Jamie
It’s not long ago that we would have been shocked to find ourselves doing a film like About my Father. Seems like a tiny film, something that could exist exclusively on some streaming service I don’t have access to. But I actually think it’s a great sign that something like this was released to 2400 theaters. Opportunity is all we need for BMT and maybe we’ll look back and think “the rock bottom for BMT was just around About my Father before things really turned around.” Interesting, too, that it’s paired with Head of the Family, as that has such an outsized place in my mind compared to its actual significance. This is one of a trilogy of films that play a major part in the lore of my favorite podcast, so its tenuous connection to the idea of “fatherhood” was enough for us. Now we just gotta think about the connections needed to snack on Castle Freak and Invisible Maniac.
To recap, hotelier Sebastian and artist Ellie are in loooooooove (oooooo, if you’re so in love then why don’t you marry her?). He’s planning on doing just that. A perfect opportunity comes in the form of an invite to the family’s big July 4th party in Virginia. Sebastian informs his father, Salvo (a proud Italian immigrant turned hair dresser), that he’ll be going this year for the holiday and Salvo insists that he join (otherwise no family ring for him). Ellie’s family is more than welcoming and off they jet to the exclusive community where the vacation home sits. Cultures are about the clash, though, as Salvo is pretty loud and in your face and Sebastian just wants him to calm down. Things are looking pretty good, though, when Ellie’s father (a mega rich hotelier himself) offers Sebastian management of their most prestigious D.C. hotel. One odd bit is that he sees that these hotels are decked out in Ellie’s art… seems like daddy has been spending the family fortune on propping up Ellie’s art career. Uh oh! He quietly accepts the offer and agrees to move from Chicago for the job. Meanwhile, Salvo continues to get in the wacky hijinks required by his contract as “kooky father.” He cooks up the family’s favorite peacock, gives the political matriarch of the family a horrible haircut (that goes viral in a good way), etc. etc. Ultimately, though, Ellie is hurt when she finds out about the art scandal and Salvo is hurt when he finds out they’re moving. Sebastian figures out that Ellie and his dad are what really matters and patches things up with them and agrees to stay in Chicago with the blessing of the whole family. THE END.
Despite a bunch of hacky gags (for example, Sebastian using a water hoverboard, losing his trunks, and then showing everyone his genitals… how can it be that it feels like I’ve seen that joke before?), I’m a bit of a sucker for a sweet family comedy like this. Nice ending, nice message, and Sebastian Maniscalco is pleasingly self-deprecating. So even though a multitude of things don’t work in the movie I think on the whole I didn’t mind this. It is very quick to the point and moves with purpose. I almost wish more stand-ups were forced to put their persona to the test with a 90 minute romantic/family comedy… see how it holds up to scrutiny. As for Head of the Family, I was surprised by how much I liked that film. Spoiler Alert: tons of nudity, but that’s not why I liked it. It was just good for a nice chuckle. All the characters are dumb or unpleasant so you can have a laugh at them all getting their comeuppance. What a surprising week for BMT.
Hot Take Clam Bake! Ellie and Sebastian are definitely ending up in D.C. He operates a boutique hotel, her art career is in the tank, his dad is elderly, and she is used to a certain lifestyle that includes pet peacocks and the like. When his dad passes away, they have a baby, and Lucky bombs at operating the big D.C. hotel then guess what is going to look pretty great? The brownstone in Georgetown and the opportunity to furnish a high end hotel with your art and a full time nanny and a vacation home. It’s just a matter of time. Hot Take Temperature: A balmy D.C. summer.
Patrick?
Patrick
‘Ello everyone! Are we talking about a Best Supporting Actor performance from De Niro in a bad comedy? I mean … I’m hearing whispers. Everyone is saying he could win Best Supporting Actor. I assume for this. Let’s go!
On a more serious note this is one of the best De Niro performances in a bad movie I’ve ever seen. I don’t know if it is because he’s so old, or because he’s energized by Killers of the Flower Moon, but he is effortlessly charming in this film and it is nothing like the odd grating performances you’d see in something like Little Fockers.
The main character is a bit of a nothing. I’m sure I would understand the movie better if I knew who he was or what his comedy specials are like.
I do like that the film isn’t about their families splitting the couple apart. The families are grating to them specifically, but the significant other likes their future in laws. That’s fun.
The two brothers are the worst though and in different ways. The main brother (played by one of the guys from Workaholics) doesn’t quite work because you are kind of supposed to buy he’s good at sports (tennis and golf specifically) and also that he isn’t the most annoying person in the world. He isn’t and he is respectively. The other brother is a caricature out of nowhere and adds nothing to the film besides being an opportunity to make fun of Millennials I think.
The peacock thing is absurd and derails the movie for no reason. Well … fine, the payoff of them clearly convincing the family that the dog killed the peacock was okay.
Our final friend of the cycle is Head of the Family. It’s a goddamned classic for a reason. Full Moon is an interesting company, but there is something just fun about the oddness and grossness and the way it is shot. The funniest thing is how proud people seem to be about it. The woman in it apparently showed it to her children with pride. She is naked all the time in the film. But yeah, it is hugely entertaining, the effects are fun, and I could watch a million of these. There is no wonder that Stuart from the Flophouse semi-seriously recommended it over and over on the podcast in the early days. A+.
The brother gets dangerously dangerously close to a modern Planchet (Who?) here by serving as a living, breathing, butt of jokes. Lots of Johnnie Walker for Product Placement (What?) throughout the film. A great Setting as a Character (Where?) for Virginia as the hot July 4th spot for conservatives from DC. And a Not So Secret Holiday Film (When?) for a true blue July 4th film. We got a MacGuffin (Why?) for the mythical ring the main character needs to pop the question. And finally a Worst Twist (How?) for the ultimate reveal that the parents have been buying the daughter’s art all along. The film is Good, but obviously it has a lot of good bad movie stuff to chew on throughout.
Read about the sequel I got planned in the Quiz. Cheerios,
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