Ryan Wade and Drexel Hemsley are identical twins separated at birth. Drexel ends up gaining worldwide fame as a musician, while Ryan struggles with his passion for music and his calling to God. This ultimately results in Ryan making a name for himself impersonating his brother on stage. Can he… uh… live his dream before it’s too late? Find out in… The Identical.
How?! There’s really not much to it. Ryan and Drexel are twins born to very poor parents in the Depression. Hearing a minister speak, they decide that fate is telling them to give one of the babies to the minister and his wife. While Ryan struggles to balance being a good minister’s son and a musician, Drexel rises from poverty to international fame. Ryan becomes a huge fan of Drexel’s without knowing their relationship and when a contest is held to find the best Drexel impersonator he enters and wins. And boy does he! Because an agent sets him up touring the country singing Drexel songs and things are pretty great. Ultimately, the inability to sing his own songs and life on the road bring him back home. Ultimately he finds out about his twin too late, as he tragically dies in a plane crash. But he is able to reconcile this and begin to tour again singing both his brother’s songs and his own. THE END.
Why?! Love… of music. Duh. The motivation is really life. He grows up with music in his bones and spends his life searching for it. Ultimately he finds it, but too late to share it with the only other person who could have understood. In some ways it’s like if Patrick and I were separated at birth and never got to combined our passion for bad movies and give it to the world *shudder* a truly terrible thought.
Who?! You have to highlight the wild story of Blake Rayne, our main character, for this section. The dude basically lived the story and then read the script and was like “wait, this is what happened to me… minus the twin part,” and then got the gig… even though he wasn’t an actor. Basically he entered an Elvis impersonator contest on a dare and won and then spent years doing that.
What?! Didn’t know what to put here, really, but did notice that this won an award according to IMDb. When I checked what it was it was “Worst Picture” from the Houston Film Critics Awards. Which is kinda hilarious that they give it out. In fact they even have nominees. This beat out Blended, Dumb and Dumber To, Left Behind, and Transformers: Age of Extinction. Interestingly, it looks like the category was discontinued starting this year. Must have seen the Smaddies Baddies buzzsaw coming its way.
Where?! This opens in Alabama, where Drexel is born and raised. Ryan is then separated and lives and grows up in Tennessee. That’s where most of the film takes place, besides some roadtrip type stuff while Ryan is on tour. All around pretty solid and plays a minor role in the film given the role of music in the plot. B+.
When?! The twins (feels good writing that) are born in 1935 and so the bulk of the film takes place from the early 50’s into the 70’s. Most of it probably takes place in the 60’s. Not bad given that we get a pretty clear picture of the exact birth date for our main character. Not important though. B.
I might have been able to forgive the film’s interminable length, directionless plot, and weird Elvis knockoff story. I even thought the story was pleasant enough and acting was all around decent. But the music… the music is terrible. I had to spend the entire film listening to these not very good songs play over and over. Sure there were a few halfway decent ones, but I literally thought Ryan’s first “hit” was supposed to be bad so that people would be like “he needs some work, but he’s otherwise good.” But no, it was apparently supposed to be that way. Then the final City Lights song that is supposed to be his crowning achievement is even worse. I’m not sure how you are supposed to make an Elvis knockoff and then write terrible songs to try to sell it. Boo. As for Sorceress, great choice by us. The film is ludicrous and I honestly am shocked it doesn’t get more play in bad movie circles. It is both unpleasant to watch and mesmerizing. A perfect combo. My only thought is perhaps it’s a little too R rated to be part of culture. Perhaps, but I don’t care. The film is Twins to the max and hilarious. Patrick?
‘Ello everyone! What happens when you mix Elvis impersonators with a heavy dose of Christian film production? Apparently a twin film called The Identical. Let’s go!
P’s View on the Preview – I was not looking forward to watching this film. Mainly because the preview made it incredibly obvious that it was a barely-released Christian films. One of the delights of BMT is that we tend to occasionally go out of our comfort zone to watch films where we aren’t really the intended audience. But Christian films? They are almost always boring. The one saving grace perhaps would be Ray Liotta. What were my expectations? To be bored. But perhaps with a healthy dose of Ray Liotta wearing a Ray Liotta mask and cackling at me? A boy can dream.
The Good – The main actor / elvis impersonator was better than you would expect, the expectations being so low as to effectively be non-existent. I can’t decide if Ray Liotta looking like a normal human being is a positive or negative, but his performance was more subtle that a bad movie aficionado would hope as well. It is a very very very twin film, and that has to be a positive. And at least one of the songs I think was halfway decent (Angel of Mine). And Joey Pants is great as usual. Best Bit: Low Expectations.
The Bad – The film is, as expected, a nothing film. It, indeed, had a ham-fisted attempt to insert some pro-Isreal weirdness (specifically a scene where the cast prays for Israel to win the Six-Day War), likely at the bequest of the production company. Most of that stuff is just vaguely amusing (like the “other” twin finding out he’s half Jewish), but on occasion it is so weird as to be jarring. The music is mostly crap. And I could do without one twin dying in a plane crash. Fatal Flaw: Boring nothing film.
The BMT – I’m not sure. In the future I’m sure we’ll have to pick up a bunch of Christian films in some capacity, although I’m not exactly sure how to do that properly. There is a non-insignificant number of “wide” release films, but really just films barely released to 600 theaters and they’ll mostly be like this. Let’s sum up the storyline for most of these films: Man thinks he has the perfect life, man meets adversity he can’t immediately overcome, man questions his faith in the Lord and Savior Jesus Christ, man has epiphany about what faith really is all about, man achieves actual perfect life. I guarantee like 80% of the films are just that with various forms of adversity plugged in. Did it meet my expectations? Sadly yeah, this film was boring. Not only that, Ray Liotta looked normal and didn’t cackle at me. So overall a disappointment I think.
Roast-radamus – Who What Where When Why How – I think I’m going to count Seth Green as a Planchet (Who?), a character who just kind of gets into trouble and the rest of the cast bemusingly pokes fun at? I can get behind that. A decent Setting as a Character (Where?) for I think both Tennessee (where most of the film takes place for obvious reasons) and Alabama (where the beginning and end up for a bit). Definitely a good Period Piece (When?) for the 50s / 60s setting to coincide with Elvis’s rise. I think the unconscious search for his twin brother counts as a MacGuffin (Why?), f-it. Closest to Bad in the superlatives.
StreetCreditReport.com – The street cred comes from it being a twin film, for it being a weirdo half-biopic of Elvis, and it being a nothing-Christian film. But interestingly 2014 was a big Christian film year. According to Rolling Stone in a 2014:God’s Not Dead, Son of God, Heaven Is for Real, Persecuted, The Identical, Left Behind, and Kirk Cameron’s Saving Christmas were all released! We’ve now seen three of those and God’s Not Dead will eventually be on the docket, but no wonder no list includes The Identical, it was competing with the notorious God’s Not Dead and Kirk Cameron’s Saving Christmas!
Bring a Friend Analysis – As a friend this week we reached deeeeeep into the depths of the early 80s Roger Corman filmography to retrieve the absolutely dire Sorceress. Starring Leigh and Lynette Harris (Playboy Playmates) the film had a somewhat notorious production. Explicitly developed to build off of the success of Conan, Jack Hill (who often worked with Corman) was roped in with the promise of a big budget, and Hill thought it could revive his career (instead this would be the last film he would direct). Amazingly, this is actually a lot more similar to The Identical than it appeared at first blush. Hill specifically wrote the script in reference to The Corsican Brothers, which sounds suspiciously similar to moments in The Identical! I can tell you this much: The Satyr in the film is the most horrifying thing I’ve ever seen, the Harris twins are not actors, the effects are horrible, and the multiple beastiality and rape scenes and jokes made me very uncomfortable. I would recommend this to no one, and may God have mercy on Roger Corman’s soul for producing this pile of garbage. And yet … I’m very very surprised that this isn’t more well known in bad movie circles (it does seem to be mentioned a lot on grindhouse lists due to it being directed by Hill) because it is like watching a slow motion car crash on screen. I’m going to give it an A. I hate it, but I cannot deny the allure. Somehow it feels like this is exactly the type of films we should be watching for Bring a Friend in general, and yet I never want to watch anything like this ever again. The juxtaposition is tantalizing. It’s the satyr. It is so horrifying that one must understand the demented mind that created it. And I can’t stop thinking about it.
Twins Analysis – How twins-y was The Identical? Extremely!! There were some extreme identical twins. You had identical twins separated at birth, both destined to be songwriting stars in their own right. When one twin dies tragically the other feels the others death instinctively without having to hear of the news. These guys were one step away from being Stigmata Twins. A. I won’t be docking points for not using twins because in most cases it doesn’t make sense. Like here, what? You’re going to go out and find twin Elvis impersonators?! That’s insane. And what about Sorceress. Five words for you: The Two That Are One. The entire plot is about twin destiny and how twins are the only thing that can defeat an evil wizard. Bomb. A-, I docked a bit for the twins being such horrible actors and besmirching the good name of twins.