Tag: based on a play

Fresh Horses Preview

“Home sweet home,” Patrick says, looking around at their Delaware mansion. Jamie pulls the shrink wrap off the Citizen Kane DVD and pops it into the player. But before the magic of cinema can wash over them, the doorbell rings. Jamie is annoyed. His first post, “Citizen Kane: Hot or Not?” won’t write itself and he could feel the genius flowing. “Uh, Jamie,” Patrick says from the front door, “you might wanna come see this.” Jamie snaps his laptop shut in disgust, but when he gets to the front door he gasps. A large crowd of people have gathered on the lawn. “Seems like the video of us kicking that guy off the train went viral,” Patrick says. Out of the crowd comes the Mayor. He grabs them by the hands and faces the cameras. “Ladies and Gentlemen, these boys here saved the train!” Everyone cheers. “Not only that, but I reckon this viral video could save the town. Really pump up the volume on local tourism. That’s why I’ve come here to ask the Good Movie Twins to help promote our latest venture, the local racetrack.” Everyone looks on hopefully. “We really have to get back to Citizen Kane,” Jamie says gruffly, but before he can head back inside Patrick grabs his shoulder and exclaims loudly, “But before then we’d be happy to help.” The crowd erupts. An hour later Jamie and Patrick find themselves at the track. Patrick squints his eyes, “Where are the horses?” he asks, confused. “That’s just it, we don’t have any,” the mayor admits. At that, inspiration hits and Patrick take out the Good Movie Twins rulez to change Rule #4 to read, “Animals”. Easy enough. “Horses, coming right up,” they say, putting on their sunglasses, “and these horses are gonna be fresh.” That’s right! We are watching *checks notes* Fresh Horses… wait, that can’t be right. Let’s go!

Fresh Horses (1988) – BMeTric: 24.1; Notability: 28

StreetCreditReport.com – BMeTric: top 15.6%; Notability: top 13.2%; Rotten Tomatoes: top 0.0%; Higher BMeT: Mac and Me, Caddyshack II, Police Academy 5: Assignment: Miami Beach, Poltergeist III, Friday the 13th Part VII: The New Blood, Johnny Be Good, Alien from L.A., Arthur 2: On the Rocks, My Stepmother Is an Alien, Big Top Pee-wee, Red Scorpion, Cocoon: The Return, Two Moon Junction, Critters 2, Hot to Trot, Return of the Killer Tomatoes!, 976-EVIL, Halloween 4: The Return of Michael Myers, Short Circuit 2, Action Jackson, and 19 more; Higher Notability: Action Jackson, Sunset, High Spirits, Big Top Pee-wee, Caddyshack II, My Stepmother Is an Alien, Moving, Cocoon: The Return, The Couch Trip, License to Drive, Vibes, Cocktail, Arthur 2: On the Rocks, Hot to Trot, The Seventh Sign, Mac and Me, Police Academy 5: Assignment: Miami Beach, Bad Dreams, The Presidio, Short Circuit 2, and 13 more; Notes: Yeah it got 0% on RT so naturally nothing is beating that. I’m shocked by the Notability. But I suppose when you have had 35 years to make people famous having 30 famous people involved in your movie is almost inevitable? Then again, only 33 or so films had higher that year. The 80s were a wild time where this was definitely a major release and yet until this very moment I had no idea this movie existed.

Leonard Maltin – 2.5 stars –  Collegian McCarthy, engaged to a wealthy dullard, falls for Ringwald’s underage no-no, a semi-shantytramp who lives across the river from his Cincinnati campus. Slightly better than expected, thanks to fine Midwest location work from the director of Hoosiers. Ringwald isn’t totally convincing in the kind of role Gloria Grahame invented.

(First, loving the non-word “semi-shantytramp”. Also loving the name drop of Gloria Grahame. Only made better by having just watched It’s a Wonderful Life where … I guess that’s what he’s talking about. Regardless, given her character in that film I can definitely understand the reference despite not having seen any of her other major roles.)

Trailer – https://www.youtube.com/watch?v=POguCw3CIhc/

(Jesus Christ. I suppose it should be mentioned he’s engaged at the start of the film, she’s 16, and the whole film is insanity. What is the opposite of being hyped for a film? The Anti-Money Train?)

Directors – David Anspaugh – ( Known For: Rudy; Hoosiers; The Game of Their Lives; WiseGirls; Little Red Wagon; Future BMT: Moonlight and Valentino; BMT: Fresh Horses; Notes: Won two Emmys for Hill Street Blues. Was apparently personally recommended for USC film school by Jack Nicholson.)

Writers – Larry Ketron – ( Known For: Permanent Record; Vital Signs; The Only Thrill; BMT: Fresh Horses; Notes: Contributed to the TV Movie Ghost Cat in 2004.)

Actors – Molly Ringwald – ( Known For: The Breakfast Club; Sixteen Candles; Pretty in Pink; The Kissing Booth; Siberia; The Kissing Booth 3; The Kissing Booth 2; The Pick-up Artist; King Cobra; Tempest; SPF-18; King Lear; Betsy’s Wedding; Office Killer; Malicious; Cowboy Up; Cut; All These Small Moments; Strike It Rich; Bad Night; Future BMT: Not Another Teen Movie; Teaching Mrs. Tingle; Jem and the Holograms; Spacehunter: Adventures in the Forbidden Zone; For Keeps?; BMT: Fresh Horses; Razzie Notes: Nominee for Worst Actress for Betsy’s Wedding in 1991; Notes: Was a John Hughes staple of the 80s. I always assumed she was way more famous than she actually was because I watched The Breakfast Club so many times as a kid.)

Andrew McCarthy – ( Known For: Pretty in Pink; St. Elmo’s Fire; The Spiderwick Chronicles; Weekend at Bernie’s; Less Than Zero; The Joy Luck Club; The Good Guy; Mrs. Parker and the Vicious Circle; Only You; Quiet Days in Clichy; Main Street; Stag; Getting In; I Woke Up Early the Day I Died; New Waterford Girl; Night of the Running Man; Camp Hell; The Beniker Gang; Things I Never Told You; Waiting for the Moon; Future BMT: Class; Mulholland Falls; Heaven Help Us; Year of the Gun; Kansas; BMT: Mannequin; Fresh Horses; Weekend at Bernie’s II; Notes: One of the eight original members of the Brat Pack. Emelio Estevez, Charlie Sheen, Rob Lowe, Judd Nelson, him, Molly Ringwald, Ally Sheedy, … that’s all I got. Sheen isn’t actually one, and I was missing Anthony Michael Hall, Demi Moore)

Patti D’Arbanville – ( Known For: Real Genius; Morning Glory; World Trade Center; Time After Time; Bilitis; Celebrity; The Extra Man; The Boys Next Door; Big Wednesday; Modern Problems; Rancho Deluxe; The Main Event; Flesh; Call Me; The Fifth Floor; Personal Velocity; Hog Wild; Happy Tears; L’Amour; Future BMT: The Fan; Wired; BMT: I Know What You Did Last Summer; Perfect Stranger; Fresh Horses; Fathers’ Day; Notes: Apparently she’s the one being referred to in the Cat Stevens song Lady D’Arbanville. Was married to Terry Quinn for a long time … which has only occurred to me now is not Terry O’Quinn from Lost.)

Budget/Gross – $14 million / Domestic: $6,640,346 (Worldwide: $6,640,346)

(How … how did this movie make $6 million. It makes no sense. I dare anyone to find someone who watched this film in theaters when it came out.)

Rotten Tomatoes – 0% (0/6)

(Oh I get to make a consensus: What the hell did I just watch? Is this a movie? Am I alive? Where am I? Who am I? What are words? What is life?)

Reviewer Highlight: Bad bad bad, stunningly bad. – Nell Minow, Movie Mom

Poster – Dope Horses

(Egad! This poster has me thinking this film is an elaborate joke of some kind. That one is a solid C-. Super pretentious, but is it wrong that I kinda like the bold purple with the black and white picture and simple yellow lettering? The colors are… fresh.)

Tagline(s) – Love doesn’t have to last a lifetime. (C+)

(Huh… I mean it certainly gets to the point. Almost gives away what should be left to the audience. Not clever either, but it’s more interesting than it should be. It feels intriguing, which is something.)

Keyword(s) – good

Top 10: Good Will Hunting (1997), The Hunger Games: Catching Fire (2013), Harry Potter and the Goblet of Fire (2005), The Great Gatsby (2013), Hot Fuzz (2007), Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), Fantastic Beasts and Where to Find Them (2016), The Wizard of Oz (1939), Man on Fire (2004), The Nice Guys (2016)

Future BMT: 67.4 Phat Girlz (2006), 63.2 Hot Tub Time Machine 2 (2015), 60.6 Like a Boss (2020), 56.2 The Fly II (1989), 51.7 Playing with Fire (2019), 51.6 The Boss (2016), 51.0 Johnny Be Good (1988), 50.6 The Hot Chick (2002), 49.9 Arthur 2: On the Rocks (1988), 48.4 Fantastic Four: Rise of the Silver Surfer (2007), 47.1 Barney’s Great Adventure (1998), 45.1 Fly Me to the Moon 3D (2007), 44.9 Fantastic Four (2005), 40.4 No Good Deed (2014), 39.4 Good Burger (1997), 37.2 The Great Wall (2016), 37.0 Stroker Ace (1983), 36.3 Milk Money (1994), 34.7 Mad Money (2008), 34.3 Mo’ Money (1992)

BMT: Epic Movie (2007), Fantastic Four (2015), The Ridiculous 6 (2015), Cool as Ice (1991), Cool World (1992), A Good Day to Die Hard (2013), Hot Pursuit (2015), One for the Money (2012), Fire Down Below (1997), Air Bud: Golden Receiver (1998), Fire Birds (1990), Good Luck Chuck (2007), Be Cool (2005), Chill Factor (1999), Money Train (1995), Hot to Trot (1988), The Golden Child (1986), Righteous Kill (2008), Sweet Home Alabama (2002), The Wizard (1989), Fresh Horses (1988), Hunter Killer (2018)

Best Options (Romance): 49.9 Arthur 2: On the Rocks (1988), 37.0 Stroker Ace (1983), 36.3 Milk Money (1994), 32.1 Good Deeds (2012), 24.4 Fresh Horses (1988), 21.6 For Love or Money (1993), 19.1 Other People’s Money (1991), 14.3 Sweet November (2001), 12.0 Great Expectations (1998), 10.6 A Good Year (2006)

(Arthur 2 is going to be done in a few weeks. The rest are more like … comedies with romantic elements maybe? Milk Money for sure is about kids hiring prostitutes, not exactly traditional romance.)

Welcome to Earf (HoE Number 17) – The shortest path through The Movie Database cast lists using only BMT films is: Andrew McCarthy is No. 2 billed in Fresh Horses and No. 1 billed in Mannequin, which also stars Estelle Getty (No. 3 billed) who is in Stop! Or My Mom Will Shoot (No. 2 billed) which also stars Sylvester Stallone (No. 1 billed) who is in The Expendables 3 (No. 1 billed) which also stars Jason Statham (No. 2 billed) who is in In the Name of the King: A Dungeon Siege Tale (No. 1 billed) which also stars Leelee Sobieski (No. 3 billed) who is in Here on Earth (No. 1 billed) => (2 + 1) + (3 + 2) + (1 + 1) + (2 + 1) + (3 + 1) = 17. If we were to watch Little Fockers we can get the HoE Number down to 15.

Notes – The film was made and first released about two years after its source stage play by Larry Ketron had been first performed Off Broadway on 11th February 1986 at the WPA Theatre in New York where it starred in its lead roles Craig Sheffer and Suzy Amis. They are played in the movie by Andrew McCarthy and Molly Ringwald respectively. Larry Ketron penned this screen adaptation of his own play.

The meaning and relevance of the title phrase ”Fresh Horses” is that it is a term used for horses that riders use to replace their tired horses during a long ride. This is referred to by Tipton, who argues at one point that men have an urge to want to switch out their tired used up horses for fresh unridden ones, horses meaning women in this case.

One of the few PG-13 rated movies that allowed the use of the word f-word more than one time and still maintain its rating. Neither use was in a sexual connotation.

Second and final of two theatrical feature film collaborations of actor Andrew McCarthy and actress Molly Ringwald who had both previously starred together in the 1980’s hit movie ‘Pretty In Pink’ (1986) about a couple of years earlier.

Mary Stuart Masterson was attached to star in the lead female role of Jewel with her father Peter Masterson attached to direct the film according to an article published in the 20th March 1987 edition of show-business trade-paper ‘Daily Variety’. However, neither ended up working on the picture with the Columbia Pictures studio executives going for the re-teaming of the stars of ‘Pretty in Pink’ (1986), who were Andrew McCarthy and Molly Ringwald.

Allan Marcil, executive producer on the picture, according to the film’s production notes, wanted to shoot the picture near the Ohio-Kentucky border region where his wife grew up. This was because the geographic boundary provided a cultural and social dichotomy necessary to the story.

The song No Tomorrow by David Foster, Kenny Loggins, Arlene Matza and performed by George Hawkins is used during the end credits in the theatrical and the VHS version of the film.

The Odd Couple II Preview

As Rich and Poe do their final backflip over a trap door deep with the goblin tomb they espy their final prize: the gleaming blade of Hammerthorn’s Sword. When Rich grabs ahold his eyes shine with greed. “Let’s take it back. This must be worth a fortune,” he whispers urgently to Poe, “Forget the world. Forget everything. Think of the money.” Poe is aghast and attempts to subdue Rich. There is a tussle and suddenly we hear a gun go off. Who has been shot? We don’t know! That is until Rich drops to the ground… dead. Poe falls to his knees and screams to the heavens as rain mingles with his tears, “Nooooooooooooooo!”… Suddenly Rich awakens. They had fallen blissfully asleep just before grabbing the sword. Rich and Poe look at each other and whisper solemnly, “Never.” Just then there is a shudder and a beam of light illuminates the cavern. From a gleaming portal an elevator arrives and Sorsaron and Brawln emerge. “Perfection,” Brawln exclaims. “Pure magic,” agrees Sorsaron. At that they quickly take the sword and snap it in half. “A mere geegaw,” Brawln exclaims and takes out an ancient scroll. When Brawln reads from the scroll their mouths run dry. “From ancient warriors they are born. Through time and space they have been torn. Save their worlds and close the way. The gamemaster destined to slay. Mismatched now in all known ways. Besides their gleaming abs for days.” Sorsaron weeps silently as Brawln speaks softly, “You see? You passed all the tests. You are the Mismatched Warriors born again. But now we must hurry to the school, before the gamemaster realizes what you have discovered.” And with that Brawl unfurls a couple of dope wingsuits. “Rad.” That’s right! We are watching the sequel that everyone was hoping and waiting for. We all demanded it and we got it: The Odd Couple II. The 90’s were a wild time. The money was flowing and a couple of septuagenarians routinely opened major Hollywood motion pictures. This also acts as the transition to the next cycle, but that can wait until next week.

The Odd Couple II (1998) – BMeTric: 13.2; Notability: 45 

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(I’m genuinely surprised it has risen in rating so much … Who is watching The Odd Couple II? People who were watching the old show? People around when Lemmon, Matthau, and Simon died? Who?)

RogerEbert.com – 1.5 stars – Watching Walter Matthau and Jack Lemmon make the talk show circuit, trading one-liners and barbs like a vaudeville team, I imagined a documentary simply showing them promoting this film. They’re funny, familiar, edgy and smart. “The Odd Couple II” is none of those things, and a much longer list could be made of other things it is not.

(Oooooof. Basically, this film is pointless and I hate it. The two leads are still great, just not in this movie, so just watch those other movies they are great in … I am suddenly not really looking forward to this.)

Trailer – https://www.youtube.com/watch?v=BSsjfuxlTu0/

(Huh … I’m getting whiffs of My Fellow Americans from this. Remember that film? Lemmon really had a streak going of starring in comedies … it was wild stuff.)

Directors – Howard Deutch – (Known For: Pretty in Pink; The Replacements; Some Kind of Wonderful; The Great Outdoors; Article 99; Future BMT: Getting Even with Dad; My Best Friend’s Girl; Grumpier Old Men; BMT: The Whole Ten Yards; The Odd Couple II; Notes: Married to Lea Thompson. His daughter is Zoey Deutch who we have seen in the BMT classic Dirty Grandpa.)

Writers – Neil Simon (written by) – (Known For: Murder by Death; Barefoot in the Park; The Odd Couple; Biloxi Blues; The Goodbye Girl; Sweet Charity; Seems Like Old Times; The Heartbreak Kid; Plaza Suite; California Suite; Brighton Beach Memoirs; The Cheap Detective; After the Fox; The Out of Towners; The Sunshine Boys; The Lonely Guy; Max Dugan Returns; The Prisoner of Second Avenue; Lost in Yonkers; Only When I Laugh; Future BMT: The Heartbreak Kid; The Out-of-Towners; The Slugger’s Wife; BMT: The Marrying Man; The Odd Couple II; Notes: Biloxi Blues is the middle story in a trilogy, all of which started on Broadway and eventually were adapted for the screen (although the third one was a television movie). This is actually the rare film of his that didn’t start out as a play.)

Actors – Jack Lemmon – (Known For: Some Like It Hot; The Apartment; The China Syndrome; The Great Race; JFK; Grumpy Old Men; Glengarry Glen Ross; Avanti!; The Player; Hamlet; Short Cuts; The Legend of Bagger Vance; Missing; The Odd Couple; Irma la Douce; The Front Page; Mister Roberts; Bell Book and Candle; Dad; Days of Wine and Roses; Future BMT: Airport ’77; Out to Sea; Getting Away with Murder; Grumpier Old Men; BMT: The Odd Couple II; Notes: He taught himself piano (and played it professionally in a beer hall at one point in his life). He wrote the theme for the movie Tribute.)

Walter Matthau – (Known For: Lonely Are the Brave; JFK; Grumpy Old Men; Charade; Strangers When We Meet; The Bad News Bears; Earthquake; Hello, Dolly!; The Taking of Pelham One Two Three; Fail-Safe; The Odd Couple; Cactus Flower; Candy; The Front Page; A Face in the Crowd; Charley Varrick; The Fortune Cookie; King Creole; I.Q.; Plaza Suite; Future BMT: Hanging Up; Dennis the Menace; The Survivors; The Couch Trip; Out to Sea; Pirates; Grumpier Old Men; BMT: The Odd Couple II; Notes: Apparently he was a prolific gambler. He once estimated his lifetime losses at $5 million. Even prior to becoming an accomplished actor he apparently lost $100K on spring training baseball while shooting a television series in Florida.)

Richard Riehle – (Known For: Bridesmaids; 3 from Hell; Casino; Wedding Crashers; The Fugitive; Office Space; Free Willy; Fried Green Tomatoes at the Whistle Stop Cafe; Fear and Loathing in Las Vegas; Lethal Weapon 4; Glory; Of Mice and Men; Ken Park; Black Rain; Iron Will; Hatchet; Executive Decision; Mighty Joe Young; Pee-wee’s Big Holiday; Mysterious Skin; Future BMT: Texas Chainsaw 3D; Halloween II; Jury Duty; Bad Ass; Unconscious; Judy Moody and the Not Bummer Summer; The Fan; Contracted: Phase II; Joe Dirt; Lightning Jack; Lovesick; Big Stan; Desperate Measures; Time Changer; Spinning Into Butter; One Eight Seven; There’s Always Woodstock; BMT: Body of Evidence; Say It Isn’t So; Transformers: Age of Extinction; Deuce Bigalow: Male Gigolo; Mercury Rising; Stuart Saves His Family; The Odd Couple II; Notes: Was considered for the role of Cliff in Cheers (I can see it). You would recognize him as the Jump to Conclusions guy from Office Space.)

Budget/Gross – N/A / Domestic: $18,912,328 (Worldwide: $18,912,328)

(That seems … probably bad. Let me just check Grumpier Old Men. Yeah, so that made over $70 million on a $25 million budget. My guess is this was a huge financial flop.)

Rotten Tomatoes – 27% (8/30)

(I’ll just life Ebert’s tag entirely for the consensus: The movie has no purpose for being. Reviewer Highlight: Now that they’re literally grumpy old men, you just want them to shut up. – Owen Gleiberman, Entertainment Weekly)

Poster – Sklog Couple II: Old Sklogs (B-)

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(I wonder if you look back on things whether you would point to Cocoon as the start of the “old people headlining films” trend that continues to today with Robert De Niro and Diane Keaton and the like churning out hits. Or maybe funny old people has always been a genre. I don’t know but it seems insane. Font is OK, as is the framing. But could have better color scheme and otherwise really leaning heavily on that natural old person appeal.)

Tagline(s) – Some arguments stand the test of time (A-)

(I like the cleverness and probably just avoids being too long. All around it’s pretty good as it tells me a little of the story in a small, clever package.)

Keyword – old friend

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Top 10: Once Upon a Time… in Hollywood (2019), Crazy Rich Asians (2018), Road House (1989), Ocean’s Eight (2018), Sweet Home Alabama (2002), Predator (1987), The Equalizer 2 (2018), Tully (2018), If Beale Street Could Talk (2018), The Judge (2014)

Future BMT: 50.0 The Sin Eater (2003), 38.2 You Again (2010), 21.8 Empire (2002), 18.1 Stand Up Guys (2012);

BMT: Road House (1989), Sweet Home Alabama (2002), Crossroads (2002), Bratz (2007), The Odd Couple II (1998), Mr. Woodcock (2007)

(This is kind of a weird one. In reality this is, again, a film without good keywords. I wish I could have combined them in some capacity. I’ll have to get on that. ((old man) || (old friend)) && (roommate) would be amusing I think, it just feels like you could get some interesting logic going.)

Welcome to Earf (HoE Number 21) – The shortest path through The Movie Database cast lists using only BMT films is: Richard Riehle is No. 3 billed in The Odd Couple II and No. 7 billed in Deuce Bigalow: Male Gigolo, which also stars William Forsythe (No. 2 billed) who is in 88 Minutes (No. 5 billed), which also stars Leelee Sobieski (No. 3 billed) who is in Here on Earth (No. 1 billed) => 3 + 7 + 2 + 5 + 3 + 1 = 21. If we were to watch The Survivors, Jack, and The Glass House we can get the HoE Number down to 12.

Notes – This sequel to The Odd Couple (1968) was made and released about thirty years after the original. This is possibly the longest gap between the release of the original film and a sequel where all the main lead actors reprise their roles.

After ten films teamed together, this film was the final feature film collaboration of actors Walter Matthau and Jack Lemmon.

This Neil Simon movie was written directly for the screen and was not based on a Neil Simon play as many of his other films had been, such as the original The Odd Couple (1968).

The penultimate theatrical feature film for both Walter Matthau and Jack Lemmon. Matthau’s last was Hanging Up (2000) whilst Lemmon’s last was The Legend of Bagger Vance (2000).

The movie was one of a handful of films made during the 1990s which re-teamed the comedy duo of Walter Matthau and Jack Lemmon who had not worked together onscreen since 1981’s Buddy Buddy (1981). The pictures included Grumpy Old Men (1993), Out to Sea (1997), Grumpier Old Men (1995) and The Odd Couple II (1998).

The only ever “pure” motion-picture industry sequel to a Neil Simon written feature film i.e. it didn’t pre-exist in another form. Neil Simon’s Biloxi Blues (1988) and Broadway Bound (1992) were both sequels to Simon’s Brighton Beach Memoirs (1986) but the trilogy pre-existed as theatrical plays first.

Oscar mentions betting on a horse race at one point. This is likely a reference to the television version of ‘The Odd Couple’ in which Oscar (like the actor who played him, Jack Klugman) was a horse player.

ten films teamed together, this film was the final feature film collaboration of actors Walter Matthau and Jack Lemmon.

This Neil Simon movie was written directly for the screen and was not based on a Neil Simon play as many of his other films had been, such as the original The Odd Couple (1968).

The penultimate theatrical feature film for both Walter Matthau and Jack Lemmon. Matthau’s last was Hanging Up (2000) whilst Lemmon’s last was The Legend of Bagger Vance (2000).

The movie was one of a handful of films made during the 1990s which re-teamed the comedy duo of Walter Matthau and Jack Lemmon who had not worked together onscreen since 1981’s Buddy Buddy (1981). The pictures included Grumpy Old Men (1993), Out to Sea (1997), Grumpier Old Men (1995) and The Odd Couple II (1998).

The only ever “pure” motion-picture industry sequel to a Neil Simon written feature film i.e. it didn’t pre-exist in another form. Neil Simon’s Biloxi Blues (1988) and Broadway Bound (1992) were both sequels to Simon’s Brighton Beach Memoirs (1986) but the trilogy pre-existed as theatrical plays first.

Oscar mentions betting on a horse race at one point. This is likely a reference to the television version of ‘The Odd Couple’ in which Oscar (like the actor who played him, Jack Klugman) was a horse player.

The Women (2008) Preview

Usually I start off the preview for a film by talking about how excited I am to watch it. Not this time! For the Girls Night Out section we jumped to an adaptation of a play. While we had a number of terrible musicals to choose from we at the BMT Media Empire HQ are always looking to buck trends. That’s right! We’re watching The Women… you know, that dramedy you definitely know came out starring Meg Ryan and an ensemble of women living it up in the Greater New York City Area. It’s based on the 1936 play by Clare Booth Luce, which ran on Broadway for a number of years and has been revived and adapted for the screen many times over. This is the latest such adaptation and the critics were less than thrilled. I’m less than thrilled to watch it. Thank god it’s only… 2 hours long! Gah! Let’s go!

The Women (2008) – BMeTric: 58.9

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(This movie actually has a bit more votes than I would expect, and the number seems to just keep on growing. That initial rise is somewhat interesting, why would the early viewers hate on this movie so? Especially when the thousands of viewers that voted subsequently seem to agree with is about a ~5/10 film. I’m going to go ahead a assume it is a case of Early Viewers Are Fans syndrome, and that they tend towards hating what fails to meet expectations. But … who would have expectations about The Women? God … I hope this isn’t a The Internet Hates Things Aimed At Women thing. I really do.)

Roger Ebert – 3 stars –  “The Women” isn’t a great movie, but how could it be? Too many characters and too much melodrama for that, and the comedy has to be somewhat muted to make the characters semi-believable. But as a well-crafted, well-written and well-acted entertainment, it drew me in and got its job done.

(Wowza, is that two in a row? Very interesting take ultimately. I think he admired the actresses so much (as almost pitch perfect for the movie they were creating) he got a little blinded that the movie was in fact (as he even admits) just not good. We’ll see though. Maybe we’ve discovered a hidden gem.)

Trailer – https://www.youtube.com/watch?v=RlxwcwESDkQ

(I have to say… that didn’t look like the most boring thing in the world for one reason: literally everyone in the trailer is a woman. Even the extras and shit. It’s actually amazing and might make the film at least visually interesting to look at.)

Directors – Diane English – (BMT: The Women; Notes: Effectively her one-and-done directorial project. There is another movie called Timbuktu but it seems like it was never released.)

Writers – Diane English (screenplay) – (BMT: The Women; Notes: Well known as a writer for Murphy Brown. The Women was her only writing gig after that series went off the air. But guess what? There is going to be a new season of Murphy Brown (with Candice Bergen) this year, 20 years after its last season!)

Clare Boothe Luce (play) – (Known For: The Women; BMT: The Women; Notes: Was the U.S. Ambassador to Italy under Dwight D. Eisenhower.)

Anita Loos (1939 screenplay) – (Known For: Gentlemen Prefer Blondes; The Women; San Francisco; Babes in Arms; Strange Cargo; BMT: The Women; Notes: An early screenwriter in Hollywood (her first screenplay was for a Griffith film in 1912). Her brother created the Blue Cross health insurance company.)

Jane Murfin (1939 screenplay) – (Known For: Pride and Prejudice; The Women; Come and Get It; BMT: The Women; Notes: She brought Strongheart the dog, Hollywood’s first canine film star, to the U.S. in the 20s.)

Actors – Meg Ryan – (Known For: Top Gun; You’ve Got Mail; Anastasia; When Harry Met Sally…; Sleepless in Seattle; Innerspace; The Doors; In the Land of Women; Kate & Leopold; Addicted to Love; City of Angels; Proof of Life; Courage Under Fire; French Kiss; When a Man Loves a Woman; Restoration; Joe Versus the Volcano; The Presidio; I.Q.; Flesh and Bone; Future BMT: Hanging Up; Amityville 3-D; In the Cut; Against the Ropes; Serious Moonlight; Armed and Dangerous; Ithaca; BMT: The Women; Notes: Mostly known for co-starring with Tom Hanks as love interests in three separate movies: Sleepless in Seattle, Joe Versus the Volcano, and You’ve Got Mail. She was married to Dennis Quaid for about 10 years.)

Eva Mendes – (Known For: Training Day; The Place Beyond the Pines; Fast & Furious 5; The Other Guys; Hitch; Once Upon a Time in Mexico; Stuck on You; Last Night; Out of Time; We Own the Night; Holy Motors; Bad Lieutenant; The Wendell Baker Story; Live!; Future BMT: The Spirit; Urban Legends: Final Cut; Exit Wounds; Lost River; Trust the Man; All About the Benjamins; Girl in Progress; Cleaner; A Night at the Roxbury; BMT: Ghost Rider; The Women; 2 Fast 2 Furious; Notes: Cuban-American, she’s the only one in her family to have been born in the U.S., her three siblings were born in Cuba.)

Annette Bening – (Known For: American Beauty; 20th Century Women; Film Stars Don’t Die in Liverpool; Mars Attacks!; Open Range; Rules Don’t Apply; The American President; The Great Outdoors; Ruby Sparks; The Kids Are All Right; Danny Collins; The Grifters; Bugsy; The Siege; Valmont; Regarding Henry; Postcards from the Edge; Ginger & Rosa; Richard III; What Planet Are You From?; Future BMT: In Dreams; Girl Most Likely; Running with Scissors; Love Affair; BMT: The Women; Notes: She was the original choice for Catwoman in Batman Returns, but had to drop out when she became pregnant. She’s been married to Warren Beatty for nearly 30 years.)

Budget/Gross – $16 million / $26,902,075 ($50,007,546 Worldwide)

(Eh, below what it probably expected. For a film like this you’d kind of want to double those numbers I would think. Not a bomb, but not really raking in much cash … unless The Women talk over their problems with a refreshing ice-cold Bud Light at one point that is.)

Rotten Tomatoes – 13% (19/146): The Women is a toothless remake of the 1939 classic, lacking the charm, wit and compelling protagonists of the original.

(Again, thank you RT. I guess this consensus is old enough to actually be useful. This is a brutal score for a film like this. I can only assume it is disastrously boring, which doesn’t bode well for me staying awake watching it on a plane. Reviewer Highlight: One of the worst movies I’ve ever seen.” – Richard Schickel, Time Magazine)

Poster – The Sklogettes (F)

women_ver2

(Nooooooooooooooooo. Why does this keep happening. Look at all the people! Look at the basic white color of it. Dear god, look at the spacing. Even the font is shit.)

Tagline(s) – It’s all about… (F)

(Lol. Wot? I mean I get it… it’s all about The Women but still… lol. Wot?)

Keyword(s) – divorce; Top Ten by BMeTric: 81.9 Kazaam (1996); 78.8 Striptease (1996); 77.7 Bratz (2007); 64.2 Dr. T & the Women (2000); 63.1 North (1994); 63.1 Beethoven’s 2nd (1993); 63.1 Ben & Arthur (2002); 62.1 Sliver (1993); 58.9 Mr. Woodcock (2007); 58.9 The Women (I) (2008);

(Oh shit, Kazaam. I’ve seen this movie (well, the first half of it …) so many times. Dr. T weirdly doesn’t qualify for BMT actually, so looks like we’ll never complete this list. My favorite movie with divorce? Why not Mrs. Doubtfire, great stuff.)

Notes – Tanya the manicurist (Debi Mazar) talks about meeting Madonna. Mazar and Madonna are long-time friends; Mazar appeared in four Madonna music videos: “True Blue” and “Papa Don’t Preach” (1986), “Deeper and Deeper” (1992) and “Music” (2000).

Like the 1939 version, the film has an all-female cast. (noice)

While the project was being put together in Julia Roberts and Meg Ryan were set to star. The production stalled because Roberts and Ryan ended up wanting the same role.

The painting in the restaurant scene features Courtney Love and Anna Nicole Smith.

In The Women (1939) the only scene in color was the fashion show sequence. In this version the fashion show begins with all-black and white clothes, and the scene before it takes place in a black-and-white room.

In the late 1970’s a remake of the 1939 classic was proposed to star Jane Fonda, Barbra Streisand, and Faye Dunaway, but it was not made. (That sounds like this could have been fun)

Blythe Danner, Marisa Tomei, Queen Latifah, Whitney Houston, Ashley Judd and Sandra Bullock were all in the running for various parts in the film.

For scenes planned on being shot in the Boston Public Library, it was suggested that all the portraits and busts of men to be replaced with those of women. However, the scene was never shot. (Excuuuuuuse me? You talking ‘bout the Boston Public Library? Why would you not shoot that?)

There is an abundance of the use of the color green, from the color of the sets, props, costumes, in almost every scene throughout the movie. In the final fashion show, except for the models, almost every guest is wearing green.

Candice Bergen previously played Meg Ryan’s mother in Rich and Famous (1981).

Edie’s (Debra Messing) daughters are called January, April, May and June. The last three are the names of Daisy Duck’s nieces (counterparts to Donald Duck’s nephews Huey, Dewey and Louie).

Before development was put on hold in 2006, Annette Bening and Uma Thurman were rumored to have been considered for the roles of Mary Haines and Crystal Allen respectively. Also Lisa Kudrow and Anne Hathaway were in talks for the roles of Mirian Aarons and Peggy Day, but the roles were cut out of the final script.

According to Diane English, the project was in development, from the first draft to the final green light, for fifteen years. (Jesus. No wonder it ended up being a mess)

The original Broadway production opened on 7 September 1937 and had 666 performances at the Ethel Barrymore Theatre in New York. (666? How does that happen I wonder. I would think with how superstitious theater operators are that they would have avoided it)

“The Women’s” screenwriter Anita Loos who wrote this film’s original 1939 screenplay, started her writing career in 1912 with her first full film screenplay The Musketeers of Pig Alley (1912) starring Lillian Gish for the American Mutoscope & Biograph Co. which is still in existence today. After writing many scripts for Biograph, Loos went on to write such other films such as Saratoga (1937), Another Thin Man (1939), San Francisco (1936), A Tree Grows in Brooklyn (1945), and Gentlemen Prefer Blondes (1953).

Except for the newly-born baby boy in the final scene, there are no male characters in the entire film, not even the extras in wide shots. (That is actually quite cool)

Nominated for the Razzie Award for Worst Actress (Annette Bening, Eva Mendes, Debra Messing, Jada Pinkett Smith, Meg Ryan)