Jason X Preview

It’s back, Jack! Right on cue we are continuing our Mini-Challenge journey through the world of Friday the 13th. It’s been an interesting time and I’ll miss the series once it’s gone, particularly since I went from actively disliking the series to fascination with the series and finally anticipation for each successive watch. There may be none more anticipated than the SciFi entry of the Calendar cycle. That’s right! We’re (finally) watching Jason X. Because everyone knows that it’s a super good idea to take a struggling franchise to outer space (see: Leprechaun 4: In Space). Works like a charm. Of course this also means we’ll be doing the 9th in the series, Jason Goes to Hell: The Final Friday as a BMT bonus in preparation for the film. Hooray! I really do love watching these totally unscary horror films. Let’s go!

Jason X (2001) – BMeTric: 77.9

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(INCREDIBLE! It has gone down as more people watch it! This can only mean one thing: this film is going to be great. I can feel it. A Very Popular Bad Film through and through.)

Leonard Maltin – 1.5 stars –  In this, the tenth Friday the 13th installment (and first since 1993’s Jason goes to Hell: The Final Friday), cryogenically frozen Jason (Hodder) and a sexy scientist (Doig) are thawed while on board a spacecraft in the year 2455. You can guess what happens next. For dedicated slasher fans only. David Cronenberg appears briefly as Dr. Wimmer. Not to be confused with Malcolm X.

(Not to be confused with Malcolm X? I get you Leonard. This is such a nicely rote review. He definitely either didn’t write this or basically barely watched this film. Leonard gave so many of these films BOMB designations it is kind of weird that the 8th, 9th, and 10th didn’t manage even one. Seems he’s a softy for the more ridiculous horror films maybe.)

Trailer – https://www.youtube.com/watch?v=9Sv8eWDEFsM

(I remember the Let the Bodies Hit the Rope soundtrack from when I was younger. This trailer looks atrocious on several different levels: the humor, the acting, the special effects, and Jason’s design. I can’t believe Kane Hodder came back for this garbage to be honest, after 9 years I would have read the script and just said “good luck”. I have a feeling this is going to be the first Friday the 13th that doesn’t even feel like a Friday the 13th as well.)

Directors – James Isaac – (Future BMT: Skinwalkers; House III: The Horror Show; BMT: Jason X; Notes: Was involved with creature effects for both Gremlins and Enemy Mine. Every so often he would give directing a try it would seem. Also involved with special effects on Virtuosity, which I’m only noting because I interviewed for a job with this guy who now works as an MD-PhD at Brigham and Women’s Hospital in Boston.)

Writers – Victor Miller (characters) – (Known For: Friday the 13th; Freddy vs. Jason; Jason Lives: Friday the 13th Part VI; Future BMT: Friday the 13th; BMT: Jason X; Friday the 13th Part VIII: Jason Takes Manhattan; Friday the 13th: A New Beginning; Friday the 13th Part VII: The New Blood; Friday the 13th Part III; Friday the 13th: The Final Chapter; Friday the 13th Part 2; Notes: I feel like he hasn’t shown up in the credits for a few of these, so weird he would all of a sudden get credit again. He wrote the original movie. The end.)

Todd Farmer (written by) – (Known For: My Bloody Valentine; Future BMT: The Messengers; BMT: Drive Angry; Jason X; Notes: The guy has a crazy life. He dropped out of college and because an independent AmWay distributor, and then moved to LA and started working for Sean S. Cunningham (the other original writer of Friday the 13th). That is how he got this gig and probably his other writing gigs, he was working under Cunningham on different projects he was involved in.)

Actors – Kane Hodder – (Known For: Monster; Daredevil; The Devil’s Rejects; Frozen; Hatchet; Behind the Mask: The Rise of Leslie Vernon; Alligator; Lone Wolf McQuade; Hatchet III; Prison; Digging Up the Marrow; The Rapture; California Split; Future BMT: Jason Goes to Hell: The Final Friday; Room 6; House II: The Second Story; Hatchet II; Muck; Wishmaster; Father Hood; Best of the Best II; Out for Justice; BMT: Jason X; Friday the 13th Part VIII: Jason Takes Manhattan; Friday the 13th Part VII: The New Blood; Grind; Notes: There is nothing else to say about this guy! He is Jason, and I doubt anyone has a chance of beating him or Englund for dominating a slasher killer like they did.)

Lexa Doig – (BMT: Jason X; Notes: She had the title role in the show Andromeda, and has been in many other television series. The cast for this movie is pretty funny, no wonder Hodder got first billing.)

Jeff Geddis – (Known For: Crime Spree; BMT: Jason X; Notes: Canadian, and a voice actor almost exclusively.)

Budget/Gross – $11 million / Domestic: $13,121,555 (Worldwide: $16,951,798)

(Complete disaster. It is a wonder that they didn’t scrap Freddy v Jason after this. Although maybe they thought that would have more pull. And smartly, it did actually. The franchise went from this pitiful return to over $80 million in Freddy v. Jason only a few years later.)

#64 for the Horror – Slasher genre

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(Around Halloween 5. I mentioned in the other preview that this genre is effectively dead (the last major release was January 2013 according to Box Office Mojo) in theaters. Kind of understandable, the return since 2005 was the same as during the lull in the early 90s.)

#39 for the Sci-Fi Horror genre

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(Near Ghosts of Mars. With Alien Covenant and the final Resident Evil film this genre has had a bit of a resurgence in recent years, and has been going strong since 2000 regardless. It has been flopping a bit recently though, so I wouldn’t be surprised to see the release numbers wane a bit as well though.)

Rotten Tomatoes – 19% (20/104): Jason goes to the future, but the story is still stuck in the past.

(Nope, terrible Rotten Tomatoes. A few franchises did this (inexplicably send their slashers to the future in space, most notably Leprechaun in Space), but it can’t go well. It also crosses the rubicon from horror to at least close to horror-comedy. Not super great.)

Poster – Jason Sklog (B-)

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(We jump from an early 90’s bonkers poster for Jason Goes to Hell straight to an even crazier early 2000’s bonkers poster for this one. Better font, worse coloring, but I like the artistry.)

Tagline(s) – Evil Gets An Upgrade (B-)

(I’m good with this. Short, sweet, little hint on the futuristic aspect of the plot, but perhaps not quite clever enough. Could be better, but could be a whole lot worse.)

Keyword(s) – scientist; Top Ten by BMeTric: 93.5 Dragonball Evolution (2009); 90.0 Alone in the Dark (2005); 88.4 House of the Dead (2003); 88.4 Street Fighter (1994); 85.7 The Avengers (1998); 85.6 Fantastic Four (2015); 84.1 Piranha 3DD (2012); 82.4 Baby Geniuses (1999); 82.1 Inspector Gadget (1999); 82.0 Highlander II: The Quickening (1991);

(Incredible list. This is a marathon I would actually hold, although I would be a bit more discerning. Here … The Avengers would make the cut for sure. Highlander II I think. But a marathon without Bats? Travesty. So there would be some work to do.)

Notes – The first film in the Friday the 13th series to rely on digital effects for death and gore shots. (Interesting. Sad but interesting)

Jason Voorhees’ eyes never blink when they are shown. (Cool idea actually)

During a Q&A;, screenwriter Todd Farmer joked that there were probably about 20,000 people aboard the Solaris space station when Grendel inadvertently crashed into and destroyed it. (Acknowledgment of flippantly killing people, I can respect that.)

Screenwriter Todd Farmer based much of the film on Alien (1979), even naming one of the characters (whom he also played) Dallas, after Tom Skerritt’s character in the Ridley Scott film. (Yeah I feel like you can tell from the trailer)

The name of the primary ship in the film is the “Grendel” which is the name of a monster in the Old English poem “Beowulf”. Grendel was a direct descendant of Cain from the Book of Genesis, a monster described as half-troll, half-ogre. Like Jason, Grendel rose from a lake in search of victims and seemingly could not be killed. Also, in their fight, Beowulf rips Grendel’s arm off, and in the movie, when Kay-Em shoots up Jason, the first thing he loses is his arm. (I … kind of love the comparison)

Because Jim Isaac wanted the acting in his film to “blow every other Friday movie out of the water.” The associate producer videotaped the rehearsals on a camcorder for Isaac, who would view them afterward to get ideas from seeing his characters in action. The problem was with all the script re-writes a lot of the time Isaac didn’t even know if what the actors were rehearsing was still going to be in the movie (most of it wasn’t). (That’s kind of sad all things considered. Kind of sweet how much he cared though, sucks it didn’t work out).

One of the things which won over everyone to the concept of Jason in space was the idea of the kids seemingly killing the hockey mask monster halfway through only for him to be recreated into something even scarier via futuristic technology. The mechanism of this change ended up being nanotechnology, an idea screenwriter Todd Farmer lifted from Virtuosity. However, the actual concept of an UberJason predates Jason X. (Gross and I hate it)

(at around 15 mins) The space debris floating in space has “Cunningham Realty” written on the side. This is a reference to the name of producer Noel Cunningham, the son of executive producer and maker of the original Friday the 13th (1980), Sean S. Cunningham.

During Jason X’s development process, director Jim Isaac, producer Noel Cunningham (Sean’s son), and screenwriter Todd Farmer kicked around any scenario they could think of it, typically “Jason in [insert blank] (the hood, snow, underwater, the arctic, in L.A. fighting gangs, on safari).” They even considered something involving the NASCAR circuit. Farmer suggested “in space” because he knew Freddy Vs. Jason was on the way, and it’d be best if Jason X was set after the events of that epic battle. So, they needed to jump into the future, and going into space certainly did that. They were a little scared of doing a horror sequel in space [see: Hellraiser, Leprechaun, and Critters.], but they thought it could be fun to do a mash-up of Ridley Scott’s Alien and James Cameron’s Aliens with not one but two strong Ripley-type females on a ship of bad-ass space marines hunted by Jason instead of xenomorphs. (When your idea can be boiled down to: it would be best if we could flash forward a bit because a movie that was planned in 1987 and never made it totes going to come out soon … let’s put it in space I guess. That is not great).

Jason murders 28 people, more than any of the other Friday the 13th movies. (Jesus Christ, that is a ton)

In 2010, Discovery Channel’s Mythbusters actually tested out Jason X’s liquid nitrogen head smash kill. It turns out it doesn’t quite pass the smell test. (I think I saw that one. Yeah, doesn’t really work in my mind, wouldn’t freeze all of the way through).

Species II Preview

There had been some thought that this week might be time for a BMT Live! Rings came out to absolutely horrifying reviews (see what I did there?) and we had to think quick on whether we should act. The answer: not until we see the reviews for Fifty Shades Darker. It would be irresponsible to let it go by without giving it a chance at BMT Live! glory. It deserves it. So instead we head into SciFi/Fantasy and get to do a set of films that I’ve been eyeing for awhile. That’s right, we’re watching Species and Species II. These films promise three things: nudity, a scene where someone kisses someone else and their tongue bursts through the back of their skull, and… uh… nudity again. So basically I’m super duper duper excited. Let’s go!

Species II (1998) – BMeTric: 67.3

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(Again we see the 2011 inflection and regression to the mean as the votes increase. Unlike its predecessor this one is considered definitively bad. As I said in the Species preview these plots are all starting to look the same to me, so I’m categorizing them. For Species II I’m going to call it: Poorly Rated, but Perplexingly Popular. In this case a sub-5 rating is definitively terrible, but we still see a high number of votes (I think … I think I’m going to automate this now that I think about it).)

Leonard Maltin – BOMB – The first man on Mars gets infested with alien DNA, and begins raping women who immediately, and fatally, give birth. Elsewhere, scientists have recreated the half-alien woman from the first film, hoping she’ll be nice this time. Compared to this clunker, the first looks like a collaboration between Arthur C. Clarke and Ray Bradbury.

(Well, I’ll set aside the atrocious last line there. This plot sounds bonkers. Like … the first part! This will be at least the third film in which someone gets infected by a disease on Mars. And like Doom and Ghosts of Mars before it may it be a ridiculous nonsense movie.)

Trailer – https://www.youtube.com/watch?v=LE-Amil6oQc

(Also seems pretty rad … but also definitely a step down from the last one. That storyline is indeed just as bonkers as Leonard seemed to suggest. So he wasn’t exaggerating there. I having a feeling the erotic horror sci-fi genre might not attract the best and brightest you know? …)

Directors – Peter Medak – (Known For: The Changeling; The Krays; Zorro: The Gay Blade; The Ruling Class; Let Him Have It; BMT: Species II; Romeo Is Bleeding; Notes: Has had a very long career in Hollywood starting in the late 50’s. His best known film has got to be The Ruling Class for which Peter O’Toole received an Oscar nomination for Actor.)

Writers – Dennis Feldman (written by) – (Known For: Just One of the Guys; BMT: Species II; Virus; Species (BMT); The Golden Child (BMT); Notes: Just a character credit on this one. I find it amusing that he also wrote Virus, which Jamie Lee Curtis considers her worst film.)

Chris Brancato (written by) – (Known For: Hoodlum; BMT: Species II; Notes: He is the creator of the Netflix show Narcos… say what?)

Actors – Natasha Henstridge – (Known For: The Whole Nine Yards; Bounce; BMT: Species II; Ghosts of Mars (BMT); The Whole Ten Yards; Maximum Risk; Adrenalin: Fear the Rush; Species (BMT); Steal; Deception; Dog Park; Notes: Uh… I already had to make a note for the first Species so… she’s Canadian and part Native American. Fun stuff, right?)

Michael Madsen – (Known For: The Hateful Eight; Kill Bill: Vol. 1; Reservoir Dogs; The Chronicles of Narnia: The Lion, the Witch and the Wardrobe; Sin City; Kill Bill: Vol. 2; Die Another Day; WarGames; Wyatt Earp; Thelma & Louise; Donnie Brasco; The Doors; Free Willy; The Natural; Pauly Shore Is Dead; BMT: BloodRayne; Species II; My Boss’s Daughter; Scary Movie 4 (BMT); Free Willy 2: The Adventure Home; Hell Ride; House; Species (BMT); Notes: Brother of BMT legend Virginia Madsen.)

Marg Helgenberger – (Known For: Erin Brockovich; Bad Boys; Mr. Brooks; Always; In Good Company; My Fellow Americans; BMT: Species II; Fire Down Below (BMT); Species (BMT); The Cowboy Way; Notes: Won an Emmy for her role in the Vietnam War drama China Beach.)

Budget/Gross – $35 million / Domestic: $19,221,939 (N/A)

(Wowzer. I would genuinely believe it if this was the worst original-to-sequel ratio for a major release ever. The original made basically six times more that its sequel and they were released to roughly the same number of cinemas. Astonishing.)

#47 for the Creature Feature genre

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(Ooooof right near Shark Night 3D. I feel like 1998 is a significant year where the studio system completed its transition from the blockbuster 80’s era through slow experimentation with CGI and effects. From 2000-2010 we would enter a true golden age where bad movies flowed like wine. Here though an Erotic SciFi Horror sequel was made and released to 2500 theaters. Think about that.)

#29 for the Sci-Fi Horror genre

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(That peak though. This sadly clocks in right around Apollo 18 which undoubtable cost maybe $40 to make. But it came right at a true peak of the genre. It has been an up and down experience since, but the Species franchise could have stood alongside the second tier of the genre (Underworld and Resident Evil) if not for flaming out and pushing out two direct-to-video sequels instead of waiting on a better opportunity.)

Rotten Tomatoes – 9% (3/33): No consensus yet.

(Another consensus to make: A totally unnecessary sequel which amps up the silliness without adding any brains to the equation. Nearly exploitative in its gratuity. As EW puts it: “By now, if you’ve seen one set of slimy phallic tentacles shooting out of someone’s back during orgasm, you’ve seen ’em all.” Sounds like a plan EW.)

Poster – Mating Skloging Begins (C-)

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(I like the color tone and the font (again), but there is a bit much going on now. What are all the sparkles everywhere? Stars and… a bunch of lines like in a western blot… because DNA or something?)

Tagline(s) – Mating season begins… (C-)

(Meh. It’s short and certainly tells you what this one is all about: some aliens going to the bone zone. Rad. But nothing clever about it.)

Keyword(s) – sex scene; Top Ten by BMeTric: 89.8 Fifty Shades of Grey (2015); 78.6 Sex and the City 2 (2010); 72.7 Jason X (2001); 71.4 Showgirls (1995); 67.3 Species II (1998); 65.3 The Boy Next Door (2015); 63.8 Knock Knock (I) (2015); 62.6 All About Steve (2009); 62.0 Jennifer’s Body (2009); 59.1 Captivity (2007);

(Pretty amazing list. Wish something like Color of Night could sneak in though, those classic 80’s/90’s erotic thrillers deserve a place on the list, some representative.)

Notes – Though showing Eve in a black leather outfit on some of the posters and DVD-Covers, she never actually wears it in the film.

Shortest of all four Species movies. (small blessings …)

EVE stands for Extraterrestrial Vulnerability Experiment. (Egad)

Most of the nude scenes, such as the debutantes having sex with Patrick or the strip-club sequence, were shortened in the final version of the movie. The full scenes can be seen in the DVD extra features. (No wonder someone stole the DVD from the Minnesota public library system)

Natasha Henstridge is on the miller lite cut out in the grocery store when they are hunting her. (nooooooooooo. Never a good idea. I hope the cut out says “Great taste, less filling, out of this world.” Get it? Cause she’s a famous alien.)

Species Preview

There had been some thought that this week might be time for a BMT Live! Rings came out to absolutely horrifying reviews (see what I did there?) and we had to think quick on whether we should act. The answer: not until we see the reviews for Fifty Shades Darker. It would be irresponsible to let it go by without giving it a chance at BMT Live! glory. It deserves it. So instead we head into SciFi/Fantasy and get to do a set of films that I’ve been eyeing for awhile. That’s right, we’re watching Species and Species II. These films promise three things: nudity, a scene where someone kisses someone else and their tongue bursts through the back of their skull, and… uh… nudity again. So basically I’m super duper duper excited. Let’s go!

Species (1995) – BMeTric: 34.9

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(This plot basically shows the 2011 inflection and regression to the mean. The BMeTric is amazingly consistent through time (35 basically). Hey, since these plot are getting a little boring I’m going to start a new series with this. This is to put movies into groups based on what I see. The first group, for Species, is: Below Average and Perplexingly Popular. Basically this movie ultimate doesn’t seem too bad (rating of 5.8), but the sheer number of votes (nearly 60 thousand) gives an impressive BMeTric overall.)

Leonard Maltin – 2.5 stars – DNA-tampering scientists at a Utah facility ultimately get theirs after creating a murderous creature, complete with tentacles, who’s packages like a blond centerfold. Fast and not without entertainment value, but don’t look at yourself in the mirror too closely if you end up defending it. Direction is somewhat sturdier than the script, which has its share of (we think) unintentional howlers.

(I mean, I’m all about unintentional howlers Leonard, you know me. Films with the horrible villain-scientists are the best though. Like Bats I hope these guys are real megalomaniacal assholes.)

Trailer – https://www.youtube.com/watch?v=HbaYnTLuX7U

(Alright, that looks pretty rad. Pretty old school though. Just a short rundown of the movie: Contact, communication, experiment, termination, escape, pursuit, mutation, confrontation, outcome unknown. Species! Yeah …. That sounds about right, and I’m on board!)

Directors – Roger Donaldson – (Known For: The Bank Job; The Recruit; The Bounty; Thirteen Days; No Way Out; The World’s Fastest Indian; Cadillac Man; White Sands; Smash Palace; BMT: Dante’s Peak; Cocktail (BMT); Species; The Getaway; Justice; The November Man; Notes:  Nominated for the Razzie Award in 1989 for Worst Director for Cocktail. His son Chris represented New Zealand in the 100 meter sprint in 1996 and 2000 Olympics. Now that’s a fun fact.)

Writers – Dennis Feldman (written by) – (Known For: Just One of the Guys; BMT: Species II; Virus; Species; The Golden Child (BMT); Notes: Brother of Randy Feldman who wrote Tango & Cash and son of producer Phil Feldman.)

Actors – Natasha Henstridge – (Known For: The Whole Nine Yards; Bounce; BMT: Species II; Ghosts of Mars (BMT); The Whole Ten Yards; Maximum Risk; Adrenalin: Fear the Rush; Species; Steal; Deception; Dog Park; Notes: According to an interview she gave in Empire she turned down roles in both Independence Day and Men In Black after reading the scripts and thinking, “What is this shit?”)

Michael Madsen – (Known For: The Hateful Eight; Kill Bill: Vol. 1; Reservoir Dogs; The Chronicles of Narnia: The Lion, the Witch and the Wardrobe; Sin City; Kill Bill: Vol. 2; Die Another Day; WarGames; Wyatt Earp; Thelma & Louise; Donnie Brasco; The Doors; Free Willy; The Natural; Pauly Shore Is Dead; BMT: BloodRayne; Species II; My Boss’s Daughter; Scary Movie 4 (BMT); Free Willy 2: The Adventure Home; Hell Ride; House; Species; Notes: A published poet (he has released eight books of poetry) and photographer.)

Ben Kingsley – (Known For: The Jungle Book; Schindler’s List; Shutter Island; Hugo; Knight of Cups; Iron Man Three; Ender’s Game; A.I. Artificial Intelligence; Night at the Museum: Secret of the Tomb; Lucky Number Slevin; The Walk; The Dictator; Gandhi; Eliza Graves; Tuck Everlasting; Sexy Beast; The Boxtrolls; Life; Sneakers; Oliver Twist; The Triumph of Love; Robot Overlords; Dave; House of Sand and Fog; Searching for Bobby Fischer; Learning to Drive; Bugsy; Transsiberian; BMT: The Love Guru (BMT); BloodRayne; A Sound of Thunder (BMT); Thunderbirds; The Last Legion; Species; War, Inc.; The Ten Commandments; Exodus: Gods and Kings; Suspect Zero; Slipstream; Rules of Engagement; Self/less; Prince of Persia: The Sands of Time; Notes:  Nominated for the Razzie Award in 2009 for Worst Supporting Actor for The Love Guru, War, Inc., and The Wackness; and in 2007 for BloodRayne. Nominated for four Oscars, winning one for Gandhi.)

Budget/Gross – $35 million / Domestic: $60,074,103 (Worldwide: $113,374,103)

(Of course, otherwise there is no chance this is franchised. Just thinking of the storyline I don’t think they would even think of this these days. It almost comes across as exploitation, and with erotic thrillers being basically a totally defunct genre I don’t really see it. Erotic Sci-Fi Horror … how’d this make $100 million?!)

#17 for the Creature Feature genre

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(Ooooo right on the cusp of a giant surge. Obviously this was fueled by Jurassic Park (not this one, but creature features). Critters 2 and King Kong Lives are recent BMT examples, and recently the genre is back with Jurassic World and Godzilla. The new King Kong should continue that trend if it gets good reviews.)

#10 for the Sci-Fi Horror genre

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(Ahead of its time! And since about 1995 it has been a pretty consistently released genre. It just doesn’t make a ton of money. I mean, Species is the 10th highest grossing film ever! It is at quite the nadir at the moment, but things like Predator and Alien should sustain it for at least a while longer. It isn’t totally VOD yet!)

Rotten Tomatoes – 34% (12/35): No consensus yet.

(Ooooo I love giving consensuses: A smart take on schlocky sci-fi horror which ultimately devolves into soft-core pornography with a clunky premise. My favorite part of a review is from Ebert himself where he describes the alien as a: “[d]isgusting, slimy morph-creatures with rows of evil teeth, whose greatest cultural achievement is jumping out at people from behind things.” I don’t like jump scares either Ebert.)

Poster – Our Sklog is Up (B+)

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(While it is cheesy in a lot of ways, it is also epic. Really raw image with great font, nice balance, and coloring. Looks like a knockoff of the Alien poster. Still good though.)

Tagline(s) – Two decades ago scientists sent a message to space. This… is the reply. (B)

(Too long and detailed (we need to know that it was two decades ago?), but I like the suspense. Got some cleverness in too with the ellipses.)

Keyword(s) – interspecies sex; Top Ten by BMeTric: 67.3 Howard The Duck (1986); 46.7 Caligula (1979); 35.9 Decoys (2004); 35.8 Splice (2009); 34.9 Species (1995); 22.9 Ta paidia tou Diavolou (1976); 20.1 The Dunwich Horror (1970); 18.5 Une vraie jeune fille (1976); 17.2 The Nine Lives of Fritz the Cat (1974); 17.0 The Beast Within (1982);

(This is real everyone. This is the real top keyword for this movie on IMDb, yet again proving that IMDb keywords are useless … also false! Howard the Duck never has sex with a human. Liars! This list is a house of lies!)

Notes – During the production, MGM opted not to shoot the “nightmare train” sequence to keep costs down. H.R. Giger was not willing to accept that, however, so he spent $100,000 of his own money to finance the sequence.

For the scene in which Sil is ‘born’ from the cocoon, the train set was built upside down. Natasha Henstridge, totally naked and covered in KY Jelly lubricant, was pushed through the cocoon, and the shot was flipped upside down afterwards, to achieve the effect of her falling out.

Xavier (Ben Kingsley) Fitch says that the alien signal was received by the Arecibo radio telescope exactly nineteen years after an outbound message was transmitted. Since the transmissions traveled at the speed of light, that means that the alien solar system is approximately nine light-years from Earth. There are two stars which are likely candidates, Sirius and Luyten 726-8A. (now these are the fun facts I like to see)

Fitch’s comment that they made Sil female to be more docile is an in-joke that belies his ignorance. In every predatory species known, the female is always more aggressive. (I don’t believe this is true)

Michael Madsen and Marg Helgenberger were allowed to improvise their sex scene.

SIL is actually S1L, the medical cell in the lab where the DNA was grown.

An early draft of the script had the young Sil calmly killing a friendly cab driver. In an effort to keep the audience’s sympathy for her character (and to make the murder of the porter more shocking) the scene was changed to Sil killing a tramp in self defense after he attempts to attack her. (There was another BMT film like this, where there clearly was just no kills by the “bad” protagonist for almost the entire movie … but I can’t remember what it was, although I do remember it was a terrible idea.)

When Sil watches TV at the motel, she flips through different channels and they all show various things she will do later in the film. Like having sex, changing her hair, showing off her body, etc. (coooooool)