Jamie
View from the Top is part of a specific group of BMT films that I think needs a bit of discussion. This is one of six films that qualify for BMT that were delayed because of the September 11th attacks. It was the longest delayed (for almost two years) and only the second we have watched for BMT (the other is Bad Company). So we only have four more left. These are Collateral Damage, Windtalkers, Deuces Wild, and The Time Machine. Clearly not enough to make a cycle on its own, but it’s possible you could cobble together a cycle from films that were affected by September 11th in some way (like Mr. Deeds)… but let’s just say we could do that rather than we will do that. Cycles are supposed to be fun. This imaginary cycle? Not fun.
To recap, Gwenyth Paltrow just wants to get out of her dead end Nevada town. So when she sees an interview with a flight attendant turned author, she decides it’s time to fly. Starting at a small airline she learns the ropes and soon finds that she’s pretty darn good at it. She makes a couple friends and meets a cute guy, but sky’s the limit for her and soon she’s off to try out for the big time at Royalty Airlines. She ends up as the star pupil of training, but is shocked when her test scores land her on the commuter Cleveland route, while her ditzy and ethically challenged friend, Christine, gets the Paris route. She asks for a retest, but is denied. But everything turns out OK when she is not only great at her job, but she reconnects with the cute guy, Mark Ruffalo. After a chance meeting with Christine reveals her complete lack of knowledge of what was on their test, Paltrow again asks to look at the test and finds that Christine swapped their sheets. Royalty busts Christine and Paltrow takes her rightful place on the Paris route. She has everything she ever wanted, right? Wrong. Cause she had to leave Ruffalo behind. One lonely Christmas she finally realizes that life isn’t about the Paris route, but about being happy and runs to Raffalo. We see later that she becomes a pilot in Cleveland. THE END.
If that whole recap seemed unusually earnest and lacking in the typical jokes, that’s because the film itself is unusually earnest and lacking in the typical jokes. I actually found myself liking this film a lot. It’s very sweet. Paltrow’s character looks around at her circumstances and says “No,” and works hard to see the world, find her place in it, and be happy. This all rings true to me and I enjoy seeing Paltrow’s character succeed. It makes me happy. There are two major problems that the film has to battle. One is that the director didn’t seem interested in the story they were telling, or perhaps didn’t know what he was doing with a film of this scope. It’s hard to say, but there seemed to be some trouble in stitching the film together in the editing room. There are so many cliche rom com musical cues that it starts to feel like an inside joke. Like he was like “whatever, here’s a pile of footage, just make your dumb American rom com with it, I don’t care.” The second hurdle is a Robin Williams-esque performance by Mike Myers. He’s incredibly distracting and, given when the film was made, portends his imminent fall from superstar status. I’m sure the set was a ball to be on with all his gags and jokes, and he certainly is the only one trying to make the film a comedy, but boy… I much preferred the sweetness of the rest of the film to whatever he was up to. Still, I kinda like this one.
Hot Take Clam Bake! Do I smell a long con? Paltrow’s character definitely knows that Christine is not fit for the flight attendant life. She is the worst in the class and a kleptomaniac and sitting right in front of her for the test. She knew what she did. She knew it and did it on purpose. Why? Cause she had to get to Cleveland to land Ruffalo. It’s all a ruse, guys, she just wants that sweet Ruffalo action and then when she’s landed the fish she busts Christine (knowing that she would leave her telltale hearts punctuated “i’s” on the test). Off the Paris she goes to establish her cred before heading back to Cleveland to get her Ruffalo Buffalo (as she calls him). It’s a classic double long con. Can’t believe you all didn’t get that. Hot Take Temperature: Betty White.
Patrick?
Patrick
‘Ello everyone! What are we talking about? Are we talking about a much delayed romantic comedy about flight attendants completely co-opted by a cross-eyed Mike Meyers? Let’s go!
Just to get this out of the way: this movie is pretty charming, and I don’t quite get all the hubbub about it. Like, the chief complaint is that it is aggressively capitalistic? I didn’t really read that. And fine, it was advertised as a silly comedy starring Mike Meyers, but in reality he’s the worst part of the film, and the film is never funny. At best its characters end up in amusing circumstances and are themselves somewhat amusing.
Yeah, if you ever need an example of a person who’s “in another film”, Mike Meyers in View from the Top is the prime example. He sweeps in, chews scenery, does his Mike Meyers thing, all in the middle of basically You’ve Got Mail. An amusing romance film … with a cross-eyed Mike Meyers stuck to the middle of it. For a while you forget the movie is a romcom when he’s around. It is weird.
The film is basically split into four parts with unfunny montages between them. (1) Starts with a montage of Donna growing up. (2) Poor Donna living in Nevada who then gets a job as a flight attendant. (3) Montage of her getting better at it and getting a mentee. (4) Royalty Airline training school intro. (5) Getting better at that montage. (6) Cleveland and meeting up with Ted again, getting the Paris gig. (7) Paris montage and getting sad. (8) Conclusion.
You know … that classic four act structure. If there is a chief complaint from me, it is that they could have cut out all the Paris stuff. She could have just aced the test and then realized that Cleveland is pretty awesome, and she just wanted everyone to know she aced the test, that she didn’t really care about Paris and that junk now. Now you have a tight three act script.
By far the most exciting part of the film is when they reveal that with her hectic schedule and Ted going to law school / having a job to pay for that, that Donna watches TNT constantly and is watching Ghost starring the Swayz on TNT during the movie. Unfortunately, I don’t (yet) have the data for 2000 which is very much the most likely year this film takes place in, but Ghost didn’t play on TNT in 1999 according to my data, BUT … it did play on its sister channel TBS which means it could plausibly play on TNT in 2000. Time will tell.
Despite the often anachronistic costumes you can at least pinpoint the film to definitely taking plays sometime a year or two after Ghost came out, and prior to 9/11, so in that 1993-2001 range for sure, but most likely 2000.
I mean, that is an awesome Product Placement (What?) for the excellent cinematic showings on offer every day on TNT. The film is a bit of a road trip film, but let’s go Setting as a Character (Where?) for America’s Waiting Room of Cleveland, Ohio. It’s been a minute since we saw a Secret Holiday Film (When?), but the revelation that Donna loves Ted (and Cleveland) comes to her on a very lonely Christmas, and an ugly Christmas sweater plays a big part in the film. And a definitely Worst Twist (How?) for the hugely telegraphed reveal that Christine, Donna’s ex-best friend, swapped her tests causing her to be sentenced to a lifetime of hard labor in Cleveland (ugh!). And dare I say it … this film is closest to Good, I genuinely choked up at the end at her desperately wishing she for her to choose love over her career.
Read about the thriller sequel in the Quiz. Cheerios,
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