In the guise of a big fat cat and craving lasagna, Jamie and his dog pal Odin are on their way out of Dracula School in an attempt to find Patrick. The plot to use the Ivory Socket waits for no cat and Jamie’s vampirism can be dealt with later. When they turn a corner they are confronted by Dr. Vampiro, the headmaster of the school! “Not so fast, fat cat! You’re not going anywhere until we know how to use the Ivory Socket.” They look for escape only to have their eyes alight on a Dance Dance Revolution machine in the corner of the student lounge. “Perhaps a dance-off to decide whether we can go or not,” Jamie suggests. “Ha,” Dr. Vampiro scoffs, taking off his coat, “that is super dumb… and not because it makes no sense that I would agree to such a thing, but because I’m a dance machine, don’t worry about it.” There isn’t anything kids and bored parents love more than a couple of animals boogying down and boy howdy do they. Jamie and Odin bip and bop across that machine with some seriously bodacious dance moves. But as Dr. Vampiro begins his seductive vampire dance Jamie realizes that he may not be a match for his supernatural dance powers. Could he lose a dance-off? He knows then and there that he must call upon his friend and ally, The Top Hat Man. “Top Hat Man I summon you and your Top Hat, man,” he states with eyes closed.
Stunned by what he’s just seen Patrick sits in the pile of garbage and contemplates the situation. A talking cat!?!? And what did it mean he didn’t belong there. Sweat beading on their foreheads Sticks and Stones turn around, finally completing the firebombing of the witch’s set, “What’s with that dern look on your face, it’s like you just saw a talking cat (!?!) or something,” Stones says. Patrick opens his mouth … but you know what, the experience wasn’t actually that remarkable, just kind of pointless and dull. “Where am I? Where is Jamie?” he says instead. “You listen to me punk,” Sticks growls, “all we know is what we were told: fetch the kid in the teenage witch set and bring him to the precinct set. You’re here alright, but we don’t know anything about any goddamned Jamie. Let’s move!” Sticks and Stones walk up to a series of doors in the false alleyway and whisper quietly to themselves. This had gone on long enough Patrick thought. What did he do the last time he lost Jamie? Oh yeah, he called on his friend and ally, The Top Hat Man. The Top Hat Man would know what to do. “Top Hat Man I summon you and your Top Hat, man,” he states with eyes closed.
That’s right! This week we’re watching Slender Man. After one of the slowest BMT years in history, we take a break from our Bring a Friend cycle to (finally) head back to the theater for some BMT Live fun. Ever since The Bye Bye Man stole our BMT hearts, we’ve been clamouring for something similarly dumb and not scary and hilarious. So when we saw previews for what looked like a terrible misguided attempt to cash in on what the kids are calling “The Internet,” we hoped and prayed for it to fail miserably with critics… and hoooo boy! It sure did. This film pits the Slenderest of Men against a bevy of teenage girls and I’m hoping that he has a tall slender top hat and like a slender greyhound friend. This better be the slenderest film ever released. Let’s go!
Slender Man (2018) – BMeTric: 51.0
(Sometime I ignore “current” films in this section because the plot is somewhat boring … not so here! The rating of 2.9 is so absurdly low that I had to make note of it. If it stays that low this will be a 70+ BMeTric film soon enough which is pretty crazy. I think people just really hate the idea of the film, and it doesn’t help that the film is apparently a load of garbage.)
RogerEbert.com – 1.5 stars – I should have been the exact right viewer for “Slender Man.” And yet my mind wandered to memories of better, similar films, and it was really only in the moments when “Slender Man” went terribly wrong that it grabbed my attention. After all, nothing is scarier than bad filmmaking.
(Noice. Kind of reminds me of The Bye Bye Man maybe? That somehow the redeeming feature of the film was just how laughably bad some moments of the film are. Otherwise films like this are a dime a dozen these days.)
(Uh, having watched the film already (spoiler) but … that trailer describes a different movie. Actually, I can exactly see what the storyline was supposed to be. Their one friend gets taken, the three other characters offer themselves in her stead, she returns but isn’t the same, The Most Slender Man is still spookifying them because of the deal they struck … better than the chopped up film you’ll get, be warned.)
Directors – Sylvain White – (Known For: The Losers; Future BMT: Stomp the Yard; BMT: Slender Man; Notes: He did the direct-to-video addition I’ll Always Know What You Did Last Summer before landing his breakout film Stomp the Yard. Mostly directs television more recently.)
Writers – David Birke (written by) – (Known For: Elle; 13 Sins; Dahmer; BMT: Slender Man; Notes: Announced as the screenwriter for an upcoming Picture of Dorian Gray adaptation.)
Victor Surge (based on a character by) – (BMT: Slender Man; Notes: Know Your Meme. Is still answering questions to this day about this thing he created nearly 10 years ago on a whim, which is bonkers.)
Actors – Joey King – (Known For: The Dark Knight Rises; The Conjuring; Crazy, Stupid, Love.; Oz the Great and Powerful; White House Down; Going in Style; Ice Age: Dawn of the Dinosaurs; Horton Hears a Who!; Wish I Was Here; Ramona and Beezus; Quarantine; Reign Over Me; Future BMT: Wish Upon; Stonewall; The Kissing Booth; Family Weekend; The Sound and the Fury; BMT: Independence Day: Resurgence; Slender Man; Battle Los Angeles; Notes: The Kissing Booth is actually having a moment as it (1) is not considered to be very good by traditional film standards, but (2) is incredibly popular in the pre-teen girl demographic (as stated on the Bill Simmons podcast on several occasions). She’s even dating her Kissing Booth co-star in real life.)
Julia Goldani Telles – (Known For: Most Likely to Murder; BMT: Slender Man; Notes: Studies at Columbia, and has a co-starring role in the show The Affair.)
Jaz Sinclair – (Known For: Paper Towns; Future BMT: When the Bough Breaks; Fun Mom Dinner; BMT: Slender Man; Notes: She is going to star in the re-imagining of Sabrina the Teenage Witch which is coming out in October.)
Budget/Gross – $10–28 million / Domestic: $23,393,116 (Worldwide: $25,020,757)
(The gross is “so far” and I’m willing to bet the 28 million figure is with advertising, which isn’t usually included in these figures I think. It is going to be a modest success in the end I think, but I doubt we should be waiting for Slenderer Man … More Slender Man?)
#93 for the Horror – Supernatural genre
(This is, in a way, still the cutting edge of horror, although I assume that will change soon enough. Basically Blumhouse ushered in the current era with the Paranormal Activity franchise which was the first of the genre to break $100 million in over 5 years (and on a microbudget no less). Silent Hill, Thirteen Ghosts, Ghost Ship, The Fog (2005), The Bye Bye Man are either good or hilarious so far, so I’m quite excited to see what Slender Man brings to the table.)
Rotten Tomatoes – 8% (4/48): Slender Man might be thin, but he’s positively robust compared to the flimsy assortment of scares generated by the would-be chiller that bears his name.
(Rough consensus right there. All I want in the world is for Slender Man to be hilarious like The Bye Bye Man. Please be hilarious. Reviewer Highlight – Slender Man feels as used up as any years-old meme, like trying to explain what’s funny about dat boi a decade late. – Andrew Whalen, Newsweek)
Poster – The Top Hat Man (A-)
(Slender Man watching me through my foggy shower door. How creepy. I do like the simple artistry of it with the unique font and nice balance. A little more blue tint to the overall color, but otherwise this is pretty good to draw me in.)
Tagline(s) – None (F)
(Oooo, the slenderest of all taglines. Real meta, A+ tagline… psych! Unacceptable but not unexpected, Slender Man.)
Keyword(s) – woods; Top Ten by BMeTric: 90.2 Alone in the Dark (2005); 87.5 BloodRayne (2005); 86.0 In the Name of the King: A Dungeon Siege Tale (2007); 85.9 Troll 2 (1990); 82.6 The Legend of Hercules (2014); 80.4 Birdemic: Shock and Terror (2010); 80.0 Halloween: Resurrection (2002); 78.4 Jason X (2001); 78.0 The Twilight Saga: New Moon (2009); 77.7 The Starving Games (2013);
(Birdemic is coming up, and I really hope We can do the Halloween franchise at some point. And who knows, maybe we’ll finally add the Twilight franchise to the list of BMT films.)
Notes – The father of the victim whose life was nearly claimed by two girls that worshipped the Slender Man spoke out against the film, citing how they felt disgraced by Hollywood making a film about events that led to tragedy. (I mean … fair)
During the post-production of Slender Man (2018), Sony and Screen Gems were reportedly extremely nervous about releasing the film, due to the ongoing court cases and negative publicity surrounding the Creepypasta legend. This caused the two companies to release the film with very little promotional materials to it, and it did not screen for critics. (I mean … fair)
The Slender Man first appeared on the “Something Awful” forums in a series of photographs edited to depict a tall, humanoid entity unnoticed by other people in the image but almost always surrounded by, or in close proximity to, children. Since then, many have speculated inspiration and origin of Slender Man in popular media, folk tales and ghost stories from hundreds of years ago, the earliest being a reference to Der Großmann in a German folk story written in 1702.
Both Chloe and Tom are shown dying in the trailer, yet neither death appears in the final cut of the movie. (Reshoots I guess. Interesting only because there aren’t very many notes, presumably because the film just came out)