Jillian and Spencer have it all. He’s a handsome astronaut, she’s a beautiful astronaut’s wife. That is until a space accident leaves Spencer a little… off. Throwing away his dreams of flying he joins the corporate world in NYC and things go downhill fast. Can Jillian stop the crazy alien version of her husband before it’s too late? Find out in… The Astronaut’s Wife.
How?! Spencer is a handsome astronaut with a beautiful life and beautiful wife (an astronaut’s wife, if you will). But on his latest mission there is an explosion and he and his fellow astronaut barely make it back to Earth alive. Everything seems OK but things still feel a bit off, especially when Spencer decides to quit being an astronaut. Jillian is concerned (he would never quit his job!) and particularly peeved that he has decided to move them to NYC for a big shot job. But when Spencer’s friend dies and the friend’s wife commits suicide they head to the city for a fresh start. But boy howdy, this start is anything but fresh (or even slightly dope) because Spencer has really changed and is starting to scare Jillian, who is already having a tough time adjusting to the highfalutin NYC lifestyle that she hates. When a former colleague of Spencer’s shows up in NYC spouting off what sounds like crazy theories about her husband she is scared, but also intrigued. He more or less is like “he’s a scary ass alien and totally impregnated you with scary twin alien babies,” and she gasps but also believes him. It then becomes a bit of a cat and mouse game between Spencer and Jillian as they both kinda pretend things are OK but also he’s an alien. Finally, after realizing that the ultimate plan is to train their twin alien babies to take over the world with alien technology (this is real) she makes one last effort to kill him and succeeds! Except that the spooky alien inside him jumps from Spencer to Jillian. Oh no! So now she’s a creepy alien with creepy alien twin babies and the world is doomed. THE END.
Why?! World domination, duh. I mean, that’s just what aliens do and Spencer is no doubt an alien. As for Jillian, it’s hard to understand her motivation at times because she also doesn’t entirely know what’s going on. First she thinks about getting rid of the babies and thus foiling Spencer’s plan, but she has trouble doing it. Ultimately it’s a matter not only of survival, but survival for the human race and so she decides to kill him… and fails.
Who?! Gary Grubbs, from the final season of The OC fame, shows up as the director of NASA… which is interesting because that is a position appointed by the President, so we’ll have to keep this is mind when we are building the BMT Cabinet. Otherwise, probably the most notable was the Spouse twins making a very brief appearance as the creepy alien twins ready to destroy the world.
What?! It’s not for sale, but there is a screenworn NASA outfit for Johnny Depp listed on the YourProps site. Probably a museum piece… just not sure what museum. The only only kinda interesting object in the film is the repeated use of a radio both as a weapon and as a means of alien communication. I honestly don’t know whether it is meant to symbolize something or not. Just interesting that old timey radios are seemingly everywhere in the world.
Where?! We start in Florida and pretty quickly head to NYC. Charlize’s character haaates NYC and no wonder since the NYC they present is full of snobs who snidely look down on the idea of being a teacher as something not only beneath them but so utterly disgusting that they have to pretend to see someone they know just to get out of the conversation before they puke. I’m not sure whether to give it a B+ because it’s a pretty solid setting or an F because the setting is more of a caricature than an actual setting. Fine, B+.
When?! It takes place over an entire year basically. The accident occurs and then they move to NYC, she get a new job, gets pregnant and then is maybe like 4 months pregnant or something when the climax of the film occurs. So modestly it’s maybe a full year. I would guess it starts in the spring of one year and then ends in the late winter of the next year. Hard to say though. D as you get some sense of seasons.
I found almost everything in this movie to be exceedingly unpleasant. Don’t get me wrong, it’s a very well made film. Surprisingly so, given that the director has not made another film after this writer-director debut. But it actually feels like this was a movie made by an alien (is it possible that that’s the point?) where every scene and interaction is devoid of recognizable human behavior. The scenes in NYC feel like you’re watching like Eyes Wide Shut weirdness as everyone talks and reacts like no one does in real life. Even Jillian and Spencer’s interactions feel really stilted and like they just met, let alone are married to each other. Add in some scenes of sexual and domestic abuse and I was already pretty tired of it all by the time Jillian became an alien herself. Probably for the better. Whatever world they were living in probably deserved to be destroyed by aliens. Couldn’t get much worse. As for Firestorm, it’s a fun super low budget action film that delivers on some pretty spectacular jazz trumpet scenes. Add in some cyborgs (or half-cyborgs, which is a phrase they actually use in the film) denoted by little bits of metallic paint on their faces and I had a reasonably good time watching this. At least a better time than watching The Astronaut’s Wife. Patrick?
‘Ello everyone! Twins that are destined to doom the human race? What is this, our life story? Let’s go!
P’s View on the Preview – I only vaguely knew what this film was about prior to watching it. It is mostly a little weird because it has a pre-Pirates-and-makeup-obsessed Johnny Depp and Charlize Theron the same year as The Cider House Rules in one of those sci-fi films that doesn’t actually seem like sci-fi. It feels more like a drama while being fairly hard science fiction in the end. What were my expectations? As usual with films I’m not super familiar with I was expecting to be bored. Because usually when people don’t bother to watch and review films years later it is because they are boring I think.
The Good – The storyline is a lot better than you might initially think, although there is a reason for that (see the Bad section for a bit more on that). I also thought Theron was quite good. The New York City set pieces work well, although, again, I think there is a reason for that which is a bit unfortunate. You know what? There isn’t much else to say on the good side without getting into the glaring issue with this film, so let’s move on to that. Best Bit: Charlize Theron.
The Bad – This is a total and complete rip-off of Rosemary’s Baby. So much so that I started trying to look up and see whether this was intended as a direct adaptation. It somehow isn’t. Theron even looks kind of similar to Mia Farrow in the role with the same short pixie cut. In both cases you have gaslighting and eerie tracking of the pregnant Farrow/Theron, and in both cases it feels notable that the setting of New York City with its often gothic architectural features take center stage. There is even a suggestion of potential drugging at the moment in which the devil/alien children are conceived. I won’t spoil the endings, but there are similarities there as well. I don’t quite understand what to think about this. Everything good about this film can be pretty directly traced to inspiration from the far superior Rosemary’s Baby so … does that make this film terrible? When nothing it has done is good on its own? Or is it fine, because how could a remake of Rosemary’s Baby really be that bad? I say terrible. Fatal Flaw: Shameless rip-off.
The BMT – I think as far as shameless rip-offs are concerned this might be a crowning jewel. It is incredibly hard to even think about this film on its own without being colored by what you think about Rosemary’s Baby. That’s really really odd. Otherwise it is pretty forgettable, even as a twin film. The twins play a big role, but you don’t see them until the end of the film. Did it meet my expectations? It was not boring. I actually kind of enjoyed this film. It was even a little strange trying to reconcile the two competing thoughts on the film. On the one hand I enjoyed it. On the other, I enjoyed the original, Rosemary’s Baby, more. It is almost ruined purely because the remake is completely unacknowledged.
Roast-radamus – A halfway decent Product Placement (What?) for ice cold Budweiser which I think you see in multiple scenes in the film. Very solid Setting as a Character (Where?) for New York City complete with Gothic themes. I think it has a strong argument for MacGuffin (Why?) for the alien twins who will pilot the experimental EMP deploying spacecraft obviously intended to be used to destroy humanity from within. I’ll skip the twist because I think it was actually pretty good. I think it is closest to Good than anything else.
StreetCreditReport.com – I can’t find a single mention of this on any lists. I can’t even find a single mention of this on worst astronaut / space film lists. This might actually be one of the most pure: “All of the cred comes from the fact that the plotline is about twins” that we’ve done for the cycle. I doubt we ever do The Astronaut’s Wife if there weren’t twins in the film. Or at least … maybe not for decades. Will BMT last for decades more? Am I joking?
Bring a Friend Analysis – This week we brought along Firestorm as a friend. No, not the other Firestorm we already watched for BMT. This is a rather obscure 1997 sci-fi film about twins raging against a corrupt corporation trying to manipulate and kill cyborgs. One is a rogue agent of the corporation, the other, well … he plays smooth jazz. In the end they have to aid a revolution and take down the man. YEAH! In reality the film is one of those rather dull straight-to-video films probably most notable for having Robert Carradine in the role as the head of the cyborg army. Oh, and obviously the smooth smooth jazz. But naw, in the end it is probably like a C+. It should be more amusing than it is because of the jazz, but that sustains the story for like 15 minutes before you remember you are just rewatching Cyborg 3: The Recycler.
Twin Analysis – We are creeping ever closer to the end of the twin cycle. This week we had The Astronaut’s Wife which is a difficult one to assess. On the one hand you have a very twin-centric storyline. On the other, the twins don’t actually appear until late into the film. A perfect example of a B twin film. Give it an A for storyline dependence, but a C for actual twinness. As for Firestorm, this is a Bad Company scenario through and through. You see the twins together once in the beginning of the film basically, but soon one of them is killed off for production cost reasons … er, I mean for really important plot reasons. The idea of twins is important to the overall story. Without the protagonists being twins, then there is no infiltration of the bad guy’s company and the plot (for what that’s worth) totally falls apart. But they also get away with, overall, very little twinness in the film itself. I’m going to give it the same grade as Bad Company in the end, an A-. While you did get some split screen action in Firestorm, you had less of a good/bad twin dynamic at play, so it comes out as a wash I think.