Jamie
At times Patrick and I have been fascinated by different aspects of the NY Times TV listings. One such interest was the HMS primetime block. HBO, MAX (Cinemax) and SHO (Showtime) would almost always show a film starting at 8pm. So you could get a surefire movie marathon by just looking at a random day. But September 1st, 1995 isn’t random (it’s when Clifford and Ski School played on TV together, obviously) and it almost hits a BMT Triple with Police Academy: Mission to Moscow on Cinemax, Getting Even with Dad on Showtime, and Black Rain on HBO. Black Rain is just a little too mediocre for our tastes. But that’s a tasty triple feature. It could have even hit a coveted Grand Slam as the Emilio Estevez stinker Wisdom was playing on basic cable at 8pm (in the NYC area). Oh how I’ve begged that we watch Wisdom for BMT. The film is the worst.
To recap, Martin is a successful architect ready to settle down with his GF Sarah. Unfortunately, he’s been too shortsighted to realize that Sarah wants kids and it’s a dealbreaker. In order to convince her of his seriousness about kids he takes his brother up on an offer to take care of his nephew, Clifford. Turns out Clifford is a sociopathic monster dead set on ruining the lives of anyone who stands in the way between him and his beloved Dinosaur World. It should all go swimmingly, especially since Martin also happens to have designed the premier ride at Dino World. But, uh oh! Martin’s boss has his eyes set on both Sarah and making Martin’s life hell. Bogged down with a boatload of work Martin has to break it to Clifford that they won’t make it to DW. Clifford? Unamused. Hijinks? Ensuing. First Clifford tries to run away. Then he ruins a big anniversary dinner for Sarah’s parents. He gets Martin arrested, tricks him into taking a train to SF, throws a big party in Martin’s house, and then convinces Sarah that Martin has been mistreating him. This all culminates in Clifford sabotaging Martin’s big presentation at work, which gets him fired. Driven insane, Martin takes Clifford to Dino World after hours and tortures him by forcing him to go on his favorite ride at increasingly dangerous speed. When the ride breaks, Martin realizes how wrong he’s been and saves Clifford. We are then told that ultimately, after much pleading, Martin forgave Clifford and let him be part of Sarah and his wedding. THE END.
We’ve been watching a lot of films from our youth recently (The Great Outdoors better watch out). I’m always curious to find out whether something I have fond memories of has curdled with time. I’d actually say that Clifford came out largely unscathed in the sense that as a kid I enjoyed Martin Short’s antics as a grown man pretending to be a little boy. As an adult I still think it’s an amusing visual gag. If you’re not in on that joke, though, then he’s super annoying, in your face 100% of the time, and it’s just the same joke over and over. But really the standout for me was something I didn’t appreciate at all as a kid: the final scene at Dino World. It’s amazing! They built a giant Dino roller coaster set and made some beautiful matte backdrops for the climax of the film and you have to give them credit for that. I guess I shouldn’t oversell the movie, which is admittedly mostly devoid of laughs, but given how brutal the reviews were I’d say that it’s better than a totally unfunny annoyance.
As for Ski School, buckle up… I loved this movie. It’s the kind of T&A comedy I’m here for. They are in on the joke. They try to be serious at times and then turn to the camera and say ‘nah’ and go right back to partying. How do they get in trouble? Partying. How do they cope with their fall from grace? Partying. How do they win the day? Partying. It’s just a beautiful piece of fluff. I could do without the intense gay panic scene, but… it was a different time. Overall, this is what the Bring a Friend category was made for. L-O-V-E-D I-T.
Hot Take Clam Bake! I didn’t mention much about the bookends of the film. It’s Clifford in 2050 telling the tale of his youth in order to convince a trouble maker to reform his ways and learn to apologize. My take? This is all bullshit. None of the film actually happened. The old priest or monk or whatever we see is indeed Clifford, but the story never happened. He was a good boy who grew up to be a good man who has one bad characteristic: he lies to little boys about his own life to convince them to be good. In fact, I bet Clifford 2 would open with the end of this film and then he’d turn around, find another kid, and make up some other bullshit. Hot Take Temperature: Hot Fiery Breath of Larry the Scary Rex.
Patrick?
Patrick
‘Ello everyone! Are we talking about Martin Short playing a 10-year-old and doing … no wait, I think that is the one joke in the entire film. Let’s go!
The reviews for this film are vicious. Ebert’s entire review is basically that he was in a theater full of critics and not one (other) person laughed. He apparently laughed once and then he thinks someone else laughed at him laughing once.
I don’t think it is quite so bad. The deconstruction of Grodin throughout the film as it slowly dawns on him that he’s dealing with a genuine 10-year-old sociopath sometimes enters the sublime, in particular the moment that he demands that Clifford look at him like “a real human boy” and is flabbergasted when he is unable to do it.
And the little moments where Clifford’s eyes go completely blank shows off what Short would eventually perfect as he went through Glick and other characters over the years.
The main issue (besides the film not actually being funny very often) is that they pick up and drop storylines so often that it is obvious that they edited this thing to pieces as Orion went under. You never see Clifford’s family again. They very rarely touch on Clifford being a genius (even though it is obvious that that is necessary for the story to make sense). There is no explanation of how Grodin got out of his bomb threat, or what happened to his job, or the amusement park. There is just an odd bookend which ultimately gives everyone a happy ending. You never see Grodin’s father-in-law again, even during the wedding scene, despite them making a big deal about him hating Grodin. And most egregiously, they never once mention the house Grodin bought in the beginning of the film … I suppose we are to believe he ultimately sold it?
If I were to attempt to “fix” a bit of the film, I would get rid of the bookends and instead open with something that shows how similar Grodin and Clifford are, something about them both working on something, but Grodin’s is the model he’s building, and Clifford’s is a giant model of Dinosaur World. At the end, after Grodin saves Clifford, I would then show him forgiving Clifford, and ultimately selling the house and marrying his girlfriend. I would end with a grown up Clifford voiceover saying he didn’t see his uncle much after that because they soon had a kid … and that he was even worse than him. Ultimately setting up the possibility of a sequel where Short plays Grodin’s now 10-year-old child who is (effectively) Clifford as well.
The movie as it stands is basically a bad-to-mediocre SNL movie. It is a sketch which you can imagine sustaining 2 minutes of a “comedic bad seed” premise as Clifford makes awkward comments and frustrates his father / uncle / guardian for a short time at a dinner / amusement park / museum. And then overstaying his welcome in the 5 or 6 sketches as they run out of ideas for places for Clifford to go. They then make a 90 minute movie which boils down to a single joke: Martin Short is a 10-year-old. That’s it, there isn’t much else to it, and the “sketch” is often not funny beyond this single simple premise.
Lucky for us we got to watch a genuinely amusing Friend this week in Ski School. Sure, there are problematic aspects to any film of the T&A Porky’s era. Some serious gay panic and non-serious female characters. But overall the film was fun and Dean Cameron was pretty incredible. One of the more amusing segments was the characters teaching everyone the Lambada (the Forbidden Dance!) which indeed, was a big deal in the late 80s when this was made, and a year later there would be not one, but two Lambada films (called Lambada and The Forbidden Dance, naturally). Would recommend to pair with the It’s Always Sunny episode (also starring Dean Cameron) where they go skiing, one of the best episodes of the series. A+, I would watch friends like these all day.
I kind of like the idea that there is Product Placement (What?) for Amtrak which allows Grodin to get to San Francisco toot sweet. Definitely Setting as a Character (Where?) for L.A. which gets a lot of play in the house he buys and also as a stopover on the way from Chicago to Hawaii. And I like the borderline MacGuffin (Why?) for Dinosaur World, which is Clifford’s motivation throughout the film. Closest to Bad unfortunately, it just doesn’t have enough jokes to really sustain itself.
Read about the Clifford sequel in the Quiz. Cheerios,
The Sklogs