lawnmower men come into view and Rich and Poe use their cyberlasers to take them out, with a little kungfu to boot. As they get the final lawnmower man into a devastating headlock Gruber zooms into view, “Rich and Poe, my my, aren’t we the clever ones. Figure out my plan and stop the lawnmower men, all without getting killed… until now.” He’s got a gun! Could this be the end, could Gruber actually win? “Gruber, there’s always one thing you underestimate about us,” Rich says as Gruber sneers at him. Poe nods back at Rich, “the power of friendship.” Gruber laughs at the absurdity of friendship in the face of his gun. But suddenly a beam of light bursts from his chest. As his body is sucked of life it’s revealed that Brock, Bryce, and Blaze have unleashed the virus on him. They all come together for a big bro-hug and freeze frame on their smiling faces. THE END.

Jamie finishes the script with tears in his eyes. It’s his magnum opus… a true piece of shit. Patrick enters the room, “well, I have to hand it to you. That script is real bad. And I asked the studio whether they would agree to our terms and they said yes. There is no way that this film is anything but a disaster.” Jamie is surprised, “They agreed to our terms?… all of them?” and Patrick nods. The film will be released at midnight, January 1st playing as a required 6-hour double feature with the Sly Stallone classic Daylight. “Huh,” says Jamie. He’s starting to get a bad feeling about this. That’s right! We’re transitioning to the next cycle in the year which is the hotly anticipated Bring A Friend cycle. This year we’ve decided to highlight some of the major stars in Hollywood and their… less successful siblings. So starting it off with Sly Stallone in Daylight (also featuring Renoly Santiago aka Phreak from Hackers) paired with The Roller Blade Seven starring his brother Frank. This friend is actually a film I’ve been aware of since my grad school days, but only now pulled the trigger on getting it. Hope it lives up to the hype. Let’s go!

Daylight (1996) – BMeTric: 35.7 

DaylightIMDb_BMeT

DaylightIMDb_RV

(Rather interesting how much is has regressed over the years. Seemed to stick to a low 5’s value for a few years there, and now it is almost 6.0. If it ever hits that it’ll look like a genuine good movie! That’s be weird.)

Leonard Maltin – 3 stars –  Good old-fashioned disaster movie, built on a formulaic foundation. Stallone is a disgraced Emergency Medical Services worker who springs into action when a huge explosion cripples a tunnel under N.Y.C.’s Hudson River, with a handful of survivors inside. Great stunts and special effects. That’s Sly’s son Sage as a cocky young scam artist being taken to prison.

(Wow. That is a decent review. It kind of makes me interested in watching this film again. Weirdly Jamie claims he’s never seen this, but I swear I’ve seen this film multiple times. So it’ll be interesting to see if he suddenly remembers bits and pieces of this film during the rewatch.)

Trailer – https://www.youtube.com/watch?v=tRWIfCpxNK4/

(Oh boy the deep voiced “there was a time” guy. That set looks bomb by the way. The movie looks dumb as shit. But that set? It looks bomb.)

Directors – Rob Cohen – (Known For: DragonHeart; xXx; The Hurricane Heist; Dragon: The Bruce Lee Story; Future BMT: The Mummy: Tomb of the Dragon Emperor; The Skulls; BMT: The Boy Next Door; Stealth; Alex Cross; Daylight; The Fast and the Furious; Notes: Has directed over 150 commercial spots in his career. He graduated from Harvard University.)

Writers – Leslie Bohem (written by) – (Known For: Twenty Bucks; Future BMT: The Darkest Hour; A Nightmare on Elm Street: The Dream Child; Nowhere to Run; Tracers; Dante’s Peak; House III: The Horror Show; The Alamo; BMT: Daylight; Notes: Played bass for the 80’s bands Gleaming Spires and the Sparks.)

Actors – Sylvester Stallone – (Known For: Guardians of the Galaxy: Vol. 2; Creed II; Rocky; Creed; First Blood; Rocky Balboa; The Expendables; Escape Plan; Rocky III; Spy Kids 3: Game Over; Rocky II; The Expendables 2; Cliffhanger; Bullet to the Head; Antz; Cop Land; Nighthawks; Death Race 2000; Escape to Victory; Future BMT: Escape Plan II; Staying Alive; Rocky V; D-Tox; Escape Plan 3; The Specialist; An Alan Smithee Film: Burn Hollywood Burn; Avenging Angelo; Rambo III; Backtrace; Ratchet & Clank; Collection; Assassins; Rambo: First Blood Part II; Oscar; Rocky IV; BMT: Stop! Or My Mom Will Shoot; Driven; Zookeeper; Get Carter; Rhinestone; Judge Dredd; Cobra; Over the Top; Daylight; The Expendables 3; Tango & Cash; Grudge Match; Lock Up; Demolition Man; Razzie Notes: Winner for Worst Director, and Worst Actor for Rocky IV in 1986; Winner for Worst Screenplay, and Worst Actor for Rambo: First Blood Part II in 1986; Winner for Worst Actor in 1985 for Rhinestone; in 1989 for Rambo III; and in 1993 for Stop! Or My Mom Will Shoot; Winner for Worst Supporting Actor for Spy Kids 3: Game Over in 2004; Winner for Worst Screen Couple in 1995 for Interview with the Vampire: The Vampire Chronicles, and The Specialist; Winner for Worst Actor of the Decade in 1990 for Cobra, Cobra, Lock Up, Lock Up, Over the Top, Over the Top, Rambo III, Rambo III, Rambo: First Blood Part II, Rambo: First Blood Part II, Rhinestone, Rocky IV, and Tango & Cash; Nominee for Worst Director for The Expendables in 2011; Nominee for Worst Screenplay in 1985 for Rhinestone; in 1986 for Rocky IV; in 1987 for Cobra; in 1989 for Rambo III; in 1991 for Rocky V; in 1994 for Cliffhanger; and in 2002 for Driven; Nominee for Worst Actor in 1987 for Cobra; in 1988 for Over the Top; in 1990 for Lock Up, and Tango & Cash; in 1991 for Rocky V; in 1992 for Oscar; in 1995 for The Specialist; in 1996 for Assassins, and Judge Dredd; in 1997 for Daylight; in 2001 for Get Carter; and in 2014 for Bullet to the Head, Escape Plan, and Grudge Match; Nominee for Worst Supporting Actor, and Worst Screen Couple for Driven in 2002; and Nominee for Worst Supporting Actor for An Alan Smithee Film: Burn Hollywood Burn in 1999; Notes: His daughter Sistine Rose Stallone just acted in her first feature film! 47 Meters Down: Uncaged. I was kind of hoping it would end up at BMT, but it ended up being too goo.)

Amy Brenneman – (Known For: Heat; Casper; Fear; A Series of Unfortunate Events; The Jane Austen Book Club; City of Angels; Things You Can Tell Just by Looking at Her; Words and Pictures; The Face of Love; Mother and Child; Nine Lives; Your Friends & Neighbors; Off the Map; Future BMT: The Suburbans; Downloading Nancy; BMT: 88 Minutes; Daylight; Bye Bye Love; Notes: Most famous for starring in the television show Judging Amy. She also played a character named Amy in an episode of Murder She Wrote.)

Viggo Mortensen – (Known For: Green Book; The Lord of the Rings: The Fellowship of the Ring; The Lord of the Rings: The Return of the King; Captain Fantastic; The Lord of the Rings: The Two Towers; The Road; Witness; Carlito’s Way; Eastern Promises; A History of Violence; A Perfect Murder; Crimson Tide; G.I. Jane; A Dangerous Method; On the Road; The Prophecy; The Two Faces of January; Appaloosa; The Portrait of a Lady; Hidalgo; Future BMT: Psycho; Leatherface: Texas Chainsaw Massacre III; Boiling Point; 28 Days; Fresh Horses; The Passion of Darkly Noon; The Young Americans; Good; Young Guns II: Blaze of Glory; Todos tenemos un plan; BMT: Daylight; Notes: Nominated for three Oscars for Eastern Promises, Captain Fantastic, and Green Book.)

Budget/Gross – $80 million / Domestic: $33,023,469 (Worldwide: $159,212,469)

(A pretty big underperformance. You can psych yourself into the worldwide gross, but that domestic take is pitiful.)

#29 for the Disaster genre

daylight_disaster

(Our eleventh disaster film right around Geostorm. Came out during the big disaster film peak. We were in a new peak for a bit up through 2016, but I think we’ve kind of coming out of it (as long as you don’t count creature features like Godzilla or some superhero films))

Rotten Tomatoes – 25% (10/40): The opening’s got a great fiery explosion and Stallone puts in another earnest, sympathetic performance, but all else in Daylight feels designed to annoy the audience into submission.

(Some of these reviews are killer. Just dunking on Stallone left and right. Reviewer Highlight: “Daylight” is the cinematic equivalent of a golden oldies station, where you never encounter anything you haven’t grown to love over the years. – Roger Ebert, Chicago Sun-Times)

Poster – SklogLight (B)

daylight

(I find the title and poster of this film confusing. Clearly people are trapped in an underwater tunnel… so like… what’s the daylight that we’re seeing? Particularly given the implication of the tagline. Anyway, font is boring but the coloring is fun. And nice spacing and artistic quality.)

Tagline(s) – Hold your breath (C)

(This is pretty boring and still somewhat confusing. Are they holding their breath because the tunnel is sealed and they’re running out of oxygen? Wouldn’t that take a while? The tunnel is gigantic. Or are they swimming because the tunnel is filling up with water? Then where is the daylight? I’m still not sure what this film is about.)

Keyword(s) – underwater scene; Top Ten by BMeTric: 89.1 The Last Airbender (2010); 89.0 House of the Dead (2003); 88.8 Speed 2: Cruise Control (1997); 87.8 BloodRayne (2005); 85.9 Piranha 3DD (2012); 78.9 Jason X (2001); 78.0 Shark Night 3D (2011); 75.4 Elektra (2005); 73.0 Anaconda (1997); 72.2 A Sound of Thunder (2005);

(Noice. Just have to get on our trashy horror films / bad creature features and we’ll be done. A fantastic list though and I do believe all of these films have an underwater scene.)

Welcome to Earf (HoE Number 10) – The shortest path through The Movie Database cast lists using only BMT films is: Amy Brenneman is No. 2 billed in Daylight and No. 4 billed in 88 Minutes, which also stars Leelee Sobieski (No. 3 billed) who is in Here on Earth (No. 1 billed) => 2 + 4 + 3 + 1 = 10. If we were to watch The Glass House we can get the HoE Number down to 8.

Notes – One reason Sylvester Stallone agreed to act in this movie was to help him overcome his fear of confined spaces. He’d agreed to appear in Cliffhanger (1993) to help him overcome his fear of heights. (As good a reason as any I suppose)

Sylvester Stallone was paid 17.5 million dollars to appear in this film.

Sylvester Stallone said this would be his last action film because he was getting too old for the genre. (That didn’t work out)

Rob Cohen originally wanted Nicolas Cage to play Kit Latura. Universal execs felt he was more of a “character actor”, and Sylvester Stallone was more commercially viable. (FALSE)

Sylvester Stallone’s son, Sage Stallone, plays Vincent.

The tunnel sequences were filmed in Rome’s Cinecitta Studios, on a set a third of a mile long. Cinecitta was chosen as the main studio set because of its enormous floodable sound stages. (Cool)

Whilst shooting in Rome, Sylvester Stallone insisted on staying at the luxurious Excelsior Hotel which charged 3,600 dollars a night. The Rome shoot lasted 3 months. (Lol well you do you Sly)

Before he was cast in Daylight, Sylvester Stallone was involved in another two movie projects. One was an action disaster thriller titled “No Safe Haven”, and he was going to play disgraced ex marine who visits his mother on Martha’s Vineyard at the same time when president and his family are there on vacation. But then the militia-like cult shows up and the members of it take over entire island, but president manages to escape and he and marine then join up to fight against cult members and save his family, and entire film would take place during large hurricane. Despite Universal studio spending $300,000 on buying the script after six hours long bidding war with other studios for it, “No Safe Haven” was cancelled very early in pre-production.The second project Stallone was involved in was another action thriller titled “High Roller”. Written by screenwriter J.F. Lawton, who wrote Steven Seagal’s action hit Under Siege (1992), High Roller was described as “Die Hard in a casino”, and it was about ex-hitman who has to fight against mobsters and his former boss inside huge Las Vegas casino which they took over and kidnapped the owner, and not only that he has to save the owner but he and some down on his luck gambler who got involved into entire thing by accident also must protect casino owner’s daughter from mobsters.The script for the film was sold for $1 million against $2.5 million in mid 1995 to Savoy Pictures studio who were in financial problems, which is why they disagreed with Stallone’s $20 million contract to star in the film, so he went on to make Daylight while they cancelled High Roller which, following the bankruptcy of their studio, was never again attempted to be made into a film, even though various studios tried to buy the rights for it in 1996 after Savoy Pictures went bankrupt. (MV Alert! I’m leaving it all in, it is just too interesting)

All the vehicles were shipped to Italy for filming in Rome. An on-set advisor was on hand to authenticate everything, including the paperwork on some of the office desks. (Fun facts)

Max Allan Collins wrote a novelization of the film. (I know what I’m getting Jamie for Christmas this year)

Both Daylight and Dante’s Peak were written by Leslie Bohem. In both movies, the audience is lead to believe the dog has died after it disappears, but in both films the dog reappears later and ultimately survives. (Good, I hate it when dogs die)

Awards – Nominee for the Oscar for Best Effects, Sound Effects Editing (Richard L. Anderson, David A. Whittaker, 1997)

Nominee for the Razzie Award for Worst Actor (Sylvester Stallone, 1997)

Nominee for the Razzie Award for Worst Original Song (Bruce Roberts, 1997)

Medicine Man Recap

Jamie

Dr. Rae Crane is tasked by her company to find Dr. Robert Campbell, who has holed up deep in the rainforest. When she arrives, he claims to have found a cure for cancer so she decides to give him a chance… but they may not have that long with a new road being built nearby. Can they find the cure (and perhaps love) before it’s too late? Find out in… Medicine Man.

How?! Dr. Crane is looking for Dr. Campbell at the behest of a pharmaceutical company. He has requested a new assistant and gas chromatograph deep in the Amazonian rain forest. When she shows up he’s all like “you aren’t qualified,” but that’s sexist and Dr. Crane ain’t having any of it. She shows her stuff and duly impressed Dr. Campbell shows her what he has: a cure for motherf’n cancer made from a rainforest flower, babbbby. So we all kinda forgive him for being a total asshole. Unfortunately he hasn’t been able to replicate his initial findings, called compound 37. In their quest to find the secret they learn to live and love again… but also that a logging road is getting dangerously close to the village and they don’t have much time. To add to the pressure, a child in the village gets cancer and needs the last sample in order to survive. Not willing to give it up Dr. Crane convinces Dr. Campbell to seek out the old Medicine Man. That Medicine Man totally gives them the secret, but they are a couple of dopes but don’t get the hint and use the sample on the child anyway. Just when everything seems lost they discover the secret: it wasn’t the flower at all but the bugs that lived in them (what a twist!). But then everything is still lost because a bunch of bulldozers come into town and start a fire and burn down everything. Noooooo! Not willing to give up Dr. Crane and Dr. Campbell go with the tribe in search of the flower and leave their lives behind. THE END.

Why?! Uh, to cure cancer, duh. Nice MacGuffin alert for Compound 37 here, but there is also the underlying theme of protecting the indiginous populations of the rainforest. Not only from the people building the road, but also from disease if too many people move into the area. That’s why, in the end, Dr. Campbell decides to be so secretive about the cure for cancer. Even though the company would give him everything he wants (and probably pay the logging company to stall the road building in the area) if they knew about it, he already knows from experience that it would be even more devastating to the tribe if he allowed that to happen. He had that happen before and the guilt he felt for bringing disease to the tribe destroyed his life and marriage. So basically he’s not an asshole at all, just a lovely curmudgeon looking out for the well-being of all. Hooray.

Who?! Very small cast and unfortunately Sean Connery doesn’t have to call up the Prez to get the road through Brazil delayed. Just him and Bracco chumming it up. The only truly interesting thing is that concurrent to its release it seemed like it was pretty well known that Tony and Academy Award winning playwright Tom Stoppard did uncredited rewrites on the script (which he did fairly frequently apparently). This normally makes its way into IMDb at some point, but not in this case. But by all accounts it’s true. 

What?! All of these latter categories are going to be so boring because the film is set in the middle of nowhere and is so tiny. Like obviously they aren’t snapping into some Slim Jims in the middle of a jungle. But for the low low price of $450 you can get the bird mask that Sean Connery is wearing when we are introduced to his character. Complete with a certificate of authenticity. Wonder why Planet Hollywood is willing to part with such a gem.

Where?! It actually isn’t explicitly stated that this film is set in Brazil, I don’t think. But it’s pretty obvious for a number of reasons. I’m sure based on some of the towns mentioned by Connery that it’s for sure (and obviously the location is somewhat necessary to the plot), so I’ll still give this a C.

When?! I actually think this might be the first film where I could honestly say that there might be absolutely no indication of when it takes place in the entire film… literally no chance of figuring it out. I just can’t even imagine why they would have needed to let you know what the date was… it’s in the jungle. Don’t even have newspapers. Time is totally irrelevant. I guess maybe if I got one of their prop lab notebooks. F.

I can totally understand why this film was made and why Sean Connery and Lorrainne Bracco made it. It’s a classic character study and actor-driven film in the same vein as The African Queen. Exotic location, main love interest (?) who is kind of a dick, and a strong woman protagonist who is a little bit out of her element (a fish out of water, you might say. I just coined that). So I can see why people wanted to make this film and really sink their teeth into a role like this. However… there are some flaws (gasp). FIrst of all, both of their characters are kind of caricatures. She’s a loud and brash New Yorker that is more stereotypical than necessary (given that she’s a very well qualified scientist) and he’s pretty much a bore. Second, and probably the most BMT thing about the film, the twist regarding the bugs being the actual cure is so airmailed and obvious that it borders on ridiculous. Other than those two things, though, I found the film to be pleasant enough to watch… the location in itself was interesting enough for me to be engaged throughout. Patrick?

Patrick

‘Ello everyone! Let’s hop into a time machine to when people fundamentally didn’t understand cancer and thought we’d find just like … some random chemical that cures what is effectively like a hundred different diseases. Like that makes sense. Let’s get into it!

P’s View on the Preview – I was very surprised to see this was a McTiernan film. Die Hard, Predator, The Hunt for Red October, he’s smashed out some classics in his time. As a matter of fact there are only three films he directed that I haven’t seen. The most interesting is Nomads which appears to be a horror film that was not released widely, only 500 or so theaters in total. But we are on track to finish his filmography, and this is just a step along the way. Quite a different project to his three famous films though, and not surprising that apparently audiences were annoyed that it wasn’t an action or thriller, but instead a romantic drama.

The Good – I think the first half of the film is very interesting. It is a pretty rare genre, the medical genre. Lorenzo’s Oil comes to mind. Concussion. I Already Work Around the Clock: The Movie (I think it was released as Extraordinary Measures in the States). If you can excuse the overacting from Bracco a bit, I actually think it is quite good. Inverts the White Savior trope as well. Instead of Connery ultimately saving the tribe, he is hoping the tribe can help him save humanity. I like the medical stuff even if it was all a bit nonsense.

The Bad – They completely telegraph the ending of the film, to the point that you wonder if these literal genius-level scientists are in fact dumb people. They aren’t, but the twist is. Also, I could be wrong, but I think the kid who got cancer near the end was eating ants earlier in the film, which, if I know my fake-Medicine-Man-biology means he should have been immune to cancer. Whatever. Bracco’s character is written to be incredibly brash, and I don’t think it works the way it was intended, instead it just results in Bracco yelling a lot for mostly no good reason. A more clever twist and I think this film would have been fine though.

The BMT – I think this is a very specific genre, and could maybe be mentioned alongside Extraordinary Measures eventually as far as bad medical dramas. At the same time I don’t think I would really recommend the film as a bad movie in any capacity, which is usually how I judge these things. I can’t even think of a scene I would show anyone.

Roast-radamus – This is certainly a Setting as a Character (Where?) for Brazil and the Amazon rainforest in general. And arguably a great MacGuffin (Why?), with the cure for cancer (all cancer!) being the Maltese Falcon that the protagonists are going for. And definitely a Worst Twist (How?) for the ultimate conclusion of ants being the cure for cancer … a full half hour after they give you a close up shot of ants crawling all over the magical cancer curing plant. Pretty good line up there, but nothing for good, bad, or BMT I think.

StreetCreditReport.com – Not surprisingly the only cred here is, again, from Siskel and Ebert’s worst of list for 1992. There is this bizarre list from IndieWire which puts it at the 52nd best movie of the 90s … that’s a stretch. I’m actually not sure if Reverse Shot is supposed to be a joke of some kind? Johnny Mnemonic at number 4 feels a tad bit high. I also found it on a list of Left-Wing films for its environmental message. Doesn’t seem to be on any worst or best of environmental lists either.

You Just Got Schooled – There isn’t really a good movie to do alongside this one, so let’s highlight a little fun fact. On the Medicine Man wiki page the first citation is an LA Times article concerning someone suing the production for stealing their film idea. The person suing was, in fact, Wilburn H. Ferguson, a 1930s Amazonian explorer and doctor who came back from the Amazon claiming to have found a cure for cancer (called the Jivaro Head Shrinking Compound, and indeed the Jivaro tribe is one of the few well known head shrinking tribes in the world). Ferguson alleged that he sat down with executives in 1988 and described his story Tsanza, which is the native term for head shrinking, but they passed and independently produced Medicine Man. Not surprisingly, there is no evidence that the concoction that Ferguson sold in the 50s treated cancer. Interestingly the wiki page seems to suggest the film is instead based on the exploits of Richard Evans Schultes, who is considered the father of ethnobotany.

Cheerios,

The Sklogs

Medicine Man Quiz

Uh oh. In addition to forgetting the cure for cancer, I also drank too much native Amazonian alcohol during the celebration last night. Can you help me remember what happened in Medicine Man?

Pop Quiz Hot Shot!

1) When Bracco finds Connery in the rainforest he’s celebrating with his Amazonian friends. He’s decided to get shit faced and dress up as an animal. What animal?

2) The problem is that Connery has forgotten the cure for cancer! Whoops! He keeps making the solution, but none of them have the mystical peak 37 which is, of course, everything. What is the serum made from? In the end what was the actual source of peak 37?

3) Connery is naturally a tragic hero. What is he beating himself up over, so badly that even his wife is like “for reals, get over it”?

4) In addition to the frustrations that forgetting the cure for cancer poses (again, whoops), there is also an increasingly pressing issue facing Connery and the tribe. What is it?

5) In the movie two people in the tribe get cancer, despite the fact that Connery specifically sought out the tribe because they had an unusually low cancer rate. Why did these two people get cancer then?

Answers