Friday the 13th: A New Beginning Recap


Back to a two film week, but we ain’t slowing down. Let’s get to the details!

What?! Jason is back, Jack! No… wait, not this time. Tommy Jarvis, left mentally unstable after killing Jason, is sent to a halfway house to try to reintegrate into society. No sooner is he there that a slew of new murders land on his doorstep. Will they be able to unmask the latest serial killer and stop the spree before it’s too late? Find out in… Friday the 13th: A New Beginning.

Why?! This is truly a new beginning for the series as we no longer are dealing with Jason as the killer. The motivation is largely the same, though: revenge for the loss of someone close to him at the hands of a bunch of sex-crazed, drug-influenced teens. This time it is revealed that the murderer is [SPOILER ALERT] a local EMT who happened to also be the absentee father of a kid killed at the halfway house. Driven to madness by his loss, he goes ahead and kills everyone he sees. As for Tommy, he’s just trying to put his life back together… and this probably isn’t helping.

How?! The first kill of the film is out of a ordinary as it is very clearly not committed by the murderer. We see the kid killed and the perpetrator arrested. But following his arrest the kills keep piling up, both at the halfway house and extending to the greater halfway house area. We are led to believe that perhaps Tommy is behind the killings (he has a knife, has anger issues, and disappears for half the film), but that is disproven at the end when Tommy rejoins the two surviving denizens of the halfway house to fight off the killer and throw him from the top of a barn to his death. In the end the killer’s identity is revealed, but it is strongly hinted that Tommy is giving into his darkest desires and donning the mask to kill anew… which doesn’t actually happen for Part VI because it’s a terrible idea and they should just bring Jason back to life because this film was lame.

Who?! This film has one of the worst comic relief characters we’ve had in a long time. Junior Hubbard is a redneck caricature that is both offensive and offputting. He’s super dumb, covered in dirt, and can barely function beyond eating and driving around on a motorbike. It is gross. He’s played by Ron Sloan who didn’t appear in much else and now deals art in Hawaii. His character is a good representation of how I felt about this film: it’s really, really, really bad.

Where?! Most everything points to this being set in New Jersey still (although a few places online suggest it’s set in California where it was filmed). The Unger Institute is mentioned, as is Forest Hills, which both seemingly have relevance later in the series. Also the main psychiatrist has degrees from Rutgers and The University of New York. The license plates look generic but could be New Jersey. That’s all we got to go on. It’s like they don’t even care that I try so hard. D.

When?! If we were ever given details I think this could be pieced together. All we know is that we have likely skipped about 5 years into the future. I don’t remember if it’s said for sure that Tommy Jarvis was 12 in Part IV and then 17 in Part V, but that seems to be what fans have settled on, putting this film in 1989. It’s like they’re purposefully trying to make it harder to figure out. D.


‘Ello everyone! Friday the 13th: A New Beginning? Wish they had just stuck with one beginning amirite? Also … wait, hath my favorite horror mega-franchise betrayed me? What’s that smell? It’s all over my face, oh no, dog poo in my face!! Prior to the fifth installment of the series Friday the 13th had been impressing me by wavering between below-average-but-self-aware to shockingly-entertaining. But this … this isn’t the Friday the 13th I know and love. This is a sham! Dog poo in my face, let’s get into it!

The Good – Nearly nothing. The quality of the filmmaking has improved (to an extent). They finally rid themselves of the, what was certainly going to soon become ludicrous, conceit that each film began where the prior left off. That is it. Seriously.

The Bad – Let’s go top to bottom. The acting is worse, the make-up (kill) artistry is terrible, the characters have fully morphed into caricatures, the idea that [SPOILER] you can just have a not-Jason running around killing people and people will like the movie is ridiculous, the movie isn’t scary or funny or anything else of interest or importance. This is the Halloween 3 of the franchise I think, it sticks out like a sore thumb because they clearly felt the need to do something different and completely botched the job. I genuinely hated this film and I’m angry it exists. Dog poo in my face.

The BMT – I would gladly give this a 50 I suppose. Watching with a crowd and just ripping this piece of garbage apart would be pretty fun I bet. The BMT legacy? It is I imagine the turning point in what seems to be a quintessential bad horror franchise. They tried the old copy-cat killer, it didn’t work so … let’s bring Jason back from the dead. And voila, Jason Take Manhattan and Jason X are almost etched into the stars. But like Halloween III: Season of the Witch, it’ll never be more than a guidepost along the Friday the 13th bad movie trail. It can never transcend the limitations brought by being the fifth in a series. A tragedy to be sure.

Let’s Remake this. Why? Well they are thinking of rebooting the franchise again. So let’s imagine a world where they follow the same path and get to this point. They’ve killed Jason. They have a young boy who killed him. What do you do? Personally, roughly the same thing but with a twist. Jump forward ten years. Jason is long dead, and Tommy is a distraught young man haunted by dreams. But the wizened psychologist Dr. Hayes thinks he knows the ticket: an exorcism of Tommy’s demons with a trip to Crystal Lake itself. When they get there, with scientists and other patients in tow, little does Dr. Hayes know that the murders will start again … or does he? Ultimately it is revealed that Hayes is the father of one of the counselors killed in the summer of ‘58 and he is convinced Jason’s power still lurks within Crystal Lake itself. A battle with the possessed Tommy begins with Hayes’ true purpose revealed: eliminate the evil that destroyed his family and the small Lake town once and for all. Friday the 13th: A New Beginning. Getting a little dicey with that lore, but at least it isn’t this am I right?


The Sklogs


Car 54, Where Are You? Recap


You may ask why we would even care to delve deep into what is essentially just dog poo in our faces… why? Because it’s what we do. Here are the details!

What?! Officer Toody is a fun-loving Brooklyn cop just looking to have a good time. When he and his new uptight partner are tasked to protect a mob witness targeted for a hit, it’s made clear that he needs to shape up or lose his badge. Uh oh! Can they keep the party going while keeping the witness safe? Find out in… Car 54, Where Are You?!

Why?! Talk about a loaded question. Why, indeed? Officer Toody is our main character and the action almost exclusively follows him. His motivation for 95% of the film is to remove the stick up the ass of his new partner by getting him paid and laid. Doesn’t sound like much of a plot, right? It isn’t. Concurrently the station that he works in has struck up a deal to protect a state’s witness against a mob boss. After several nearly successful assassination attempts on the witness’ life the captain decides to hide him with Toody (who would ever suspect?!). Even then Toody doesn’t seem to care much about the witness until he loses him and has to hunt him down or get stripped of his badge. So that’s kind of a secondary motivation… first off, get his partner laid, second save the witness. Even writing this all down is making me sad.

How?! You have the general idea of most of the film from the motivations. There are two other aspects of the plot that play almost no role until the climax. The first is that the police station Toody works in has upgraded to a new computer system called Madd Cop (a play on police brutality? Hard to say), which is a futuristic crime-tracking system… this is strictly a plot device. The second is that Toody is obsessed with a Cops-like show and hopes to be on it one day. This luckily happens a week later when he begins to be followed by a camera crew… this is also strictly a plot device. After Toody has lost the witness, he ingratiates himself with the mob, impersonates a hitman, and goes after the witness. At the same time his partner uses Madd Cop and the tracking devices to locate the witness and goes after Toody. The real mob hitmen see a promo for the cops-like show and figure out that Toody is an imposter and go after both Toody and the witness. They all converge at Coney Island and after a brief chase the mobster is snagged by the police and everyone lives happily ever after. Confusing? No kidding.

Who?! There are a number of interesting musical cameos in the film, which include The Ramones, Tone Loc, and Coati Mundi. But by far the most interesting thing is the Ghostbusters-like rap theme song to the film called “Car 54 Rap.” It is terrible and yet mesmerizing. Unfortunately it’s not available online so you just have to take my word for it. But even that’s not as interesting as the artist that created the masterpiece: legitimate band MMM&S. They seem to be a funk band full of the whitest kids in the world according to the videos I can find:

That’s a banger! Seems like the same story as the Beasties Boys. White kids who started in funk/punk and moved to rap… except they never made it. Weird and wild stuff.

Where?! As MMM&S say in their rap, “Brooklyn! Busting out on a hot tip. Two of New York’s finest you can’t diss.” Brooklyn indeed. This is basically as close as you can get to an A without it being part of the title. Drips with Brooklyn and culminates on Coney Island. Perfection. B+.

When?! Secret holiday film alert! There is very little overt indication of the time at which this film takes place. That is until the mob boss laments the fact that his witness isn’t dead yet by opening a newspaper detailing who was killed by mistake. On the opposite page of that headline? A disastrous July 4th fireworks accident! This may in fact be my favorite ever. So fucking random. B+!

I just gave you so much unnecessary detail, let’s find out if it’s BMT. Patrick?


‘Ello everyone! Car 54, Where are You? More like Bizarre Shitty Chore, It’s Dog Poo! (In my face … it’s dog poo in my face). Orion Pictures, on the brink of bankruptcy, decides to IP dump a Car 54 movie as a musical starring David Johansen, shelves it for 3 years, and then releases it without the musical numbers and cut to shit. What could go wrong? Sigh. Let’s get into it.

  • The Good – A few of the side actors, O’Donnell and Fran Drescher were solid for sure. The relationship between Rosie and Johansen feels real somehow, and even Johansen for all his over-the-top stage mannerisms (which Jamie pointed out to me was probably the reason he was cast and hardly a knock against him as an actor, the guy already has a starring role in Scrooged, they knew what they were getting) comes across as a genuine guy. There are a few jokes here and there as well including maybe the best spit take I’ve ever seen.
  • The Bad – Parts of the movie look like something I could shoot. The quality is dire. If this movie were to be released today it would have been dumped on VOD and forgotten about. There are basically no good jokes in the film, and the acting throughout from the main players is terrible. I will say that I didn’t necessarily feel bored during the film, but there is a level of wackiness that just doesn’t really work (or maybe it is that it isn’t consistent?). I’m usually not one to harp on things like this but … this movie is like 95% sex jokes strung together by basically no coherent story. Take from that what you will.
  • The BMT – Not since Dino De Laurentiis dumped King Kong Lives and Raw Deal have we seen such a blatant barely-movie widely released to theaters from a dying production company. If there is any legacy to this film it is the opening: if the movie got even close to “okay” for the rest of the film it may have gone down as the one true movie that is ruined by the opening scene (similar to how The Call was ruined by literally the last five seconds, a much more common trope). The opening is legendary, including terrible singing in a dream sequence complete with a cartoon bird dressed as a rapper. Bomb. Thinking about it I would actually give this is a pretty good BMeTric too, because I would definitely watch this again with a crowd. It is just so weird that I’m betting there are a million layers to unpeel.

I mean there is really only one thing to do: Prequel! It might not be pretty but we need to see Car 54, Where Are You? When Toody Met Leo … my god, the title even sounds like When Harry Met Lloyd. Anyways, in the first film we were given what is an oh so tantalizing glimpse of the hilarious (and heartfelt!) relationship between Toody and his partner Leo before they are torn asunder by Leo’s retirement in the beginning of the film. “We want more Leo!” was what I assume the Car 54-heads were screaming in their packed opening day theaters. Bonus, the film will feature a cameo by none other than a person who could pass as a young Rosie O’Donnell to show the early stages of Gunther’s courtship of Lucille. The screenwriter for this film (me) says, “the courtship is much like the Cyclone of Coney Island: A Rollercoaster!”.


The Sklogs

Superbabies: Baby Geniuses 2 Recap


What?! Baby geniuses are back, Jack! Bobbin’s World daycare/preschool has hit it big and ready to launch a multimedia empire with media mogul Bill Biscane. Little do they know that he’s got a plan to use the partnership to launch mind control kids TV shows. Uh oh! Can a new generation of baby geniuses stop him before it’s too late? Find out in… Superbabies: Baby Geniuses 2!

Why?! World domination, duh. Biscane hopes to get children across the world addicted to his television shows so that he makes gobs of money. And he can’t have it fail because, as we are told several different times, he sunk so much money in the R&D for the mind control technology (reminder: this is a children’s film). What isn’t clear about the entire plan is why he gets Stan Bobbins (little brother of Dan from the first film) involved. Biscane owns the technology… why even involve anyone else (particularly what seems like a company run out of a single location)? Such hubris is ultimately his downfall as the the babies at Bobbin’s World seem to want only one thing: to stop him at all costs.

How?! Alright, so in order to get the children of the world addicted to his television network, Biscane needs only to put a DVD into a DVD player and have it play. Simple, right? Wrong! Not when you only have one copy of the disc and employ bumbling idiots as your goons. Just when they are about to play the disc it falls into the stroller of the babies. Oh no! When the goons attempt to get it back they are stopped by a superhero kid named Kahuna who bears a striking resemblance to Whit and Sly from the first film (but that would make no sense. So why did they use the same actor? Beats me). It turns out that Biscane is actually an East German child kidnapper named Kane and that he has spent his life concocting plans to kidnap/control children only to be foiled by Kahuna every time. Kahuna in turn is a kid who drank a magic potion that has kept him young forever and super strong and smart. You following this? Anyway, now these four babies and some other unimportant side characters are caught in the middle of this eternal struggle of good vs. evil. Kahuna and the babies come up with a plan to stop Biscane, but Biscane foils it and captures Kahuna. Oh no! It must be over. Wrong… Kahuna then… uh… gets the disc back (yeah, that’s the ticket) and then… uh… they duke it out and the babies turn into superbabies and they beat up everyone and everyone is happy and Jon Voight becomes a creepy baby Jon Voight. The end. See, this plot is tight.

Who?! I 100% have to give a shout out to the weird-ass cameos in the film. Not only do we get a dose of Whoopi Goldberg playing herself and thanking Kahuna for saving some kids, but we also get a cameo by the boy band O-Town formed as part of MTV’s Making the Band in 2000 and some canned footage of George W. Bush waiting his turn to speak to Kahuna. This, of course, makes this the best president/musician-as-actor film in history.

Where?! Despite being on the cusp of a multimedia empire it would seem that Bobbin’s World hasn’t yet expanded to outside the LA area. This is confirmed as Kahuna’s hideout is straight up in the ‘H’ of the Hollywood sign. Wow. That’s an unexpected A. Using landmarks to perfect effect.

When?! I don’t recall an exact date coming up at any point (other than the flashbacks, which take place after World War I and in the 1960s), but there is a totally random moment where a side character is disappointed that a boy just wants her to tutor him rather than take her to homecoming. It also specifies that she goes to Fillmore High School which makes sense as Fillmore, CA isn’t too far from LA. Creeping about online it seems like their homecoming is usually end of October. That’s like a B-. Semi-exact but vague. Hoping I’m not flagged on too many FBI lists for the searches I just performed.


‘Ello everyone! Superbabies: Baby Geniuses 2? More like Super Crazy, Sweet Baby Jesuses Too! Amirite? Let’s see, thinly veiled allusions to Nazis in a film starring literally babies using creepy CGI. Could this be real, or is this just fantasy? This was real and it was dog poo in my face! Let’s get into it!

  • The Good – Not much. Actually nothing? Maybe getting the babies to act was impressive enough, although I wouldn’t say it was better than the first movie. There are flashes of humor in Voight’s performance as well, he has a lot of fun with it. That is it though. Let that sink in.
  • The Bad – Nearly everything. Shoddily made. 95% of the film is ADR voice work including Jon Voight’s lines. The story is ludicrous. The sets are ludicrous. The lines people say are ludicrous. It is a poorly thought out and put together film, top to bottom. I’ll save you the trouble and not list out everything individually. I’ll leave you with this: they totally unnecessarily connects the original film to this new one by making Baio the brother of MacNicols … why not just say Baio was MacNicols? Because you needed him to be kind of a sell out horrible person? Why not just write it differently?
  • The BMT – A resounding yes. This movie certainly earns its place on the IMDb bottom 100 (top ten even). It is fascinating that a film like this would be released to over 1000 theaters and even record foreign box office takes. This film probably is the pinnacle of the Bad Kids’ Film genre. This isn’t a genre we typically take part in because early in the history of BMT we watched Dudley Do-Right, and realized it was, one, not that bad, and two, just impossible to make fun of. This earns the place in BMT by sheer force of will and Jon Voight’s tour de force. Really just an incredibly tone deaf and weird to the nth degree acting performance. Steven Paul must have cashed in a few favors to get this made. Considering there is a whole television series after this (released as I think five films) there must have been money to be made, but I find even that unbelievable. In the spirit of the BMT Hall of Fame we introduced recently this would earn its ticket based on the fact that is is the peak of a full genre, the kids’ movie genre. Nothing will ever beat it.

The game this week is tough. I think I’m going to go with a Sklognalysis where I’ll draw a comparison between this movie and a movie in our past. The movie I’m thinking of is pretty niche: The Night They Saved Christmas, a TV movie from 1984. I saw this recently at the bequest of my brother who was feeling very nostalgic about the film. First: would not recommend, the movie is super weird, and mostly boring. But the comparison I made is between the strange North Pole sled depot (with pools of water everywhere and everything just kind of looking like It’s a Small World ride in the Magic Kingdom) and then also with the character of Ed played by Paul Williams (the songwriter … he wrote Evergreen with Barbara Streisand which was nominated for an Emmy, Grammy, and Academy Award) which, in his epic creepiness, operated very similarly to the Kahuna in this film. He has a weird lair, is a 50ish year old man in a child’s body, and puts children in harm’s way for his own selfish desires. They are both so creepy though … watching these movies back-to-back I think would at least make you think “huh, it seemed like we learned our lesson back in 1984 … guess not”. And doesn’t that make this movie at least a bit special in an anachronistic way?


The Sklogs

Miss Congeniality 2: Armed and Fabulous Recap


What?! Gracie Hart is back! After the exploits of the first film Agent Hart is too famous for field work. However, when her friends Stan Fields and Miss United States are kidnapped in Las Vegas, Gracie hears the call of duty. Can she save the girl (and make some lifelong pals along the way) before it’s too late? Miss Congeniality 2: Armed and Fabulous!

Why?! After watching the first film (where Gracie stops a terrorist threat live on national television) I immediately thought, “how in the world did they make a sequel to this film?” I couldn’t figure how Gracie Hart could make it back into the field as an agent. She would be super famous. Lo and behold the screenwriters thought the same thing and wrote in a plot where Gracie had shifted to a PR role within the FBI due to her fame. In the end, though, the motivation for getting back into the field (the kidnapping of her friends) is so great that she can’t help but do it. The motivation for the kidnapping itself is obscured throughout the film to the point where a viewer may not pick up on (or even really care) what it actually is. Turns out that Stan Fields has a gambling problem and got himself in deep with the Vegas mob. The mob decides to kidnap Fields so they can get a ransom for him and pay off his debts.

How?! The mobster hires a couple of loan shark thugs (with a background in Vegas showmanship) to kidnap Fields so he can extort payment via ransom. When the thugs accidentally grab the reigning Miss United States in the process they realize that the amount of money for the kidnapping is too good to give up to the mobster so they take the hostages themselves and proceed to fuck it all up through incompetence. Seriously, after they strike out on their own, the plan starts to make no sense. They send a couple of half-assed ransom videos, give up immediately, and decide to kill their hostages at Treasure Island on the strip (a place that apparently did the kidnappers wrong in the past). Not sure what the killing of the hostages actually gains for the baddies. Like… you didn’t get any money. All you seem to get is some vengeance on Treasure Island. It’s bizarre. And yet they go about it with absolute glee.

Who?! Diedrich Bader is the obvious Planchet here (although his role might be a bit too big for a true Planchet). He was the extra flamboyant replacement for the medium flamboyant Michael Caine of the first film with jokes and jokes and jokes to spare. His most offensive was when the FBI told him that he had to give up the location of Gracie Hart (who had gone rouge) or else he’d go to jail for obstruction. To which he paused and then replied, “which jail?”… as if there was a jail that his character would be OK with because he’s gay. Weird and wild stuff.

Where?! Vegas, baby! It would have been a load of fun for us to have watched this a couple weeks ago before we went to Vegas ourselves. We stayed right across the street from Treasure Island! We could have gone on a Miss Congeniality 2 tour around the strip. Sigh. A shame. Also a pretty nice, but short, opening in New Jersey/New York. B+.

When?! This is kind of a hard one. We immediately get a relative time frame compared to the first film as right before the kidnapping we are told that Miss United States is about to give up her crown, setting the events of this film at almost exactly one year after the first. However, neither the first or second film actually have a specific date. There is a scene in the second film where a character is reading a January 2004 Time Out New York magazine, but that doesn’t totally jive with the first film in which we see the twin towers (along with other evidence that sets the film somewhere in 1999-2000). Soooooooo, I guess it just sucks. C-.


‘Ello everyone! Miss Congeniality 2: Armed and Fabulous?! More like Miss Congeniality Dog Poo Right in my Face! We watched a sequel to what seemed like an unsequelizable film, what could possible go wrong? Dog poo in my face, that is what could go wrong! Let’s get into it:

  • The Good – It is genuinely shocking they made a legitimate sequel to a movie that seemed like it couldn’t have a sequel. How they went about it was genuinely impressive. I liked Nick Offerman’s character (although I think there was more they could have done with him, see below).
  • The Bad – The movie might as well not have a script. There are scenes where Shatner is literally sitting there waiting for Bullock to tell him what to do, as if he has no written lines. The back half is a complete mess. The relationship between Bullock and King is grating and they should have dumped the project the instant Bratt didn’t want to return. Speaking of which: Bratt has an incredible break-up-over-the-phone scene eliminating his character from the series without having to pay him a dime! All characters in Las Vegas were completely useless and could have been cut. Let’s bring back a classic since I’m learning French at work: Chien caca dans mon visage.
  • The BMT – Oh yeah. I would give this a solid 50-60 suffering only because it is kind of boring. I’m willing to bet if you watched this film 100 times you would slowly go crazy and be convinced it is brilliant. There is just so many bad things to unpack. Are you ready for the challenge Jamie?

And finally a little Sklogification: Basically the one easily fixable flaw in the film I think is that there is an entire storyline by which it is revealed that Shatner’s limo driver was paid by a Dolly Parton drag queen to park away from the curb to allow the kidnapping. Now I was convinced it was going to be Nick Offerman’s character in drag. He was always talking about his Vegas show that was cancelled and that is why he had to pursue a life of crime. What a twist it could have been to have him and his brother be part of a drag queen act and the entire plot being part of their revenge on the casino that spurned them? Already a little bit better, and it makes sense as to why the other FBI agents couldn’t crack the case, they were incorrectly looking for a woman accomplice!. I would have written: “Nice twist, even though I predicted it” in my notes, but alas. I would also consider a third film starring Benjamin Bratt (no Bullock as well) … by the way, his character moved to Miami. I like to think that he then “broke bad” and morphed into the villain in Ride Along 2. Unexpected Sequel!


The Sklogs

Ridiculous 6 Recap


Ridiculous Six… *shudders*… Patrick?


‘Ello everyone. Ridiculous Six? More like Ridiculous that we watched this non-movie! Ayyyyyyoooooooo. Unfinished Business tried to ruin my Tgivs, and this one tried to ruin my Christmas. I will overcome. I will persevere. Let’s get into it:

  • We had some walkouts! Watching with the Fam to start they quickly fled in a panic. Is this what we do with our lives? Is this what I have been allowed to become?! Sadly yes, I “watched” the whole thing. If putting my brain into Windows sleep mode while pointing my eyes vaguely in the direction of the television counts as watching something.
  • The dialogue! Does a movie have a script if it seems like nothing is written down? The movie starts with Adam Sandler deadpanning a list of groceries to a backwoods trader as I quietly breathed “oh God, what hath we wrought upon our beautiful BMT”. There are exactly two good jokes in the movie, and they aren’t even funny.
  • I don’t know … the movie seems like it cost a lost of money. You’d think someone would be in charge of making sure a somewhat funny movie was made. But just… like Vanilla Ice Mark Twain and a uncontrollably shitting donkey (sorry, burro … sigh) just, why?
  • That’s it, I can’t do any more, this movie was bad. I’m going to say it: straight dog poo in my face. Or caca de perro en mi cara according to Rob Schnieder’s totally not racist Mexican caricature.

Welp, there it is. We did it. We did a Netflix Original. Hopefully this is the first and last, because I like Netflix. Although, I am very curious about what is happening in this Crouching Tiger trailer with the music?

I feel like there is an interesting story there. I’ll just leave it there, no game this time.


The Sklogs

Unfinished Business Recap


‘Ello everyone. Triumphantly returning to the UK after triumphantly returning to the United States for TGivs, I got all into Unfinished Business (More like Unpleasant Nonsense! Am I fucking right?!). Wait wait wait, what’s that sound? Dog poo in my face two week in a row my mind is exploding!!!! Congrats BMT you ruined both legs of TGivs journey. Let’s talk about this “movie”:

  • The Bad – Vince Vaughn doing Vince Vaughn things. The movie has no plot, they just kind of meander from one place to another over roughly a week. I’m pretty sure no one knows how business works in this movie which is focused on literally the most boring business possible. They get into some serious real talk about bullying in this alleged “comedy” and then do little to address or resolve it.
  • The Worst – The fact that the movie makes you feel bad because the entire time I’m like “This Dave Franco character seems genuinely mentally challenged. Like … this goes beyond normal just making fun of a stupid person”, and then in the middle they say he actually is. He is mentally challenged. It is revealed that he actually is. At the end he meets his friends from his aided living situation he’s got. Jeez Louise Christ.
  • The Good – Hey, Nick Frost seemed okay. … … You got some pretty scenery from Germany. Dave Franco got to film on location in Germany. Um … yeah, nope, that’s it.
  • The BMT – Um … This movie is so bad as to be unpleasant to watch. BMT is a pleasant watching experience, one of wonder and ultimately of enjoyment. This … is not BMT. I’m sorry Unfinished Business … I’m sorry.

If I were to attempt to make a trilogy of unpleasant “comedies” it would be The Break-Up, The Dilemma, and Unfinished Business. Oh what do you know: they all star Vince Vaughn. I’m doing my own game this week called Vince Vaughn it! Proposed movie: Vince Vaughn is a small business owner of a commercial space flight company. Either Kevin James or Adam Sandler is the genius MIT engineer friend who is going to change the world. All I need to do is add some unnecessary real-talk serious subject matter and we’re gold. How about Kevin James is transgender and considering making a full transition, but oh no, Vince Vaughn can’t handle this and what it might do to his company. “Comedy” ensues. By which I mean a bunch of really serious discussions about Vince Vaughn not being able to handle the situation and then a sudden realization and change of heart. Let’s set it in Austin, so this happens inexplicably during like South by Southwest or something. Movie complete. I hate all of these films. That’s two dog poo straight in my face movies in a row. I think The Gunman is going to be a c-c-c-c-c-combo breaker though (mainly because I don’t think The Gunman will be interesting enough to actually get me riled up).


BTW Patrick, your movie is like a comedy version of Aloha. Seriously. The whole film is about a commercial space flight company with all kinds of serious real talk.

I kind of went back and forth on how to deal with Unfinished Business. It’s bad. Like really bad. Patrick got to summarize our discussion and notes on the subject, so in a lot of ways the points he makes about the film cover both our opinions, and yet I can’t shrug this movie off. It’s in my head taunting me with its awfulness. So I do have to make one point (all my own): The writer of Unfinished Business has a large filmography of pretty good to good films under his belt, and yet this film may be the worst written film of the year (competing with Hitman: Agent 47). None of the scenes make any sense together. Everything is just cobbled together with no real impact, brief and inconsequential conversations occur early in the film to explain situations 30-45 minutes later making it ridiculously hard to follow why things are happening, and there is a cyberbullying subplot that is wildly out of place in a broad comedy. Makes one wonder what went so wrong? My guess? I think this was written as a drama with soft comedic undertones (a la The Weatherman), but when they went with Vince Vaughn in casting they grabbed a terrible comedy director and they punched up the script and screwed it all up. But that’s just a guess. This is somewhat, but not totally, supported by an interview he gave about the film. At one point he does mention how most scenes changed from his script during production and that it was a struggle to preserve the script to screen. But he also seems quite jolly about everything and talks about how it was fun to write a broader comedy than he is known for. So it’s still kind of a mystery. Something must have happened though. Because this was a travesty.

For my game I’m also going to do a little trilogy play. I call the game BMTril-oh-geez. It’s where I take something distinctive from the movie at hand and produce a trilogy of terrible films that prominently involve that thing/person/mineral. In this case Unfinished Business decided that a wonderful source of comedy would be aggressive male nudity in a scene involving several glory holes. Got me wondering, what other BMT films are there that involve glory holes? To start, this isn’t even the first one we’ve watched. The Sweetest Thing with Cameron Diaz also had a scene in a public restroom with a glory hole. Doing some research I also found that a terribly reviewed horror film The Unborn also had a crazy scene with a glory hole. So there we go: Unfinished Business, The Sweetest Thing, and The Unborn is the official Glory Hole BMTril-oh-geez. So when you’re looking for next week’s movie marathon with your friends you now have a glory hole three-pack to fall back on. And for all those clamoring to tell me that Scary Movie had a prominent glory hole scene, I’ll just stop you right there. The movie is too good for BMT.


The Sklogs

Around the World in 80 Days Recap


‘Ello everyone. On my way back to the US, doing my own trip across the world, I watched Around the World in 80 Days. All I have to say about it is: poo de chien sur mon visage (as the throwaway character Monique would say. I say dog poo in my face, straight up). We were a twin house divided on this one (a little) let’s get into it:

  • The Bad –  Jules Verne’s spinning corpse could power a small city, this is possibly the worst adaptation of a book in history, it is offensive. Lord Kelvin’s portrayal offends me as a scientist and resident of Britain. Literally a comically diabolical villain, it is offensive. The movie is objectively racist at times. The way they treat British imperialist rule (as a source of comedy) is offensive.
  • The Worse – The movie itself offended me and upset me so much that it made me question my life and Bad Movie Thursday as a construct. I will never forgive this movie for that. I could barely watch Terminator Genysis on the plane after. But I persevered. I overcame.
  • The Worst – Jackie Chan’s presence as (almost definitely) the star of the movie is inexplicable. The sets are straight out of Epcot, they are insanely and bizarrely terrible. Steve Coogan’s performance is lazy and by the end it seems like he is just begging for the sweet release of death at every moment. The aforementioned Monique (an impressionistic artist from Paris) was pointless, a walking talking romantic plot point. Even the cameos (Arnold as a Turkish prince, Owen and Luke Wilson as the Wright Brothers in particular) should have been fun, but ended up being tragically unfunny. This movie was garbage.
  • The Good – Arnold looked like he had fun. Good for him.
  • The BMT – I say bad. An unpleasant, boring, surreal experience I never wish to relive.

I hate hate hated this movie. Jamie seemed to think the middle was just bonkers enough to make you think “wait, maybe this isn’t a terrible adaptation, maybe it is … bold?”. I disagree, this movie is garbage. There is nothing bold about this adaptation, it is just an aggressively dumb children’s version of the story. Something like an updated mock travelogue version of the story? That’s bold. This was offensive and stupid.


Thanksgiving (more popularly known as TGivs) is the day we give thanks. Well I give thanks for my friends and family. I give thanks for the health and happiness of those I love. I give thanks for the opportunities that have been granted me. But I mostly give thanks for all the terrible movies that Hollywood provides to us each year. Oh you’re thinking of making Gods of Egypt? Why thank you. Super odd Warcraft video game adaptation? Thanks again! An inexplicable sequel to Snow White and the Huntsman that no one asked for!?!?! So many thanks to give Hollywood! And this is just looking forward to the first few months of 2016. Hollywood works hard for us and it’s long overdue to give them thanks. Back in 2004 the thanks would have gone a little something like this: “Wait, so you’re telling me that you’re making a big budget adaptation of a 130 year old property starring Jackie Chan and it’ll have a cameo by Arnold Schwarzenegger?! Uh, yah. Thank you, Hollywood!” And oh, how thankful we should have been.

Patrick’s assessment of my feelings on the film is spot on. The beginning and the end are so bad that it upset me. Everything with the Royal Society hurt me physically to watch. But the middle of the film was just so crazy insane that you couldn’t help but kinda give them some props for going so nuts with the adaptation. There is a scene where Jackie Chan is hanging from a rope attached to a hot air balloon and his pants get caught on a statue. A character says “Oh! That statue grabbed his trousers!” And we smash cut to the statue SMILING! The fucking statue was smiling. The only implication you can get is that the director truly wanted you to think that indeed, the statue grabbed and pulled off Jackie Chan’s trousers. And that’s when the film grabbed me by my trouser heart.

Alright, so for a little game this week I think I might Sklogify It. The sklogified version of this film would be called Around the World in 80 Sklogs and the entire conceit would be that me and Patrick would play every character in the film, plus have approximately 50 cameos that are totally tangential to the primary plot. Don’t worry, Patrick. I will play both the main character and his love interest. Although, that will not make the sex scene any less disturbing. “Why write in an unnecessary sex scene?!” you may ask. We’re trying to get the butts in the seats, aren’t we? Case closed.


The Sklogs

Hitman: Agent 47 Recap


Through our time doing BMT, Patrick and I have done several in-theater BMT’s. They have ranged from packed-houses (Grown Ups 2) to empty theaters (Pompeii). From the crowd loving it (us not included) to a number of people walking out. Through all that, I’m not sure I’ve quite experienced something like Hitman: Agent 47. In most every movie, no matter the genre, there are generally jokes. Sometimes the theater laughs uproariously, sometime they don’t, but almost always people laugh (cause they’re jokes and characters are saying them). Hitman: Agent 47’s script was so bad (and continued to get worse throughout the film) that the number of jokes increased to unbelievable levels. And yet, nothing was funny. Nothing was a real joke. And no one laughed. Still the characters continued to say phrases that sounded like jokes (but I assure you, they were not) at an ever increasing clip. Presumably this was to fill the void left by the black hole that was the rest of the film. It was very confusing and combined with a plot that was paper-thin and yet incomprehensible, made for a near abstract art experience where these character walked around doing things and saying things and yet did nothing and said nothing. It’s hard to describe what it was like. If only we had a go-to phrase for something like this…. oh yes! It was dog poo in my face.

Love the new format and since we could get any MonoSklog from the film seeing as it was in theaters (and no one actually said anything of significance) I’m going to go for a nice new game that I thought up while reading Transporter Refueled reviews. It’s where I try to think of a punny one-liner about the film for my RT review caption so people know how clever I am (e.g. “The Transporter Refueled should be put up on blocks.” – New York Daily News. Guffaw). For the first Hitman I would say: “Let’s address the Olyphant in the room: this film is firing blanks.” For Hitman: Agent 47 I would start my review with “Bach hits all the wrong notes with this Hitman adaptation that misses the mark.” Ooof, those puns are killer. Both play on the name of someone involved with the film and yet has nothing to do with the film and then strikes fast with a second pun about the film itself. The punsters on RT should watch out. I’m coming for yah. Double puns are the new single puns.


‘Ello everyone, this week was Hitman: Agent 47 (too easy, Shitman). More like 4 out of 7 people walked out of Jamie’s showing (true story, not even making up those numbers). Welp, it seemed like the UK audience liked it a bit more as there were probably 12 other people sitting in stony silence enduring this complete pile of garbage with me. Is it? Wait for it …. dog poo right in my face? yes it was! Right in my face (and wallet). I’m going to change things up a bit at this point (for fun), so here is a Brief Two Point BMT Recap (BTPBMTR):

  • The movie was incomprehensible, the acting was terrible, and the dialogue was horrible. Triple threat. I’m going to refer to such adaptations as “aggressively adapted”. If fans of the Hitman series think the Olyphant version was incompetent with regards to the video game, then this can only be described as intentionally antagonistic.
  • Add unpleasant to the bunch. This movie could be called Human Bodies Falling Several Stories Onto Banisters. Or maybe People Getting Killed By A Horrible Person In Terrible Ways. Or in a meta way A Movie Where You Hate Everyone. In other words: Instant BMT Classic (IBMTC).

See, short and sweet. Now, in the vein of Patrick’s Rules I wanted to look at some of the things from the Hitman news / advertising campaign that should have made Jamie and I very suspicious that this movie was BMT bound. I will call you BMT:CSI:SVU (the special victims are me and Jamie):

So all the way back nearly a year ago we should have immediately penciled this guy right on into the BMT calendar. The trailer companion (and reception, whoa nelly, the response by fans was vitriolic, I remember) was just a final confirmation. Ahhhh, a little BMT Forensics (BMTF) going on. This is all building to the application of statistical techniques to sniff out bad movies, and then ultimately the BMT Awards which will be like the BCS: a computer generated set of the worst movies of the year that everyone hates. I literally cannot wait.

Cheerios ,

The Sklogs