Afflicted with a disease that doesn’t allow her to leave her house during the day, Katie Price has mooned over the boy down the street, Charlie, from afar. When they finally meet they fall madly in love. Katie chooses to withhold her condition from him leading to an accident that worsens it. Can their love survive her inevitable death before… er… it’s too late? Find out in Midnight Sun.
How?! Katie Price lives in seclusion in her house with only her super cool dad and… also super cool best friend for company. You see, she has a rare disorder called XP that makes any contact with sunlight potentially deadly. Growing up she watched the boy next door skateboard around and be super rad and she’d be all like “man, he’ll never like a diseased albeit super hot girl like me. Aw shucks.” On the night of high school graduation she ventures out to play music at the train station by moonlight. Unbeknownst to her, Charlie, her crush, is having an existential crisis right at that moment as he contemplates the recent loss of his swim scholarship following an injury. He’s all like “aw shucks, life must mean more than this small town.” As he mopes about he finds Katie and is instantly smitten. She runs away at the shock of seeing her crush, but a forgotten songbook and Katie’s super cool friend conspire to bring them together again. All of a sudden Katie is going on dates and totes macking on Charlie, her crush! What a dream! When her best friend and dad are both like “maybe tell him you might die if you end up in the sun.” She delays for fear he might run away. They hang out all summer and Charlie help Katie overcome her fear of playing in public and Katie helps Charlie start swimming again and just when they bone on the beach (it’s implied) they stay up all night talking post-coitus (it’s implied!) and Katie end up being exposed to the sun. She’s totally gonna die (for real) and she doesn’t want to put Charlie through that, but he totally loves her and they keep on dating and recording songs and watching Charlie swim until she does indeed die. At the end of the summer Charlie leaves to join his college swim team and as he leaves he hears a song that he helped Katie record become a smash hit on the radio. You know, that last part does seem a bit silly when you write it out. THE END.
Why?! Love, duh. For real, the movie is a story of how love, no matter how brief, makes you a better person. Katie and Charlie are lost at the moment they meet. She lives a nice life, but has never gotten to experience the world, while he is trying to figure out his place in the world. They help each other overcome their difficulties and finally feel whole and able to move forward with life… you know, until she dies.
Who?! I could sit here and talk about Patrick Schwarzenegger and his weird way that he speaks. But instead I’ll highlight a couple songs from Bella Thorne’s upcoming debut studio album. Oh didn’t know she was an actress/singer? Guess you haven’t heard Bitch I’m Bella Thorne
or Pussy Mine
Can we re-edit Midnight Sun so they record Pussy Mine at the end and that’s the song Charlie and Katie’s dad are freaking out about when it comes on the radio?
What?! There actually was a prominent product placement in the film in the scene where Katie is singing at the train station to the delight of train riders young and old. A child comes up and you think he’s gonna give her some money… oh ho, you’d be wrong. She’s getting a bag of delicious peanut M&M’s.
Where?! We get a nice jaunt into Seattle via train to really hammer home the message there are dear, ill-fated love birds reside in a beautiful coastal Washington State town. I feel like It needs to get a B+ simply because you see the Space Needle and Katie’s dad makes sure that Charlie is a Seahawks fan before he takes Katie out on a date. B+
When?! I feel like I need to mark out certain types of seasonal films. Like this is a “summer film.” It details the life of Katie and Charlie in the summer after their high school graduation as they learn the live, sing, swim, and bone on the beach (it’s implied). There are obviously winter, fall, and spring films as well. Also what would be termed “school year” films. C
This movie is fine. I actually had a fairly pleasant time watching it even though I knew exactly what was going to happen at all times. Seems like something that could have had a lot of success on a streaming service, but it went to theaters and somehow that was worse for it. All that being said, Patrick Schwarzenegger very well might be the worst actor we’ve seen in a film. He’s young and he can figure it out, but he needs to decide what look he wants. Does he want the look of “pretty boy with a weird smile that talks weird” a.k.a. the Tom Brady? Cause that’s where he is right now. I’d suggest maybe focusing on action as the strong silent type… who never smiles. Also you can’t think too hard about the film or else it falls apart pretty quickly. We live in a world where Katie has lived in the same town for 18 years and can venture outside at night and yet she never interacts with anyone in town except her dad and best friend. She never went up to Seattle (a short train ride away) or saw a concert (even though she loves music and wants to be a musician) even though both those things are possible to do at night. It’s just… a little unbelievable. Finally, do we really need another film where (it’s implied) that sex=death… we already have the Twilight Saga. Patrick?
‘Ello everyone! Midnight Sun is about the inevitability of death and how gross it is to exploit a real disease just to create a dumb teen rom-dram. But no joke I still cried a little. Let’s get into it!
P’s View on the Preview – Three things I’m interested in. First, the soundtrack. The girl is supposed to be a musician, so one would hope they but in the effort on the soundtrack. Second, the only striking thing in the preview really was the acting which seems atrocious. I need to see how little Schwarzenegger does. And finally, I’m banking on her dying at the end and that is why she is on the boat in the preview.
The Good – I’m not crying you’re crying you … crying rom-dram loving dummy. For reals though like maybe I’m getting old but I was like “Rob Riggle you gave her a great life, go out there and live!” at the end. The music is solid, especially Charlie’s Song which is actually good enough you can believe it would go viral. The two leads (oh we’ll get to them in the bad section) were at least as awkward as I think they were going for. I kind of wish the film didn’t center around a disease, but if you ignore that I’m honestly not sure what else people want from a teen rom dram. We all want another Breakfast Club, but are things like A Walk to Remember really so bad? Seriously, is it? I’ve never seen it.
The Bad – The acting is dire. Like … really dire stuff. It is rough. Of course it is schmaltzy garbage, but (and I’ll say this once) it is fine. What is the big deal? I now totally understand the RogerEbert.com review, like, 2.5 stars, yeah makes sense. The main thing is, when you look at the preview section above, I easily guessed the film’s entire plot from the end of the trailer. That’s a problem. The other really bad part: Our romantic lead Chris brings chinese food onto a train and is just chowing away. Disgusting. You disgust me. That would smell so bad.
You Just Got Schooled – Naturally, the main thing we are all curious about is Patrick Schwarzenegger’s acting ability (only me and Jamie? … whatever). So I went right to the source, the pinnacle of American art: the music video. Patrick was in the Ariana Grande music video Right There (featuring Big Sean)
And honestly … I’m desperate to see him attempt a foreign accent. There is something about him which makes me think it would be a disaster. He looks and acts precisely how he looks and acts in Midnight Sun merely confirming that this is how he looks and acts normally. Unfortunately … he’s not the best actor. I’m trying to be diplomatic about it, but I really don’t think he’s a good actor currently. He’s 25 though, plenty of time to grow into some roles.
The BMT – I want to watch more romantic dramas. I feel like if I have a larger stable of experience to draw from I could sit here and tell you ten things that are wrong with it. Instead I’m like half crying and thinking “this ain’t so bad”. It’s a problem I had with horror (since remedied) and I think we tend to go with comedies in this category not surprisingly. I hope this experience makes us look to these types of films more often. Which is kind of crazy to say since Here on Earth is basically the number one best BMT of all time. I think Waiting For Forever ruined our experiences with the genre.
Welcome to Earf – Again, we’ve been going through a rough patch. I used the preview to remind myself that we’ve seen Rob Riggle now both in this and in The Killers with Ashton Kutcher, who was also in The Guardian with Neal McDonough, who was also in Street Fight: Legend of Chun Li with Chris Klein, who was also in Here on Earf! Wow, I forgot about Neal McDonough. That connects a bunch as well, even Zookeeper (via Paul Blart: Mall Cop 2)!
StreetCreditReport.com – There is one respectable list with this one on there and honestly … the criticism is real. I think I’m a little kinder because I’m just generally fine with the grossest aspect of the film (the exploitation of a real disease in a ludicrous manner), but probably because publicizing a disease is usually a good thing. But I understand the criticism. I have a feeling it will be forgotten in the real year-end lists though. It has 21% on Rotten Tomatoes, and has some genuinely fine reviews like the aforementioned RogerEbert.com review from the preview.