Batman & Robin Preview

Big week highlighting one of the few changes the BMT Board of Directors (BMTBD) proposed for the year. That was to try to bring in some of the many major bad movies that we had watched prior to BMT and as a result never gave the full BMT treatment. Originally such films were totally excluded from consideration. No more! So for the SciFi/Fantasy/Other category of the adaptation cycle we went straight for the crown jewel. That’s right! We’re bringing the single highest scoring BMeTric film of all time, the critically reviled superhero film Batman & Robin. We obviously watched this as kids and probably didn’t even think it was all that bad (we were like 11, so I’m not sure I had ever watched a film and thought it was bad). Let’s see if it holds up (holds down?) on a rewatch. Also have to note that Batman Forever qualifies (RT 39%) so it will be included as a bonus. Let’s go!

Batman & Robin (1997) – BMeTric: 94.5

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(That, boys and girls, is the highest BMeTric in existence. Nearly 200K IMDb votes and a sub-4 rating, it is incredibly, almost impossibly, poorly rated. Let it sink in.)

Leonard Maltin – 2.5 stars –  Batman #4 spotlights two colorful villains, Schwarzenegger’s lusty Mr. Freeze and Thurman’s deliciously nasty Poison Ivy, who (for different reasons) want to destroy Gotham City, but even their antics can’t sustain an overlong, episodic film in which the “story” often makes no sense. Clooney is OK but unremarkable as Bruce Wayne/Batman, ditto for Silverstone as the new Batgirl. The action and effects are loud, gargantuan, and ultimately numbing.

(He gave a better review to this one compared to Batman Returns! Incredible. Maltin doesn’t like “dark” things, at least that is what he complains about with the early Burton films. Hell, he gave The Dark Knight two stars! He thought Batman & Robin was better than The Dark Knight. Because of “colorful” villains basically.)

Trailer – https://www.youtube.com/watch?v=4RBXypX4qWI

(How did Uma Thurman end up doing this and The Avengers? The trailer is actually pretty cool. It looks like a cartoon, sure, but there isn’t really a good reason that that is a bad thing. Gotham looks cool. Arnold seems like he could work as an intimidating villain. I don’t know. I kind of expected the trailer to be garbage, but it isn’t really garbage, it is surprisingly compelling I think.)

Directors – Joel Schumacher – (Known For: Flatliners; The Lost Boys; A Time to Kill; St. Elmo’s Fire; Falling Down; Phone Booth; The Client; Flawless; Tigerland; Town Creek; Veronica Guerin; Cousins; Future BMT: Bad Company; Dying Young; The Incredible Shrinking Woman; 8MM; BMT: Batman & Robin; Batman Forever; Trespass; The Number 23; Razzie Notes: Nominated for Worst Director for Batman & Robin in 1998; Notes: In a recent Vice article, Schumacher said “Look, I apologize,” Schumacher told me in a phone interview last week. “I want to apologize to every fan that was disappointed because I think I owe them that.” Good times.)

Writers – Bob Kane (Batman characters) – (Known For: Justice League; The Dark Knight; The Dark Knight Rises; Batman Begins; The LEGO Batman Movie; Batman; Batman Returns; The LEGO Movie; Batman: The Killing Joke; Batman: The Movie; Batman: Mask of the Phantasm; Batman: Return of the Caped Crusaders; Future BMT: Suicide Squad; Batman v Superman: Dawn of Justice; BMT: Catwoman; Batman & Robin; Batman Forever; Notes: The creator the Batman Character. There are a ton of articles about Bob Kane and his relationship with Bill Finger, the co-creator of Batman. Let’s just say it isn’t a super happy tale, although Finger is getting more credit now than he did in his time.)

Akiva Goldsman (written by) – (Known For: A Beautiful Mind; I Am Legend; I, Robot; A Time to Kill; Cinderella Man; The Client; Future BMT: Lost in Space; The Dark Tower; Practical Magic; Insurgent; Silent Fall; The Da Vinci Code; Angels & Demons; BMT: Batman & Robin; Rings; Transformers: The Last Knight; The 5th Wave; Batman Forever; A New York Winter’s Tale; Razzie Notes: Nominated for Worst Screenplay for Batman & Robin in 1998; and Nominated for Worst Written Film Grossing Over $100 Million for A Time to Kill in 1997; Notes: There is only so much to say right? He is currently overseeing the Ology book series adaptation with other heavy hitters like Michael Chabon on his staff.)

Actors – Arnold Schwarzenegger – (Known For: True Lies; Kindergarten Cop; Total Recall; Terminator 2: Judgment Day; Killing Gunther; Predator; The Terminator; Escape Plan; The Expendables; Aftermath; Conan the Barbarian; The Expendables 2; Terminator 3: Rise of the Machines; The Running Man; Commando; Welcome to the Jungle; The Last Stand; Maggie; The 6th Day; Red Heat; Future BMT: Hercules in New York; Junior; Red Sonja; Jingle All the Way; Collateral Damage; End of Days; Twins; Cactus Jack; Eraser; Last Action Hero; Terminator Genisys; The Kid & I; BMT: Batman & Robin; Raw Deal; Sabotage; Around the World in 80 Days; Conan the Destroyer; The Expendables 3; Notes: Former governor of California his marriage to Maria Shriver famously fell apart when it was reported he had fathered a child with their former housekeeper. I didn’t realize it, but the child is 20-years-old and goes to Pepperdine.)

George Clooney – (Known For: Tomorrowland: A World Beyond; Ocean’s Eleven; From Dusk Till Dawn; Gravity; Hail, Caesar!; The Men Who Stare at Goats; The Thin Red Line; O Brother, Where Art Thou?; Burn After Reading; Ocean’s Thirteen; Up in the Air; Ocean’s Twelve; Fantastic Mr. Fox; Spy Kids; The Descendants; Money Monster; The American; Michael Clayton; Out of Sight; The Perfect Storm; Future BMT: Return of the Killer Tomatoes!; The Monuments Men; The Good German; BMT: Batman & Robin; Notes: Once the world’s most eligible bachelor, he’s found love with his wife Amal. And guess what? They had twins! A son and a daughter, so fraternal, but still, that’s pretty good.)

Chris O’Donnell – (Known For: Scent of a Woman; Fried Green Tomatoes at the Whistle Stop Cafe; Kinsey; Vertical Limit; School Ties; Blue Sky; Circle of Friends; Kit Kittredge: An American Girl; A Little Help; Cookie’s Fortune; Men Don’t Leave; Future BMT: Cats & Dogs: The Revenge of Kitty Galore; The Bachelor; Mad Love; 29 Palms; In Love and War; The Three Musketeers; BMT: Batman & Robin; Batman Forever; Max Payne; The Chamber; Notes: He’s one of the guys whose career was potentially derailed by this disaster. But he seems like he’s doing okay having starred in all 168 episodes of NCIS: Los Angeles. I saw the pilot and him and LL Cool J tear it up, so there we go.)

Budget/Gross – $125 million / Domestic: $107,325,195 (Worldwide: $238,207,122)

(An absolute disaster at the time. Movies like this are more common these days, but at the time the budget was mind-blowing, so not making it back at the domestic box-office was crazy. I’m sure they made a mint on toy sales though.)

#64 for the Comic Book Adaptation genre

batmanrobin_comicbookadaptation

(The same as above. The largest two we’ve seen for BMT are Fantastic Four and the Teenage Mutant Ninja Turtles movies … did we watch those for BMT? I think we saw the first one for BMT, but not the second. Which is weird, because I’ve definitely actually seen the second. I must have watched it on a plane.)

#61 for the Superhero genre

batmanrobin_superhero

(There really isn’t much to say that hasn’t been said about the genre in the Batman Forever preview. Let’s just say that we’ve had a few gems in our time watching the dregs of Superhero films. You remember Elektra? You remember that piece of garbage? We need to watch a few of these too, like Blankman. Blankman is crazy.)

Rotten Tomatoes – 10% (9/86): Joel Schumacher’s tongue-in-cheek attitude hits an unbearable limit in Batman & Robin resulting in a frantic and mindless movie that’s too jokey to care much for.

(Hmmm, kind of surprising it isn’t below 10%. I do like the consensus though, I think it very much rings true with what can go wrong with the jokey superhero paradigm. It works fine for Marvel, but this is the logical conclusion of the style and it can get ugly.)

Poster – Sklogman and Sklogin’ (D-)

batman_and_robin_ver9

(This is horrific. This is where you can take the Batman Forever poster (good) and make what seems to be mild changes and dive straight into F territory. Too many colors and too much going on. That being said still has the font… so maybe just narrowly missing that The Avengers F level… barely.)

Tagline(s) – Strength. Courage. Honor. And loyalty. On June 20, it ALL comes together… (D)

(It’s like a child wrote this. I really don’t like it… the more I look at it the more I hate it and I better just grade it before I give it an F.)

Keyword(s) – bat; Top Ten by BMeTric: 94.5 Batman & Robin (1997); 72.5 Are We Done Yet? (2007); 67.8 Vampire in Brooklyn (1995); 65.9 Bodyguard (2011); 64.5 Bats (1999); 63.6 Dracula 2000 (2000); 57.3 Little Nicky (2000); 55.4 Batman Forever (1995); 49.5 The Order (2003); 41.3 City Slickers II: The Legend of Curly’s Gold (1994);

(I modified this one a bit, but I do like the ultimate list … I wonder is any of these guys are concerning like a baseball bat? Not an animal bat. City Slickers II: The Legend of Curly’s Gold is the greatest title for a film of all time as well.)

Notes – Most of the scenes with Batgirl, played by actress Alicia Silverstone, were cut out because Silverstone had gained a few pounds during production and the wardrobe team had to refit her costume. When the press discovered the news, they slammed Silverstone’s weight gain and mocked the actress for being “too fat” to fit into her costume. As a result, director Joel Schumacher publicly defended Silverstone during interviews and press meetings, joking “What is this girl’s big sin – that she ate some pizza?” When the press continued to taunt Silverstone’s weight gain, mostly from female journalists, Schumacher again intervened and lashed out at the reporters that taunted her. Schumacher went on record about the weight gain to one magazine by saying: “”It was horrible. I thought it was very cruel. She was a teenager who gained a few pounds – like all of us do at certain times. I would confront female journalists and I’d say, ‘With so many young people suffering from anorexia and bulimia, why are you crucifying this girl?'” Alicia Silverstone Batgirl in this movie is the only time Batgirl was ever shown on screen for a live action Batman movie. (Huh. Makes Schumacher sound like a decent dude. That story kind of sucks)

Due to the difficulty and large amount of time it took to remove the Batman suit, George Clooney reportedly urinated in his suit on at least one occasion. (Jesus Christ these notes)

George Clooney has been known to refund people who saw this film. (I would rather watch the film with him in his house. That would be an experience. I don’t need money back)

In later interviews, director Joel Schumacher would blame studio pressure to make the film more “toyetic” (i.e., a showcase for marketable toys and games), and in a “making-of” documentary on the DVD, apologized to disappointed fans.

Final film of wrestler Jeep Swenson (Bane), who died two months after the film’s release. (Oh no, that is awful. Died of heart failure at 40.).

Joel Schumacher had several meetings with Warner Bros. to get them to reconsider letting him do another Batman movie. Schumacher wanted to take the film back to its darker roots and make a “Batman: Year One” movie. Schumacher wanted to cast Kurt Russell as a young Commissioner Gordon and would have had Selina Kyle as a young, beautiful African-American woman living in the ghetto. However, Warner Bros. decided not to rehire Schumacher and the Batman film franchise remained in development limbo for years until Batman Begins (2005). (Probably a fine decision all things considered. Schumacher would have been poison regardless)

Last Batman film viewed by Batman creator Bob Kane. He would die one year after the release of this film. This is also the last film which Kane worked as project consultant.

Mr. Freeze says 27 “ice puns” throughout the movie. (This is why we watch bad movies)

Voted as the #1 in Empire magazine’s “50 Worst Movies Ever” (February 2010). (Streeeeeeeeet credit report dot coooooooom)

In the evidence room at the prison where Freeze is held and before Bane breaks in, both the Riddler’s and Two-Face’s outfits can be seen. (Noice)

In an interview the cast members were asked what item from filming they would like to take home with them. Arnold Schwarzenegger said that he would be taking Mr. Freeze’s armor home, Uma Thurman said that she wanted Ivy’s floral throne, and Elle Macpherson said that she just wanted a cap or something with the “Batman & Robin” logo before anyone else. When asked, George Clooney said he wanted Elle Macpherson. (ha … kind of creepy though)

After filming was completed, Arnold Schwarzenegger went in for heart surgery. Because studios were anxious about insuring Schwarzenegger in one of their action movies, he couldn’t get work again until End of Days (1999). (Huh, didn’t know that. Interesting story.)

The only film in the original series in which Tim Burton had no involvement during the development stages (he directed Batman (1989) and Batman Returns (1992), and worked as producer in Batman Returns and Batman Forever (1995)).

After the poor reception of Batman & Robin, several Batman projects were considered to substitute for the next Batman movie. One was a direct sequel, Batman Unchained written by Mark Protosevich. The second was an adaptation of the graphic novel, Batman: Year One. The last was a live-action adaptation of Batman of the Future (1999). None of those projects came to fruition, instead the franchise was rebooted with Batman Begins (2005). (These notes are really good)

Arnold Schwarzenegger is reputed to have earned $25 million for playing Mr. Freeze.

Arnold Schwarzenegger declined to reprise the role of Conan for “Conan the Conqueror”, which was rewritten as Kull the Conqueror (1997), to star as Mr. Freeze in the film. (Too bad. That film would have probably been terrible)

The Oxbridge Academy, Barbara’s fictional university in England, is really a combination of the University of Oxford and the University of Cambridge. Oxbridge is used jokingly in American pop culture to refer to any British college graduate. (British people to refer to the two colleges as such. It is often a boon to hire an “Oxbridge” graduate)

Uma Thurman and Elle MacPherson both went on to have children by Arpad Busson who refused to marry either of them. (Wow, I’ll leave that as the last note. Keep it classy IMDb note makers)

Awards

Won the Razzie Award for Worst Supporting Actress (Alicia Silverstone)

Nominated for the Razzie Award for Worst Picture (Peter Macgregor-Scott)

Nominated for the Razzie Award for Worst Screen Couple (George Clooney, Chris O’Donnell)

Nominated for the Razzie Award for Worst Supporting Actor (Chris O’Donnell)

Nominated for the Razzie Award for Worst Supporting Actor (Arnold Schwarzenegger)

Nominated for the Razzie Award for Worst Supporting Actress (Uma Thurman)

Nominated for the Razzie Award for Worst Reckless Disregard for Human Life and Public Property

Nominated for the Razzie Award for Worst Remake or Sequel

Nominated for the Razzie Award for Worst Director (Joel Schumacher)

Nominated for the Razzie Award for Worst Screenplay (Akiva Goldsman)

Nominated for the Razzie Award for Worst Original Song (Billy Corgan)

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Batman Forever Preview

Big week highlighting one of the few changes the BMT Board of Directors (BMTBD) proposed for the year. That was to try to bring in some of the many major bad movies that we had watched prior to BMT and as a result never gave the full BMT treatment. Originally such films were totally excluded from consideration. No more! So for the SciFi/Fantasy/Other category of the adaptation cycle we went straight for the crown jewel. That’s right! We’re bringing the single highest scoring BMeTric film of all time, the critically reviled superhero film Batman & Robin. We obviously watched this as kids and probably didn’t even think it was all that bad (we were like 11, so I’m not sure I had ever watched a film and thought it was bad). Let’s see if it holds up (holds down?) on a rewatch. But first we have some homework to do! That’s right, Batman Forever qualifies (RT 39%) so it will be included as a bonus here. Let’s go!

Batman Forever (1995) – BMeTric: 55.4

BatmanForever_BMeT

BatmanForever_RV

(Sacre Bleu! That … it is so beautiful. It is the most steady unwavering below average IMDb ratings I’ve ever seen. It is pristine. Shhhhh, don’t scare it away, just appreciate that you get to appreciate it.)

Leonard Maltin – 3 stars –  Kilmer makes the role of Batman/Bruce Wayne his own in this well-written sequel in which the Caped Crusader battles Two-Face (Jones) and The Riddler (Carrey) while attempting – at least for a while – to resist the advances of a sexy psychologist (Kidman). He also acquires a partner in O’Donnell (as Robin), and it’s this aspect of the film – the character relationships – that give it solidity. The loud, razzle-dazzle special effects are overkill. Ed Begley, Jr., appears unbilled.

(Wow, that is a pretty solid review. Better than most that’s for sure. I’m not sure “well-written” is how I would describe the film from what I recall, but this does get me a bit more excited about the whole affair.)

Trailer – https://www.youtube.com/watch?v=ROLvjRB4E_Q

(Besides how over-the-top both of the villains looks that trailer is actually quite good. It even makes the whole Robin introduction make a bit more sense: Batman is fighting two villains and thus needs a partner … makes sense to me.)

Directors – Joel Schumacher – (Known For: Flatliners; The Lost Boys; A Time to Kill; St. Elmo’s Fire; Falling Down; Phone Booth; The Client; Flawless; Tigerland; Town Creek; Veronica Guerin; Cousins; Future BMT: Bad Company; Dying Young; The Incredible Shrinking Woman; 8MM; BMT: Batman & Robin; Batman Forever; Trespass; The Number 23; Razzie Notes: Nominated for Worst Director for Batman & Robin in 1998; Notes: Started his career with the Brat Pack and then adapting Grisham novels. Has been openly gay throughout his career.)

Writers – Bob Kane (characters) – (Known For: Justice League; The Dark Knight; The Dark Knight Rises; Batman Begins; The LEGO Batman Movie; Batman; Batman Returns; The LEGO Movie; Batman: The Killing Joke; Batman: The Movie; Batman: Mask of the Phantasm; Batman: Return of the Caped Crusaders; Future BMT: Suicide Squad; Batman v Superman: Dawn of Justice; BMT: Batman & Robin; Catwoman; Batman Forever; Notes: Original creator of Batman. Died in 1998 having acted as a consultant on all of the Burton/Schumacher Batman films.)

Lee Batchler and Janet Scott Batchler (story & screenplay) – (BMT: Batman Forever; Pompeii; Notes: Married screenwriting team. They wrote the first pass with Robin Williams in mind which was subsequently re-written by Goldsman.)

Akiva Goldsman (screenplay) – (Known For: A Beautiful Mind; I Am Legend; I, Robot; A Time to Kill; Cinderella Man; The Client; Future BMT: Lost in Space; The Dark Tower; Practical Magic; Insurgent; Silent Fall; The Da Vinci Code; Angels & Demons; BMT: Batman & Robin; Rings; Transformers: The Last Knight; The 5th Wave; Batman Forever; A New York Winter’s Tale; Razzie Notes: Nominated for Worst Screenplay for Batman & Robin in 1998; and Nominated for Worst Written Film Grossing Over $100 Million for A Time to Kill in 1997; Notes: Incredible career which we touched on in several previews already. Is an executive producer on the upcoming Dark Tower television series … good luck.)

Actors – Val Kilmer – (Known For: Heat; Top Gun; True Romance; Song to Song; Tombstone; Willow; Kiss Kiss Bang Bang; Deja Vu; The Prince of Egypt; The Doors; Top Secret!; Real Genius; Palo Alto; Felon; Kill the Irishman; MacGruber; Bad Lieutenant; The Missing; The Ghost and the Darkness; Pollock; Future BMT: The Island of Dr. Moreau; The Snowman; Twixt; Alexander; The Traveler; Red Planet; Planes; 5 Days of War; Hard Ca$h; Delgo; The Real McCoy; At First Sight; Masked and Anonymous; The Saint; Mindhunters; Wonderland; 10th & Wolf; Stateside; Summer Love; BMT: The Love Guru; Batman Forever; Notes: His health reports are quite strange. It seems like he had throat cancer which is why he didn’t do any films for two years. He was back this year with The Snowman … but tabloids are still pushing stories about his cancer spreading to his brain and being terminal? Just super weird stuff. He at one point denied having cancer and then said “I’ve had a healing of cancer” … what?)

Tommy Lee Jones – (Known For: No Country for Old Men; Captain America: The First Avenger; Lincoln; Jason Bourne; Men in Black; The Fugitive; Natural Born Killers; Men in Black 3; JFK; Space Cowboys; Small Soldiers; The Homesman; Love Story; Under Siege; In the Valley of Elah; The Client; The Company Men; Blue Sky; The Missing; Volcano; Future BMT: Man of the House; Wings of the Apache; The Hunted; Men in Black II; Black Moon Rising; The Family; Blown Away; Criminal; Double Jeopardy; Rules of Engagement; U.S. Marshals; Just Getting Started; Emperor; BMT: Batman Forever; Mechanic: Resurrection; Notes: Famously the college roommate of Al Gore. Also played Offensive Guard on the undefeated Harvard football team that played in the famous 29-29 game.)

Jim Carrey – (Known For: The Truman Show; Eternal Sunshine of the Spotless Mind; The Bad Batch; Dumb and Dumber; Ace Ventura: Pet Detective; A Series of Unfortunate Events; The Mask; Bruce Almighty; Man on the Moon; How the Grinch Stole Christmas; Liar Liar; Yes Man; Me, Myself & Irene; Earth Girls Are Easy; Anchorman 2: The Legend Continues; The Cable Guy; I Love You Phillip Morris; A Christmas Carol; Peggy Sue Got Married; Horton Hears a Who!; Future BMT: Dumb and Dumber To; Pink Cadillac; Once Bitten; The Incredible Burt Wonderstone; Fun with Dick and Jane; Ace Ventura: When Nature Calls; Kick-Ass 2; BMT: Batman Forever; The Number 23; Notes: One of the many breakout stars of the television show In Living Color and went on to be one of the most famous comedic actors in the world. Despite winning two Golden Globes he has never even been nominated for an Oscar. Also noted crazy person.)

Budget/Gross – $100 million / Domestic: $184,031,112 (Worldwide: $336,529,144)

(Basically nothing by today’s standards. Kind of amazing, but the first Burton one was the highest grossing of the three. Forever actually did better than Returns.)

#39 for the Comic Book Adaptation genre

batmanforever_comicbookadaptation

(Basically Superman and Batman kicked off a chain of comic book films that peaked in 1995 and then collapsed. Spiderman rejuvenated the genre which is now averaging 64 thousand theaters a year … considering you kind of max out at 4K theaters, or roughly 16 comic book movies in a calendar year at one point. Steel and Barb Wire are kind of the lowest of the lows for the genre)

#38 for the Superhero genre

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(Same as above although it is kind of interesting to see that we are at a peak for superhero films, but not for comic book movies. Makes sense, the set of comic book movies almost entirely contains the set of superhero films.)

Rotten Tomatoes – 39% (24/61): Loud, excessively busy, and often boring, Batman Forever nonetheless has the charisma of Jim Carrey and Tommy Lee Jones to offer mild relief.

(This actually went from 40% flat to just a shade below this year! Rotten Tomatoes scores change unfortunately. The extra review was a short review from CNN in 1995, it just hadn’t been recovered yet. We had to jump at the chance to do the film though, one more good review and it won’t qualify.)

Poster – Sklogman Forever (B)

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(I wish they had done more to tone down the colors brought in by the different characters so that there was a little consistency, but otherwise this is a well laid out poster that gives us everything we need to see without going overboard. Font is even given a unique spin. I like it.)

Tagline(s) – Courage now, truth always…. (B-)

(Apparently this is from the trailer and ended with “Batman Forever.” Which may or may not be obvious. It’s a good cadence and sounds like a tagline, but dips a little into the generic zone. Also I like my taglines on the poser. Just a preference.)

Keyword(s) – partner; Top Ten by BMeTric: 94.5 Batman & Robin (1997); 68.0 Double Team (1997); 67.8 Vampire in Brooklyn (1995); 61.4 Exposed (III) (2016); 58.2 Alex Cross (2012); 55.4 Batman Forever (1995); 54.6 Jungle 2 Jungle (1997); 51.1 The Mummy (2017); 51.0 Twisted (I) (2004); 50.9 Scream 3 (2000);

(Interesting. We need to watch Vampire in Brooklyn for sure, tick off another Murphy film. This is somewhat of an enigmatic one though, basically all cop / batman films … so what does partner in Jungle 2 Jungle mean?)

Notes – According to Jim Carrey, he did not get along with Tommy Lee Jones, who told him that he hated him and his films. (Sounds about right)

Jim Carrey’s original idea – to shave a question mark into his scalp – had to be scratched as he was due in court to finalize his divorce. (Jeez, that is a dark reason)

While Tim Burton was still slated to direct the film, Micky Dolenz was considered to play The Riddler. After Burton dropped out, Robin Williams was offered the role by Warner Brothers, but refused due to being bitter about being used as “bait” to lure Jack Nicholson to commit to play the Joker in Batman (1989).

Michelle Pfeiffer was considered to reprise her role as Catwoman.

In the first Batman (1989), District Attorney Harvey Dent was played by Billy Dee Williams. Williams accepted the role with the knowledge and expectation that Dent would eventually become Two-Face. He reportedly had a clause put into his contract, reserving the role for him in any sequels, which Warner Bros. had to buy out, so they could cast Tommy Lee Jones. Williams would eventually voice the character in The Lego Batman Movie (2017). (Huh, I guess I understand wanting a bigger name in there, but that would have been pretty fun maybe)

Dick Grayson suggests “Nightwing” for a hero name. This was the name used by the adult Dick Grayson in the comic books.

Before deciding not to don the cape and cowl for a third time, Michael Keaton met with Joel Schumacher and declined to join the project after deciding that he did not like the direction in which Schumacher was looking to take the franchise. In the brief time that Tim Burton was still considering doing a third Batman film, Riddler was the only villain that he planned on using. The idea of using Two-Face did not come up until Schumacher joined the project.

While learning to twirl a cane, Jim Carrey reportedly broke around a dozen prop canes and some of his trailer furniture.

The Batmobile was usually driven by stunt drivers, but Chris O’Donnell insisted on driving it himself in the joyride scene. He crashed it into a curb, and dented a fender. (nice)

Val Kilmer and Joel Schumacher clashed during filming. Schumacher described Kilmer as “childish and impossible”. According to Schumacher, Kilmer refused to talk to him for two weeks.

Val Kilmer and Jim Carrey became good friends during filming. They bonded over the deaths of their fathers.

Tommy Lee Jones was Joel Schumacher’s first choice for the role of Two-Face after working with him in The Client (1994). Jones accepted the role because his son Austin, eleven at the time, said Two-Face was his favorite character.

Joel Schumacher’s decision to put nipples and enlarged codpieces on the Bat-costumes, as well as an earring on Robin caused controversy – it even bothered Batman creator Bob Kane. Schumacher said he wanted the costumes to have an anatomic look, while the earring was supposed to make Robin more hip. He also claimed that the basis for the Batman and Robin suits came from statues of the gods of ancient Greece. (Joel Schumacher everyone!)

Robin’s costume is not the classic costume of the comics that Dick Grayson wore, but it is based on the costume worn by the third Robin, Tim Drake. This costume was introduced in 1990, and it is rumored that Tim Burton had a hand in designing it.

So heavy was his Batsuit, that Val Kilmer lost five pounds filming the opening fight scene alone. (NOPE, that fact is fake. FAKE)

Will Shortz, “puzzlemaster” on National Public Radio and editor of the New York Times crossword puzzle, created the Riddler’s riddles. (Wow)

Tim Burton said “I always hated those titles like Batman Forever. That sounds like a tattoo that somebody would get when they’re on drugs or something. Or something some kid would write in the yearbook to somebody else. I have high problems with some of those titles.” It is rumored that Burton was considering the title Batman Continues while he was still slated to direct.

For the scene where Chase Meridian is visited by Batman on her balcony at night, Nicole Kidman was not wearing any clothing underneath the white silk sheet, with which she was covering herself. (But why?)

William Baldwin was reported to be considered for the role of Batman. Other names considered for the part before Val Kilmer was cast included Daniel Day-Lewis, Kurt Russell, Alec Baldwin, Ethan Hawke, Ralph Fiennes, Tom Hanks, and Johnny Depp. (TOM HANKS)

Olympic gymnast Mitch Gaylord was a stunt double for Chris O’Donnell. (That is BMT legend Mitch Gaylord to you)

Joel Schumacher said in an interview about Val Kilmer “Val did me two great favors when I wanted him to be Batman, he said yes. Then he created a situation which allowed me not to have him play Batman again, they were both happy, happy instances for which I will always be grateful”. (Cooooooold bloooooooded)

Unlike the two Tim Burton Batman films, this is not scored by Danny Elfman. Also, unlike those two, this film features original songs performed by multiple artists. The trailers for this film and Batman & Robin (1997) feature Elfman’s score from Batman (1989) and Batman Returns (1992), however. (Oh I didn’t know that)

The handgun Two-Face uses throughout the movie is a chrome plated Benelli mp95e. (gun facts, a staple of any good IMDb trivia section)

Awards – Nominated for the Oscar for Best Cinematography (Stephen Goldblatt)

Nominated for the Oscar for Best Sound (Donald O. Mitchell, Frank A. Montaño, Michael Herbick, Petur Hliddal)

Nominated for the Oscar for Best Effects, Sound Effects Editing (John Leveque, Bruce Stambler)

Nominated for the Razzie Award for Worst Original Song (Bono)

The Women (2008) Preview

Usually I start off the preview for a film by talking about how excited I am to watch it. Not this time! For the Girls Night Out section we jumped to an adaptation of a play. While we had a number of terrible musicals to choose from we at the BMT Media Empire HQ are always looking to buck trends. That’s right! We’re watching The Women… you know, that dramedy you definitely know came out starring Meg Ryan and an ensemble of women living it up in the Greater New York City Area. It’s based on the 1936 play by Clare Booth Luce, which ran on Broadway for a number of years and has been revived and adapted for the screen many times over. This is the latest such adaptation and the critics were less than thrilled. I’m less than thrilled to watch it. Thank god it’s only… 2 hours long! Gah! Let’s go!

The Women (2008) – BMeTric: 58.9

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(This movie actually has a bit more votes than I would expect, and the number seems to just keep on growing. That initial rise is somewhat interesting, why would the early viewers hate on this movie so? Especially when the thousands of viewers that voted subsequently seem to agree with is about a ~5/10 film. I’m going to go ahead a assume it is a case of Early Viewers Are Fans syndrome, and that they tend towards hating what fails to meet expectations. But … who would have expectations about The Women? God … I hope this isn’t a The Internet Hates Things Aimed At Women thing. I really do.)

Roger Ebert – 3 stars –  “The Women” isn’t a great movie, but how could it be? Too many characters and too much melodrama for that, and the comedy has to be somewhat muted to make the characters semi-believable. But as a well-crafted, well-written and well-acted entertainment, it drew me in and got its job done.

(Wowza, is that two in a row? Very interesting take ultimately. I think he admired the actresses so much (as almost pitch perfect for the movie they were creating) he got a little blinded that the movie was in fact (as he even admits) just not good. We’ll see though. Maybe we’ve discovered a hidden gem.)

Trailer – https://www.youtube.com/watch?v=RlxwcwESDkQ

(I have to say… that didn’t look like the most boring thing in the world for one reason: literally everyone in the trailer is a woman. Even the extras and shit. It’s actually amazing and might make the film at least visually interesting to look at.)

Directors – Diane English – (BMT: The Women; Notes: Effectively her one-and-done directorial project. There is another movie called Timbuktu but it seems like it was never released.)

Writers – Diane English (screenplay) – (BMT: The Women; Notes: Well known as a writer for Murphy Brown. The Women was her only writing gig after that series went off the air. But guess what? There is going to be a new season of Murphy Brown (with Candice Bergen) this year, 20 years after its last season!)

Clare Boothe Luce (play) – (Known For: The Women; BMT: The Women; Notes: Was the U.S. Ambassador to Italy under Dwight D. Eisenhower.)

Anita Loos (1939 screenplay) – (Known For: Gentlemen Prefer Blondes; The Women; San Francisco; Babes in Arms; Strange Cargo; BMT: The Women; Notes: An early screenwriter in Hollywood (her first screenplay was for a Griffith film in 1912). Her brother created the Blue Cross health insurance company.)

Jane Murfin (1939 screenplay) – (Known For: Pride and Prejudice; The Women; Come and Get It; BMT: The Women; Notes: She brought Strongheart the dog, Hollywood’s first canine film star, to the U.S. in the 20s.)

Actors – Meg Ryan – (Known For: Top Gun; You’ve Got Mail; Anastasia; When Harry Met Sally…; Sleepless in Seattle; Innerspace; The Doors; In the Land of Women; Kate & Leopold; Addicted to Love; City of Angels; Proof of Life; Courage Under Fire; French Kiss; When a Man Loves a Woman; Restoration; Joe Versus the Volcano; The Presidio; I.Q.; Flesh and Bone; Future BMT: Hanging Up; Amityville 3-D; In the Cut; Against the Ropes; Serious Moonlight; Armed and Dangerous; Ithaca; BMT: The Women; Notes: Mostly known for co-starring with Tom Hanks as love interests in three separate movies: Sleepless in Seattle, Joe Versus the Volcano, and You’ve Got Mail. She was married to Dennis Quaid for about 10 years.)

Eva Mendes – (Known For: Training Day; The Place Beyond the Pines; Fast & Furious 5; The Other Guys; Hitch; Once Upon a Time in Mexico; Stuck on You; Last Night; Out of Time; We Own the Night; Holy Motors; Bad Lieutenant; The Wendell Baker Story; Live!; Future BMT: The Spirit; Urban Legends: Final Cut; Exit Wounds; Lost River; Trust the Man; All About the Benjamins; Girl in Progress; Cleaner; A Night at the Roxbury; BMT: Ghost Rider; The Women; 2 Fast 2 Furious; Notes: Cuban-American, she’s the only one in her family to have been born in the U.S., her three siblings were born in Cuba.)

Annette Bening – (Known For: American Beauty; 20th Century Women; Film Stars Don’t Die in Liverpool; Mars Attacks!; Open Range; Rules Don’t Apply; The American President; The Great Outdoors; Ruby Sparks; The Kids Are All Right; Danny Collins; The Grifters; Bugsy; The Siege; Valmont; Regarding Henry; Postcards from the Edge; Ginger & Rosa; Richard III; What Planet Are You From?; Future BMT: In Dreams; Girl Most Likely; Running with Scissors; Love Affair; BMT: The Women; Notes: She was the original choice for Catwoman in Batman Returns, but had to drop out when she became pregnant. She’s been married to Warren Beatty for nearly 30 years.)

Budget/Gross – $16 million / $26,902,075 ($50,007,546 Worldwide)

(Eh, below what it probably expected. For a film like this you’d kind of want to double those numbers I would think. Not a bomb, but not really raking in much cash … unless The Women talk over their problems with a refreshing ice-cold Bud Light at one point that is.)

Rotten Tomatoes – 13% (19/146): The Women is a toothless remake of the 1939 classic, lacking the charm, wit and compelling protagonists of the original.

(Again, thank you RT. I guess this consensus is old enough to actually be useful. This is a brutal score for a film like this. I can only assume it is disastrously boring, which doesn’t bode well for me staying awake watching it on a plane. Reviewer Highlight: One of the worst movies I’ve ever seen.” – Richard Schickel, Time Magazine)

Poster – The Sklogettes (F)

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(Nooooooooooooooooo. Why does this keep happening. Look at all the people! Look at the basic white color of it. Dear god, look at the spacing. Even the font is shit.)

Tagline(s) – It’s all about… (F)

(Lol. Wot? I mean I get it… it’s all about The Women but still… lol. Wot?)

Keyword(s) – divorce; Top Ten by BMeTric: 81.9 Kazaam (1996); 78.8 Striptease (1996); 77.7 Bratz (2007); 64.2 Dr. T & the Women (2000); 63.1 North (1994); 63.1 Beethoven’s 2nd (1993); 63.1 Ben & Arthur (2002); 62.1 Sliver (1993); 58.9 Mr. Woodcock (2007); 58.9 The Women (I) (2008);

(Oh shit, Kazaam. I’ve seen this movie (well, the first half of it …) so many times. Dr. T weirdly doesn’t qualify for BMT actually, so looks like we’ll never complete this list. My favorite movie with divorce? Why not Mrs. Doubtfire, great stuff.)

Notes – Tanya the manicurist (Debi Mazar) talks about meeting Madonna. Mazar and Madonna are long-time friends; Mazar appeared in four Madonna music videos: “True Blue” and “Papa Don’t Preach” (1986), “Deeper and Deeper” (1992) and “Music” (2000).

Like the 1939 version, the film has an all-female cast. (noice)

While the project was being put together in Julia Roberts and Meg Ryan were set to star. The production stalled because Roberts and Ryan ended up wanting the same role.

The painting in the restaurant scene features Courtney Love and Anna Nicole Smith.

In The Women (1939) the only scene in color was the fashion show sequence. In this version the fashion show begins with all-black and white clothes, and the scene before it takes place in a black-and-white room.

In the late 1970’s a remake of the 1939 classic was proposed to star Jane Fonda, Barbra Streisand, and Faye Dunaway, but it was not made. (That sounds like this could have been fun)

Blythe Danner, Marisa Tomei, Queen Latifah, Whitney Houston, Ashley Judd and Sandra Bullock were all in the running for various parts in the film.

For scenes planned on being shot in the Boston Public Library, it was suggested that all the portraits and busts of men to be replaced with those of women. However, the scene was never shot. (Excuuuuuuse me? You talking ‘bout the Boston Public Library? Why would you not shoot that?)

There is an abundance of the use of the color green, from the color of the sets, props, costumes, in almost every scene throughout the movie. In the final fashion show, except for the models, almost every guest is wearing green.

Candice Bergen previously played Meg Ryan’s mother in Rich and Famous (1981).

Edie’s (Debra Messing) daughters are called January, April, May and June. The last three are the names of Daisy Duck’s nieces (counterparts to Donald Duck’s nephews Huey, Dewey and Louie).

Before development was put on hold in 2006, Annette Bening and Uma Thurman were rumored to have been considered for the roles of Mary Haines and Crystal Allen respectively. Also Lisa Kudrow and Anne Hathaway were in talks for the roles of Mirian Aarons and Peggy Day, but the roles were cut out of the final script.

According to Diane English, the project was in development, from the first draft to the final green light, for fifteen years. (Jesus. No wonder it ended up being a mess)

The original Broadway production opened on 7 September 1937 and had 666 performances at the Ethel Barrymore Theatre in New York. (666? How does that happen I wonder. I would think with how superstitious theater operators are that they would have avoided it)

“The Women’s” screenwriter Anita Loos who wrote this film’s original 1939 screenplay, started her writing career in 1912 with her first full film screenplay The Musketeers of Pig Alley (1912) starring Lillian Gish for the American Mutoscope & Biograph Co. which is still in existence today. After writing many scripts for Biograph, Loos went on to write such other films such as Saratoga (1937), Another Thin Man (1939), San Francisco (1936), A Tree Grows in Brooklyn (1945), and Gentlemen Prefer Blondes (1953).

Except for the newly-born baby boy in the final scene, there are no male characters in the entire film, not even the extras in wide shots. (That is actually quite cool)

Nominated for the Razzie Award for Worst Actress (Annette Bening, Eva Mendes, Debra Messing, Jada Pinkett Smith, Meg Ryan)

88 Minutes Preview

A small note prior to this post: Once again we take a look back at the movies that we watched over five years ago and choose a Hall of Fame class, five movies that we thought embodied BMT in some way. Perhaps they were particularly bad, or an example of a specific bad movie trope, whatever, something made them stand out as special in our minds. Since we didn’t do email previews back in 2011/2012 we also decided to provide a preview for the movie as well. This is the third in a series of five leading up to our yearly awards the Smaddies Baddies. A recap (Hall of Fame speech really) will follow immediate afterwards to explain why the movie was chosen, things we loved about the movie, and things we discovered upon second viewing. Enjoy!

88 Minutes (2007) – BMeTric: 37.1

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(Wow, I think this is a first. It regressed down from what appears to be roughly above-average rating on IMDb. No wonder its BMeTric is so low. I cannot believe it has over fifty thousand votes and a rating of around 6.0, that is truly mind-boggling.)

Leonard Maltin – BOMB –  Dreadful thriller about a forensic psychiatrist (and professor) who’s received an all-too-palpable death threat from a man he helped send to Death Row (McDonough). Lumbering, heavyhanded theatrics and clumsy attempts at suspense make this a total waste of time.

(aaaaaaaaaye I see what you did there Leonard. 88 minutes … a waste of time. I got you. This is what I live for though. Heavyhanded theatrics. If anything says good-bad thriller or drama it is heavyhanded theatrics. I want dolly zooms all over my film, I want rending of clothes, chewing of scenery. You’ve given me everything I need to know Leonard … this is why 88 minutes is great (from what I recall).)

Trailer – https://www.youtube.com/watch?v=zUCd805JDJk

(The bird’s nest they tricked Al Pacino into wearing on his head is absurd. Tick tock doc. Tick tock! Getting me amped. He got a guuuuuuuun ….)

Directors – Jon Avnet – (Known For: Fried Green Tomatoes; Future BMT: Righteous Kill; Up Close & Personal; Red Corner; The War; BMT: 88 Minutes; Notes: Not sure if this ended his feature directing career, but it was the last film he directed. He produces and directs a lot of television. His filmography is tripping me out, he does a lot of scripted television for his own channel WIGS previously funded by YouTube and digital exclusive, so a lot of his credits are shows I’ve legit never heard of with giant stars in them. Like this.)

Writers – Gary Scott Thompson (written by) – (Known For: Fast & Furious 8; Furious 6; Fast & Furious 7; Fast 5; Future BMT: Hollow Man; BMT: The Fast and the Furious; 2 Fast 2 Furious; 88 Minutes; Fast & Furious; Notes: If you can’t tell he wrote the original Fast and The Furious (the rest are character credits). He also created the show Las Vegas, and wrote the show Taxi Brooklyn (the American show based on the French film Taxi which was remade into the Fallon and BMT classic Taxi!))

Actors – Al Pacino – (Known For: The Godfather; Heat; The Godfather: Part II; Scarface; The Devil’s Advocate; The Godfather: Part III; Insomnia; Ocean’s Thirteen; Donnie Brasco; Scent of a Woman; Glengarry Glen Ross; Dog Day Afternoon; Danny Collins; Dick Tracy; Carlito’s Way; The Insider; Any Given Sunday; Serpico; Cruising; Dabka; Future BMT: The Son of No One; Misconduct; Revolution; Righteous Kill; Two for the Money; Stand Up Guys; Bobby Deerfield; BMT: Jack and Jill; Gigli; 88 Minutes; Razzie Notes: Won for Worst Supporting Actor, and Worst Screen Couple for Jack and Jill in 2012; Nominated for Worst Actor in 1986 for Revolution; and in 2009 for 88 Minutes, and Righteous Kill; and Nominated for Worst Supporting Actor for Gigli in 2004; Notes: Y’all know Al Pacino. Let’s go with a nice BMT themed fun fact for him: for a bit he was in both the best rated film on IMDb (The Godfather) and the worst rated film on IMDb (Gigli).)

Alicia Witt – (Known For: Dune; Two Weeks Notice; Mr. Holland’s Opus; Last Holiday; The Upside of Anger; Cecil B. DeMented; Citizen Ruth; Liebestraum; Bodies, Rest & Motion; Fun; Playing Mona Lisa; Future BMT: Urban Legend; Peep World; Bongwater; Four Rooms; BMT: Vanilla Sky; A Madea Christmas; 88 Minutes; Notes: Born in Worcester, MA. She is also a rather accomplished pianist and has gone on tour with Ben Folds and others.)

Leelee Sobieski – (Known For: Eyes Wide Shut; Public Enemies; Deep Impact; Never Been Kissed; Roadkill; Max; Walk All Over Me; My First Mister; A Soldier’s Daughter Never Cries; Future BMT: Jungle 2 Jungle; Branded; The Glass House; Finding Bliss; BMT: The Wicker Man (HoF); In the Name of the King: A Dungeon Siege Tale (HoF); Here on Earth; 88 Minutes (HoF); Razzie Notes: Nominated for Worst Supporting Actress in 2009 for 88 Minutes, and In the Name of the King: A Dungeon Siege Tale; Notes: Her filmography is a lot more impressive that I would imagine considering she will have been in four of the first fifteen BMT Hall of Fame films. I think she’s taken a bit of time off from acting as she is now a mother of two. Was previously married to Matthew Davis who is best known as the jerk boyfriend of Reese Witherspoon in Legally Blonde)

Budget/Gross – $30 million / Domestic: $17,213,467 (Worldwide: $32,593,385)

(Bombtastic. Stunning that they’d spend $30 million on a weird thriller starring Pacino, but he had a bit more … clout at the time I think. Just not good.)

Rotten Tomatoes – 5% (6/122): 88 Minutes is a shockingly inept psychological thriller that expertly squanders the talent at hand.

(“Talent” … Pacino. You are referring to Pacino. I love Leelee and McDonough, but they are BMT all stars. To put in another way: This will be, along with In the Name of the King A Dungeon Siege Tale, Leelee Sobieski’s third Hall of Fame BMT film (Wicker Man is the other). And along with I Know Who Killed Me this is also McDonough’s third (Street Fighter Legend of Chun Li is the other). That is amazing. So the cast might not be the tops … all I’m saying.)

Poster – Eighty-Sklog Minutes (C-)

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(I actually kind of hate this poster. The stylization comes across as cheap and half-assed. The red letters are kind of embossed in a weird way as well. We’ve had posters similar to this before and we came to the same conclusion: it looks cheap.)

Tagline(s) – Jack Gramm has 88 minutes to solve a murder. His own. (D)

(I also kind of hate this. It repeats the title (strike one). It is kind of expectedly inevitable, in that of course the “twist” on the tagline is that it is his own murder (strike two). And I don’t even like the name of the main character. I can’t even figure out why I hate all those things so much. I gave a little bump from an F because it at least tells me something about the movie.)

Keyword(s) – serial killer; Top Ten by BMeTric: 81.0 I Know Who Killed Me (2007); 78.9 Basic Instinct 2 (2006); 78.8 Halloween: Resurrection (2002); 78.2 Feardotcom (2002); 76.8 The Return of the Texas Chainsaw Massacre (1994); 76.2 I Still Know What You Did Last Summer (1998); 74.1 Deuce Bigalow: European Gigolo (2005); 73.9 Species II (1998); 73.5 Psycho (1998); 72.9 Zoolander 2 (2016);

(I wonder if the Deuce Bigalow 2 note is a spoiler … is that part of the storyline or a one off joke. I’m intrigued. Otherwise we’ll likely watch all of those .. maybe not Psycho unless we are rolling through a remake cycle of something. Nice list though, those are some real bad horror / thriller films. Shout out to fellow Hall of Fame inductee I Know Who Killed Me.)

Notes – The film runs in “real time” meaning that at the moment Jack Gramm is first told he has only 88 minutes to live, the remaining running time of the motion picture until the identity of the person who set Gramm up is exactly 88 minutes. (yiiiiiiissssss. From what I recall they don’t make a big deal out of this, it was just kind of a fun trick)

The movie trailer of the film reveals parts of scenes that failed to reach the final cut, most obvious of which were flashbacks of the trial convicting Jon Foster. (I wish this movie was called 888 minutes so I could just live inside of it. Let’s get a tv series going, call me Netflix)

Was scheduled for release in 2005 but the release date was pushed back numerous times. (awesome)

Jon Avnet replaced James Foley as director. (Probably at the last minutes, and I thank him for it)

Filmed on campus at the University of British Columbia and in Vancouver, BC, Canada

Nominated for the Razzie Award for Worst Actor (Al Pacino)

Nominated for the Razzie Award for Worst Supporting Actress (Leelee Sobieski)

In the Name of the King: A Dungeon Siege Tale Preview

A small note prior to this post: Once again we take a look back at the movies that we watched over five years ago and choose a Hall of Fame class, five movies that we thought embodied BMT in some way. Perhaps they were particularly bad, or an example of a specific bad movie trope, whatever, something made them stand out as special in our minds. Since we didn’t do email previews back in 2011/2012 we also decided to provide a preview for the movie as well. This is the first in a series of five leading up to our yearly awards the Smaddies Baddies. A recap (Hall of Fame speech really) will follow immediate afterwards to explain why the movie was chosen, things we loved about the movie, and things we discovered upon second viewing. Enjoy!

In the Name of the King: A Dungeon Siege Tale (2007) – BMeTric: 85.7

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(Wow that started low. The way this is fading makes me wonder how much actual legs this has in the end, but there is a reason this is one of the worst reviewed films on IMDb. Other than that not much else to say, classic legendary bad movie.)

Leonard Maltin – BOMB –  Reluctant warrior Statham joins forces with a brave king (Reynolds) to battle a treacherous usurper (Lillard) and a wicked wizard (Liotta). Another video-game-inspired fiasco from the unfortunately prolific Boll. Even with a bigger budget and better actors than usual, this is a plodding patchwork of haphazardly edited action sequences. Alternate version runs 162 min.

(I will likely try and watch the (gulp) three hour cut. Jamie owns it, although on Blu-Ray I think. Regardless that cut it likely happening and I will not enjoy. Deep burn on Uwe, but that is expected since Uwe is a terrible filmmaker who has been openly ridiculed by critics for years.)

Trailer – https://www.youtube.com/watch?v=A7Um98FZei8

(You can kind of see the ridiculousness of the fight scenes in this film from the trailer. And you can kind of see how ridiculous everyone’s costumes are. But they keep this generic-fantasy for now. Smart.)

Directors – Uwe Boll – (Future BMT: Alone in the Dark; House of the Dead; BloodRayne; Postal; Blackwoods; Bailout: The Age of Greed; BMT: In the Name of the King: A Dungeon Siege Tale; Razzie Notes: Won for Worst Director in 2009 for In the Name of the King: A Dungeon Siege Tale, Postal, and Tunnel Rats; Nominated for Worst Director in 2006 for Alone in the Dark; and in 2007 for BloodRayne; and Nominated for Worst Supporting Actor for Postal in 2009; Notes: Well known for spitting out tons of schlock. Was a critic in the 80s and seems to revel in bad reviews. He challenged a number of critics to a boxing match and won all of the matches as chronicled in Raging Boll)

Writers – Doug Taylor (screenplay & story) – (Known For: Splice; A Christmas Horror Story; They Wait; BMT: In the Name of the King: A Dungeon Siege Tale; Razzie Notes: Nominated for Worst Screenplay for In the Name of the King: A Dungeon Siege Tale in 2009; Notes: Canadian. He had a few interesting articles written about how he still lived in Montreal, even while working on promoting a big project like Splice. I don’t know what he’s precisely up to know, but it is an interesting glimpse into a screenwriters world. The number of projects he was working on was noted as “head-spinning” and yet he only has had four credited screenwriting jobs result in a theater release. It sounds nuts.)

Jason Rappaport and Dan Stroncak (story) – (BMT: In the Name of the King: A Dungeon Siege Tale; Notes: I don’t think these guys are necessarily writing partners, but there is no info on them. I think they probably work for Uwe Boll’s production company? Would make sense to have Taylor write the script, and then have some of your own guys help with whatever Uwe wants in there.)

Chris Taylor (video game “Dungeon Siege”) – (BMT: In the Name of the King: A Dungeon Siege Tale; Notes: Just the video game guy. Was named the 30th most influential developer of all time in 2002. Left his company in 2016 to work on indie games)

Actors – Jason Statham – (Known For: Fast & Furious 8; Fast & Furious 7; Snatch; Spy; Furious 6; The Italian Job; Lock, Stock and Two Smoking Barrels; Collateral; The Expendables; The Expendables 2; Parker; Homefront; The Mechanic; The Transporter; Death Race; The Bank Job; Hummingbird; Transporter 2; Future BMT: The Pink Panther; Wild Card; The One; Transporter 3; 13; Turn It Up; Killer Elite; Revolver; Mean Machine; London; BMT: Crank; Crank: High Voltage; In the Name of the King: A Dungeon Siege Tale; Ghosts of Mars; Mechanic: Resurrection; The Expendables 3; Notes: An all-star of BMT naturally. I’ve also heard great things about him over the years. Mainly that he’s hilarious and has a magnetic personality. Makes sense.)

Ron Perlman – (Known For: Fantastic Beasts and Where to Find Them; Pacific Rim; Drive; Hellboy; The Bleeder; Tangled; Alien Resurrection; Blade II; Hellboy II: The Golden Army; Percy Jackson: Sea of Monsters; Enemy at the Gates; The Book of Life; The Spiderwick Chronicles; The Name of the Rose; Looney Tunes: Back in Action; Titan A.E.; The City of Lost Children; Kid Cannabis; Poker Night; La guerre du feu; Future BMT: Police Academy: Mission to Moscow; The Island of Dr. Moreau; Conan the Barbarian; Mutant Chronicles; Sleepwalkers; Bad Ass; Down; The Ice Pirates; Stonewall; Skin Trade; Outlander; Bunraku; Star Trek: Nemesis; Crave; Romeo Is Bleeding; BMT: In the Name of the King: A Dungeon Siege Tale; Season of the Witch; Notes: We should watch Ice Pirates. Ron Perlman is probably most well known now for either Sons of Anarchy or Hellboy, but he’s been in a bunch of stuff obviously. Was in Del Toro’s debut Chronos in 1993 which lead to a life-long friendship.)

Ray Liotta – (Known For: Goodfellas; The Place Beyond the Pines; Blow; Sin City: A Dame to Kill For; Identity; Killing Them Softly; Bee Movie; Date Night; The Iceman; Field of Dreams; Cop Land; Kill the Messenger; Heartbreakers; Youth in Revolt; Muppets Most Wanted; Narc; Something Wild; Unlawful Entry; Battle in Seattle; Observe and Report; Future BMT: Turbulence; The Son of No One; Operation Dumbo Drop; Crazy on the Outside; Revenge of the Green Dragons; The Identical; Forever Mine; Even Money; Powder Blue; Revolver; Better Living Through Chemistry; The Lonely Lady; The Death and Life of Charlie St. Cloud; Unforgettable; Slow Burn; Smokin’ Aces; Corrina, Corrina; Hannibal; Crossing Over; Pilgrim; BMT: In the Name of the King: A Dungeon Siege Tale; Wild Hogs; Notes: He is most well known for looking like he is wearing a Halloween mask of himself. Joking, but this is the first movie I watched where I was like Liotta looks a little odd these days. Hugely famous, mainly for Goodfellas, he still gets decent enough jobs. Definitely an interesting career.)

Budget/Gross – $60,000,000 / Domestic: $4,775,656 (Worldwide: $13,097,915)

(So, Uwe Boll had a decent racket going for a while. The way it works is detailed here, but here’s the short version: if you are a German citizen looking for a tax shelter you can set up a shell company, “finance a film” for millions of euros (immediately tax deductible), and then lease back the rights to a Hollywood studio for almost the entire amount saving millions in taxes. The key is having a German director to direct … wait a minute I know a German director by the name of Uwe! I think they closed that loophole, it is the only explanation as to why Uwe isn’t still churning out trash. This is also the definition of “sweet IP”: video games no one else wanted to make into movies … so sell it to Uwe.)

#106 for the Fantasy – Live Action genre

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(A genre of the 2000s. Just about at the nadir of the genre though. Below Troll from 1986, and paired up with Seeker the Dark of Rising (twin film) for bringing down the gross for a time. Has held mostly steady since, but the new Harry Potters could help it along the way.)

#32 for the Sword and Sorcery genre

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(Literally the lowest grossing example released to more than 4 theaters! There isn’t much to the graphic except that it is small and kind of consistently made over the years. Hopefully the disaster that was Warcraft doesn’t handicap the genre too much going forward.)

#34 for the Video Game Adaptation genre

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(This guy basically sits … well around other Uwe films. Not that many video game adaptation are super successful. They are coming hot and quick now though, so we’ll see if they can cross that $100 million threshold consistently.)

Rotten Tomatoes – 4% (2/50): Featuring mostly wooden performances, laughable dialogue, and shoddy production values, In the Name of the King fulfills all expectations of an Uwe Boll film.

(Sick burns … although true. The film looks like a few episodes of The Mighty Morphin Power Rangers strung together. Considering it is through and through a German production … that might actually not be a bad analogy.)

Poster – In the Name of the Sklog: A Dungeon Sklog Tale (C+)

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(I like the color, but not much else. I can kind of give it credit for being in that high-fantasy mold. It is shockingly similar to some of the artwork for Lord of the Rings. But too much going on and not enough done with the font. I’m giving it a C+ for at least being derivative of something good, but most of the deduction is for being cheap looking to boot.)

Tagline(s) – Rise and fight (C+)

(I’ll give it credit for being short and sweet and fantasy-epic-esque. Doesn’t tell you anything, and is boring though, so I mark most of the credit off. Sorry Uwe.)

Keyword(s) – farmer; Top Ten by BMeTric: 85.7 In the Name of the King: A Dungeon Siege Tale (2007); 84.1 Piranha 3DD (2012); 69.8 Year One (2009); 58.0 Monsters: Dark Continent (2014); 57.7 The Seeker: The Dark Is Rising (2007); 49.3 Seventh Son (I) (2014); 45.0 Jeepers Creepers II (2003); 43.8 The Watch (I) (2012); 43.7 The Giant Spider Invasion (1975); 43.7 Priest (2011);

(We will never watch Piranha 3DD, but Priest is going to happen. Farmer is prooooobably pushing it, although The Seeker and Seventh Son did genuinely have farmers in it … and the main character of this is literally “Farmer”.)

Notes – Kevin Smith and Juliette Lewis were filming Catch and Release (2006) on an adjoining set, and came to visit this set. Burt Reynolds saw them steal two boxes of Krispy Kreme donuts. (I believe it, but Burt Reynolds throughout these notes sounds ridiculous).

Script development took over a year. In the end, Doug Taylor re-wrote eighty percent of the script, because the original story was considered too reminiscent of the “Lord of the Rings” trilogy. (Amazing, what could the storyline have even been?)

Production of the computer graphics imagery in the movie was convoluted and problematic. Uwe Boll claims he had to fire several different CGI providers, who outsourced their jobs to lower-quality providers, who worked for less money. (Yup, this is why graphics in movies causes so much trouble, bullshit like this)

The “medicine” Merick gives Farmer was actually tea mixed with ketchup. Uwe Boll purposely concocted the mixture to get a disgusted reaction from Jason Statham.

During production, Uwe Boll sponsored a charity visit to the set. Guests got to see behind-the-scenes work, and proceeds were donated to a children’s hospital. Reportedly, Ray Liotta was extremely upset by it. In future interviews, he talked about how “crazy” Boll was for allowing so many spectators onto the set.

Siu-Tung Ching’s salary was higher than Uwe Boll’s. (HA!)

Jason Statham filmed many of his action scenes while nursing an injured tendon in his foot. He is noticeably impaired while running.

John Gajdecki had trouble filming many visual effects shots, especially scenes with outdoor “greenscreens”. Jan Kruse left the project, due to conflict with Gajdecki, who was eventually fired, and replaced by Doug Oddy. (These notes are ridiculous)

Some of the Krug costumes cost over ten thousand dollars each to produce. (Not a great idea)

Uwe Boll considered releasing the original cut of the film in two installments because of its length. Instead, it was edited into a theatrical release, and the Director’s Cut was released on DVD. (Smart …)

While filming an outdoor fight scene, Burt Reynolds grew overheated in his armored costume, became unconscious, and fell from the platform, on which the duel was being filmed. Reynolds claims this was the only time in his career that he had to miss a day of filming, due to sickness or injury.

Kevin Costner was offered the lead role. Uwe Boll claims Costner wasn’t interested in filming a large-scale action film, and instead offered Boll the opportunity to direct the project he was working on at the time, Mr. Brooks (2007). Boll turned it down. (WHAT, why would anyone offer Boll to director anyone?)

Claire Forlani was the last major performer to be cast. Her role had been previously offered to Jessica Alba and Jessica Biel. (Who probably just laughed into the phone for half a minute)

Though Siu-Tung Ching was the action Director, Uwe Boll personally choreographed the scene featuring Jason Statham and Ron Perlman fighting the Krug in the barn. (The one where it literally looks like Puttys from Power Rangers I think)

A day of filming was lost due to heavy fog. Some of the forest terrain and mountaintops could only be accessed via helicopter, and on a particular foggy day, Uwe Boll and part of his crew were literally stranded on a mountain for over two hours, because the helicopter wouldn’t take off.

Burt Reynolds extensively re-wrote and edited the dialogue for his death scene, creating friction with Script Supervisor Ingrid Kenning. Reynolds had never played a character who died in a film, and was adamant that the scene be something special.

Won the Razzie Award for Worst Director (Uwe Boll)

Nominated for the Razzie Award for Worst Picture

Nominated for the Razzie Award for Worst Supporting Actress (Leelee Sobieski)

Nominated for the Razzie Award for Worst Supporting Actor (Burt Reynolds)

Nominated for the Razzie Award for Worst Screenplay (Doug Taylor)

Jaws 3-D Preview

Every cycle is new and different in the BMT-verse, but one thing stays the same: the Chain Reaction always puts us in a tough spot. We have to navigate the past, current, and future cycles all at once or else we might paint ourselves into a corner. This cycle was no different and it left us with only one true spot. That’s right! We’re doing Jaws 3-D-Tox! We’re making our way from The Beverly Hillbillies through the lovely Lea Thompson to the first of the two Jaws sequels that qualify for BMT, Jaws 3-D. Apparently at the time the underwater 3-D photography for the film was actually pretty amazing, but it has been lost to film. Despite this it was still nominated for Worst Picture at the 1983 Razzies, so another feather in our BMT cap. As for D-Tox there was really no other choice for straight-to-DVD as this cycle represented one of the few times we could watch one of films Sly Stallone made in the early 2000’s. This was when his career was really waning and he consecutively made Driven, this, Avenging Angelo, Spy Kids 3-D, and Shade before resuscitating his career with the criminally overrated Rocky Balboa. D-Tox has been on our radar for a while because of just how bad its title is, not to mention that it was released in Europe under an even worse name: Eye See You. Unacceptable! Let’s go!

Jaws 3-D (1983) – BMeTric: 84.7

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(See! Last week I wondered about votes just kind of … tailing off. This is more like it. I really do think Ghosts of Girlfriends Past is just slipping into obscurity. The rating is astonishingly low. Like crazy low. I’m kind of shocked. Take a peek below … this is a film Leonard Maltin gave 2 stars. The reviews aren’t overwhelmingly bad … why do people hate this so much. I am intrigued.)

Leonard Maltin – 2 stars –  Road-company Irwin Allen-type disaster film, unrelated to first two Jaws except by contrivance; this time a shark’s on the loose in Florida’s Sea World. (Does this make it an unofficial remake of Revenge of the Creature?) Might play on TV, but in theaters its only real assets were excellent 3-D effects. Retitled Jaws III for TV and home video.

(Jesus, this review is excellent. Back-to-back hyphen / semi-colon work to open. Two (count’em, two!) older film references (Irwin Allen, the father of the disaster film, and, of all things, Revenge of the Creature). Nice and short, and I’m all about a plot driven by contrivance, so getting me excited.)

Trailer – https://www.youtube.com/watch?v=zMlx33ov82c

(A little bit less information than we traditionally see in trailers for BMT films. Probably for the best considering this just shits all over the previous two films …)

Directors – Joe Alves – (BMT: Jaws 3-D; Razzie Notes: Nominated for Worst Director for Jaws 3-D in 1984; Notes: His one-and-done director job. He is mainly an art director and production designer, including for three Spielberg films (Jaws, The Sugarland Express, and Close Encounters).)

Writers – Peter Benchley (suggested by the novel “Jaws”) – (Known For: Jaws; Jaws 2; The Island; Future BMT: Jaws: The Revenge; The Deep; BMT: Jaws 3-D; Notes: Grandson of famed humorist Robert Benchley, he appears in Jaws as the man reporting the shark attacks at Amity on Fourth of July weekend.)

Richard Matheson (screenplay) – (Known For: I Am Legend; Real Steel; The Box; What Dreams May Come; Stir of Echoes; Twilight Zone: The Movie; The Omega Man; Somewhere in Time; The Legend of Hell House; The Last Man on Earth; The Incredible Shrinking Man; Pit and the Pendulum; The Fall of the House of Usher; The Devil Rides Out; The Raven; Tales of Terror; The Comedy of Terrors; Fanatic; Night of the Eagle; Future BMT: Loose Cannons; The Incredible Shrinking Woman; De Sade; BMT: Jaws 3-D; Razzie Notes: Nominated for Worst Screenplay for Jaws 3-D in 1984; Notes: Wrote the book I Am Legend, What Dreams May Come, among others. Likely he got involved with Spielberg because he wrote the short story Duel which was Spielberg’s first film.)

Carl Gottlieb (screenplay) – (Known For: Jaws; Jaws 2; The Jerk; Doctor Detroit; Future BMT: Caveman; BMT: Jaws 3-D; Razzie Notes: Nominated for Worst Screenplay for Jaws 3-D in 1984; Notes: Wrote the famous book The Jaws Log about the difficult production of the original Jaws. Heavily involved with the Writers’ Guild.)

Guerdon Trueblood (story) – (BMT: Jaws 3-D; Razzie Notes: Nominated for Worst Screenplay for Jaws 3-D in 1984; Notes: Highly successful television writer, he ended up writing several made-for-television creature features including The Savage Bees.)

Michael Kane (additional dialogue) (uncredited) – (Known For: All the Right Moves; Southern Comfort; Future BMT: Smokey and the Bandit Ride Again; BMT: Jaws 3-D; Notes: Appears to have retired around 1994, he rocked multiple movies per year from ‘79 to ‘83. Solid early-80s run.)

Actors – Dennis Quaid – (Known For: The Day After Tomorrow; The Parent Trap; Any Given Sunday; Footloose; Traffic; Wyatt Earp; The Rookie; Soul Surfer; Innerspace; DragonHeart; Frequency; The Right Stuff; Stripes; Truth; Breaking Away; Enemy Mine; Far from Heaven; Dreamscape; At Any Price; Playing by Heart; Future BMT: Legion; Cold Creek Manor; Yours, Mine & Ours; Beneath the Darkness; G.I. Joe: The Rise of Cobra; Horsemen; Something to Talk About; Flight of the Phoenix; The Alamo; Caveman; Undercover Blues; Vantage Point; Switchback; Wilder Napalm; Pandorum; A Dog’s Purpose; All Night Long; BMT: Jaws 3-D; Movie 43; What to Expect When You’re Expecting; Playing for Keeps; Notes: The more successful brother of Randy Quaid. He plays in a band called “The Sharks” … which is kind of funny because he claims he doesn’t really remember making this film.)

Bess Armstrong – (Known For: Serial Mom; Pecker; Dream Lover; Nothing in Common; The Four Seasons; Diamond Men; Future BMT: That Darn Cat; Second Sight; BMT: Jaws 3-D; Notes: Onca said about Tom Selleck: “he has some real power now, but he doesn’t use that, or his charm, to exploit women. He genuinely seems to like women. For an actor, that’s rare.”)

Simon MacCorkindale – (Known For: Death on the Nile; The Sword and the Sorcerer; BMT: Jaws 3-D; Wing Commander; Notes: Was on 230 episodes of Casualty. He died in 2010 from cancer.)

Budget/Gross – $18 million / Domestic: $45,517,055 (Worldwide: $87,987,055)

(Absolutely smashing it. People do like a creature feature sequel.)

#190 for the 3D genre

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(It is staaaark how many more 3D films came out in the last 10 years compared to in the 80s. People think these films are dying … but they’re going pretty strong it looks like. Right around The Great Wall from this year!)

#27 for the Creature Feature genre

jaws3d_creaturefeature

(We are seeing a resurgence after the boom following Jurassic Park could repeat that success. Things like Jurassic World and Kong: Skull Island seem like the genre is truly back.)

Rotten Tomatoes – 11% (3/28): No consensus yet

(I’ll have to make my own!: A testament to the greed and arrogance that ultimately lead to a sort of studio collapse in the 90s, this represents nothing more than yet another dumb sequel. The reviews are pretty brutal, although all from after the fact. This film got me wondering about sequelitis, but creature features in particular always had a lot of sequels (like Godzilla), so it wasn’t unique to the “modern” studio system. Still, given the joke about Jaws 19 in Back to the Future Part II, the awareness of the problem was there.)

Poster – Sklogs 3-D (B+)

jaws_3d

(Why do I like this poster so much? Like, I like the symmetry, and how it tries to get across the 3-D. I deduct a bit because the big shark looks very silly, but then the foreground with the water skiers is fun. I dig it.)

Tagline(s) – The third dimension is terror. (D-)

(My initial gut reaction was “I dig it”, but then my brain had time to process the nonsense that is actually there. The third dimension is terror. So like, x, y, and terror? It is lucky it doesn’t get an F.)

Keyword(s) – shark; Top Ten by BMeTric: 87.9 Jaws: The Revenge (1987); 84.7 Jaws 3-D (1983); 84.2 Movie 43 (2013); 81.4 The Adventures of Sharkboy and Lavagirl 3-D (2005); 77.1 Shark Night 3D (2011); 62.2 My Super Ex-Girlfriend (2006); 57.0 Chairman of the Board (1998); 55.5 Dark Tide (2012); 51.8 Return to the Blue Lagoon (1991); 51.2 Sand Sharks (2012);

(We’re leaving a bit of flotsam in our wake with this one, as Jaws: The Revenge will have to be done another time. This is actually an incredible list minus the comedies which “merely have a shark in them”, but Return to the Blue Lagoon? Yes please.)

Notes – According to the book “Roy Scheider: a film biography” (2002) by Diane C. Kachmar, Scheider, who starred in the first two Jaws movies, once said, “Mephistopheles….couldn’t talk me into doing [it]…They knew better than to even ask”. Reportedly, Scheider agreed to make Blue Thunder (1983) in order to ensure that he was definitely and contractually unavailable for this film. Scheider had made Jaws 2 (1978) reluctantly due to a contract issue with Universal Studios whereby he owed the studio two films after withdrawing from The Deer Hunter (1978). To get out of this situation, he opted to make to do Jaws 2 (1978), a picture he didn’t want to work on, in exchange for the studio releasing him from his contract.

The shark was 35 feet long, 10 feet longer than previous films.

David Brown and Richard D. Zanuck, producers of the first two films, originally pitched this as a spoof, based on a suggestion by Matty Simmons and John Hughes. Titled “National Lampoon’s Jaws 3, People 0”, it was about a movie studio trying to make a second sequel to Jaws (1975). It opened with author Peter Benchley being eaten in his pool by a shark, and included a naked Bo Derek and shark-costumed aliens. Joe Dante was attached as director. Steven Spielberg rejected the idea and threatened to walk from his deal with Universal. When Zanuck and Brown learned of the rejection, they quit the studio. (That movie would have been terrible. But it is kind of funny to think of how excited Zanuck and Brown must have been about this idea to quit the studio over it).

In a later interview Dennis Quaid referred to this movie as “I was in Jaws what?”

Lea Thompson’s feature film debut. (Noice, I love Lea Thompson)

The female dolphin called Sandy in the movie is really a male dolphin named Capricorn. He currently lives in Discovery Cove which is owned by SeaWorld Orlando and has interactions with guests like giving them rides and doing tricks for them. Capricorn is 50 years old. (fuck SeaWorld)

In later interviews, writer Richard Matheson claimed that the film was bedeviled with script doctors that ruined the central premise of a white shark swimming upstream and becoming trapped in a lake.

The film made $13,422,500 in its first weekend of release. At the time, that was the highest grossing opening for a 3-D film, it wouldn’t be until 20 years later when Spy Kids 3-D Game Over broke that record ($33,417,739).

The filmmakers initially planned to have very few “pop-out” effects where objects extend beyond the screen in 3D. Studio executives ultimately pressured them to include more, worried that audiences would leave disappointed and spread bad word-of-mouth if the 3D were used mainly for depth. (I cannot wait to notice all of this garbage in 2D)

This is the only film ever directed by Joe Alves. (One and done, one and done, one and done!)

Actresses Lorraine Gary and Fritzi Jane Courtney starred in three of the four “Jaws” films. This movie is the only one that they don’t appear. It is also arguably the only one that Roy Scheider does not appear, given the fact that he appeared in the first two films, and the fourth, Jaws: The Revenge (1987), but in the latter only via the inclusion of a framed photograph, and archive footage used for flashbacks.

This sequel did not use any actors from the first two Jaws movies, Jaws (1975) and Jaws 2 (1978).

The movie was part of an early 1980s cycle of 3D movies that also included Starchaser: The Legend of Orin (1985), Metalstorm: The Destruction of Jared-Syn (1983), Jaws 3-D (1983), Parasite (1982), Amityville 3-D (1983), Comin’ at Ya! (1981), Friday the 13th Part III (1982), Spacehunter: Adventures in the Forbidden Zone (1983) and El tesoro de las cuatro coronas (1983) [“Treasure of the Four Crowns”].

“Jaws 3-D” and “Halloween III: Season of the Witch” have several things in common. Both are the third films in a popular series that began with very successful films released in the 1970s (“Jaws” (1975) and “Halloween” (1978)), both of which launched the careers of their respective directors (Steven Spielberg and John Carpenter). Both were set in new locales not seen in the first two films (the “Jaws” movies took place in Amity Island, and the “Halloween” movies in Haddonfield, Illinois), and were unsuccessful attempts to deviate from previous sequels, which had been highly derivative of the originals (“Jaws 2” (1978) and “Halloween II” (1981)). And both were made by first-time directors who had been the production designers of the previous films (Joe Alves for “Jaws” and Tommy Lee Wallace for “Halloween”).

The movie was directed by Joe Alves who had been the production designer on Jaws (1975) and Jaws 2 (1978) and was also the second unit director for on the latter. Trade paper ‘Variety’ said “Joe Alves was instrumental in the design of the first Jaws shark and was the unsung production hero in both the first two pictures”.

This film was the first shot on Arriflex’s single-camera ArriVision 3D system. However, the system was not actually ready for use until a week into production. During the wait, the Optimax and StereoVision 3D systems were used. All of the footage from the Optimax system was deemed unusable and thrown out (that system was prone to serious misalignment issues), while StereoVision was deemed acceptable enough that it continued to be used for second-unit work through the entire production. ArriVision footage makes up the bulk of the final film, with the earliest-shot and second-unit scenes shot in StereoVision and miniatures and effects shot with a two-camera beam-splitter system similar to later digital 3D setups.

The only Jaws movie which does not feature any scenes filmed at Martha’s Vineyard, known as Amity Island in the series. (BOOOOOOOOOOOOOOOO)

Veteran editor Verna Fields, who won an Oscar for editing the first film, recommended Joe Alves as director.

One of a cycle of 1980s and late 1970s movies that got made after the box-office success Jaws (1975). The films include that movie’s three sequels, Jaws 2 (1978), Jaws 3-D (1983), and Jaws: The Revenge (1987), as well as Orca (1977), Piranha (1978), Tentacles (1977), Killer Fish (1979), Barracuda (1978), Tintorera… Bloody Waters (1977), Blood Beach (1980), Piranha Part Two: The Spawning (1981), L’ultimo squalo (1981), Up from the Depths (1979), Monster (Humanoids from the Deep) (1980), L’isola degli uomini pesce (1979), Devouring Waves (1984) and Mako: The Jaws of Death (1976). (I want to see these)

The characters of Mike Brody (Dennis Quaid) and Sean Brody (John Putch) are the sons of Chief Brody (Roy Scheider) from Jaws (1975) and Jaws 2 (1978).

All the appliances seen in the film’s interior shots were Sears Kenmore-branded. However, this was not intentional. (Awesome secret sponsor)

Awards – Nominated for the Razzie Award for Worst Picture (Rupert Hitzig)

Nominated for the Razzie Award for Worst Supporting Actor (Louis Gossett Jr.)

Nominated for the Razzie Award for Worst Director (Joe Alves)

Nominated for the Razzie Award for Worst Screenplay (Richard Matheson, Carl Gottlieb, Guerdon Trueblood)

Nominated for the Razzie Award for Worst New Star

Lara Croft: Tomb Raider Preview

Let keep the Bring a Friend magic flowing right into the action genre. We took the opportunity to grab a classic of the BMT action subgenre of video game films, while also grabbing a horrifically reviewed TV Movie of 2017. That’s right! We’re watching Lara Croft: Tomb RaiDirty Dancing (2017). Lara Croft: Tomb Raider was wildly successful as far as video game adaptations go, so I think people would be surprised to find just how poorly reviewed the film actually was. It’s crazy we haven’t already seen it. As for the Dirty Dancing TV remake, I heard only horrendous things about it. Hard to remake a classic from the 80’s with a total nobody in the iconic Swayze role and Abigail Breslin as Baby. Doomed from the start. Hopefully it’s a trainwreck and not just a snoozefest. Let’s go!

Lara Croft: Tomb Raider (2001) – BMeTric: 40.8

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(So last week Jamie asked me why, if we were to assume xXx: Return of Xander Cage and xXx were somewhat equivalent, The Return of Xander Cage has a 5.2 on IMDb, but xXx has a 5.8. Voila! If you map the 50 thousand votes The Return of Xander Cage has thus far received, and the 150 thousand vote xXx received since 2002, it is well within the realm of possibility that regression to the mean could get The Return of Xander Cage up near the original. Oh, Lara Croft? Lots and lots of votes, slightly below average, likely to be just as ludicrous as xXx or The Return of Xander Cage, so we got that going for us.)

Leonard Maltin – 1.5 stars –  Jolie plays the sexy British archeologist-adventurer who follows her late father’s instructions to find – and destroy – both pieces of an ancient relic that can control time. Perhaps the dullest action-adventure film ever made, with flat writing and performances (save for Jolie) and lifeless direction, sparked now and them by some flashy set pieces. Voight, Jolie’s real-life father, plays Croft’s dad. BAsed on a popular computer game. To quote a character in the film itself, “Enough of this twaddle!”. Followed by a sequel.

(Oh, yeah it is followed by a sequel. One which will be addressed at some point in time. Both Ebert and Leonard both kind of had “old man” responses to this film, much to the chagrin of some online communities it would seem. Probably doesn’t help that Ebert never really lived down the whole video-games-as-art debacle. These films having gotten >20% on Rotten Tomatoes each actually end up as one of the more successful video game franchise adaptions … amazing.)

Trailer – https://www.youtube.com/watch?v=cnNBqNb3taw

(That looks not great. But … no that looks not great. Like Bulletproof Monk, all wire work and ridiculousness. I think the thing I’m looking most forward to is the CGI. That robot monster and the statues look absolutely dire.)

Directors – Simon West – (Known For: The Expendables 2; Con Air; The Mechanic; Future BMT: When a Stranger Calls; Stolen; Wild Card; The General’s Daughter; BMT: Lara Croft: Tomb Raider; Notes: He turned down Black Hawk Down to direct this movie. From the UK, he started his career in commercials, the most notable is probably this guy for Budweiser.)

Writers – Sara B. Cooper (story) – (BMT: Lara Croft: Tomb Raider; Notes: She appears to be a big name in television writing and production (for things like Continuum and House), so was probably brought in as a script doctor.)

Mike Werb (story) – (Known For: The Mask; Face/Off; Curious George; Future BMT: Firehouse Dog; BMT: Lara Croft: Tomb Raider; Notes: He’s done one thing or another throughout his career, but has mostly stuck to television recently. Was involved with the adaptation of Stretch Armstrong, but that project never saw the light of day.)

Michael Colleary (story) – (Known For: Face/Off; Future BMT: Death Wish V: The Face of Death; Firehouse Dog; BMT: Lara Croft: Tomb Raider; Notes: Long time writing partner of Werb starting with Face/Off.)

Simon West (adaptation) – (BMT: Lara Croft: Tomb Raider; Notes: It is his only credit. Makes a bit of sense, he dropped Black Hawk Down for this, so it would make sense they would give him complete control over the script in the end.)

Patrick Massett (screenplay) – (Known For: Gold; BMT: Lara Croft: Tomb Raider; Notes: Primarily a television writer, but also an actor back in the day. Including a part in a Warf-centric two parter (Reunion and Sins of the Father) of Star Trek The Next Generation. Classic episodes guys.)

John Zinman (screenplay) – (Known For: Gold; BMT: Lara Croft: Tomb Raider; Notes: Writing partner of Massett it would seem. Both nominated as part of a Friday Nights Lights nomination for the Emmys. He doesn’t have the acting cred, but he does appear as a minor writing credit on an early draft of Deep Blue Sea, so he’s got that going for him.)

Actors – Angelina Jolie – (Known For: Maleficent; Wanted; The Good Shepherd; Girl, Interrupted; Mr. & Mrs. Smith; Kung Fu Panda 3; Salt; Kung Fu Panda; Beowulf; Changeling; Sky Captain and the World of Tomorrow; Kung Fu Panda 2; Playing by Heart; A Mighty Heart; Pushing Tin; Hell’s Kitchen; Future BMT: Alexander; Lara Croft Tomb Raider: The Cradle of Life; By the Sea; Life or Something Like It; The Tourist; Shark Tale; Original Sin; Playing God; Taking Lives; Hackers; Gone in Sixty Seconds; Foxfire; Beyond Borders; The Bone Collector; BMT: Lara Croft: Tomb Raider; Razzie Notes: Nominated for Worst Actress in 2002 for Lara Croft: Tomb Raider, and Original Sin; in 2003 for Life or Something Like It; in 2004 for Beyond Borders, and Lara Croft Tomb Raider: The Cradle of Life; and in 2005 for Alexander, and Taking Lives; Notes: Recently got a divorce from Brad Pitt, with whom she had three biological children (along with him adopting her three adopted children). She has more recently been directing films.)

Jon Voight – (Known For: Fantastic Beasts and Where to Find Them; Heat; Holes; Tropic Thunder; Transformers; Deliverance; Mission: Impossible; National Treasure; Enemy of the State; Zoolander; The Manchurian Candidate; Catch-22; The Rainmaker; Midnight Cowboy; Varsity Blues; Ali; Coming Home; U Turn; Runaway Train; Glory Road; Future BMT: Anaconda; Big Fat Important Movie; Four Christmases; Pearl Harbor; Most Wanted; National Treasure: Book of Secrets; Pride and Glory; BMT: Superbabies: Baby Geniuses 2; Bratz; Getaway; Lara Croft: Tomb Raider; September Dawn; Razzie Notes: Nominated for Worst Actor, and Worst Screen Couple for Anaconda in 1998; and Nominated for Worst Supporting Actor in 1998 for Most Wanted, and U Turn; in 2005 for Superbabies: Baby Geniuses 2; and in 2008 for Bratz, National Treasure: Book of Secrets, September Dawn, and Transformers; Notes: Angelina Jolie’s real life father, although he was somewhat famously estranged from his children until their mother’s death.)

Iain Glen – (Known For: My Cousin Rachel; Eye in the Sky; The Iron Lady; Harry Brown; Gorillas in the Mist; Rosencrantz & Guildenstern Are Dead; The Bad Education Movie; Mountains of the Moon; Song for a Raggy Boy; Mrs. Ratcliffe’s Revolution; Future BMT: The Last Legion; Resident Evil: The Final Chapter; Darkness; Resident Evil: Apocalypse; Resident Evil: Extinction; Beautiful Creatures; Kick-Ass 2; The Young Americans; BMT: Lara Croft: Tomb Raider; Notes: Quite famous now for portraying Game of Thrones roguishly handsome Jorah (the Explorer) Mormont.)

Budget/Gross – $115 million / Domestic: $131,168,070 (Worldwide: $274,703,340)

(A reasonable success, and no surprise they quickly moved a sequel into production. I won’t say any spoilers concerning a plot three spots down, but let’s just say video game adaptations don’t usually make this much money.)

#11 for the Action Heroine genre

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(Between two Divergents, not bad. They tried to make this happen around 2005 with Elektra, and Ultraviolet, and Aeon Flux. Didn’t happen. More recently though the releases and box office takes have gone off like a shot. Solid stuff.)

#9 for the Treasure Hunt genre

tombraider_treasurehunt

(Below National Treasure, so not the highest grossing Jon Voight treasure hunting film … I wonder why the genre basically died recently. I wonder if it has to do with treasure hunting just not being a part of superhero films? Or if during uneasy economic times people just don’t want to watch assholes look around for treasure? Hard to tell. I would argue the recent Mummy though had enough treasure hunting elements to count though.)

#1 for the Video Game Adaptation genre

tombraider_videogameadaptation

(This came at a boom of video game adaptations, but it never sparked the necessary fire, almost definitely because none of the films were critically acclaimed. Unbelievable that only two films have broken the one hundred million mark domestically. A ton of these are Uwe Boll films, so basically fake films made for tax breaks.)

Rotten Tomatoes – 20% (31/157): Angelina Jolie is perfect for the role of Lara Croft, but even she can’t save the movie from a senseless plot and action sequences with no emotional impact.

(This is quite a common sentiment. Basically that she’s either fine or good in the role. But basically the movie is nonsense, like all video game adaptation (so far) have been.)

Poster – Lara Sklog: Tomb Raider (C+)

lara_croft_tomb_raider

(Much like The Mummy poster from earlier this year, the poster basically just screams Angelina Jolie: The Movie. Like the grey-blue tone overall and benefits from the video game’s font, but otherwise not particularly interesting.)

Tagline(s) – Born into Wealth. Groomed by the Elite. Trained for Combat. (C-)

(I don’t know where this tagline came from since there isn’t one on the poster. It’s like they read my book about taglines from the future and tried to make one that fit everything I like… and yet somehow I don’t like it. It’s feels like a mad lib. Just filling in the blanks with random words.)

Keyword(s) – tomb; Top Ten by BMeTric: 76.1 I Still Know What You Did Last Summer (1998); 66.3 The Pyramid (2014); 63.4 Dracula 2001 (2000); 61.7 The Mummy: Tomb of the Dragon Emperor (2008); 54.8 An American Werewolf in Paris (1997); 53.5 Gods of Egypt (2016); 52.6 Venom (2005); 50.6 Mortuary (I) (2005); 50.5 Yu-Gi-Oh! The Movie (2004); 50.5 Dylan Dog: Dead of Night (2010);

(Oh yeah, I Still Know What You Did Last Summer had a tomb. The rest of these movies though, yikes! I would think I Know Who Killed Me would qualify, so I can only assume this is a case of missing links.)

Notes – When Lara starts smashing the clock with a hammer, Hillary (the butler) uses a silver tray to protect his face. This is a reference to the games in which -while exploring Croft Manor- the player can shoot at the butler who then also uses the tray he’s carrying around to protect himself. (So most of these claimed references are pushing it … but this one is actually quite nice).

Lara Croft’s father is played by Angelina Jolie’s real life father, actor Jon Voight.

Highest grossing action film with a woman in lead role. Second is Aliens (1986). (Definitely no longer true, the Hunger Games films gross about as much as this film did domestically in their opening weekends)

Lara Croft is English and Alex West is American. However, the actress Angelina Jolie who plays Croft is American and Daniel Craig, the actor who plays West, is English. (Yeah, Daniel Craig sounds super weird with his phony American accent since he’s become famous)

In the video game, Lara Croft is a 36DD. Angelina Jolie is naturally a 36C, and was padded to a 36D for the movie, as it was felt that padding to the original character size would be too unrealistic. (Creepy facts dudes)

This film marks the first time in more than three decades that a Hollywood production has been filmed in Cambodia, the previous film being Lord Jim (1965).

Lara has been given several gadgets in the film which are specific nods at certain gameplay features (of the Tomb Raider game and games in general) – among them the reloader belt or back pack (allowing her to reload her guns very quickly and without fidgeting about with clips or bullets) and the back pack itself (which almost mysteriously “swallows” any item moved close to its bottom or side by Lara, like the first half of the Triangle).

The makers at first envisioned the scenes ultimately shot in Cambodia taking place at the Great Wall of China. When schedule didn’t allow for this to happen, the alternative was to build the Great Wall in Scotland. Ultimately, they opted for the stone temples of Cambodia instead.

Apart from normal jumping, the only moves Lara Croft (Angelina Jolie) does in the movie which can also be done in the games is the jump over the living statue and rolls in the air. This can be done in the Playstation game by pressing forward and square, then circle while in the air.

Lara’s training robot is named Simon, after the director Simon West.

Angelina Jolie was extremely hesitant towards wearing Lara’s famous short shorts that she wears in the games and the opening fight scene with Simon, however she eventually agreed because she knew it would make the fans of the character happy.

Lara Croft uses an Ericsson Bluetooth Headset and an Ericsson R310 mobile phone. (So many of these facts are literally just the objects in the movie. You have no idea how many very specific gun identifications I had to delete from this like. Gun IMDb is a thing, and this movie must … attract the kinds of people who post to that).

Angelina Jolie took drug tests to test her mental well being during filming due to concern about the rumors of drug use and her relationship with Billy Bob Thornton. (weird!)

Executive producer Stuart Baird did uncredited re-editing work on this film and Mission: Impossible II (2000) for Paramount in exchange for the job of directing Star Trek: Nemesis (2002). (Ha! Nemesis is supposed to be by far the worst Star Trek film so …)

Stephen Herek was originally supposed to direct, but he dropped out to make Rock Star (2001) instead. (eeeeeh, about the same)

The rather odd looking record player, shown for a brief second, when she is doing her bungee ballet, in her house is a Clear, Audio Master Reference Table. It comes all Gold plated, And Retails for $27,000 U.S.D. (See, other people are as weird about movie things as we are about settings).

Nominated for the Razzie Award for Worst Actress (Angelina Jolie)