So there I was dressing up a Mannequin for the big morning reveal (obviously) when all of a sudden it came to life, bopped me on the head, and now I don’t remember a thing! Do you remember what happened in Mannequin?
Pop Quiz Hot Shot!
1) In the beginning of the film our hero loses his job … well many jobs. And all for the same reason in the end. What reason does he lose all of these jobs?
2) And how does our hero get his job at the department store?
3) What window displays does he and the mannequin make throughout the film?
3) Why does Richards (James Spader) get fired?
4) In the end our arch-villain (Roxie … wait is that right?) is chased through the store by Switcher. What is Roxie trying to do to foil Switcher’s career and gain power at Illustra?
Bonus Question: At the end of the film Emmy and Swisher get married and live happily ever after, where do they go afterwards?
Jamie and Patrick sit nervously in their limousine. Fortunately the hours worth of makeup covering Michael Myers’ chest shielded him from the brunt of the sniper’s bullet. The rest of production went off without a hitch, but even so Banks insisted they have a bodyguard for the premier. “It’s the next logical place they’ll try to take you out,” the suave bodyguard says. They watch the final cut of Rich & Poe: Legends Never Die: The Director’s Cut with mixed emotions and pat each other on the back when the crowd rises in thunderous applause. While a disaster would have stopped the cyborgs they can’t help but cherish the return of Rich and Poe. They smile as it’s announced that the Academy has met early and awarded them Best Picture. On stage, they lean into the microphone but stop, puzzled. Something is off…. Suddenly they see their bodyguard amidst the crowd. “He’s got a gun!” they scream but as a shot rings out they find themselves pushed to the side. On the ground is Kyle, their old friend from prison, having taken a bullet for them.
A week later they sit in their apartment waiting with bated breath as the reviews for the R&P rip-off pour in. 37%… 38%… 39% and it stops. “One review and it would have topped 40% and never qualified,” Jamie says banging the giant box still taking up half the apartment. “If only we knew someone else who had a review website… that would be perfect,” Patrick says with a chuckle. Kyle, staying with them while recovering, softly says, “I do, but you probably aren’t interested in it.” He shrugs, red-faced. They look at him quizzically. “Uh,” he continues, “it’s called SMT… SexyMannequinTimes.com… we primarily review films that have sexy mannequins in them.” That’s right! We are indeed watching the premier film series for SexyMannequinTimes.com (warning: not a real website… hopefully) Mannequin and Mannequin 2: On the Move. The mere existence is dumbfounding, but no more dumbfounding than the existence of Weekend at Bernie’s and Weekend at Bernie’s 2. This also marked the transition from sequels/franchises into big ol’ bomb town where we are only watching films that are rated BOMB in Leonard Maltin’s review book. Let’s go!
Mannequin: On the Move (1991) – BMeTric: 50.6; Notability: 21
StreetCreditReport.com –BMeTric: top 3.6%; Notability: top 68.8%; Rotten Tomatoes: top 7.4% Higher BMeT: Cool as Ice, Freddy’s Dead: The Final Nightmare, Problem Child 2, Child’s Play 3, Suburban Commando, Nothing But Trouble; Higher Notability: Hook, Hudson Hawk, Mobsters, Switch, Flight of the Intruder, Rock-A-Doodle, Teenage Mutant Ninja Turtles II: The Secret of the Ooze, Life Stinks, Out for Justice, Necessary Roughness, The Marrying Man, The Five Heartbeats, Driving Me Crazy, Billy Bathgate, He Said, She Said, Oscar, Teen Agent, King Ralph, Freddy’s Dead: The Final Nightmare, Married to It, and 39 more; Lower RT: Cool as Ice, Mobsters, Problem Child 2, Pure Luck, The Marrying Man, Strictly Business, Drop Dead Fred, Another You, Oscar, Nothing But Trouble, The Hitman; Notes: See that’s more like it, a solid sub-5.0 disaster. Juuuuust managed to creep over the wonderful 50+ BMeTric mark, impressive for the early 90s.
Leonard Maltin – BOMB – This inept sequel to Mannequin makes you think the original was not so bad by comparison. Ahain, a window dresser (Ragsdale) in a department store frees the spirit of a medieval peasant (Swanson) who has been imprisoned inside a mannequin’s form for – quite logically – 1000 years. Torpor ensues.
(“Torpor ensues” is one of the better zingers I’ve seen in a short-form film review. Just the right level of disdain. They are much more explicit about this one having some sort of mystical curse involved … I’m still not entirely convinced that is the case with the first one.)
(You can immediately tell this is barely a sequel. What did they do!? Why wouldn’t you just play back the same story with two different actors? It seems so strange to all of a sudden start talking about curses and middle ages stuff for a sequel. Bizarre. I love it.)
Directors – Stewart Raffill – (Known For: Tammy and the T-Rex; Three – III; The Philadelphia Experiment; The Adventures of the Wilderness Family; Bad Girl Island; Across the Great Divide; The New Swiss Family Robinson; High Risk; Shipwreck!; Lost in Africa; Grizzly Falls; When the North Wind Blows; A Month of Sundays; The Tender Warrior; Future BMT: The Ice Pirates; Standing Ovation; BMT: Mac and Me; Mannequin: On the Move; Razzie Notes: Winner for Worst Director in 1989 for Mac and Me, and Sunset; and Nominee for Worst Screenplay for Mac and Me in 1989; Notes: Directed multiple episodes of a television series called 18 Wheels of Justice which aired on the channel TNN in the early 00s. It had two seasons worth of episodes!)
Writers – Edward Rugoff (characters & written by) – (Known For: Double Take; Future BMT: Mr. Nanny; BMT: Mannequin: On the Move; Mannequin; Notes: Produced a documentary about his father’s career in independent film.)
Michael Gottlieb (characters) – (Future BMT: Mr. Nanny; BMT: Mannequin: On the Move; Mannequin; Notes: Produced the 1999 N64 remake of The Paperboy video game. It was not received well.)
David Isaacs and Ken Levine (written by) – (Known For: Volunteers; BMT: Mannequin: On the Move; Notes: Also rewrote the first film, but didn’t get credited for that one. They both wrote on M*A*S*H, Cheers, and Frasier.)
Betsy Israel (written by) – (BMT: Mannequin: On the Move; Notes: Wrote an article in Playboy in August 1994 called “Going all the Way” and no, I couldn’t find it online.)
Actors – Kristy Swanson – (Known For: Ferris Bueller’s Day Off; Hot Shots!; Pretty in Pink; The Phantom; Higher Learning; The Chase; The Program; Highway to Hell; What If…; Ground Control; Storm Rider; Getting In; Diving In; Soul Assassin; Future BMT: Dude, Where’s My Car?; Buffy the Vampire Slayer; 8 Heads in a Duffel Bag; Flowers in the Attic; Big Daddy; BMT: Mannequin: On the Move; Deadly Friend; Notes: Was the original Buffy. Apparently dated Alan Thicke when she was 17 and he was 40.)
William Ragsdale – (Known For: Fright Night; Alex Strangelove; Fright Night Part 2; Thunderstruck; Smooth Talk; What Just Happened; The Last Time; Just a Little Harmless Sex; Wonderful World; Screams of a Winter Night; Future BMT: The Reaping; Broken City; BMT: Left Behind; Big Momma’s House 2; Mannequin: On the Move; Notes: Mostly does smaller television roles now, although he had a recurring role on Justified. Apparently notably for missing out on a number of big leading man roles in the 80s, including Biloxi Blues.)
Meshach Taylor – (Known For: Explorers; The Howling; Omen II: Damien; The Beast Within; House of Games; Warning Sign; Hyenas; Stony Island; Ultra Warrior; Inside Out; Friends and Family; One More Saturday Night; Jacks or Better; Future BMT: Mannequin; The Allnighter; Class Act; BMT: Mannequin: On the Move; Notes: Nominated for an Emmy for Designing Women. He starred in that for 152 episodes, and Dave’s World for over 90.)
(Holy good god. They doubled the budget and managed to get 10x less money out of the other side! That is one of the worst bombs I’ve seen in a long time just based on that fact alone.)
(Time to make a consensus: Dumb and cliche, the second Mannequin manages to somehow do even less that the first with its already weak concept. Reviewer Highlight: It took four writers to struggle with another idea of why a mannequin would come to life in a department store and what would happen if she did. – Variety)
(My god they made it worse! Font is still good and still has things that are really funny. Like Hollywood, the real star of the first film, stating “yoo hoo, I’m back.” Phew, thank god. Cause I would not have watched without you. D+.)
Tagline(s) – She’s been frozen for a thousand years… now it’s time to break the ice. (C-)
(I mean, a little more clever, much longer, and pretty much exactly the same amount of info about the film. Which is to say a lot because they basically wrote a novel with this tagline. Boo.)
Top 10: Tenet (2020), Avengers: Endgame (2019), Interstellar (2014), Back to the Future (1985), Arrival (2016), Harry Potter and the Prisoner of Azkaban (2004), Spider-Man: Into the Spider-Verse (2018), Masters of the Universe (1987), Deadpool 2 (2018), Terminator 2: Judgment Day (1991)
Future BMT: 69.1 The Santa Clause 3: The Escape Clause (2006), 66.2 Teenage Mutant Ninja Turtles III (1993), 62.9 Paranormal Activity: The Marked Ones (2014), 60.9 The Final Destination (2009), 59.5 Hot Tub Time Machine 2 (2015), 56.2 Land of the Lost (2009), 50.0 The Sin Eater (2003), 47.4 Clockstoppers (2002), 45.3 A Kid in King Arthur’s Court (1995), 43.0 Freejack (1992);
BMT: Masters of the Universe (1987), Lara Croft: Tomb Raider (2001), Event Horizon (1997), Assassin’s Creed (2016), Timeline (2003), Jumper (2008), Lost in Space (1998), The Lake House (2006), Paycheck (2003), Mannequin: On the Move (1991), Freddy’s Dead: The Final Nightmare (1991), Hellraiser IV: Bloodline (1996), The Seeker: The Dark Is Rising (2007), A Sound of Thunder (2005), Black Knight (2001)
(People love time travel, although as maybe the graph suggests it has became a bit played out on the larger stage. All of the good time travel films seem to be going to streaming (much like all of the good groundhog day films).)
Welcome to Earf (HoE Number 19) – The shortest path through The Movie Database cast lists using only BMT films is: William Ragsdale is No. 2 billed in Mannequin: On the Move and No. 9 billed in Left Behind (2014), which also stars Nicolas Cage (No. 1 billed) who is in The Wicker Man (No. 1 billed), which also stars Leelee Sobieski (No. 5 billed) who is in Here on Earth (No. 1 billed) => 2 + 9 + 1 + 1 + 5 + 1 = 19. If we were to watch Big Daddy we can get the HoE Number down to 14.
Notes – “Mannequin: On the Move” is the actual title of this sequel. “Mannequin Two: On the Move” was the poster’s title.
The pink convertible used in this sequel is the same convertible driven by the aliens in Mac and Me (1988), also directed by Stewart Raffill. (Is it his car?)
Andrew Hill Newman also appeared in Mannequin (1987) playing a different character. (I do love when that happens)
This sequel is the last movie to be released by Gladden Entertainment.
The name of the mythical kingdom, “Hauptmann-Koenig”, is German for “Captain-King”.
During the nightclub scene, Jason does the infamous “Ronald Miller” dance, (Patrick Dempsey) made famous during the prom scene in Can’t Buy Me Love (1987). In Can’t Buy Me Love (1987), Ronald gets the entire school to do this ridiculous dance along with him. In this movie, Jesse tells Jason “that’s not dancing, this is dancing” and proceeds to do a medieval dance routine. The other people on the nightclub dance floor start doing this dance along with her. (Wait … this film also has a dance scene? What is up with teen comedies and dance scenes?)
The three soldiers/bodyguards all wear genuine Corcoran jump boots as worn by American paratroopers.
Jamie and Patrick sit nervously in their limousine. Fortunately the hours worth of makeup covering Michael Myers’ chest shielded him from the brunt of the sniper’s bullet. The rest of production went off without a hitch, but even so Banks insisted they have a bodyguard for the premier. “It’s the next logical place they’ll try to take you out,” the suave bodyguard says. They watch the final cut of Rich & Poe: Legends Never Die: The Director’s Cut with mixed emotions and pat each other on the back when the crowd rises in thunderous applause. While a disaster would have stopped the cyborgs they can’t help but cherish the return of Rich and Poe. They smile as it’s announced that the Academy has met early and awarded them Best Picture. On stage, they lean into the microphone but stop, puzzled. Something is off…. Suddenly they see their bodyguard amidst the crowd. “He’s got a gun!” they scream but as a shot rings out they find themselves pushed to the side. On the ground is Kyle, their old friend from prison, having taken a bullet for them.
A week later they sit in their apartment waiting with bated breath as the reviews for the R&P rip-off pour in. 37%… 38%… 39% and it stops. “One review and it would have topped 40% and never qualified,” Jamie says banging the giant box still taking up half the apartment. “If only we knew someone else who had a review website… that would be perfect,” Patrick says with a chuckle. Kyle, staying with them while recovering, softly says, “I do, but you probably aren’t interested in it.” He shrugs, red-faced. They look at him quizzically. “Uh,” he continues, “it’s called SMT… SexyMannequinTimes.com… we primarily review films that have sexy mannequins in them.” That’s right! We are indeed watching the premier film series for SexyMannequinTimes.com (warning: not a real website… hopefully) Mannequin and Mannequin 2: On the Move. The mere existence is dumbfounding, but no more dumbfounding than the existence of Weekend at Bernie’s and Weekend at Bernie’s 2. This also marked the transition from sequels/franchises into big ol’ bomb town where we are only watching films that are rated BOMB in Leonard Maltin’s review book. Let’s go!
Mannequin (1987) – BMeTric: 33.2; Notability: 27
StreetCreditReport.com –BMeTric: top 11.6%; Notability: top 50.0%; Rotten Tomatoes: top 12.6% Higher BMeT: Superman IV: The Quest for Peace, Teen Wolf Too, Ishtar, Silent Night, Deadly Night 2, Surf Nazis Must Die, Who’s That Girl, Revenge of the Nerds II: Nerds in Paradise, Masters of the Universe, House II: The Second Story, Over the Top, Death Wish 4: The Crackdown, Hard Ticket to Hawaii, Burglar, Cherry 2000; Higher Notability: Superman IV: The Quest for Peace, Masters of the Universe, Who’s That Girl, Ishtar, Walker, Cherry 2000, Blind Date, Burglar, Fatal Beauty, Over the Top, House II: The Second Story, Death Wish 4: The Crackdown, The Sicilian, Slam Dance, The Believers, Nuts, Creepshow 2, Malone, Revenge of the Nerds II: Nerds in Paradise, Rent-a-Cop, and 8 more; Lower RT: Teen Wolf Too, Revenge of the Nerds II: Nerds in Paradise, House II: The Second Story, The Sicilian, Hello Again, Superman IV: The Quest for Peace, Date with an Angel, Flowers in the Attic, Masters of the Universe, Death Wish 4: The Crackdown, Hard Ticket to Hawaii, Russkies, The Squeeze, Rent-a-Cop, Siesta, Beyond Therapy, Slam Dance, Surf Nazis Must Die; Notes: Borderline cult classic right there. You get that up to around 6.2 and you’re cooking with fire. The Notability is relatively low which is interesting … I assume there are like five characters total and the film is basically just Weird Science but with a mannequin.
Leonard Maltin – BOMB – Cattrall is an ancient Egyptian spirit who embodies a department store mannequin; McCarthy is the only one who sees her come to life, and falls in love with her. Attempt [sic] to recreate the feeling of old screwball comedies is absolute rock-bottom fare. Dispiriting to anyone who remembers what movie comedy ought to be. Followed by a sequel.
(Huh … uh, none of the advertisements or anything actually suggest the Egyptian spirit thing. I sure hope they expand on that explicitly in a bizarre opening segment. If not that I hope they instead basically never mention it at all.)
(Oh shit, Cannon. Wait a minute, is that the cop from Police Academy … they really were on a studio contract back in the day. The concept of the film is so very, very strange … I kind of dig it. The 80s were a hell of a drug.)
Directors – Michael Gottlieb – (Known For: The Shrimp on the Barbie; Future BMT: Mr. Nanny; A Kid in King Arthur’s Court; BMT: Mannequin; Notes: The Shrip on the Barbie was a film he disowned, an Alan Smithee film. He became a video game producer after he stopped directing. He died in 2014.)
Writers – Edward Rugoff (written by) – (Known For: Double Take; Future BMT: Mr. Nanny; BMT: Mannequin: On the Move; Mannequin; Notes: Clearly the writing partner of Gottlieb. His father was also in the movie business and ran something called Cinema 5 which was some independent film thing back in the day.)
Michael Gottlieb (written by) – (Future BMT: Mr. Nanny; BMT: Mannequin: On the Move; Mannequin; Notes: Filmed, edited, and directed the Playboy Mid Summer Night’s Dream Party in 1985.)
Actors – Andrew McCarthy – (Known For: Weekend at Bernie’s; Pretty in Pink; St. Elmo’s Fire; The Spiderwick Chronicles; Less Than Zero; The Joy Luck Club; Main Street; Only You; The Good Guy; Jours tranquilles à Clichy; Mrs. Parker and the Vicious Circle; Night of the Running Man; The Beniker Gang; Camp Hell; I Woke Up Early the Day I Died; Getting In; Stag; New Waterford Girl; Dr. M; Cosas que nunca te dije; Future BMT: Class; Fresh Horses; Mulholland Falls; Year of the Gun; Kansas; Catholic Boys; BMT: Weekend at Bernie’s II; Mannequin; Notes: Is a pretty big television director, directing things like The Black List and Orange is the New Black. He still acts in stuff, although I couldn’t tell you the last thing I saw him in.)
Kim Cattrall – (Known For: Sex and the City; Big Trouble in Little China; Star Trek VI: The Undiscovered Country; The Ghost; Live Nude Girls; Ice Princess; The Devil and Daniel Webster; Horrible Histories: The Movie; Masquerade; The Return of the Musketeers; Rosebud; Hold-Up; Above Suspicion; City Limits; Meet Monica Velour; The Tiger’s Tail; Tribute; Midnight Crossing; Ticket to Heaven; Future BMT: 15 Minutes; Porky’s; Unforgettable; Turk 182; BMT: Crossroads; Baby Geniuses; Sex and the City 2; The Bonfire of the Vanities; Mannequin; Police Academy; Razzie Notes: Winner for Worst Actress for Sex and the City 2 in 2011; and Nominee for Worst Supporting Actress for The Bonfire of the Vanities in 1991; Notes: She had a wild career, being on the last actors on the studio contract system (I think in the late 70s, hard to tell). She has had a very public feud with Sarah Jessica Parker about Sex and the City and is not going to appear in the third film.)
Estelle Getty – (Known For: Mask; Tootsie; Stuart Little; Deadly Force; BMT: Stop! Or My Mom Will Shoot; Mannequin; Razzie Notes: Winner for Worst Supporting Actress for Stop! Or My Mom Will Shoot in 1993; Notes: Won an emmy for Golden Girls. Was married for over 50 years.)
Budget/Gross – $7.9 million / Domestic: $42,721,196 (Worldwide: $42,721,196)
(That is a huge success! No wonder they decided to make a sequel. It is still confusing that they decided to make a sequel with a whole new cast and a totally different plotline … but we’ll deal with that in that preview.)
Rotten Tomatoes – 21% (8/39): Mannequin is a real dummy, outfitted with a ludicrous concept and a painfully earnest script that never springs to life, despite the best efforts of an impossibly charming Kim Cattrall.
(They had to go with “dummy” huh? I would have as well. And yes, Kim Cattrall was impossibly charming in the 80s, just go watch Police Academy! Reviewer Highlight: There`s some solid talent here, but Gottlieb’s overemphatic direction reduces them all to broad caricature — the kind of crazed mugging that isn’t often seen outside the boundaries of Saturday morning kiddie shows. – Dave Kehr, Chicago Tribune)
(This poster really tickles me for a variety of reasons. Like why is he leaning against a rad motorcycle?… why is he wearing a tuxedo?… the dude is a down on his luck artist. And those are kind of the most normal parts of the poster. It is bad, but kinda ironically good… but still other than the font it is basically everything I hate in a poster. C-.)
Tagline(s) – When she comes to life, anything can happen! (C-)
(Good thing they didn’t use the first tagline here, cause that one doesn’t make sense. This at least is telling you the plot of the film, albeit in the blandest, least creative way possible. Also a tad too long.)
Top 10: Eyes Wide Shut (1999), The Silence of the Lambs (1991), Prisoners (2013), Blade Runner (1982), Indiana Jones and the Kingdom of the Crystal Skull (2008), Escape Room (2019), Stardust (2007), Now You See Me (2013), Zombieland: Double Tap (2019), V for Vendetta (2005)
Future BMT: 95.8 Disaster Movie (2008), 56.2 Land of the Lost (2009), 55.1 The Bachelor (1999), 51.2 Dude, Where’s My Car? (2000), 49.8 Curse of the Pink Panther (1983), 47.0 Beverly Hills Ninja (1997), 46.1 Sleepover (2004), 42.7 Maximum Risk (1996), 42.2 Transylvania 6-5000 (1985);
BMT: Mannequin: On the Move (1991), Mannequin (1987), Friday the 13th (2009), House of Wax (2005), Battlefield Earth (2000), Perfect Stranger (2007), I Still Know What You Did Last Summer (1998), Silent Hill: Revelation (2012), Johnny Mnemonic (1995), Confessions of a Shopaholic (2009), Grind (2003)
(Hell yeah there is a mannequin in Silent Hill: Revelation. There is a whole mannequin monster! The Bachelor, now that is a film I haven’t thought of in years! I can’t wait to watch bonafide movie star Chris O’Donnell in action.)
Welcome to Earf (HoE Number 15) – The shortest path through The Movie Database cast lists using only BMT films is: Estelle Getty is No. 3 billed in Mannequin and No. 2 billed in Stop! Or My Mom Will Shoot, which also stars Sylvester Stallone (No. 1 billed) who is in Expendables 3 (No. 1 billed), which also stars Jason Statham (No. 2 billed) who is in In the Name of the King: A Dungeon Seige Tale (No. 1 billed), which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 3 + 2 + 1 + 1 + 2 + 1 + 4 + 1 = 15. If we were to watch The Glass House we can get the HoE Number down to 13.
Notes – Director Michael Gottlieb got the idea for this film when he was walking by a store window and was startled to “see” a mannequin move by itself. He realized it was just an optical illusion caused by a combination of lights and shadows, but began to wonder what would happen if a mannequin actually DID come to life.
The scenes for the rival store Illustra were filmed at an actual department store, Boscov’s in Camp Hill, Pennsylvania. It’s easy to distinguish by the square chandeliers and neon department signs on the walls. (Probably not actually that easy …)
Originally, the lead role was written to be an older, lonely storekeeper, with Dudley Moore in mind for the role, but when Andrew McCarthy came on board, the role was rewritten to be the role of a young artist. (fun)
Before filming this movie, Kim Cattrall spent six weeks posing for a Santa Monica sculptor, who captured her likeness. Six mannequins, each with a different expression, were made. Cattrall later recalled, “There’s no way to play a mannequin except if you want to sit there as a dummy. I did a lot of body-building because I wanted to be as streamlined as possible. I wanted to match the mannequins as closely as I could.” (Kim Cattrall you are a gem)
The organ Jonathan Switcher sits at in the dance sequence is an actual organ in the John Wanamaker building in Philadelphia, Pennsylvania. It is the largest operational pipe organ in the world. (wait wait wait wait wait … dance sequence?)
Kim Cattrall stated doing this movie made her feel grown up: “I’ve become more of a leading lady instead of, like, the girl. All the other movies that I’ve done I played the girl, and the plot was around the guy. I’ve never had anybody to do special lighting for me, or find out what clothes look good on me, or what camera angles are best for me. In this movie, I learned a lot from it. It’s almost like learning old Hollywood techniques. I’ve always been sort of a tomboy. I feel great being a girl, wearing a dress.”
One of the original Emmy mannequins used in the filming of the movie was restored by the store South Fellini and is currently on display in their store, which is located in the Fashion District in center city Philadelphia (the head/torso are the original pieces).
David Isaacs and Ken Levine did an uncredited rewrite of the screenplay. They later did a rewrite for Mannequin: On the Move (1991) for which they were credited. (Cool)
This movie is the rare Hollywood romance where the lead actress is older than the lead actor. Kim Cattrall was 30 years old when she played Ema Hesire aka Emmy; Andrew McCarthy was only 24 years old when he played Jonathan Switcher.
Meshach Taylor made a cameo as flamboyant window dresser Hollywood Montrose in the music video of the movie’s theme song “Nothing’s Gonna Stop Us Now” by the rock band Jefferson Starship. He also reprised the role in the sequel Mannequin: On the Move (1991). (A cameo? He’s basically the entire trailer!)
The series episode Journey to the Unknown: Eve (1968) featured the story of Albert Baker (Dennis Waterman), a young man who sees in the display window of a department store an attractive mannequin. It comes to life and smiles at him, he falls in love and so gets a job at the store as a window dresser. (Isn’t this all based on Pygmalion?)
Awards – Nominee for the Oscar for Best Music, Original Song (Albert Hammond, Diane Warren, 1988)
Bad Movie Twins 