Wild Wild West Recap

Wicky wicky Wild Wild West. Jim West, desperado, rough rider. No do you don’t want nada. That’s because he is on a mission from the President to stop a conspiracy enacted by former Confederate rebels. Paired with annoying inventor Artemus Gordon can they join their brains and brawn to take down the baddies before it’s too late? Find out in… Wild Wild West.


How?! I contemplated whether I should just write all the lyrics to the song here and leave it at that, but unfortunately the song has nary a mention of a giant mechanical spider. So Jim West (desperado and alleged rough rider) is hot on the trail of a big time gun runner/former confederate general. When he tracks him to a saloon he busts in only to find that another federal agent (and inventor/master of disguise) Artemus Gordon is there already. As a result everything blows up and the baddies get away. Called to DC, West and Gordon find themselves paired up in the service of President Grant to stop whatever grand conspiracy the criminal enterprise is up to. “Go get on that steampunk train I have for some reason,” Grant huffs and off they go. They make their way to New Orleans for a grand party thrown by a former Confederate inventor who had been presumed dead. They are able to get some information about the plans, escape, and pick up the sexy Rita Escobar who is searching for her captive father. They then chase after the baddies as they head to Utah to disrupt the completion of the transcontinental railroad only to have Rita kidnapped and find themselves playing some dangerous (and ultimately useless) technological games set up by the inventor. They again escape and track down the bad guys, who have kidnapped President Grant and are attempting to use him to sign away large swaths of the United States. Luckily Jim West (desperado) is there to dress up like a Middle Eastern belly dancer (for real, it’s crazy) and distract the bad guys. A big fight on a giant mechanical spider (still real) ensues and eventually our heroes beat the baddies. Hoping for a smooch they find that Rita is actually married and they instead ride off together for their next sequel. THE END.

Why?! Jim West (desperado) actually does have an interesting motivation in this film. A bit surprising given that the good guy usually is motivated just by goodness. Of course he and Gordon want to protect the President and the nation, but it’s also revealed that Jim’s parents were killed in a massacre orchestrated by the evil genius antagonist. So it’s personal. The bad guy on the other hand feels betrayed by both the US and the Confederacy so he is attempting to break up the United States and sell it to the highest bidders. He also don’t want nada of any desperados or rough riders that may be about.

What?! I would have done a complete 180 on this film if Will Smith pumped up some Reeboks before jumping onto the giant mechanical spider. But alas, it didn’t happen so there is nothing to talk about for this section. I guess I’ll just reiterate that there was a part of this film where our main bad guy is giving a large presentation about his intricate plot to take down the US only to be distracted by Will Smith dressed as a Middle Eastern belly dancer… it’s INSANE. It’s also the most racist portrayal of Middle Eastern culture we’ve seen since *checks notes* last week.

Who?! Will Smith is one of the ultimate musicians-turned-actors, but I have to give a big shout out to Kevin Kline who played both Artemus Gordon and President Ulysses S. Grant. At one time we had contemplated creating a Hall of Presidents where each time a US President (real or fake) appeared in a BMT film that would serve as his “election” and start his term in office. Thus this would begin the term of Ulysses S. Grant as President of the Sklognited States of America. This would of course be his second term in office having been previously elected for his portrayal in Jonah Hex. Huzzah! Long live President Grant!

Where?! Almost a Road Trip Alert with a plethora of specific locations. Starts in West Virginia, moves to Washington DC, heads next to New Orleans, and finishes in Promontory Summit, Utah for a very special climax set at the laying of the Golden Spike to finish the Transcontinental Railroad. Gotta give that a B+.

When?! Did I mention that the climax was set during the laying of the Golden Spike? That gives us an exact date of May 10th, 1869. That is simply magnifique. Giving that an A- for effort, although not exactly necessary to the action at hand.

Oh boy. I mean, this is right up there with Batman & Robin as one of the most misguided films ever to be created. It is straight up terrible and almost impossible to understand how it went as far down the path of terribleness without being stopped. For some reason they cast Will Smith as Jim West riding a steampunk train and fighting a mechanical spider and then felt the need to inject realism about the social climate at the time. Every character has to express surprise at his appearance and thus Will Smith finds himself making joke after joke after joke about the rampant racism that he would have had to deal with. This includes an entire scene where he attempts to evade a lynching by convincing the crowd that he was just evoking his African heritage in touching a woman’s bosom and that slavery wasn’t that big of a deal in his opinion… it is insane. Add on top of that the sublime overacting performance of Kenneth Branagh and the general nonsense and unfunny jokes that populate the script and we have a true BMT gem. Patrick?


‘Ello everyone! You’ll have to forgive me, I’m actually recovering from a sickness. I developed a terrible fever and hallucinated that Will Smith was in a sci-fi western with a flying bicycle and a mechanical spider. I saw death at my door … up until I realized I wasn’t sick. I was just watching Wild Wild West (slammed), let’s get into it!

The Good – I very much enjoyed the set pieces. You could tell they had the ability and leeway to put together some really special moments. The brothel in particular was incredible, the multi-tiered almost comic-like take on the classic setting, brightly-lit and colorful in opposition to typical westerns. I also very much enjoyed the assassins hidden in paintings, very well put together. Salma Hayek was fun, Kline was fun, Will Smith did his best I think. People were game is what I’m saying.

P’s View on the Preview – We had seen the film before so there wasn’t much to surprising in the preview. I guess I was most fascinated by how the Wicky Wicky Wild Wild West theme song would be incorporated (it wasn’t), and a bit about Kenneth Branagh who I’ve since seen in The Winter’s Tale on stage in London (with Dame Judi Dench … it was fantastic, and yeah, I’m bragging … it was awesome).

The Bad – I mean … mostly everything? Will Smith might be game, but he’s out of place in this film, he feels like a modern action hero instead of a US Marshal in the Wicky Wicky Wild Wild West. I love Branagh, but he character is very weird and, again, feels out of place (this time by being a little too gross and dark for the comic tone). The last third of the film is just catastrophic from a storytelling perspective, even Will Smith just pops out of nowhere in disguise at one point. The gang of attractive women Dr. Loveless drags around … gives off a problematic impression (so problematic they apparently rewrote the final fight because it was just Will Smith wailing on three women, wowza!). This film is stunning. Like Batman & Robin except dressed up as a cautionary tale about steampunk westerns.

Get Yo Rant On – The writers of this film did Will Smith a huge disservice. I hope I’m not speaking out of turn: but they put him in a position where he’s faux-lynched and is avenging the death of his freed-slave parents … and to serve what? Some strange question as to why a black US Marshal might be out of place for the time? It sure seemed like it. Ignore it! I mean … Kevin Klein’s character invents a genuine self-propelled airplane in 1869, so why is it impossible to believe this weirdly advanced society is colorblind? The film is bad enough as is without making the bad guy an ultra-racist confederate (Dr. Loveless isn’t even a Confederate in the original show, he’s just a (short) man out for revenge!) and explicitly pitting him against Will Smith. Woof. Just very strange to watch twenty years later. End rant.

The BMT – It’s a classic right? I would watch this movie again. I would watch it a bunch of times. As I said, the brothel set piece is actually quite nice looking in the beginning, the painting assassination scene is also pretty fun (middle) and I can laugh all day at the belly dancing scene (end). It really doesn’t quit. Probably the best argument so far for watching some of these films we’ve seen before, I couldn’t have even imagined how crazy this film was without watching it again.

Welcome to Earf – So, Salma Hayek was in Wicky Wicky Wild Wild West and Grown Ups with Adam Sandler, who was in Jack and Jill with Al Pacino, who was in 88 Minutes with Leelee Sobieski, who was in Here on Earth. Welcome to Earf!

StreetCreditReport.com – This has got credit up to wazoo. It is third for the worst film of 1999 in Rolling Stone, and although the formatting is a bit messed up it was mentioned near the end in this New York Post article. It basically swept the Razzies, and you can find a litany of quotes from everyone involved about how terrible the film is.

So in theory there was a ton of Homework Sklog-signment, because the movie is based on a television program. I did end up watching an episode (season 1 episode 20, the Night of the Whirring Death). Two things: first, luckily I found an episode streaming with Dr. Loveless, who is played by a little person in the television show (Michael Dunn, who I recognize from an episode of the original Star Trek); second, the show is far more serious than the movie they decided to make. It is like Star Trek, quippy or tongue in cheek at times, but also very serious. Old-fashioned. That is what I would have preferred for the film and I’m glad I wasn’t incorrect in my thinking. Welp, better for the eventual Wild Wild West Cinematic Universe (WWWCU) to reboot it anyways.


The Sklogs


Cannonball Run II Recap


Remember those bozos from the last movie? Well they’re back, Jack! And ready to ride their way to victory in a cross country road race. When the Sheik is kidnapped by some mobsters the cannonballers gotta pull out all the stops to help him. Will they free the racist caricature (and perhaps win the big race) before it’s too late? Find out in… Cannonball Run II.

How?! The Sheik is pretty embarrassed about losing the last race due to an unforeseen plot hole so he sets up a second one to prove his worth. While everyone is gathering, however, it is revealed that the goofball son of the Mafia don has gotten in deep with a rival mob. He comes to collect from Jamie and Morris (the priests from first film) and they point to the Sheik as a way to get the cash. A plan is in motion to kidnap the Sheik and ransom him for the large sum that the rival mob is asking for. If this sounds terrible and in no way related to a film about car racing you are correct. Anyway they all get new gimmicks. J.J. and Victor are now impersonating Army generals, Jackie Chan is back with a new robot car, the drunk priests are now impersonating cops, the hot ladies are still just hot ladies, and the good ol’ boys are back except now one of them is Tony Danza and they have a car driven by a orangutan… yeeeeessh. Basically nothing happens for a while except J.J. and Victor pick up a couple of actresses dressed as nuns and Jackie Chan’s car goes into a lake and turns into a submarine (best scene of the film). Eventually the Sheik is kidnapped and our heroes hatch a plan with Frank Sinatra to infiltrate the Mafia’s hideout and get him back. This culminates in a big fight which they win. They then finish the race off screen and we are treated to seeing the orangutan declared the winner. THE END.

Why?! More like Whhhhhhhhyyyyyyyyyyyy??!!! Amirite? The motivations are the same. J.J. and Victor want glory and fame, the priests/cops are in it to clear their gambling debts, the hot ladies just want to go fast, Jackie Chan is back to prove the superiority of Japanese racing technology and talent, and the good ol’ boys just want to have a good time (but the orangutan sure is making it tough)… god, writing about this is making me sad.

What?! Someone switched sponsors! Last film everyone was crushing Budweiser. This film? Miller High Life (the champagne of beers) is in everyone’s hands. Also want to note that back in 2011 there was a lot of buzz for a remake of The Cannonball Run series starring Brad Pitt which was supposed to birth a new generation of product placement as it was funded by GM. It never came to fruition and now the remake seems to be in the works sans Pitt and GM.

Who?! Victor played by Dom DeLuise is probably the best example of a Planchet we’ve seen in quite some time. The man is generally a good guy, a great friend, and a bumbling chubby idiot at the same time. So of course J.J. treats him like shit. He is always hitting him and calling him names. Congrats Victor, you are a very good BMT thing coming out of a truly terrible film. Frank Sinatra makes one of his final screen appearances in a bizarre set of scenes where it’s obvious that he was never in the room with any of the other actors. On top of that they all more or less grovel at the feet of Blue Eyes. Joe Theismann followed in Bradshaw’s shoes and appeared in this film. Finally I have to give a big shoutout to Don Knotts who made a cameo appearance here as a highway patrolman who gets attacked by an orangutan (this is real).

Where?! Road Trip Alert! Still a roadtrip movie, but no nearly as good as the last film. It starts in Redondo Beach, California, but then almost immediately spends most of its time hanging around Las Vegas. It finally jumps to CT at the end. So not a great road trip but better focus on a single place. B-.

When?! Better chance this time to see an actual date as there were fliers for the race, but I couldn’t make out the date on any of them. Maybe if I had an original print of the film or happened upon a large cache of props. Until then… F.

This movie is terrible, terrible, terrible. It is just a knock-off of the first one with a lot of the good stuff removed. It’s barely even a racing movie anymore as they mire themselves in a Las Vegas mobster plot that is real tedious to get through. It’s amazing that both the first one and the second one were so bad considering their success, but this one makes the first one look like a masterpiece. Patrick?


‘Ello everyone! Oh snap, you remember that crappy movie you made a few years ago on a shoestring budget? It made boatloads. A sequel is going to be easy. I mean … the jokes write themselves! Well, actually, if we do it right the jokes are literally already written … Let’s get into it!

The Good – Oof. Uh … Jackie Chan’s story is a bit better this time around. I was mentally prepared for watching this trash because I had seen the first one. That’s it.

P’s View on the Preview – Now having watched the original I knew what I was getting into. The first was garbage. The second is considered worse so … double garbage, all the way, oh my gosh. Otherwise I guess I was most interested in seeing Frank Sinatra play himself a bit? I wasn’t looking forward to watching this to say the least.

The Bad – This film is totally and utterly unnecessary. They don’t even do a cross country race. They go from Los Angeles to Las Vegas (an afternoon jaunt) and then animate the entire thing at the end! It is crazy. Burt Reynolds and DeLuise are particularly bad in this one, I’m skeptical they even had a script. If they did it said “Burt and Dom improv for 15 minutes, end scene” at times, I guarantee it.

Get Yo Rant On – In the previous recap I talked about Burt Reynolds and Dom Deluise’s comic stylings. This time let’s get a little shout out for everyone else involved. Jamie Farr plays a truly racist caricature (and not in a “the times they are a-changin” kind of way, he’s in blackface in 1984). In back-to-back films they inexplicably cast Terry Bradshaw and Joe Theismann. The main pair of ladies basically just show their breasts the entire time. Sammy Davis Jr and Dean Martin … the less said the better. And … who knows I can’t remember anyone else. Like an orangutan. These characters are neither interesting or funny and on most occasions offensive. So congrats Cannonball Run II, you managed to make a not-funny film even less funny and more offensive.

The BMT – Now this! This is a real Razzies-Calendar-Smellements film, it ticks the games off like crazy. It is one of those classic bad movies we just had to watch. Would I want to watch it again? Never. But maybe just show the opening scene and turn to whomever you are talking with and say “You see? You see this garbage? Do you want more of this? Didn’t think so” and shut it off.

Welcome to Earf – Not surprisingly The Cannonball Run and its sequel have the same chain: Burt Reynolds was in Cannonball Run II and In the Name of the King: A Dungeon Siege Tale with Leelee Sobieski who was in Here on Earth. Welcome to Earf!

StreetCreditReport.com – At one point in time Gene Siskel suggested this film was the worst film ever made. There aren’t many lists from the time, but do yourself a favor and watch the Siskel and Ebert review:

They absolutely destroy Burt Reynolds, that man had a family! Presumably, I don’t know. I think it would be a few years before he got married and adopted his son.

Besides the BONUS of The Cannonball Run there was no homework. Turns out that despite Speed Zone being referred to as Cannonball Run III in the literature, it is not in fact a sequel. Good for me since I’m not sure I could have watched a third version of this trash.


The Sklogs

The Cannonball Run Recap


A bunch of bozos get together for the annual (?) Cannonball Run, a cross country road race where rules are not coolz. They all have their gimmicks and celebs galore as they race for the coveted cup. Can [insert favorite character] win the race before it’s too late? Find out in… The Cannonball Run.

How?! In the flimsiest of plots our heroes, J.J. and Victor, enter The Cannonball Run disguised as ambulance drivers in an attempt to evade police suspicion. Added to the mix are: some hot women, a gambler and a washed up race car driver turned drunk disguised as priests, Jackie Chan in a Japanese robot car, good ol’ boy Terry Bradshaw, a Roger Moore lookalike played by Roger Moore, and a very racist depiction of a Middle Eastern Sheik. There are others but those are the major players. Anyway, J.J. and Victor kidnap a photographer lady and have a rivalry with the priests, but otherwise it’s just zany antic after zany antic for our heroes. The whole time there is an attempt by a politician to shut down the race, but that comes to nothing except sadness for the politician. The film culminates with a fight at a gas station where all the cars end up stuck waiting for construction to clear. We get some Jackie Chan moves and Victor becomes a weird superhero or whatever and it’s obviously hilarious. They then all sprint for the finish line (even though it was a staggered start) ending with the hot ladies winning the prize. THE END.

Why?! It is interesting to think about the motivations for the characters. J.J. and Victor want money and fame, the priests placed a large wager on themselves, the ladies seem to just want to go fast, Roger Moore is for the thrill of it, Terry Bradshaw wants to whoop it up and have fun, Jackie Chan wants to show the superiority of Japanese technology, and the Sheik doesn’t want to bring shame to his family’s name. I think that’s pretty accurate.

What?! There are certainly product placements to note (like Terry Bradshaw crushing Budweisers left and right), but I’m gonna take the rare opportunity to note a rare plot hole in this film. Plot holes are hard to spot, but in this case it’s pretty clear that the creators of this film just didn’t care. It’s explained that the race is run using time cards. Each team punches their card in a staggered start and then whoever has their timecard show the lowest elapsed time is the winner of the race… and yet the film finishes with all the major teams in the film running to the finish line to try to cross first. The time card is never mentioned, nor is it noted that the declared winners (the hot ladies) started earlier than several of the teams shown and should have lost to them. Congrats. That is truly terrible writing.

Who?! There is a classic Planchet in this film, but I’ll use the recap of the second film to discuss that. Sammy Davis, Jr. and Dean Martin are in both films and both had major singing careers. Peter Fonda has a cameo as the head of a biker gang in a nod to Easy Rider. Football player Terry Bradshaw is a character in the film. Finally, Jamie Farr plays the Sheik in arab-face which is problematic to say the least. It’s pretty offensive in a very they-made-this-in-the-80s kind of way.

Where?! We get another Road Trip Alert! The Cannonball Run starts in Darien, CT (confirmed by several signs). We get scenes in New Jersey, Ohio, and Missouri in the very least (probably more could be definitively determined). It ends in Redondo Beach, California. Not as good as Crossroads, but solid. B.

When?! My guess would be that the film takes place in the Spring, but it’s not something that I could figure out for sure. Maybe it’s noted somewhere in the film but I sure in hell ain’t going back and watching it again to find out. F.

This movie is surprisingly terrible and useless for being one of the biggest hits of 1981. Let me count the ways. The production is ramshackle, exemplified by the plane stunt where cameras and police barricades are clearly visible. The Middle Eastern character is one of the most racist depictions I’ve seen in a BMT film… his name is Sheik Abdul ben Falafel! Even though I can to appreciate the charm of Dom DeLuise, the film is just not funny. Finally, it has one of the most glaring plot holes I’ve ever witnessed on film. It is just not a good film… and yet America seemed to not be able to get enough. Patrick?


‘Ello everyone! Time to pack up your ambulance, grab a disgusting doctor character, and unleash your inner Captain Chaos, because The Cannonball Run is starting. Mad antics like this just haaaave to be funny, right? … Right? Let’s get into it!

The Good – If you like cars, Burt Reynolds, or both this film might just be for you. Farrah Fawcett is like … super attractive. The fact that this is as true to the original race as you’ll see is pretty fun. Some of the others are funny in their own way, Jackie Chan and Roger Moore in particular are fine.

P’s View on the Preview – I told Jamie that I wondered if this would be like Anaconda. If this is one of those films which have bad reviews now, but didn’t really back then (at least not as bad) and that once I watched it I would think it wasn’t nearly as bad as the rating suggests. He told me to watch the movie. But you can kind of see my mindset going into the film. I expected it to be a cult-classic (which was always my perception of it). Boy howdy was I wrong.

The Bad – This movie isn’t funny. Seeing Sammy Davis Jr and Dean Martin doing … this, just isn’t a good look. The movie is just not funny, not a single moment of it. It is a totally mess from a storytelling perspective, less of a three act structure and more of the loosey goosey meandering scripts from the decades before. There is some complicated sexual assault / drugging / disgusting garbage behavior played for laughs which you just couldn’t get away with now. The movie just isn’t funny, it is boring.

Get Yo Rant On – For the first film’s rant I choose to highlight the interactions between Burt Reynolds and Dom DeLuise in particular. Specifically the way they fake laugh with each other and Burt’s kind of … odd improvisational stylings. Perhaps it is my pre-1980 bias showing, but was this normal? Or was it a product of a very quick and very tight shooting schedule. Did Hal Needham just trust Reynolds to get the comic timing correct, or is this a fundamental disaster. I will say: Burt Reynolds doesn’t really come across as funny in the film. He comes across as a very smooth ladies man and straight man playing off of DeLuise’s comedy … but DeLuise isn’t funny either. No one is funny in this film … I don’t get it, am I taking crazy pills? Rant over.

The BMT – Weirdly … I do think this has legs. Cannonball Run films are a very strange as specific sub-genre. Almost exclusively comedies (interestingly enough). I wonder if there is an example of a serious version of Cannonball Run? And if not, why not? I guess it was all played for jokes at the time, but someone who really needs the money or someone who needs to stop another person from getting the money seems like a decent action premise. My point is, completing the Cannonball Run genre will be a thing and this will be part of it. I will never watch this film again if I can help it though.

Welcome to Earf – Shockingly easy in light on last week’s run. Burt Reynolds was in The Cannonball Run and In the Name of the King: A Dungeon Siege Tale with Leelee Sobieski who was in Here on Earth. Welcome to Earf!

StreetCreditReport.com – This one doesn’t have much beyond most respectable critics at the time ragging on it. In particular Siskel and Ebert seemed to think this was a particularly egregious example of lazy filmmaking. Maybe Lennon and Garant can fix it the next time around …

Phew, one Cannonball Run down, one to go. The second couldn’t possibly be as bad as this right? … Right?


The Sklogs

Crossroads Recap


It’s Britney, bitch. A bunch of estranged BFFs embark on a cross-country road trip when they each find that they are unsatisfied with their life in a different way. Can they see all of their dreams regarding their mother/fiance/singing career go up in smoke and still find that friendship is forever (and maybe also get the guy)? Find out in… Crossroads.

How?! Britney Spears is a high school senior that has drifted away from her childhood friends. When she and those friends realize how far they have strayed from their childhood dreams they set out on a road trip in hopes of finding what each covet. Girl genius Britney Spears wants to meet her mom before heading to college, stuck-up Kit wants to see her fiance at UCLA, and pregnant Mimi wants to see the world and try her hand at getting a record deal before having her baby. As they journey across the country they find that they’ve been missing their friendship the whole time (aww). They also find that Britney Spears got some serious pipes and stage presence when she wins them a boatload of cash in a big New Orleans karaoke competition. When Britney Spears finally gets to her mom’s house she learns that her mom doesn’t want to see her and considers her a mistake. Finding solace in the company of her friends they continue on to LA where Kit figures out that her fiance is actually the father of Mimi’s child from when he raped her (woah!). Mimi then runs away only to fall down the stairs resulting in a miscarriage (holy shit! I thought this was a lighthearted tale of friendship and discovery!). Despite all this they decide they have to give that singing competition one shot and of course Britney Spears blows away the competition and wins the hearts and minds of America. THE END.

Why?! At the beginning for the film Britney Spears, Kit, and Mimi all find themselves at a spot in their lives where they need something. While Mimi obviously feels like she needs to see the world before having a baby, Britney Spears and Kit just feel like something is missing even when from the outside it would seem that their lives are great. The roadtrip is meant to work out those feeling… which is actually quite successful seeing as Kit was engaged a rapist before the roadtrip and is not engaged a rapist after the roadtrip. Mission accomplished.

What?! In some ways this whole movie is an advertisement for delicious Pepsi products which clearly give Britney her song powers. There is also the mysterious “blue beer bottle” that is the crux of the dramatic conclusion to the film, but it’s obviously fictional. It would have been great if it was a real beer where they were like, “so what’s our spot in the film going to be?” “Oh, uh… the rapist enjoys drinking your beer and the fact that he’s drinking it is how he is ultimately discovered and leads to the miscarriage of a baby.” “… we’re not paying for that.”

Who?! Not sure this had anyone of significance… other than the biggest superstar of our generation, duh. It’s Britney, bitch! Classic musician-turned-actress. She’s joined by her younger sister Jamie Lynn Spears who portrays a younger version of Britney. Throw in the band Bowling for Soup that makes a cameo playing at the postgraduation party and we got a veritable murderer’s row of musical talent sprinkled into this masterpiece.

Where?! Road Trip alert! This could almost be its own little challenge as we map out BMT road trip movies by the locations that they explicitly hit. This was pretty clear as they start in Georgia, head into Alabama, skip MS because fuck ‘em, spend a long time in New Orleans where they become karaoke superstars (welcome to the club), head into Texas, stop in Arizona, before finishing in sunny Los Angeles. I give it a B+ as it’s as good as you can get without putting down stakes in a single location.

When?! Finally an exact date. We get a brief glimpse of the flier for the singing competition Britney and her friends participate in. While I was not enjoying Crossroads in 4K UltraHD (I wish), I still am pretty sure it said that the competition was taking place on June 16th, which makes sense with the film opening on their high school graduation.

This movie is like a rollercoaster ride (if rollercoasters mostly headed downwards). When it started I was like “Yo, Britney Spears can act, bro… She’s Britney, bitch.” She has a scene at the beginning of the film where she is supposed to be upset because she’s had her whole life pass her by in pursuit of a dream she realizes she never wanted in the first place. That’s pretty emotionally complex. It’s not like “Imagine your dog died” crying. This is like “you’re crying but you’re also confused and you don’t want to upset your dad.” And, spoiler alert, she pulled it off! Add on top of that a scene with Justin Long that is the only funny part in the entire film and I was thinking I might actually somehow be digging Crossroads starring Britney, bitch. Then it started a slow and steady descent downwards until it hit an ending that is so ludicrous and bad that I remembered that Crossroads was a really bad movie. Also Britney Spears can’t sing, which is a tough look. Patrick?


‘Ello everyone! Not a sklooooooooooog, not yet an … older skloooooooooog. Britney’s back jack, with a whole gang of ladies ready to sing and dance and travel across the country. What could go wrong? Let’s get into it!

The Good – Actually a pretty good road trip film. Got friends learning to love again, and you visit like … four goddamn states. Britney and Zoe Saldana are decent actors. They don’t pull any punches with the drama concerning the mother’s storyline. All in all, kind of surprising. Not a good film, but it has a lot more good elements than you would expect.

P’s View on the Preview – The most interesting thing in this preview was, oddly, that all of a sudden the bottom IMDb list looks … normal. So, here it is two years ago. The bottom film on that page has a rating of 2.8, which is … quite low. Here it is now. What the F-ing F?!?! NOTE! Nothing on that page has changed, not even the purported threshold of 1500 votes. That bottom title is even lower and has over 1500 votes. Suspicious, but also I think ultimately a good thing. For the record it changed at some point between July 8th and July 14th according to the Internet Archive, so good on me to noticing it I suppose. I do not think the method to the madness will be able to be discerned unfortunately.

The Bad – Most of the acting is terrible. The singing is universally terrible. The film feels … exploitative (see my rant). It possibly has the worst twist in cinematic history. Seriously, I don’t even want to say what it is … except Jamie already did, but Kit’s fiance raped her friend and they solve the mystery based on the beer he is drinking?! Get the F outta here! The most ridiculous thing is that it is pretty clear Anson Mount is supposed to be in his 20s and macking on just-18 Britney Spears … its gross. Give me Monte Carlo any day … even though I kind of love this film.

Get Yo Rant On – The film opens with Britney Spears (a 20 year old Britney Spears) dancing in her underwear. We soon see her, again, in her underwear with Justin Long. Later she does a sexy dance karaoke scene to get money. It feel exploitative. It feels like people trying to capitalize on Britney Spears in a kind of gross way. I don’t really need to say more, it isn’t really my place to be outraged by this, but it still felt gross in a way only having watched this when I was like … 17 and then again at 30 managed to do. I didn’t like it. End rant.

The BMT – Unlike a few of the previous films (Anaconda in particular) I think having watched this before helped immensely on the rewatch. I would gladly watch this film with other people to make fun of the terrible twist and terrible singing. And I think it can stand proudly with the disturbing number of films we’ve seen starring pop icons.

Welcome to Earf – Let’s see. Dan Aykroyd is in Crossroads and Nothing But Trouble with Demi Moore who is in Striptease with Burt Reynolds who is in In the Name of the King: A Dungeon Siege Tale with Leelee Sobieski who was in Here on Earth. Welcome to Earf!

StreetCreditReport.com – Mentioned in passing in this Rolling Stones article. A lot of small blogs mention it with the same tired joke (“Not a singer, not yet an actress” is the gist of it). It has the cred, I know it because of the IMDb bottom 100, it just barely seems to predate popular bad movie lists coming out online.

No homework (unless you count the number of times I saw this film as a child), so I’ll just leave it there.


The Sklogs

Anaconda Recap


Terri Flores is a documentary film director searching for a mysterious Amazon tribe. Her and her film crew take a boat down the river only to pick up a mysterious stranger who immediately leads them astray. Can they survive his maniacal obsession with capturing a giant and dangerous anaconda and get back to safety before it’s too late? Find out in… Anaconda.

How?! The title and concept of the film would lead you to believe that a giant (perhaps mutant) anaconda is in fact the main foe at the center of this film. Alas you would be wrong. After a film crew (complete with nerdy professor and pompous British host) hire a boat to take them into the Amazon in search of a mysterious tribe called the Shirishamas, they stumble upon Serone, a Paraguayan snake hunter. He is obviously quite evil and is in actuality their main foe. He starts to murder, maim, and manipulate all the dumb dumbs on the boat to get it to go exactly where he wants to go: to face off against a giant anaconda mano a… uuuhhhh…. not mano. You see, the snake is not mutant or different at all. In fact it’s not even just one snake. They are clearly stumbling upon multiple giant anacondas. If they had stayed out of its lair everyone would have been just fine. But alas, Serone has different ideas. Once Serone has subdued the main scientist via a wasp in his scuba equipment (classic Serone) he gets them to go down a tributary that has been blocked off (presumably because there are giant snakes there). There he begins to hunt the snakes and the snakes begin to hunt them. By the end we get a climactic scene of Serone attempting to use Flores as bait in a snake trap. This backfires and Serone is eaten by the anaconda only to be thrown up to wink at the camera one last time. Flores and her cameraman then lay a trap for the anaconda and they blow it up. As they find their way out of the jungle they get a final shot of the Shirishamas which will win them an Oscar (although given how much they were able to shoot they’ll probably have to move the submission from documentary feature to the short subject category). THE END.

Why?! The crew just wants some sweet shots of that missing tribe. Serone just wants to bag a giant anaconda and will stop at nothing to attain this goal. The weird thing is to try to figure out Serone’s plan. Him and the riverboat captain are already in cahoots before the film starts. So in reality they could have taken the boat and hunted anacondas wheneva. But perhaps they needed the documentary crew’s funding to do so… then why trick them into allowing Serone onto the boat in the first place? Just have him be part of the riverboat crew. Also, why not just dump the crew when they get far enough up river? Seems like a terrible idea to keep all these people around who could sabotage Serone’s ultimate aim. Anyway, this leads me to conclude that secretly Serone wanted to be famous. He wanted to board the ship with the documentary crew on there, woo then with his knowledge and screen presence, and eventually shift the focus of the documentary to Serone: Anaconda Hunter. It’s the only logical conclusion.

What?! I don’t recall any product placements of significance. The anaconda is definitely Serone’s MacGuffin, but no one else wants to find that guy. Really the Shirishamas are closer to a MacGuffin as the audience is told that they are somehow important and mysterious, but little else is known about them. They are just an object of great interest to our characters because…

Who?! Uh… JLo? Ice Cube? Evah heard of them? I’ve been interested in finding some examples of a double musician-turned-actor film in anticipation of watching Edison Force starring LLCoolJ and Justin Timberlake, but totally forgot that we were literally watching one of those very films this week.

Where?! Brazil babbbbyyyyyyyyy. We get an intertitle and a map scene and the whole thing. Also anacondas are only found in South America and primarily in the Amazon, so pretty strictly has to be set in Brazil. I mean it would be totally ridiculous to set a film elsewhere and imply that there are anacondas there *slowly looks towards the DVD copy of Anacondas: The Hunt for the Blood Orchid*. I’m leaning towards A-.

When?! Serone has no concept of time. There is only the time before he catches the giant snake and the time after he catches the giant snake (during which he is planning how to trick people into helping him find another giant snake). What I’m saying is that I don’t know when this takes place. F.

This film is actually a lot more fun than almost anything else we watch. Yeah the plot doesn’t make a huge amount of sense. Yeah the anaconda looks like garbage most of the time. But it’s kind of like a home invasion film where the main character keeps doing super dumb stuff and you just want to yell “don’t do that! He’s evil!” and it’s fun enough to go along with. It may not win any Smaddies Baddies in the end, but I found the whole experience satisfactory. Patrick?


‘Ello everyone! What happens when you very intensely watch a film you’ve not only seen before, but you’ve seen multiple times and was one of the first “horror” films you ever watched in your life (in theaters no less)? Come into my mind and find out, let’s go!

The Good – I actually genuinely (hey, why are you laughing? I’m serious) liked this film in a weird way. Sure Voight is a bit over the top at (all) times, but the ensemble cast all seem pretty ready to fake interact with fake snakes and the scenery is amazing. With a strong willingness to just lazily float down the anaconda filled amazon tributary with our heroes I don’t see why you can’t have fun with this film.

P’s View on the Preview – Obviously I was here for one thing and one thing only from a bad movie perspective: Jon Voight. His performance is kind of legendary. From the weird accent, to him mugging for the camera, to the final regurgitated wink, the entire thing was a beautiful symphony. Fun fact: As the moment approached I started to convince myself that I had imagined the wink Jon Voight’s corpse performs after being regurgitated by the Anaconda … I did not, and, appropriately, I burst out laughing when it happened.

The Bad – Owen Wilson and Kari Wuhrer were probably the weakest in the cast, mostly there to betray everyone (in Wilson’s case), cry (in Wuhrer’s case), then die (both of them). The snake looks like complete crap I want to say … 90% of the time. They kill off by far the best character (the British dandy of a host who ends up becoming a one-with-the-jungle badass). And … well, I think it is time for a rant.

Get Yo Rant On – Seriously though … what the hell are creature features supposed to be? This movie isn’t scary, so is it really a “horror” film? There isn’t really a single moment that is scary at all, and it is hard to tell whether they are even trying to make it scary. So are they thrillers? Action films? The classic creature features are things like Frankenstein. The quintessential one is Jaws. People thought Jaws was scary at the time, but it isn’t really now … so are people merely mimicking that feeling of tension? It is a confusing genre, especially with things like Godzilla and King Kong really going all out with the action version, and things like Meg which is the (new very popular) action-comedy I think. I just don’t know how to feel about it in the end. End rant.

The BMT – It certainly is a new twist on BMT. I don’t think Anaconda will go down in history, but I think this could be on the first examples of us rewatching a film. It … wasn’t wholly successful I don’t think. My previous watches definitely left me slightly less interested than I often am. But we have a few more coming up, so we’ll see how it goes. It is also just a little too good to be a classic. But I would watch it if someone offered, and we’d laugh heartily at it. So that is a win.

Welcome to Earf – Weirdly an easy one: Owen Wilson is in I Spy with Eddie Murphy, who was in Norbit with Terry Crews, who was in Blended with Adam Sandler, who was in Jack and Jill with Al Pacino, who was in 88 Minutes with Leelee Sobieski, who was in Here on Earth Welcome to Earf!

StreetCreditReport.com – Not surprisingly it doesn’t get any play from what I can tell. But this was kind of before worst of lists became popular. Funny enough it is mentioned as one of Ebert’s worst reviews. Honestly, this is exactly the type of movie Ebert would be a huge apologist for. Goofy fun which was never really intended to be taken seriously. I disagree with the attitude in general, but I respect the consistency with which Ebert went about his argument for it.

No homework because we were ballers and watched both Anacondas. Go check out what I thought about the completely pointless (spoilees!) sequel!


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Speed 2: Cruise Control Recap


Annie is back, Jack! And now she has a new boyfriend, Alex, who is in no way similar to her much more famous ex-boyfriend. They decide to go on a cruise, but uh oh! It gets hijacked by a terrorist hell bent on revenge against the cruise ship navigation company that did him wrong (wait, what?). Can Annie stop him before it’s too late? Find out in Speed 2: Cruise Control.

What?! Annie is still the same old girl we knew and loved from Speed. Can’t drive and is always joking around. Boy oh boy, sure do love Annie from Speed. She has a new boyfriend, Alex, who swears he’s a bike cop but is actually a SWAT team member… just like her last boyfriend. Hmmm, almost as if his role was written for someone else. The discovery of this fact throws their relationship into turmoil and you know what that means: vacay time! They hop on a Caribbean cruise ready for some fun in the sun and that’s pretty much all they get…. besides some light international terrorism! John Geiger, a former programmer for the company that makes the navigation system on the cruise ship, is on board and he’s got an axe to grind. That’s because he got sick and the company was like “no way, we don’t like sick people” and dropped him. He plants all kinds of bombs all over the ship and then takes over controls. He forces the captain to abandon ship, but Annie and Alex have a bad feeling about it and throw his plan into flux by being total bosses. Realizing his plan is going awry at the hands of a super cop, Geiger starts to target Alex and try to take him out. Fat chance, jokester. Alex is totes cool and just as famous and awesome as Keanu Reeves, don’t worry about it. They realize that Geiger is controlling the ship and attempt to flood the ballasts to slow them down. They then try to jam the propellers when they realize that the ship is aimed directly at an oil tanker but Geiger ambushes them and escapes with Annie as a hostage. Desperate, Alex used the bow thrusters to turn the ship away from the tanker and crash it into land. He then hops on a speedboat and chases after Geiger who is attempting to fly away in a plane. Fat chance, sucker. Alex is on your tail and he totally takes him out and smooches Annie. THE END.

Why?! Oh boy, this is going to be good. So, our main man Geiger is totes sick because he worked on computers for the navigation system. The electromagnetic waves and prolonged exposure to computer parts gave him copper poisoning. This turned into some kind of chronic condition so in a very Philadelphia-like scenario he is fired by the company. Unlike Philadelphia, though, Geiger doesn’t aim to remediate this through litigation, but rather by becoming a domestic terrorist that will end with him escaping an exploding cruise ship with millions and millions of dollars in stolen diamonds… the whole thing is crazy and pretty much amazing.

What?! In a shocking twist there is not a MacGuffin in this film. There are a bunch of diamonds but not the MacGuffin’s Jewel or some such that is super valuable. There were a couple different movies shown on screen, which is always fun. We saw both The Enemy Below (another film where a boat crashes into another boat) and Lolita (another film where a grown man has an inappropriate relationship with a young girl). I kid of course, as Alex does not in fact have a relationship with the deaf 14-year-old girl in the film but there were all these weird things in the film that made you think that he might.

Who?! No less than three musicians/bands appear in this film. The smallest part goes to Carlinhos Brown, who performs A Namorada in the film. We also see the band UB40, which performs Tell Me Is It True and has a Speed 2 themed music video:

Finally we have the mononymous Tamia who actually appeared in the film as the character Sheri Silver and performed Make Tonight Beautiful… it was her only feature film role ever.

Where?! I thought for a while we would have a vague “Caribbean” setting, but fortunately near the end it’s revealed that the ultimate target of Geiger is the island of Saint Martin where the tanker is docked. Not even the first film we’ve seen set there. The island was also the setting of Pirates of the Caribbean: Dead Men Tell No Tales.

When?! Buckle your seatbelts because this is my favorite temporal setting of all time. That’s because Geiger gets his bombs on board disguised as golf balls. When the cruise temporarily loses his clubs he is freaking out. Alex and Annie see this and are totally confused and a little suspicious when then this apparent golf nut has no interest in The Players Championship at Sawgrass. This would place the events of the film at the end of March… it’s just so good. It’s so randomly vital to the plot. I’m giving it an A-.

This may in fact be the lamest film ever. It’s sooooo 90’s and has like 3 different smooth R&B/Ska bands that play in the beginning of the film. Jason Patric may not have been wearing mom jeans in reality, but I pretty much remember him that way because this film was so lame. I feel like someone made it as a joke… but I don’t think they did. I just think they didn’t really know what made Speed such a success (or didn’t care) so they just made something dumb because they had to make something. Should I even talk about the strange Lolita storyline they had in the film? Nah, I could write a novel about that storyline because it’s bonkers. Patrick?


‘Ello everyone! Speed 2: Cruise Control? More like Speed 2: Snooze Control amirite? A bunch of people unwisely signed a contract promising a sequel to the smash action hit Speed. Now, I’m not saying they intentionally botched it, but … let’s get into it!

The Good – There is a kernel of a good movie here (see Get Yo Rant On below). Sandy Bullock is as charming and beautiful as ever. Dafoe knows what he’s gotten himself into and acts accordingly. The grand island-crushing finale is satisfyingly grand, even though these days you’d be able to do the same thing for pennies on the dollar using special effects.

P’s View on the Preview – We had both seen this film before (many times in bits and pieces over the years on cable as well). Re-watching films has, up until recently, been a very rare occurrence. I was immediately interested in knowing how BMT would hold up in the face of these prior experiences. Would it end up being kind of boring as I know the beats of the film (which has happened with one or two of the Hall of Fame films), or would the non-stop pulse-pounding Jason Patric action take (cruise) control.

The Bad – This film is straight up nonsense. Dafoe has copper poisoning from working with computer systems for years? He uses leeches to clean his blood? His plan is to steal a bunch of diamonds from a cruise ship? Did he intend to crash it into an oil tanker? Why didn’t Jason Patric turn the boat completely around when they were manually steering it with the bow thrusters? Why didn’t they manually steer the boat initially instead of trying to stop the propellers? What was the point of Bullock or any of the other non-essential characters? Are we to believe the same person who had his car commandeered and crashed in Speed lives in Saint Martin and then also gets his boat commandeered and crashed in Speed 2?! Forget all of the other questions, I’m most concerned about the last one, the man only known as … Tune Man.

Get Yo Rant On – This movie could have been a fine Die Hard knockoff. A couple, a cop who can’t relax and his straight talking girlfriend, go on a cruise. He plans on proposing, but can’t find the right time. During the ballroom show one night the cop gets seasick and goes to his cabin. At that moment a group of criminals take control of the boat. Under the guise of eco terrorists hell bent on crashing the (diesel guzzling) ship into a (environment destroying) tourist island, they are actually after the diamonds stored deep in the belly of the ship. Little to they know that our hero, overlooked initially, is roaming the ocean liner foiling their every move. Can the cop stop the disaster, kill the bad guy, and pop the question? Don’t you know it! All aboard, Cruise Control!

Welcome to Earth – Straight off the dome, this is a long one! Sandy Bullock is in both Speed 2: Cruise Control and Miss Congeniality, which stars Benjamin Bratt who is also in Catwoman, which stars Halle Berry who is also in Swordfish, which stars John Travolta (who by the way is in Battlefield Earth, welcome to Earf) who is also in Old Dogs, which stars Robin Williams who is also in Big Wedding, which stars Robert De Niro who is also in Righteous Kill, which stars Al Pacino who is also in 88 Minutes, which stars Leelee Sobieski who is also in Here on Earth. Welcome to Earf!

The BMT – The more I think about this film the more enamored I become. The initial watch was just kind of blah. It is pretty dull if you don’t psych yourself into it. But after a lengthy discussion with Jamie about it I came around a bit just because the film itself is so ludicrous. Absolutely nothing in this film makes sense, and it is kind of beautiful. I don’t know if it’ll end up being much more than a I’ve-seen-this-film-a-few-times-and-it-is-dumb-fun film, but I wouldn’t not watch it again if asked. It’s legacy, I think, might end up being that it is the worst sequel ever made and thus was required viewing for any good Bad Movie Twin.

StreetCreditReport.com – This is considered one of the worst films ever made. It is number two on this list for the worst of the 90s! And number twenty on this other one. It is number one on the worst sequels ever made list! Amazingly we’ve only seen 20 of those 50, some outside of BMT even. It mainly gets play on worst of sequels lists, which I think is fair. It is very arguably this is the worst sequel ever made.

Did I re-watch Speed? No, I watched it about a month ago randomly anyways, so it was fresh enough in my mind that I could pull refs like Tune Man on the fly. No regrets. Speed is a good movie, but, in my opinion, it is not a great movie. The last third sinks it hard. You end up wanting to shut it off once they get off of the bus.


The Sklogs

Little Man Recap


Calvin, a little person and criminal, and his partner in crime, Percy, steal a diamond but have it accidentally fall into the hands of a couple struggling with the idea of having kids. Calvin dresses up as a baby to infiltrate their house and get it back. Will he get the diamond (and perhaps change their lives for the better) before it’s too late? Find out in… Little Man.

What?! Calvin is a thief ready to get back in the game after serving some time in jail. His idiot partner picks him up with news that they already have a new gig: steal a giant diamond from a jewelry store. For some reason Calvin is under the impression that if you use guns or weapons to perform a heist that that somehow prevents you from going to jail… which is interesting considering he would clearly be on probation. So they pull off a clever little gambit to get the diamond but have to evade the police when their getaway goes wrong. During this evasion Calvin drops the diamond into the purse of Vanessa, who is struggling with the idea of having a baby with her husband Darryl. She wants to pursue a career while he… just wants to have a baby or something. I don’t know. It’s dumb. Anyway, because Calvin doesn’t want to use a weapon he decides to get the diamond back by pretending to be a baby dropped at Vanessa and Daryll’s doorstep. This of course leads to all kinds of antics like: making Vanessa’s father seem crazy, going to the park where toys fly into Daryll’s crotch, sexually assaulting several women, going to a hockey game, … what’s that? Did I say sexually assaulting several women? Why yes I did. That’s because Calvin is not just a thief but a sex criminal who literally gropes ladies in the guise of being a baby… it is unfortunate. Anyway, in the end the gangsters who hired Calvin for the heist come to get the diamond where Calvin basically Home Alones the shit out of them leading to their arrest. Despite Calvin’s criminal behavior through this whole adventure Darryl and Vanessa somehow because best friends with him. THE END.

Why?! Why indeed. Calvin just wants to get back in the game and stealing the diamond is part of that. They have to stretch a little to have Calvin not just want to steal the diamond from these people through force, but rather through an elaborate trick. In the end though we realize that all Calvin really wanted was a father figure in his life. Awwwwwwww. Darryl just wants a baby and so does Vanessa (though she doesn’t realize it yet).

What?! I’m actually a little surprised there wasn’t more product placement in the film. Some products in stores and some cereal boxes and stuff, but that’s about it. Instead I’ll highlight some prop work with the hockey game Darryl and Calvin attend. Obviously couldn’t be a real Blackhawks game so instead it seems to be some minor league event with the Chicago Chiefs (clever) and the Detroit Chargers. Oooo. Big rivalry.

Who?! Rob Schneider has an uncredited cameo as a television dinosaur, which is appropriate for one of the worst movies I’ve ever seen. Even more interesting is that there is a “In memory” credit at the end of the film for Arja Hannele “Honey” Lanning. I looked everywhere trying to figure out who this was eventually finding that she was a swim teacher in the LA area that apparently taught Keenan Ivory Wayans’ kids how to swim. She must have been a great swim teacher to get a credit at the end of a major motion picture.

Where?! Illinois license plates everywhere and they go to that Chicago hockey game late in the film. Sports events in films are truly special. Sometimes you get an actual arena or set of athlete’s getting a cameo. And sometimes you get them making up teams so they can keep the budget down. Both are great. C+.

When?! I’ve been slacking on trying to get these exact dates recently. I blame the films. They should be more clear on when things take place. Or better yet just set every film during a holiday. They go to a hockey game and yet are enjoying fun outside in Illinois? Probably Spring some time. F.

There was a legit argument whether this was worse than Strange Wilderness… which is quite something considering its place in BMT lore. This movie is unbelievable. It’s unbelievably offensive, unbelievably stupid, and unbelievably dog poo in our faces. Made all the more unbelievable by the fact that it followed up White Chicks, which we actually enjoyed! They went from a film where Marlon must fend off the advanced of a sexual predator, to being the sexual predator himself. It was horrible and I hated it. Patrick?


‘Ello everyone! Little Man? More like “Stop slowly pushing dog poo in my face, man!” This was one of the worst comedies I’ve ever seen, but was it the worst? Read all about this catastrophe and find out. Let’s go!

The Good – Sigh. If I lived in an alternative universe where getting dog crap pushed into my face was good then I would have plenty to say. I do not.

P’s View on the Preview – This was a Wayans brothers productions (perhaps the last major Wayans brothers production) through and through. Out of the 7 entries in the director/writer/actor section of the preview, 6 were taken up by Shawn, Marlon, and Keenan Ivory Wayans. Having watched White Chicks which, while a terrible film, was incredibly amusing by how monstrous the makeup on Shawn and Marlon Wayans looked, there were obvious high hopes at BMT HQ. Were our hopes misplaced? … of course they were, this movie is dogshit.

The Bad – You know what was most surprising about this movie to me? How ill-prepared I was for it. I was not prepared for a Norbit, I was amped for a White Chicks. Norbit is a catastrophe because it makes light of spousal abuse and makes you sad throughout. Little Man makes light of sexual assault and makes you sad throughout. You are supposed to find people treating a grown adult as a baby, and that grown adult groping women indiscriminantly, funny … I do not. It upsets me. Whether this film is better or worse than Norbit is up for debate. I do think this is one of the worst comedies I’ve ever seen in my life … and I liked White Chicks reasonably well! I liked Haunted House reasonably well! I was ill-prepared, and that is on me. I should have been ready for the 96 mph fastball of dog poo in my face.

Get Yo Rant On – It is weird to rant on this since the rant is above. But let’s just discuss the CGI in this film for a second. It looks awful much of the time. And, to bring it back to Norbit once again, if you’ve never seen Norbit you might want to watch a second of it just to see the amazing makeup work in it. JUST LOOK AT THIS AMAZING FAT SUIT:

Someday I hope there will be an absolutely atrocious film that has an incredible CGI baby which wins the Best Visual Effects Academy Award just so people can make fun of the Oscars without realizing that sometimes even bad movies can do something right. Little Man? It did nothing right. Its CGI is terrible.

Welcome to Earf – Easy enough. Marlon Wayans is in Little Man and White Chicks with Terry Crews, who was in Blended with Adam Sandler, who was in Jack and Jill with Al Pacino, who was in 88 Minutes with Leelee Sobieski, who was in Here on Earth. Welcome to Earf!

The BMT – Legendary, but not in a good way. Like … We occasionally induct movies like Strange Wilderness or Norbit into the Hall of Fame because of just how unpleasant they are to watch. Those are probably the two worst comedies I’ve ever seen. I think I can add Little Man as a solid number three (possibly, I would have to mull it over). And that is some distinguished company. I don’t think it’ll end up doing much beyond winning the Worst Viewing Experience Smaddies Baddie by a landslide, but maybe in five years we’ll think to ourselves “huh, I kind of want to experience the extremely unfunny and unpleasant Little Man again” and induct it. In five years we’ll be totally different people.

StreetCreditReport.com – I am genuinely shocked that this isn’t on the Worst Films Ever wiki as a removed film. I’m not surprised it isn’t on the main page, but I am a bit surprised someone didn’t throw a flier out on this piece of garbage at some point. Strangely there aren’t many articles about the worst films of 2006. There is this blog which explains my feelings pretty well. I’m annoyed by the lack of 2006 lists though since I’m sure this would be in the top three on most of them.

No homework (unless you count me watching 5 minutes of that Little Rascals short from the preview … movies were weird in the 30s), so I’ll leave it there.


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