Fifty Shades Freed Recap

 

If you’ve seen the movie, take the quiz. How much do you know about billionaire playboy Christian Grey?

Jamie

Anastasia and Christian are totes married and ready to settle down except a pesky stalker, a pregnancy, and the inability to be sane keep getting in the way. Can they figure out their marriage and dispose of the stalker before it’s too late? Find out in… Fifty Shades Freed.

How?! We are all jazzed for the wedding of the century. Anastasia and Christian are tying the knot and ready to not share each other with anyone ever again (who needs friends and family? Amirite?). Whisked away to France for a little smooching under the sun the honeymoon is ruined (ruined!) when Christian is informed that Eric, the skeevy ex-boss of Anastasia, has broken into his company and stolen documents. Uh oh! But you know what will pick you up? A little house hunting and doing well at your job that you totally earned through hard work and skill. Let’s do that for like a half hour. Only when Christian leaves for NYC and Anastasia gets attacked by Eric do things really pick up in the film… what’s that? No it doesn’t? Oh right, let’s go on vacation to Aspen for another half hour of the film. Just a little hiking in a luxury locale. Cool, cool, cool, cool. But after that totally dealing with this Debbie Downer Eric character… still not yet? Anastasia’s pregnant and Christian is none too pleased with that. He gets all drunk and sulky because he doesn’t want to share Anastasia with his baby. She’ll love the baby more than she loves him (as is a totally normal thing to worry about). Only as this drama really comes to a head do we find that Eric has kidnapped Christian’s sister Mia. While Anastasia gets the ransom money and attempts to convince Christian that she just needs it because he’s a monster that she has to leave, Christian understands intuitively that something must be up. They (finally) converge on Eric and totally shoot him and everyone is safe and the baby is born and there lives are great and well adjusted because they are normal people, don’t worry about it. THE END.

Why?! A question as old as time: what are the motivations of the characters in the Fifty Shades series. It’s obviously love (although a love I cannot understand). She can’t resist him, he can’t resist her. Everything that is done in the film is done for that love, even Christian’s crazy reasons why he doesn’t want to have a baby. There are a lot of reasons to be apprehensive about having a baby, but him being primarily concerned that he doesn’t want to share Anastasia with a baby is… fucking nuts. As for the antagonist, Eric, he grew up with Christian in foster care and I guess decided that he should have had Christian’s life and it drives him insane?… honestly the whole book/film seemed poorly thought through… which I guess was a good thing for us.

What?! It was hard to pick up on any product placement other than the fact that the film may as well have been called Audis Make Me Horny: The Movie. Allowing Anastasia to drive an Audi is the greatest gift Christian ever gives Anastasia… but that’s not hard because he’s basically a monster the rest of the time.

Who?! It would be the best if there was a Planchet in this films… a fat assistant that they make fun of all day. But alas. I also wish that someone played the President in this. Like Anastasia and Christian roll up to a plane and she’s like “Is this yours?” and Christian is like “No, it’s his.” and points to the President and it’s Air Force One. But instead I can only point out that Rita Ora has appeared in all of these films and is primarily a musician.

Where?! Seattle, baby! They leaned into the setting hard and I applaud it for that. I just which they spent a bit more time in the Space Needle, or on a ferry, or at Seattle Grace Hospital. As it is it could have been set in LA or San Fran without missing a beat. B.

When?! I’m gonna be honest. Since I streamed this film the quality was so low that I could not make out the date in the spots where I would usually find it. For example, cell phone screens were all fuzzy… and all in Spanish. F (for now).

This is straight trash that I couldn’t even bring myself to watch in theaters. I was so terrified by the thought of having to shadily sneak my way in and out like a pervert that I just streamed it on my magical dream machine from the comfort of my home. Is it worse than Fifty Shades Darker? In a lot of ways yes: it’s pretty easily the tamest of the bunch when it comes to being the erotic romance/thriller it hoped to be. I other ways no: Anastasia was a lot stronger in this one and at least something happened with the whole Eric situation. Overall this whole series is pretty much the ideal scenario for BMT. Much like Transformers it was a can’t miss entry. There was literally no way it could get good reviews. Patrick?

Patrick

‘Ello everyone! Two years ago we were shaded. Last year we went darker. This year we are free. We watched a heart-wrenching documentary on spousal abuse called Fifty Shades Freed. Anastasia, I’ll distract Christian, you destroy your phone and get out of Seattle! We are going to get through this together. Let’s go!

The Good (Sklogcabulary Quiz) – Anastasia Steele as a character shows good growth through the series, and in this she is a fine young woman just looking to fix a broken young man. The soundtrack, as usual, was bumping. The film at the very least pumped up the excitement for the finale. This is a more personal Sklocabulary Quiz this week:

The Full Tril-Oh-Geez (n.) – A trilogy where each film was watched for BMT during its year of release.

Unfortunately the Golden Tril-Oh-Geez has yet to be done. That is where we watch each leg in theaters. We sadly watched the original Fifty Shades of Grey a few months after its release in 2015. Perhaps our destiny is for BMT to end with a Golden Tril-Oh-Geez … well not today! We live to see another Thursday.

The Bad (Sklog-quel) – Christian Grey is as much of an abusive garbage man as he always is. While they pumped up the excitement, the film is basically incomprehensible and the somehow still boring. The sex scenes are the worst part of the film, which is obviously unacceptable. The film will make you say “Whaaaaaaat?” at least three times. The Sklog-quel I would like to see is obviously the prequel concerning the corruption of teenaged Christian Grey by Elena Lincoln. The main reason is that I’m obsessed with the idea of them casting someone to specifically play a young Kimmy B (that’s what we call Kim Basinger). I would also obviously throw $20 million at Dornan just to see if he’d be willing to play a 17-year-old version of himself. He is 35, he can do it, he’s got the range. You know you want it … you know the world wants it.

The BMT (Reviewer Highlight) – Ah the legacy. The legend of Fifty Shades will live on in BMT lore. It comprises an unreasonable number of our Live viewings, and in a way BMT grew up with it. It is also a modern interpretation of the early-90s erotic thriller, which Jamie and I have a strange affection for. The StreetCreditReport will come in bunches, but in time. Let me just leave you with another Reviewer Highlight: Might as well be called “So I Married a Sociopath.” – Katie Walsh, Tribune News Service.

Shockingly we somehow managed to find a film that was both in theaters and an adaptation of a book. Well, I read exactly ten pages of the first book before falling into a weeks long coma. I will not give it an adaptation grade, but I am sure it is an F. Spoiler … I couldn’t bring myself to go to the theater for this one, it was too embarrassing. I watched it by myself because my wife refused to watch it with me. Not only do I not blame her, I’m proud of her.

Cheerios,

The Sklogs

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Fifty Shades Freed Preview

Perhaps you thought the embarrassment of last year would save us from this year. But no, it is our solemn duty. That’s right! It’s the first BMT Live! of the year and we are finishing the Fifty Shades series with a theatrical viewing of Fifty Shades Freed. Fifty Shades Darker was hands down the worst theater experience of my life and I’m truly dreading this final chapter. Pray for my soul and pray that I’m not viewed as some deviant as I sneak my way in and out of this film after buying tickets to Peter Rabbit or something. Sigh. Let’s go!

Fifty Shades Freed (2018) – BMeTric: 54.1

(Given that this film was only just released I’ll forgo the plots. The original is at 4.1 with 200K votes, the second at 4.6 with 66K, and the third is currently at 4.3 and 10K votes. So I have a theory that the second film is considered better than the first because of the soundtrack, which is kind of shockingly good. I’m very excited to see what they do with the soundtrack for the conclusion to the series.)

RogerEbert.com – 2.5 stars –  The problem with the “Fifty Shades” franchise—if it can be called a franchise—is not so much its portrait of a controlling man manipulating his lover past her comfort zone, although earlier installments feature such scenes. The problem is there’s not enough sex and too much … everything else.

(Preach sister! It is a very strange mark of the series that it lacks a certain … how do you say? Uh … softcore pornography that I believe was the main draw of the book series. I wouldn’t know, I read exactly 10 pages of the first book before my mind rejected it and I threw it in the garbage (well … returned it to the library anyways))

Trailer – https://www.youtube.com/watch?v=nJCc5HRPxYA

(So yeah … so you see all those car chases and the stalker and kidnapping and etc. etc. … that’s what the review is talking about. The film gets all caught up in the “exciting” stuff, it sometimes forgets what most people want is to mainly to see Dornan’s dong. Take a note from Color of Night and give the people what they want!)

Directors – James Foley – (Known For: Glengarry Glen Ross; At Close Range; Confidence: After Dark; The Corruptor; After Dark, My Sweet; Two Bits; Future BMT: Who’s That Girl; Perfect Stranger; Fear; BMT: Fifty Shades Darker; Fifty Shades Freed; The Chamber; Razzie Notes: Nominated for Worst Director in 1988 for Who’s That Girl; and in 2018 for Fifty Shades Darker; Notes: A major player in the 80s and 90s he’s been doing a lot of television more recently. Started as a director for Madonna shorts, and ultimately was the best man to Sean Penn when he married her.)

Writers – Niall Leonard (screenplay by) – (BMT: Fifty Shades Darker; Fifty Shades Freed; Notes: E.L James’ husband. He’s been a (mostly television) writer since the 80s including multiple episodes of Monarch of the Glen. He was put in primary control of the script in order to get the second and third film on track under the singular vision of James.)

E.L. James (based on the novel by) – (BMT: Fifty Shades of Grey; Fifty Shades Darker; Fifty Shades Freed; Notes: A bestselling author, her story is amazing. Twilight fanfiction to making $100 million in a year.)

Actors – Dakota Johnson – (Known For: The Social Network; How to Be Single; 21 Jump Street; Black Mass; A Bigger Splash; The Five-Year Engagement; For Ellen; Future BMT: Anarchy: Ride or Die; Date and Switch; Goats; Crazy in Alabama; Chloe & Theo; BMT: Fifty Shades of Grey; Fifty Shades Darker; Fifty Shades Freed; Beastly; Need for Speed; Notes: According to The Sun Dakota Johnson got into shape for these films by doing hot yoga. Also, she has said that her parents have never seen any of these movies.)

Jamie Dornan – (Known For: Marie Antoinette; Anthropoid; The Siege of Jadotville; Future BMT: The 9th Life of Louis Drax; BMT: Fifty Shades of Grey; Fifty Shades Darker; Fifty Shades Freed; Notes: Has recently ruled himself out of starring in any other Fifty Shades films in the future. There aren’t any other books, but maybe he’s worried they are going to Harry Potter this stuff.)

Eric Johnson – (Known For: Legends of the Fall; Ginger Snaps 2: Unleashed; The Work and the Glory II: American Zion; Expiration Date; BMT: Fifty Shades Darker; Fifty Shades Freed; Texas Rangers; Notes: Canadian, broke big with Smallville and more recently with The Knick. Continuing his television work he’s joining the sixth season of Vikings.)

Budget/Gross – $55 million / Domestic: $38,560,195 (Worldwide: $135,060,195)

(This is going to smash it. This isn’t even its full strength Valentine’s Day! It made back its budget worldwide already. It is smashing it.)

#49 for the Romantic Drama genre

fiftyshadesfreed_romanticdrama

(Hmmm, so a theory on why the genre totally collapsed in the early 2000s, Spiderman came out and Hollywood was making money hand over fist, so they put anything that didn’t pull down cash on the backburner. Then they discovered, shockingly, that women spend money too, and the genre has found a new life producing Nicholas Sparks books and things like Fifty Shades. We’ll see what they do now that Fifty Shades is almost definitely over. Previous BMT: Fifty Shades Series, Safe Haven, The Lake House, Random Hearts, Endless Love, Captain Corelli’s Mandolin, The Choice, Here on Earth, The Scarlet Letter)

Rotten Tomatoes – 11% (15/118): Fifty Shades Freed brings its titillating trilogy to a clumsy conclusion, making for a film franchise that adds up to a distinctly dissatisfying ménage à trois.

(Every time. Clumsy conclusion, good conclusion … who cares? I’m just here to sit awkwardly in a theater and feel uncomfortable for two hours. Do you know what I don’t appreciate? The clumsy use of titillating and ménage à trois in this review Rotten Tomatoes … for shame.)

Poster – Fifty Shades Sklogged (B)

fifty_shades_freed_ver3

(This is fine and stylish. I think every entry has been a massive disappointment in the font department, but such is life. Also really a perfect poster for Patrick to photoshop his face onto. Get a smug Sklog Wagon look to the camera on this one and we got gold.)

Tagline(s) – Don’t miss the climax (B)

(This is clever and short, so I have to give it props there. However it is particularly vague on what we are to expect from the plot of the film. So just above average.)

Keyword(s) – wedding ceremony; Top Ten by BMeTric: 68.1 Superman III (1983); 54.1 Fifty Shades Freed (2018); 53.6 Say It Isn’t So (2001); 50.4 Bride Wars (2009); 48.6 Stealing Harvard (2002); 47.2 MacGruber (2010); 47.0 Tomcats (2001); 45.5 When in Rome (2010); 44.3 The Big Wedding (2013); 43.8 Our Family Wedding (2010);

(Oooo I’m loving this list! Although MacGruber is great, so … forget about that one. But Tomcats should definitely be on the radar.)

Notes – Scenes were being filmed in Nice, France at the same time of the Nice terror attacks in July 2016. (Depressing)

There was talk that Jamie Dornan wouldn’t reprise his role as Christian Grey but those rumors were put to rest as of February 25th 2015 when his agent stated he was devoted to the sequels. (Yeah, this is a note for the previous film, they filmed the second and third together … these notes are weird)

Some of the filming was done at Canadian singer-songwriter Sarah McLachlan’s home. (What?)

Third and final chapter of the Fifty Shades trilogy. (For now, don’t short sell yourself. You can make a fourth, no matter what Dornan thinks)

Dakota Johnson’s fourth consecutive movie to debut on Valentine’s Day weekend. The first was Fifty Shades of Grey (2015), the second was How to Be Single (2016), and the third was Fifty Shades Darker (2017). (Holy shit that is crazy)

Second Dakota Johnson movie to have a Hailee Steinfeld song in its soundtrack. The first was How to Be Single (2016), which also starred Steinfeld’s Pitch Perfect 2 (2015) co-star, Rebel Wilson.

To create Gia Matteo, Arielle Kebbel chose red well-manicured nails to represent the elegant control of her character. As seen on The IMDb Show (2017). (WHAT? You reporting notes from your own goddamned fake show now IMDb? Get out of here! These notes are travesties).

Geostorm Recap

Jamie

After the world’s weather went crazy the nations of the Earth, led by Jake Lawson, banded together to build a weather manipulation satellite system. Years later this system goes haywire and Jake is sent to fix it, only to find that it’s not a bug after all, but rather a scheme for world domination. Can Jake save the world before it’s too late? Find out in… Geostorm.

What?! We open on an extended voiceover explaining that in the near future the world’s weather began extreme fluctuations resulting in worldwide death and destruction. In an effort to curb the damage the world’s nations came together to build a complex satellite system led by a rough and tumble scientist, who don’t take no guff from nobody, named Jake Lawson. This inability to take guff sends Jake Lawson to the unemployment line and the satellite system marches on without him. Years later things start acting kooky (sorry for the technical terms) and Jake is pulled back into action and sent to space in an effort to find and fix whatever bug is causing the issue. In the least realistic aspect of the film Jake insists that there aren’t any bugs in the system (sure bro, whatever you say) and yet it becomes immediately clear that the weather catastrophes are not in fact caused by a bug at all but rather a virus that has been planted in the system. Needing the presidential kill codes to reboot and flush the virus, Jake’s brother Max rescues the President from a superstorm in Orlando and escorts him to Kennedy Space Center. They are able to upload the kill codes but not before self-destruct is initiated on the space station. Uh oh! Jake stays behind to make sure everything is rebooted and proceeds to climb aboard a satellite and ride it back to Earth an international hero. Wooooooooooooo! Geostorm! The End.

Why?! Action films provide the best motivations. Not for our main characters or course (Jake Lawson is only concerned with quelling the slanderous claims against his entirely bug-free complex satellite system), but for our vast criminal enterprise hell bent on world domination. Basically the Secretary of State has devised a plan whereby he got a lackey on the space station to upload a virus. This virus will ever so slowly begin the systematic destruction of the world in order to make it seem like an accident. The aim is to wipe out most of the world, including all those that stand in the way of the Secretary of State’s ascension to the presidency, and lead to total domination. What he didn’t plan for was Jake Lawson, international hero, stepping in and saving the day… What’s that? That actually was explicitly in the plan… get international hero Jake Lawson to take the blame and die in space. What a terrible plan… he’s Jake Lawson! International hero! He obviously would be the last person you’d want up in space trying to stop you… literally the only person. In fact wouldn’t you just go ahead and kill him before even starting the plan? I already just fixed your plan. Step 1. Kill Jake Lawson.

What?! After a long day of stopping a conspiracy to destroy your reputation for bug-free coding (and also destroy the world) there’s only one thing that will quench that thirst for justice: a nice cold Coors Light. It’s the taste of the Rockies and the choice of international hero Jake Lawson.

Who?! Two weeks in a row for fake US Presidents. This time it’s Andy Garcia’s President Andrew Palma. While it seems like President Palma is well on his way to reelection (before a Geostorm so rudely interrupts his DNC speech #DemsInDisarray, amirite?) he probably has to reevaluate his vetting criteria for his most valued advisors. I mean, having most of your cabinet wiped out in a conspiracy set in motion by your own Secretary of State? Not a great look.

Where?! Great settings film. Not just because we spend most of our time in space, DC, and Florida, but also because we so specifically spend such a long time in Orlando for a fake future Democratic National Convention. This after we spent the entirety of Jaws 3D in Orlando. Having quite the BMT moment. I give it a solid B.

When?! Little point of contention here. It’s hard to get a good idea of exactly when everything takes place for a film in theaters. I think they said things started going crazy in 2019 and in three years we built the satellite system (going off of my memory here, so might be slightly inaccurate). When we jump forward we are close to the ten year mark for the system. So we should be somewhere around the 2032 election? We’re also going through nominations for that election so must be summer 2032? This is all +/- 4 years. C+ if I go back and confirm all this from the DVD (Spoiiler Alert: I’m not going to be doing that).

Overall, the film is not well made. It was clearly rewritten and reshot (unless they meant for the beginning to just be a series of expository scenes that are super boring. If so then they just made a bad movie from the jump) and made the start of the film a mess. Once we get to space and the Geostorm starts things picked up and a lot of the scenes in space were shockingly beautiful. Funny enough there was one aspect of the film that everyone I know who saw it couldn’t help focusing on: Max Lawson a.k.a. Jim Sturgiss’ haircut. The most catastrophic disaster in the entire film, but I’ll let Patrick explain a bit more. Patrick?

Patrick

‘Ello everyone! GEOOOOOSTORM. What will cure those summer boxoffice blues? A disasterpiece from the maker of Independence Day (I call it ID4). GEOOOOOSTOOOOORM in my face! Yeah. What’s that? It’s been delayed by a bit? That isn’t so bad, I mean … oh, two years? It was delayed by two years and stars Gerard Butler. I mean the co-stars though … what’s that? The co-star is the guy from 21 with a terrible hair cut? Uh … you know what, I have a refrigerator to defrost, I’ll see you later, tell me how it is. Let’s get into it!

The Good (Seuqel / Prequel / Remake) – The space visuals were stunning. When I say the first one I legitimately wondered exactly how cheap it had all gotten, is this just going to be normal now? No more hilarious spikey comet set from Armageddon? If you squint you might not hate this movie because it is so dumb. This time I think I want to see the Sequel. Why? Because think of what the sequel would actually involve. Another almost Geostorm! How could such a thing happen? In this case I think we revisit Jake Lawson, but this time it’s … President Jake Lawson. The world owns Dutch Boy, and all is peachy keen until (uh oh!) it isn’t! Storms they are a-brewin’, and things are looking dire. How could this happen again!? What a twist! It was Jake Lawson causing the issues after he realizes the world had begun to recover from humanity’s ecological ruin and scientists are about to recommend that Dutch Boy be shut down completely! Wait, that sounds shaky, why would he want to keep Dutch Boy around? Because he thinks the instant humanity gets pulled back from the brink of disaster we’ll fall back into our disastrous ways (probably true). Anywho, he turns heel and audiences cheer in Geostorm 2: Jake Lawson Strikes Back.

The Bad (Crimes Against BMT-anity) – The entirety of the story on the ground was absurd. Gerard sleepwalks through the film. The bad guy is so obvious and mustache twirling-ly eeeeevil that it is almost sad when the finale comes into play. It is also aggressively stupid. Which I have decided is both a good and bad thing. It is cut to shit and at times just makes no sense, complete with super hero hacker who makes nearly anything possible and then is promptly forgotten during the finale. And now, for a new game! In Crimes Against BMT-anity I identify a specifically perplexing part of a terrible film. In this case (was there ever any doubt?) it was Jim Sturgiss’ amazingly distracting haircut. Are we to believe he dates an incredibly attractive secret service agent for three years and she never once asks who his barber is any why he still uses him? Or more likely makes him stop cutting his own hair. The most ludicrous part of the story bar none. Congrats Jim Sturgiss’ haircut! You have a non-zero chance of getting a nomination for Worst Screen Couple at the Razzies this year.

The BMT (Legacy / StreetCreditReport.com) – This has some serious cred potential. It is one of those movies that will kind of vaguely live in the collective conscious of a generation because it’ll just be like always on Netflix or something. Out of all of the bad movies of 2017 it is the one I can imagine people talking about along the lines of “you know what was a decently fun movie everyone thought was terrible at the time …”. An Armageddon for another generation. It was one of the worst reviewed films of the year, although it did manage to avoid an incredible sub-10 on Rotten Tomatoes (which seemed quite possible for a time). Still, for both legacy and street cred this I think measures up very well among BMT Lives.

A quick BMT Theater Review and I’m out. I went with the much posher Fulham Vue this time around and it was a pleasure indeed. And given the movie not a wary eye was cast at the lonesome creeper catching a movie on Tuesday night. There were some noticeable guffaws when something particularly ridiculous happened, but for the sparsely populated theatre (as the Brits call it) the tone was expectedly muted. Can’t say I don’t miss the raucous crowds I would expect at something like Transformers 11, but it was pleasant enough. B-. Nice theater, muted crowd.

And with that our BMT Live season is complete. A highly successful season I think marked by a patience we didn’t exercise last year much to our own chagrin.

Cheerios,

The Sklogs

Geostorm Preview

This would have been the closing week of the Bring a Friend cycle but the Barometric Macroclimate Targeting satellites Patrick and I sent into orbit last year malfunctioned and blew in a GEEOOOOOSSTTTOOORRRRMMMMM. That’s right! As was foretold on an ancient Egyptian scroll, we are indeed watching the much anticipated Geostorm for the final BMT Live! of 2017. The movie was delayed, reshot, and delayed some more to the point where I honestly didn’t actually believe they were releasing the film. Boy was I wrong! They released it all right and it was glorious. Garnering 15% on RT (and still only the third worst reviewed wide release of the week thanks to The Snowman and Tyler Perry’s Boo 2! A Madea Halloween), it got us to where we were needed to be and capped off a particularly fruitful year of BMT Live! with Fifty Shades Darker, The Mummy, Flatliners, and now Geostorm. Get excited. Let’s go!

Geostorm (2017) – BMeTric: 15.6 (October 22, 2017)

Geostorm_BMeT

Geostorm_RV

(Haaaaa. I usually don’t put up these plots for films that just came out, but this one was too good. Opens inexplicably at 7.0 on IMDb and then (wait for it …) drops like a goddamned stone. It is below 6.0 as of writing, although I won’t update the plot, so this should be a solid 30+ pretty easily even before people see it on VOD. Great stuff.)

AV Club – D+ –  In the tradition of KFC’s Famous Bowl—famously described by Patton Oswalt as “a failure pile”—comes Geostorm, which attempts to be every possible apocalyptic weather-based disaster movie at once.

(Hmmmm, an interesting take. The story does seem like a kind of mish-mash of disaster film / conspiracy thriller / action film. That did kind of throw me when I first heard of this film. The plot just sounds like the mix of four different terrible films.)

Trailer – https://www.youtube.com/watch?v=EuOlYPSEzSc

(After a chilly reception to a first trailer if I recall they went all in with the second. It does look fun if you can look past a questionable choice in music and a dire closing one-liner. “Marry her!” was a major criticism on the net (as the kids call it), and it turned out to be more reflective of this movie than this relatively fun trailer is overall.)

Directors – Dean Devlin – (BMT: Geostorm; Razzie Notes: Nominated for Worst Screenplay in 1999 for Godzilla; and in 2017 for Independence Day: Resurgence; and Nominated for Worst Written Film Grossing Over $100 Million for Independence Day in 1997; Notes: Mainly a producer and writer (see below), but he’s slowly been taking on more directing projects. Some minor TV Movies, and four episodes of the Librarian television series which he produces.)

Writers – Dean Devlin (written by) – (Known For: Independence Day; Stargate; Universal Soldier: Day of Reckoning; Future BMT: Universal Soldier: The Return; Godzilla; Universal Soldier; BMT: Independence Day: Resurgence; Geostorm; Razzie Notes: Nominated for Worst Screenplay in 1999 for Godzilla; and in 2017 for Independence Day: Resurgence; and Nominated for Worst Written Film Grossing Over $100 Million for Independence Day in 1997; Notes: The son of two prolific Hollywood writers / actors from the 1960s, his wife is also an actress and has appeared in several of his Librarian projects.)

Paul Guyot (written by) – (BMT: Geostorm; Notes: Primarily a television writer he wrote seven episodes of Librarians. Devlin is, as I said, heavily involved with the Librarian television movies and series concerning the character of Flynn Carsen, and Indiana Jones-esque protector of ancient artifacts. I will likely never see any of them.)

Actors – Gerard Butler – (Known For: 300; RocknRolla; Olympus Has Fallen; How to Train Your Dragon; How to Train Your Dragon 2; Reign of Fire; Tomorrow Never Dies; Mrs Brown; Coriolanus; Nim’s Island; Beowulf & Grendel; Dear Frankie; Harrison’s Flowers; The Cherry Orchard; Future BMT: Dracula 2001; Lara Croft Tomb Raider: The Cradle of Life; Tale of the Mummy; The Ugly Truth; Machine Gun Preacher; The Game of Their Lives; A Family Man; BMT: Movie 43; Gods of Egypt; The Bounty Hunter; Timeline; Gamer; Playing for Keeps; London Has Fallen; Geostorm; Razzie Notes: Nominated for Worst Actor in 2011 for The Bounty Hunter; and in 2017 for Gods of Egypt, and London Has Fallen; and Nominated for Worst Screen Couple/Worst Screen Ensemble for The Bounty Hunter in 2011; Notes: Scottish, but often plays Americans with vaguely Scottish accents. He has a law degree, but was fired a week before being able to practice. Plenty of BMTs to go for this BMT All Star.)

Jim Sturgess – (Known For: Cloud Atlas; Deception; The Other Boleyn Girl; Across the Universe; Eliza Graves; The Way Back; Legend of the Guardians: The Owls of Ga’Hoole; Spike Island; Fifty Dead Men Walking; Heartless; Mouth to Mouth; The Browning Version; Future BMT: Kidnapping Freddy Heineken; Upside Down; 21; Electric Slide; Crossing Over; BMT: Geostorm; Notes: Awarded the Worst Haircut in Hollywood Award (joking, but his hair does look particularly weird in this film). Was mainly a musician from around 2000 to 2005 in bands like Saint Faith and Dilated Spies, but re-broke into acting as Jude in Across the Universe.)

Abbie Cornish – (Known For: 6 Days; Three Billboards Outside Ebbing, Missouri; Limitless; Seven Psychopaths; RoboCop; Legend of the Guardians: The Owls of Ga’Hoole; Bright Star; Candy; Stop-Loss; Somersault; The Monkey’s Mask; The Girl; Future BMT: Trauma; Solace; W.E.; A Good Year; Elizabeth: The Golden Age; BMT: Sucker Punch; Geostorm; Notes: Raps under the name MC Dusk, and older sister to Isabelle Cornish who is in the new disastrous Marvel series Inhumans.)

Budget/Gross – $120 million / Domestic: $4,300,000 (Worldwide: $29,800,000)

(Unless it turns out China loooooves disaster movies (audiences there might actually) this will not even break even in the gross-equals-budget kind of way. It’ll float to something like $80 million. Turns out the biggest disaster was … this movie’s box office returns (ayoooooo))

Rotten Tomatoes (October 22, 2017)  – 11% (6/53): Lacking impressive visuals, well-written characters, or involving drama, Geostorm aims for epic disaster-movie spectacle but ends up simply being a disaster of a movie.

(Blah, not a very informative consensus. But the reviews are shockingly bad. This movie should be a prime good-for-what-it-is, and yet people just trashed it. There is some hope in the world!)

Poster – GeoSklog (C-)

geostorm

(Basically a poster that lives up to the film. Boring, terrible font, and nothing consistent to tie it together. It does tell a story, so that’s a minor plus.)

Tagline(s) – Some Things Were Never Meant to Be Controlled (C)

(Not clever enough to make up for the length. Combined with the poster it does tell a nice concise story on what to expect. All around meh for both poster and tagline, which is disappointing. Feel like they could have gone crazy with it.)

Keyword(s) – malfunction; Top Ten by BMeTric: 72.7 The Apparition (2012); 64.3 Stealth (2005); 55.5 Dark Tide (2012); 49.1 Fortress 2 (2000); 36.6 Two Moon Junction (1988); 33.3 Atlas Shrugged II: The Strike (2012); 32.7 Barbarella (1968); 28.5 Igor (2008); 28.1 Phantom (I) (2013); 24.6 Surrogates (2009);

(HA. Stealth is definitely a malfunction. The only other one I think that will really be on the radar is The Apparition, and borderline Surrogates. That film was barely BMT though.)

Notes – The film underwent re-shoots under the auspices of Jerry Bruckheimer, who was brought in in a producer capacity at a very late stage. Reportedly, these extensive re-shoots, featuring new material written by Laeta Kalogridis, were helmed by ” CSI ” alumnus Danny Cannon over a two week period at a cost of $15m. (Not worth it)

Noted by several cast and crew (even the film’s extras) as being the movie where producer and lead star Gerard Butler kept forgetting all his lines. (hahahahah)

Some NASA scenes were filmed at NASA Facility in New Orleans.

Dean Devlin’s feature directorial debut. (could it be a one and done?! Prob not, he already has another film slated for next year)

The film was set for March 25, 2016 release, But later in August 2014, Warner cancelled the March 2016 date for the film, and replaced the film Batman v Superman: Dawn of Justice (2016) with its original date. On December 11, 2014, WB shifted its live-action animated film Jungle Book: Origins to 2017 and gave its previous date October 21, 2016 to Geostorm. In September 2015, the studio again moved back the film to release on January 13, 2017. It has once again been rescheduled to an October 20, 2017 release date per its trailer on the Kong Skull Island Dvd. (Jesus Christ, that is a delay)

Originally set up at Paramount, but moved to Warner Bros. (Not a super great sign, as if companies didn’t really think it was going to make money)

The idea of catastrophic consequences of weather control by space based stations also is a major plot point in the directorial debut of Dean Devlin’s long time collaborator, Roland Emmerich, _Das Arche Noah Prinzip (1984)_.

Skydance’s 2nd project not released by Paramount. Instead, Warner Bros. Pictures will produce the film.

A game under the same name was released by developer Sticky Studios, which was featured by Apple. It keeps the same premise but follows an alternative plot where three people gather data on Earth to locate a rogue satellite. The game is a turn-based puzzler and generally has very positive reviews. (Huh … I might actually check that out)

Flatliners (2017) Recap

Jamie

Looking to scientifically explore the concept of the afterlife, a medical student, Courtney, has four of her peers stop her heart and then resuscitate her. Finding that the procedure improves her mental capacity, they each in turn try the risky procedure to deadly consequences. Can they stop the game before it’s too late? Find out in… Flatliners (2017).

What?! Courtney is a star student at the University of Anonymous Medical School. However, she is haunted (figuratively) by the death of her younger sister in a car accident caused by her own distracted driving. Looking to explore the afterlife, she recruits a few of her fellow students to help her stop her heart and then resuscitate her a minute later. When the experiment is a success and Courtney seems to gain increased mental acuity and memory (straight out of Limitless) the rest of the morons are super into the idea of almost dying too. These supernatural abilities are cool for a second, but it totally turns out that they’ve opened the door to their worst sins coming to life and trying to murder them. Uh oh! After Courtney (now literally haunted by her sister) is killed by what they had assumed were hallucinations, the rest of the dumbos realize they must apologize to those they’ve wronged or suffer the same fate. Once they go through this process they are free from their hauntings and ready to focus on what’s important: scrubbing away all evidence of their involvement in Courtney’s death (that is a real fact, the film ends with them disposing of evidence in a river… not sure what moral we are meant to learn from all this). The End.

Why?! Much like the original film each character in Flatliners has their own motivation for flatlining. Courtney claims to want to make scientific history by proving the existence of the afterlife, but we get the feeling that what she really wants is to overcome the guilt associated with the death of her sister. The next to go is Jamie who simply wants to gain worldwide fame as a Dr. Oz type television personality. Seeing how Jamie and Courtney gain special abilities from the experience, Sophia wants to go next so that she won’t struggle so much in finishing med school. Finally Marlo is just super competitive and goes last. Ray is the fifth member who doesn’t actually flatline and plays the moral compass of the group looking to make sure none of them die.

What?! I’m going to settle this score once and for all. Everyone who says that this isn’t a remake but rather a sequel hasn’t done their due diligence. Yes, Kiefer Sutherland appears in a cameo, but his name is Dr. Barry Wolfson. It’s not Nelson like in the original. “But Jamie, maybe he changed his name after the horrors of the first film.” That would be a good point if it weren’t so dumb. Why would that be the case and they end up doing nothing with it? No sly wink to Courtney/the camera. No “Be careful. Reaserch can be a real killer,” delivered with a smirk  so that all the Flatlinerheads in the cinema can get amped and cheer. Nothing. Just boring old Dr. Barry Wolfson cameoing away. This film is clearly a remake.

Who?! A little case of nepotism up in here. Avery Bederman played the younger sister of Courtney in the film and just so happens to be the daughter of executive producer Michael Bederman. While I could mention that he’s quite successful and was executive producer on Best Picture winner Spotlight, I will instead highlight that he was an uncredited line producer of one of our very favorites of 2014. That’s right! Endless Looooovveeeeeeeee. I have endless love for that book/movie/movie.

Where?! It’s a rarity for us to find a film that goes out of its way to not have a setting. The Tuxedo is a famous example where they digitally scrubbed the film of NYC references following 9/11 to avoid controversy. For Flatliners (2017) I can only presume they just didn’t want to spend the money making Toronto look like Chicago (where the original was set). Instead an unrecognizable city skyline and “Great State” license plates told us all we needed to know: welcome to the great state of Americana, where we bleed red, white, and blue and eat hot dog pie. F.

When?! Temporal settings are hard as it is, even when you have a DVD to pause. In the theater? Forget about it. It might be there, but I’ll have to wait until it’s out on DVD so I can never watch it again probably. F.

My theatrical experience was quite different from BMT Live’s of the past. That’s because my showing was absolutely packed (shocking, I know). I went on a Friday and it was filled to the brim with teenyboppers jockeying for seats next to potential beaus. Despite this, a few of them must have been paying attention because they actually chuckled at the jokes, jumped at some of the scares, and seemed to have a bit of fun. I did not. I had assumed the film was a slim 85 minutes when I entered the theater, but realized an hour in that that was an impossibility. How did you make a 110 minute long ABC television pilot of a film? How and why? Patrick?

Patrick

‘Ello everyone! While reflecting on the remake of Flatliners I liked to imagine the conversation Kiefer had with the writer of this film prior to signing on. Am I playing the same character? Maybe. Well, do I have the same name? Maybe. But are we shooting a scene where I’m the character from the first movie? Probably, but we’ll see if we edit it out in the end … any other questions, Kiefer? Nope, sounds chill. Let’s get into it!

The Good (Sequel, Prequel, Remake; Homework Sklog-signment) – The story is as interesting as ever, and the cast is fine (specifically Luna, Page, and, after a bit of a false start, Clemons). If the original didn’t exist it would be a forgettable albeit still terrible supernatural horror film. Nothing more. Which I guess is a positive. Since this is already a remake might as well get the review of Flatliners (1990) out of the way: I dug the Gothic look a ton, and the cast was incredible (even if the acting wasn’t always). I loved the idea … right up until they were getting haunted by spooky ghosts. There is a better story concerning doctors exploring life after death, which I guess is why Flatliners is more on the cult side of cult classics. And … why they really needed to do something new for this remake. A group of doctors one-upping themselves. Going further. Getting addicted. Breaking down psychologically, and the one that dreamt it up (and dreamt of fame) finally snapping when he realizes he’ll have to share the spotlight with those he considers less than him. Go true blue low-budget mad scientist. At least then you’d bulletproof against it being a bomb, and you don’t devolve into the supernatural (at least, when you don’t have anything new or interesting to say).

The Bad (Sklognalogy) – The supernatural part of the story is the weakest and ends up handcuffing the film into a trite jump-scare horror that is honestly not scary, not interesting, and no fun. There is also a major divergence from the original in which the doctors go a little limitless (although The Fly is what came to mind initially) after flatlining. Bullshit, people would have noticed they were geniuses after dying for a minute. A recent Sklognalogy is Godsend. Although there at least you get that awesome mad scientist character in DeNiro. Here, Page ended up dying halfway through, and wasn’t even the same kind of unhinged madman that Kiefer eventually morphed into in the original.

The BMT (Legacy; StreetCreditReport.com) – This is the second year in a row August didn’t serve up a serviceable Summer Live, but we did wait it out to get something with a truly dire Rotten Tomatoes score. We’ll see about the legacy. I think it depends on the Razzies, and it has a better chance than Mechanic Resurrection did last year of snagging a few. I think the 4% Rotten Tomatoes score speaks for itself for street cred, but there won’t be worst-of lists for a while to confirm. I’m on the edge of my seat!

I already did the Homework Sklog-signment, but I might as well give a little BMT Live Theater Review! I watched at the Cineworld on Fulham Road and, wow, what an absolutel shithole. No offense, but it is just kind of getting run down, and I have a feeling it will close soon. The Fulham Broadway Vue is way better, not to mention the enormous (and posh) Westfield Vue. Anyways, there was a surprising number of people, mostly older, one who just couldn’t figure out how not to eat popcorn ridiculously loudly. No audience reaction at all. Which for a purported horror film is not the best I think. The only really remarkable thing though is that there were (count em!) 30 minutes of commercials and trailers before the film. Mostly commercials. This is the first time I’ve ever gotten angry about that, but it was just way too many. I could have left my house after the movie started and easily got there before the movie actually started. No fun … maybe I’m getting old.

Cheerios, 

the Sklogs

Flatliners (2017) Preview

Our keen BMT instincts had us eyeing Flatliners since May for a potential Fall BMT Live! We needed something to bridge the gap between The Mummy and (hopefully) the weather disaster film Geostorm and it just didn’t seem possible that a remake of a 1990 cult classic that no one was asking for could possibly be good. Boy were we right. Taking a break from our Bring a Friend cycle we will be heading to the theater for some BMT fun. Coming into this weekend it stands as the worst reviewed major release of the year (2% on RT compared to 6% for the Rings sequel) and is everything that nobody was hoping it would be. Destined to be forgotten to the sands of time, but not to BMT, let’s get ourselves geared up for a sci fi/horror romp. We haven’t lived until we’ve died, babbbbbyyyyyyy! Let’s go!

Flatliners (2017) – BMeTric: 15.0 (October 1, 2017)

RogerEbert.com – 1.5 stars –  This sort of movie can be more frustrating than a maliciously terrible or blunderingly incompetent film because at each step you can tell that everyone involved in the production sincerely believed in the material, both as raucous entertainment and as a tale of moral growth. But when the best you can say about a movie is that it means well, that’s proof that it’s not working on any level that matters.

(Just to be clear … this is a film which got 35 bad reviews in a row and sits at 2%. It is likely to be the worst reviewed film of a year that includes The Emoji Movie. Apparently a movie that merely “means well” is a movie everyone can rally behind and give uniformly bad reviews to.)

Trailer – https://www.youtube.com/watch?v=a1S52y5ZVlY

(I can’t tell if it is a good choice to go full horror or not. I do know that I don’t think this is a particularly interesting choice for a remake to Flatliners. Whether it is an IP grab or a legitimate choice to remake what is kind of a forgotten film of the 90s is yet to be scene, but it feels like an IP grab. Which probably means safe garbage-y horror.)

Directors – Niels Arden Oplev – (Known For: The Girl with the Dragon Tattoo; Drømmen; Future BMT: Dead Man Down; BMT: Flatliners; Notes: Danish, and that is naturally the original The Girl with the Dragon Tattoo, not the American remake. He’s worked on several American television shows since including directing an episode of Mr. Robot.)

Writers – Peter Filardi (story by) – (Known For: Flatliners; The Craft; BMT: Flatliners; Notes: He is from a family of screenwriters including his brother and wife. Oddly hasn’t written all that much though, although he was attached to some sort of supernatural project a few years ago.)

Ben Ripley (screenplay by) – (Known For: Source Code; The Choir; BMT: Flatliners; Notes: Ha, he wrote the direct-to-video sequels to Species as his first jobs for Fox! He somewhat hit it big with Source Code (his original idea) and is attached to the sequel that is in production.)

Actors – Ellen Page – (Known For: Inception; X-Men: Days of Future Past; Juno; X-Men: The Last Stand; Mercy; Hard Candy; Into the Forest; Super; The Cured; To Rome with Love; My Life as a Courgette; Whip It; Tallulah; The East; Freeheld; Smart People; Window Horses; Mouth to Mouth; The Stone Angel; Marion Bridge; Future BMT: Touchy Feely; The Tracey Fragments; BMT: Flatliners; Notes: Vegan and well-known LGBT advocate having come out as gay a few years ago. In a relationship with professional surfer Samantha Jones.)

Diego Luna – (Known For: The Bad Batch; Rogue One; Elysium; Blood Father; Y Tu Mamá También; Open Range; The Terminal; The Book of Life; Frida; Milk; Contraband; Before Night Falls; Casa de mi Padre; Mister Lonely; Criminal; Rudo y Cursi; Nicotina; Future BMT: Vampires: Los Muertos; Dirty Dancing: Havana Nights; BMT: Flatliners; Notes: A mexican actor appearing in numerous mexican films and some telenovelas. He’s started producing with his company Canana Films.)

Nina Dobrev – (Known For: xXx: Return of Xander Cage; The Perks of Being a Wallflower; Chloe; The Final Girls; Away from Her; Fugitive Pieces; How She Move; Future BMT: Barely Lethal; Let’s Be Cops; BMT: The Roommate; Flatliners; Notes: Bulgarian, although she grew up in Canada. She starred in Vampire Diaries, and has started to make the shift to major features including Bring a Friend film xXx: The Return of Xander Cage.)

Budget/Gross – $19 million / Domestic: $2,150,000 (Worldwide: $5,250,000) (October 1, 2017)

(That budget is … respectable actually. It won’t make it back (it is a colossal bomb already), but this now seems like a kind of shot in the dark to try and get some cheap nostalgia cash instead of a poorly thought out use of sweeeeeeeet IP.)

#58 for the Horror Remake genre (October 1, 2017)

flatliners_rratedhorror

(Can’t really remake horror films without horror films to remake I guess. The boom in the late-00s suggest this is a very nice genre for bad movies. It seemed like it was surging again, but nay, this was the first placed in the genre in nearly two years. And it is not making much money at the moment, soooooo probably won’t help matters)

Rotten Tomatoes – 2% (1/47): Flatliners falls flat as a horror movie and fails to improve upon its source material, rendering this reboot dead on arrival.

(It falls flat? Really? Anyways, this is probably the worst reviewed film of the year. At least up there, sub-5% is extremely rare. I figured this film was going to be terrible because it is a terrible idea (not the killing themselves part, the part where they remake Flatliners), but I never really imagined it would get quite this bad reviews.)

Poster – Sklogliners (A-)

flatliners

(This poster is good. Seems a bit more like an art piece than a poster, but still good. Only wish the majority of the poster wasn’t so dull colorwise.)

Tagline(s) – You Haven’t Lived Until You’ve Died (A)

(I would say this is a near perfect tagline. It is short, plays on a common phrase, and hints at the plot. Check marks all around. The only concern I have is that I’m not sure it captures the tone of the film, which seems to be a sci fi/horror. But hard to tell without having seen the film.)

Keyword(s) – medical student; Top Ten by BMeTric: 78.0 Jason X (2001); 65.4 Valentine (2001); 54.2 Annabelle (I) (2014); 44.3 Unrest (I) (2006); 35.7 The Ruins (2008); 33.7 The Prince & Me (2004); 31.3 Victor Frankenstein (2015); 30.1 Wrong Turn (I) (2003); 29.9 Pathology (2008); 28.0 The Taking (2014);

(Awesome. Victor Frankenstein is one of those films we should have just watched and then never got around to it. I don’t think it even got any Razzie nods, which is also super weird. From everything I heard it is as bad as I, Frankenstein.)

Notes – Sequel to Flatliners (1990) which starred Kiefer Sutherland, Kevin Bacon, Julia Roberts, Oliver Platt and William Baldwin.

With Kiefer Sutherland returning as Nelson, the same character he played in the 1990 version of the movie, makes this a sequel rather than a remake.

This movie is NOT a sequel to the 1990 movie. It is a remake, a re-imagining, or a version of the previous movie and has no other connection to it at all. Although Kiefer Sutherland appears in both versions, he plays two different characters. (See above … this production sounds very clear and coherent)

Ellen Page also voiced and motion captured the lead character Jodie Holmes from the 2013 video game Beyond: Two Souls (2013). The game explores the “infraworld” which is analogous to the world after death where the souls reside. Ellen Page’s character in the game also experiences supernatural activities and communicates with entities from the “other side.”

Avery Bederman, the daughter of one of the executive producers of the film, Michael Bederman, has a small role in this movie.

The Mummy (2017) Recap

Jamie

Second BMT Live! of the year and we got a good jump on the new Dark Universe franchise. Not as sexy, embarrassing, or unintentionally hilarious as Fifty Shades Darker, but still got some things to say. Let’s go!

What?! Nick Morton is a thief, liar, and total badass. He’s treasure hunting in war-torn Iraq (natch) when he accidentally uncovers an Egyptian mummy, Ahmanet. Instantly cursed to be Set’s human vessel in Ahmanet’s dastardly plan, Morton must join forces with Dr. Jekyll and his monster hunters to stop her. Can she be stopped before it’s too late? Find out in… The Mummy!

How?! Alright, so like a million years ago Ahmanet was all set to rule Egypt as the one and only heir to the throne. That is until her daddio knocks up one of his servants and a son is born. Infuriated, Ahmanet make a deal with the devil (Set), kills her whole family, and attempts to bring death and despair to the world. Fortunately she is stopped and buried alive far from Egypt. Millenia later our hero Nick Morton inadvertently uncovers her tomb while treasure hunting/defending America in Iraq. When a sexy archaeologist (with whom Morton has has had prior relations, natch) attempts to bring the sarcophagus back to London for study, the mummy’s curse brings the plane down. Miraculously, Nick awakens unscathed from the crash revealing that he has been cursed to be Set’s human vessel in Ahmanet’s plan (and can’t die… yet). From there a bunch of origin story bullshit happens with Dr. Jekyll, Ahmanet is captured and then not captured, and Nick Morton drops some sweet one-liners. This culminates in Ahmanet’s plan almost working only to have Nick embrace the mummy’s curse to defeat her. Now part good and part evil he is left to roam the world fighting monsters trying to find a cure for his curse. Phew.

Why?! Uh… good question. Ahmanet is fueled by rage (obvs. She’s a monster). Nick Morton is mostly out to get money (and slay the ladies), but once he becomes Ahmanet’s chosen one he kind of loses any motivation for his actions. In fact this is a device used in the film, where Nick will suddenly stare into space, flashback to Ancient Egypt, and then awaken in a new place without explanation (other than that the plot needed him to be there). Only at the end do they allow that he may have grander, more virtuous motivations in stopping Ahmanet.

Who?! We have to talk about Jake Johnson, our resident comic relief and as close as we’ve gotten to a Planchet in a while. He was… not good. Weirdly miscast and misused. He only rarely had anything to say and even more rarely was actually funny. I’m not sure what happened exactly but perhaps through rewriting the script his character was lost a little and became more of a plot device than an actually person. Otherwise we’d just have to chalk it up to a bad script. Here’s to hoping he gets a better showing next time around.

Where?! Nice settings game here. The opening flashback takes place mostly in Egypt. Then we flash forward to Iraq, where the mummy is unearthed and loaded on a cargo plane back to London. From there we get a wonderful array of London establishing shots, English bobbies, and pubs. Almost an A, but I’ll leave it at a B+. Not quite indispensable.

When?! I swear to god there is a scene at the very beginning of the film where a full date is flashed on the screen as part of a video recorder perspective shot. Unfortunately, one of the side effects of a BMT Live is my inability to go ask the projectionist to quickly rewind the film so I could see it better. I’ll give this an Incomplete as a grade. Likely a B- at best. Probably a C. Could be an F if I was mistaken.

There is no way for me to make the argument that this film is actually good. It is not. It’s like if you took just the very beginning or very end of Iron Man and stretched it to feature length. Just not a lot there but origin story and franchise building (and that’s pretty lame). But it definitely was more horror than I thought it would (which was a pleasant surprise) and it’s probably better than a Transformers film… definitely shorter. Patrick?

Patrick

‘Ello everyone! The Mummy?! More like Just Crummy?! Ayyyyyyyyooooooooooooo. Take that The Mummy starring Tom Cruise, about time someone took you down a peg. So you want to make a movie universe to print Marvel like money, here’s a little checklist: (1) Get a movie star (check, Tom Cruise, killing it), (2) find some sweet IP that you own and serves a lucrative niche audience (nostalgia for Universal’s monster universe, the general boom of monster films, sounds good to me, check), (3) literally just make a Marvel movie … uh let’s get into it.

The Good (BMT Dream Journal) – I dug the bits that came across as spooky scary. The mummy sucking the life out of bobbies in jolly ole England creating a creepy zombie army? Digging it. I even could kind of get into the Dr. Jekyll as the head honcho of the Monster killers thing. Everything was there to set up a universe I cared about. I can’t really do any of these guys because, well … there is going to be a sequel, and this is a remake. So how about a little BMT Dream Journal of what I hope for this franchise moving forward: stop making these action films. They worked perfectly fine as a kind of pop-horror franchise and served a kind of cool idea: Big budget films which take the horror formula to general audience appeal. I dig it.

The Bad (Seven Deadly Sklogs) – Yikes. This film is hacked to pieces. It is written by like twenty people and it shows. Jake Johnson feels so out of place (I love him, but whenever he pops up it is like I’m in a different movie). It is 95% exposition and flashback. And you often feel like they kind of get bored with what they are doing so they trigger a Tom-Cruise-Is-In-A-Dream sequence and throw you in a totally new place without explanation. It is not a good movie. The sin is Greed. They wanted the Dark Universe so badly they couldn’t step back and make sure things were done right when the directors started dropping out. The result is a mess, but …

The BMT: Legacy – Here I’ll mention that I don’t think this film was irrecoverably bad. People are discussing it as if this is somehow a death knell for the Dark Universe. It is the second attempt at a start after Dracula Untold (which immediately became non-canon after it bombed), and while I haven’t seen that one, this was a promising enough start I don’t think it is an issue it bombed. It is like the DC Cinematic Universe, it takes a bit to start a universe out of nothing it seems. It isn’t a death knell, but it does put the universe on red alert. It needs to find its Wonder Woman soon, figure out the tone it will use throughout the attached films, and move into a place where a film a year is possible. We’ll see. I have hope. And I hope the legacy of The Mummy in BMT is that it was a weird footnote in a decent pop-Horror franchise, but I now like horror films, and the idea of pop-horror is cool to me.

Close with a little BMT Homework Assignment. I watched the original 1932 Mummy film with Boris Karloff. The film itself is brilliant, with a very cool story involving Imhotep being resurrected and then attempting to resurrect his lover Ankh-es-en-amon with a backdrop of British colonialism / archeology in 1930s Egypt. I would have said this story would have made much more sense for 2017’s The Mummy … but apparently that is the plot of 1999s The Mummy with Brendan Fraser … so yeah can’t really do that again. Cheerios and back to you Jamie.