In a fun montage we see Rich, Poe, and Roach enact their scheme to construct mashed potato based deep fakes of themselves to escape from Tiniman’s camp. Step 1: Enter the big camel race. Step 2: win camel race, beating Gen. Tiniman’s prized camel. Step 3: get potato peeling duty. Step 4: use natural artistic abilities to craft potato people. Step 5: place potato people in bed and sneak away. “Come on, Roach,” Rich says before accidentally plunging his hand into who he thought was Roach, but was in fact his potato person. They all laugh nervously at the unsettling photorealism of the duplicate and tiptoe their way out of camp. Just when it seems like they are in the clear, a light shines in their faces and Gen. Tiniman steps out from behind a spotlight. “But… but how?” Rich and Poe say, but when they turn to Roach he has a badge out and grunts “Cop.” Saboteur! A group of military police approach them and it seems like the end! Oh, woe is them, woe is the Earth! Suddenly the beacon of light shines from Rich’s chest again and Gen. Tiniman is temporarily blinded. Taking action, Rich and Poe escape Roach’s last blind grab and sprint into the fire desert. Rich and Poe’s muscles aren’t just for show and boy howdy do they demonstrate that here. Their endurace is stunning and their legs churn with lightning quickness taking them away from the pursuing trucks. They would almost certainly outrun the vehicles using their unrivaled athletic abilities, but suddenly Poe pulls up with a cramp. My god, the climactic tension is almost unbearable! Once again the military police approach, but no light is there to save them now. Suddenly a deafening roar rings out. The alligators are here. That’s right! We’re watching the not-so-original big crocodile horror film Primeval. Set in Burundi and “based on a true story” it has been high on the list of craziest settings for BMT. Let’s go!
Primeval (2007) – BMeTric: 56.6; Notability: 28
(Creeping up, but seems like it is settling right around sub-5.0 which is nice. Notability hits right where I imagine. I think the sense I’m getting it that 25ish is like a normal wide release. Above that and it scales with the size of the production. Below that (down to like 10) and you’re looking at a really small film (intriguingly so). Nice string of 50+ films recently it feels like.)
Leonard Maltin – 2 stars – American reporters reluctantly trek to Africa to capture a huge man-eating crocodile the locals call Gustave, and becomes embroiled in a local war. Peculiar blend of Jaws and a Blood Diamond-like subplot has its moments, but is mostly routine, with herky-jerky editing in the frequent action scenes. Loosely based on real events.
(I am down with that. Mixing Jaws with some bizarre B-plot? Yes please. I’m very ready for a creature feature, and I’ll even take one with … herky-jerky editing? Alright, Leonard, let’s go with that description.)
(The entire marketing campaign around this film was about this mayyyybe being a serial killer film … nope psych it is about a crocodile. This trailer is garbage though, way too many cuts to black and choppiness.)
Directors – Michael Katleman – (BMT: Primeval; Notes: Huge television guy. He directed individual episodes from the early 90s, and has been a major producer since 2000. I think my favorite one is the very short lived series Reunion … yeah I watched that live.)
Writers – Michael Ferris and John Brancato (written by) – (Known For: The Game; Terminator 3: Rise of the Machines; Future BMT: The Net; The Hunter’s Prayer; Surrogates; Terminator Salvation; BMT: Catwoman; Primeval; Razzie Notes: Winner for Worst Screenplay for Catwoman in 2005; Notes: Most of their credits are for The Net and subsequent spinoffs of that. I vaguely knew there was a television series, but I didn’t know there was a straight-to-video sequel The Net 2.0. Ferris wrote Bloodfist 2 prior to them working together.)
Actors – Dominic Purcell – (Known For: Mission: Impossible II; Equilibrium; Straw Dogs; Blood Creek; Gridlocked; Vikingdom; The Gravedancers; Scenes of the Crime; Future BMT: The Carrier; Blade: Trinity; Bailout: The Age of Greed; Elimination Game; Killer Elite; BMT: Primeval; Notes: You will know him from Prison Break (which yeah, I’ve seen basically the entire series, want to fight about it?), but I first saw him in the short-lived series John Doe … man there are so many television people involved in this film.)
Orlando Jones – (Known For: Magnolia; Office Space; The Replacements; Bedazzled; Evolution; Runaway Jury; Drumline; Liberty Heights; Enemies Closer; Future BMT: Biker Boyz; I Think I Love My Wife; Cirque du Freak: The Vampire’s Assistant; Double Take; The Time Machine; Woo; Beyond a Reasonable Doubt; Sour Grapes; The Devil and the Deep Blue Sea; BMT: Primeval; Say It Isn’t So; Notes: Roomed with Artie Lange when both were on MadTV. That is basically where he got his start.)
Brooke Langton – (Known For: The Replacements; Swingers; The Deal; Playing Mona Lisa; Future BMT: Terminal Velocity; Kiss the Bride; BMT: Primeval; The Benchwarmers; Notes: Ha! She starred in The Net television show! No wonder she got the job in this case. Was on 68 episodes of Melrose Place.)
Budget/Gross – N/A / Domestic: $10,597,734 (Worldwide: $15,291,277)
(That is likely not going to do it. But I also imagine, given the talent was mostly pulled from television, that you maybe could have gotten away with a budget of $10 million? While trying to figure this out I ended up stumbling onto The Numbers page for Primeval. Their categorization of this film is “serial killer” … this is not a serial killer film from what I can tell, but for a hint as to why someone might think so go check out the tagline section.)
Rotten Tomatoes – 19% (11/57): Primeval is a low-quality horror film, which due to the inane political messages does not even qualify as campy fun.
(Oh wow. Read the description of the film on Rotten Tomatoes … like, for a split second I thought “wait … is this a serial killer film?!”. Again, I don’t think it is, but some descriptions make it seem like it is. So many of the reviews slam the film for the political message, described as blending a giant crocodile film with Hotel Rwanda. Reviewer Highlight – The sub-sub-Anaconda bottom-feeder Primeval makes the mistake of taking itself far too seriously; with its exploitative images of civil war and genocide, it’s the Blood Diamond of 25-foot-killer-crocodile movies. – Scott Tobias, AV Club)
Poster – Sklogeval
(But… why? This looks like shit. The alternate poster with a bunch of bones that pretends the film is about a serial killer is much better. This just looks like a bad photo. Nice font though. C-)
Tagline(s) – Inspired by the true story of the most prolific serial killer in history. (D)
He’s 20 feet long, and has taken 300 lives. Now, he’s about to resurface. (D)
(Both of these aren’t great. The first is just being tricky with what the film is about. While I like when a tagline tells you about the plot, I don’t love when they basically lie about it. The second one is just using numbers and I guess that’s supposed to be interesting. Hard to say. Both are too long and not nearly clever enough to make up for it.)
Keyword – crocodile
Top 10: Suicide Squad (2016), Jumanji: Welcome to the Jungle (2017), Jumanji (1995), Annihilation (2018), Indiana Jones and the Temple of Doom (1984), Exodus: Gods and Kings (2014), Pan (2015), Octopussy (1983), The Legend of Tarzan (2016), Romancing the Stone (1984)
Future BMT: 43.8 King Solomon’s Mines (1985), 42.2 Pan (2015), 38.6 Firewalker (1986), 34.5 Suicide Squad (2016), 33.9 Exodus: Gods and Kings (2014), 31.0 Rugrats Go Wild (2003), 30.2 Eraser (1996), 29.6 Inkheart (2008), 27.5 The Legend of Tarzan (2016);
BMT: Runner Runner (2013), Crocodile Dundee II (1988), Anacondas: The Hunt for the Blood Orchid (2004), Crocodile Dundee in Los Angeles (2001), Primeval (2007)
(The second recent film where we’ve used this keyword. The other is obviously Crocodile Dundee II. Really just crushing those Crocodile features recently. Maybe we’ll look into Firewalker soon, that would be a weird one.)
Welcome to Earf (HoE Number 9) – The shortest path through The Movie Database cast lists using only BMT films is: Orlando Jones is No. 3 billed in Primeval and No. 3 billed in Say It Isn’t So, which also stars Chris Klein (No. 1 billed) who is in Here on Earth (No. 2 billed) => 3 + 3 + 1 + 2 = 9. There is no shorter path at the moment.
Notes – In real life, as seen in this film, an attempt to bait the crocodile failed. The team used a live goat as bait one night, and the team continued this for days. One day the goat disappeared. The camera failed the night before due to a storm, and then political issues in the area forced the team out of the country. Leaving them unable to know what happened that night.
Since Gustave has not been captured, his exact length and weight is unknown, but in 2002 it was stated that he could be “easily more than 18 feet (5.5 m)” long, and weigh more than 2,000 pounds (910 kg). He was estimated to be around 100 years old in order to achieve such outstanding size; however, further more careful observation of Gustave revealed a complete set of teeth when he opened his mouth. Since a 100-year-old crocodile “should be nearly toothless” (according to the documentary), he was estimated to be “probably no older than 60, and likely, still growing”. Gustave is also known for the three bullet scars on his body. His right shoulder blade was also found to be deeply wounded. Circumstances surrounding the four scars are unknown. Scientists and herpetologists who have studied Gustave claim that his uncommon size and weight impede his ability to hunt the species’ usual, agile prey such as fish, antelope and zebra, forcing him to attack larger animals such as hippopotamus, large wildebeest and, to some extent, humans. According to a popular local warning, he is said to hunt and leave his victims’ corpses uneaten. The documentary film also stated that since crocodiles can go several months without eating, Gustave could afford to select his prey carefully. In 2009 the croc had reappeared in Ruzizi River near Lake Tanganyika.
Gustave was named by Patrice Faye, a herpetologist who has been studying and investigating him since the late 1990s. Much of what is known about Gustave stems from the film Capturing the Killer Croc, which aired in 2004 on PBS. The film documents a capture attempt and study on Gustave.