Nicky is the son of Satan and not so keen on taking over Hell. So he’s thrilled when his father announces he’s not retired. Unfortunately Nicky’s evil brothers don’t take it so well and break out of Hell to take over Earth. Can Nicky get them back before Hell freezes over and his father dies (and perhaps also get the girl) before it’s too late. Find out in… Little Nicky.
How?! Little Nicky just likes to rock out in Hell without all that evil mumbo jumbo. So when his father, Satan, decides not to retire he’s pretty thrilled. Particularly since his brothers, Cassius and Adrian, are pure evil and would have made his life a living hell (nailed it). Furious, they storm out of Hell to take over Earth as their own kingdom of evil. Unfortunately, Hell freezes over as a result and without souls Satan begins to die. Nicky is tasked with going up and capturing his brothers and bringing them back. Queue a long montage of Nicky acclimating to Earth and dying over and over again. In the process he finds all kinds of friends: a talking demon bulldog sent to help him, two satanists who are super into Satan and all that jazz, his dorky actor roommate, and the lovely Valerie. Despite the best efforts of his brothers to derail his plans, destroy his relationship with Valerie, and take over Earth, the evil within Nicky wins the day by taking down Cassius at a Globetrotters gain. Adrian responds by turning the whole city against Nicky, which ultimately leads to his arrest. But with the help of a few friends he is able to escape and lure Adrian into a trap. Unfortunately, Adrian isn’t just any foe and after a tussle Nicky sacrifices himself for Valerie. This sacrifice sends Nicky to Heaven where he meets his Mom. That’s right. He’s half good-half evil. He’s given a special orb as a weapon and returns to Earth to confront Adrian, who has taken over both Hell and Earth. They have an all-out, Popeyes fueled fight then ends with Nicky smashing the orb and revealing the ultimate weapon: Ozzy Osbourne, who captures Adrian. All is well back in Hell and Satan lets Nicky return to Earth to start a life with Valerie. THE END.
Why?! I believe the idea is that Nicky is part good and part evil… in other words, he’s human. By venturing up to Earth he realizes that that’s the place he belongs. So stopping his brothers isn’t just about saving his father, it’s about saving Earth… his home. Little twist at the end, too, where Nicky’s satanist friends are ultimately happier in Hell than on Earth. I wonder if they would eventually become the new satan(s) since Hell is where they belong? Did I just go deep on Little Nicky?
Who?! Sandler dominated these sections like young Shaq in the paint. This is just a posterizing jam here as the cameo game is pretty much on par with peak Sandler. Henry Winkler, Ozzy Osbourne, Regis, Bill Walton, Dan Marino (who weirdly went uncredited for the cameo), and then Carl Weathers playing Chubbs from Happy Gilmore. Kinda like how Brendan Fraser just kept playing Link from Encino Man over and over.
What?! This is where Sandler brings down the backboard and they have to spend a half hour putting up a new one. Probably should have just made his name Popeye, gave him a googly eye, and then have him fall in love with Popeyes because he thinks they make it just for him. That’s how major the Popeyes product placement is. Hit an A grade of product placement that will be an A+ once I come out with the BMT cut of the film titled Little Popeye. I don’t even have to mention all the other product placement, which pales in comparison (but would probably be a high point of any other BMT film).
Where?! Hell and NYC. I was trying to think of what other BMT films have Hell as a setting and Monkeybone is the first one that comes to mind, but I think that was set in Limbo technically. This might be the best one we’ve watched. Pretty good NYC film as well, but it does make we wonder where this would have been set later in Happy Madison history… does he emerge from Hell in a Cancun resort? A-.
When?! Oh I don’t know. I think it’s the summer because it’s kind of a joke that Nicky is always freezing and wearing a big coat. I usually say that I think any movie probably has something in it to pin down an exact date but… I don’t really think that would be the case here. Everything is fake. Every newspaper, tv spot, everything… maybe you could narrow it down based on advertisements around the city. But who has time for that? F.
If you want to appreciate the wonder and magic of the cinema then look no further than Little Nicky… because you realize while partaking in the film that at some point, somewhere a group of very important studio people sat around watching Adam Sandler put on a crazy annoying voice and smash Popeyes Chicken and had to think “it’s what the people want.” Cause I can’t imagine they fully understood what they were making. They just saw green and Sandler was (and is) a green machine. It’s actually pretty beautiful. A creator given full control to bring what they feel is funny fully realized to screen. The amount of set design and costumes and hair and makeup and props that went into making this real… it’s amazing. It exists and that’s a pretty crazy accomplishment, so I kinda love it for that… what’s that? What did I actually think about the movie? Didn’t care for it. Patrick?
‘Ello everyone! *Take a big bite of Popeye’s chicken while watching Little Nicky* This movie is the shiznit! *openly weeps* Let’s go!
P’s View on the Preview – Adam Sandler films. Up until more recently we were mostly resigned to only really watching the more recent ones because we didn’t want to watch films we had already seen for BMT. Well, that is no more, so it is time to go back to what people might consider his “imperial” period, where he could do no wrong … until he did for basically the rest of his career (as far as comedies go). I think this is probably his first major miss, and it is a doozy. What were my expectations? I knew I would hate this film, because even when I was the target audience I hated this film. It isn’t funny, and Sandler is grating as the character of Nicky … so yeah, that’s what I expected.
The Good – Uh …. Well, if you are into the Happy Madison universe to some degree this is not the worst choice in the universe. Allan Covert is decent, and the set pieces (as far as Sandler comedies are concerned) are truly second to none. As a matter of fact a lot of the characters in the film could be decent, but the issue is they are usually saddled with either childish fart/homophobic/violent humor, or they are exclusively interacting with Nicky (the worse character in film history maybe, at least one of the more annoying), or both. Keitel, for example, could be decent except every few scenes he’s obligated to shove a pineapple up Hitler’s ass and it is like “ugh, this again?” Best Bit: Set pieces.
The Bad – Nearly everything else. The humor is everything that ultimately is wrong with early Sandler cranked up to 11. Homophobic humor at every turn. The solution to life’s problems being to punch someone in the face (and often the act of punching someone in the face represents growth somehow). And fill in the cracks with fart jokes, and for some reason demons with high squeaky voices. I’m not exactly sure how this film functions. It is like Sandler just gave $100 million to set designers, and then came back and improved the rest in a long weekend. It is a really really weird film. Fatal Flaw: Outdated garbage humor, and the most annoying character in film history.
The BMT – I mean, if I had to choose a single qualifying Sandler film as the BMT representative for him this is the leader in the clubhouse. And I am skeptical something like Eight Crazy Nights can stage the comeback. If Nicky was even a little less annoying as a character this film would at least be interesting to marvel at, because it really is just a production on an epic scale (especially for a comedy). It is Hollywood at its most self-indulgent. In the end it is mostly just a surreal experience. On the one hand I never want to watch this film ever again … and yet there is something deeply alluring about just how bad it is. Did it meet my expectations? More than I could imagine. It is maybe the least funny and most annoying comedy ever created. Congrats Little Nicky.
Roast-radamus – Genuine Planchet (Who?) for Covert as Nicky’s roommate in New York. His function does seem to be just to be dunked on by the Satan worshippers and to be called gay as a joke. Perhaps the greatest Product Placement (What?) in any Sandler film for Popeye’s, which is a huuuuuuuuuge part of the film. Nickey eats it at least three times, and the end scene features a giant anthropomorphic bucket of Popeye’s which walks around and the demons are obsessed with it. And quite a good Setting as a Character (Where?) for New York City which is featured in all of its weird glory. Definitely a contender for BMT I think, typically I would have went with bad, but this is so so weird it transcends badness and becomes BMT.
Sequel, Prequel, Remake – Easy, a Prequel. Get a young Keitel look-alike in there, and a young Dangerfield look-alike in there, and reveal that Little Nicky’s journey on Earth isn’t entirely without precedent. When Nicky’s grandfather was set to retire he too had concerns over whether Keitel was ready to take over the throne. But when a rogue fallen angel appears in Middle Ages Britain leading a brutal raving army of criminals, Keitel is sent to Earth to sort it out before God gets wind of the encroachment in their DMZ (Earth). Learning to love and live again, Keitel defeats the angel in a joust and gets the maiden. In the end, God appears (played by …. let’s go with Chris Rock) and reveals that he knew about the encroachment all along, but knew that Keitel would have the heart to save the day without needing to escalate tensions between heaven and hell. He suggests they have a mixer sometime, and then winks at the camera. Everyone cheers.
You Just Got Schooled – As part of the movie tie-in cycle we are mostly sticking to films which have either hit singles released as part of the film soundtrack, or video game licenses. Well, there was certainly a doozy of a video game for Little Nicky on the Game Boy Color. One of the last games made for the obsolete system (as the Advance had just come out), it is a basic platformer. A small twist is that it doesn’t have a saving mechanism, but instead relies on a set of passwords. This mechanism is combined with only having 5-7 lives during the course of the game, and being brutally slow at times as the Nicky sprite can only sprint when charged up with heat. There is some good fun here and there, the different movement mechanisms they built into the game are fun, and the ratchet-like advancement meant that beating the 24 levels was somewhat of an inevitability. And beat it I did, it probably took me about 6 hours. The final fight is actually quite good. Amusingly, as the manual is unavailable online, the game is pretty difficult to beat without seeing the film! That’s the kind of tie-in you love to see. C+. As a platformer it is probably one of the worst you can play. But I’ll throw in the plus for being a pretty entertaining diversion. I wish more weirdo video game tie-ins like this existed.