Rich and Elvira the tree monster nanny are smooching hard. It’s real sexy and steamy and inappropriate to describe the scandalous nature of their forbidden love. Oh how forbidden! What a mismatched pair! What a indecent proposal! What a fatal attraction! What a… uh… wild orchid! In between bouts of steamy make-out sessions Elivira reveals that her real name is Jade and that Elivira is just a front that Gruber convinced her to put on to further his dastardly plan. “But what’s the plan?” asks Rich, taking a break from their sensual lovemaking. But Jade doesn’t know. “Well there’s only one way to find out.” Jade protests, but Rich quiets her with a kiss. “Nothing can stop us when we’re together,” and off they go to deliver him into Gruber’s hands. As they enter the arcade, it’s empty. Were they gone for so long totally frenching? Suddenly Gruber spins around in a chair, “well, well, well Rich. How nice of you to join us. Seems like you and Elvira have been having quite the time… or should I say… Jade?” Gruber already knows! Rich rips off his shirt ready to pound on Gruber, but he puts up his finger, “Not in front of your best friend and his little old granny.” Suddenly a panel in the wall spins around revealing Poe and his granny hanging suspended above a tank of electric eels. “You bastard,” Rich says through clenched teeth, “What do you want from us?” Gruber laughs, “Always so slow. Perhaps this will give you a clue.” With that another wall panel spins. “My god, it’s Jim McBrawn, renowned astronaut and sex symbol,” Rich exclaims. Gruber laughs again, “That’s right and you’re going to impersonate him and help me… hold the moon ransom!” That’s right! We’re watching one of the greatest movies ever made, Armageddon. You’re probably like, “bro, you even watch bad movies. That shit can’t possibly qualify.” Oh but it does. By the slimmest of margins. And that’s the first mistake, because leave an opening for us to watch Armageddon and we’re gonna slither in like a couple of greased up snakes at a county fair. Hooooooo weeeeeeeeeeeeeee… anyway, this indeed was Ebert’s worst film of 1998 while Siskel gave his award to none other than Patch Adams. All I gotta say is I’m much more excited to watch Armageddon than I would be to watch Patch Adams. Let’s go!
Armageddon (1998) – BMeTric: 14.8
(Wow, the BMeTric just collapsed. Probably appropriate. Armageddon is ridiculously fun. I’ve seen it like 15 times. It is a little shocking just how much the critics hated the film. But that’s an opportunity for us to watch a good film for BMT)
Leonard Maltin – 2 stars – Opens with a bang, and sets up an exciting (it improbable) story about NASA and the U.S. government turning to a veteran oil-well driller and his motley team to save humanity by flying to an asteroid and planting a nuclear bomb. After a while it becomes so routine, so predictable, and so redundant that all the fun is drained away.
(Hard disagree, but two stars sounds about right. It is a perfectly even film. On the one hand it is fun as hell and so so sincere. On the other it is just such a logical conclusion to 80s/90s action films that, as Leonard says, you can predict what is going to happen at every moment.)
(I love it. “You have twelve days” … why? Why not just do it in 10 or 11? Why? Then you’d just have however long you want to complete the mission instead of literally (spoiler alert) blowing up the asteroid with one second to spare.)
Directors – Michael Bay – (Known For: Transformers; The Rock; Bad Boys; 13 Hours; Pain & Gain; Future BMT: Transformers: Revenge of the Fallen; Pearl Harbor; Transformers: Dark of the Moon; Bad Boys II; The Island; BMT: Transformers: The Last Knight; Transformers: Age of Extinction; Armageddon; Razzie Notes: Winner for Worst Director in 2010 for Transformers: Revenge of the Fallen; and in 2015 for Transformers: Age of Extinction; and Nominee for Worst Director in 1999 for Armageddon; in 2002 for Pearl Harbor; in 2012 for Transformers: Dark of the Moon; and in 2018 for Transformers: The Last Knight; Notes: Loves English Mastiffs, and produces a bunch of horror films like the Friday the 13th reboot.)
Writers – Jonathan Hensleigh (screenplay & story) – (Known For: Jumanji: Welcome to the Jungle; Jumanji; Die Hard: With a Vengeance; Kill the Irishman; A Far Off Place; Future BMT: Next; The Saint; The Punisher; BMT: Armageddon; Razzie Notes: Nominee for Worst Screenplay for Armageddon in 1999; Notes: )
J.J. Abrams (screenplay) – (Known For: Star Wars: Episode VII – The Force Awakens; Super 8; Mission: Impossible III; Joy Ride; Forever Young; Regarding Henry; Future BMT: Gone Fishin’; Filofax; BMT: Armageddon; Razzie Notes: Nominee for Worst Screenplay for Armageddon in 1999; Notes: His father is Gerald William Abrams a television producer from the 80s. His sister is also a screenwriter.)
Tony Gilroy (adaptation) – (Known For: Rogue One; The Devil’s Advocate; The Bourne Identity; The Negotiator; The Bourne Supremacy; The Bourne Legacy; The Bourne Ultimatum; Dolores Claiborne; State of Play; Michael Clayton; The Cutting Edge; Duplicity; Extreme Measures; Future BMT: The Great Wall; Bait; Proof of Life; BMT: Armageddon; Notes: Has two brothers. Tony Gilroy is a very accomplished editor. And Dan Gilroy is also a writer (and married to Rene Russo).)
Shane Salerno (adaptation) – (Known For: Savages; Shaft; BMT: AVPR: Aliens vs Predator – Requiem; Armageddon; Notes: Was just 21 when he began writing on NYPD Blue. He is apparently writing Avatar 3.)
Robert Roy Pool (story) – (Known For: Outbreak; The Big Town; BMT: Armageddon; Notes: A little unclear what he’s been up to for the last 20 years, but worked with Laurence Dworet, a doctor, on writing the Outbreak screenplay.)
Actors – Bruce Willis – (Known For: The Lego Movie 2: The Second Part; Pulp Fiction; Split; Unbreakable; The Sixth Sense; The Fifth Element; Die Hard; Sin City; RED; Looper; Twelve Monkeys; RED 2; Moonrise Kingdom; Sin City: A Dame to Kill For; Die Hard 4.0; The Expendables; The Expendables 2; Ocean’s Twelve; Planet Terror; Charlie’s Angels: Full Throttle; Future BMT: Look Who’s Talking Too; Vice; The Cold Light of Day; The Prince; Extraction; Lay the Favorite; Precious Cargo; Breakfast of Champions; First Kill; Cop Out; Reprisal; Once Upon a Time in Venice; Marauders; Acts of Violence; Fire with Fire; Perfect Stranger; Striking Distance; Rock the Kasbah; The Story of Us; Blind Date; Rugrats Go Wild; Mercury Rising; Loaded Weapon 1; Billy Bathgate; Surrogates; Sunset; The Jackal; Last Man Standing; Tears of the Sun; Hostage; Grand Champion; Glass; Four Rooms; BMT: North; A Good Day to Die Hard; Color of Night; The Whole Ten Yards; The Bonfire of the Vanities; G.I. Joe: Retaliation; Hudson Hawk; Death Wish; Armageddon; Razzie Notes: Winner for Worst Screenplay for Hudson Hawk in 1992; Winner for Worst Actor in 1999 for Armageddon, Mercury Rising, and The Siege; and Nominee for Worst Actor in 1992 for Hudson Hawk; in 1995 for Color of Night, and North; and in 2019 for Death Wish; Notes: Y’all know Bruce Willis. Famously married to Demi Moore for years, now married to model Emma Heming Willis.)
Billy Bob Thornton – (Known For: Tombstone; Love Actually; The Judge; Monster’s Ball; Princess Mononoke; Faster; Bound by Honor; Whiskey Tango Foxtrot; Sling Blade; Intolerable Cruelty; Dead Man; Puss in Boots; Friday Night Lights; The Man Who Wasn’t There; A Simple Plan; U Turn; Bad Santa; Bandits; Bad News Bears; Parkland; Future BMT: The Informers; An Alan Smithee Film: Burn Hollywood Burn; Bad Santa 2; Into the Grizzly Maze; London Fields; Indecent Proposal; School for Scoundrels; Waking Up in Reno; The Alamo; Our Brand Is Crisis; South of Heaven, West of Hell; Cut Bank; Eagle Eye; The Baytown Outlaws; Entourage; Levity; The Winner; The Badge; Jayne Mansfield’s Car; BMT: On Deadly Ground; Mr. Woodcock; Armageddon; Notes: Y’all know Billy Bob. All the news on google is about his band which I think is called Billy Bob Thornton and the Boxmasters … I would have thought it was just The Boxmasters, but given the ‘t’ isn’t capitalized it has to include his full name.)
Ben Affleck – (Known For: Triple Frontier; Justice League; Gone Girl; Dazed and Confused; The Accountant; Good Will Hunting; Argo; The Town; He’s Just Not That Into You; Field of Dreams; Daredevil; Dogma; Shakespeare in Love; Jay and Silent Bob Strike Back; The Company Men; Chasing Amy; Clerks II; Mallrats; State of Play; The Sum of All Fears; Future BMT: Surviving Christmas; Runner Runner; Buffy the Vampire Slayer; Reindeer Games; Suicide Squad; Man About Town; Pearl Harbor; 200 Cigarettes; The Third Wheel; Live by Night; Batman v Superman: Dawn of Justice; Smokin’ Aces; BMT: Gigli; Phantoms; Paycheck; Armageddon; Razzie Notes: Winner for Worst Actor in 2004 for Daredevil, Gigli, and Paycheck; Winner for Worst Screen Combo for Batman v Superman: Dawn of Justice in 2017; Winner for Worst Screen Couple for Gigli in 2004; Nominee for Worst Actor in 2002 for Pearl Harbor; in 2005 for Jersey Girl, and Surviving Christmas; and in 2017 for Batman v Superman: Dawn of Justice; Nominee for Worst Actor of the Decade in 2010 for Daredevil, Gigli, Jersey Girl, Paycheck, Pearl Harbor, and Surviving Christmas; and Nominee for Worst Screen Couple in 1999 for Armageddon; in 2002 for Pearl Harbor; and in 2005 for Jersey Girl; Notes: His next film Torrance sounds suspiciously like Hardball with Keanu Reeves. Had a giant Netflix success with Triple Frontier recently.)
Budget/Gross – $140 million / Domestic: $201,578,182 (Worldwide: $553,709,788)
(These days that would be an underperformance, but that is kind of okay in the end. Bay’s biggest success until the Transformer franchise, so I think this was basically the ceiling for the type of action film Bay was producing around that time.)
#7 for the Disaster genre
(Absolute pinnacle of the genre in 1998. It tried to make a comeback recently, I think because people tend to like disaster stuff when things are going well in the US. Seems like that is waning now though.)
Rotten Tomatoes – 38% (45/120): Lovely to look at but about as intelligent as the asteroid that serves as the movie’s antagonist, Armageddon slickly sums up the cinematic legacies of producer Jerry Bruckheimer and director Michael Bay.
(Basically nails it. Prior to the re-watch I decided this film was the logical conclusion to Top Gun and disaster films smushed together. Reviewer Highlight: It’s strictly a side issue whether mankind will survive colliding with an asteroid the size of Texas; the real question is whether Liv Tyler, who plays Bruce Willis’s daughter, gets to keep her boyfriend. – Jonathan Rosenbaum, Chicago Reader)
Poster – Sklogageddon (A-)
(It’s actually beautiful. Well spaced. I like the orange color, which is both the color of fire and Michael Bay as a whole. A little on the fence whether the font is good or not… you can barely see that it’s unique because of the fire. But it is unique.)
Tagline(s) – For Love. For Honor. For Mankind. (A)
(Yes, yes, and yes. That tagline is nearly perfect. Maybe add a dash of wit and you’d be up at the top. I also feel like it would be a good advertising scheme. Like, “For Love. For Honor. For Mankind… Four Loko.” Nailed it.)
Keyword(s) – asteroid; Top Ten by BMeTric: 74.8 After Earth (2013); 52.0 Green Lantern (2011); 48.3 Fantastic 4: Rise of the Silver Surfer (2007); 46.5 Space Station 76 (2014); 41.9 Meteor (1979); 41.6 Ice Age: Collision Course (2016); 38.4 Galaxina (1980); 38.4 The Phantom Planet (1961); 34.8 The Green Slime (1968); 34.4 Transformers: Revenge of the Fallen (2009);
(Wow, how haven’t we seen more of these? Well, I guess I’ve seen Green Lantern and all of the Transformers. I’m excited for Fantastic 4 2 though.)
Welcome to Earf (HoE Number 16) – The shortest path through The Movie Database cast lists using only BMT films is: Michael Clarke Duncan is No. 8 billed in Armageddon and No. 4 billed in Street Fighter: Legend of Chun Li, which also stars Chris Klein (No. 2 billed) who is in Here on Earth (No. 2 billed) => 8 + 4 + 2 + 2 = 16. If we were to watch Pearl Harbor we can get the HoE Number down to 9.
Notes – N.A.S.A. shows this film during their management training program. New managers are given the task of trying to spot as many errors as possible. At least one hundred sixty-eight have been found. (Makes sense, I can’t help but laugh that they decided to have both space shuttles blast off at the same time)
Regarding the film’s premise, Ben Affleck asked Director Michael Bay, “Wouldn’t it be easier for N.A.S.A. to train astronauts how to drill rather than training drillers to be astronauts?” Bay told Affleck to shut up. Besides, the reasoning behind sending drillers, rather than training astronauts, is explained in the movie. (Straight from the notorious audio commentary. To be fair to Ben he acknowledges that it is explained in the movie … that explanation was “my guys are the best” which is equally ridiculous. I don’t doubt the scene was added to the script precisely because it was glaringly obvious that that was the better solution)
Steve Buscemi claimed that the role of Rockhound was pitched to him as a heroic geologist, which he eagerly accepted, wanting a change from the lowlifes, as whom he had been typecast. He noted that after he had been cast in the role, Rockhound’s sleazy characteristics were written into the script. (Great. Out of everything this aspect ages the worst. They suggest he’s a rapist basically so …)
Rockhound’s line about sitting on a million pounds of fuel in a rocket built by the lowest bidder is a variation of an actual radio transmission by Mercury astronaut Alan Shepard, just prior to lift-off. (Cool)
Because of the patriotic nature of the script, and the success of using Top Gun (1986) as recruitment material, the producers persuaded N.A.S.A. to allow Director Michael Bay and company to shoot in the normally restricted space agency. This included the neutral buoyancy lab, a sixty-five-million-gallon, forty-foot-deep pool used to train astronauts for weightlessness, and the use of two ten-million-dollar space suits. The crew was also allowed to shoot in the historic launch pad that went out of service after the Apollo 1 disaster, and parts of the movie were filmed at Edwards Air Force Base in California. (Yup. Works really well it turns out)
Michael Bay had the actors write their list of demands on the papers from which Bruce Willis read.
The shuttle launches were filmed for real. Disney (Touchstone Pictures) was allowed to put cameras (about sixteen of them) all over the place. The camera on the launch pad was shaken so hard (25G) that all the screws fell out of the lens, and it had to be returned to Panavision in a box of pieces (which they put back together).
The film crew was also allowed to shoot sequences at the top of a real launch pad, with an actual space shuttle docked to it. The only condition was that they not step into the shuttle itself. Ben Affleck admitted to stepping inside the orbiter for a brief moment, before N.A.S.A. technicians ordered him out of the spacecraft. (Maybe for contamination reasons, but that’s hilarious)
Bruce Willis has said that he did not care for Michael Bay’s directing style, and he refuses to work with him again. (ha!)
When asked why he did this film, Steve Buscemi replied, “I wanted a bigger house”.
Bruce Willis came to the film after he decided a comedy he was filming called “Broadway Brawler” could not be salvaged, and sought a way to exit the project. Disney’s then-head Joe Roth worked out a deal where Willis would star in Armageddon and two future films for the studio, and in exchange, Disney would absorb the failed project’s costs as an advance against his initial salary. The two films Willis later made under this deal were The Sixth Sense (1999) and Unbreakable (2000). (I love these silly stories from Hollywood, what a weird business)
Michael Clarke Duncan improvised the line, “Come and get Papa Bear!” This later became one of the actor’s nicknames.
Despite playing one of the principal characters, Michael Clarke Duncan’s name does not appear in the opening credits.
Michael Bay thinks Armageddon is his worst film. “I will apologize for Armageddon, because we had to do the whole movie in sixteen weeks”, he told The Miami Herald in 2013. “It was a massive undertaking. That was not fair to the movie. I would redo the entire third act if I could.” (Yeah, it is definitely the weakest part. The asteroid looks ridiculous, and the movie suffers a bit. Plus the time jumps are crazy. They’ll be like “Hey can we do this in two hours?” and then literally two seconds later “We only have ten minutes left!” It is really jarring)
Billy Bob Thornton told Michael Bay that his backstory for Truman was that he was on track to join N.A.S.A. as an astronaut, but suffered crippling nerve damage as a young man, and was only able to serve as an administrator. Bay loved the idea, and had a scene written that refers to this by showing a metal brace on Truman’s leg.
During the filming of this movie, the cast and crew worked around nineteen billion dollars worth of equipment, including a real oil rig and real space shuttle.
According to the Criterion Collection commentary, many of the errors found in the film were acknowledged by the director, and known even during filming and production and were left in deliberately (such as fire in space). Michael Bay said, “It’s a movie and not many people know about it”, so they were kept in for entertainment value.
Billy Bob Thornton has admitted to doing this film for the money and often jokes about acting in it. He has, however, called it “not THAT bad”. (It isn’t that bad)
By the time of its release, this was the Walt Disney Company’s highest-grossing live-action film (without adjustment for inflation). (Oh so times have changed)
The convenient existence of a fault plane passing right through the asteroid is not unrealistic. Several asteroids are now believed to be “contact binaries”, each apparently consisting of two separate lumps of rock that are just sitting on each other.
The original script did not include the romantic subplot between A.J. (Ben Affleck) and Grace (Liv Tyler), and instead had more emphasis on Truman. It was added after the success of Titanic (1997) with teenage girls. Most of the romantic scenes were written by Scott Rosenberg and were filmed late in production. (WHAT, that’s crazy. I think it works though, Liv Tyler’s scenes with Affleck and Willis is a touch of humanity the movie needs as cheesy as it all is)
Michael Bay said in a magazine interview that the solution in the movie for dealing with the asteroid was very clever, but not realistic, but that one idea for countering the threat was in line with actual N.A.S.A. research (anti-gravity systems). He also said that a problem with a film like this, was that it would make Americans erroneously think that if a situation like the movie actually occurred, then there was anything that could be done about it. (Yeah we’d all be dead. That being said, we would have known about the asteroid waaaaaay before that. We would have known about the errant comet and its path through the asteroid belt years before it ever happened, as if we wouldn’t track a comet flying through our solar system)
Stanley Anderson, who played the U.S. President, also played the U.S. President in The Rock (1996). (I love fake presidents)
Arnold Schwarzenegger was considered for the role of Harry Stamper. (Wow, what a movie that would be … that is blowing my mind)
Scott Rosenberg, Robert Towne, and Ann Biderman all did uncredited work on the screenplay. J.J. Abrams’ original contribution was also going to be uncredited, but Michael Bay liked it so much, that Abrams was brought back for additional dialogue work, and ended up sharing a Story credit with Shane Salerno.
Ben Affleck has practically disowned the movie, even repeatedly making fun of it on the commentary.
Bruce Willis was given a second trailer that housed a full working gym, at an estimated cost of one hundred seventy-five thousand dollars. It was reportedly never used. (HA, go get yo’ money Bruce)
Lawrence Tierney repeatedly turned down the part of Harry’s father, until he was offered a substantial pay raise. (……… he is uncredited in the film … but that must have been cut. I don’t recall a scene with Harry’s father)
DIRECTOR CAMEO (Michael Bay): As a N.A.S.A. scientist. Shown after Carl asks to name the asteroid Dottie. (I noticed this real time during the watch. It is super quick)
This film is part of the Criterion Collection, spine #40. (It’s in the Criterion Collection?)
Awards – Nominee for the Oscar for Best Sound (Kevin O’Connell, Greg P. Russell, Keith A. Wester, 1999)
Nominee for the Oscar for Best Effects, Sound Effects Editing (George Watters II, 1999)
Nominee for the Oscar for Best Effects, Visual Effects (Richard R. Hoover, Pat McClung, John Frazier, 1999)
Nominee for the Oscar for Best Music, Original Song (Diane Warren, 1999)
Winner for the Razzie Award for Worst Actor (Bruce Willis, 1999)
Nominee for the Razzie Award for Worst Picture (Jerry Bruckheimer, Gale Anne Hurd, Michael Bay, 1999)
Nominee for the Razzie Award for Worst Screen Couple (Ben Affleck, Liv Tyler, 1999)
Nominee for the Razzie Award for Worst Supporting Actress (Liv Tyler, 1999)
Nominee for the Razzie Award for Worst Director (Michael Bay, 1999)
Nominee for the Razzie Award for Worst Screenplay (Jonathan Hensleigh, J.J. Abrams, 1999)
Nominee for the Razzie Award for Worst Original Song (Diane Warren, 1999)