Gods of Egypt Preview

This week we finally get to do a film we were meant to watch almost a year ago. Destined to be the first BMT Live! of the Stallonian Calendar, it was cruelly yanked from the UK release schedule mere days before we were supposed to watch it. So we had to wait until now. Hopefully the excitement for 2016’s Gods of Egypt aged like a fine wine. Let’s go!

Gods of Egypt (2016) – BMeTric: 45.6



(The main thing of interest here is that the rating went in the opposite direction as what you would expect. So truly the die hards liked it okay, and general audiences more reasonably thought it was definitely below average. Sixty thousand votes is incredible, as is a 45.6 BMeTric for the same year as release. Come on BMeTric, don’t fail me now.)

RogerEbert.com – 2 stars –  After a point, this proudly silly film about gods and mortals in ancient Egypt devolves into an sword-and-sorcery-flavored riff on a weak Marvel movie.

(I find this little soundbite strange, if only because it gives a lot more credit to the film than I expected. I knew a number of reviews would boil down to “good for what it is”, but a comparison to a Marvel movie is a bit bold. Isn’t Thor already a sword-and-sorcery riff on a Marvel movie?)

Trailer – https://www.youtube.com/watch?v=IJBnK2wNQSo

(Oh, be still my beating heart. I saw this trailer when it came out and immediately I fell in love. The white washed egyptian populace, the terrible young actors, the literal saturation of CGI and action set pieces, Gerard Butler. Everything pointed towards achieving great heights with this film. How this didn’t get released to UK theaters until the summer is beyond me.)

Directors – Alex Proyas – (Known For: I, Robot; The Crow; Dark City; Garage Days; BMT: Gods of Egypt; Knowing; Notes: Was actually born in Egypt, which is interesting since he got a lot of flack for having an all-white cast for this film. The only Egyptian was behind the camera.)

Writers – Matt Sazama (written by) – (BMT: Gods of Egypt; The Last Witch Hunter; Dracula Untold; Notes: Wrote the story for the upcoming Power Ranger film. He also was an editorial assistant on BMT film Master of DIsguise, which is a bit of a coincidence.)

Burk Sharpless (written by) – (BMT: Gods of Egypt; The Last Witch Hunter; Dracula Untold; Notes: Writing partner of Sazama. Son of John Sharpless, a professor at the University of Wisconsin.)

Actors – Brenton Thwaites – (Known For: Maleficent; Oculus; The Signal; Son of a Gun; Ride; Ruben Guthrie; BMT: Gods of Egypt; The Giver; Notes: We’ll probably get to see him in the upcoming Pirates of the Caribbean. If history is any indicator.)

Nikolaj Coster-Waldau – (Known For: Black Hawk Down; Oblivion; Mama; Wimbledon; Enigma; A Second Chance; Blackthorn; BMT: Gods of Egypt; Firewall (BMT); The Other Woman (Seen); Notes: Obviously best known as my namesake Jaime Lannister in Game of Thrones.)

Gerard Butler – (Known For: 300; Olympus Has Fallen; How to Train Your Dragon; RocknRolla; How to Train Your Dragon 2; Reign of Fire; Tomorrow Never Dies; Coriolanus; Nim’s Island; Beowulf & Grendel; Mrs Brown; Dear Frankie; Harrison’s Flowers; The Cherry Orchard; BMT: Movie 43 (BMT); Dracula 2001; Lara Croft Tomb Raider: The Cradle of Life; The Bounty Hunter (BMT); Gods of Egypt; Timeline (BMT); Gamer (BMT); Tale of the Mummy; Playing for Keeps (BMT); London Has Fallen (BMT); The Ugly Truth; Notes: We know it all. Nominated for the Razzie Award in 2011 for Worst Actor and Screen Couple for The Bounty Hunter;)

Budget/Gross – $140 million / Domestic: $31,153,464 (Worldwide: $150,680,864)

(Oooooooooooooof, that’s a lotta dough (to lose). This was probably something on the order of a $75 million write off, maybe a cool $100 if they spent a bunch on advertising. Who thought this was a good idea? Who thought a white washed action period piece heavy on CGI was just going to rake in dough? Didn’t they watch Pompeii!?)

#195 for the 3D genre


(Last seen for Warcraft (#169 at the time of writing) I said of it that we might be seeing a bit of a downturn with the number of theaters since tentpoles were sucking all of them up … since they it has gone up again. I’m going to wonder aloud again: since I perform a rolling average up to a year ago, Warcraft didn’t include the summer. I wonder if, with the clear saturation of the 3D market, we’ll observe a clearer seasonal pattern emerge with more 3D theaters in peak summer blockbuster season … maybe, I don’t know. This guy was near RIPD for crying out loud, what a disaster!)

#68 for the Fantasy – Live Action genre


(Right below the other recent unmitigated disaster Pan. Harry Potter kicked the genre into overdrive (after Lord of the Rings of course) and from that point forward it has been The Hobbit, Marvel, and soon more Harry Potter driven. It rakes in cash, if you can make the movie not horrible. Also last seen with Warcraft. It is going to be weird watching this movie with the understanding that Warcraft is universally considered to be the better of the two films. Without question.)

#173 for the IMAX (Feature-length) genre


(Ah yes, this graph is great. Last seen for Day the Earth Stood Still: I almost didn’t even generate this one, but this is amazing! First how it just goes up and up. Second, because of how stable the monetary output from IMAX movies has been. If only all the genre plots had this much data too, so smooth and nice to look at. Still basically agree with that assessment. And the additional months of data hasn’t changed much, still just printing money basically.)

Rotten Tomatoes – 16% (26/161): Look on Gods of Egypt, ye filmgoers, and despair! Nothing beside remains. Round the decay of this colossal wreck, boundless and bare. The lone and level sands stretch far away. (Apologies to Shelley.)

(This is a classic rotten tomatoes consensus. So quippy. So snarky. Kind of pretentious? It isn’t like this got 0%. 16% of critics said “this is good for what it is, which is trash. It is king of trash mountain”. You can kind of tell they had this ready to rock before the reviews came in and pulled the trigger the instant it was certified rotten.)

Poster – Sklogs of Egypt (D-)


(Oh my gods. That may be one of the worst things I’ve ever seen. Only redeeming feature is a general consistency in using a horrific color and some symmetry. I want to give this to Patrick as an Xmas present just because of how bad it is.)

Tagline(s) – The battle for eternity begins (C-)

(There are a number of taglines, but this is the one on the main poster. Underwhelming… at least it’s short? That’s all I got.)

Keyword(s) – egypt; Top Ten by BMeTric: 77.0 The Legend of Hercules (2014); 45.6 Gods of Egypt (2016); 37.9 G.I. Joe: The Rise of Cobra (2009); 33.2 Tale of the Mummy (1998); 32.4 Mega Shark vs. Mecha Shark (2014); 31.4 Transformers: Revenge of the Fallen (2009); 29.9 Orgy of the Dead (1965); 27.6 Jumper (2008); 27.1 Singh Is Kinng (2008); 26.7 Exodus: Gods and Kings (2014);

(Mmmmmm, this list is nice. A few are dumb fake films (mega shark, I’m looking at you), but those highlighted are all pretty solid bad films. Go get yo pyramids movie executives.)

Notes – Gerard Butler said that as soon as he read the word ‘God’ in the script to describe his character, he knew would have to embark on a huge bodybuilding process. He said he started his work-outs immediately because he plays a God in the film and ‘wanted to make sure he looked liked one by the time shooting began.’ (You’re an idiot Gerard Butler, no offense. “The instant I asked my agent if Gods wore shirts and he said ‘no’ I knew I had to hit the gym”)

Filmed in the Australian desert. Filming in the Sahara was considered too dangerous. (and less lucrative apparently, see the next note)

Lionsgate/Summit’s exposure on the production budget is only around $10 million, because Lionsgate/Summit were able to recoup most of the budget via international pre-sales and Australia tax incentives. (say what? Guess I was wrong, they made sooooo much money… maybe, I don’t know). I do usually assume big films already have made money with attached advertising. Rumor was that Quantum of Solace made its budget back with a single ad campaign with Heineken worth over a hundred million dollars. And it was widely considered to be a good deal for Heineken. Yeah, movies are kind of small potatoes next to something like alcohol companies. But I’m surprised a period piece could do it. Can’t really have Set open a budweiser in Horus’ empty eye socket or something.)

Nikolaj Coster-Waldau got down to 7% body fat for his role in the film. (lol, okay. Did he read the word God in the script and whisper “time to hit the gym”?)

The film features no Egyptian actors. (yuuuuuuup)

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