Fantastic Four Preview

OK, this week we have finally arrived. Fantastic Four was finally “officially” released. I put that in quotations because the DVD is still not out to get from Netflix, so Patrick and I have to rent this PPV on Amazon or Vudu to get it (*gasp*). I don’t like it, but I’ll do it for BMT. This is probably the most hotly anticipated film of the Razzies season, garnering abysmal reviews in a very prominent franchise (popularity + bad reviews = BMeTric gold). I like the actors though and always wondered if it got a bit of a raw deal. Guess we’ll find out. Let’s go!

Fantastic Four (2015) – BMeTric: 82.2 (At the time) 83.4 (February 19, 2016)

FantasticFour_BMeT

(Not surprising. You can see that sweet sweet steady-state in the trajectory. Along with Fifty Shades (a rare film which scores a 90+ on the BMeTric) this film is the only other film to score over 70 so far this year. I have a feeling the Razzies are going to be a bit top heavy. Note: Plot generated on February 19, 2016)

RogerEbert.com – 1.5 stars – Maybe “Fantastic Four” is a cursed property, or maybe just one that shouldn’t be turned into a film? … The good news is, it’s short. The bad news is, it feels longer than an afternoon spent at the DMV—and at least at the DMV, you can pass the time by people-watching.

(Blessedly short. Apparently the director had a version that was 50 minutes longer, but the producers were all like “lol, nope”. It is pretty sad that they just can’t quite figure out how to do these characters properly.)

Trailer – https://www.youtube.com/watch?v=wuV4BCYv-YY

(I never really understood all the flack the trailer got. People just seemed to really want this movie to fail … and they weren’t wrong. Still don’t really see why people hated the trailer so much. Seems fun. Even if every review I’ve read says it is painfully boring.)

Director(s) – Josh Trank – (Known For: Chronicle; Big Fan. BMT: Fantastic Four. Notes: Broke out with Chronicle. This is supposed to be his big shot)

Writer(s) – Jeremy Slater (screenplay) – (BMT: Fantastic Four; The Lazarus Effect. Notes: Publically thankful for the shot at making the film, although only one act resembles his original script)

Simon Kinberg (screenplay) – (Known For: X-Men: Days of Future Past; Sherlock Holmes; X-Men: The Last Stand; Mr. & Mrs. Smith; BMT: Jumper (seen); This Means War (seen); Abraham Lincoln: Vampire Hunter; Fantastic Four; xXx: State of the Union (seen); Ouija; Notes: A well known script doctor. Other uncredited superhero films he’s worked on was Catwoman and Elektra, legendary BMT films.)

Josh Trank (screenplay) – (Known For: Chronicle; Big Fan; BMT: Fantastic Four)

Actors – Michael B. Jordan – (Known For: Chronicle; Fruitvale Station; Creed; Red Tails; BMT: Fantastic Four; That Awkward Moment; Hotel Noir; Hardball (seen); Notes: Well known for his roles in Friday Night Lights and the Wire before breaking big in Chronicle)

Miles Teller – (Known For: Whiplash; The Spectacular Now; Divergent; Rabbit Hole; Footloose; BMT: Two Night Stand; Fantastic Four; That Awkward Moment; Insurgent; Project X; 21 And Over; Notes: Plays Shailene Woodley’s nemesis in Divergent, and love interest in Spectacular Now)

Budget/Gross: $120 million / $56,117,548 ($167,977,596 Worldwide)

(Bomb diggity. Straight up disaster. One could argue that the intention of the film was simply to protect the rights of the franchise (makes some sense considering you’d usually go much bigger with the budget for a film like this), but given the complete public meltdown Trank and Teller had concerning the film I’m going to go ahead and throw this one in the loss column.)

Rotten Tomatoes: 9% (19/198), Dull and downbeat, this Fantastic Four proves a woefully misguided attempt to translate a classic comic series without the humor, joy, or colorful thrills that made it great.

(“Classic comic series” and then woefully mismanaged series of films. I’ve never seen the first two pre-reboot films, but they look absolutely terrible. Color for sure seems lost on this one. I feel like humor and joy are also usually positives when describing a film …)

Poster – As Boring As This Movie (C)

FantasticFour.jpg

(Not bad not good. Those are indeed the four characters. In an incredibly bland and dark poster. They aren’t wrong. Marvel’s most popular properties have kind of eye popping color traditionally. It is DC which goes dark and brooding. This kind of plays into the dark and brooding style.)

Tagline(s) – Change is coming. (D)

Beyond darkness… beyond fear… lies the fantastic. (B-)

When you change the world, prepare to defend it. (D)

(I like the middle one. A nice rhythm to it. Doesn’t really tell me much except that it is a fantastic four film … but whatever. The more I read it I don’t like it … I should stop. I think the other two are crap though. Change is coming? Blah)

Notes – In a quickly deleted tweet from 6th August, 2015, Josh Trank said “A year ago I had a fantastic version of this. And it would’ve received great reviews. You’ll probably never see it. That’s reality though.” After seeing this version, the studio mandated heavy re-shoots. The newer scenes are easy to spot as Kate Mara had cut her hair and wore a blonde wig. Miles Teller also had facial hair that would appear and disappear between shots. (…. wow)

After the disappointing reviews, Josh Trank went on to tweet that “He’ll never be working on a comic book movie again”.

Marvel wasn’t fond of the direction the film was going, and made mention of it in a Marvel Comic: “The Punisher” #12 has the Fantastic Four (in the likeness of the cast members of this film) get taken down in an explosion.

Josh Trank envisioned his film as being between 2 hours and 20 minutes long; the studio cut that down significantly to 1 hour and 30 minutes. (And everyone rejoiced)

The characters in this film would have reverted back to Marvel, if the film was delayed past 2015. (Fox only having a 7 year window to produce a new Fantastic Four film, with a release of 1 year after that time expires.) (And there it is. I’m going to leave the notes there. There is literally 4 pages of notes for this movie. It’s pretty incredible)

The Gallows Preview

It was a bit of a tricky week for deciding which movie we were going to watch. The only genres we have left (besides the more random Razzie, Scattegories, and Chain Reaction) are Action and Horror/Thriller. Since we are looking forward to the release of Fantastic Four for the action section of this cycle, we were left with Horror/Thriller. Which is hardly thrilling in this case since those films are rarely taken seriously in the Razzie competition. In a lot of ways we will be merely treading water since we can’t hope to guess which film in the genre will be nominated. So we felt like we should just make sure to do the one that seemed like the shittiest. With that in mind, this week we are watching The Gallows. I found the trailer for this film so horrifying(ly bad) that I nearly insisted that we see this film in theaters for BMT. Didn’t work though, cause Patrick lives in a second world country across the pond that only had it in theaters for a week (To think! A modern country in this day and age only getting The Gallows for 7 days! How do they expect you to live over there, Patrick?). We would have had to be really on the ball. So instead we see it now! Let’s go!

The Gallows (2015) – BMeTric: 49.5 (At the Time), 53.6 (February 24, 2016)

TheGallows_BMeT

(This metric is really high! Love it. Something to keep in mind with the new BMeTric is that lots of these terrible found footage films get some really solid numbers and yet won’t get Razzie nominations. More an aspect of the Razzies than the quality of the metric. It basically has to do with horror having a great cult audience following. So the bad ones still get watched and rated a ton. It makes almost no sense to me. Editor’s Note: Plot generated on February 24, 2016)

RogerEbert.com – 1 star – … so incredibly dumb that it is almost, but never quite, scary to behold.

(Nice concise blurb I could grab from the review. Essentially what the review says it that genre has been dominated this year by some terrible wide release horror films (Poltergeist remake, Lazarus Effect, etc.) which still look like masterpieces in comparison to The Gallows. I’m all for incredibly dumb, though. Getting me excited.)

Trailer – https://www.youtube.com/watch?v=F_8OKImO2pc

(Absurd. Just absurd. I don’t really know how to reconcile the whole serial killer aspect with the supernatural bullshit that happens in the film (the lockers being the prime example). Everything just looks cheap and goes for cheap scares. I hate it already.)

Director(s) – Travis Cluff and Chris Lofing – (BMT: The Gallows. Notes: Travis Cluff is boring so both notes about Lofing. He actually has a very rare genetic disorder which results in him having abnormal skeletal structure. If you see pictures of him he looks very short and that’s because of this disorder.)

Writer(s) – Travis Cluff and Chris Lofing (written by) – (BMT: The Gallows. Notes: It says on Lofing’s imdb that he set four American powerlifting records. I thought it was some joke that maybe he put on there. Nope. He actually did. Interesting.)

Actors – Cassidy Gifford – (BMT: The Gallows; God’s Not Dead. Notes: Daughter of Kathie Lee Gifford and Frank Gifford.)

Also stars Pfeifer Brown and Ryan Shoos

Budget/Gross: $100,000 / $22,764,410 ($38,164,410 Worldwide)

(I have to take a knee right here. Jesus… Blumhouse just cleans up on these things. Basically they have figured a way to game the system. Buy or finance a bunch of microbudget horror films. Some will hit big and make up for the minuscule losses they see with their failures. Further a couple sequels can be made with the successes to magnify their gains. They also did something interesting this year with Jem and the Holograms where they seemed to try to leverage its minor cult interest against the low amount needed to purchase the rights to the film adaption. Didn’t work great that time.)

Rotten Tomatoes: 15% (14/90), Narratively contrived and visually a mess, The Gallows sends viewers on a shaky tumble to the bottom of the found-footage horror barrel.

(The… the… bottom? *gasp* I had presumed we had reached the bottom during one of the last several terrible found footage films we’ve endured. If this is worse than any of those we are in for a bumpy ride.)

Poster – Bomb Red (A)

gallows

(I love this poster. The red coloring perfused through everything. The text format. It’s like a work of art. Almost makes me want to put in on the map for Nebraska. Would look so nice.)

Tagline(s) – Every School Has Its Spirit (D)

(I feel like this is trying to trick me into liking it. As I’ve said on occasion: this looks like a tagline, sounds like a tagline, but I assure you, it is not a tagline. It is a strange twist on the phrase “school spirit” that just is wrong in every way. It hurts my brain. I hate it.)

Notes – The co-writer/director Travis Cluff was a contestant in season 2 of Wipeout (“Super Shorts”) and won. (hahaha, where was this on his imdb trivia page? Only on the trivia for the film.)

Certain exteriors were accomplished in Lofing’s hometown of Beatrice, Nebraska, the setting for the film. However, “The Gallows” was shot primarily in and around Fresno, California. (You know we love settings)

Jupiter Ascending Preview

OK, we finally get to move on! For the last couple years Patrick and I have voted in the terrible, terrible Razzie Awards. They are the worst, but we can only do what we can. So each year we vote, and each year we’re disappointed in the films that ultimately win. In order to successfully vote without major disruption to our BMT schedule we need to start collecting some 2015 films stat. Since a lot of the major BMT releases are coming to video in the next few weeks, we can’t really keep a strict rotation. So instead we will hit all our categories, but in an order that makes sense with whatever is available. So to start it off we are going with SciFi and the most obvious BMT release of the year. This is, of course, the much anticipated Wachowski epic Jupiter Ascending. It was widely considered the most likely bomb of the year and obliged nicely. Without further ado, let’s go!

Jupiter Ascending (2015) – 51.7 BMeTric (March 19, 2016)

JupiterAscending_BMeT

(Generated on March 19, 2016. 50+ BMeTric bro. Look at that sweet DVD/VOD bump three months after release. Borderline though, just 0.1 rating away from sub-50, so it could easily change in the future.)

RogerEbert.com – 2 stars – In a cynical age, poker-faced sincerity is tough to pull off. When it’s coupled with innovative filmmaking techniques and visual bombast, the degree of difficulty goes up and up, to the point where you’re inclined to give films points for attempting the near-impossible.

(oh shit, “poker-faced sincerity”. That’s not a good thing… although perhaps a bit better than lackluster attempts at humor. Looking at you Hitman: Agent 47.)

Trailer – https://www.youtube.com/watch?v=ZoCyL_Pqzu8

(Certainly a fun trailer. Just smacks a little bit of a film heavy on visuals and low on plot… like what do you actually get from the trailer? There are aliens… that’s about it.)

Director(s) – Lana Wachowski and Andy Wachowski – (Known For: The Matrix; The Matrix Reloaded; Cloud Atlas; Bound. BMT: The Matrix Revolutions; Jupiter Ascending; Speed Racer. Notes: Nominated for Worst Director, The Matrix Reloaded/The Matrix Revolutions (2003). Obviously famous for the Matrix and have had reasonable success sense. They are at least bold with their choices.)

Writer(s) – Lana Wachowski and Andy Wachowski – (Known For: The Matrix; V for Vendetta; The Matrix Reloaded; Cloud Atlas; Bound. BMT: The Matrix Revolutions; Jupiter Ascending; Assassins; Speed Racer. Notes: Niece and Nephew of Laurence Luckinbill who we know as Mr. Mooney from the BMT film Cocktail.)

Actors – Mila Kunis – (Known For: Ted; Black Swan; The Book of Eli; Forgetting Sarah Marshall; Extract; Date Night; Blood Ties; Get Over It; Friends With Benefits. BMT: Jupiter Ascending; Max Payne; Third Person; American Psycho II: All American Girl; The Angriest Man in Brooklyn; Moving McAllister; Annie; Krippendorf’s Tribe. Notes: Comes from a line of scientists. Her mom is a Physicist, dad is a Mechanical Engineering, and brother a Biochemist. So she’s pretty much a black sheep.)

Channing Tatum – (Known For: 21 Jump Street; White House Down; 22 Jump Street; Magic Mike; She’s the Man; Foxcatcher; Public Enemies; The Book of Life; Side Effects; Haywire; Magic Mike XXL; This Is the End; 10 Years; Coach Carter; Don Jon; A Guide to Recognizing Your Saints; Stop-Loss. BMT: Dear John; Step Up; G.I. Joe: Retaliation; The Vow; Jupiter Ascending; The Eagle; G.I. Joe: The Rise of Cobra; Fighting; The Dilemma; The Son of No One; Supercross; Step Up 2 the Streets. Notes: Wow, how have we not watched more with him. We kinda have to watch Supercross immediately.)

Also stars the wonderful Sean Bean of the Silent Hill franchise.

Budget/Gross: $176 million / $47,387,723 ($183,887,723 Worldwide)

(When all said and done it was a major disappointment. Kinda predictable though as it was supposed to be released as a summer blockbuster, but was moved to February. The 52nd largest grossing SciFi-Adventure of all time. The worst? Obviously, The Adventures of Pluto Nash. Nothing is touching that shit. Even Spacehunter: Adventures in the Forbidden Zone.)

Rotten Tomatoes: 25% (53/207), Critics Consensus: Pleasing to the eye but narratively befuddled, Jupiter Ascending delivers another visually thrilling misfire from the Wachowskis.

(Narratively befuddled indeed. If there was something I could have told you without even watching the film it’s that nothing will make sense and aliens will just be flying everywhere for no reason.)

Poster – Just a Bit Busy (C-)

jupiter_ascending_ver3
(Ooooo, I do not like that. Too much going on. The font kind of blends into the background and the people seem out of place. Not the worst, but not very good.)

Tagline(s) – Expand your universe. (D)

(Cool story, bro. Not sure why this is supposed to make me excited for the film. It’s concise, but that’s the most positive thing I can say about it.)

Notes – Channing Tatum had to wear a mouthpiece to change the shape of his lower jaw to realistically portray a part-canine character. This unfortunately prevented him from closing his mouth and gave him trouble when he had to talk. (oh God, hope it was worth it)

Natalie Portman was originally cast as Jupiter Jones, but dropped out. Rooney Mara was considered to replace her, before Mila Kunis was finally cast. The film was originally slated for release for July 18, 2014, but the studio delayed the film’s release and pushed it back six and a half months to give the production more time in the post-production process.

According to the directors, the script was over 600 pages long. (hahahahahahaha)

September Dawn Preview

OK, as we crawl woefully to the end of the travesty that has become mapl.de.map we must finish the true states on a dour note. The final state remaining is fucking Utah. I actually like Utah as a place and my wife, oddly, loves Utah but there just aren’t many good or bad films set there. Odd considering I think it has a lot to offer, especially in the comedy realm. Mormons are weird and stuff, right? So instead of getting a real movie to watch we ended up with a movie called September Dawn. It stars Jon Voight, was nominated for a Razzie for Jon Voight’s performance, was a disaster at the box office, and did I mention it starred Getaway’s Jon Voight? Cause it does. No one has ever heard of this film. But we are watching it. Sigh. Map will be in the next email at out glorious (?) conclusion. Great. This is going to be terrible. Let’s go!


September Dawn (2007) – 13.8 BMeTric (generated on July 1, 2016)

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SeptemberDawn_RV

(The rating/votes picture is the more interesting of the two. Something happened early on. Either pro/anti-Mormons I think brigaded in some way. Although I would think eventually it kind of returned to where it was supposed to be in the end. Small number of votes though and not even that bad of a rating. Sigh. NOTE: plots and commentary generated on July 1, 2016)

Leonard Maltin – 2.5 stars – Fictionalized Romeo and Juliet-style love story about a Mormon boy and a Christian girl in 1857 Utah set against the backdrop of a controversial, real-life (if little-known) incident in which 120 men, women, and children from her wagon train are ruthlessly murdered. Film places blame for the massacre on Mormon leader Brigham Young (Stamp), although this is vehemently denied by the church. Low-budget (but handsome-looking) drama blends facts with Hollywood speculation to create a fairly compelling tale. Director Cain coscripted; his son Dean has a cameo as Joseph Smith.

(What an odd review. I feel like the first sentence is grammatically incorrect. The blend of tenses if fucking with my head. And the use of “handsome-looking” to describe the film is throwing me for a loop.)

Trailer – https://www.youtube.com/watch?v=H2Vtse-6sj8 

(W… T… F… That trailer is crazy. Barely touches on the love story that is, apparently, the main plot. The editing was also super weird. I no longer know how to feel about this.)

Director(s) – Christopher Cain – (Known For: Young Guns; The Stone Boy; The Principal. BMT: Gone Fishin’; Pure Country; September Dawn; The Next Karate Kid; The Amazing Panda Adventure; That Was Then…This Is Now. Notes: Wow, Gone Fishin’. I was just thinking about that film recently for no particular reason. That is a future BMT film if there has ever been one. Stepfather of Dean Cain, a.k.a. Superman.)

Writer(s) – Carole Whang Schutter (written by) – (BMT: September Dawn; Notes: Author of the book and the subsequent screenplay. She is a YA Supernatural author as well as a Christian author.)

Christopher Cain (written by) – (BMT: September Dawn. Notes: Ran a studio called Mooncrescent that is since defunct. Ran out of money while completing a film called PC and the Web which never was released.)

Actors – Jon Voight – (Known For: Coming Home; Mission: Impossible; Heat; Transformers; Ali; Zoolander; Runaway Train; Rosewood; Glory Road; Varsity Blues; U-Turn; The Rainmaker; The Champ; National Treasure; Midnight Cowboy; Enemy of the State; Deliverance. BMT: Lara Croft – Tomb Raider; Pearl Harbor; Getaway; September Dawn; An American Carol; Superbabies: Baby Geniuses 2; Pride and Glory; National Treasure: Book of Secrets; Most Wanted; Four Christmases; Bratz: The Movie; Anaconda. Notes: Nominated for Worst Supporting Actor, Bratz (2007), National Treasure: Book of Secrets (2007), September Dawn (2007), Transformers (2007), Superbabies: Baby Geniuses 2 (2004), Most Wanted (1997), and U Turn (1997). Nominated for Worst Actor, Anaconda (1997). Nominated for four oscars, winning Best Actor for Coming Home.)

also stars Terence Stamp (who?) and  Lolita Davidovich (what?)

Budget/Gross: $11 million / $1,066,555

(Surprisingly released in over 800 theaters. Currently ranks as the 34th worst opening of all time for a wide release coming in right behind a movie that was called Sarah Landon and the Paranormal Hour… which is a real film released in 2007 in over 1000 theaters. Must be a Christian film or something. I’ve never heard of it.)

#137 for Summer Dramas – Serious Dramas that Debuted in the Summer

summerdramaAnalysis

(It is kind of stunning that this happens to be at the literal nadir of this genre. Additionally I’m surprised that summer dramas are even a thing anymore! You’d think with tentpoles taking over it would be almost impossible for dramas to even catch on. But looking at the list it is true, the summer drama is back! NOTE: figure and commentary generated on July 1, 2016)

Rotten Tomatoes: 12% (7/54), Critics Consensus: With its jarring editing, dull love story, and silly dialogue, September Dawn turns a horrific historical event into a banal movie.

(Oooo, jarring editing? If the trailer was any indication then this will certainly live up to the billing. I kinda love jarring editing, but hate, hate, hate dull love stories. )

Poster – Sklogtember Dawn (F)

september_dawn

(Oh wow, this poster is horrible. I’ve never seen a more horrible poster. And yet… Jon Voight’s big orange face is strangely mesmerizing. Welp, I know what Patrick is getting for his birthday.)

Tagline(s) – The untold story of an American tragedy. (C+)

(Gives a general idea in a tight package, but pretty bland. Nothing interesting about it at all. Meh.)

Keyword – settler; Top 10 by BMeTric: 26.6 Warrior of the Lost World (1983); 23.7 Lucky Luke (1991); 13.8 September Dawn (2007); 12.9 Pocahontas (1995); 10.4 The New World (2005); 10.1 River Queen (2005); 9.1 Meek’s Cutoff (2010); 8.8 Northfork (2003); 8.3 Far North (2007); 7.3 Old Surehand (1965);

(What .. the fuck is this list? What the fuck is Warrior of the Lost World (starring Donald Pleasance!)? What is Pocahontas doing on this list? How is this keyword the number one keyword for September Dawn and yet barely used on IMDb? So many questions. Zero answers. That’s a BMT promise.)

Notes – Jon Voight was nominated for a Worst Supporting Actor Razzie for his role (along with several other roles).

Critters 2: The Main Course Preview

OK, well time to move onto this week’s film. This is another replacement film of sorts. While we never officially placed Unaccompanied Minors in Kansas, we certainly watched it with that state in mind (why else would we have stooped so low?). But it turned out that there wasn’t just an unacceptable level of Kansas-ness in the film, it didn’t take place in Kansas at all. It just didn’t. So we had to scramble to get a new one. After a painstaking search we landed on Critters 2: The Main Course. While the first one is generally liked by viewers for its humor, the second one wasn’t as accepted. Hard to tell how poorly it was received, but it did make Ebert’s list of his least favorite films of all time. Felt like that was enough to qualify it for BMT. Not gonna update the map this week. Next week maybe. Let’s go!


Critters 2: The Main Course (1988) – 36.3 BMeTric (July 2, 6016)

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Critters2_RV

(This is honestly kind of a weird trajectory. While you’ll often see a movie’s rating rise substantially with votes this is usually just regression to the mean (it rises because we watch bad movies which are often rated very poorly when they rise come out). But 1.2 points from 4.0 is quite a bit more that you’d expect. Otherwise the only shocking thing is that such a small barely released movie could garner 10,000 votes on IMDb. NOTE: This analysis was written on July 2, 2016)

Leonard Maltin – 2 stars – The big-mouthed, quill-shooting nasties take on an entire town. Nothing special. Followed by two video sequels.

(Wow. Love the short and sweet. I’ll follow the lead. Nothing special with this comment either.)

Trailer – https://www.youtube.com/watch?v=QVyfEgnA678

(That’s not really as bad as it could have been I think. Considering that I kinda liked the original this kind of gets me excited to watch this one. Uh oh.)

Director(s) – Mick Garris – (BMT: Riding the Bullet; Stephen King’s Sleepwalkers; Critters 2: The Main Course. Notes: Also a writer (Hocus Pocus, Fly II, etc.) and obviously best known for directing the TV movie smash hit Fuzzbucket.)

Writer(s) – David Twohy (written by) – (Known For: The Fugitive; Pitch Black; Waterworld; Riddick; G.I. Jane; A Perfect Getaway; The Arrival; Below; Warlock. BMT: The Chronicles of Riddick; Impostor; Terminal Velocity; Critters 2: The Main Course. Notes: Best known as the writer and director of the Riddick series of films. Long been rumored for a third AvP film. Fingers crossed.)

Mick Garris (written by) – (Known For: *batteries not included.  BMT: Hocus Pocus; The Fly II; Riding the Bullet; Critters 2: The Main Course. Notes: Kind of a historical figure in Hollywood and in particular in the SciFi genre. Early on directed a series of making of documentaries of horror and SciFi films including a really good one about the film The Thing which I’ve seen. It’s awesome.)

Actors – Scott Grimes – (Known For: Robin Hood; Critters; Crimson Tide. BMT: Winter’s Tale; Mystery Alaska; Critters 2: The Main Course. Notes: Also a singer. Released several albums but his biggest hit came relatively recently with Sunset Blvd in 2005. Never heard of it.)

Also stars Don Keith Opper and Liane Curtis

Budget/Gross: N/A / $3,813,293

(The first film was a wild success ($13 million gross on a microbudget). This one not so much. Not surprisingly the rest of the sequels were not released to theaters. It actually had the second worst box office for a wide release creature feature of all time. The worst? BMT classic A Sound of Thunder (A Sound of Thundahhhhhhh))

#66 for Creature Feature

creaturefeature_66

(The creature feature is a staple of classic horror, but I think it kind of rose to prominence again after Jurassic Park (in case you were wondering what that gigantic peak around ’93 was). Since then it comes and goes in waves, but will probably rise again with Jurassic World killing it at the box office. King Kong may add to it soon as well. NOTE: Analysis written on July 2, 2016)

#57 for Horror Comedy

horrorcomedy_57

(Personally once of my least favorite sub-genres, because honestly they are rarely either good comedies or good horror films. They make relatively little money it seems, and one would think that they would thrive a bit more on VOD, so I really don’t understand why this genre keeps chugging along (in the past three years none of the theater releases were very impressive). Kind of interesting that Critters 2 kind of came during the 80’s heyday just as the genre was going back into a slumber once again. The 2010’s resurgence is probably 30-year-old directors who grew up on things like Critters 2 making passion projects. NOTE: This analysis was written on July 2, 2016)

Rotten Tomatoes: 33% (3/9), No consensus yet.

(Yeah, so as mentioned at the top there was some question on whether this actually qualified. What put it over the top (besides taking place in Kansas) was Ebert’s hatred of it. He gave it 1 star and said it had “no reason for existence” and all but considered a sign of the end of movies as he knew it. It ended up later on his list of most hated films of all time. So I think that qualifies it.)

Poster – Critters 2: The Main Sklog (C-)

critters_two

(We get it. It’s a sequel. Could there be any more two’s on this poster? Sheesh. And what color am I going to use for this state? Hate you Critters 2. Though I kinda dig the critters illustration.)

Tagline(s) – Get ready for seconds… they’re back! (C-)

The most illegal aliens of all are back — and they’re hungrier than ever. (weird)

(I have lately been trying to only use the poster tagline for this section, but I could resist with that second one. Pretty crazy. Not sure it would fly today. Must have been in the zeitgeist at the time given the 1986 immigration reform act. I hate the first one. Not as bad as it could have been since it’s references the Critters insatiable hunger, but still lazy like most sequel taglines are.)

Keyword – egg; Top ten by BMeTric: 85.9 Dragonball Evolution (2009); 68.0 The Flintstones (1994); 62.6 Eragon (2006); 59.3 Meet Dave (2008); 57.7 Conan the Barbarian (2011); 56.8 Godzilla (I) (1998); 56.6 Paranormal Activity: The Marked Ones (2014); 51.0 Mighty Morphin Power Rangers: The Movie (1995); 50.3 The Neverending Story II: The Next Chapter (1990); 46.5 Dreamcatcher (2003);

(huh … what a bizarre keyword, and what a amazingly excellent list for such a strange keyword. I saw Mighty Morphin Power Rangers The Movie in theaters. That is all)

What Goes Up Preview

So now you probably looked at the title of this email and were all like “Crikey! WTF is What Goes Up, mate?” Again, this is a byproduct of mapl.de.map. A symptom of the underlying disease. As we get the last couple states we’re going to get weirder, and weirder, and weirder. What Goes Up is actually our Chain Reaction. By good fortune we happened to be able to find this film connecting to our last Chain Reaction, Cheaper By the Dozen, through Hilary Duff and it happens to take place in the great state of New Hampshire. Now you’re probably all like “Oy! Didn’t we already get NH with Grown Ups 2, mate? That’s not a knife. This is a knife. Put another shrimp on the barbie.” You’d be right, and yet so wrong. Turns out that Grown Ups 2 probably didn’t take place in New Hampshire (shocking, I know). Upon review of the tape, we determined that in all likelihood it actually took place in CT (we are in talks with Netflix to get this confirmed directly with Adam). So we had to call a quick audible and grab a new NH in this final cycle. If we hadn’t I would have been able to look at the map with nothing but shame rather than the sad, misplaced pride that I currently feel when staring longingly at my baby. So beautiful. Let’s go!


What Goes Up (2009) – BMeTric: 11.7 (July 9th, 2016)

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(A pretty unusual plot for two reasons. First, the archive caught a super early snapshot of the IMDb page so the rating was an absurd 8.0+ which makes the whole ratings plot look ridiculous. In reality the rating didn’t really move much more that one would expect with regression to the mean. But, they you have that kind of weird jump from 5.3 to 5.7 very very late in its life which significantly drops the BMeTric. That is weird. Did it find an audience, is it British viewers rallying to defend Coogan, was it his relatively celebrity increasing at that point in time? Unsure, but it is strange. NOTE: Analysis written on July 9, 2016)

Leonard Maltin – 2 stars – Interesting but odd, sometimes off-putting film, set in 1986, about a cynical N.Y.C. newspaper reporter who goes to New Hampshire to write about a teacher who’s traveling on the NASA space shuttle. Instead he falls in with a group of misfit high school kids who are mourning the death of a teacher who was their champion – and hero. Well acted but it’s uncertain what the point is supposed to be.

(Odd and off-putting? Sounds like the reviews for my Christmas album I’m Dreaming of a Sklog Christmas. The whole plot described here sounds like it could be in bad taste, but we’ll see.)

Trailer – https://www.youtube.com/watch?v=Kyyjv-oRu0g

(It’s funny that they used a trailer from 1996 for a film that came out in 2009… just think it’s an interesting choice. The whole tone of the film seems off. Almost like the trailer for Gooby, which makes it look like a family film when it’s clearly a horror film)

Director(s) – Jonathan Glatzer – (BMT: What Goes Up. Notes: This is his only major work in film, but currently a writer for the Netflix series Bloodline.)

Writer(s) – Jonathan Glatzer (written by) – (BMT: What Goes Up. Notes: Worked at the MacDowell Colony in New Hampshire as a screenwriting fellow.)

Robert Lawson – (BMT: What Goes Up; Notes: Also served as Hilary Duff’s acting coach on the set of What Goes Up. Uh oh.)

Actors – Steve Coogan – (Known For: Hot Fuzz; Philomena; Tropic Thunder; Despicable Me 2; The Other Guys; Night at the Museum; The Trip; Hamlet 2; Ruby Sparks; Our Idiot Brother; Night at the Museum: Secret of the Tomb; 24 Hour Party People; Minions; Coffee and Cigarettes; In the Loop; The Trip To Italy; Percy Jackson & the Olympians: The Lightning Thief; Night at the Museum 2: Battle of the Smithsonian; Alan Partridge. BMT: Around the World in 80 Days; Marmaduke; What Goes Up. Notes: Nominated for two Oscars for writing and producing Philomena.)

Hilary Duff – (Known For: The Lizzie McGuire Movie; Human Nature. BMT: A Cinderella Story; The Perfect Man; Raise Your Voice; Material Girls; Cheaper by the Dozen; Agent Cody Banks; Cheaper by the Dozen 2; Stay Cool; What Goes Up; War Inc. Notes: Nominated for the Razzie in 2007 for Worst Actress and Worst Screen Couple for Material Girls; Nominated for the Razzie in 2006 for Worst Actress for Cheaper by the Dozen 2, The Perfect Man; Nominated for the Razzie in 2005 for Worst Actress for A Cinderella Story, Raise Your Voice; Wow, three years in a row!)

Also stars Molly Shannon.

Budget/Gross: N/A / N/A

(Yup. I’m unashamed. This movie did not get a release. Not the first, not the last. But just enough in my opinion. We only use it when we need to.)

Rotten Tomatoes: 16% (5/31), Critics Consensus: What Goes Up squanders the charisma of Steve Coogan with a lazy screenplay, contrived plotting, and overall poor production.

(But… but… but… don’t you expect overall poor production when the budget is N/A? Honestly though, this sounds like trash.)

Poster – What Goes Sklog (A+)

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(I love this poster. Just appealing to the eye and nice coloring.)

Tagline(s) – A Different Class of Misfits (C+)

(This is perfect, in the sense that it is indeed a series of words in the shape of a tagline. I’m not sure what it’s supposed to mean though… I guess just that they are misfits and are in school… but nothing else informative. I wonder what makes them so much different than other misfits. Guess I’ll have to watch and find out.)

Keywords – suicide; Top Ten by BMeTric: 79.1 House of the Dead (2003); 78.7 Skyline (2010); 77.0 The Room (2003); 76.8 RoboCop 3 (1993); 76.8 The Legend of Hercules (2014); 76.3 The Human Centipede (First Sequence) (2009); 74.4 Anaconda (1997); 72.2 The Devil Inside (2012); 71.6 Dragon Wars (2007); 69.8 Ouija (II) (2014);

(First, what a downer. Sorry guys. Second, super competitive category with just about 5000 movies having this keyword on IMDb! Third, yeah some of these don’t sound right … like, was there a suicide in Skyline? It is a super big stretch. I think Anaconda and Legend of Hercules are also probably stretches, where, at the very least, suicide doesn’t play a huge rule. Alas, such is the problems with data-scraping IMDb. NOTE: Analysis written on July 9, 2016)

Notes – The film was in production for many years. Originally Mandy Moore was cast as Lucy, Michelle Williams was cast as Tess and Peter Sarsgaard was cast as Campbell. Later, Steve Coogan was cast as Campbell and Amber Tamblyn was cast as Tess, Kelli Garner was cast as Peggy, Paul Dano was cast as Jim, Alison Pill was cast as Ann and the singer Nellie McKay was cast as Sue . In early 2008 all six dropped out and Amanda Seyfried was given the role of the character Peggy. She was then cast as Sophie in the film Mamma Mia! (2008) and dropped out of What Goes Up (2009) and was replaced by Sarah Lind. Hilary Duff and Olivia Thirlby were then cast in the roles of Lucy and Tess respectively. Josh Peck, Ingrid Nilson and Andrea Brooks were then cast in the roles of Jim, Ann and Sue respectively. (this is amazing. I love this note).

Survival of the Dead Preview

Alright, moving right along to this week, we are returning to mapl.de.map and our quest for fire (and by fire I mean a completely filled up map). This week is kind of a historic selection. That’s because we are doing one of the hardest states on the entire map. A state that I didn’t even think had a qualified movie for the map when we first started this endeavor. A state that I used to make jokes about in every email and which may or may not be imaginary. That’s right! We are onto Delaware! For those that aren’t in the know about this kind of stuff, me and Patrick were able to find a little film called Survival of the Dead set in Delaware. Hooray! On a worse note it turned out that this film was the sixth (!) in the George A. Romero Dead series. It went from Night of the Living Dead, to Dawn of the Dead, to Day of the Dead, to Land of the Dead, to Diary of the Dead, and finally to Survival of the Dead. So me and Patrick had a bit of homework to do. Boo! Fortunately, the exercise will give us a nice perspective on the movie by the end of it. Let’s go!

Survival of the Dead (2010) – BMeTric: 50.2 (November 13, 2016)

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(Do you know what that is? That is the profile of a movie that almost no one saw in theaters. It is all DVD release, so there aren’t two regimes. Impressive. Also incredibly high BMeTric, very very impressive. That is also one of the largest drops in rating I’ve ever seen. 7.2 to 5.0 doesn’t really make sense. So I guess one die hards initially rated it 10 and it was kind of washed out over time. Commentary generated on November 13, 2016)

Leonard Maltin – 2 stars – Another Romero visit to an America overrun with cannibalistic walking corpses. This time a small paramilitary group hopes to evade the chaos by going to an island off the Delaware Coast, but conflict between two very Irish patriarchs that control the place over how to treat the numerous reanimated corpses means only more chaos. Less nihilistic than others in the series, with strong characterizations and good cinematography, but it’s really just more of the same. Won’t someone give Romero money to do another kind of movie?

(Love the little shout out to Delaware right there. Not sure what he means by “very Irish patriarch”… why “very”? Also, a little presumptuous that Romero is only making these films cause it’s the only kind he can get money for. He probably likes making them. He’s made six of them after all. Perhaps even if you gave him all the money in the world he would still make a zombie movie. Why not?)

Trailer – https://www.youtube.com/watch?v=CNg3CEkQtnk

(Oh dear, did we make a mistake? This looks like I made the trailer for the film. Yet it was actually released in a handful of theaters and reviewed by 84 critics on RT. Weird shit. Looks rough.)

Director(s) – George A. Romero – (Known For: Dawn of the Dead; The Crazies; Night of the Living Dead; Land of the Dead; Day of the Dead; Diary of the Dead; Creepshow; Monkey Shines: An Experiment In Fear. BMT: Survival of the Dead. Notes: Wow, this is his only film he directed that got bad reviews. That’s pretty amazing.)

Writer(s) – George A. Romero (written by) – (Known For: Dawn of the Dead; The Crazies; Night of the Living Dead; Land of the Dead; Day of the Dead; Diary of the Dead; Creepshow; Monkey Shines: An Experiment In Fear. BMT: Survival of the Dead; Creepshow 2; Tales from the Darkside: The Movie; Notes: He went to Carnegie Mellon and worked on Mr. Roger’s Neighborhood for a time, so unsurprisingly many of his films take place in and around Pittsburgh.)

Actors – Alan Van Sprang – (Known For: Land of the Dead; Narc; Diary of the Dead; Steal This Movie; BMT: Survival of the Dead; Immortals; Saw III; Masterminds. Notes: Starring now in the ABC Family show Shadowhunters. The same network that brought us the hit television program The Vineyard? Sign me up!)

Also stars Kenneth Welsh and Kathleen Munroe

Budget/Gross: $4 million / $101,740 ($143,191 Worldwide)

(For some reason I thought this got a wider release than I’m seeing here. Only 20 theaters. Still not the lowest we’ve done. Both Theodore Rex and Devil’s Knot (also on the map!) did not get a theatrical release. Regardless, what are we to do? This is the only bad movie set in Delaware. We can only cross our fingers and hope for a future release to take its place.)

Rotten Tomatoes: 29% (25/84), Critics Consensus: Survival of the Dead offers glimmers of Romero’s savage wit, but not nearly enough to make up for his unusually uninspired directing and a lack of new ideas

(Anyway, look at the number of reviewers. Even has a consensus. We’ll see if this is unusually uninspired after *gulp* watching the whole series this week. Perhaps we’ll conclude that it’s usually uninspired.)

Poster – Survival of the Sklog (B-)

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(Not a poorly made poster, just a boring one. And a bit dark. But the colors are nicely consistent, the poster is symmetrical, and I like the text spacing. Hits a lot of a good marks.)

Tagline(s) – Survival isn’t just for the living. (C)

(Well this is certainly confusing. I’m not sure what this even means in the context of a zombie movie. Are we going to we seeing a movie from the perspective of the zombies? Are they the characters? That would be cool. If that’s not the case then this tagline definitely isn’t cool.)

Keyword(s) – island; Top Ten by BMeTric: 83.3 The Wicker Man (2006); 79.3 House of the Dead (2003); 78.7 Jaws: The Revenge (1987); 76.5 The Fog (2005); 72.2 I Still Know What You Did Last Summer (1998); 69.0 Shark Night 3D (2011); 67.5 The Island of Dr. Moreau (1996); 66.6 Scooby-Doo (2002); 65.8 Alvin and the Chipmunks: Chipwrecked (2011); 64.0 DOA: Dead or Alive (2006);

(Wow, that is a great list, and we’ve seen almost none of them officially for BMT! Pretty nice. And island is always a convenient excuse to trap people who should know better in a place they want to get the fuck away from stat. See: Jurassic Park. Good stuff.)

Notes – This film marks the first time that a character from a previous Living Dead film returns to star in a sequel, with Alan Van Sprang as Sarge “Nicotine” Crockett having been seen in Diary of the Dead (2007).

Wild Bill Preview

So this week (last week?) we are ending our beloved Now a Major Motion Picture cycle. Alas, it was probably our favorite cycle we’ve ever done, so we are still working out how to keep it around in some form. In the meantime, though, we are transitioning to the last ever mapl.de.map cycle! OMG, OMG! It’s true, we only have 8 states left and we are cycling down. With 9 spots in the cycle available we get to fill up the map and replace a state we didn’t like with an extra special movie (oh, you’ll see). We are starting the cycle off as always with the Scattegories category which requires a a film that covers both the based-on-a-book and map cycles. It is a film set in the very, very difficult to obtain South Dakota. I would say that this turned out to be the most difficult state we had to fill, except that it was really only hard to fill because we had already watched the only other film that qualified for the honor. I’m of course talking about Son-in-law starring Pauly Shore. With that off the table, there was only one choice left and it kept me and Patrick awake at nights thinking on whether we truly had to use such a borderline case for the map. In the end, we had no other choice. So for South Dakota we have Wild Bill starring Jeff Bridges. It’s based on Deadwood by Peter Dexter along with a play called Fathers and Sons by Thomas Babe. Here’s the map with our new addition. Let’s go!

Wild Bill (1995) – BMeTric: 16.7 (November 20, 2016)

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(Sigh. So yeah, when we watched this film it was borderline qualifying. If I recall correctly it was literally 40% on rotten tomatoes with a question as to whether a few of the reviews were repeated and/or legit. Well now it is definitely non-qualifying. But there wasn’t anything to be done at the time, it was the only film for South Dakota (still is as far as I can tell … Mercury Rising qualifies, but only the opening is in South Dakota). With a steadily increasing IMDb score that can either be regression to the mean or the fact that the film is legitimately considered somewhat of a cult classic. I’ll repeat: sigh.)

Leonard Maltin – 2 stars – Odd revisionist take on Wild Bill Hickok, told in episodic form that creates creates distance from – rather than understanding of – the legendary hellraiser of the Old West. The title of the film should really be THE ASSASSINATION OF WILD BILL, because that’s what it’s all about. There are those opium dreams to break the monotony… Barkin is fun as Calamity Jane, but other characters are superficially drawn at best.

(Leonard should read up on the films. Obviously this was revisionist, it was based on a revisionist play and revisionist novel. Also, super surprising that Leonard is recommending alternate titles for films. I thought me and Patrick were the only ones into that.)

Trailer – https://www.youtube.com/watch?v=chceChQAVjI

(Ever since we had this movie on the horizon I’ve marveled at the trailer. It’s crazy. The black-and-white hallucinogenic dream sequence-type scenes in particular give me hope that this film we turn out to a be a legit BMT film. Also, David Arquette always helps.)

Director(s) – Walter Hill – (Known For: The Warriors; Red Heat; Bullet to the Head; Undisputed; Streets of Fire; Southern Comfort; Crossroads; The Driver; Trespass; The Long Riders; Johnny Handsome; Geronimo – An American Legend; Wild Bill; Extreme Prejudice; Hard Times; 48 Hrs. BMT: Last Man Standing; Another 48 Hrs.; Brewster’s Millions; Supernova; Notes: Nominated for Worst Picture, Blue City (1986) which he produced. Interesting future BMT film.)

Writer(s) – Walter Hill (screenplay) – (Known For: The Warriors; Red Heat; Undisputed; The Getaway; Streets of Fire; Southern Comfort; The Driver; Wild Bill; Hard Times; Alien 3; 48 Hrs.); BMT: Last Man Standing; Another 48 Hrs.; Blue City. Notes: Originally meant to direct Alien, which he wrote the story for.)

Also credits Peter Dexter and Thomas Babe who wrote the novel and play that the screenplay was based on.

Actors – Jeff Bridges – (Known For: The Big Lebowski; Iron Man; True Grit; TRON; K-PAX; Arlington Road; Crazy Heart; The Men Who Stare at Goats; Starman; The Fisher King; Seabiscuit; Surf’s Up; King Kong; The Vanishing; White Squall; The Fabulous Baker Boys; Fearless; The Last Picture Show; The Door in the Floor; Tucker: The Man and His Dream; Against All Odds; Thunderbolt and Lightfoot; The Contender; Cutter’s Way; Heaven’s Gate; Tron Legacy. BMT: The Giver; R.I.P.D. (BMT); Seventh Son; Wild Bill; Blown Away; How to Lose Friends & Alienate People; Stick It; Tideland; The Open Road. Notes: And that’s just a portion of his filmography. Nominated for 6 Oscars, winning for Crazy Horse. Son of famous actor Lloyd Bridges.)

Also stars Ellen Barkin and John Hurt.

Budget/Gross: $30 million / $2,193,982

(Ridiculously gigantic bomb. Probably the strongest reason why this film should be considered BMT worthy. It currently has the 95th worst opening for a wide release (600+ theaters) coming in right behind the classic Mom and Dad Save the World.)

#54 for the Western genre

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(Ooof, right around Heaven’s Gate which has been heralded as somewhat career ending for those involved. The reported budgets aren’t much different even, although Wild Bill came out 10 years later. Cool graph though. People lament the collapse of the genre, and this movie came literally at the end of its gloriously profitable run in the 90’s. Interestingly enough as far as screens are concerned westerns surpassed than peak about 5 years ago. The profitability is probably not there though. Would depend on the budgets I guess. I would guess that in the future VOD releases will include some indie westerns though, they tend to get a solid cult following rather quickly (see Bone Tomahawk).)

Rotten Tomatoes: 40% (9/22)

(And this is the biggest reason why it shouldn’t have been a BMT film. We really tossed and turned over this one. We usually use a pretty strict 40% or lower cutoff for RT scores, and usually when we’ve ventured over that (or couldn’t use the RT score cause the movie is too old) it’s because the film is notably reviled and gained a cult following which boosted the score. Upon investigation, though, this seemed to pretty well earn that 40%. Basically, it was considered not great but not horrible. One thing I will say in defense of this selection is that there were actually 8 uncounted reviews on RT. I found that 2 were good and 6 were bad in my own assessment. This would have put the score at 37% for a respectable 30 RT reviews. It counts!)

Poster – Wild Sklog (A)

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(Love the poster. Aesthetically pleasing to look at and nice color scheme. Only weird thing they do is put a tagline at the top and then another one right below the title. Confusing. Makes it look like the movie is actually called Wild Bill: Take a Walk on the Wild Side. Which would be the worst title in cinematic history.)

Tagline(s) – A legend never dies. (D+)

Take a walk on the wild side. (C+)

(The first is hurting my brain. Why is this the tagline to your film about a legend dying? Not clever either. Despite sounding and looking like a tagline it is a terrible tagline. The second one is actually a little better, which is shocking cause I hated it when I first read it. At least it’s a bit clever in playing on a common phrase.)

Keyword(s) – opium; Top Ten by BMeTric: 49.7 Tell Your Children (1936); 48.3 The Man with the Iron Fists (2012); 42.7 Shanghai Surprise (1986); 32.9 Emmanuelle (1974); 31.8 Missing in Action 2: The Beginning (1985); 31.2 People I Know (2002); 26.7 Above the Law (1988); 25.7 Te wu mi cheng (2001); 23.3 Love (II) (2015); 22.6 Shanghai Knights (2003);

(Wow, what the hell is Tell Your Children? Oh, haha, Reefer Madness, got it, funny. The rest of this list is bonkers. Crazy Seagal films, and like Emmanuelle. Just insane. Would truly be a ridiculous list to “complete”. Doable, only 11 films have a BMeTric over 20.)

Notes – More than 30 years earlier, the part of Wild Bill Hickok was played by Jeff Bridges’ father, Lloyd Bridges, in a 1964 episode of the television series “The Great Adventure” (1963). (great trivia)

Keith Carradine, who played Buffalo Bill Cody in Wild Bill, took the part of Wild Bill Hickock on HBO’s TV series Deadwood (2004), the first episode of which Walter Hill also directed. (Another great piece of trivia!)

Burlesque Preview

Generated on: 2019-11-17

Burlesque (2010) – BMeTric: 21.1

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RogerEbert.com – 2.0 stars – Is this the movie for you? It may very well be. You’ve read my review, and you think I’m just making snarky comments and indulging in cheap sarcasm. Well, all right, I am. “Burlesque” shows Cher and Christina Aguilera being all that they can be, and that’s more than enough.

Trailer – https://www.youtube.com/watch?v=1PiPYAz7f0Q/

Directors – Steve Antin – (BMT: Burlesque;)

Writers – Steve Antin (written by) (as Steven Antin) – (Known For: Inside Monkey Zetterland; Future BMT: Chasing Papi; Gloria; BMT: Proud Mary; Burlesque;)

Actors – Cher – (Known For: Mamma Mia! Here We Go Again; The Player; Mask; The Witches of Eastwick; Moonstruck; Mermaids; Silkwood; Stuck on You; Suspect; Tea with Mussolini; Future BMT: Prêt-à-Porter; Faithful; BMT: Zookeeper; Burlesque; Razzie Notes: Nominee for Worst Supporting Actress for Burlesque in 2011;)

Christina Aguilera – (Known For: Pitch Perfect 2; Get Him to the Greek; Casa de mi Padre; Future BMT: Life of the Party; Zoe; BMT: The Emoji Movie; Burlesque;)

Alan Cumming – (Known For: Eyes Wide Shut; GoldenEye; Spy Kids; X-Men 2; Battle of the Sexes; It’s Complicated; Spy Kids 3: Game Over; Romy and Michele’s High School Reunion; Spy Kids 2: Island of Lost Dreams; Emma; Josie and the Pussycats; Titus; Nicholas Nickleby; The Anniversary Party; Black Beauty; Circle of Friends; Dare; Any Day Now; Second Best; Sweet Land; Future BMT: Son of the Mask; The Flintstones in Viva Rock Vegas; The Smurfs; The Smurfs 2; The Tempest; Boogie Woogie; Strange Magic; Buddy; Gray Matters; Company Man; Plunkett & Macleane; Sir Billi; Neverwas; Maladies; BMT: Spice World; Garfield; Get Carter; Show Dogs; Burlesque; Razzie Notes: Nominee for Worst Supporting Actor for Son of the Mask in 2006;)

Budget/Gross – $55,000,000 / Domestic: $39,440,655 (Worldwide: $89,519,773)

Rotten Tomatoes – 36% (63/174)Campy and clichéd, Burlesque wastes its talented cast (including a better-than-expected Christina Aguilera) on a movie that wavers uncertainly between “bad” and “so bad it’s good.”

Poster – Sklog-lesque

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Tagline(s) – It takes a LEGEND… to make a STAR

Keyword – burlesque;

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Top 10: Burlesque (2010), Stuck on You (2003);

Future BMT: None!

BMT: Burlesque (2010)

EDITOR’S NOTE: The Top 10 have to be released from 1980 onwards and get a theatrical wide release. Amazingly, of the 200+ burlesque films Burlesque is plausibly the only example ever released!

Welcome to Earf (HoE Number 16) – The shortest path through The Movie Database cast lists using only BMT films is: Cam Gigandet is No. 4 billed in Burlesque and No. 4 billed in Trespass, which also stars Nicolas Cage (No. 1 billed) who is in The Wicker Man (No. 1 billed), which also stars Leelee Sobieski (No. 5 billed) who is in Here on Earth (No. 1 billed) => 4 + 4 + 1 + 1 + 5 + 1 = 16. There is no shortest path at the moment.

Notes – The photo of seven-year-old Ali with her mother is actually a photo of a much younger Christina Aguilera with her real-life mother, Shelly Kearns.

Most of the flamboyant costumes worn by Cher were her own clothes, some of which were designed by her longtime friend Bob Mackie (interview on The Graham Norton Show (2007) / 18 Dec. 2010).

Surprisingly, this is Cher’s first musical film.

Cam Gigandet learned how to play the piano especially for the film.

Steve Antin got the idea for this film after watching Christina Aguilera perform as a featured vocalist for The Pussycat Dolls in 2002.

Christina Aguilera’s first choice for the role of Nikki was Emma Stone.

Tess asks Sean what happened to all the good dancers in LA, to which he responds Dancing with the Stars (2005). Their cast mate on this film, Julianne Hough, is one of the professional dancers on the Emmy-Winning show.

The first instrumental Ali dances to during her audition is the background music from “Nasty Naughty Boy,” performed by Christina Aguilera. This tune was replaced in the DVD version.

With a budget of $55 million, Burlesque is one of Screen Gems’ most expensive films outside of the Resident Evil franchise.

Robert Pattinson, Kellan Lutz, Taylor Lautner were considered to play Jack, before the role went to fellow Twilight star Cam Gigandet.

Awards – Nominee for the Razzie Award for Worst Supporting Actress (Cher, 2011)

The Last Airbender Preview

Generated on: 2019-11-17

The Last Airbender (2010) – BMeTric: 89.1

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RogerEbert.com – 0.5 stars – “The Last Airbender” is an agonizing experience in every category I can think of and others still waiting to be invented. The laws of chance suggest that something should have gone right. Not here. It puts a nail in the coffin of low-rent 3D, but it will need a lot more coffins than that.

I close with the hope that the title proves prophetic.

Trailer – https://www.youtube.com/watch?v=-egQ79OrYCs/

Directors – M. Night Shyamalan – (Known For: Split; The Sixth Sense; Unbreakable; Signs; The Village; The Visit; Wide Awake; Future BMT: Glass; BMT: The Last Airbender; After Earth; The Happening; Lady in the Water; Razzie Notes: Winner for Worst Director, and Worst Screenplay for The Last Airbender in 2011; Winner for Worst Director, and Worst Supporting Actor for Lady in the Water in 2007; Nominee for Worst Director, and Worst Screenplay for After Earth in 2014; Nominee for Worst Director, and Worst Screenplay for The Happening in 2009; and Nominee for Worst Screenplay for Lady in the Water in 2007;)

Writers – M. Night Shyamalan (written by) – (Known For: Split; The Sixth Sense; Unbreakable; Signs; The Village; The Visit; Stuart Little; Devil; Wide Awake; Future BMT: Glass; BMT: The Last Airbender; After Earth; The Happening; Lady in the Water; Razzie Notes: Winner for Worst Director, and Worst Screenplay for The Last Airbender in 2011; Winner for Worst Director, and Worst Supporting Actor for Lady in the Water in 2007; Nominee for Worst Director, and Worst Screenplay for After Earth in 2014; Nominee for Worst Director, and Worst Screenplay for The Happening in 2009; and Nominee for Worst Screenplay for Lady in the Water in 2007;)

Actors – Noah Ringer – (Known For: Cowboys & Aliens; BMT: The Last Airbender;)

Nicola Peltz – (Known For: Back Roads; Our House; Youth in Oregon; The Obituary of Tunde Johnson; Future BMT: Deck the Halls; Harold; Affluenza; BMT: The Last Airbender; Transformers: Age of Extinction; Razzie Notes: Nominee for Worst Supporting Actress in 2011 for The Last Airbender; and in 2015 for Transformers: Age of Extinction;)

Jackson Rathbone – (Known For: Twilight; The Twilight Saga: Breaking Dawn – Part 2; The Twilight Saga: Eclipse; Girlfriend; Pali Road; Future BMT: The Twilight Saga: New Moon; The Twilight Saga: Breaking Dawn – Part 1; S. Darko; Samson; Big Stan; BMT: The Last Airbender; Razzie Notes: Winner for Worst Supporting Actor in 2011 for The Last Airbender, and The Twilight Saga: Eclipse;)

Budget/Gross – $150,000,000 / Domestic: $131,772,187 (Worldwide: $319,713,881)

Rotten Tomatoes – 5% (10/189)The Last Airbender squanders its popular source material with incomprehensible plotting, horrible acting, and detached joyless direction.

Poster – The Last Sklogbender

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Tagline(s) – Four nations, one destiny

Keyword – based on cartoon;

TheLastAirbender_based on cartoon

Top 10: Aladdin (2019), Beauty and the Beast (2017), Bumblebee (2018), G.I. Joe: The Rise of Cobra (2009), The Last Airbender (2010), The Flintstones (1994), Transformers (2007), G.I. Joe: Retaliation (2013), Transformers: Age of Extinction (2014), Masters of the Universe (1987);

Future BMT: 82.8 Inspector Gadget (1999), 78.4 The Flintstones in Viva Rock Vegas (2000), 70.8 Mr. Magoo (1997), 69.2 The Flintstones (1994), 66.0 Yogi Bear (2010), 65.9 Teenage Mutant Ninja Turtles III (1993), 64.4 Max Steel (2016), 63.6 Scooby-Doo 2: Monsters Unleashed (2004), 62.4 Fat Albert (2004), 61.2 Underdog (2007);

BMT: The Last Airbender (2010), G.I. Joe: Retaliation (2013), Transformers: Age of Extinction (2014), Teenage Mutant Ninja Turtles (2014), Æon Flux (2005), Dudley Do-Right (1999)

Welcome to Earf (HoE Number 26) – The shortest path through The Movie Database cast lists using only BMT films is: Nicola Peltz is No. 2 billed in The Last Airbender and No. 4 billed in Transformers: Age of Extinction, which also stars Mark Wahlberg (No. 1 billed) who is in Max Payne (No. 1 billed), which also stars Donal Logue (No. 6 billed) who is in Ghost Rider (No. 4 billed), which also stars Nicolas Cage (No. 1 billed) who is in The Wicker Man (No. 1 billed), which also stars Leelee Sobieski (No. 5 billed) who is in Here on Earth (No. 1 billed) => 2 + 4 + 1 + 1 + 6 + 4 + 1 + 1 + 5 + 1 = 26. If we were to watch Samson, Tales from the Crypt: Demon Knight, and Kingdom Come we can get the HoE Number down to 18.

Notes – Dev Patel expressed dissatisfaction with the final film.

The film was intended to be the first part of a trilogy, however due to its poor reception, Nickelodeon scrapped the other two. It wasn’t until 2015 that Nickelodeon decided to revive the trilogy.

The creators of the show, Michael Dante DiMartino and Bryan Konietzko, both hated the film, and officially said they pretend it doesn’t exist.

In Britain, “bender” is a slang term for a male homosexual, so lines in this movie such as “Look out, he’s a bender!” resulted in plenty of giggling in UK movie theaters, making it difficult for audiences to take the film seriously.

The film was originally titled “Avatar: The Last Airbender (2005),” after the TV show on which the film is based. However, James Cameron and 20th Century Fox had already registered the film title Avatar (2009), so the word was dropped from the title to avoid confusion.

In spring of 2010 (before the film’s release), director M. Night Shyamalan was quoted by Entertainment Weekly as saying The Last Airbender was his “best movie”.

Dante Basco, the actor who voiced Zuko in the original series, wanted to play Zuko in the film. Many of the producers also wanted Basco to play the role, but M.Night Shymalan had already chosen Dev Patel for the role. Supposedly some people also believed that Basco, who was in his thirties at the time, may have been too old to be portraying a teenager in a live action movie despite this, apparently few people had any objections to Jackson Rathbone being at least ten years older than his character (Sokka) during the time in which filming was taking place.

The picture Zuko carries of his family is identical to the one from series, seen multiple times throughout the series and hung at the beach house.

Noah Ringer submitted an audition tape of himself doing martial arts with a completely shaved head with Aang’s signature arrow tattoo painted onto his forehead to Paramount Pictures. This video is what won him the role.

Nickelodeon did not give the film any nominations at the 2011 Kids Choice Awards, despite the fact that ‘Airbender’ was a Nickeloden Movies motion picture.

Awards – Winner for the Razzie Award for Worst Supporting Actor (Jackson Rathbone, 2011)

Winner for the Razzie Award for Worst Director (M. Night Shyamalan, 2011)

Winner for the Razzie Award for Worst Eye-Gouging Mis-Use of 3-D (2011)

Winner for the Razzie Award for Worst Screenplay (M. Night Shyamalan, Bryan Konietzko, 2011)

Winner for the Razzie Award for Worst Picture (2011)

Nominee for the Razzie Award for Worst Supporting Actor (Dev Patel, 2011)

Nominee for the Razzie Award for Worst Supporting Actress (Nicola Peltz, 2011)

Nominee for the Razzie Award for Worst Screen Couple/Worst Screen Ensemble (2011)

Nominee for the Razzie Award for Worst Prequel, Remake, Rip-Off or Sequel (2011)