Jamie
Franchise Man checking in! Amityville Horror? More like Amityville Snooze-a-thon. And I’m not saying that because most of the series is terrible, but more because where is the lore?! You had three dang movies to get your lore sorted and instead you mill about trying to decide what the deal with the house is. Every film seems different. Is it a possessed house? Is it a haunted house? Is the demon’s lair behind a fireplace, in a crawl space, or in a well? Does it look like an alien arm? Is it a pig with red eyes? It’s like an inverse Child’s Play, which just remade the same film three times. What is a Franchise Man supposed to do with this shit? Now this isn’t the first time this has happened. Friday the 13th really didn’t get settled till the third (also a 3D entry), but it at least got settled at that point with a serviceable entry. From there it was off and running. This? This is merde (excuse my French).
To recap, John and Melanie are journalists who expose con artists. The latest con they uncover involves the Amityville house. Having found that the whole thing was a ruse, John is convinced to purchase the house himself (what could go wrong?! It’s a steal!). Soon after the real estate agent is found dead in the house. John convinces himself things are fine. Totally fine. Just fine. I SAID IT’S FINE! Melanie is less convinced. Particularly after both she and John are nearly killed in freak accidents. After a terrifying night where she is tormented by the house while John is away, she digs deep into photographs she has taken of the house. Uh oh! Looks like one of them has a little alium looking thingy on it that definitely doesn’t look totally stupid and fake. She rushes to show John this not stupid and not fake looking thing and is killed in a horrific car accident. Later, John’s daughter is home alone and decides to play with a ouija board with some friends. Despite the warnings of the board she then goes out on their motorboat and drowns. John’s estranged wife becomes convinced that their daughter is still alive, but John is like… pretty sure. He saw the body and everything. No need to open the casket and risk the head flying out. To try to help his wife, John brings in a team of paranormal investigators who get a bit more than they bargained for. In the well in the basement a portal to hell opens up and demons and acid and all kinds of shit start flying out. John and a few others manage to escape before the whole house implodes and basically that’s kind of it. THE END (or is it? (Ehhhh… kind of)).
Ha! This is dog shit. Like really, really bad. A franchise killer. It’s not even that nothing works. Meg Ryan is good. It didn’t pull the punch on killing people and setting the stakes correctly. Some of the tension and effects here and there were alright. You just can’t get over how stupid the effects for the demon are. Unrecoverable. Not to mention the fact that in this version of the story the house has unlimited range. It’s fucking with people in Manhattan and stuff. Absurd. Candy Clark is also surprisingly very bad in this. You can point to the material for that, I guess. She just doesn’t seem to have the aptitude for a scream queen and never sells any of the stupid lines she has to say. It is too bad that this essentially relegated the series to direct-to-video schlock. Something I would have liked to have seen was a take on the story where the town is in on it. They basically cover up for the house to convince families to move in. Eventually it’s revealed that the town worships the demon in the basement and is feeding it families. You can have fun with this. It’s not against the rules. As for Joysticks, I watched part of this years ago while on the treadmill and found it quite unpleasant. That unpleasantness continued on a complete viewing. The characters are gross cartoons. That’s actually the fun of watching these movies. Like… how is it that Joysticks was made by a whole group of people who looked at it and thought, “Yeah, this is good. This is funny.” It’s interesting. Then once in a while you find a Ski School where the broken clock is right and they actually hit the right note.
Hot Take Clam Bake! I’m actually half convinced that the character of John actually bought the house in order to run his own con. That after years of uncovering cons he figured he knew enough to create an unbreakable con. It would in part explain why he appears totally oblivious to everyone freaking out around him. He thinks the con is working. He put this little alien in a photo and is like “looks great and not fake,” and sure his partner dies rushing to show it to him, but that means it worked, right? And sure he daughter dies in a freak accident while unsafely motoring around the water by his house, but it adds to the lore. Yeah, don’t worry honey, it’ll all be worth it when we get these paranormal investigators in here and they get a load of the crazy contraption I set up in the well in the base… oops! My contraption sucked the house into the ground and killed numerous people. Let’s just walk away and pretend this was all real. Hot Take Temperature: Fiery basement well.
Patrick?
Patrick
‘Ello everyone! *Gif of me popping out of a well, but I’m maybe a lizard person, or possibly a Sleestack … are there Sleestacks in Amityville?* Let’s go!
The Good? I kind of dug the very 80s B story of a guy being kind of a piece of shit to his family and buying a haunted house so that he can make the big bucks no matter who he hurts. Meg Ryan was, not surprisingly, quite good. Genuinely, it is no surprise she would end up being a star shortly after.
The Bad? Obviously the Sleestack at the end was absurd. And basically everything you could say is good in the film could also be construed as bad. Cheesy 80s sets, relatively bad 80s acting, silly 80s story.
The BMT? Yeah I think so, but mainly because of the absolute absurdity of it all. The bottomless well, the Sleestack, the hoax thing running throughout the film, how crazy he is for buying the haunted house to live in in the first place. It is just nuts enough to work.
Ah, another 80s T&A comedy, I’m sure this one is just as good as Meatballs III. This one is called Joysticks and is all about an arcade and making sure eeeeevil politicians / businessmen can’t shut them down. The movie is kind of funny, in a tongue-in-cheek way. Like, the whole business with the main super-cool guy who can’t play video games anymore because of a past trauma. And then he gets over it to win the big day. It is fun. But also the film is kind of weird and gross and makes me feel a little gross as well. So I think I’m going to bump it down to a standard B in the end.
For this installment of AI corner I did the same thing as above, except at the end I asked it to summarize it all as a single ten keyword list:
Horror, Amityville, Haunted House, Supernatural, Demons, 3D, Death, Investigation, Curse, Skepticism
It is actually a little weird. Initially it kept on cheating to add more keywords, e.g. giving back “Evil/Demon” which is just two keywords mashed together. When I asked it to restrict itself to a single word or phrase it conspicuously had “House” which is obviously supposed to be “Haunted House” but it was only outputting single word keywords. Finally I told it just not to use “/”. Even then it pluralized “Demons” which was singular in the other attempts, and “3D” lost its hyphen which maybe had to do with me insisting on not having a slash.
In the end isn’t this the main issue as AI as a summarizer? My vague and terrible prompt is “code”. It is not reproducible in the first place because these models tend to do a consensus with restricted and stochastic backing resources, but also even minor changes to the prompt changed the order and structure of the list wildly. So ultimately, to run an analysis the prompt must be included, but even then you have to just trust that outside of false positives (see the Red Scorpion analysis), there is still an issue with it just being very unknowably random.
Again, A+ Setting Alert (Where?) for Amityville, New York. And you know what? No worst twist here. I actually liked the twist in the end whereby the daughter just dies and is released. Oh the Skeestack? That was weird as fuck, but that doesn’t have much to do with the film. Beyond that that one moment I think takes this film from a normal run of the mill horror film, to a true blue 80s small time weirdo horror film, and I kind of dig it, BMT.
Read all about Sleestacks, probably, in the Quiz. Cheerios,
The Sklogs
Bad Movie Twins 