Grown Ups Preview

Brief note before we start: last July we got together yet again and worked out a fourth class to be inducted into the Smaddies Baddies BMT Hall of Fame. It has been nearly a decade since we started BMT and as usual the films from more than five years ago might just deserve a rewatch, a reassessment, and a recap. The previews and speeches will be released leading up to the seventh (ninth?) Smaddies Baddies for the five films chosen. For this inductee we went looking for a bad movie for the people. A bad movie that the whole family could enjoy. And maybe, we’ll also get an extended commercial for KFC, or Dick’s Sporting Goods, or Hooters thrown in for good measure! That’s right, we are rewatching Grown Ups 2. The first Sandler inductee, and honestly very likely the only one. Just consider this a lifetime achievement award for his work in the 2000s. This is the updated preview for the original Grown ups. There will also be a review for the sequel and then the Hall of Fame Speech will follow to explain why we think Grown Ups 2 is Hall of Fame worthy.

Generated on: 2020-01-09

Grown Ups (2010) – BMeTric: 37.6; Notability: 39 



(A shade under 6.0 is right where I would have expected it to be. This film seems to be beloved by people who were relatively young when it came out. It was on Netflix for years so it was probably on repeat in some households.) – 2.0 stars – The direction by Dennis Dugan never overcomes the ungainly size of the cast. It’s such a challenge to keep all the characters alive that he sometimes does round-robins of reaction shots — a fatal strategy when it comes to timing. Some of the dialogue is broken down into one-shots; some of the characters spend stretches merely responding. It’s all, as I said, pleasant and good-natured, but it feels too much as if all these nice people are trying to keep the conversation going. A comedy it is, but “The Hangover” or “Death at a Funeral” (2007) it isn’t.

(Round-robin of reaction shots is exactly how I would have described this film. I completely agree with this review. It is a bizarre film involving legitimately good friends ripping on each other. I find it a bit distressing if I’m being honest.)

Trailer –

(There is something very odd about Rob Schneider’s character in this movie. Like … did he ask to do a character? Everyone else if effectively playing themselves, or at least can dress like a normal person during the film. But he is wearing like a wig and a poncho the entire time and has an old lady wife? What a bizarre choice.)

Directors – Dennis Dugan – (Known For: Happy Gilmore; Brain Donors; Future BMT: You Don’t Mess with the Zohan; Problem Child; Beverly Hills Ninja; National Security; Saving Silverman; Big Daddy; BMT: Jack and Jill; Grown Ups 2; The Benchwarmers; Grown Ups; I Now Pronounce You Chuck & Larry; Just Go with It; Razzie Notes: Winner for Worst Director in 2012 for Jack and Jill, and Just Go with It; and Nominee for Worst Director in 2000 for Big Daddy; in 2008 for I Now Pronounce You Chuck & Larry; and in 2014 for Grown Ups 2; Notes: His ex-wife Joyce Van Patten plays the wife of Rob Schneider’s character in the film. Van Patten is 11 years older than Dugan.)

Writers – Adam Sandler (written by) – (Known For: Happy Gilmore; Billy Madison; Hotel Transylvania 2; Future BMT: Little Nicky; The Week Of; You Don’t Mess with the Zohan; Sandy Wexler; Eight Crazy Nights; The Waterboy; Big Daddy; BMT: Jack and Jill; Bucky Larson: Born to Be a Star; The Ridiculous 6; Grown Ups 2; Grown Ups; Notes: He wrote the upcoming Hubie Halloween, which honestly sounds like Ernest Scared Stupid, but starring Adam Sandler.)

Fred Wolf (written by) – (Known For: I Want Candy; Future BMT: Dickie Roberts: Former Child Star; Without a Paddle; Joe Dirt; Black Sheep; Dirty Work; BMT: Grown Ups 2; Strange Wilderness; Grown Ups; Razzie Notes: Nominee for Worst Screenplay for Grown Ups 2 in 2014; Notes: Was the head writer for SNL, and a director as well. He directed the BMT classic Strange Wilderness.)

Actors – Adam Sandler – (Known For: Uncut Gems; Murder Mystery; The Meyerowitz Stories; The Wedding Singer; Happy Gilmore; 50 First Dates; Punch-Drunk Love; Spanglish; Hotel Transylvania 3: A Monster Vacation; Hotel Transylvania; Billy Madison; Anger Management; Funny People; Hotel Transylvania 2; Reign Over Me; Top Five; Future BMT: The Animal; Little Nicky; Coneheads; The Week Of; You Don’t Mess with the Zohan; The Hot Chick; Sandy Wexler; Eight Crazy Nights; Mr. Deeds; The Do-Over; The Cobbler; Bulletproof; Mixed Nuts; Bedtime Stories; The Waterboy; Airheads; Shakes the Clown; Click; Big Daddy; The Longest Yard; Dirty Work; Men, Women & Children; BMT: Jack and Jill; Deuce Bigalow: European Gigolo; The Ridiculous 6; Zookeeper; Grown Ups 2; Pixels; Deuce Bigalow: Male Gigolo; Grown Ups; I Now Pronounce You Chuck & Larry; Just Go with It; Blended; Notes: Famously threatened to make his worst movie yet if he didn’t get an Oscar nomination for his work in Uncut Gems. He didn’t get that nomination. And thus the countdown begins.)

Adam Sandler Razzie Notes: Winner for Worst Screenplay, Worst Actor, Worst Actress, and Worst Screen Couple for Jack and Jill in 2012; Winner for Worst Actor in 2000 for Big Daddy; in 2012 for Just Go with It; and in 2013 for That’s My Boy; Nominee for Worst Screenplay in 2000 for Big Daddy; in 2001 for Little Nicky; in 2012 for Bucky Larson: Born to Be a Star; and in 2014 for Grown Ups 2; Nominee for Worst Actor in 1997 for Bulletproof, and Happy Gilmore; in 1999 for The Waterboy; in 2001 for Little Nicky; in 2003 for Eight Crazy Nights, and Mr. Deeds; in 2008 for I Now Pronounce You Chuck & Larry; in 2014 for Grown Ups 2; in 2015 for Blended; and in 2016 for Pixels, and The Cobbler; Nominee for Worst Screen Combo for The Cobbler in 2016; and Nominee for Worst Screen Couple in 2008 for I Now Pronounce You Chuck & Larry; in 2012 for Just Go with It; and in 2013 for That’s My Boy;

Salma Hayek – (Known For: From Dusk Till Dawn; The Hitman’s Bodyguard; Savages; Sausage Party; The Faculty; Here Comes the Boom; The Hummingbird Project; Traffic; Dogma; Desperado; Across the Universe; Spy Kids 3: Game Over; Once Upon a Time in Mexico; How to Be a Latin Lover; Frida; Tale of Tales; Muppets Most Wanted; Puss in Boots; The Pirates! In an Adventure with Scientists!; Bandidas; Future BMT: Everly; Fled; Cirque du Freak: The Vampire’s Assistant; Lessons in Love; 54; Fools Rush In; Ask the Dust; After the Sunset; The Velocity of Gary; Septembers of Shiraz; La chispa de la vida; Four Rooms; BMT: Wild Wild West; Fair Game; Grown Ups 2; Grown Ups; Razzie Notes: Nominee for Worst Supporting Actress in 2000 for Dogma, and Wild Wild West; and in 2014 for Grown Ups 2; Notes: He is going to star as Ajak in the upcoming Marvel’s The Eternals.)

Kevin James – (Known For: 50 First Dates; Hitch; Hotel Transylvania 3: A Monster Vacation; Hotel Transylvania; Here Comes the Boom; Hotel Transylvania 2; Monster House; Future BMT: You Don’t Mess with the Zohan; Sandy Wexler; Barnyard; True Memoirs of an International Assassin; BMT: Paul Blart: Mall Cop 2; Paul Blart: Mall Cop; Zookeeper; Pinocchio; The Dilemma; Grown Ups 2; Pixels; Grown Ups; I Now Pronounce You Chuck & Larry; Razzie Notes: Nominee for Worst Screenplay, Worst Actor, and Worst Screen Combo for Paul Blart: Mall Cop 2 in 2016; Nominee for Worst Supporting Actor in 2008 for I Now Pronounce You Chuck & Larry; and in 2016 for Pixels; and Nominee for Worst Screen Couple for I Now Pronounce You Chuck & Larry in 2008; Notes: There is an upcoming AMC show called Kevin can F— Himself, which is a play off of Kevin Can Wait, the comedy by Kevin James where they fired his sitcom wife in order to pair him up with Leah Remini again a la King of Queens.)

Budget/Gross – $80,000,000 / Domestic: $162,001,186 (Worldwide: $271,430,189)

(An absolute smash hit. Sandler was really flexing his comedy muscles with this one. This film felt a bit self-indulgent. It wouldn’t be until the second one where they really saw how little they could do (from a comedy standpoint) and still knock a hit out of the park.)

Rotten Tomatoes – 10% (16/166): Grown Ups’ cast of comedy vets is amiable, but they’re let down by flat direction and the scattershot, lowbrow humor of a stunted script.

(Wow, that is a brutal critical reception. I’m surprised it is that low. Again, this film feels self-indulgent in that there is little effort being done, but it also kind of just feels like The Great Outdoors for another generation. Some comedy vets doing a little holiday hijinx. I’m genuinely shocked critics rebelled so clearly. Reviewer Highlight: Feels like the work of people who sat around a table for an hour or so tossing around hackneyed comic notions, then decided to slap them onto the screen and hope for the best. – Stephen Holden, New York Times)

Poster – Sklog Ups (A) 


(I … kind of love this poster. What does it tell us? These guys are all friends, it is the summer, they are older guys reliving the past maybe doing stuff they did as kids, and it has a boatload of famous comedians. That is all I need. It isn’t all white, it isn’t a bunch of faces staring at you … why is this poster so good?)

Tagline(s) – Boys will be boys… some longer than others. (A)

(I also like this tagline! WTF. It takes a classic phrase, and introduces the twist that tells us these are adults who are going to be acting like children during this film. Short and sweet. They put more work into the poster and tagline than they did into the script for this film.)

Keyword – fourth of july

GrownUps_fourth of july

Top 10: It (2017), Zodiac (2007), We’re the Millers (2013), Brokeback Mountain (2005), Grown Ups (2010), Steel Magnolias (1989), Forgetting Sarah Marshall (2008), Cape Fear (1991), Independence Day (1996), Hannibal (2001)

Future BMT: 57.7 The Next Best Thing (2000), 55.9 The Stepford Wives (2004), 55.7 An American Werewolf in Paris (1997), 49.3 Lottery Ticket (2010), 38.2 Chasers (1994), 34.1 The Goods: Live Hard, Sell Hard (2009), 34.0 Mad Money (2008), 30.3 Amelia (2009), 24.2 Blown Away (1994), 18.1 Gung Ho (1986);

BMT: Grown Ups (2010), Independence Day: Resurgence (2016), Jonah Hex (2010), Safe Haven (2013), Tammy (2014), I Still Know What You Did Last Summer (1998), Georgia Rule (2007), Here on Earth (2000)

(I love holiday films. I’m a bit skeptical of a few of these, like Mad Money, but I’m also pretty impressed about the number we have seen. It seems like maybe Fourth of July has become less of a temporal setting recently. Maybe because it is cheesy and expensive? Hard to tell if it is a real trend.)

Welcome to Earf (HoE Number 10) – The shortest path through The Movie Database cast lists using only BMT films is: Adam Sandler is No. 1 billed in Grown Ups and No. 1 billed in Jack and Jill, which also stars Al Pacino (No. 3 billed) who is in 88 Minutes (No. 1 billed), which also stars Leelee Sobieski (No. 3 billed) who is in Here on Earth (No. 1 billed) => 1 + 1 + 3 + 1 + 3 + 1 = 10. There is no shorter path at the moment.

Notes – Maya Rudolph really was pregnant with her second child during filming of this movie.

After the movie premiered, Adam Sandler bought each of his fellow cast members (Chris Rock, Kevin James, Rob Schneider, and David Spade) a brand new Maserati. Rock appreciated the gift but said it made him feel like “Adam Sandler’s bitch”. (hahaha)

Adam Sandler wrote and was set to release this movie in the mid 1990s, with Chris Farley in the Kevin James role. Farley’s death in 1997 halted production plans, and the film was shelved for more than a decade. (Naw it is better when you can have all of the characters have reasonably old children)

Kevin James’ character, Eric Lamonsoff, was also mentioned in another Adam Sandler movie; The Wedding Singer (1998), as a neighbor of Robbie Hart (Adam Sandler) during the scene where Robbie and Julia are negotiating prices for wedding pictures.

Studio executives were not enthused with reports that Salma Hayek would be cast in the film, and in a meeting suggested to Adam Sandler that they continue looking until they could get a “less ethnic” actress in the part. Sandler then told them he’d already offered Hayek the role and she’d accepted, adding that he would not consider re-casting the part and warned them not to bring the subject up again. (That’s pretty racist)

The “flashback” basketball game was filmed at the Huntington Avenue YMCA in Boston. It was filmed on a ninety-five-degree day in a gym with no air conditioning, and all of the extras in the stands were dressed in polyester. Adam Sandler was on-set with Dennis Dugan, and they both guided the team and the cheerleaders during the fifteen-hour shoot.

An early scene where the five male leads all sit in chairs outside the lakehouse in sunshine was actually extremely cold. External heaters were placed out of shot so the actors, who were all dressed in t-shirts and shorts, could warm themselves in between takes.

Adam Sandler’s wife Jackie makes an appearance in the movie when the guys are playing basketball near the end. She plays Tardio’s (Richie Minervini’s) wife. Their two daughters are the real daughters of Adam and Jackie Sandler. (She’s in the sequel as well)

The lake rope swing scene was added at the last second during filming. Adam Sandler told the story of how it happened to him and it was decided to include the scene in the movie. It was then decided it would be funnier if it happened to Eric Lamonsoff (Kevin James).

Despite the rather idyllic summer setting at the lakehouse in Massachusetts, at some point, it rained every day during production. (Is it supposed to be Massachusetts? Is it really? I really seems to me like it should be New Hampshire, but elsewhere it suggests it is in Connecticut like in the second film)

The zipline ride seen in the waterpark sequence is a fictional creation. Health and safety regulations would never allow customers to fly over concrete. (You fucking think?)

Adam Sandler wears a different New England area college shirt or hat in nearly every scene. The colleges that Sandler can be spotted wearing are University of Connecticut (hat), University of Massachusetts (t-shirt), Harvard (t-shirt) with a University of New Hampshire t-shirt, University of Rhode Island (hat), Vermont hockey, and Boston University (sweatshirt). He is also seen wearing a Whalers Hockey t-shirt.

Director Dennis Dugan directed his ex-wife Joyce Van Patten in this movie. Just like depicted in her character Gloria’s relationship with Rob Schneider, also Van Patten is older than Dugan. Though, their age difference (eleven years) is not quite as significant as that of the movie characters.

“Water Wizz”, the water park from the film was also featured in Maya Rudolph’s other film The Way, Way Back (2013).

Awards – Nominee for the Razzie Award for Worst Supporting Actor (Rob Schneider, 2011)

Police Academy Preview

This film was watched as a BONUS along with Police Academy 2: Their First Assignment. Look for that preview for the continued adventures of the Bad Movie Twins.

Police Academy (1984) – BMeTric: 14.4



(Wow dropped from a 30 BMeTric to a sub-15 which is crazy. Why are people all of a sudden thinking this film is funny? Guttenberg is charming perhaps, but genuinely funny? I find it hard to believe.)

Leonard Maltin – 2.5 stars –  Generally good-natured comedy (with typical ‘80s doses of sexism and tastelessness) about a group of weirdos and misfits who enroll in big-city police academy. Winslow’s comic sound effects are perfect antidote for slow spots in script. Followed by far too many sequels, a TV series, and an animated TV series.

(I think this is generally the accepted belief. Winslow and Guttenberg are both serviceable with Winslow’s machine gun sound effect stealing the show at times. Glad he shouted out the sexism and junk, it is fine that that was what the 80’s was like, but we can acknowledge that that shit ain’t funny anymore. Amazing homophobia though as well, gay panic up the wazoo.)

Trailer –

(That is basically it. A series of 80s slapstick vignettes with no real discernible story. Have fun.)

Directors – Hugh Wilson – (Known For: The First Wives Club; Blast from the Past; Guarding Tess; Future BMT: Burglar; BMT: Dudley Do-Right; Police Academy; Notes: Just passed away this last year. Won a Primetime Emmy for writing a show he produced called Frank’s Place.)

Writers – Neal Israel (screenplay & story) – (Known For: Real Genius; Bachelor Party; Police Academy 3: Back in Training; Future BMT: Police Academy: Mission to Moscow; Look Who’s Talking Too; Police Academy 6: City Under Siege; Police Academy 5: Assignment: Miami Beach; Police Academy 4: Citizens on Patrol; Police Academy 2: Their First Assignment; BMT: Police Academy; Notes: Previously married to Amy Heckerling who directed European Vacation, Clueless, Fast Times at Ridgemont High, Look Who’s Talking Etc.)

Pat Proft (screenplay & story) – (Known For: Real Genius; Bachelor Party; The Naked Gun: From the Files of Police Squad!; Naked Gun 33 1/3: The Final Insult; The Naked Gun 2½: The Smell of Fear; Hot Shots!; Hot Shots! Part Deux; Police Academy 3: Back in Training; Brain Donors; Future BMT: Police Academy: Mission to Moscow; Police Academy 6: City Under Siege; Police Academy 5: Assignment: Miami Beach; Mr. Magoo; Police Academy 4: Citizens on Patrol; Scary Movie 4; Scary Movie 3; Police Academy 2: Their First Assignment; High School High; Wrongfully Accused; BMT: Scary Movie 5; Police Academy; Notes: Actually wrote The Star Wars Holiday Special. Wow.)

Hugh Wilson (screenplay) – (Known For: Blast from the Past; Guarding Tess; Future BMT: Stroker Ace; Burglar; Down Periscope; BMT: Dudley Do-Right; Police Academy; Notes: There is a claim on IMDb that he has a screenplay that is going to be produced that is about the first police force assembled in the Middle Ages with an alternate title of Police Academy: 1123… chew on that.)

Actors – Steve Guttenberg – (Known For: Home for the Holidays; Cocoon; Short Circuit; 3 Men and a Baby; Diner; The Boys from Brazil; Amazon Women on the Moon; Police Academy 3: Back in Training; The Bedroom Window; Rollercoaster; Zeus and Roxanne; Future BMT: Police Academy 4: Citizens on Patrol; 3 Men and a Little Lady; Cocoon: The Return; Police Academy 2: Their First Assignment; The Big Green; It Takes Two; High Spirits; Affluenza; Surrender; BMT: Can’t Stop the Music; Police Academy; Notes: The Gutes. IMDb says he turned down the lead in Big and Ghostbusters. Classic Gutes.)

G.W. Bailey – (Known For: Goodfellas; Runaway; Short Circuit; Home on the Range; Q & A; Future BMT: Police Academy: Mission to Moscow; Police Academy 6: City Under Siege; Police Academy 5: Assignment: Miami Beach; Police Academy 4: Citizens on Patrol; Police Academy 2: Their First Assignment; Mannequin; Burglar; Warning Sign; BMT: Police Academy; Notes: High school classmates of Janis Joplin and Jimmy Johnson.)

Kim Cattrall – (Known For: Big Trouble in Little China; Sex and the City; The Ghost; Star Trek VI: The Undiscovered Country; Ice Princess; Masquerade; The Return of the Musketeers; Rosebud; Above Suspicion; Meet Monica Velour; Ticket to Heaven; Midnight Crossing; Future BMT:Sex and the City 2; Mannequin; 15 Minutes; Porky’s; Unforgettable; Turk 182; Live Nude Girls; BMT: Crossroads; Baby Geniuses; The Bonfire of the Vanities; Police Academy; Razzie Notes: Winner for Worst Actress for Sex and the City 2 in 2011; and Nominee for Worst Supporting Actress for The Bonfire of the Vanities in 1991; Notes: Do yourself a favor and read her IMDb trivia because it’s bonkers. I’ll just note that it claims she was one of the last actresses to work on a studio contract. Which is a little nuts.)

Budget/Gross – $4.1 million / Domestic: $81,198,894

(Jesus, hugh hit obviously. No wonder they kept going back to the well time and time and time and time and time and time and time again.)

#6 for the Comedy – Bumbling genre


(This thing beats out modern Kevin James films like Paul Blart 2! That is crazy! It was made in 1984, once you adjust for inflation this must be one of the highest grossing bumbling comedies ever!)

Rotten Tomatoes – 39% (7/18): No consensus yet.

(Juuuuust on the border. It actually just fell below the threshold after they added the Roger Ebert review in April. Given it was a pure 0-star Thumbs Down I suppose it is appropriate it finally gets its due. Reviewer Highlight: Now comes without any doubt the absolute pits of this genre, the least funny movie that could possibly have been inspired by Airplane! or any other movie. – Roger Ebert, Chicago Sun-Times.)

Poster – Sklog Skool (C)


(I do not like this. Not because I don’t like the animated stylings or anything (see my assessment of the sequel’s poster) but because I don’t like the white border, none of the police officers are really even doing anything interesting, and the amount of text is not good. The font is at least somewhat unique.)

Tagline(s) – The new police recruits. Call them slobs. Call them jerks. Call them gross. – Just don’t call them when you’re in trouble. (C)

What an institution! (B-)

(Obviously the first is just too long to give a decent grade. Can’t do it. But I like the repeat of “call” and it ends on a clever note. The second isn’t the most clever, but it is short and sweet with a slight double entendre. So best of the bunch.)

Keyword(s) – big breasts; Top Ten by BMeTric: 57.4 Derailed (2002); 53.7 Police Academy 3: Back in Training (1986); 46.6 Three – III (I) (2005); 38.0 Sheena (1984); 37.7 Flesh Gordon (1974); 28.6 Gor (1987); 28.0 Greta – Haus ohne Männer (1977); 26.4 Flesh Gordon Meets the Cosmic Cheerleaders (1990); 26.1 American Assassin (2017); 25.8 The Best Little Whorehouse in Texas (1982);

(Fun fact: Police Academy 3 doesn’t even qualify … yet. At some point they’ll add some extra review to move it down again. I actually assume that in about 3 years the BMeTric for Police Academy 3 will plummet, given that is what is happening to all the other Police Academy films.)

Notes – Director Hugh Wilson stated that when it came time to film the driving scene with Hightower at 4:30 a.m., the actor originally cast as the angry driver was found passed out drunk in the trailer, so Hugh himself ended up playing the role of the angry driver, into whom Hightower crashes.

In addition to playing Jones, Michael Winslow also supplied the voice for all public address announcements heard at the academy. (Fun Fact)

Producer Paul Maslansky got the idea for this movie during the production of The Right Stuff (1983). A group of police cadets arrived to help with crowd control for the filming of a street scene. When the cadets piled out of the buses to take their posts, they were diverse; men, women, tall, short, black, Asian. They did their jobs so terribly, that Maslansky found it humorous, asking the sergeant, “Are these all going to be future San Francisco’s finest?” The sergeant told him “We have to take anyone who applies into the academy for training–but we can flunk them out in two weeks.” It started Maslansky thinking, “What if they don’t want to be flunked out? What if some guy or girl wants to stay in?” That night, Paul wrote a two-page treatment and gave it to executive producer Alan Ladd Jr., who loved the idea and agreed to develop the movie. (That is pretty awesome. Basically how old Hollywood used to work, just randos writing treatments and making boatloads of cash.)

The location used as the Academy campus was known as the Mimico Lunatic Asylum or variations thereof until 1911, and Lakeshore Psychiatric Hospital from 1964 to 1979. It was acquired by Humber College in 1991, after being mainly used as a site for filmmaking between 1979 and 1991. It is now a renovated and active educational institution. (Fun Fact)

In the DVD “Making of” documentary, Marion Ramsey says she came up with Hooks’ voice by reading the description of her character in the script, and recalling the time she met Michael Jackson. The voice is a parody of Jackson. She also recalls that in the moment where Hooks exclaims “Don’t move, Dirtbag!” the sound techs were used to recording the “meek” voice and were surprised when she said the line so loud. (Huh, that is actually a lot more thought that I thought would have went into it)

The “shoe polish on the megaphone” originated from a prank played on British Director Michael Winner on the set of one of his movies. Hugh Wilson decided to use the gag, after he heard the story from a crew member. (Coooooool)

This is one of few films, to which Roger Ebert gave zero stars, but it was also a very rare zero-star review where Ebert didn’t castigate the film for being depraved or immoral or diseased (something he had made a point of doing in most zero-star reviews, such as those for “Caligula”, “I Spit on your Grave”, and “Death Wish II”. He just said it was a would-be comedy that not only had zero laughs but didn’t even try to make the audience laugh. (Ha)

Marion Ramsey was asked to wear a fat suit for her role as Hooks, with the idea that Hooks’ boot camp training would have rendered her slim by the end of the film. Due to time constraints, the scene showing Hooks after her weight loss was removed from the final cut. By the time work on the sequel began, producers changed their minds, opting instead to have Marion remain wearing the fat suit, in order to garner audience sympathy for her character. A brief shot of “slim” Hooks remains in the film, however, as a close-up of Marion without the fat suit is seen during the graduates’ march at the end of the film. (Whaaaaaaaaaaaaat?)

The only Police Academy movie that was given an R-rating, and also the most successful of the franchise at the box office.

The term “Tackleberry” has become a standard in the private security industry to denote an officer who is inordinately fond of firearms and other high-tech equipment. (Ha makes sense)

According to the cast and filmmaker commentary, it was Producer Alan Ladd, Jr. who came up with the idea of having Mahoney be the recipient of the “podium gag” at the end, after watching dailies of Lassard’s podium scene. (A very strange scene indeed)

Steve Guttenberg mentions in his biography, “The Guttenberg Bible”, that Donovan Scott filmed home-movies during filming. According to Guttenberg, there is a “very funny, touching, and unreleased documentary that he made of the shoot.”

Steve Guttenberg said of Mahoney in a 1984 interview, “I think he’s a party guy. He doesn’t really know what he is going to do with his life. But it is kind of hard to talk about him because he is not exactly a deep character. I really hate when actors get interviewed, and they have just starred in The Love Boat (1977) or something, and they go on for a month about motivation and character analysis. Police Academy set out to be light entertainment, and that is what it is.” (Boom. Roasted losers. Guttenberg is a gross but charming character which is probably the best part of the first two films)

Fackler’s wife riding the hood of her spouse’s car, to prohibit him from joining the police academy, (with Mrs. Fackler ultimately catapulted with an abrupt stop) was the start of a comedic tradition with the film series: The Parody On A Parody. Like so many gags, this one would be “recycled” for Police Academy 3: Back in Training (1986): Now, with Fackler riding the hood of his car to prevent Mrs. Fackler from joining the Force; complete with the couple being spotted from the interior of a limousine, as well as a hubcap coming off of the car as it backed out of the driveway. (Ooooof. Parody of a parody is terrible)

In the party scene, Tackleberry is seen to play the saxophone. In real-life, David Graf actually was an accomplished saxophone player. (There is no other reason he would)

This film is regularly played on television in the United Kingdom, during the Christmas period. The film’s only Christmas reference is the tune heard during Hooks’ driving test; “Santa Claus Is Coming To Town”. (HA, Secret holiday film?)

The role of Commandant Eric Lassard was also written with Leslie Nielsen in mind. (Uh you can tell)falign

Mother’s Day Preview

This week we get to enjoy the worst reviewed romantic film of the year (as long as you don’t count Fifty Shades of Black). That would be the Garry Marshall film Mother’s Day, which garnered truly horrifying reviews (7% on 133 reviews, woof). This also represents our first completed BMTrilogy: New Years’ Eve, Valentine’s Day, and Mother’s Day is the Garry Marshall holiday ensemble cast trilogy, and they now represent three separate BMT weeks. Of the five hundred famous actors in the film I’m most looking forward to seeing BMT fave Timothy Olyphant. His fourth BMT film! That actually seems a bit low. He feels like an old BMT friend. Let’s go!

Mother’s Day (2016) – BMeTric: 32.2



(I do not know what the archive wouldn’t have anything prior to the release dat … but whatever. Standard, kind of boring. I’ll have to think up something else to do with these if this trend continues. I feel like there just isn’t much interesting in these graphs recently.)

Leonard Maltin – 0.5 stars –  Do you like films that are so wildly overstuffed with characters and subplots that the finale requires a child’s life-threatening asthma attack, a karaoke-related injury and a recalcitrant vending machine to bring two characters together at last? Are you okay with movies that feature characters who are unabashedly racist, so long as they are wacky racists? Have you lain awake late at night wondering what Julia Roberts might look like if she happened to be sporting Moe Howard’s hairdo? If so, then “Mother’s Day” may just be the movie for you.

(It feels like Garry Marshall was pretty in-tune to 2016. Unabashedly racist, wacky people are pretty popular with 46.2% of the US population.)

Trailer –

(Right off the bat we get a “Hello, Atlanta!” It’s like they know the key to my heart. Also, just to point out, this film was cast, set, and filmed in one of the biggest African-American majority cities in the nation and there is nary a single Black person in the cast. Oh, wait! There is a Black grocery clerk… so… you’re all good, Hollywood. Never change.)

Directors – Garry Marshall – (Known For: Pretty Woman; The Princess Diaries; Overboard; Runaway Bride; Frankie and Johnny; Nothing in Common; The Flamingo Kid; BMT: Exit to Eden; Valentine’s Day (BMT); New Year’s Eve (BMT); The Princess Diaries 2: Royal Engagement; Mother’s Day; Georgia Rule (BMT); Raising Helen; Notes: Nominated for the Razzie Award in 2012 for Worst Director for New Year’s Eve; Most famous for creating Happy Days. His entire family are directors, Penny Marshall (sister) and Scott Marshall (son) for example.)

Writers – Anya Kochoff (screenplay) (as Anya Kochoff Romano) – (BMT: Monster-in-Law; Mother’s Day; Notes: Oddly she’s the younger sister of Kristina Kell who appeared as a State Trooper in the BMT classic Nothing But Trouble and was a contestant on Survivor.)

Matthew Walker (screenplay) (as Matt Walker & story) (as Matt Walker) – (BMT: Mother’s Day; Notes: Even weirder, this dude is primarily an actor (I recently saw him as Spitz in Halloween 5), and has collaborated with Garry Marshall on 6 films since 2004)

Tom Hines (screenplay & story) – (BMT: Mother’s Day; Notes:  While he has limited credits he clearly has been heavily involved with Marshall’s recent projects. He had a bit part with The Princess Diaries, but was probably an assistant or producer of some kind. And he is directing and writing a documentary focused on Marshall in the next few years)

Lily Hollander (story) – (BMT: Mother’s Day; Notes:  She has literally nothing else on her IMDb or on the internet. A mystery. I look forward to rediscovering her in some other weird movie in like 3 years.)

Garry Marshall (story) – (Known For: Nothing in Common; The Flamingo Kid; BMT: Mother’s Day; The Other Sister; Notes: I find it insane that he decided to write the third movie in this series at the age of 80 after not getting a screenwriting credit for 17 years. It boggles my mind. But maybe it is a technical thing, he just happened to do enogh work on this one they had to do it.)

Actors – Jennifer Aniston – (Known For: Storks; We’re the Millers; Office Space; Horrible Bosses; He’s Just Not That Into You; The Switch; The Iron Giant; Wanderlust; Bruce Almighty; Cake; Marley & Me; Friends with Money; Rock Star; The Good Girl; Life of Crime; The Object of My Affection; She’s the One; Picture Perfect; BMT: Leprechaun (BMT); The Bounty Hunter (BMT); Rumor Has It…; The Break-Up; Love Happens; Along Came Polly; Mother’s Day; ‘Til There Was You; Horrible Bosses 2; Just Go with It (BMT); Notes:  Nominated for the Razzie Award in 2011 for Worst Actress for The Switch, and The Bounty Hunter; Nominated for the Razzie Award in 2012 for Worst Screen Couple for Just Go with It, and in 2011 for The Bounty Hunter; Nominated for the Razzie Award in 1997 for Worst New Star for She’s the One; A veritable BMT star. Bounty Hunter is an amazing terrible Romance. I still maintain that The Break-up is one of the most unpleasant and terrible movies I’ve ever seen.)

Kate Hudson – (Known For: Deepwater Horizon; Kung Fu Panda 3; Almost Famous; How to Lose a Guy in 10 Days; Wish I Was Here; The Killer Inside Me; The Four Feathers; The Reluctant Fundamentalist; Dr. T & the Women; BMT: Bride Wars (BMT); Le divorce; You, Me and Dupree; Fool’s Gold (BMT); Good People; Nine; Mother’s Day; Something Borrowed (BMT); Alex & Emma; My Best Friend’s Girl; Rock the Kasbah; Raising Helen; 200 Cigarettes; Gossip; A Little Bit of Heaven; The Skeleton Key; Notes:  Nominated for the Razzie Award in 2009 for Worst Actress for Fool’s Gold, and My Best Friend’s Girl. Somewhat of a secret BMT star as well. Obviously most well known for founding the athletic brand Fabletics.)

Julia Roberts – (Known For: Money Monster; Pretty Woman; Ocean’s Eleven; Erin Brockovich; Notting Hill; Charlie Wilson’s War; Closer; Ocean’s Twelve; August: Osage County; Steel Magnolias; My Best Friend’s Wedding; Mirror Mirror: The Untold Adventures of Snow White; Mystic Pizza; Charlotte’s Web; Stepmom; and many more; BMT: Full Frontal; Prêt-à-Porter; Valentine’s Day (BMT); Love, Wedding, Marriage; Eat Pray Love; I Love Trouble; America’s Sweethearts; Mother’s Day; Something to Talk About; Mary Reilly; Larry Crowne; Sleeping with the Enemy; Dying Young; Secret in Their Eyes; Mona Lisa Smile; Hook; Notes:  Nominated for the Razzie Award in 1997 for Worst Actress for Mary Reilly; Nominated for the Razzie Award in 1992 for Worst Supporting Actress for Hook. Oh Hook, amazingly controversial (I love it, but it is terrible). We need to start working through her BMT filmography, it is gigantic.)

Budget/Gross – $25 million / Domestic: $32,492,859 (Worldwide: $32,492,859)

#21 on the Worst Openings – Super Saturated Adjusted chart

(Pretty bad, but honestly they made a horrible release decision here. Mother’s Day is a thing in Europe, it is just on a different day. And yet it was released in the UK like two months later. It was released too, and no, it didn’t make $0 dollars, so that must be a mistake. Regardless this was a bomb, this was like Hitman: Agent 47)

#12 for the Mother genre


(Weird that this genre would collapse in the late 2000s. Otherwise it has been pretty consistent. Looking throgh the actual list there were zero last year and only two this year, which is rather small, so whatever this genre is is again a little out of fashion.)

Rotten Tomatoes – 7% (9/133): Arguably well-intended yet thoroughly misguided, Mother’s Day is the cinematic equivalent of a last-minute gift that only underscores its embarrassing lack of effort.

(This is kind of a strange overview considering (1) This was Marshall’s first screenwriting credit in 17 years and (2) the movie came out within 3 months of his death. Last-minute gift indeed. I do wonder whether whatever health issues he may have been having influenced the production at all. Seems extreme to direct/write/produce a huge ensemble peace at the age of 80.)

Poster – Mother’s Sklog (C-)


(I don’t hate it, but it doesn’t really say mother’s day. Is that what the flowers in the center supposed to be. I feel like I hate them, but they are also the only interesting thing in the poster. Otherwise it is just a few faces and stupid simple title and a white background.)

Tagline(s) – Celebrate the one day that connects us all (D)

Come celebrate the mother of all holidays (F)

(The “mother of all holidays” is horrific. The first one it just kind of stupid. What about Father’s Day? Is this something people say about Mother’s Day?)

Keyword(s) – holiday in title; Top Ten by BMeTric: 62.9 Saving Christmas (2014); 49.8 Christmas with the Kranks (2004); 43.2 I Hate Valentine’s Day (2009); 40.7 Four Christmases (2008); 40.1 Valentine’s Day (I) (2010); 32.3 Mother’s Day (2016); 29.6 I’ll Be Home for Christmas (1998); 29.4 A Merry Friggin’ Christmas (2014); 19.3 Christmas in Wonderland (2007); 18.9 A Very Harold & Kumar 3D Christmas (2011);

(Is this what Garry Marshall discovered before making this trilogy? This also makes me think we need to do a full blown Holiday cycle at some point. Get Boo! A Madea Halloween and a bunch of others. Sci Fi would be the hardest? IS there an action film with a holiday in the title? Too bad we are doing Independence Day 2 in this cycle, it is kind of perfect.)

Notes – Julia Roberts’ three children (Hazel, Phinneas and Henry) all appear in the film.

Julia Roberts earned $3 million for four days work. (gross)

There is a reference to Pretty Woman (1990) when Hector Elizondo tells Julia Roberts that she finally figured out the salad fork as she’s eating in the train station cafe. (Also not fun. I suppose some huge GarryHeads will be all over the reference)

The wig Julia Roberts wears is the wig she wore in the movie Notting Hill (1999) for a scene about a space movie. She mentioned it in an interview on the Ellen: The Ellen DeGeneres Show (2003), May 2016. She even said she was ”recycling”. (fun fact. I love fun facts)

The film is Julia Roberts’ fourth collaboration with director Garry Marshall, the first three being Pretty Woman (1990), Runaway Bride (1999) and Valentine’s Day (2010).

Jennifer Aniston and Jason Sudeikis fifth movie together. They also acted together in The Bounty Hunter (2010), Horrible Bosses (2011) , We’re the Millers (2013), and Horrible Bosses 2 (2014). (Wow, sometimes I wonder how something like that happens. Is it producers kind of pushing them together and saying it is a money maker? Do the actors like working together and suggest each other for parts? Do they have the same agent who likes to kill two birds with one stone? Fascinating stuff)

What to Expect When You’re Expecting Preview

Alright, so there are many BMT weeks where as Thursday approaches I wait in anticipation for the day to finally arrive. Where I have an inkling that I’m about to watch a film that will go down in the anals of BMT history (pun most definitely intended). This is not one of those weeks. This is more like a week where Patrick and I try desperately to replace the film that we’ve foisted upon ourselves through our strict combination of genre/cycle and ultimately fail. In this case finding a pro athlete featured in a bad chick flick that we haven’t already seen produced only one (!) viable choice. That choice is What to Expect When You’re Expecting. Apparently Dwyane Wade is featured as … something… in the film. I really don’t care. I hate that we have to watch this film and I have to read (?) the book for my BMTsolution. Damn it! Let’s go!

What to Expect When You Might be Expecting (2012) – BMeTric: 36.7


(Decently stable. Nothing really interesting except that it seems like it should stay in the 35-40 range. Definitively BMT.)

Leonard Maltin – 2.5 stars – Overlong, multi-character comedy about the pressures and problem of pregnancy, adoption, and impending parenthood featuring a likeable (and exceptionally attractive) cast. Rings hollow at first but gains traction as the script eschews cheap laughs and hews closer to real-life, relatable experiences. “Inspired by” the best-selling nonfiction book of the same name by Heidi Murkoff.

(Eschews and hews in the same sentence?! Not to mention a stellar “p” alliteration run at the start. Leonard was really indulging himself. I’m really glad that he put “Inspired by” in quotes. Because I definitely “read” this book in preparation for BMT.)

Trailer –

(Huh… well that wasn’t as unpleasant as I thought it would be. I like a lot of the people in the cast and the guy group had some funny lines. Looks like it could be a better version of Valentine’s Day or New Year’s Eve.)

Director(s) – Kirk Jones – (Known For: Everybody’s Fine; Nanny McPhee; Waking Ned Devine; BMT: What to Expect When You’re Expecting; Notes: An accomplished commercial director, he won the Silver Lion at Cannes in 1996 for his Heinz advertising campaign. Going to be the director of the upcoming Big Fat Greek Wedding 2.)

Writer(s) – Heidi Murkoff (books) – (BMT: What to Expect When You’re Expecting; Notes: I genuinely cannot believe she actually has a credit. The book is considered one of the most influential books of the last 25 years)

Shauna Cross (screenplay) – (Known For: Whip It; BMT: If I Stay; What to Expect When You’re Expecting; Notes: Former roller derby participant, she wrote the book (and screenplay) for Whip It. Is credited for writing Bad Santa 2.)

Heather Hach (screenplay) – (Known For: Freaky Friday; BMT: What to Expect When You’re Expecting; Notes: Has won multiple awards for Freaky Friday and the musical adaptation of Legally Blond. Wikipedia claims her daughter’s name is HarperCollins, also the publishing company which published her novel Freaky Monday (a sequel to Freaky Friday).)

Actors – Cameron Diaz – (Known For: The Mask; There’s Something About Mary; The Holiday; Bad Teacher; Shrek; Being John Malkovich; Gangs of New York; Shrek 2; Charlie’s Angels – Full Throttle; The Box; Knight & Day; My Sister’s Keeper; Charlie’s Angels; Vanilla Sky; Shrek the Third; BMT: What Happens in Vegas; The Other Woman (BMT); What to Expect When You’re Expecting; The Sweetest Thing (BMT); Sex Tape (BMT); A Life Less Ordinary; Gambit; Annie (BMT); Feeling Minnesota; The Invisible Circus; Slackers; Keys to Tulsa; The Counselor; Notes: Won for Worst Actress, The Other Woman / Sex Tape (2014); Nominated for Worst Actress, What Happens in Vegas (2008), Charlie’s Angels: Full Throttle (2003); Nominated for Worst Supporting Actress, Annie (2014))

Budget/Gross: $40 million / $41,152,203 ($84,384,002 Worldwide)

(Solid hit. I love when Box Office Mojo has a niche genre that you can look through. This is the ninth highest grossing “Pregnancy” film of all time. The lowest grossing wide-release film in the genre? The Brothers Solomon. As if there was ever a doubt.)

Rotten Tomatoes: 21% (29/132), The cast is stocked with likable performers, but What to Expect When You’re Expecting is too disjointed — and too reliant on stock rom-com cliches — to live up to its distinguished literary namesake.

(Uh oh. Disjointed is exactly what you don’t want with a movie based on a pregnancy information guide. A bit surprising though considering the movie only has two main screenwriters. It isn’t like 15 scripts were (necessarily) smashed together into a monster script. I’m ready to devour rom-com cliches though.)

Poster – There are Fifteen People on this Poster


(Disorienting, too many colors, I like that the letters are slanted because it would make Patrick’s job harder if he spoofed the poster, but that’s about it. Also, there are like three too many pregnancy puns going on. Speaking of…)

Tagline(s) – It’s too late to pull out now. (Uh… … … wot?)

(Egad! That’s… unexpected. Don’t get me wrong, the tagline is fantastic. It’s short. It’s clever. It tells you a little about the plot using a solid double entendre. But it feels like it might be a bit at odds with the target audience and the sentiment of the film. Just a tad. [My wife’s take: “That’s too crude. I don’t like it.” Told yah.])

Notes – Elizabeth Banks and Jennifer Lopez are the only actresses cast as pregnant women who have children in real life; Lopez gave birth to twins, Banks has two sons via a surrogate. Cameron Diaz, Anna Kendrick, and Brooklyn Decker have never had children. (While I personally don’t care, it is a weird casting move I feel like)

Based on the popular series of pregnancy guides by the same name. As of 2011, more than 14.5 million books have been sold.

Razzie Awards 2013: Brooklyn Decker (also for Battleship) and Jennifer Lopez each Nominated for Worst Supporting Actress