Jamie
Ah, the BMT double. It’s not an easy thing to do. There have been times when Bonus films were more regular (or maybe I’m just remembering it that way). But back then we also didn’t write much (or really anything) about the movies we watched. Our thoughts, our jokes, our thokes (those are thoughts that also act as jokes) were lost to the sands of time. To preserve our thoughts, though, makes a double quite the burden, so you know when we do it it’s probably because it’s a really, really good BMT film. *Looks over at My Big Fat Greek Wedding 3* Or maybe we just want to burn through this franchise and hope it doesn’t rise from the dead in 2030.
To recap, the Portokalos’ are back, Jack! Well at least some of them. A bunch of the family was quite old so of course some have passed and others have incurable neurodegenerative diseases (fun!). So when the family gets a letter about a reunion in their father’s village in Greece they set up a trip for them to go and represent their deceased father. Off they jet for Greece and we are treated to many beautiful vistas before arriving in what seems like a ghost town. Turns out the town has suffered and the reunion is more of a gambit to revive the town. Toula is trying to track down her father’s three childhood friends to give them his journal, but can’t find them anywhere. This issue is quite easily resolved as Toula’s husband chats with a local who is like “oh yeah, here’s where they all are.” Meanwhile, they discover a previously unknown half-brother from their father’s former flame who has a son who wants to marry a refugee (read: non-Greek). This also turns out OK as everyone is like “oh… uh, sure.” Invitations go out, the childhood friends are found, and the town is revived in time for the (you guessed it) impromptu wedding. As one final parting plot we find out that Toula’s daughter Paris is failing college because she partied too hard and so she’s resisting getting into a relationship with a boy she likes. But then she’s like YOLO and they make out. Oh and they decide to scatter their father’s ashes in Greece. THE END.
Oh boy. I’ll start with the good news. The film looks quite beautiful. I read that this is because Vardalos (who directed this one) insisted that they film on real film because Greece is so beautiful that she felt like digital wouldn’t do it justice. Good on you. It does look beautiful. In particular there are some night shots that look really nice. Alright, now for the bad news. This film is a mess. Shots don’t go with other shots. ADR is needed just to make scenes make sense. There is a scene on a rooftop where continuity is broken in almost every shot and I thought I was going crazy. There’s a joke that only works if the punchline isn’t in subtitles so instead of not doing any subtitles they do subtitles for the first part of the conversation and then drop them part way through… I thought the DVD was broken. But no, the joke was just broken. It’s insane directing. I also love Patrick pointing out that the film takes place less than a year after the second. Half the family has died… it’s been a tough year.
Hot Take Clam Bake! We aren’t done. You can take that to the bank. There is just no way we don’t have a “Paris is getting married” fourth film. It’s the natural conclusion. My prediction is that Aristotle (the beau from this film) has an even crazier Greek family. It’s a crazy Greek family face off. Literally Face/Off. They take each others’ faces… off. Toula exchanges faces with Aristotle’s mother in order to make sure Aristotle’s heart is pure. Hot Take Temperature: Started out as cool as the Mediterranean Sea and ended like a scorching Athens summer.
Patrick?
Patrick
‘Ello everyone! Time to make yo money! That’s right, we have to make this guy a vacation hot spot so that we can get money from the tourism board and also go on vacation while pretending to make a comedy. Let’s go!
Yeah so this film is weird. You’d think there would be like … a wedding in it? And there is. Don’t get me wrong. But it is buried so deeply within this Russian nesting doll of a movie it is hard to even recall who got married. I need to do my own recap just to convince myself this film is real.
The family is going to Greece because the father died and he wants his notebook given to his like … childhood friends he hasn’t seen since literally like the 40s or something? Meanwhile the mother straight up has dementia which is basically not resolved.
An aside: everyone looks really old in this film despite it literally taking place six months after the first film … that’s a mistake, but whatever. Why they didn’t just jump to the daughter’s wedding is beyond me.
They get to the village and outside of it there are all these migrants from Syria, and inside of it no one lives except a weirdo who is mayor and an old lady and her son who it turns out is their relative. Cool.
Yada yada yada they wander around a bunch, they reveal the daughter pretty much failed out of NYU, Joey Fatone and the other sister fly out to Greece and wander around, and the husband befriends a monk who just tells him where to find the people they are looking for, a little Deas Ex Monkina (heyyyyooooooooooo).
Regardless, can you tell this film is nonsensical? It looks great. But it makes no sense. Which is mostly what they key in on in all of the reviews.
But for real … why are we watching the long lost cousin marrying a Syrian migrant in Greece when we could instead be watching the daughter get married to someone in like Los Angeles and that be the whole culture clash instead. Then we could save the Greek trip for the fourth (Which I would call My Big Fat Greek Family Reunion or something).
I have to put a Product Placement (What?) for Greece, but also Tostitos which is so in your face it makes the trailer. And yeah, Setting as a Character (Where?) for Greece as well. They manufacture a ridiculous MacGuffin (Why?) in the form of the journal which no one should at all care about. And why not, Worst Twist (How?) for the reveal that the brother brought the dad’s ashes over to spread on some thinking tree in Greece or whatever. I think this is an actual BMT film, although it is close to maybe just being kind of good. I just feel like it is BMT because it is totally ridiculous while also not necessarily being the worst thing I’ve ever seen which is kind of a recipe for being a little entertaining at least.
Finally, although now for the My Big Fat Greek Wedding and Father of the Bride crossover we’d been waiting for! That’s in the quiz. Cheerios,
The Sklogs
Bad Movie Twins 