Monsters are loose in the world and only one man can stop them, supernatural investigator Edward Carnby. Can he team up with his ex-girlfriend archaeologist to take them down before it’s too late? Find out in… Alone in the Dark.
How?! Edward Carnby is one cool cat. Investigating the paranormal by day and boning to heavy metal music all night (probably). In an overly complex aspect of the plot we find that he’s been investigating a long lost Native American tribe that disappeared after opening a portal to a demonic world. At the same time a professor at the museum where his ex-girlfriend, Aline, works has unlocked this very same demonic world and has taken control of the demons within. People are dying and/or being turned into mindless weapons left and right, which eventually leads everyone to an abandoned gold mine near the orphanage where Edward grew up. They venture into the mine to have a totally rad showdown with the professor. He is able to open the demonic world once again, but Edward and his ragtag team of semi-professional killers and academics are able to kill the professor and blow up the mine. When they go back to the surface they find the beautiful city of Vancouver abandoned. Is this the end? Or is it… simply the beginning? Bum bum bum (spoiler alert: it’s the end).
Why?! It’s both personal and professional for Carnby. One the one hand, it was (is?) his job to investigate the paranormal like this demon situation. On the other hand, through an intricate web of coincidence not only does his ex-girlfriend work for the guy attempting to use the demons for world domination, but as a child he was also part of the experiment that the same guy performed to produce weaponized sleeper agents. So he’s got a lot at stake. As for the bad guy, he just wants to control the demon creatures so that he can rule to world.
What?! While a bunch of companies got special thanks for providing product placement (including Volkswagen, which provided the VW bug that Tara Reid drove), I instead want to give a little shoutout to Nuytco. The company specialized in deep sea research and according to the credits provided a research mini-submarine for use in some scenes where a gold sarcophagus is raised from the ocean floor. Just seems insane. You are a legit research company.
Who?! While not actually a role in the film I have to highlight that for whatever reason Uwe Boll decided to score a lengthy sex scene using the 1994 hit (?) Seven Seconds. Nothing like letting the viewer know that your film is hip to what the kids are into these days than a decades old European afrobeat song. You’re welcome.
Where?! While this film is very obviously filmed in British Columbia, it’s not necessarily set there. I waited with bated breath for them to hint that it was set in NYC or Anonymous US City. Instead, when they localize the gold mine they zoom in on a map of… British Columbia. Weird. So this and Ballistic: Ecks vs. Sever both chose to just set the film in Canada and not worry about it. Interesting. C-.
When?! Getting the location was a treat, getting a temporal setting was probably too much to hope for. I did not catch anything to suggest when the film actually took place. Uwe Boll was probably too busy counting his money to care. F.
Jeez louise, this film is just terrible. Not fun at all to watch really. More sad and boring. I had to take several breaks in my attempt to make my way through it. I would love to say that we’ll never watch another Uwe Boll film again, but who am I kidding? The man has two other major motion picture releases that we will eventually watch. It’s like saying we won’t watch Disaster Movie… we will. It is simply a fact. Sigh. I wish it weren’t the case, but it is our fate. Foretold millenia ago on an ancient Egyptian scroll. Alas. Patrick?
‘Ello everyone! The definition of insanity is doing the same thing over and over and expecting something different. That must mean I’m insane for Uwe Boll films. He churns out garbage, but damn … it’s some fine looking garbage. Let’s get into it!
The Good – It looks like a film, sounds like a film, and feels like a film. So I guess it must be a film? If there is one thing good to say about Uwe Boll films it is that he takes a lot of money and makes a film that looks like it costs that amount of money. A lot of bad films you can look at and think “this is close to being a film I could actually make a better version of”, like Steel Sharks and the like. But Uwe Boll films are real films that take a lot of effort and skill to make, and that is something.
P’s View on the Preview – Uwe Boll baby. We’ve only seen one other film by Uwe Boll, the legendary In the Name of the King: A Dungeon Siege Tale. Being able to place another film within the context of Uwe Boll is, of course, important to understanding that film in its full scope. And after over five years we finally got around to it. Can’t say I’m excited though.
The Bad – This plot is complete trash. The CGI is complete trash. The writing is complete trash. And any and all action is complete trash. There is no Jason Statham, Ray Liotta, Matthew Lillard and the rest of In the Name of the King’s glorious cast to save the film. Christian Slater and Tara Reid are pale imitations in that respect, and so it just kind of … makes you sad watching the film. Someone really wanted to make a film, so badly they didn’t even bother to get that sweet German tax relief scheme for this mess, and they got this. That is profoundly sad.
Get Yo Rant On – Honest question … when was Christian Slater famous? Just looking through his filmography it seems like I might have watched a single Slater film in my life prior to BMT (The Wizard) and yet for whatever reason I was aware that Christian Slater existed and was famous. It is very confusing. Perhaps it was Broken Arrow? True Romance? Were those famous enough that I’d be aware of him at the time? It is blowing my mind! Got to give him credit though, he’s survived thirty years as an actor on the B-list (in the early 90s he was probably A-list, but I don’t know, that’s what this rant is about!), and he survived being in this piece of garbage. Go get yo money Christian Slater.
The BMT – Out of all of the Uwe Boll films In The Name of the Kind and Alone in the Dark are probably the two that are the most BMT of the bunch. And I think it was a tragic necessity to watch another Uwe Boll film, as I said, for context. We’ll eventually watch at least one more I think (BloodRayne, although House of the Dead and Postal will be in play as well), but it never really feels like a pressing issue since the films seem like they are intentionally terrible (even though they aren’t).
StreetCreditReport.com – It does get quite high in a few worst ever lists (21 here, for the record I’ve seen 37 of those 50 films, although a bunch outside of BMT) but surprisingly it didn’t get recognized at all when it was released. Possibly because critics were in the process of willfully ignoring Boll. Possibly because no one actually watched it. Possibly because people thought it was “good” in the sense of being hilarious. For whatever reason no one gave a shit about the film at the time. Surprising stuff.
There is a whole video game series, but as usually ain’t nobody got time for that. All complaints about me not doing my homework can go right into the trash can, heeeyyyyooooo.