Mechanic: Resurrection Recap


This week we watched Mechanic: Resurrection in theaters for BMT: Live! A tradition whereby the bad movie twins attempt to find movies that have even remotely similar US and UK release dates. I’m going to take it upon myself to put this film into context with the original Mechanic and the 2011 remake. I’ll let Patrick do most (but not all) of the talking about Mechanic: Resurrection. The original film starring Charles Bronson was very similar to Get Carter. He is an old school gangster that gets a little caught up with some personal feelings, which puts him on the wrong side of his boss (in this case he takes a shine to his hitman mentor’s son and decides he wants to train him to be his replacement, which doesn’t make his boss very happy). In the end they decide to take him out and he is killed (but not before killing everyone that got in his way). That’s almost exactly Get Carter, but not quite as good. With the 2011 remake they shifted from a subdued thriller to a straight action. As a result, Statham and Ben Foster had to bumble and stumble their way through every job. They botch everything. Of course this is what happens when you want to make a hitman thriller into a straight action. They have to fuck up every job so that their only escape is through massive stunts and violence. It was shit. It’s actually super surprising that it got >50% on RT. I would have pegged it at high 30’s. Almost every change made from the original was a mistake and there was some rididididiculous writing on display (I could write a whole blog post on the medical jargon employed in the film, for it was absurd). So nowhere to go but up, right? Wrong. I feel like it’s been awhile since I’ve been able to say that a film we’ve watched is truly awful. Mechanic: Resurrection is truly awful. It’s like the makers watched last year’s horrendous Hitman: Agent 47 and looked around and said, “Shit… they’ve cracked the code. Perfection,” and browsed through whatever properties they owned so they could create the exact same film for this year. It was nonsense. The funniest thing about all this: the remake actually got the plot right this time! Instead of just having the hitman screw up in order to create action they had him cajoled into doing sloppy and near-impossible mission in order to save a loved one. That actually makes more sense, and yet it was still a pile of trash.

God damn do I love Settings 101. Once again we got a great settings film in Mechanic: Resurrection. It also was one of the more difficult films to assess of our recent fare. On the face of it Mechanic: Resurrection is a classic B settings film. Everywhere you go you are told explicitly through intertitle where exactly you are in the world. So you are never confused as we jump from Brazil to Thailand to Malaysia to Australia to Bulgaria. But as you can see from that list this is essentially a roadtrip film (what Patrick termed the globetrotter film). Do I consider it set in Australia? Thailand? Bulgaria? If we were making a is this penalized because it doesn’t spend a lot of time in a singular location? After much gnashing of teeth and rending of clothes we came to the conclusion that this would not be a penalty. Here they are clear enough and the locations used well enough that this earns a solid B+ in Settings 101. It’s all about how clear the location is and how much it factors into the plot. For the record I would push for the film to count towards Bulgaria. I feel like it was the most solid location of the five. Australia has an argument as does Thailand, but that would be my vote (I’m sure you all were wondering).


‘Ello everyone? Mechanic: Resurrection? I’m going a little NYPost back splash on you: The Mechanic Should Have Stayed Dead! Buuuuurned. It was BMT Live! So far I would say we’ve been remarkably successful with our in theater choices, did the streak continue? Let me put it this way … I have OPINIONS! Let’s hear them.

  • The Good – Who can’t resist a little Statham charm, and a little gratuitous Jessica Alba butt that makes you feel a bit dirty, you know? Considering the overall quality of the film some of the shots they managed to get are impressive. One more word: globetrotting. C’mon, everyone loves some great views.
  • The Bad – Nearly everything. I’ll speak a bit more on the theater experience below, but this is as close as I’ve ever come to walking out of a film. Five minutes in I thought “seriously … what the fuck is this?”. Usually bad movies are skilled people with good intentions when everything goes wrong. This, somehow, came across as watching people bad at their job do it badly. I’ll give the benefit of the doubt and say the budget just didn’t match the aspirations. Amateurish is the word to describe the film. Expository would describe the script. Literally, there is a whole thirty minutes with pure monologues which sound like this: “Crain and I grew up as child soldiers trained in the East End. I escaped, and he’s never forgiven me for it.” First, seriously, c’mon, my workmates got a kick out of the mere idea of child soldiers trained in the East End, it is ludicrous. Second, how didn’t this come up in the first movie? This mysterious past didn’t come across in the slightest until literally right now. Alba’s backstory was equally ridiculous and is just deadpanned to the camera for a minute straight. Tommy Lee Jones is a gunrunner with a heart of gold! While mind you, still controlling the entirety of the European and South American arms trades, as if only “the little guy” needs guns in those parts of the world. I could go on for days, and I have. I literally whispered to myself “is this the worst movie I’ve ever seen?” Of course it isn’t, it isn’t even the worst movie I’ve seen in theaters, but while watching it it certainly seemed like the nadir of something.
  • The BMT – I would watch this movie a thousand times over. If there is any good in the world this movie will ultimately break 50 on the BMeTric and enter the pantheon. But I fear it will go the way of Hitman: Agent 47, forgotten and forgiven for all the hurt and pain it had caused. For shame.

As promised a little note on the Theater Sklog-sperience: This was my first venture to the Westfield mall in Shepherd’s Bush and the Vue there is fantastic. Great seat, courteous audience, awful awful (awful) movie. As I walked there I reflected on the fact that Hitman films just … kind of suck. You have a superman of a “good” guy, and the only way the kills are action-y in reality is if the person screws them up. The original Mechanic did a good job combatting both of those pitfalls and yet still was kind of boring (it’s like Get Carter, but I liked Get Carter more). The remake has Ben Foster literally screw everything up twice just so we could get some action. Not a good look. Even walking there I knew I wasn’t going to have a great time.

I’ll leave it there because I’ve written a lot. Cheerios,

The Sklogs

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