“That was beautiful,” Jamie says, tears in his eyes. “Yeah, I know,” Samantha replies, “but I think we should escape the Fashion Police before going into more detail about how great it is.” When they turn to run, though, they find themselves in a jail cell with the rest of the gang. “What thuuuu,” Jamie says dumbly. “Yeah, well this is what happens when you read a full book to each other when we should be running from the Fashion Police,” Patrick says, his voice dripping with disdain. “So what do we do now? You don’t think *gasp* we could be put to death for our Fashion Crimes?” Jamie says, his knees quaking. “Nah, I got a lawyer,” Kyle mumbles through a mouthful of apple fritter the jailer snuck him because everyone loves Kyle. “Rachel,” he finishes. Jamie and Patrick gawk at him. “The pretzel girl… er… I mean, you’re wife/pretzel girl!” Jamie exclaims. Kyle nods, taking a filet mignon from the jailer. “That’s right,” he says proudly, “turns out the pretzels, while delicious, were funding her law degree.” “Great!” Samantha says, “then we’ll be out in no time.” Kyle coughs through a mouthful of creme brulee. “Well, uh, maybe not no time,” he says, “more like once she’s done with the other cases on her docket.” Jamie and Patrick cannot believe how boring this all is. “This is so boring,” Jamie says exasperated, “if this were a book and someone had to read it they wouldn’t even believe just how boring it is and would wonder why they were even reading it.” Now it’s time for Samantha to cough. “We could always read something that everyone agrees isn’t boring,” she says, tapping her next Holly Ween book, Holly Ween’s Llama Drama. That’s right! It’s not llama drama for us, but rather another LIVE! BMT. You know we couldn’t pass up some Madame Web action. It’s Madame Web! Let’s go!
Madame Web (2024) – BMeTric: 77.8; Notability: 33
StreetCreditReport.com – BMeTric: top 0.0%; Notability: top 0.8%; Rotten Tomatoes: top 6.7%; Higher Notability: Argylle, Lift; Lower RT: Air Force One Down, The Painter, Wanted Man; Notes: Hellllllll yeah. That BMeTric ain’t never going down. This is probably one of the only 75+ in years. One second. Only the fourth since 2020. Space Jam 2 is the one very notable one.
RogerEbert.com – 2.5 stars – “Madame Web” is not the unmitigated disaster that its clunky trailer or its calendar spot in February would suggest. It’s the big, noisy action sequences that bog “Madame Web” down. Yes, they’re crucial to the genre, but they’re also the least interesting part. And you don’t need to be clairvoyant to know that more movies in this series are in store.
(Uuuuuuuh, I think that might be wrong. This franchise seems directly on the DCEU path of getting thrown right into the dumpster. Like … why make Madame Web 2 again? Why have like a Kraven the Hunter and Morbius team up again? It doesn’t make sense.)
Trailer – https://www.youtube.com/watch?v=s_76M4c4LTo/
(“He was with my mother in the Amazon when she was researching spiders right before she died,” is officially an iconic film quote. Not really for the reason you would imagine, but it was joked about not once but twice at the 2024 Oscars.)
Directors – S.J. Clarkson – ( BMT: Madame Web; Notes: Directed a ton of television, but this was her shot at a bit film. She has nothing on the docket so … I don’t know that it was a very successful debut.)
Writers – Matt Sazama and Burk Sharpless– ( Known For: Power Rangers; Future BMT: Dracula Untold; BMT: Morbius; Gods of Egypt; The Last Witch Hunter; Madame Web; Notes: Also wrote Morbius, so they are clearly in a major position for the bizarro Sony Spiderman universe they are building.)
Claire Parker – ( Notes: A producer of a bunch of British shows. I assume she got into writing this since she shares a background with Clarkson to some degree.)
S.J. Clarkson – ( BMT: Madame Web; Notes: The only thing she’s written is a British series called Mistresses. And she got credit for the American story based on that.)
Kerem Sanga – ( Known For: First Girl I Loved; The Violent Heart; The Young Kieslowski; BMT: Madame Web; Notes: This writing room is wild. Like … I don’t know any of these films and then suddenly Madame Web out of nowhere.)
Actors – Dakota Johnson – ( Known For: The Social Network; 21 Jump Street; Black Mass; Bad Times at the El Royale; The Five-Year Engagement; The Peanut Butter Falcon; How to Be Single; Suspiria; The Lost Daughter; Persuasion; A Bigger Splash; Cha Cha Real Smooth; Wounds; Our Friend; The High Note; Date and Switch; Goats; Cymbeline; For Ellen; Chloe and Theo; Future BMT: Crazy in Alabama; BMT: Fifty Shades of Grey; Need for Speed; Fifty Shades Darker; Beastly; Fifty Shades Freed; Madame Web; Notes: People deny it, but it is true, there is an effortless charisma to Dakota Johnson that I can’t explain. It is wild that she was in the Fifty Shades films. It is also crazy that we’ve almost seen all of her BMT films.)
Sydney Sweeney – ( Known For: Once Upon a Time… in Hollywood; Under the Silver Lake; The Ward; Anyone But You; The Voyeurs; Night Teeth; Reality; Big Time Adolescence; Nocturne; Spiders; ZMD: Zombies of Mass Destruction; Dead Ant; Clementine; Angels in Stardust; The Martial Arts Kid; Americana; BMT: Madame Web; Notes: Nominated for two Emmys for Euphoria and The White Lotus. Amazing that two of the biggest stars currently are both from that show.)
Isabela Merced – ( Known For: Sicario: Day of the Soldado; Instant Family; Sweet Girl; Dora and the Lost City of Gold; Let It Snow; Migration; Father of the Bride; Middle School: The Worst Years of My Life; Rosaline; Spirit Untamed; The House That Jack Built; Future BMT: The Nut Job 2: Nutty by Nature; BMT: Transformers: The Last Knight; Madame Web; Notes: Was a Nickelodeon star and was Dora in the live action film. Do we ever do The Nut Job 2: Nutty by Nature? Who knows.)
Budget/Gross – $80 million / Domestic: $27,783,405 (Worldwide: $53,576,774)
(Of course this is a disaster. There was no other way it could go. I honestly can’t believe they actually produced this film and released it to theaters.)
Rotten Tomatoes – 13% (27/208): Madame Web’s earnest approach to the title character’s origin story has a certain appeal, but its predictable plot and uneven execution make for a forgettable superhero adventure.
(What is this consensus. Give the people what they want! This film is a disaster area and seems almost like a parody orchestrated by the same person who put those limes in Dakota Johnson’s house. That’s my consensus.)
Reviewer Highlight: “Madame Web” is a dud, but it’s one that Johnson transcends long before the final credits roll. – Manohla Dargis, New York Times
Poster – Madame Sklog
(Yes. Yes. Yes. That is a mess in the most delightful way. Nice font though. C-.)
Tagline(s) – Her web connects them all (C-)
(Sure, why not? A perfect amount of laziness in that tagline. It’s like Dakota Johnson wrote it herself.)
Keyword(s) – year 2024
Top 10: The Beekeeper (2024), Teri Baaton Mein Aisa Uljha Jiya (2024), Color of Victory (2024), Fighter (2024), Lift (2024), Argylle (2024), Merry Christmas (2024), Guntur Kaaram (2024), Hanu Man (2024), Madame Web (2024)
Future BMT: 57.3 Night Swim (2024)
BMT: Madame Web (2024), Argylle (2024)
Best Options: 75.4 Madame Web (2024), 57.3 Night Swim (2024)
(Helllllllll yeah, we couldn’t miss a 75+, it was impossible. We had to pull the trigger on a second Live early in the year. Quite rare. But also, we have been doing a good job hitting big films during the year. I think these have both been good choices.)
Welcome to Earf (HoE Number 18) – The shortest path through The Movie Database cast lists using only BMT films is: Dakota Johnson is No. 1 billed in Madame Web and No. 6 billed in Beastly, which also stars Alex Pettyfer (No. 1 billed) who is in Endless Love (No. 1 billed) which also stars Bruce Greenwood (No. 3 billed) who is in Here on Earth (No. 6 billed) => (1 + 6) + (1 + 1) + (3 + 6) = 18. There is no shorter path at the moment.
Notes – According to Dakota Johnson in an interview with The Wrap, the screenplay underwent extensive rewrites, saying, “There were drastic changes, and I can’t even tell you what they were”. The original screenplay, which was described as darker and “very ‘Terminator’ inspired,” would have seen Madame Web and the Spider-Women trying to protect a pregnant Mary Parker from Ezekiel Sims, who wants to kill her to prevent the birth of Peter Parker.
Dakota Johnson said, “I’ve never really done a movie where you are on a blue screen, and there’s fake explosions going off, and someone’s going, ‘Explosion!’ and you act like there’s an explosion. That, to me, was absolutely psychotic. I was like, ‘I don’t know if this is going to be good at all! I hope that I did an OK job!’ But I trusted [director S.J. Clarkson]. She works so hard, and she has not taken her eyes off this movie since we started.”
Dakota Johnson left her agency WME in favor of CAA less than a week after the first trailer for this movie dropped. According to Variety, this “raised industry eyebrows,” and generated unfounded rumors that Johnson didn’t like the movie. However, The Hollywood Reporter found that “since CAA was also willing to represent her production company, TeaTime Pictures, along with her indie film, ‘Daddio'” which will be released by Sony Pictures Classics, it is likely the seemingly suspicious timing for the move was nothing more than film-business shuffling.
Dakota Johnson did much of the stunt driving in the film herself, including that of the taxi and the ambulance. She expressed she wanted to perform the stunt where the vehicle drives into a diner but the stunt team wouldn’t let her.
Bad Movie Twins 