Police Academy 4: Citizens on Patrol Preview

Jamie and Patrick walk down a dark alley, steam spewing from the sewer grates. Patrick twirls a baton and Jamie mutters, “if I wanted to chase after aliums I would have joined the Alium Brigade,” getting a chuckle from Patrick. They stop in their tracks and look at each other in confusion. Why are they suddenly cops again? They look down at their uniforms and see the shiny nametags declaring them Det. Rich and Poe. Wait a tick, that can’t be right? They aren’t Rich and Poe… they’re trying to save Rich and Poe. And yet this dream is so real. They can smell the hot summer stench of the city. They can feel the sweat soaking through their slightly too-tight uniforms. They can hear the dusky chuckle of a nearby fiend. “Who-who’s that?” stammers Jamie. From the shadows steps a horrible fiend. Oh! He’s terrifying and oh boy… I mean, if you could see him you would def be totally scared for sure. Just check this out: “Get ready for some action, bitches,” the monster lisps as he proceeds to do a dumbo somersault into some trash cans like a dope. Jamie and Patrick shrug and help the big stupid monster up. He seems a bit embarrassed and assures them that he is definitely scary, it’s just that he hasn’t been sleeping super great. “Probably cause you’re haunting our dreams,” Patrick suggests helpfully, “so maybe stop that.” The monster shrugs in agreement. “Yeah and try this Rich and Poe Blanket and Tea set. It might help and is pretty rad.” But the monster seems ambivalent, “I don’t care for that… seems like odd branding.” 

Jamie and Patrick wake up screaming in a cold sweat. What a nightmare. They’re just glad they’re back in the real world as regular citizens. That’s right! We are catching another entry in the classic comedy series Police Academy by hitting the fourth film, Police Academy 4: Citizens on Patrol. The third film barely doesn’t qualify, which helps simplify things. Bring on the Gutes! Let’s go!

Police Academy 4: Citizens on Patrol (1987) – BMeTric: 60.4; Notability: 54

StreetCreditReport.com – BMeTric: top 1.6%; Notability: top 6.4%; Rotten Tomatoes: top 0.0% Higher BMeT: Superman IV: The Quest for Peace, Teen Wolf Too; Higher Notability: Superman IV: The Quest for Peace, Masters of the Universe, Who’s That Girl; Notes: … You know normally I would be like “whatever, 5.0 is pretty bad”, but this film has a 0% on Rotten Tomatoes, it got a BOMB from Leonard, just look at his six word review! I would have imagined this would be much lower, even in the 3.0s. The Notability is incredibly high … I guess there are like 40 people in this super ensemble cast.

Leonard Maltin – BOMB –  More of the same, only worse.

(My God, Leonard! The writers had families! This series is a marvel. 2.5 stars, BOMB, 1.5 stars, BOMB, BOMB, BOMB, BOMB … five of Leonard’s BOMB reviews are for this series alone. Leonard mostly follows along with critics in general, the first is the best, the third is the closest to being fine for the sequels, everything else is awful.)

Trailer – https://www.youtube.com/watch?v=adlo9hJpemE/

(Looks brutal. But can we expect anything less from the late entries to this franchise? I think it is probably not great that almost no screen time is devoted to the actual Citizens on Patrol. And that is despite that fact that at least one of them is definitely in the cartoon series, so they were likely intent on carrying through popular characters across the sequels. What a weird and wild series this is.)

Directors – Jim Drake – (Future BMT: Cannonball Fever; BMT: Police Academy 4: Citizens on Patrol; Razzie Notes: Nominee for Worst Director for Speed Zone in 1990; Notes: Nominated for two Emmys for directing episodes of The Golden Girls and Buffalo Bill.)

Writers – Neal Israel (characters) – (Known For: Real Genius; Bachelor Party; Police Academy 3: Back in Training; Police Academy: Mission to Moscow; Americathon; Tunnel Vision; Future BMT: Police Academy 6: City Under Siege; Look Who’s Talking Too; Police Academy 5: Assignment: Miami Beach; BMT: Police Academy 4: Citizens on Patrol; Police Academy 2: Their First Assignment; Police Academy; Notes: Helped raise Mollie Heckerling who was the biological daughter of Harold Ramis, something she details in her book Ghostbuster’s Daughter.)

Pat Proft (characters) – (Known For: The Naked Gun: From the Files of Police Squad!; Hot Shots!; Real Genius; Bachelor Party; Naked Gun 33 1/3: The Final Insult; Hot Shots! Part Deux; The Naked Gun 2½: The Smell of Fear; Police Academy 3: Back in Training; Police Academy: Mission to Moscow; Brain Donors; Lucky Stiff; Future BMT: Police Academy 6: City Under Siege; Mr. Magoo; Police Academy 5: Assignment: Miami Beach; Scary Movie 4; Scary Movie 3; High School High; Wrongfully Accused; BMT: Scary Movie 5; Police Academy 4: Citizens on Patrol; Police Academy 2: Their First Assignment; Police Academy; Notes: Nominated for an Emmy for Van Dyke and Company, he was good friends with Zucker and wrote on basically all of their spoof films as well.)

Gene Quintano (written by) – (Known For: Police Academy 3: Back in Training; Allan Quatermain and the Lost City of Gold; Sudden Death; El tesoro de las cuatro coronas; Funky Monkey; Comin’ at Ya!; Future BMT: Police Academy 5: Assignment: Miami Beach; Operation Dumbo Drop; King Solomon’s Mines; Loaded Weapon 1; BMT: Police Academy 4: Citizens on Patrol; The Musketeer; Notes: Was offered the directing role for this film, but turned it down. Regretting it he eventually debuted with Honeymoon Academy starring Kim Catrall which went straight to video.)

Barry W. Blaustein and David Sheffield (characters) (uncredited) – (Known For: Coming 2 America; Coming to America; The Nutty Professor; Boomerang; Police Academy 3: Back in Training; Future BMT: Nutty Professor II: The Klumps; Police Academy 5: Assignment: Miami Beach; The Honeymooners; BMT: Police Academy 4: Citizens on Patrol; Police Academy 2: Their First Assignment; Notes: Both were writers on SNL in the early 80s and ended up writing on a bunch of Eddie Murphy films as a result.)

Actors – Steve Guttenberg – (Known For: Cocoon; Roe v. Wade; Rifkin’s Festival; Short Circuit; 3 Men and a Baby; Bigger; Diner; The Boys from Brazil; Trauma Center; Police Academy 3: Back in Training; Amazon Women on the Moon; The Bedroom Window; Rollercoaster; Home for the Holidays; Don’t Tell Her It’s Me; Lez Bomb; Major Movie Star; Zeus and Roxanne; Future BMT: 3 Men and a Little Lady; Cocoon: The Return; The Big Green; It Takes Two; High Spirits; Surrender; BMT: Police Academy 4: Citizens on Patrol; Can’t Stop the Music; Police Academy 2: Their First Assignment; Police Academy; Notes: You know The Gutes! I would highly recommend his episode of Party Down, I think it probably reflects what appears to be the genuine kindness of Steve Guttenberg.)

Bubba Smith – (Known For: Gremlins 2: The New Batch; Police Academy 3: Back in Training; The Silence of the Hams; Black Moon Rising; The Naked Truth; Full Clip; Down ‘n Dirty; The Wild Pair; Future BMT: Police Academy 6: City Under Siege; Police Academy 5: Assignment: Miami Beach; Stroker Ace; BMT: Police Academy 4: Citizens on Patrol; Police Academy 2: Their First Assignment; Police Academy; Notes: Played in the NFL for ten years before switching to acting. Was diagnosed with CTE after his death in 2011.)

Michael Winslow – (Known For: Spaceballs; Gremlins; Police Academy 3: Back in Training; Nice Dreams; Police Academy: Mission to Moscow; The Great Buck Howard; Killing Hasselhoff; Gingerclown; Tag: The Assassination Game; Alphabet City; The Trumpet of the Swan; CHARACTERz; Think Big; Robodoc; Far Out Man; Lovelines; Buy & Cell; Underground Aces; Going Under; Future BMT: Police Academy 6: City Under Siege; Police Academy 5: Assignment: Miami Beach; BMT: Police Academy 4: Citizens on Patrol; Police Academy 2: Their First Assignment; Police Academy; Notes: Decided to pursue standup as the Man of 10,000 Sound Effects. He moved to Los Angeles and ended up winning The Gong Show twice.)

Budget/Gross – $17 million / Domestic: $28,061,343 (Worldwide: $28,061,343)

(Just printed money. And according to some of the actors in it (Graf in particular) a decent paycheck, so I guess rest assured that that $17 million did make its way into the stars’ pockets. Is there an equivalent to this kind of stuff these days? Or was it all absorbed into like … web series or something?)

Rotten Tomatoes – 0% (0/20): Utterly, completely, thoroughly and astonishingly unfunny, Police Academy 4: Citizens on Patrol sends a once-innocuous franchise plummeting to agonizing new depths.

(Wow a 0%. Actually that isn’t nearly as impressive as you think. The first three films are fairly normal (55%, 31%, 40%) review wise … and then the last four all have 0%!! That is just … well, that is something else. Reviewer Highlight: Script is merely a collection of gags tied together by the slightest suggestion of a story. – Variety Staff)

Poster – The Gute’s Big Balloon Adventure

(I really like this. I know there are some recent comedies that have played on the tradition of comedy posters, but there isn’t anything quite like an original. Just look at those cartoon renditions of real people all doing zany things in a balloon! Look at the font! The biggest problem really is that it makes it seem like a film about hot air balloon cops, which is honestly better than the actual plot of Police Academy IV: Citizens on Patrol. A)

Tagline(s) – Take off with the original cast… and some new civilian recruits as they take to the streets and the skies to fight crime. (D+)

(They really are leaning on the final hot air balloon/stunt plane finale. They mostly in fact do not take to the skies. Otherwise this is an accurate and disastrously long tagline. D+. A bump for the little “take off” pun at the beginning but that’s about it.)

Keyword – police chase

Top 10: The Dark Knight (2008), Knives Out (2019), Joker (2019), The Dark Knight Rises (2012), Captain America: Civil War (2016), Birds of Prey (2020), The Hitman’s Bodyguard (2017), The Goonies (1985), Mission: Impossible – Fallout (2018), Spider-Man: Into the Spider-Verse (2018)

Future BMT: 73.8 Police Academy 6: City Under Siege (1989), 65.1 The Cold Light of Day (2012), 57.4 First Sunday (2008), 56.8 The Transporter Refueled (2015), 53.4 Meet the Browns (2008), 51.9 The Eye (2008), 50.8 The Watcher (2000), 49.1 Showtime (2002), 48.6 Sleepwalkers (1992), 47.5 Feel the Noise (2007);

BMT: Armageddon (1998), Angel Has Fallen (2019), 2 Fast 2 Furious (2003), Transformers: The Last Knight (2017), Gone in Sixty Seconds (2000), CHIPS (2017), Super Mario Bros. (1993), Need for Speed (2014), Battleship (2012), A Walk to Remember (2002), Speed 2: Cruise Control (1997), Swordfish (2001), R.I.P.D. (2013), The Cannonball Run (1981), Daylight (1996), The Pacifier (2005), Cradle 2 the Grave (2003), Ride Along (2014), Cobra (1986), Exit Wounds (2001), Paycheck (2003), Police Academy 4: Citizens on Patrol (1987), Street Fighter: The Legend of Chun-Li (2009), Around the World in 80 Days (2004), Alex Cross (2012), Getaway (2013), Kangaroo Jack (2003), Ride Along 2 (2016), Hollywood Homicide (2003), Twisted (2004), Steel (1997)

(I did wonder if it would increase over time. It does seem to be the case. I guess with things like 3D printing and fabricating fake cars and CGI it’ll eventually reach a saturation point. Police chases look cool, but there is only so many films which can have them. Our brains are going to melt when we watch Police Academy 5, 6, and 7 all in one weekend.)

Welcome to Earf (HoE Number 16) – The shortest path through The Movie Database cast lists using only BMT films is: Sharon Stone is No. 4 billed in Police Academy 4: Citizens on Patrol and No. 2 billed in The Specialist, which also stars Sylvester Stallone (No. 1 billed) who is in Expendables 3 (No. 1 billed), which also stars Jason Statham (No. 2 billed) who is in In the Name of the King: A Dungeon Seige Tale (No. 1 billed), which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 4 + 2 + 1 + 1 + 2 + 1 + 4 + 1 = 16. If we were to watch Surrender we can get the HoE Number down to 12.

Notes – The collapse of her first marriage contributed to Sharon Stone’s decision to work on this movie. Of wanting to have some fun after a difficult period in her life, she said that “hanging out with a gang of comedians, it was the best therapy.” (That’s nice)

Final appearance of the Mimico Lunatic Asylum. The iconic location was used as the Academy campus in the first, third and fourth films in the series.

Tony Hawk said this was the only job, from which he was ever fired. Most of the stunt doubles were from the Bones Brigade because their manager, former pro skateboarder Stacy Peralta, worked as a second-unit director on the film. As it turned out, Hawk was replaced as a stunt double for David Spade, because he was too tall. (Huh, he’s in the credits. That’s interesting)

Bobcat Goldthwait and Tim Kazurinsky were brought on-board at the last minute to replace Bruce Mahler (Fackler), who was dropped from the film, due to negotiations falling apart over his pay. As a result of this, the Fackler character ended up being omitted from Police Academy: The Series (1988), and the comic book. (That is interesting, I had to look him up to remind me of who he was. He eventually returns in number six)

Film debut of David Spade. According to Steve Guttenberg’s biography, “The Guttenberg Bible”, Guttenberg took Spade under his wing during shooting in Toronto, Ontario. He also bought Spade an expensive Rolex watch. (Cool)

The last “Police Academy” movie to feature the Blue Oyster Bar. (Nooooooooooooo as gross and offensive as it was I was really hoping they’d have The Blue Oyster Bar in cyrillic when they went to Russia)

Despite the entire series’ negative critical reception, this was the only “Police Academy” movie to get a Razzie Award nomination. Brian Wilson’s “Let’s Go to Heaven in My Car” was nominated for Worst Original Song. It lost to “I Want Your Sex” from Beverly Hills Cop II (1987).

During the scene where Capt. Harris straddles the chain link fence, G.W. Bailey’s stunt double willingly took a hard fall directly onto the pavement, with no mat to protect him. (It looks like it really really hurt, I gasped when I saw it)

Steve Guttenberg’s final appearance as Mahoney, until his announced return to the franchise over three decades later in the eighth Police Academy movie. (Oh … why did I think he was in all of them except for the seventh? I might have been thinking of Graf).

A “Police Academy” spin-off titled “Commando School” was being planned at the time of this movie’s initial release, but it never made it to the production phase.

Was to be filmed immediately after Police Academy 3: Back in Training (1986), but production was held up by the death of that film’s director, Jerry Paris.

Tackleberry’s wife was not initially intended to appear in the film; Colleen Camp was unavailable for the initial shooting dates, which were back-to-back with those of the third film. However, the delay resulting from having to hire a new director after the death of Jerry Paris resulted in Camp being available after all, and her character was given a one-scene cameo appearance.

Two versions of the pool scene were filmed. One had Leslie Easterbrook in a wet T-shirt with her breasts exposed. In the “family friendly” version, Callahan’s T-shirt was not see-through. The latter version was used in the official trailer. (I noticed)

Around the time this movie was made, a full-motion Police Academy video game was also filmed with the original cast, for Hasbro’s NEMO console. According to developer Mark Turmell, the game was “essentially a lost Police Academy movie” which had multiple story paths that the player could choose. Unfortunately, the funding ceased when Hasbro decided not to proceed with the console. Some believe this unused footage could still potentially be made into a Police Academy interactive movie for a streaming service, if fan demand proved enough to convince Hasbro and Warner Bros. to complete the project, over three decades later. This would set a record for the longest time ever, in between a video game project’s conception and completion.

After it became clear that Jerry Paris would not be able to direct the film, screenwriter Gene Quintano was offered the chance to take over as director. He turned the offer down, not feeling confident enough in his abilities, and so Jim Drake directed it instead. On the day of the film’s premiere, Quintano told Paul Maslansky that he regretted turning down the director’s chair, and so Maslansky offered him the job of writing and directing Honeymoon Academy (1989), which this time Quintano accepted immediately.

The scene where Copeland chases Arnie and Kyle through the shopping mall was filmed at Woodbine Centre in Toronto, which is also the shopping mall where the Komodo dragon chase scene in The Freshman (1990) was filmed.

The last time we see Mahoney, Nogata, Copeland, Sweetchuck and Zed, though Tim Kazurinsky (Sweetchuck) had a guest appearance on Police Academy: The Series (1997) as a janitor. (Oh wow, so the rest of the series I guess must be quite different)

Michael Winslow (Jones), David Graf (Tackleberry), and George Gaynes (Commandant Lassard) are the only actors who appeared in all seven “Police Academy” movies. Winslow even goes a step beyond this, as he also had a regular role on Police Academy: The Series (1997).

Awards – Nominee for the Razzie Award for Worst Original Song (Brian Wilson, Gary Usher, 1988)

Silent Hill: Revelation Preview

Brief note before we start: This year we got together our fifth (!) class to be inducted into the Smaddies Baddies BMT Hall of Fame. At the time these films are inducted it will be officially 10 years since we started BMT! That’s absurd. But as is typical there will be films we watch five years ago which maybe deserve to be considered the merde de la merde of BMT delight. The previews and speeches will be released leading up to the eighth (tenth?) Smaddies Baddies for the five films ultimately chosen. Some might say the purpose of watching all genres and sizes of movie is to find another Here On Earth, the perfect BMT film. But other people might just say we want to watch Kit Harington struggle with an American accent while being chased by Triangle Head. Enjoy!

Silent Hill: Revelation (2012) – BMeTric: 65.6; Notability: 30 

StreetCreditReport.com – BMeTric: top 2.8%; Notability: top 46.6%; Rotten Tomatoes: top 4.1% Higher BMeT: Piranha 3DD, LOL, The Devil Inside, Paranormal Activity 4, The Apparition, ATM, Chernobyl Diaries; Higher Notability: Battleship, Red Tails, This Means War, Dark Shadows, Total Recall, Ice Age: Continental Drift, Abraham Lincoln: Vampire Hunter, Red Dawn, Wrath of the Titans, Resident Evil: Retribution, The ABCs of Death, Man on a Ledge, What to Expect When You’re Expecting, Atlas Shrugged II: The Strike, The Watch, Underworld: Awakening, Girl Most Likely, The Odd Life of Timothy Green, The Babymakers, Gambit, and 10 more; Lower RT: One for the Money, The Apparition, Atlas Shrugged II: The Strike, Playing for Keeps, The Cold Light of Day, The Devil Inside, So Undercover, Fire with Fire, The Babymakers; Notes: Sitting around 5.0 with that many votes is pretty impressive.I think the BMeTric is the most impressive as far as cred. Obviously also a notably bad video game film.

Leonard Maltin – BOMB –  When her father (Bean) disappears, teenager Clemens and a high school friend (Harington) enter a mysterious town of Silent Hill, which she’s been warned about It’s the gateway to a bunch of weird other dimensions (or something) with monstrous beings calore … and it has something to do with her past. Colorful but drab, lots of visual effects but boring, and never scary. This sequel is a waste of time. Based on the video game.

(Wow, these days when I can just snap up Ebert review semi-automatically, the Maltin review is a rare treat. And to hit a BOMB with one? That is a great time. Maltin notoriously doesn’t like horror films, so for him to say it isn’t scary is something indeed.)

Trailer – https://www.youtube.com/watch?v=f06VJSsh8II/

(It is incredible … you can tell that Kit Harington has a terrible accent in the trailer. In the absolute most important scenes he just sounds vaguely Welsh or something (which I suppose is what might happen when a British person does a terrible American accent). In a way it looks really cool … but it also looks cheesy because you know once you are watching it it’ll just be laughable.)

Directors – M.J. Bassett – (Known For: Rogue; Solomon Kane; Future BMT: Deathwatch; Wilderness; BMT: Silent Hill: Revelation; Notes: His commercial career is almost entirely horror (and not a lot of television as well). He started out as a wildlife photographer and documentary maker before breaking out with Deathwatch.)

Writers – M.J. Bassett (written by) (as Michael J. Bassett) – (Known For: Rogue; Solomon Kane; Future BMT: Deathwatch; BMT: Silent Hill: Revelation; Notes: Writes most of what he directed, including Rogue, which, by the way, stars Megan Fox of all people.)

Laurent Hadida (adapted by) – (BMT: Silent Hill: Revelation; Notes: The only thing he is credited as writing. He seems to mostly be a producer, so I would guess he helped with translating Silent Hill 3 into a screenplay and did just enough to warrant a credit.)

Hiroyuki Owaku (story “Silent Hill 3”) (uncredited) – (BMT: Silent Hill: Revelation; Notes: Was involved in Silent Hill 2, 3, and 4. I’m actually a bit surprised that there were really only ever four numbered titles in that series.)

Keiichiro Toyama (video games) (uncredited) – (BMT: Silent Hill: Revelation; Notes: Also worked on Silent Hill, although it seems like he is not more heavily involved in a series called Gravity Rush.)

Actors – Adelaide Clemens – (Known For: The Great Gatsby; No One Lives; To the Stars; The World Made Straight; Wasted on the Young; The Automatic Hate; Future BMT: Generation Um…; Certainty; BMT: Silent Hill: Revelation; X-Men Origins: Wolverine; Notes: Australian. Currently she is in the Edie Falco series Tommy.)

Kit Harington – (Known For: How to Train Your Dragon: The Hidden World; How to Train Your Dragon 2; Brimstone; Testament of Youth; Spooks: The Greater Good; Future BMT: The Death and Life of John F. Donovan; BMT: Silent Hill: Revelation; Pompeii; Seventh Son; Notes: Looks like he’s involved in the upcoming Eternals film for the MCU, so he’s transitioning to the big time.)

Sean Bean – (Known For: The Lord of the Rings: The Fellowship of the Ring; Wolfwalkers; The Lord of the Rings: The Return of the King; The Lord of the Rings: The Two Towers; Possessor; Troy; The Martian; GoldenEye; National Treasure; Percy Jackson & the Lightning Thief; Ronin; Patriot Games; Mirror Mirror; Equilibrium; The Field; North Country; Black Beauty; Black Death; Dark River; Caravaggio; Future BMT: Soldiers of Fortune; The Hitcher; Outlaw; Drone; Flightplan; Don’t Say a Word; Essex Boys; Anna Karenina; The Island; Kingsglaive: Final Fantasy XV; BMT: Silent Hill: Revelation; Jupiter Ascending; Pixels; Silent Hill; Notes: A voice in Wolfwalkers which is the hot new animated film of 2020. Famously dies in a huge number of the films he appears in and currently is in the Snowpiercer television show.)

Budget/Gross – $20,000,000 / Domestic: $17,529,157 (Worldwide: $55,362,705)

(Not bad. Whoever took over the franchise made a correct choice. The original made about twice as much on twice the budget, but I think this is more definitely near a break-even point all things considered. Horror is meant for low budget to get that risk-reward going.)

Rotten Tomatoes – 10% (6/60): Mediocre effort even by the standards of video game adaptations, Silent Hill: Revelation 3D features weak characters and an incomprehensible plot with a shortage of scares.

(Brutal consensus. “Bad even for a video game film” isn’t what you want when there have basically never been a good video game film ever. Reviewer Highlight: It confirms once again that with the notable exception of Scott Pilgrim Vs. The World, a film that feels like a videogame is never a positive development. – Nathan Rabin, AV Club)

Poster – Silent Sklog: Revolutionaries in Smell-O-Vision

(So I’m of two minds here. On the one hand I love the unique perspective, the unique custom font, and the contrasting fire vs. ghoulish green coloring. On the other, the 3D-ness of it makes it feel dated, it is really busy, and it just looks like a movie I don’t want to watch. I’m going to go with a straight B because I have garbage taste maybe? Something about it says I like it, I guess because it is really unique.)

Tagline(s) – This Halloween prepare for a 3D ride through hell. (F)

(This though I hate. You could write this about any horror film that comes out in October basically (as long as it’s in 3D I suppose). Like, why ride? Why not something more video game-y? This tagline feels more Haunted Mansion, not Silent Hill.)

Keyword – alternate reality

Top 10: Tenet (2020), Avengers: Endgame (2019), Interstellar (2014), Inception (2010), The Matrix (1999), Avengers: Infinity War (2018), Watchmen (2009), Groundhog Day (1993), The Golden Compass (2007), Doctor Strange (2016)

Future BMT: 61.6 Soul Survivors (2001), 54.8 Resident Evil: Retribution (2012), 51.1 Dylan Dog: Dead of Night (2010), 40.8 The League of Extraordinary Gentlemen (2003), 38.9 House II: The Second Story (1987), 36.5 The One (2001), 36.0 Premonition (2007), 31.7 White Man’s Burden (1995), 30.4 Arthur and the Invisibles (2006), 30.1 Mirrors (2008);

BMT: Howard: A New Breed of Hero (1986), Sucker Punch (2011), Event Horizon (1997), The Cat in the Hat (2003), Super Mario Bros. (1993), Flatliners (2017), Cool World (1992), Mortal Kombat: Annihilation (1997), Silent Hill: Revelation (2012), Atlas Shrugged II: The Strike (2012), A Sound of Thunder (2005), Alex & Emma (2003)

(For real though, they really did seem to like alternative realities in 2010 didn’t they? Must have been when CGI was cheap and they could do full CGI monsters adequately or something. I’m excited for the Resident Evil series eventually, which we always put off because, you know, it is six movies.)

Welcome to Earf (HoE Number 17) – The shortest path through The Movie Database cast lists using only BMT films is: Deborah Kara Unger is No. 7 billed in Silent Hill: Revelation and No. 6 billed in 88 Minutes, which also stars Leelee Sobieski (No. 3 billed) who is in Here on Earth (No. 1 billed) => 7 + 6 + 3 + 1 = 17. If we were to watch Suspect Zero, and The Black Dahlia we can get the HoE Number down to 13.

Notes – Red Pyramid is a full body costume that was blended at Roberto Campanella wrists, requiring only 25 minutes of preparation for each scene, as opposed to the three hours it took in the first film.

For the scene of the goldfish “dying”, the crew placed the fish in specially prepared water that would cause the animals to fall asleep, creating the appearance of a dying animal without actually causing them any harm. (cool)

Kit Harington admitted trying to play the Silent Hill games for research but quit because they were too scary for him.

When it came time to work with Carrie-Anne Moss, an unexpected dynamic occurred on set between her and the lead Adelaide Clemens. At base camp, Moss was pleasant in her conversations with Clemens, but once they both arrived on set, Moss changed. As Adelaide Clemens describes, “She ceased any contact and kept a two meter distance from me. I did not fully realize this distancing until we started shooting; she came over and put her hand on my chin and I’ve never felt a more intense invasion of personal space. I just shuddered. It was fascinating and powerful.”

All the monsters in the film, with the exception of the Mannequin Spider which was completely CGI, were practical effects done on set with stunt performers portraying the creatures. The creatures would later be enhanced with CGI effects.

After the release of the film, Bassett apologized to any fans disappointed with the film on his blog and has remained uninvolved in the Silent Hill series since then.

Roger Avary was originally set to write the film and had actually begun writing a draft when he was sent to jail for gross vehicular manslaughter and two felony counts of causing bodily injury while intoxicated. The film was then delayed until the studio hired M.J. Bassett in Fall 2010 to write and direct. (For those curious he did eventually serve a year in jail, and appears to have just begun getting movies made again)

Konami’s marketing for the film in Japan included a special ramen to tie in with the theatrical release.

The first film had underperformed below expectations at the box office (grossing only $99 million against a $50 million budget) and received generally negative reviews, leading Sony to sell the sequel rights to Universal and a reduced budget of $20 million.

M.J. Bassett stated in a interview at New York Comic-Con that due to shooting in 3D he was not able to use hand-held camera or Steadycam.

One of the very few mainstream films where the character of Sean Bean does not die (although he does die in a dream).

The mannequin storeroom scene happened earlier in the script, occurring immediately after Douglas is killed by the Missionary. This makes more sense because the mannequin storeroom is in the mall.

The Roommate Preview

Brief note before we start: This year we got together our fifth (!) class to be inducted into the Smaddies Baddies BMT Hall of Fame. At the time these films are inducted it will be officially 10 years since we started BMT! That’s absurd. But as is typical there will be films we watch five years ago which maybe deserve to be considered the merde de la merde of BMT delight. The previews and speeches will be released leading up to the eighth (tenth?) Smaddies Baddies for the five films ultimately chosen. Some might say the purpose of watching all genres and sizes of movie is to find another Here On Earth, the perfect BMT film. Others might say we just want to see Cam Gigantic, Lyla Garrity, and Insane Leighton Meester fight it out Single White Female-style. Enjoy!

The Roommate (2011) – BMeTric: 68.0; Notability: 25 

StreetCreditReport.com – BMeTric: top 3.6%; Notability: top 65.1%; Rotten Tomatoes: top 0.5% Higher BMeT: Jack and Jill, Ghost Rider: Spirit of Vengeance, Spy Kids 4: All the Time in the World, Shark Night 3D, Big Mommas: Like Father, Like Son, The Twilight Saga: Breaking Dawn – Part 1; Higher Notability: Transformers: Dark of the Moon, Pirates of the Caribbean: On Stranger Tides, Green Lantern, The Twilight Saga: Breaking Dawn – Part 1, Cars 2, Jack and Jill, Battle: Los Angeles, Hop, New Year’s Eve, Your Highness, The Smurfs, Immortals, In Time, Red Riding Hood, Johnny English Reborn, I Am Number Four, The Hangover Part II, Hoodwinked Too! Hood vs. Evil, Larry Crowne, Priest, and 38 more; Lower RT: Jack and Jill; Notes: It has actually been going down in IMDb rating recently! That’s fun. A sub-5.0 is a guarantee of a solid BMeTric, so it is no wonder that it fits into the “small film which both critics and audiences hated” category.

Leonard Maltin – BOMB –  Young woman (Kelly) moves into her dorm at an L.A. college. At first, she likes her shy, somewhat disturbed roommate (Meester), but soon discovers the young woman has become frighteningly attached to her. Trivial, trite would-be thriller shamelessly copies Single White Female. You’ve seen this before and done much better.

(Incredible energy from Leonard here. He is usually pretty forgiving of trite films I feel like, but apparently it is such a rip-off of Single White Female that it doesn’t get that pass? I should probably watch Single White Female, huh?)

Trailer – https://www.youtube.com/watch?v=7NX30f8b1Oo/

(The trailer looks a lot more like a horror film that it actually is. All of the creepy night stuff isn’t really in the film, it seems like it was kind of post production nonsense. Weird trailer. If I saw that I would be like “cool, a horror film” and then what you get is actually a thriller version of The O.C.)

Directors – Christian E. Christiansen – (BMT: The Roommate; Notes: Nominated for Best Short Film, Live Action, at the 2008 Academy Awards. He is from Denmark and this was his one and only foray into the Hollywood system.)

Writers – Sonny Mallhi (written by) – (Known For: Anguish; BMT: The Roommate; Notes: Was a producer for years, this was his first writing credit. He almost exclusively writes / produces horror films.)

Actors – Minka Kelly – (Known For: The Butler; 500 Days of Summer; The Kingdom; She’s in Portland; The World Made Straight; State’s Evidence; Future BMT: Naked; Night Hunter; Papa Hemingway in Cuba; BMT: The Roommate; Just Go with It; Notes: This was one of her only major starring roles after Friday Night Lights ended. She is now starring in the television series Titans. Is the daughter of Aerosmith guitarist Rick Dufay, and was briefly engaged to Derek Jeter.)

Leighton Meester – (Known For: The Judge; Date Night; Going the Distance; Like Sunday, Like Rain; Life Partners; By the Gun; Future BMT: The Oranges; Hangman’s Curse; Country Strong; The Beautiful Ordinary; Brothers in Arms; BMT: The Roommate; Monte Carlo; Razzie Notes: Nominee for Worst Screen Couple for That’s My Boy in 2013; Notes: Was a huge star in Gossip Girl at the time. These days she’s in the shoe Single Parents. She is married to Adam Brody from The O.C. Released an album called Heartstrings in 2014.)

Cam Gigandet – (Known For: Twilight; The Twilight Saga: Breaking Dawn – Part 2; The Magnificent Seven; Easy A; Future BMT: Who’s Your Caddy?; The Unborn; Dangerous Lies; Schlong Story; Priest; In the Blood; Plush; Free Ride; Never Back Down; Pandorum; 4 Minute Mile; BMT: The Roommate; Trespass; Burlesque; Notes: I know him mostly as Volchok on The O.C., but he is still a pretty busy film actor these days. Has a black belt in Krav Maga. We almost exclusively refer to him as Cam Gigantic.)

Budget/Gross – $16,000,000 / Domestic: $37,300,000 (Worldwide: $40,492,652)

(That is pretty solid actually. Where is my The Roommate 2: Fashion Week in Milan? I need more Billy Zane in my life!)

Rotten Tomatoes – 3% (3/86): Devoid of chills, thrills, or even cheap titillation, The Roommate isn’t even bad enough to be good.

(Yeah that sounds about right, although I obviously disagree with the idea that is isn’t so bad it ends up being good … because it is in the Hall of Fame, by definition it was so bad it is good (in it’s own way). Reviewer Highlight: Kelly and Meester hit their marks and look pretty doing it, while supporting players Cam Gigandet, Billy Zane and Aly Michalka fade into the background so blandly that viewers will never remember they were there. – Ann Hornaday, Washington Post … how dare you suggest I would ever forget Billy Zane is in this film!)

Poster – The Roomsklog

(What I like: a little bit of weathered interest on the font, and the feel of the college campus atmosphere nails it. What I don’t like: The crazy time lapse effect in the middle, and only featuring Leighton Meester. It also feels a bit too bright maybe? Not a very thriller-y poster. C+. I think if it was more sinister it would be in the B range.)

Tagline(s) – 2,000 colleges. 8 million roommates. Which one will you get? (D)

(I don’t like it. It is too long, and there are too many numbers. The answer to the question being posed is: very likely one of the 7,999,999 roommates who aren’t Crazy Leighton Meester.)

Keyword – psycho thriller

Top 10: Inception (2010), The Silence of the Lambs (1991), Seven (1995), Zodiac (2007), Split (2016), Shutter Island (2010), Ex Machina (2014), The Sixth Sense (1999), Don’t Breathe (2016), The Gift (2015)

Future BMT: 77.9 Boogeyman (2005), 58.8 Exorcist: The Beginning (2004), 56.7 See No Evil (2006), 53.5 The Strangers: Prey at Night (2018), 51.0 Eye of the Beholder (1999), 49.5 Unforgettable (2017), 44.5 The Purge (2013), 40.2 Gothika (2003), 39.1 The Forgotten (2004), 37.8 Never Talk to Strangers (1995);

BMT: Sleeping with the Enemy (1991), Friday the 13th (2009), House of Wax (2005), Perfect Stranger (2007), The Number 23 (2007), The Roommate (2011), Jason X (2001), Friday the 13th: Part III (1982), Jade (1995), The Astronaut’s Wife (1999), Twisted (2004), Godsend (2004)

(The days of the big budget, big Hollywood star psycho thriller certainly seems to have passed. You can even see it in the box office numbers. A $40 million return is fine, but you can’t have stars with those types of numbers, and you certainly won’t make a ton of cash like Blumhouse if you are wasting money on things like actor salaries. I’m not super excited about any of the Future BMT films listed.)

Welcome to Earf (HoE Number 15) – The shortest path through The Movie Database cast lists using only BMT films is: Cam Gigandet is No. 3 billed in The Roommate and No. 4 billed in Trespass, which also stars Nicolas Cage (No. 1 billed) who is in The Wicker Man (No. 1 billed), which also stars Leelee Sobieski (No. 5 billed) who is in Here on Earth (No. 1 billed) => 3 + 4 + 1 + 1 + 5 + 1 = 15. There is no shorter path at the moment.

Notes – Leighton Meester was originally cast as Sara but then opted to take the role of Rebecca instead.

When the audience first meets Sara, a drawing of Leighton Meester as her character Blair Waldorf from Gossip Girl (2007) can be seen in the background.

Minka Kelly was 30 while playing an 18-year-old in this movie. (Jesus, that means she was 28 playing a senior in high school in Friday Night Lights)

The college and ominous looking stairs leading to it on the movie poster is an actual college in Winfield, Ks. Southwestern College and its 77 steps are frequently used as backdrops in photos and used for exercise. (And they got sued for it)

In the original script, Sara’s favorite film was Coyote Ugly. In the finished film, it’s The Devil Wears Prada. (Why Coyote Ugly?!)

The name of the cafe Sara works at – Råzone – is the title of one of director Christian E. Christiansen’s movies. It’s in his native Danish and means raw zone. It’s design even matches that of the movie’s title design.

The two leads have pancakes in the same “Quality Cafe” seen in Se7en (1995) with Morgan Freeman and Gwyneth Paltrow, and Ghost World (2001), Gone in 60 Seconds (2000), and Catch Me If You Can (2002). (So it is a distinctive looking cafe in L.A., I guess at least all of those are set in L.A. rather explicitly)

The original script had Rebecca have a fight with Irene in the nightclub bathroom before killing her with Sara discovering her dead body during the final confrontation at Irene’s apartment. This was rewritten to have Rebecca seduce Irene and kiss her before kidnapping her. (I like the way they did it. Even the one death seemed a bit overboard in that it doesn’t make much sense that she would kill Sara’s ex-boyfriend as a favor to Sara)

Graveyard Shift Preview

As the balloon lands softly on the island, Rich and Poe marvel at all the beautiful fancy trees that surround them. Poe pulls out a notebook to note genus and species, but Rich stops him. No time for their botanical endeavors, they got a hike ahead of them. Almost as soon as they start, though, things begin to go sideways. First the sassy ghost gets to make peace with all those she wronged while alive, which is nice. Then Kilgorn gets to bathe in the blood of his enemies, which is less nice. Finally, Poe gets to reunite with his best friend Mr. Big one last time in order to tell him how much he liked The Skulls (both his club and the movie). Once Mr. Big disappears, they look around waiting for Rich’s most wonderful dreams to come true too. “Huh, that’s weird,” Poe says as they continue their trek. Rich turns to agree but finds himself sprawled out on the jungle floor. At his feet is a book half buried in the soft ground. Pulling it free, both Rich and Poe stare in wonder at the shiny hardcover image of their own faces. They wipe some dirt to unveil the title and gasp. “R&P: Rest in Peace: The Death of Rich and Poe.” Suddenly a cold wind blows and a shiver runs up their spines. Even Kilgorn’s blood bath was nicer than this. Rich and Poe look around the jungle in fear. A book they never wrote exists here and it’s hard to understand why. In fact it’s hard to understand anything about this terrible jungle. “We better hunker down for the night,” suggests Poe and recommends sassy ghost and Kilgorn get some rest cause Rich and Poe are gonna take the night shift. That’s right! We are technically (although only technically) transitioning to the first cycle of 2021 which will be (drumroll) films based on books. I love book cycles cause I get to read usually terrible books that they made into even worse movies. We’re starting it off, though, with a classic as we are doing one of the many Stephen King bombs. It’s Graveyard Shift, based on a short story that I actually really loved and currently celebrating 30 years of anonymity. Let’s go!

Graveyard Shift (1990) – BMeTric: 48.8; Notability: 16 

(Oh wow that is a really low IMDb rating. We are on a pretty good streak for that. It was between this and Mangler, and both of them amazingly had really similar stats. This did have a slightly higher Notability. A Notability of 16 is right on the cusp, but I think it isn’t as abnormal for the early 90s.)

Leonard Maltin – BOMB – Bottom-of-the-barrel, cliche-ridden shocker chronicling the goings-on in a mysterious mill, whose workers are disappearing within its rat-infested bowels. Poorly directed, with even worse special effects. Based on a short story by Stephen King. 

(The key to a Leonard BOMB is obviously to watch a bad horror film from the 80s. It is far enough back that he was probably watching all of the films, even the ones he knew he wouldn’t like, and he haaaaates horror films.)

Trailer – https://www.youtube.com/watch?v=W6u4z-OqgSM/

(Looks cheap and cheesy … but that can be good. I love watching cheesy horror films, it reminds you of the time when people could take a camera, some no-name actors, and a few bucks and make a film … but this was apparently $10 million dollars, so it isn’t quite like that.)

Directors – Ralph S. Singleton – (BMT: Graveyard Shift; Notes: Was mostly a production manager weirdly. Won an Emmy as a part of the production of Cagney & Lacey. Was the production manager on the recent BMT film Supernova.)

Writers – Stephen King (short story) – (Known For: The Shawshank Redemption; Doctor Sleep; It; The Green Mile; The Shining; It: Chapter Two; Stand by Me; Misery; Gerald’s Game; The Mist; Carrie; Christine; Pet Sematary; 1922; Carrie; Pet Sematary; The Running Man; Secret Window; 1408; Hearts in Atlantis; Future BMT: Cell; The Rage: Carrie 2; The Mangler; Children of the Corn II: The Final Sacrifice; In the Tall Grass; Sleepwalkers; The Dark Tower; A Good Marriage; Riding the Bullet; Children of the Corn; Thinner; Firestarter; Creepshow 2; The Night Flier; Needful Things; BMT: Dreamcatcher; Graveyard Shift; The Lawnmower Man; Maximum Overdrive; Razzie Notes: Nominee for Worst Director for Maximum Overdrive in 1987; Notes: The newest adaptation of The Stand is about to come out. I do enjoy Stephen King books, even though he can be a bit verbose at times.)

John Esposito (screenplay) – (Future BMT: Tale of the Mummy; The Theatre Bizarre; BMT: Graveyard Shift; Notes: He also wrote for a bunch of horror shows, like R.L. Stine’s The Haunting Hour and Creepshow. So definitely a horror guy.)

Actors – David Andrews – (Known For: Fight Club; Apollo 13; World War Z; A Nightmare on Elm Street; Terminator 3: Rise of the Machines; Wyatt Earp; Fair Game; The Conspirator; Future BMT: Jessabelle; Cherry 2000; Arthur and Mike; Dear John; Hannibal; The Squeeze; BMT: Stealth; Graveyard Shift; A Walk to Remember; Notes: Apparently has written a few feature films, although none appear to have been producer in any meaningful capacity. One was called Bushido set in WWII.)

Kelly Wolf – (Known For: Less Than Zero; Margaret; Triumph of the Spirit; Infinity; BMT: Graveyard Shift; Notes: Her husband, Scott Burkholder, and their son Max are both quite accomplished actors. Max was one of the stars of the television show Parenthood.)

Stephen Macht – (Known For: The Monster Squad; The Choirboys; The Mountain Men; Outside the Law; Future BMT: Galaxina; Nightwing; BMT: Graveyard Shift; Atlas Shrugged II: The Strike; Notes: Appeared in 160 episodes of General Hospital and, among others, 6 episodes of Murder She Wrote (as six different characters). Almost got the role of Jean-Luc Picard. Father of Gabriel Macht who starred in Suits and who we’ve seen in Whiteout, Behind Enemy Lines, Bad Company, and Because I Said So.)

Budget/Gross – $10.5 million / Domestic: $11,582,891 (Worldwide: $11,582,891)

(That’s pretty rough. But let this sink in for a second. The film Fantasy Island, set in Fiji and involving serious special effects, cost about two-thirds as much to film as this 1990 adaptation of a Stephen King short story I had never heard of, starring nobody, and presumably set in a single dilapidated warehouse.)

Rotten Tomatoes – 12% (1/8)

(I’ll make a consensus then: Really only worthwhile to horror novices who are just discovering the appeal of gorey horror. Reviewer Highlight: One of the worst of Stephen King movies. Don’t punch in for this mess. – Gerry Shamray, Your Movies)

Poster – Sklogyard Shift

(This looks cheap and so it has a ceiling, but I kinda like the kooky look to it. The font is nice too. It’s just weird enough that I could imagine wanting to hang up the poster semi-ironically. But still a C.)

Tagline(s) – Stephen King took you to the edge with The Shining and Pet Sematary. This time……he pushes you over. (F)

(Nope. I can’t abide by this sham of a tagline. You don’t need me to tell you everything that is wrong with this trash.)

Keyword – based on short story

Top 10: The Shawshank Redemption (1994), National Lampoon’s Vacation (1983), Eyes Wide Shut (1999), Arrival (2016), The Thing (1982), Total Recall (1990), The Curious Case of Benjamin Button (2008), Brokeback Mountain (2005), A Few Good Men (1992), A.I. Artificial Intelligence (2001)

Future BMT: 57.6 The Mangler (1995), 55.9 Children of the Corn II: The Final Sacrifice (1992), 41.3 Candyman: Farewell to the Flesh (1995), 41.3 Children of the Corn (1984), 39.7 The Heartbreak Kid (2007), 34.3 Double Take (2001), 27.4 Next (2007), 25.8 Creepshow 2 (1987), 24.8 Total Recall (2012), 23.4 Impostor (2001);

BMT: Johnny Mnemonic (1995), Maximum Overdrive (1986), Paycheck (2003), The Lawnmower Man (1992), Graveyard Shift (1990), A Sound of Thunder (2005)

(An interesting “genre” I do wonder if it is kind of fueled by bad horror to an extent. In the 80s and 00s pulp short horror stories (e.g. The Hellbound Heart) seemed like all the rage. Do people still write short stories? Is that why the genre is dying? Or is it just a quirk of this particular keyword?)

Welcome to Earf (HoE Number 29) – The shortest path through The Movie Database cast lists using only BMT films is: Brad Dourif is No. 7 billed in Graveyard Shift and No. 6 billed in Color of Night, which also stars Bruce Willis (No. 1 billed) who is in The Whole Ten Yards (No. 1 billed), which also stars Natasha Henstridge (No. 4 billed) who is in Ghosts of Mars (No. 1 billed), which also stars Jason Statham (No. 3 billed) who is in In the Name of the King: A Dungeon Seige Tale (No. 1 billed), which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 7 + 6 + 1 + 1 + 4 + 1 + 3 + 1 + 4 + 1 = 29. If we were to watch A Low Down Dirty Shame, and Kingdom Come we can get the HoE Number down to 21.

Notes – The name of the mill is “Bachman Mills.” “Bachman” is a pseudonym used by Stephen King, upon whose short story the movie was based.

When John and Jane are in the cafe together, Ippeston sitting in the booth behind them is reading a paperback of “Ben.” “Ben” is a story of a socially dysfunctional boy who befriends a rat and uses other rats to extract revenge upon others.

The movie was filmed in the village of Harmony, Maine at Bartlettyarns Inc., the oldest woolen yarn mill in the United States (est. 1821). The interior shots of the antique mill machinery, and the riverside cemetery, were in Harmony. Other scenes (restaurant interior, and giant wool picking machine) were at locations in Bangor, Maine, at an abandoned waterworks and armory. A few other mill scenes were staged near the Eastland woolen mill in Corinna, Maine, which subsequently became a Super Fund site.

Wisconsky mentions she is from Castle Rock, home to many other Stephen King books and movies.

The patch on Cleveland’s (The Exterminator) shoulder is the emblem of 33 (“Ba Muoi Ba”), a Vietnamese rice-brewed beer that was popular among American GIs who served during the war.

Stephen King heavily disliked the film and named it one of his least favorite adaptations, calling it “a quick exploitation picture”.

Return to the Blue Lagoon Preview

“Oy, mates!” screams Alligator Steve as he hops down from Bessy and greets Rich and Poe. Apparently, in the scuffle with the gamemasters he also fell through the portal and ended up back in his homeland. “All for the best,” he says with a wink. He watches in amusement as Tiniman’s army moves quickly away through the fire desert. With a slap on the back he invites Rich and Poe back to his village where they partake in some traditional shrimp on the barbie and hear the legend of their giant alligator friends. It’s all very exciting and interesting. “Do you think, Steve,” Poe asks, “that maybe we are supposed to help you win this war? That that’s the purpose of this part of the game?” But Steve isn’t so sure. The gamemasters seemed mighty suspicious of their behavior back at the school. “War is war, mates. You don’t want any part of it. Take Bessie and head out to the islands,” he says pointing to some beautiful tropical islands off the coast. “No will find you there. You will live a beautiful natural life full of natural beauty and wonder. It’ll be a magical time that everyone will be interested in because of how beautiful it is. And perchance you will find love there with the beautiful natural denizens of the island and it will be beautiful and natural and not creepy because how could something so beautiful and natural be creepy, right?” …. right. They try to convince him that they don’t need Bessie, but Steve is insistent that he’ll be alright. There’s a reason they call him Lil’ Bessie, mighty warrior. Just before they leave Rich and Poe look back at Steve one more time and ask hesitantly, “so this definitely isn’t a weird, creepy place, right?” That’s right! We’re watching the double feature of The Blue Lagoon and The Return to the Blue Lagoon starring Brooke Shields and Milla Jovovich, respectively. Panned at the time by critics for a variety of reasons they’ve mostly been remembered as films about nude young people falling in love on an island… which isn’t a great look. They are both set on an undiscovered island in the Pacific, which was good enough for us. Let’s go!

Return to the Blue Lagoon (1991) – BMeTric: 50.6; Notability: 21 

(Wait, this one also has that same 2012-2014 inflection. Looking through other films it really doesn’t seem that common. Just wait for this theory: The Blue Lagoon: Awakening, the totally unrelated third film made by Lifetime … came out in 2012. So when that came out people went and watched the whole series, and rated the film. That is blowing my mind.)

Leonard Maltin – BOMB –  The two-year-old son of Lagoon 1’s deceased parents is rescued by a ship carrying a widow and her year-old daughter; circumstances (read: cholera) force the trio onto another tropical island, so the kids can eventually partake in PG-13 prurience.

(There are so many amazing things in this review. Calling it “Lagoon 1” with the number 1 is amazing. The semi-colon quickly followed by “read: cholera” … there is just something so charmingly quirky and shrunk down about the entire review. The BOMB designation is shockingly rare, so that’s super fun.)

Trailer – https://www.youtube.com/watch?v=_qDaxkLUcTM/

(Hahahahahahahahah it was the first film to explore natural love? More like it was the first film to show 20 minutes of uninterrupted underwater dick shots. Oh gosh, “I’ve become one” they put that in the trailer? Out of innocence comes the most sensual love of all? Yiiiiiiikes. Guys, this one might be a doozy.)

Directors – William A. Graham – (Future BMT: Change of Habit; BMT: Return to the Blue Lagoon; Razzie Notes: Nominee for Worst Director for Return to the Blue Lagoon in 1992; Notes: Was a prolific television director in the 70s and 80s, getting nominated for an Emmy for a television movie about Jim Jones. Was in the Navy and an avid sailor, which is maybe why he was tapped for this.)

Writers – Henry De Vere Stacpoole (book) – (Future BMT: The Blue Lagoon; BMT: Return to the Blue Lagoon; Notes: Was able to retire after the success of The Blue Lagoon and write fiction full time. He occasionally wrote under the name Tyler De Saix.)

Leslie Stevens (screenplay) – (Known For: The War Lord; The Left Handed Gun; Incubus; Future BMT: Sheena; Gordy; BMT: Return to the Blue Lagoon; Razzie Notes: Nominee for Worst Screenplay in 1985 for Sheena; and in 1992 for Return to the Blue Lagoon; Notes: A Navy brat, he ended up writing for Broadway. Created the late 90s revival of The Outer Limits before dying in 1998.)

Actors – Brian Krause – (Future BMT: Sleepwalkers; BMT: Return to the Blue Lagoon; Razzie Notes: Nominee for Worst New Star for Return to the Blue Lagoon in 1992; Notes: He starred in the Bandit series of television movies which act as a prequel to Smokey and the Bandit. Cristopher Atkins  (the star of the original Blue Lagoon) was in the first of those films. He played a main role in the series Charmed in the late 90s.)

Milla Jovovich – (Known For: The Fifth Element; Dazed and Confused; Zoolander; Paradise Hills; He Got Game; A Perfect Getaway; Chaplin; Stone; The Claim; Dummy; Future BMT: Future World; Resident Evil: Retribution; Resident Evil: The Final Chapter; Anarchy: Ride or Die; Survivor; Resident Evil: Afterlife; Two Moon Junction; The Fourth Kind; No Good Deed; The Million Dollar Hotel; Resident Evil: Apocalypse; Kuffs; Resident Evil: Extinction; Bringing Up Bobby; Joan of Arc; A Warrior’s Tail; Dirty Girl; Shock and Awe; Resident Evil; BMT: Ultraviolet; Zoolander 2; Hellboy; Return to the Blue Lagoon; The Three Musketeers; Razzie Notes: Nominee for Worst Actress in 2000 for Joan of Arc; and in 2013 for Resident Evil: Retribution; Nominee for Worst Supporting Actress for The Fifth Element in 1998; and Nominee for Worst New Star for Return to the Blue Lagoon in 1992; Notes: Her daughter Ever Anderson was just cast as Wendy in the new Peter Pan film.)

Lisa Pelikan – (Known For: Circle; Julia; Swing Shift; It’s My Party; Future BMT: Ghoulies; A.W.O.L.: Absent Without Leave; BMT: Return to the Blue Lagoon; Notes: Was at one point married to Bruce Davison (the Senator from X-Men), and has going to be a dancer, but a surgery cut her career short and she went into acting.)

Budget/Gross – $11,000,000 / Domestic: $2,807,854 (Worldwide: $2,807,854)

(Somehow a huge bomb! I guess back in 1980 people were much more willing to watch a film of this style. And then this one came out and was roughly the same 12 years later … and people just had zero interest.)

Rotten Tomatoes – 0% (0/30): Despite its lush tropical scenery and attractive leads, Return to the Blue Lagoon is as ridiculous as its predecessor, and lacks the prurience and unintentional laughs that might make it a guilty pleasure.

(A zero percent is really really rare. I think this summary might have missed a bit of the point of why it was universally derided: this is the same as the previous film, but as a big dose of cynicism as it is (at least perceived to be) a cash grab. Reviewer Highlight: The sincere idiocy of this film really has to be seen to be appreciated — not that I think there is any need for you to see, or appreciate, it. – Roger Ebert, Chicago Sun-Times.)

Poster – Return to the Creepy Sexy Lagoon

(Much better than the first film’s poster. I like the orange sunset tones and Brian Krause’s face nicely conveys the plot of the film: bad acting. Wish the font was better and maybe this would have jumped past mediocre. B-. Patrick’s Shallow Fake: There we go, I love when I really get to color my face a crazy color. I have to assume there is a way to do this while keeping the whites very whit (like Jovovich’s eyes and teeth) … probably a filter. I think my pale complexion would end up registering as “tooth colored”.)

Tagline(s) – The story of natural love continues… (D)

Alone… wild… untamed… (B+)

(Hahahaha, that second tagline is quite hilarious. There certainly would be some things wild and untamed on that island… I’m talking about their hair… I’m saying they’d be wildly ungroomed… Anyway, the first tagline is stupid. The second one is actually OK… you know, if it actually had anything to do with the chaste, totally not wild love story of this franchise.)

Keyword – tropical island

Top 10: Jurassic Park (1993), Moana (2016), Jurassic World (2015), Cast Away (2000), Serenity (2019), The Thin Red Line (1998), The Beach (2000), Ice Age (2002), The Island of Dr. Moreau (1996), Return to the Blue Lagoon (1991)

Future BMT: 39.0 Club Dread (2004), 34.0 Robinson Crusoe (2016), 14.7 The Beach (2000);

BMT: Serenity (2019), The Island of Dr. Moreau (1996), Return to the Blue Lagoon (1991)

(Small keyword obviously. The Beach is the big one. BTW you can notice it more here, but yeah, The Blue Lagoon technically doesn’t qualify for BMT because technically there is no confirmation that it was released to 600+ theaters in the US. But it also made like $60 million apparently, so it was definitely a wide release. But it means it won’t show up in any analysis.)

Welcome to Earf (HoE Number 16) – The shortest path through The Movie Database cast lists using only BMT films is: Milla Jovovich is No. 1 billed in Return to the Blue Lagoon and No. 1 billed in Ultraviolet, which also stars Cameron Bright (No. 2 billed) who is in Godsend (No. 4 billed), which also stars Rebecca Romijn (No. 2 billed) who is in Rollerball (No. 3 billed), which also stars Chris Klein (No. 1 billed) who is in Here on Earth (No. 2 billed) => 1 + 1 + 2 + 4 + 2 + 3 + 1 + 2 = 16. If we were to watch Joan of Arc, Hook, Jack, and The Glass House we can get the HoE Number down to 14.

Notes – Milla Jovovich said that this is the worst movie she has ever done.

First starring role of Milla Jovovich.

Milla Jovovich said of this movie, “I think that the idea of falling in love on a deep and spiritual level without the distractions of the material world will always be appealing.”

When she was 13, during her days as a teenage fashion model, Milla Jovovich had been hailed by critics as “The New Brooke Shields .” Shields played Emmeline Lestrange in The Blue Lagoon (1980), to which this film is a sequel.

On Taveuni Island in Fiji, production designer Jon Dowding began work on the movie’s main set pieces 60 days before the cameras began rolling. Having served as the art director on The Blue Lagoon (1980), Dowding welcomed the opportunity to expand and improve upon his work from the earlier film. Both Dowding and his wife, wardrobe designer Aphrodite Kondos, drew extensively upon the cultures of Oceania for the design elements of the film. Dowding said, “In addition to the rich cultural influences of Fiji, Australian aborigines, New Guinea, Micronesia, Melanesia, the Marquesas and Easter Islands, we made every attempt to use raw materials found on Taveuni in the construction of the props, sets and costumes”.

Although it was touted as a sequel to The Blue Lagoon (1980), many reviewers criticized it as more of a remake than a sequel.

Nominated for five Golden Raspberry Awards at the 12th annual ceremony in 1991. It was nominated for Worst Picture and Worst Director –both for William A. Graham; Worst Screenplay–Leslie Stevens; and two for Worst New Star–one each for Milla Jovovich and Brian Krause. It didn’t win in any category.

Taveuni in Fiji, the only land mass in the world that the international date line runs through, proved in the end to be a challenging but rewarding filming location of singular beauty. Cast and crew alike traveled countless miles on the island’s only thoroughfare, bouncing along an unpaved dirt road with harrowing curves to reach filming sites. Equipment was hauled in on stretchers through thick jungles and brought in on barges through dangerous coral reefs for some of the less accessible locations.

The novel this film is based on, “The Garden of God” by Henry De Vere Stacpoole , was published in 1925. (Oh … so it is based on a sequel of some sort? I figured it was literally a vague sequel to the adaptation of Stacpoole’s novel)

Final film of director William A. Graham. (… final feature film)

Filmed on Taveuni, one of 300 islands in the Fiji archipelago. With an average of 400 inches of rain a year, Taveuni is usually overgrown with magnificent greenery and is rightly referred to as Fiji’s “Garden Island”.

The production team was concerned about preserving the island’s ecological balance during the making of the movie. When they expressed concerns that a mile-long path that had to be cut through thick jungle vegetation–to get equipment to one of the more difficult locations–might harm the local ecology, the chief of the local village assured them that it would grow back within a matter of months. (That’s pretty cool)

The movie’s opening prologue states: “The South Pacific Ocean 1897. Fifteen years before our story begins, two children were shipwrecked on an uncharted island. The little boy and girl grew up alone in this lost paradise. As man and woman, they discovered a pure and natural love. In time, a child was born. But in a tragic accident, they were driven out to sea away from their island. Drifting for days, they believed that their lives and the life of their baby were at an end. Then a passing vessel drew near . . . “. (Yup that is the original movie)

Despite scenes of nudity and near nudity involving Milla Jovovich, the film was advertised as a “family-friendly” movie. (Gross! I do not enjoy that at all!)

Takes place in 1897 and 1912. (Okay, I wonder if they explicitly indicate that date for when they were rescued in the first film)

With the commencement of filming in June 1990–which is the dead of winter in Fiji–nature began to become a major “player” in the production. Director William A. Graham said, “When we first visited the island in early 1990, the weather was perfect. As soon as we began filming, we quickly learned why Taveuni is called the ‘Garden Island’. It rained for two weeks straight, which would certainly account for the lush tropical foliage.” Despite the adversity of working under less-than-ideal conditions at first, Graham remained undaunted and came out of it with his sense of humor intact: “The reason you have a 70-day shooting schedule on a film like this, as opposed to 40 to 50 days, is that you attempt to anticipate the unpredictability of nature. While we didn’t get the puffy clouds and blue waters everyone expected initially, the island presented us with a whole other kind of beauty. Nature exerted an undeniable force in the making of this movie, which the film journalists will probably give me credit for. I can see it now: William A. Graham wisely avoided the clichéd postcard look of paradise’.”.

While based on the novel sequel, “The Garden of God” the only thing “Return to the Blue Lagoon” shares with that book is the very opening where Richard and Emmeline are dead and the baby is rescued by the crew. In fact, in the novel, Arthur Lestrange himself decides to stay on the island with Baby Paddy (called Dick M) and dies while taking a walk, his body never being found. (That’s morbid)

Awards – Nominee for the Razzie Award for Worst Picture (William A. Graham, 1992)

Nominee for the Razzie Award for Worst Director (William A. Graham, 1992)

Nominee for the Razzie Award for Worst Screenplay (Leslie Stevens, 1992)

Nominee for the Razzie Award for Worst New Star (Milla Jovovich, 1992)

Nominee for the Razzie Award for Worst New Star (Brian Krause, 1992)

Mortal Kombat: Annihilation Preview

In the Z-universe’s most notorious prison, the Robotoronic Jail 3000, two prisoners blow a hole in the prison wall and walk to their freedom while sirens wail. They begin the long walk across the Wasted Land towards Ecumenopolis.

“Keep digging,” whispers Patrick as Jamie attacks the wall with a sharpened spoon. After three weeks they both know it’s time to blow this joint and they’re doing it the old fashioned way. No kung fu hacking or super powers. This is just lean muscle, a spoon, and a stone wall. Well guess what? You done lost, wall. Jamie breaks through into a large air vent and Patrick turns to their friend Kyle who was the muscle to their brains in this terrible place. “Kyle, you’ve been a true friend showing us the ropes and helping us navigate the prison world. I’ll always remember when you took a shiv for me. It’s a memory I’ll cherish.” Kyle nods. “Come with us. Help us figure out our destiny.” Just as Kyle is about to join them in the vent a large gust of winds blows the entrance closed and blows Jamie and Patrick deeper into an underground tunnel. Patrick looks up to where Kyle had been waiting, but Jamie puts a hand on his should. “He’s gone. I’m sure we’ll meet him again. We have to move forward.” Patrick grudgingly nods and looks around at where they’ve landed. It’s a fork in the road. A path to the left and a path to the right. Jamie hesitates, “We must go left, Patrick. Something seems off about the right.” But Patrick is already heading that way, drawn by some force within. Jamie follows, trying to pull him back but a steady wind starts pushing them forward until they are tumbling head over heels. They land in a world unlike Earth. The clouds overhead are gray and move unnaturally fast. A hooded figure stands in front of them. “The wind,” whispers Patrick. “It’s been trying to get us here this whole time,” responds Jamie. The hooded figure speaks. “Welcome to my world, Bad Movie Twins. Are you ready to defend Earth in the tournament of champions?” That’s right! We’re watching Mortal Kombat and Mortal Kombat: Annihilation to finish the Franchise-zzzzz cycle. These are films we saw in our childhood (obviously), but never got the full BMT treatment. They also serve as the transition to our second cycle of the year: The (Not Quite) Worst Films Ever. These are films that were at one time posted on the wikipedia page for the List of Films Considered the Worst. All such films are listed in the “Talk” section for the page. For people who don’t know the “Talk” section of wikipedia pages are where you can get a glimpse into the minds of crazy people. Let’s go!

Mortal Kombat: Annihilation (1997) – BMeTric: 86.9

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(Sub-4.0 is incredible obviously. And that BMeTric. It it the 28th highest BMeTric for any wide release ever! That is pretty impressive. Got to tick those boxes. There are only seven above it we haven’t watched: Disaster Movie, Date Movie, Son of Mask, Vampires Suck, House of the Dead, Street Fighter, and BloodRayne.)

Leonard Maltin – BOMB – Mind-numbing sequel rehashes battle between good and evil for the fate of mankind (yawn). OK visual effects but endless fight scenes and dreadful acting stop film dead in its tracks. Of interest only to American Gladiator fanatics and vidkids with really low attention spans. Remar’ morph from David Carradine-style kung fu sensei to turbo warrior is unintentionally hilarious.

(Vidkids? “Low” attention spans? Some real shade here. Not that the film doesn’t deserve it, I’m like 99% sure it is complete hot garbage, and I can’t wait.)

Trailer – https://www.youtube.com/watch?v=InrQBpj__Vc/

(Redux edit eehhhhhhhh. Hey guys watch out for all of the ninjas. This film looks like complete and utter garbage. And wait, is that the Night Slasher from BMT Hall of Fame inductee Cobra! I think it is. As if I wasn’t amped already.)

Directors – John R. Leonetti – (Future BMT: Annabelle; Wish Upon; Wolves at the Door; BMT: Mortal Kombat: Annihilation; Notes: Prominent cinematographer who has intermittently delved into feature directing. He is probably best known for his collaboration with James Wan on the Conjuring universe of films.)

Writers – Ed Boon (video games) – (BMT: Mortal Kombat: Annihilation; Mortal Kombat; Notes: One of the creators and the game designer of the video game franchise. Also the voice of Scorpion.)

Lawrence Kasanoff (story) – (BMT: Mortal Kombat: Annihilation; Notes: WTF. This is the Foodfight! guy. We have now completing his screenwriting filmography. But he thought making a new Pixar was easy, failed miserably, and made an extremely unpleasant animated film. Read the Alpha and Omega recap for more information.)

Joshua Wexler (story) – (BMT: Mortal Kombat: Annihilation; Notes: Was 26 years old when we produced and got a story credit on this film! Also got a writing credit on Foodfight! Currently serves as the Chief Executive of Fun (CEF?) for Pure Imagination Studios (not joking))

John Tobias (story) – (BMT: Mortal Kombat: Annihilation; Mortal Kombat; Notes: One of the two creators of the video game. Not sure why he got a “story” credit on this one and the other creator, Ed Boon, didn’t. He is credited with most of the character development for the first set of games.)

Brent V. Friedman (screenplay) – (Known For: Ticks; BMT: Mortal Kombat: Annihilation; Notes: Another writer on Foodfight! He and Bryce Zabel created a show Dark Skies following the success of X-Files and he’s been mostly in TV since then.)

Bryce Zabel (screenplay) – (Known For: Atlantis: The Lost Empire; BMT: Mortal Kombat: Annihilation; Notes: Was once a correspondent for CNN before moving to mostly television writing. He was the Chairman and CEO of the Academy of Television Arts and Sciences.)

Actors – Robin Shou – (Known For: Death Race; Future BMT: DOA: Dead or Alive; Beverly Hills Ninja; BMT: Mortal Kombat: Annihilation; Street Fighter: The Legend of Chun-Li; Mortal Kombat; Notes: Has a degree in Civil Engineering and actually worked for a couple years in the field before quitting and finding his way first into stunt work and then into acting.)

Talisa Soto – (Known For: Licence to Kill; Don Juan DeMarco; The Pope of Greenwich Village; The Mambo Kings; La Mission; Spike of Bensonhurst; Piñero; Future BMT: Spy Hard; The Sunchaser; BMT: Mortal Kombat: Annihilation; Ballistic: Ecks vs. Sever; Mortal Kombat;  Notes: Married to one of our BMT faves Benjamin Bratt of Catwoman fame.)

James Remar – (Known For: Django Unchained; The Warriors; The Girl Next Door; X: First Class; Ratatouille; What Lies Beneath; RED; Pineapple Express; February; 48 Hrs.; The Phantom; Cruising; The Long Riders; Drugstore Cowboy; The Cotton Club; White Fang; Boys on the Side; Miracle on 34th Street; The Dream Team; Fear X; Future BMT: Psycho; The Unborn; USS Indianapolis: Men of Courage; The Quest; Blade: Trinity; Duplex; Persecuted; Fatal Instinct; Rent-a-Cop; Transformers: Dark of the Moon; Renaissance Man; Tales from the Darkside: The Movie; Horns; Band of the Hand; BMT: Mortal Kombat: Annihilation; Judge Dredd; 2 Fast 2 Furious; The Clan of the Cave Bear; Wild Bill; Notes: I know him from The Warriors and as Dexter’s dad on the television series Dexter and am shocked at how many BMT films we’ve seen him in. Interesting story is that he was originally cast as Hicks in Aliens but had to be replaced, but you can still see him in some scenes that were too expensive to reshoot.)

Budget/Gross – $30 million / Domestic: $35,927,406 (Worldwide: $51,376,861)

(And yeah, that is super duper terrible considering the performance of the original. A complete and utter rejection of this franchise just as it began.)

#33 for the Action – Martial Arts genre

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(Just a little below Universal Soldier there. A wonder Showtime didn’t pick it up for series after this (heyyoooooo). On the downswing of martial arts … literally right before Rush Hour and The Matrix blow it up again.)

#21 for the Video Game Adaptation genre

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(Just a little below Hitman which is somewhat surprising honestly. I would have imagined that at least some of the other halfway decent video game films would have done better than this. Then again … I did see this film in theaters, so literal morons did spent money on it.)

Rotten Tomatoes – 3% (1/40): With its shallow characters, low budget special effects, and mindless fight scenes, Mortal Kombat – Annihilation offers minimal plot development and manages to underachieve the low bar set by its predecessor.

(So close to being one of the worst every 0% films. It would have been top ten for sure. Reviewer Highlight: Never — at least not since the first Mortal Kombat — has tedium been so loud, so full of backward flips and flying fists to the kissers of centaurs from another realm. – Steven Rea, Philadelphia Inquirer)

Poster – Sklog Fight: Liquidation (C)

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(It is the exact same poster… weird. Still bad font, but short and sweet and with a little more pizzazz color-wise. It’s just slightly better than OK this time.)

Tagline(s) – Destroy all expectations. (Lol.)

(Holy shit. Is this a joke? This is a joke, right? I mean, yes. It certainly destroyed any and all expectations people had. Particularly any expectation of another sequel.)

Keyword(s) – warrior; Top Ten by BMeTric: 96.0 Meet the Spartans (2008); 94.8 Catwoman (2004); 94.7 Battlefield Earth (2000); 94.0 Dragonball: Evolution (2009); 90.3 Alone in the Dark (2005); 89.7 Speed 2: Cruise Control (1997); 89.1 The Last Airbender (2010); 87.9 Street Fighter (1994); 87.6 BloodRayne (2005); 86.9 Mortal Kombat: Annihilation (1997);

(Come out and play. To think. Ten of the top 30 or so worst films by BMeTric have the keyword “warrior”. Useless.)

Welcome to Earf (HoE Number 11) – The shortest path through The Movie Database cast lists using only BMT films is: Robin Shou is No. 1 billed in Mortal Kombat: Annihilation and No. 6 billed in Street Fighter: Legend of Chun Li, which also stars Chris Klein (No. 2 billed) who is in Here on Earth (No. 2 billed) => 1 + 6 + 2 + 2 = 11. There is no shorter path at the moment.

Notes – A third Mortal Kombat film was going to be developed, called “Mortal Kombat: Devastation”. Christopher Lambert, Linden Ashby, Adoni Maropis, Robin Shou, Chris Casamassa, Keith Cooke, and Lynn ‘Red’ Williams were hired to be in the cast as Lord Rayden, Johnny Cage, Quan Chi, Liu Kang, Scorpion, Sub-Zero, and Jax, respectively. Talisa Soto and Sandra Hess were in talks to reprise their respective roles of Princess Kitana and Lt. Sonya Blade. However, plans for a third film fell through and the film rights went to Warner Bros., which is planning a Mortal Kombat reboot. (Wait … Lambert was going to come back? I don’t believe it)

Ray Park’s first film role was as Rayden’s fight double in this movie. (Darth Maul baby)

Michael Jai White was scheduled to play as Jax, but eventually he got the lead part in Spawn (1997) instead. He would eventually portray Jax in Mortal Kombat: Rebirth (2010) and Mortal Kombat (2011). (Amazing to think that you could say “taking that role in Spawn was a very good move”)

For years, a third Mortal Kombat movie was being developed by New Line Cinema to atone for the poor reception to “Mortal Kombat: Annihilation.” mink was hired to direct, and then Russell Mulcahy was hired to replace him. Sean Catherine Derek and Lawrence Kasanoff took turns writing the script, which would have had Johnny Cage resurrected to help the heroes against Quan Chi and a resurrected Shang Tsung. However, according to cast member Chris Casamassa, who would have reprised his role as Scorpion, production was halted when Hurricane Katrina destroyed most of the sets and the film ultimately never happened. (WHAT)

In the film, Jax fitted his arms with “muscle enhancers”; essentially a sort of exoskeleton that quadrupled his muscle capacity. However in the storyline for Mortal Kombat 3 (1995) (One of the shared premises for this film) Jax had his actual arms removed and fitted himself with the bionic arms.

Robin Shou (Liu Kang) and Talisa Soto (Kitana) are the only actors from the first film to reprise their roles. The other main characters are portrayed by different actors. The only other actor to return was Keith Cooke, but as a different character. In the first film, he was Reptile. Here, he portrays Sub-Zero.

Bridgette Wilson-Sampras was offered to reprise the role of Sonya Blade, but then turned it down for the role of Sarah Michelle Gellar’s sister in I Know What You Did Last Summer (1997). (Oh yeah … slashers are always a good choice a think, if only for the miniscule chance of becoming a scream queen.)

Both Deron McBee (Motaro) and Lynn ‘Red’ Williams (Jax) are former American Gladiators (1989), and they have a fight scene in this film together. (People must have been going bananas at the time)

Chris Casamassa was to reprise his role as Scorpion, but he was committed to do stunt work in Batman & Robin (1997). (Somehow a movie with a higher BMeTric, what are the odds?)

Featured in Rob Hill’s The Bad Movie Bible. (Hmmm might need to check out, read, and hate this book at some point in the future.)

Highlander: The Final Dimension Preview

Jamie and Patrick are excited to take part in the Super Duper Commando Project… sounds pretty rad. Unfortunately when they show up there seems to have been a mix up. A gust of wind blew their applications from the accept pile into the reject pile. What a mistake! They are informed that the only open positions are as security guards. Jamie and Patrick shrug. You take what you can get. As they walk around the building they are super duper bored. “If I wanted to be a security guard I would have joined the Security Brigade,” Jamie says resulting in a chuckle from Patrick. Just then a Super Duper Commando backflips his way into their path. “What thuuuuuuu…” Patrick says before they are both kicked out of a window. Shaking off the serious trauma inflicted on their non-Super Duper bodies they return to the security center and find the place in disarray. Turns out a rogue general bestowed the Sword of Power upon one of the Commandos giving him the power of the gods. Sounds totally ridiculous and unbelievable, I know, but like… you better believe it’s happening. Jamie and Patrick look at one another. The head of security is curious, “You boys look like you know something. Out with it.” They look sheepish. “It’s just,” Jamie begins and takes out an ancient scroll, “when we were born it was foretold that we would face a super soldier equipped with the Sword of Power. It was oddly specific to this exact situation.” The head of security is in awe. “Did it say anything else?” Patrick and Jamie look at each other again. “Yes,” Patrick whispers, “It said ‘There can only be one.’” That’s right! We’re getting another notch in the Highlander Franchise belt with our Sci-Fi/Fantasy entry in the cycle, Highlander: The Final Dimension… or is it Highlander: The Magician… or is it Highlander: The Sorcerer? Impossible to tell with the third entry in the series. I’m sure you’re all like ‘But Jamie, don’t you mean last entry in the series. There can’t possibly be a fourth major release in the Highlander series.’ Well you’d be wrong. Highlander: Endgame exists and it is foretold that we will watch it… someday. But not today. Let’s go!

Highlander: The Final Dimension (1994) – BMeTric: 69.4

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(Quite low, but is getting that regression to the mean as one would have expected. Nearly 70+ BMeTric, which is obviously extremely impressive. High hopes.)

Leonard Maltin – BOMB –  Conor McCloud, the wanderer from medieval Scotland, does battle in today’s N.Y. with evil fellow immortal from the past, the Mongol magician Cane (Van Peebles). Foolish, badly written piffle is a sequel only to the first film, ignoring the second and the TV series. Lambert is glum, Van Peebles shamelessly hammy. Dozens of unexplained elements, starting with Cane’s perfect English.

(Leonard hates Highlander. The films are rated: 1.5, 1.5, BOMB, BOMB for the first four. Which is insane. The first is actually halfway decent, at least compared to the second! I’m looking forward to the performances now. Seems like it could be something truly to behold.)

Trailer – https://www.youtube.com/watch?v=eW_HzYMNOng

(I guess it is called “The Sorcerer” in this case. Anywho, this looks terribly cheap. And they kind of give away that he quickens again there. And they also give away that there is a pretttttty sexy sex scene … it’s a wash, this could go either way now.)

Directors – Andrew Morahan – (BMT: Highlander: The Final Dimension; Notes: British. Still is a music video director mostly. His father was a director as well, and his half-sister is an actress.)

Writers – Gregory Widen (characters) – (Known For: Highlander; Backdraft; The Prophecy; Future BMT: Highlander: Endgame; BMT: Highlander II: The Quickening; Highlander: The Final Dimension; Notes: Worked as a firefighter for three years. Witnessed a friend killed by a deadly backdraft which became the basis for the script.)

Brad Mirman (story & screenplay) (uncredited) – (Known For: Forsaken; The Shadow Dancer; Crime Spree; Future BMT: Knight Moves; Resurrection; Truth or Consequences, N.M.; BMT: Highlander: The Final Dimension; Body of Evidence; Razzie Notes: Nominee for Worst Screenplay for Body of Evidence in 1994; Notes: Mostly a writer-director now, including a television mini-series called The Confession starring Kiefer Sutherland.)

William N. Panzer (story) – (Future BMT: Highlander: Endgame; BMT: Highlander II: The Quickening; Highlander: The Final Dimension; Notes: Was the producer for basically every single Highlander property over the years. Died in 2007.)

Paul Ohl (screenplay) – (BMT: Highlander: The Final Dimension; Notes: French, but lived mostly in Quebec. Was in public service most of his life, and wrote multiple novels which I suppose is how he ended up connected to this.)

René Manzor (uncredited) – (Known For: Monsieur N.; BMT: Highlander: The Final Dimension; Notes: Caught the attention of George Lucas and Spielberg early in his career and wrote on The Young Indiana Jones Chronicles.)

Actors – Christopher Lambert – (Known For: Highlander; Hail, Caesar!; Bel Canto; Kickboxer: Retaliation; Fortress; Greystoke: The Legend of Tarzan, Lord of the Apes; Subway; White Material; To Kill a Priest; Future BMT: Highlander: Endgame; Beowulf; Fortress 2; Southland Tales; Adrenalin: Fear the Rush; Mortal Kombat; The Sicilian; Loaded Weapon 1; Gunmen; Knight Moves; Resurrection; The Hunted; Electric Slide; BMT: Ghost Rider: Spirit of Vengeance; Highlander II: The Quickening; Highlander: The Final Dimension; Notes: Born in the US, although he is French as his father was a diplomat. Was married to Diane Lane, and had a daughter with her.)

Mario Van Peebles – (Known For: New Jack City; Ali; Heartbreak Ridge; The Cotton Club; Sweet Sweetback’s Baadasssss Song; How to Get the Man’s Foot Outta Your Ass; The Hebrew Hammer; Stag; Future BMT: Solo; Exterminator 2; Gunmen; Posse; Submerged; We the Party; Multiple Sarcasms; BMT: Jaws: The Revenge; Highlander: The Final Dimension; Notes: Son of the famous director Melvin Van Peebles, whom he portrays in Sweet Sweetback’s Baadasssss Song.)

Deborah Kara Unger – (Known For: The Game; Thirteen; Crash; Payback; The Way; The Hurricane; Sunshine; The Salton Sea; A Love Song for Bobby Long; The Alibi; Fear X; Stander; One Point O; Shake Hands with the Devil; Hollywood North; Signs & Wonders; Emile; Future BMT:White Noise; The Samaritan; Jackals; A Dark Truth; Keys to Tulsa; Whispers in the Dark; BMT: Highlander: The Final Dimension; Silent Hill: Revelation; 88 Minutes; Silent Hill; Notes: Canadian, but she started her career in Australia where she became quite a famous actress before returning to North America.)

Budget/Gross – $26 million / Domestic: $12,303,080

(Absolutely absurd budget. I understand there is a level of set design and special effects involved, but it would have been ludicrous to think they’d recoup that number. It has to involve funny math.)

#97 for the Fantasy – Live Action genre

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(Around Dungeons & Dragons. The genre really took off in 2000, likely because they were able to put together films that otherwise would have been impossible to produce with practical effects with the cheaper CGI that had been developed by then.)

#29 for the Sword and Sorcery genre

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(Only In the Name of the King: A Dungeon Siege Tale did worse among BMT films. The chart gets a bit skewed because The Lord of the Rings made so much money all within a few years of each other. The genre has never really be huge in the number of films produced.)

Rotten Tomatoes – 5% (1/20): No consensus yet.

(My god the consensus would be something else: Cheap looking with absolutely ridiculous performances by Lambert and Van Peebles. Literally like watching a franchise crash and burn in front of your eyes! Reviewer Highlight: As for Van Peebles, he’s quite the ridiculous sight and sound. – Richard Harrington, Washington Post)

Poster – Skloglander: The Final Dimensional Sorcerer from Space Probably (B-)

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(I have to say I like the clock and how the poster is laid out. The coloring is crazy though and the font is just meh. Tone it down a little and get some sweet Highlander brand font and we might be off to the races.)

Tagline(s) – Centuries ago one man was chosen to protect all that is good. But an enemy from the past has travelled through time to challenge him in the present. (F)

(Bahahahaahaha… … … hahahahahahaha… ha… ah… well that sounds stupid.)

Keyword(s) – sex scene; Top Ten by BMeTric: 90.6 The Room (2003); 90.4 Fifty Shades of Grey (2015); 82.0 Book of Shadows: Blair Witch 2 (2000); 81.9 I Know Who Killed Me (2007); 81.2 Sex and the City 2 (2010); 78.7 Jason X (2001); 77.6 Fifty Shades Darker (2017); 77.0 Fifty Shades of Black (2016); 75.8 Fifty Shades Freed (2018); 74.9 Species II (1998);

(Kind of unbelievable there are still films on the table here. Given the number of films with the keyword it isn’t that surprising that all of them are basically above 75 BMeTric which is incredible. All three Fifty Shades films make this list.)

Notes – Deborah Kara Unger did her love scenes with Christopher Lambert herself, declining to use a body double. (Good for her I guess)

The original script for the film was radically different from the finished product in that the flashback sequences to place in early 17th century Scotland and early 18th century England. MacLeod had an Immortal friend in the script named Cavanagh who had similar aspects like Ramirez, The main villain in the script was named Kilvera. The script started depicting what happened with Connor after he buried Heather as well as a scene that revealed that he kills Jack the Ripper who was an Immortal as well. (I understand none of this)

The film is true to the original Highlander (1986) and ignores Highlander II: The Quickening (1991). In Highlander 2, Connor, Ramirez and the Immortals were aliens from the planet Zeist. In the original Highlander, Connor and Ramirez were not aliens from another planet and Highlander 3 takes place 8 years after the original film and is true to the original story and mythology. (Cool? They’re going to fuck it up anyways, so what does it really matter, y’know?)

Christopher Lambert and Mario Van Peebles had both previously starred in Gunmen (1993) and had become good friends.

In early development this was going to be a prequel about Connor arriving in New York at the start of ‘The Gathering’. (That would have been kind of cool. If I recall correctly the original kind of starts as the battle for The Quickening is coming to a close)

Mako plays a similar role to the role he played in Conan the Barbarian (1982) and Conan the Destroyer (1984). (M’man Mako is in this? Hell yeah)

For the UK VHS and DVD releases, the title was changed to Highlander 3: The Sorcerer, with no extended cut (renegade cut). (This title keeps on coming up and it annoys me. There are like fifty goddamn names for this film)

Hellraiser: Bloodline Preview

Patrick and Jamie start their police careers on Predator patrol. What a joke, right? “If I wanted to chase after aliums I would have joined the Alium Brigade” Jamie says resulting in a chuckle from Patrick. Just then a Predator ninja flips from the shadows and rips a civilian in half. “Jesus Christ!” yells Patrick and they are on the chase. Using their knowledge of the city and their extraordinary endurance, they just barely keep up with the greatest predator the universe has seen. Suddenly the Predator finds itself cornered and Patrick and Jamie pull out their guns. “Freeze, dirtbag,” Jamie says, but as they ready to make the arrest a strong gust of wind knocks the guns from their hands. With that the Predator is upon them and it spells certain doom for our heroes. Suddenly Jamie notices a distinctive birthmark on the mandibles of the Predator. “Wait… Predator? Is that you?” Recognition alights in its eyes. Of course. This must be the same Predator Jamie zoomed across the universe with just months ago. “But Predator, last time I saw you you were slamming Tacoz Fritos Mountain Dew and doing X-treme stuff… killing us isn’t X-treme. Ripping civilians in half isn’t X-treme. What happened?” The Predator looks ashamed and shrugs. “You know what is X-treme?” Jamie asks and the Predator looks up hopeful. “The most X-treme adventure of them all… death.” Jamie holds his breath. Could this really work? Did he want it to work? But he knew it was the only way. Recognition shows in the Predator’s eyes. It nods and pulls out an intricately carved puzzle box. Jamie and Patrick look at each other in horror, “What the fuuuuuuuuuuu…” That’s right! We’re watching the Hellraiser franchise… literally. There were four Hellraiser films released theatrically, and more or less people accept this as the original quadrilogy with the many straight-to-DVD films that followed considered separate. The fourth is the only one that qualifies for BMT as they steadily got worse reviews until arriving at the film that would stop the franchise in its tracks. The trailer is amazing and it’s one of the few BMT qualifying Alan Smithee films ever. I’ve gotten pretty hyped about it. Let’s go!

Hellraiser IV: Bloodline (1996) – BMeTric: 53.1

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(I shouldn’t be surprised anymore that these things start absurdly low and then rise steadily over time. Horror films have finicky fans so they slam the films which then have nowhere to go but up as general audiences get ahold of them. 50+ and holding steady, so good enough for me.)

Leonard Maltin – BOMB –  Pinhead matches wits with a demon lover/cohort, ironically named Angelique (Vargas). Dull and plot-heavy, even if you’re a Clive Barker devotee. Re-caulk your bathtub instead. Followed by five direct-to-video sequels.

(The other films in the series went 2.5, 1.5, and 1.5, so none of them really were well received by Leonard. I guess not a giant surprise since Leonard notoriously hates horror films.)

Trailer – https://www.youtube.com/watch?v=yLfpZMAJW3k

(Oooof. That looks like a load of shit. The laser beams. The period pieces. The “Welcome to oblivion” at the end. It is exactly what you expect but don’t want in a horror mega-franchise of the time. Can’t wait.)

Directors – Kevin Yagher – (BMT: Hellraiser IV: Bloodline; Notes: Renowned make-up artist famous for Tales from the Crypt which is where he started directing. His older brother was in the second and third Atlas Shrugged films.)

Alan Smithee – (Known For: Catchfire; Future BMT: An Alan Smithee Film: Burn Hollywood Burn; BMT: Hellraiser IV: Bloodline; Razzie Notes: Nominee for Worst Director for An Alan Smithee Film: Burn Hollywood Burn in 1999; Notes: A pseudonym previously used by the Directors’ Guild when a member wished to take their name off of a film. It was popularized by the film An Alan Smithee Film: Burn Hollywood Burn, so they reportedly retired it, although it has been used since.)

Writers – Peter Atkins (written by) – (Known For: Hellbound: Hellraiser II; Hellraiser III: Hell on Earth; Future BMT: Wishmaster; BMT: Hellraiser IV: Bloodline; Notes: Was a member of The Dog Company, an avant garde theatre group featuring Clive Barker and Doug Bradley.)

Actors – Bruce Ramsay – (Known For: Holes; Alive; Behind the Candelabra; Jacknife; The New Age; Hit Me; Future BMT: Collateral Damage; Brick Mansions; Curdled; Killing Zoe; BMT: Hellraiser IV: Bloodline; Timeline; Notes: Canadian. Made a bizarrely ill-received version of Hamlet which he directed and starred in in 2014 which possibly ended his career?)

Valentina Vargas – (Known For: The Name of the Rose; The Big Blue; La Noche de Enfrente; BMT: Hellraiser IV: Bloodline; Notes: Born in Chile, raised in France, she is trilingual and has played parts in French, Spanish and English.)

Doug Bradley – (Known For: Hellraiser; Hellbound: Hellraiser II; An Ideal Husband; Hellraiser III: Hell on Earth; The Cottage; Book of Blood; Future BMT: Nightbreed; BMT: Hellraiser IV: Bloodline; Notes: Pinhead. Old school friends with Clive Barker he played the character in eight different films.)

Budget/Gross – $4 million / Domestic: $9,336,886

(That is weirdly fine. I mean, it isn’t a lot of money, but it cost almost nothing apparently, so … weirdly fine.)

#302 for the Horror – R-Rated genre

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(Just watched by far the most lucrative BMT film in the The Nun. This genre has transcended its roots and, like action films, can basically print money at this point. And to think that PG-13 horror used to dominate the genre.)

Rotten Tomatoes – 31% (4/13): No consensus yet.

(The only Hellraiser film that qualifies as, from this point forward they aren’t released in theaters, and previously they were too well received, making it a rarity among horror mega-franchises. Reviewer Highlight: Except for the most undiscriminating gorehound, pic is a pointless mess. – Daniel M. Kimmel, Variety)

Poster – Hellskloger: Sklogline (B)

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(That’s actually pretty good… other than the Earth at the bottom that screams “this movie may or may not be set in space and is thus almost certainly super lame.” They needed to do a little more with the font too.)

Tagline(s) – This year, the past, the present and the future will all meet at the crossroads of hell. (D)

(The poster technically doesn’t have a tagline, but one of the alternates does so I’ll let it slide. If only to say that this one sucks. It’s too long and the “This year” makes it real clunky and hard to even think about.)

Keyword(s) – 22nd century; Top Ten by BMeTric: 67.2 Ghosts of Mars (2001); 53.1 Hellraiser IV: Bloodline (1996); 50.7 Judge Dredd (1995); 35.0 Dark Planet (2009); 22.0 Alien³ (1992); 21.9 Alien: Covenant (2017); 18.2 Dark Star (1974); 18.0 Space Battleship Yamato (2010); 13.4 Daleks’ Invasion Earth 2150 A.D. (1966); 10.9 Vanilla Sky (2001);

(Been obviously smashing these. The Dalek one is crazy as that is surely a Doctor Who television movie no? Pretty nuts it manages that high of a BMeTric, but then again I guess there aren’t many films with the keyword.)

Notes – Walt Disney Pictures came under fire in the media when they purchased the then controversial and hip Miramax Films. The initial slate of films that Miramax would be releasing under the Disney deal included Hellraiser: Bloodline, Scream, The Prophecy, Halloween: The Curse of Michael Myers and Mother’s Boys. The outcry was due to the fact that Disney would be directly involved in the marketing and release of horror movies.

The US theatrical 1-sheet for the film does not have any credits. This was because original director Kevin Yagher had his name removed and replaced with the Directors’ Guild of America pseudonym Alan Smithee. Fearing this would negatively reflect on the quality of the film, Miramax opted for a credit-free 1-sheet. (Actually a good choice, I wouldn’t even notice)

Adam Scott was grateful for getting cast, citing the film as being a huge deal for booking a real movie, which he took very seriously. He remarked that on his first day to the set, he was shown his chair that was mistakenly labeled as Adam Craig. Scott said it was a nice welcome to Hollywood. Despite the film’s troubled production and box office failure, Scott didn’t care as long as he was working. Later in need of work, Scott even auditioned for the sequel with the hope that the casting directors wouldn’t remember him from the last film and no one said anything at the audition. However Scott suspects someone remembered him as he wasn’t hired for the sequel. (That is awesome)

Editor Randolph K. Bricker was brought in by Joe Chappelle (who was Miramax’s replacement for original director Kevin Yagher) to assemble a completely new cut of the film. This version was the one that was ultimately released in theaters in 1996.

The last “Hellraiser” movie to get a theatrical release. (Ayup)

Though promotional photos of Aristocratic Cenobites wearing white powdered wigs were released in various sci-fi magazines to promote this film, the Cenobites were cut from the finished film, along with Demon Clowns and an entire ballroom fancy dress party as the studio wanted to get to Pinhead’s story sooner.

Was intended to be the final installment of the “Hellraiser” franchise, ending with Pinhead destroyed once and for all. 5 direct-to-video sequels followed. (Whoops)

The film takes place in 1796, 1996 and 2127.

In the Hellraiser films and their legacy, author Paul Kane described his screenplay as ambitious and “one of the best Hellraiser sequels.” The screenplay featured a linear timeline, more special effects, and violent confrontations between Pinhead and Angelique. When Miramax was unwilling to provide a budget to realize the scenes, the film was scaled back. Stuart Gordon, known for his low-budget horror films, was approached to direct but backed out after artistic disagreements. Special effects technician Kevin Yagher was subsequently hired after his cost-saving directing work on Tales from the Crypt for Joel Silver. Yagher was initially hesitant about taking the job, as he did not want to do a retread of the previous installments of the series. However, he was impressed with the script and became enthusiastic after Barker describe his vision for the film. (Awwww, and then he declined to even put his name on it in the end)

Clive Barker acting as executive producer, wanted a fresh turn for the series after two sequels to his original 1987 film. The initial premise for the film, a shape-changing structure used to trap Pinhead, was inspired by the ending of Hellraiser 3 which featured a building whose architecture resembled the Lament Configuration. Barker suggested a three-part film set in different time periods, and Peter Atkins added the Lemarchand storyline, going back to Barker’s novella. Atkins had previously written Hellbound Hellraiser II (1988) and co-written Hellraiser III: Hell on Earth (1992) Atkins and Barker pitched the idea to Miramax who greenlit it without requiring an outline.

Gary J.Tunnicliffe of Image Animation, who had previously worked on Hellraiser III:Hell on Earth (1992) was recruited to perform special effects. Tunnicliffe was worried that director Kevin Yagher would want to perform the effects himself, but Yagher wanted to collaborate with Image Animation and believe their experience with prior films in the series would be valuable. Kevin Yagher only contributed to the Chatterer Beast.

The word Cenobite means a member of a monastic order.

Kevin Yagher: disowned the version with cuts made behind his back due to conflicting artistry ideas. Yagher’s version contained much more graphic imagery, plot, and explained everything that happened in the film. The producers disagreed and demanded Pinhead should appear sooner despite every version of the script up until then having him appear around the 40-minute mark. When Yagher was unable to satisfy he disowned it and never finished filming some final scenes. Joe Chappelle was brought on to finish the film, filming new scenes from re-writes including the narrative framing device. Some scenes of the original script were thus never shot. Joe Chappelle was the studio’s first choice to direct the film, and actually agreed to direct Halloween: The Curse of Michael Myers (1995) on the understanding that he’d be allowed to direct this film (which he was more interested in) next, but eventually declined the offer due to feeling burned out after the troublesome production of that film. (Wowza, I didn’t realize Halloween and Hellraiser had that connection)

Police Academy 2: Their First Assignment Preview

“That’s right. I’m going to resurrect the all-powerful demon Gigandet,” explains that piece of shit hack Manfred Long. “Legend tells of a great Book of Power that would allow for its resurrection. A book of such literary value that its destruction would leave the world a ruin for lack of artistic inspiration. Your agent has been in it for the long con. He was never sure you would be the one to create the BoP, but when we caught wind of your new YA novel on the Dark Web it became clear. Swamp Monster love interest? Genius. So he prepared to take the manuscript by force and find a buyer, I on the other hand prepared for the arrival of Gigandet. The greatest of all demons.” With that, Manfred Long (that hack) begins to laugh and laugh and laugh. Not willing to let this happen Patrick and Jamie use their twin powers to back flip their way over Manfred Long’s head and kick the gun out of his shitty hands. Manfred is stunned and suddenly another gunshot rings out. He falls as Patrick’s literary agent rises and pulls off his bulletproof vest. A quadruple agent! My God! “Patrick, I’m sorry. I know all along that Manfred Long was a hack and looking to double or triple cross us. His incredibly long expository statement and your fancy moves gave me just enough time to recover and put an end to this.” They shake hands. “There is still one thing I don’t understand,” says Patrick, but his literary agent stops him. “Officer Edwin O’Brien. FBI. Thirty-one years. Retiring tomorrow.” They all chuckle a bit. “I was serious, by the way,” says Officer O’Brien, “Those were some pretty serious moves you put on that piece of shit Manfred Long. If you ever want to give policing a try just give the academy a call and tell them Officer O’Brien sent yah.” That’s right! We’re finally doing it. We’re doing the Franchise-zzzzz cycle right by starting our journey through the Police Academy movies with both Police Academy (as a bonus) and Police Academy 2: Their First Assignment. There are seven films and all of them are terrible enough for BMT. We’ve talked about it long enough! Let’s go!

Police Academy 2: Their First Assignment (1985) – BMeTric: 41.4

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(Pretty consistent over the years, although did venture into 50+ territory for a while. For the IMDb rating 5.7 isn’t nearly as terrible as I’d imagine, although I don’t think people tend to watch it these days unless they are looking to specifically watch … y’know … a Police Academy film. Huge jump in rating though … very very weird, the films are straight up not good!)

Leonard Maltin – BOMB –  Dreadful follow-up to 1984 hit (with different writers and director responsible). There are Dragnet episodes with more laughs than this movie.

(Love the niche burn. For all I know Dragnet was a laugh-riot.)

Trailer – https://www.youtube.com/watch?v=2Fs3W2Fqkds

(I kind of love that in both cases they end with a gun gag delivered by Tackleberry. But buckle up, another series of loose vignettes involving not particularly well known comedians from the 1980s … joy.)

Directors – Jerry Paris – (Known For: Police Academy 3: Back in Training; BMT: Police Academy 2: Their First Assignment; Notes: Won a Primetime Emmy for directing the Dick Van Dyke Show. His son appears in a bit part in the film.)

James Signorelli – (Known For: Elvira: Mistress of the Dark; Easy Money; BMT: Police Academy 2: Their First Assignment; Notes: Worked on the film for three weeks before being fired and replaced by Jerry Paris.)

Writers – Neal Israel (characters created by) – (Known For: Real Genius; Bachelor Party; Police Academy 3: Back in Training; Future BMT: Police Academy: Mission to Moscow; Look Who’s Talking Too; Police Academy 6: City Under Siege; Police Academy 5: Assignment: Miami Beach; Police Academy 4: Citizens on Patrol; BMT: Police Academy 2: Their First Assignment; Police Academy; Notes: Now mostly works in TV including a 2012 show called Dog with a Blog… I’d watch it.)

Pat Proft (characters created by) – (Known For: Real Genius; Bachelor Party; The Naked Gun: From the Files of Police Squad!; Naked Gun 33 1/3: The Final Insult; The Naked Gun 2½: The Smell of Fear; Hot Shots!; Hot Shots! Part Deux; Police Academy 3: Back in Training; Brain Donors; Future BMT: Police Academy: Mission to Moscow; Police Academy 6: City Under Siege; Police Academy 5: Assignment: Miami Beach; Mr. Magoo; Police Academy 4: Citizens on Patrol; Scary Movie 4; Scary Movie 3; High School High; Wrongfully Accused; BMT: Scary Movie 5; Police Academy 2: Their First Assignment; Police Academy; Notes: While he wrote pretty much every spoof movie ever, he only directed Wrongfully Accused.)

Barry W. Blaustein (written by) (as Barry Blaustein) – (Known For: Coming to America; The Nutty Professor; Boomerang; Police Academy 3: Back in Training; Future BMT: Nutty Professor II: The Klumps; Police Academy 5: Assignment: Miami Beach; Police Academy 4: Citizens on Patrol; The Honeymooners; BMT: Police Academy 2: Their First Assignment; Notes: Primarily known as a writer, he did direct The Ringer.)

David Sheffield (written by) – (Known For: Coming to America; The Nutty Professor; Boomerang; Police Academy 3: Back in Training; Future BMT: Nutty Professor II: The Klumps; Police Academy 5: Assignment: Miami Beach; Police Academy 4: Citizens on Patrol; The Honeymooners; BMT: Police Academy 2: Their First Assignment; Notes: Brother of Buddy Sheffield who was the head writer of In Living Color.)

Actors – Steve Guttenberg – (Known For: Home for the Holidays; Cocoon; Short Circuit; 3 Men and a Baby; Diner; The Boys from Brazil; Amazon Women on the Moon; Police Academy 3: Back in Training; The Bedroom Window; Rollercoaster; Zeus and Roxanne; Future BMT: Police Academy 4: Citizens on Patrol; 3 Men and a Little Lady; Cocoon: The Return; The Big Green; It Takes Two; High Spirits; Affluenza; Surrender; BMT: Police Academy 2: Their First Assignment; Can’t Stop the Music; Police Academy; Notes: The Gutes. Apparently beat out Bruce Willis for the lead in Police Academy. Classic Gutes.)

Bubba Smith – (Known For: Gremlins 2: The New Batch; Police Academy 3: Back in Training; Future BMT: Police Academy 6: City Under Siege; Police Academy 5: Assignment: Miami Beach; Police Academy 4: Citizens on Patrol; The Silence of the Hams; Stroker Ace; Black Moon Rising; BMT: Police Academy 2: Their First Assignment; Police Academy; Notes: Former professional football player that went on to have a pretty solid career in film. Died in 2011.)

David Graf – (Known For: The Brady Bunch Movie; Police Academy 3: Back in Training; Guarding Tess; Citizen Ruth; Irreconcilable Differences; Jing wu ying xiong; Four Friends; The Enforcer; Suture; Future BMT: Police Academy: Mission to Moscow; Police Academy 6: City Under Siege; Police Academy 5: Assignment: Miami Beach; Police Academy 4: Citizens on Patrol; Rules of Engagement; BMT: Police Academy 2: Their First Assignment; Police Academy; Notes: Died suddenly at the age of 51 from a heart attack. It was the same age his father died at also from a heart attack.)

Budget/Gross – $7.5 million / Domestic: $55,600,000

(A hugh smash hit given the budget, that is nuts! Given the lists below I had kind of assumed it was a bomb!)

#11 for the Comedy – Bumbling genre

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(So this is also known as the Kevin James genre. This is also by far the least revenue we’ve seen for BMT, but it is also quite old. Arguably once adjusted this is one of the most successful even made. Smashed it in the 80s and 00s, but seems to be waning a bit in popularity. Just wait another two years and it might just come back to be honest.)

#56 for the Comedy – Sequel (Live Action) genre

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(Surprisingly mid-table to borrow a British-ism. Rebounded in the last year, so I imagine will see a few more comedy franchises pop up and die completing the current sequel-cycle.)

Rotten Tomatoes – 29% (4/14): No consensus yet.

(As usual pretty weak, but definitely a less positive take than the first. The consensus is basically “same old same old, although at least this one has Bobcat Goldthwait in it” Reviewer Highlight: They’re not movies so much as variety shows featuring talented young comics. – Paul Attanasio, Washington Post)

Poster – Sklog Skool 2: Flunkin’ Out (B-)

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(I like the darker blue overtone to the whole poster and the framing is more interesting (not to mention the slightly tilted subtitle). Still not the most interesting and they basically write a whole novel for the tagline.)

Tagline(s) – Watch out! They’ve got to clean up the worst crime district in the world. But that’s no problem. They’re the worst police force in the universe. (D-)

(Lol, what? It sounds like a placeholder that they ended up using because they got tired or forgot or something. At least it’s not offensive or something.)

Keyword(s) – blonde; Top Ten by BMeTric: 96.2 Epic Movie (2007); 94.6 Batman & Robin (1997); 90.9 Scary Movie 5 (2013); 90.3 Alone in the Dark (2005); 89.0 The Hottie & the Nottie (2008); 88.8 House of the Dead (2003); 87.4 Crossroads (I) (2002); 85.6 Piranha 3DD (2012); 84.6 Super Mario Bros. (1993); 82.5 Highlander II: The Quickening (1991);

(Smashing this list obviously. Kind of a weak list though … every movie will have a blond person in it presumably.)

Notes – G.W. Bailey had hoped to return as Lieutenant Harris, but was passed over in favor of Art Metrano as the antagonist in this film and Police Academy 3: Back in Training (1986). Bailey instead took a job working with Director Hugh Wilson on Rustlers’ Rhapsody (1985). On a day off, G.W. visited this movie’s set to film an uncredited cameo in the wedding reception scene. He appeared from behind, as the man having his picture taken by the photographer. (Fun fact)

Some original cast members had allegedly complained about losing screentime to the new cast members. At one point, shooting was shut down and a mediator was brought in to mellow the cast. (There weren’t that many new cast member though, just two and they kind of replaced two other cast members who left … I guess they expected to get more screentime than in the first one?)

Tim Kazurinsky was originally only to appear in the opening scene. But Director Jerry Paris enjoyed the chemistry between Kazurinsky and Bobcat Goldthwait, so the character of Sweetchuck was created during filming. (Interesting. Probably the only interesting part of the film)

The only movie in the original Police Academy heptalogy in which Callahan (Leslie Easterbrook) does not appear. After the first film was completed, Leslie was pregnant with a baby daughter, which prevented her from working on this sequel. (That is pretty funny)

Tim Kazurinsky’s character was to be called Mr. Schewchuk, as the name appears on the store window. Jerry Paris changed the name to Sweetchuck, after Bubba Smith flubbed several takes trying to pronounce “Schewchuk”.

Screenwriter Barry W. Blaustein stated that he was approached during production by Bubba Smith (Hightower), who complained about being given a minimal amount of lines, compared to the other actors. The reason for this was that Blaustein had been told by producers that “Bubba couldn’t do dialogue”. (That’s kind of offensive, he’s not that much worse than someone like Winslow to be honest)

The only Police Academy movie to feature Commandant Eric Lassard’s brother, Pete (Howard Hesseman). Howard was asked to reprise his role in later sequels, but he outright refused, saying that he regretted doing this film in the first place. (Ayup, makes sense)

Bill Paxton was offered the role of Zed, but turned it down, because the contract required him to also work in the future sequels. He ended up doing Aliens (1986) instead. (Smoirt)

Despite the fact that no such character exists in the movie, a blonde policewoman appears on the official poster. This was an inside joke made by the producers, as they had also requested that the same “sexy girl” be included on an earlier version of the first film’s poster. (huh)

In an interview prior to the start of production, David Graf said that he would not mind doing a series of Police Academy movies. “I’d do it strictly for the money. (Wife) Kathy and I went to a party at Hugh Wilson’s, and it was all very ritzy, with valet parking, caviar, champagne, all that, and while we were there, surrounded by all that luxury, Kathy and I were talking about how we were going to pay the gas bill. The gas company had told us they were going to discontinue service the next day. I don’t want to be in that position again. So, yes, I would do a series of Police Academies, for money.” True to his word, Graf appeared in all seven of the original Police Academy movies. (Genuinely awesome. One of the better characters in the films IMO.)

Upon being cast as seamstress Chloe Daniels, the love interest of Mahoney, Julie Brown had been told her role was that of a major ensemble player. Julie was later disappointed to learn that several of her scenes with Steve Guttenberg, bar two nearly cameo appearances, had been cut from the final print. (Hmmm, it didn’t really even occur to me that he didn’t have a love interest storyline in this one, funny.)

According to Producer Paul Maslansky , the returning actors and actresses from the original Police Academy (1984) wanted more money to work on the sequel. The above-the-line (principal talent) costs were about one and a half million dollars, including Maslansky’s own fee. (That is incredibly low, I had figured they’d make six figured, but some of them probably didn’t even clear 100K considering how big the cast is, which is weird to think about.)

Steve Guttenberg almost did not return for the sequel, as he was not pleased with the script as originally presented to him. After some re-writes, and a bigger paycheck, Guttenberg was happy to reprise Mahoney. (And then he appeared for two more as well)

In an interview shortly after this film’s release, Steve Guttenberg said that being in a major hit like Police Academy (1984), that earned a lot of money and extremely nasty reviews, was both a help and a hindrance. “There’s an advantage because the film makes a lot of money. But the disadvantage is that they want you to keep doing it again and again. You can get stuck in them. I was very reluctant to do the sequel, but there’s a contract. They’ve got options on me forever, but they’re very understanding about my desires.”

According to Bubba Smith, he made more money from his work on this film alone, than he had earned in ten years of playing professional football. This was due to Bubba having requested a 2 percent piece of the movie’s profits, in lieu of a higher salary prior to shooting. (Noice)

According to Julie Brown, Steve Guttenberg was not very nice to her on set. While filming the street fair scene, where Mahoney takes Chloe on a date by riding the Ferris wheel, Steve refused to go through with their scripted kissing scene, telling Julie that his character would not kiss hers. At Guttenberg’s insistence, the entire romantic subplot with Mahoney and Chloe ended up being deleted from the final cut. (Wowzah, sounds like a dick. I hope there is a better second side to that story for Guttenberg’s sake)

(At around one hour and twenty-three minutes) The monster truck Tackleberry drives away in, with his bride, is Bigfoot 3, the third version of the first ever monster truck built. The truck returns (Bigfoot 6) in Police Academy 6: City Under Siege (1989), also driven by Tackleberry. (WHAT? That is awesome … does Bigfoot have an IMDb profile?! … It does not, boo)

In Love and War Preview

As Jamie contemplates what to do about The Predator, the creature suddenly looks up and engages its invisibility shield. Damn it, it must has smelled this decaying shark corpse Jamie has been carrying around. Looking around, Jamie spies a skateboard and a backwards baseball cap that must have belonged to a previous victim of the whale and is soon jetting around doing all kinds of ollies and kickflips or whatever. Unfortunately, as is often the case, Jamie is a little too focused on hot dogging and being rad and takes a tumble while attempting a fakie bigspin heelflip. The Predator approaches with laser aimed to kill and Jamie expresses sadness that he was never able to avenge Patrick by killing the Little Old Librarian that brought him to this point. Suddenly The Predator cocks his head in confusion. It speaks some alien language that is translated by the robotics on its wrist. “Did you say Little Old Librarian?” Jamie nods his head yes and the Predator raises his fist in triumph. “The greatest of all prey. Finally I… no, we… shall defeat it,” putting out his hand to pull Jamie to his feet. He blasts a hole in the side of the whale and heaving the decaying corpse of Frang to his should he looks directly into the camera and dramatically says, “Let’s blow this joint. We got a war to fight… bro.” Jamie suddenly has a tingling sensation in his belly and there’s only one thing that could mean: a bromance is a-brewin’. That’s right! This week we are watching In Love and War, that film that everyone remembers and loves starring Chris O’Donnell and Sandra Bullock. It’s based on the true love story of Ernest Hemingway that was the inspiration for a couple of his books. Sounds thrilling. Let’s go!

Hey dummies, expecting a story about Patrick fighting some weird bug or something? Naw, he’s unconscious for this bit. But don’t worry, we are also watching Liz and Dick this week. The Lifetime Original film starring Lindsay Lohan was supposed to be a way for her to slowly reenter the world of acting. Instead everyone just made fun of it and then forgot about it completely. Let’s go!

In Love and War (1996) – BMeTric: 22.3

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(This is something I noticed in previous posts but … Something happened in 2014 with IMDb. I should investigate it honestly. But on exactly January 1, 2014, ratings in general jumped significantly upwards. This is no different. As a matter of fact the rating of the film doesn’t really rise besides that giant 0.3 rating jump on New Years’ Day, 2014. Very much worthy of an investigation I think.)

Leonard Maltin – BOMB –  Lumbering catastrophe chronicles Ernest Hemingway’s WWI love affair with Red Cross nurse Agnes von Kurowsky, eight years his senior and the inspiration for the character Catherine Barkley in A Farewell to Arms. Miscast O’Donnell might actually be more credible playing Ernest Borgnine, and the leads have no chemistry. The film leans on what used to be called “scenic values” like a bookie who’s been stiffed.

(“scenic values” …. So, vistas? I think he’s talking about vistas here which is a huge plus for me obviously. Two things. First, the turn of phrase at the end is just bonkers, pump the breaks on that guy Leonard, the bookie ref makes no sense. Second, the casual dropping of Ernest Borgnine, as if I’m supposed to know what that is is ridiculous … I think it is supposed to be a ridiculous suggestion, but it is so far beyond me I just don’t know anymore. This review is astonishing.)

Trailer – https://www.youtube.com/watch?v=DVEUGM3Scck

(This is a very old school trailer. If I were to field a guess as to why this film was rejected by critics: It was considered very old fashioned having been directed by a 70-year-old Richard Attenborough, and stars two actors who, I think, are only “good” in very specifically designed roles in Sandra Bullock and Chris O’Donnell. Syrupy sweet nonsense.)

Directors – Richard Attenborough – (Known For: Gandhi; A Bridge Too Far; Chaplin; Cry Freedom; Magic; Shadowlands; Oh! What a Lovely War; Young Winston; Future BMT: Chorus Line; Grey Owl; BMT: In Love and War; Notes: Most famous as John Hammond in Jurassic Park I think at this point, although he won the Best Director Oscar for Gandhi, beating out none other than Steven Spielberg for E.T.)

Writers – Henry S. Villard (book) – (BMT: In Love and War; Notes: Became a good friend to Hemingway in Italy during the time the book took place. Joined the US Foreign Service helping to plan the invasion of North Africa in the Second World War, and was the liason to the Free French Forces for the US. Held a multitude of different ambassadorships over the years and lived to the age of 95.)

James Nagel (book) – (BMT: In Love and War; Notes: Co-author to the original book, although I couldn’t find much more about him. Mainlys seems to have produced collections of short stories.)

Allan Scott (screen story & screenplay) – (Known For: The Witches; Don’t Look Now; D.A.R.Y.L.; The Preacher’s Wife; Castaway; BMT: In Love and War; Notes: Took over the chairmanship and chief executive position of Macallan-Glenlivet in the late 70s and ran the company until 1996 at which point its market cap had increased 200 fold during his tenure.)

Dimitri Villard (screen story) – (Future BMT: Once Bitten; BMT: In Love and War; Notes: Given he founded Jet Set Records, apparently one of the more successful rhythm & blues labels of the era, and established one of the earliest pay television channels in California, he seems to have made movies once becoming rather wealthy. Mostly worked in the 80s, with this film being one of the rare exceptions.)

Clancy Sigal (screenplay) – (Known For: Frida; BMT: In Love and War; Notes: Was blacklisted in the 1950s and ended up moving to the UK to work there for decades.)

Anna Hamilton Phelan (screenplay) – (Known For: Girl, Interrupted; Mask; Gorillas in the Mist; Future BMT: Amelia; BMT: In Love and War; Notes: Wrote Mask while at Emerson. Ultimately moved to New York City to try acting while continuing to write screenplays, Mask was her only credited acting film role.)

Actors – Sandra Bullock – (Known For: Ocean’s Eight; Gravity; The Proposal; Crash; A Time to Kill; Two Weeks Notice; Speed; Minions; The Heat; The Prince of Egypt; Miss Congeniality; Extremely Loud & Incredibly Close; While You Were Sleeping; Forces of Nature; The Vanishing; Divine Secrets of the Ya-Ya Sisterhood; The Thing Called Love; Infamous; Wrestling Ernest Hemingway; Future BMT: Premonition; Love Potion No. 9; The Net; Stolen Hearts; Hope Floats; 28 Days; Murder by Numbers; Gun Shy; Practical Magic; Our Brand Is Crisis; Loverboy; BMT:Speed 2: Cruise Control; All About Steve; Miss Congeniality 2: Armed & Fabulous; In Love and War; Demolition Man; The Lake House; Razzie Notes: Winner for Worst Actress, Worst Actress, and Worst Screen Couple for All About Steve in 2010; Nominee for Worst Actress, and Worst Screen Couple for Speed 2: Cruise Control in 1998; and Nominee for Worst Supporting Actress for Demolition Man in 1994; Notes: Just sold her LA home for around $3 million. Won the Best Actress award in 2010 for The Blind Side.)

Chris O’Donnell – (Known For: Scent of a Woman; Fried Green Tomatoes at the Whistle Stop Cafe; School Ties; Vertical Limit; Kinsey; Blue Sky; Circle of Friends; A Little Help; Kit Kittredge: An American Girl; Cookie’s Fortune; Men Don’t Leave; Future BMT: Cats & Dogs: The Revenge of Kitty Galore; The Bachelor; Mad Love; 29 Palms; The Three Musketeers; BMT: Batman & Robin; Batman Forever; Max Payne; The Chamber; In Love and War; Razzie Notes: Nominee for Worst Supporting Actor, and Worst Screen Couple for Batman & Robin in 1998; and Nominee for Worst Supporting Actor for The Three Musketeers in 1994; Notes: Somehow has probably become most famous as a television star having been in over 200 episodes of NCIS: Los Angeles.)

Mackenzie Astin – (Known For: Wyatt Earp; The Last Days of Disco; Iron Will; Moments of Clarity; Dream for an Insomniac; Future BMT: How to Deal; The Evening Star; The Mating Habits of the Earthbound Human; BMT: The Garbage Pail Kids Movie; In Love and War; Notes: Younger brother to Sean Astin of Rudy and Lord of the Rings fame.)

Budget/Gross – N/A / Domestic: $14,481,231 (Worldwide: $25,372,294)

(I think any way you cut this this wasn’t a huge film. Especially given the note reporting Bullock’s salary as $11 million. That alone suggests this was a pretty big bomb.)

#88 for the Romantic Drama genre

inloveandwar_romanticdrama

(This might as well be called Fifty Shades Genre. I have no idea why it died in the early 2000s, but the genre is back and kicking ass again. Midnight Sun is an intriguing one from this year as well.)

#5 for the War – World War I genre

(These films kind of inexplicable come in waves. This is the first bad World War I film we’ve watched. And in general, especially with Wonder Woman just having come out, World War I is having a moment.)

Rotten Tomatoes – 11% (3/27): No consensus yet.

(I’ll make a consensus: At its best with stunning still shots and musical score, but lacking in excitement and acting. Somewhat expected from a lightweight romantic drama unfortunately. Reviewer Highlight: Boring and artificial – Jon Niccum, Lawrence Journal-World)

Poster – In Love and Sklog (C-)

in_love_and_war

(Surprising that such a poster would make it to the final copy. Just a screenshot from the film with some lame font text over it. Whatever. Not offensive really, but far from good.)

Tagline(s) – In war they found each other…In each other they found love… (B)

(A little long but I’m picking up what they’re putting down. I’m just a little worried that I think this is original because I haven’t seen taglines exactly like it before… when in reality there are a bunch of taglines out there just like it. If there are I can’t find them.)

Keyword(s) – driver; Top Ten by BMeTric: 64.0 The Crow: Wicked Prayer (2005); 63.4 Cosmopolis (2012); 56.3 The Transporter Refueled (2015); 50.8 Precious Cargo (2016); 45.8 Johnny Mnemonic (1995); 45.1 Darkness (2002); 41.7 Kaal (2005); 39.6 Would You Rather (2012); 38.4 Overdrive (2017); 36.2 Cannonball Fever (1989);

(Driver? Well I’m excited to eventually watch Cannonball Fever, that should be a complete shitshow of a film with some of my favorite comedic actors of the time at least.)

Notes – This movie’s closing epilogue states: “Agnes von Kurowsky’s long and distinguished career with the American Red Cross continued until the end of World War II. She remained unmarried until she was 36 and lived to be 92. Ernest Hemingway won the Nobel Peace Prize for Literature in 1954. One of his great novels, A FAREWELL TO ARMS, was inspired by his experiences in Italy during World War One. He married four times and took his own life in 1961.” (Good to have it written out I guess…)

Several scenes were filmed in or near the Italian village Vittorio Veneto, including the battle scenes. Many of the extras playing the soldiers in the movie were airmen from nearby Aviano Air Base that volunteered to star in the movie.

Sandra Bullock researched her role of Agnes Von Kurowsky by reading her dairies that she kept during the war and reading the love letters between her and Ernest Hemingway.

Agnes Von Kurowsky was the inspiration for the character Catherine Barkley in a Farwell To Arms. (Makes sense)

In real life Agnes Von Kurowsky and Ernst Hemingway never saw each other again after the war. (Fun fact?)

Sandra Bullock was paid $11 million for her role in the film. (That seems … why does that seem unlikely? I guess they wanted the sweet Speed bump)

This film’s opening prologue states: “This film is based on a true story . . . NORTHERN ITALY 1918. Here, during the final year of World War One, Italy was defending itself alone against a massive Austrian invasion. America was one of Italy’s allies but the US Army was already fully committed in France. So President Wilson sent in teams of Red Cross doctors and nurses to boost Italian morale and help care for the wounded. Young men across America responded to the President’s call for further volunteers to drive red Cross ambulances and work in the front line canteens.”

The film takes place from July 1918 to June 1919.

Henry Villard’s own son was the driving force behind getting the film made.