The Glimmer Man Recap

Jamie

When a kooky new age cop with a shady background, Jack Cole, is partnered with Jim Campbell on a serial killer case it seems like they might drive each other crazy. But as the case gives way to a larger conspiracy, they join forces to punch and kick their way to justice. Can they stop the bad guys before it’s too late? Find out in… The Glimmer Man.

How?! Jack Cole is a different breed of cop: a peaceful warrior with a shady past. He’s partnered with Jim Campbell, a straight-laced cop who finds Cole’s methods a little odd. Oh boy, hopefully they can solve the Family Man murders before they drive each other up the wall! In a wild coincidence, they stumble into the middle of a hostage situation that puts them at odds with one of the most powerful men in LA, Frank Deverell… who happens to be behind a string of contract killings being disguised as part of the Family Man murders. In an even crazier twist of fate, Cole’s ex-wife and new husband are the next victims of the Family Man… or so it would seem. Suddenly, Campbell is a bit suspicious of his partner (I mean… there have been several major coincidences in the 48 hours since he showed up) and Cole is starting to think all these things must be connected. Cole gets a lead on the real Family Man killer and realizes that the latest killings are the work of a pro right before having to blow him away. Deverell starts to suspect that things are unravelling and sends his hitman after Campbell who narrowly escapes. Cole and him quickly go and save Johnny from getting snubbed by his own father and find out that this is all part of a plan by Deverell to sell chemical weapons to the Serbian Mafia. They confront the contract killer downtown during the sale and a climactic shootout ensues in which Cole shows just why they called him… The Glimmer Man. THE END.

Why?! Fate? Or so it would seem considering the coincidences that were in play. Deverell loves money and wants to get some by selling weapons to the Serbian Mafia. How could he know that the person he hired to take care of loose ends would also happen to be the former employer of the cop investigating the murders that he’s using as a cover… and that this cop’s ex-wife is married to his son’s psychiatrist… and that this cop would also save said son during a police stand-off… all in a matter of a week.

Who?! Do we not consider Steven Seagal a musician? No? But are you sure? Still no? OK. The only other thing of note is that this was an early film for Alexa Vega, who went on to star in the Spy Kids films. She gets a very brief scene as Steven Seagal’s daughter.

What?! Major marketing push here for powdered deer penis. They really get a lot out of that joke and I’m sure sales got the classic Seagal bump following the release of the film. As for props there isn’t really much for sale… but there is a 1996 Glimmer Man t-shirt for sale on Etsy. Feels appropriate that it only comes in XL. I also want to point out that this has several clear films shown within the film. Most notably Casablanca (which plays a prominent part in the film) and Now, Voyager. So maybe check out those before checking out this one.

Where?! Los Angeles for days. I wouldn’t necessarily say that this is super LA… the climactic scene takes place in some run down hotel (so not exactly chasing the baddie through Dodger stadium or anything), but they really hammer home that Cole is a little out of the norm for the LAPD. B+

When?! During the investigation there are some phone records pulled up that clearly show that Cole’s ex-wife got a phone call right before her murder on a date in February 1996. For a second I thought there was a chance this took place on Patriot’s Day 1993, but alas… just a post-Valentine’s Day treat for us. B-

I think Patrick and I may end up disagreeing on the merits of this film. This is mostly because I think it’s much less common to find bad movies that are actually so-bad-they’re-good than the number of podcasts and blogs about the subject suggests. This certainly wears out its welcome over it’s slim(mer man) running time, but before that it veers so wildly outside the lines of logic that you can’t help but laugh at it. Throw in a number of bizarre writing choices and one-liners and I have to say I enjoyed myself. In particular the sheer magnitude of the coincidences in play have to be seen to be believed. I mean… no wonder Wayans thinks he might be the killer. I’m not sure even to this day we can fully rule him out. Patrick?

Patrick

‘Ello everyone! The Glimmer Man? More like Not-So-Slimmer Man! Get it? Seagal is starting to look a bit heavy in this film. It’s a fat joke and I feel bad about it. I’m against body shaming. That doesn’t mean I won’t make the same joke fourteen times in this recap! Let’s go!

P’s View on the Preview – I actually knew nothing about this film going in besides that it was vaguely about a serial killer. And given that we’ve watched over 500 bad films we’ve watched surprisingly few Seagal films. Seeing Seagal transform from an extremely tall aikido master into a fat Buddhist weirdo (no offense …) is always a delight. What were my expectations? Hopefully it is Seagal being a fat Buddhist weirdo? It’s all about Seagal babyyyyyyyy. Give me tons of that Seagal.

The Good – The story is actually pretty coherent all things considered. I also like Wayans who comes across as just skeptical enough of this bead-wearing Buddhist weirdo that has all of a sudden shown up in LA to investigate a serial killer. A pretty good LA film as well. I also appreciate that they didn’t feel the need to give either Seagal or Wayans a love interest. Wayans is unabashedly single, and Seagal is on his second marriage in the film. Easy peasy, see how simple it is to have your heroes have normal personal lives?

The Bad – Alright this is the last time I’ll mention it … Seagal is overweight in this film and it is incredibly amusing. The martial arts are sub par. Especially by Wayans, who for whatever reason is required to try and kick people every so often. While this is a great LA film, there is a very confusing fact that it is constantly raining in this film. It is raining so much that no joke, a weatherman has to come on a television at one point and explain it is one of the wettest winters in history! Finally, the film relies on an incredible number of coincidences. Seagal comes to LA and happens to show up on the day in which a serial killer murder occurs, on the way back from the scene they (against protocol) take a suicide case, this case happens to involve the son of the guy who is working with Seagal’s former employer to smuggle chemical weapons into the US, and at the same time Seagal’s ex-wife’s husband is the kid’s therapist and thus they are targeted to be killed as part of this scheme … like, WHAT?

The BMT – Eh, I guess. I think the main thing is just that we need to watch all of Seagal’s films eventually. It is inevitable. And thus all of this just ends up as homework. I think the thing that saves it is Seagal’s performance. There isn’t much else going for it, too many buddy cop films do the buddy cop shtick better than it. But not many films allow you to witness a martial artist go insane right in front of your eyes. Did it meet my expectations? I think so. Basically if you want to pinpoint the moment in which Seagal misunderstood his own fame and went insane because of it, it is this movie. He has beads, he’s a Buddhist, and he kills like twenty people in cold blood. There isn’t much else to say about it, that’s all you need to know.

Roast-radamus – Definitely gets a shoutout for Setting as a Character (Where?) for Los Angeles. A setting so good apparently it gets shouted out in books about films set in LA. Otherwise I can’t think of any other categories it really qualified for. I think there is an outside shot for BMT as well, just based on Seagal’s performance. Surprising for a quality bad Seagal film if I’m being honest. I would have expected more from it.

StreetCreditReport.com – All of the cred comes from Seagal. Lists ignore this film (which is interesting, this isn’t too long after Under Siege and Executive Decision, both of which were relatively well received), and even someone like Siskel & Ebert don’t put it in their fairly expansive worst of show for 1996. This is basically just another Seagal BMT that we eventually have to watch. It is our duty. 

You Just Got Schooled – So this week I had a tough decision. I could watch Seagal’s first film (Above the Law) or arguably his best film (outside of Under Siege, which I obviously have to save for when we watch its sequel) in Executive Decision. Well … I think I might have chosen wrong with Executive Decision. Not because it wasn’t good. It is pretty serviceable. As far as a plane hijacking movie it has a lot going for it. Poirot is the bad guy. Platt and Russell are fun as the non-military heroes. And they have a ton going on at all times (they’re trying to figure out how to take down the terrorists, they are defusing the bomb, and they are trying to signal Washington, all at the same time). I kind of wish someone would make a film like this now, it just comes across as so earnest and serious about “getting things right”. No, it was a poor decision because (spoilees!) Seagal dies like 30 minutes into the film. I thought he was the co-star! I should have known better. Regardless, a fun movie in the end, and one more notch in my Steven Seagal belt. B-.

Cheerios,

The Sklogs

The Glimmer Man Quiz

Oooof. I was minding my own business you see, and they I saw the faintest of glimmers and BAM! Someone knocked me unconscious and I don’t remember anything else after that. Do you remember what happened in The Glimmer Man?

Pop Quiz Hot Shot!

1) Why does Jack Cole claim he has come to Los Angeles?

2) How does Jack Cole know the first victim he sees in LA is from Russia, and how do they ultimately trace her identity?

3) What makes Wayans and the LAPD suspicious of Cole’s identity and background?

4) Why is Jack Cole called The Glimmer Man? And why was he booted out of Mr. Smith’s Program?

5) What is Dunlevey smuggling, from where, and to whom is he selling it?

Answers

The Glimmer Man Preview

In between make-out sessions, Poe and Det. Halloway hash out the plot to the totally lit YA banger for the gucci crowd The Platonic Solids Series Part II: Love on the Blocks. In this entry… 

Jewel is thrown into heart wrenching despair when Kelton, her swamp monster lover, is forced by the job-deciders to play the deadly Cinder Olympics. The revolution is in tatters and realizing that little ol’ Jewel must live her unique life, Kelton convinces her that swamp monsters don’t know love and he actually wants to play. Blinded by her tragic despair she decides to conform and start working her assigned job. Later, Gregor checks in and he’s now totally ripped. Also he reveals that he’s a phantom of the opera, mortal enemy of the swamp monsters, and that Jewel is in great danger because Kelton won the Cinder Trophy. To punish him the job-deciders are going to kill her. Gregor offers to protect her with his muscles, but she knows she needs to share one final kiss with Kelton before her death. Running into the Cinder Lands she finds him and he realizes that the only way she’ll survive is to become a swamp monster. Jewel is torn because that would hurt Gregor, but also she wants some of that sweet swamp monster action. Kelton is torn because becoming a swamp monster involves him shooting a slimy spoor into her and that seems monstrous to him unless they were to get… *gasp*

Rich finds this all a little on the nose. He sadly walks down the corridors of the school. He’s despondent as it feels like he’s lost his best buddy. So different and yet so similar. As he turns a corner he sees just the faintest glimmer of someone sneaking around the next hallway… curious. That’s right! We are watching the Steven Seagal classic (masterpiece?) The Glimmer Man. May as well be called Buddy Cop: The Movie and that’s why we’re watching it. We’re also watching it as part of the chain going from Kiss the Girls through Brian Cox. We haven’t watched nearly enough Steven Seagal in BMT, so I’m excited. Let’s go!  

The Glimmer Man (1996) – BMeTric: 45.2; Notability: 41 

TheGlimmerManIMDb_BMeT

TheGlimmerManIMDb_RV

(Seems about right. Too bad there isn’t just enough votes to bump it over 50 BMeTric. The notability is off the chain. I think I’m slowly learning that there are only a handful of 50+ notability films per year, and they usually are good. So even getting close to 50 for a film like this is astonishing.)

Leonard Maltin – 1.5 stars –  Seagal and Wayans team up to track down a serial killer who is terrorizing the L.A. area. Tired buddy/cop picture, even by Seagal’s fairly low standards; he also coproduced.

(That is one svelte review. Very nice to see that basically this is Buddy Cop: The Movie. Since, you know … that’s why we are watching it.)

Trailer – https://www.youtube.com/watch?v=MGQ5Nq7r-Ho/

(That is some rough quality VHS rip. Jesus his beads, ponytail, and weirdo looking suits are off the chain. Looks truly awful. I’m excited.)

Directors – John Gray – (Known For: White Irish Drinkers; BMT: The Glimmer Man; Notes: Directed multiple episodes of Ghost Whisperer. Oddly, his wife wrote multiple episodes of Dog Whisperer.)

Writers – Kevin Brodbin (written by) – (Known For: Constantine; The Siege of Jadotville; Future BMT: Mindhunters; BMT: The Glimmer Man; Notes: He maybe wrote a pilot for a Mindhunters television show, but it is a bit unclear. The IMDb page lists zero episodes.)

Actors – Steven Seagal – (Known For: Under Siege; Machete; Above the Law; Executive Decision; Future BMT: The Patriot; Half Past Dead; The Foreigner; Under Siege 2: Dark Territory; Hard to Kill; Marked for Death; Contract to Kill; Out for Justice; China Salesman; BMT: On Deadly Ground; Fire Down Below; The Glimmer Man; Exit Wounds; Razzie Notes: Winner for Worst Director for On Deadly Ground in 1995; Nominee for Worst Actor in 1995 for On Deadly Ground; in 1998 for Fire Down Below; and in 2003 for Half Past Dead; Nominee for Worst Supporting Actor for Executive Decision in 1997; and Nominee for Worst Original Song, and Worst Screen Couple for Fire Down Below in 1998; Notes: A 7th-dan black belt in aikido, he is now a Russian citizen.)

Keenen Ivory Wayans – (Known For: Scary Movie; I’m Gonna Git You Sucka; Star 80; Hollywood Shuffle; Future BMT: Dance Flick; Most Wanted; A Low Down Dirty Shame; Don’t Be a Menace to South Central While Drinking Your Juice in the Hood; BMT: The Glimmer Man; Razzie Notes: Nominee for Worst Director, and Worst Screenplay for Little Man in 2007; and Nominee for Worst Director, and Worst Screenplay for White Chicks in 2005; Notes: Most notable for his groundbreaking comedy series In Living Color which gave Jim Carrey his start.)

Bob Gunton – (Known For: The Shawshank Redemption; Argo; The Lincoln Lawyer; Fracture; Patriot Games; The Perfect Storm; JFK; Glory; Born on the Fourth of July; The 33; Kill the Irishman; Trouble with the Curve; Midnight in the Garden of Good and Evil; I Heart Huckabees; Get the Gringo; Broken Arrow; Dolores Claiborne; Rendition; Matewan; Future BMT: Boat Trip; Father Hood; Dead Silence; Ace Ventura: When Nature Calls; Jennifer 8; Unbroken: Path to Redemption; Cookie; Patch Adams; BMT: Bats; Runner Runner; The Glimmer Man; A Thousand Acres; Demolition Man; Notes: A major player in the late seasons of 24 moving up from Chief of State to Secretary of State under multiple fake administrations.)

Budget/Gross – $45 million / Domestic: $20,351,264 (Worldwide: $20,351,264)

(That is a disaster. It makes sense. If you look at the trajectory of Seagal films this is the last film released with the intention of actually making money. He slipped pretty quickly into straight-to-video releases almost immediately afterwards.)

Rotten Tomatoes – 12% (3/26): A grimy, humorless glimpse of Steven Seagal’s direct-to-video future, Glimmer Man fails to shine.

(Cooooooooold Blooooooooooooded. That is one grimy, humorless view of Seagal’s obviously amazing career. Reviewer Highlight: John Gray’s The Glimmer Man is strictly for Steven Seagal fans (if there is such a species). – Quentin Curtis, Daily Telegraph (UK))

Poster – The Glimmer Sklog (C+)

glimmer_man

(This honestly looks like we made it ourselves. Really seems like the lowest possible level of effort was used in creating this. That being said… I like the blue. Patrick’s Shallow Fake: I managed to get the shadow on my face to look … fine. It looks fine. I won’t call it good, but for a fake shadow it looks fine. Screwed up the font a bit, but couldn’t be bothered to fix it in the end, there are only so many hours in the day after all.)

Tagline(s) – Two good cops. One bad situation. (B)

(I mean, obviously this is amazing. Mostly because it fits right in with the idea that this is just Buddy Cop: The Movie. This could apply to every buddy cop movie in history and I love it. Can I ironically give it an A? Fine, it gets a B for not being original enough.)

Keyword – buddy cop

TheGlimmerMan_buddy cop

Top 10: Bad Boys for Life (2020), Men in Black: International (2019), The Other Guys (2010), Men in Black (1997), Cop Out (2010), Bad Boys (1995), Hot Fuzz (2007), Stuber (2019), 21 Jump Street (2012), The Nice Guys (2016)

Future BMT: 63.3 Agent Cody Banks 2: Destination London (2004), 55.1 Knock Off (1998), 49.1 Showtime (2002), 46.7 Cop Out (2010), 46.7 Men in Black: International (2019), 46.6 The Happytime Murders (2018), 44.7 National Security (2003), 44.6 Metro (1997), 41.6 Boiling Point (1993), 40.7 Brick Mansions (2014);

BMT: Judge Dredd (1995), CHIPS (2017), Wild Wild West (1999), R.I.P.D. (2013), Tango & Cash (1989), Ride Along (2014), Beverly Hills Cop III (1994), Cradle 2 the Grave (2003), Ride Along 2 (2016), Another 48 Hrs. (1990), Stop! Or My Mom Will Shoot (1992), Show Dogs (2018), Hollywood Homicide (2003), The Glimmer Man (1996)

(Very interesting that it grew up to a point and then collapsed. Usually I would say this is due to VOD taking over these minor sub-genres. Here though I have a feeling it is just television in general that took over cop partner media. Think True Detective, Broadchurch, etc. There is a long history of this genre in television and I think it is only getting bigger on the small screen.)

Welcome to Earf (HoE Number 15) – The shortest path through The Movie Database cast lists using only BMT films is: Steven Seagal is No. 1 billed in The Glimmer Man and No. 1 billed in Exit Wounds, which also stars Isaiah Washington (No. 3 billed) who is in Hollywood Homicide (No. 5 billed), which also stars Josh Hartnett (No. 2 billed) who is in Here on Earth (No. 3 billed) => 1 + 1 + 3 + 5 + 2 + 3 = 15. If we were to watch Out for Justice we can get the HoE Number down to 13.

Notes – According to Keenen Ivory Wayans, one time during production, after waiting for a long time for Steven Seagal to finally show up on the set, Seagal appeared with some script and said how it was the greatest script he ever read in his entire life. When Wayans asked him who wrote it, Seagal responded by saying; “I did.” (Sounds about right …)

Brian Cox replaced Tommy Lee Jones at very short notice.

After the film was completed, Warner Brothers conducted additional editing on the film to make it faster, and more like a regular Steven Seagal movie. Cut scenes included several comedic and dramatic exchanges between Campbell (Keenen Ivory Wayans) and Cole (Steven Seagal) and a great deal of Michelle Johnson’s scenes, as Cole’s wife, Jessica, were cut.

Originally envisioned as a much larger action picture, similar in scope to The Last Boy Scout (1991). Several action scenes were removed to cut down the budget. They included the bombing of a boat owned by Campbell (who lived on a houseboat instead of in an apartment), an encounter between Cole and a SWAT team that has raided his house and the final confrontation and gunfight at the Los Angeles museum. (The Last Boy Scout is great, watch that instead)

Steven Seagal championed Trevor Rabin as the composer of the film. Years earlier Rabin, an avid guitar enthusiast like Seagal, had coached and trained Seagal with his guitars.

In the original screenplay (114 pages), Cole was called Calhoun, Campbell was named Leary,and Donald Cunningham was called Abraham.

Easter egg: on the wall of the police station, there is a “wanted” poster for Erik Gauss, the character of Matthias Hues from Bounty Tracker (1993). (Someone is watching Boutry Tracker for You Just Got Schooled this week!)

According to Stephen Tobolowsky, Steven Seagal wanted to change the scene in which Cole (Seagal) kills Maynard (Tobolowsky). Due to his spiritual beliefs, Seagal did not want to kill villains in his movies anymore. Tobolowsky convinced him that Maynard would be able to be reincarnated and redeemed by being killed. Seagal agreed, and the scene was filmed as written. However, a few months later, Seagal wanted to change the scene, to show that Maynard survived the shooting. Tobolowsky was brought in to overdub lines to indicate that Maynard was still alive, but this was not used in the final cut.

The Twilight Saga: New Moon Recap

Jamie

Bella is totally in love with her vampire beau Edward. So she’s devastated when he breaks up with her and leaves town. Over time she grows closer to her friend Jacob, who turns out to be a werewolf, and eventually learns that Edward is going to kill himself. Can she save Edward (and perhaps get the guy) before it’s too late? Find out in… The Twilight Saga: New Moon.

How?! Boy it was hard to write that little synopsis. That’s because the plot of this film isn’t what you would expect. You expect a beginning, middle, and end to a story. Here you basically have just a long middle. Bella and Edward are totally macking on each other… hard. Her birthday rolls around and all the Cullens are psyched. During the party, though, Bella gets a cut and Jaspar almost attacks her. Realizing that she’s not safe around the monsters that they are, Edward convinces Bella that he thinks she’s like real uggo and junk and he and his family bounce. Bella basically mopes around for months until she finds two things to keep her going. The first is a new risk-taking attitude that occasionally brings forth a ghostly apparition of her lost love. The second is her rekindled friendship with Jacob, the newly muscle-bound, soon-to-be werewolf with a heart of gold, who helps her take risks and forget Edward. When Bella learns that Jacob is a werewolf she also learns that they are the mortal enemy of vampires and are currently the only thing protecting her from the eeeevil vampires from the previous book who want to kill her. In the process of jumping off a cliff for her ghost boyfriend, Bella inadvertently makes Edward think she has killed herself. This results in Edward deciding to kill himself too by making a spectacle of himself and forcing the powerful vampire coven, the Volturi, to kill him. Bella rushes to Italy and stops him just in time, but she comes to the attention of the Volturi who decide she must die or become a vampire. “Happily,” thinks Bella, who just wants to bone Edward forever. Back in Forks the Cullens all decide that she will become a vampire and Edward sulkily agrees. He then puts forth his only terms… they will be MARRIED. Bum bum bum! THE END

Why?! Why indeed. I feel like this is generally thought of as the weakest of the series mostly because Edward totally disappears for the majority of the book. He does so for love, because he’s afraid that by being around him Bella will always be in danger and soon realize that they are all just soulless monsters. He’d rather her live without him than die because of him. Unfortunately Bella’s only purpose or motivation is loving Edward so that all doesn’t go very well. Because you know it’s inevitable that they’ll be together this entire thing seems pointless. Jacob’s purpose is… I guess just to be a slab of meat to ogle. I don’t know, the introduction of werewolves into the story seems a bit much. With so many monsters around how is this all kep a secret? 

Who?! I think we could definitely have a newish category here for Love Triangle. A classic trope in film, here we technically have two. The first is a lackluster triangle of Bella, Mike, and Jacob. Jacob dunks on Mike there, who just comes off as a sad sack who thought for a moment he could pull Bella. Then at the end we finally get the set up for the big bad of Love Triangles with Bella, Edward, and Jacob. I for one am all for Edward dunking on Jacob. While I definitely understood Jacob’s role in the series better this time around, I still thought he was super lame.

What?! The big product placement for the Twilight Saga (at least in the first two films) is Edward’s Volvo he drives. He’s Tokyo drifting all over the place saving his beautiful Bella. As for props for sale, let’s just say we could all dress like Edward forever and ever with all the props that you could have bought from this film.

Where?! I think most of the Twilight films are primarily Washington films with maybe one or two other spots sprinkled in. The first one had Arizona. This one had a brief jaunt over to Italy for Bella to run through a fountain and save her sparkly vampire boyfriend. I do believe that when Edward learns that Bella may have died he is in Rio de Janeiro, but that was based on the briefest of glimpses and I didn’t care to double check. Washington is actually important to the plot. A.

When?! Classic road trip through time as we are treated to the many months of Bella’s senior year in high school. Although we really don’t get a lot of school in this one. Just her moping in a chair as the months pass by in intertitles. It’s a solid B. We always kind of know what time of the year it is.

I actually did not mind the first Twilight on rewatch. Bella is not nearly as bumbly stumbly “oh how can a super sexy vampire ever love little ol’ me?” as I remember. The relationships all kinda makes sense and it’s really not that bad. New Moon is terrible. Kristen Stewart is forced to scream her head off in despair over Edward, which is silly. Taylor Lautner is thrust in our faces and he really struggled to keep up. Not to mention the fact that him turning out to be a werewolf is such a wild coincidence it’s amazing it’s not mentioned constantly. Like isn’t it weird that your long time family friend turned out to be a werewolf, the mortal enemy of your supernatural vampire boyfriend? Anyway, we then get a finale that finally starts to promise a lot of weird vampire stuff but in the end just delivers the classic Twilight moral that Edward won’t turn Bella into a vampire until they are married. We get it, you are a monster if you have premarital sex. Can we just get to the sexy part already? Patrick?

Patrick

‘Ello everyone! If I wrote this book series I would call it Super Sexy Vampires: And Their Super Sexy Werewolf Counterparts. Really highlight the sexiness of everyone involved. Let’s go!

P’s View on the Preview – Spoiler alert I had already watched all of these films before. So I knew what I was expecting. Basically the first film is okay, much better than you would expect (see the review below). And the last one is actually really good. And then this one and the fourth one are both just boring. It was very unlikely that that opinion would change on the rewatch. What was I expecting? I was expecting to be bored. I was hoping I’d maybe change some of the opinions, but … in reality I was expecting to be bored.

The Good – The last third of the film isn’t too bad. From the point where Bella goes to Italy and we learn a bit about the Vampire Council and Bella’s abilities and stuff, the film definitely picks up a bit. Lautner is actually a bit better than I recalled, his hair just looks ridiculous for half of the film. There is a lot of decent work going into the film, it just … is kind of just a third of a film with a bunch of filler. They could have probably compressed the middle three films into a single film. I don’t even remember what happened in the third film if I’m being honest.

The Bad – Can I just make Tyler Lautner’s wig as the worst supporting actor? Is it a Planchet? I guess not, but it is truly atrocious. Speaking on that, riddle me this! Why even make Lautner younger than Edward and Bella? Why is this part of the story when adapted? Bizarre choice. Just boring and mopey. Nothing happens. It is just Edward being like “I have to bounce, sorry.” And the Bella night terror screaming over and over for half the film is a bit much. The first two-thirds of this film is just an abomination.

The BMT – The series feels like it should be some sort of Fifty Shades of Grey for us but … it just isn’t. The two that qualify are both merely boring. Two of the three that don’t are better than you would expect. And overall if you can tolerate how cheesy all of it is everything is just that, tolerable. I suppose that will be its legacy. It is better than you would expect and borderline ultimately. Did it meet my expectations? Absolutely … it was boring and kind of pointless. That is what I expected. I gained a bit of respect for Lautner this time around. Pretty impressive what he did for the role, and he parlayed it into at least being modestly famous for the rest of his life. That’s nice for him.

Roast-radamus – A bit of a shout out to Setting as a Character (Where?) for Washington state for sure, and specifically Forks (if that is even a real place). I … think I’m going to leave it at that. I don’t even think it gets any superlatives in the end. How disappointing Twilight.

StreetCreditReport.com – Actually really surprising that it doesn’t seem to make any of the several year lists for 2009. I would have thought someone would have thrown Twilight a bone out of pure spite. It did get a little bit of a shoutout for Worst Werewolf film for the series. There are a few lists for vampires but it didn’t make any of those. Once again, this proves that only insane people would be Team Jacob.

You Just Got Schooled – As I said, I’ve seen all of these films before. But I’ll just review the first film (Twilight) which I illogically rewatched. My experience though was mostly the same. The first film is actually rather good in the first two thirds. You are learning about vampires, everyone has a bunch of teen drama and stuff, and the lead actors are pretty solid. The last third was like they felt like something needed to happen so they had some other vampires come in and mostly that bit is lame. But overall the film is a lot more entertaining than one would think, and far far better than the middle three films in the series. It is only a bit worse than Breaking Dawn Part II which is likely the only above average film of the bunch. I’ll give it a C+. This series should have never gone with the love triangle. Team Edward all day.

Cheerios,

The Sklogs

The Twilight Saga: New Moon Quiz

Ooooooof, my head. Last thing I remember I was getting all beat up by a bunch of Vampires who thought I was a werewolf. I don’t remember a thing about my trip to Forks, Washington. Do you remember what happened in The Twilight Saga: New Moon?

Pop Quiz Hot Shot!

1) In the beginning of the film Bella is having a birthday! How old is she turning?

2) Soon after Edward leaves her in order to protect her. Later she figures out that she can see Edward if she takes risks. What three things does she do that allows her to see Edward?

3) What movie does Jacob and Bella see?

4) Near the end why does Edward think Bella is dead, and what is he going to do about it?

5) Why doesn’t the Vampire Council want to punish Edward, and what makes Bella so intriguing to them?

Answers

The Twilight Saga: New Moon Preview

As Rich and Poe walk down the hallway with the teacher, Ms. Halloway, they wonder what they’ve gotten themselves into. If this was a The Substitute scenario they should be bashing skulls and taking names by now. “Maybe we’re missing a crime… a murder to solve?” Poe ponders. Ah, a The Substitute 2: School’s Out scenario… definitely possible, Rich agrees. “You know we can stop this ruse, right?” Ms. Halloway says behind them. They slowly turn and attempt to sputter out an excuse, but Ms. Halloway just smirks and flips open a badge. “Det. Halloway, BMTPD. You boys are a little late to the party.” What a twist! But how could she have seen through their bulletproof nerd alert disguises. “Well, you are both forty years old,” she explains, “and as a cop it was easy to connect the dots from there.” Clever girl. “I’ve been working undercover on the case for two years and you two stroll in and nearly blow the whole thing on day one. Lucky for you I know these kids and I know what they want.” Rich and Poe’s hearts leap, perhaps this is the break they need. “Love.” Rich is deflated. Love is lame. What about bashing skulls? What about patented Twin Chops, backflips, and abs. Pffff. Love. But Poe’s eyes are shining and he steps closer to Ms. Halloway. “What if I told you I know a little something about that.” He steps even closer. “You ever heard of a book called The Platonic Solids Series Part I: Outside the Box?” he asks breathily, inches from Ms. Halloways quivering lips. “It’s… it’s my favorite book,” she replies in a whisper, her bosom heaving and breath bated in anticipation. And with that they begin to make out… hard. That’s right! We are finally dipping our toes in the mother of all teen love triangle romances with the second Twilight film The Twilight Saga: New Moon. This is also one of only two qualifying films. So we are leaving the series hanging, but hopefully not for long. I’m ready for the steamy vampire-werewolf romance extravaganza. Let’s go!

The Twilight Saga: New Moon (2009) – BMeTric: 78.1; Notability: 63 

TheTwilightSagaNewMoonIMDb_BMeT

TheTwilightSagaNewMoonIMDb_RV

(Quite intriguing how low that is. I assume that is mostly because of the demographics of the people who vote on IMDb. I remember this movie mostly just being boring. That doesn’t feel sub-5.0 to be, but we’ll see.)

RogerEbert.com – 1.0 stars – The characters in this movie should be arrested for loitering with intent to moan. Never have teenagers been in greater need of a jump-start. Granted some of them are more than 100 years old, but still: their charisma is by Madame Tussaud.

(Ooooooo, so maybe it is just so boring that it ends up being really really terrible! Because one star is really really low as well. This is precisely how I remember this.)

Trailer – https://www.youtube.com/watch?v=BNi-ebCWXos/

(Oh, I love you so much Bella. Oh, I love you so much Edward. Let’s die together, that would be super romantical wouldn’t it? Oh … that’s my impression of Twilight. Nailed it.)

Directors – Chris Weitz – (Known For: American Pie; The Golden Compass; Operation Finale; About a Boy; A Better Life; Future BMT: Down to Earth; BMT: The Twilight Saga: New Moon; Notes: Nominated for an Oscar for About a Boy. Apparently he was uncredited on American Pie, presumably because he was just helping his older brother to direct it.)

Writers – Melissa Rosenberg (screenplay) – (Known For: Twilight; The Twilight Saga: Breaking Dawn – Part 2; The Twilight Saga: Eclipse; Future BMT: The Twilight Saga: Breaking Dawn – Part 1; Step Up; BMT: The Twilight Saga: New Moon; Razzie Notes: Nominee for Worst Screenplay in 2010 for The Twilight Saga: New Moon; in 2011 for The Twilight Saga: Eclipse; in 2012 for The Twilight Saga: Breaking Dawn – Part 1; and in 2013 for The Twilight Saga: Breaking Dawn – Part 2; Notes: Wrote the entire series. A legend of television, she produced and wrote on Melrose Place, The O.C., and Dexter among many many others.)

Stephenie Meyer (novel) – (Known For: Twilight; The Twilight Saga: Breaking Dawn – Part 2; The Twilight Saga: Eclipse; Future BMT: The Twilight Saga: Breaking Dawn – Part 1; BMT: The Twilight Saga: New Moon; The Host; Razzie Notes: Nominee for Worst Screenplay for The Twilight Saga: Breaking Dawn – Part 2 in 2013; Notes: Wrote the novels. Apparently the idea for the storyline came to her in a dream, the idea of a vampire being in love with a human woman while thirsting for her blood.)

Actors – Kristen Stewart – (Known For: Charlie’s Angels; Underwater; Twilight; Into the Wild; The Twilight Saga: Breaking Dawn – Part 2; Snow White and the Huntsman; Zathura: A Space Adventure; American Ultra; Panic Room; The Twilight Saga: Eclipse; Adventureland; Still Alice; Cafe Society; The Runaways; On the Road; Personal Shopper; Certain Women; Billy Lynn’s Long Halftime Walk; J.T. LeRoy; Clouds of Sils Maria; Future BMT: The Flintstones in Viva Rock Vegas; The Twilight Saga: Breaking Dawn – Part 1; Cold Creek Manor; The Messengers; Catch That Kid; Equals; Seberg; Cell K-11; Anesthesia; Fierce People; BMT: The Twilight Saga: New Moon; Jumper; Razzie Notes: Winner for Worst Actress in 2013 for Snow White and the Huntsman, and The Twilight Saga: Breaking Dawn – Part 2; Nominee for Worst Actress, and Worst Screen Couple for The Twilight Saga: Breaking Dawn – Part 1 in 2012; Nominee for Worst Actress for The Twilight Saga: Eclipse in 2011; and Nominee for Worst Screen Couple in 2010 for The Twilight Saga: New Moon; and in 2013 for The Twilight Saga: Breaking Dawn – Part 2; Notes: Notably had an affair with the director Rupert Sanders, which caused her initial breakup with Robert Pattinson. She is bisexual and has mostly been in relationships with women recently.)

Robert Pattinson – (Known For: The Lighthouse; The King; Good Time; Twilight; Harry Potter and the Goblet of Fire; The Lost City of Z; The Twilight Saga: Breaking Dawn – Part 2; High Life; Waiting for the Barbarians; The Twilight Saga: Eclipse; Vanity Fair; Water for Elephants; The Rover; Maps to the Stars; Cosmopolis; Damsel; Life; The Childhood of a Leader; Future BMT: The Twilight Saga: Breaking Dawn – Part 1; Bel Ami; Queen of the Desert; Little Ashes; BMT: The Twilight Saga: New Moon; Razzie Notes: Nominee for Worst Actor in 2011 for Remember Me, and The Twilight Saga: Eclipse; and in 2013 for The Twilight Saga: Breaking Dawn – Part 2; Nominee for Worst Supporting Actor, and Worst Screen Couple for The Twilight Saga: New Moon in 2010; and Nominee for Worst Screen Couple in 2012 for The Twilight Saga: Breaking Dawn – Part 1; and in 2013 for The Twilight Saga: Breaking Dawn – Part 2; Notes: He is going to be The Batman. During his entire Twilight period he would have amusing interviews where he would appear bemused about the various odd storylines from the film, look them up.)

Taylor Lautner – (Known For: Twilight; The Twilight Saga: Breaking Dawn – Part 2; The Twilight Saga: Eclipse; Future BMT: The Adventures of Sharkboy and Lavagirl 3-D; The Twilight Saga: Breaking Dawn – Part 1; Tracers; Run the Tide; BMT: The Twilight Saga: New Moon; The Ridiculous 6; Abduction; Grown Ups 2; Cheaper by the Dozen 2; Valentine’s Day; Razzie Notes: Winner for Worst Supporting Actor, and Worst Screen Couple for The Twilight Saga: Breaking Dawn – Part 2 in 2013; Nominee for Worst Actor in 2011 for The Twilight Saga: Eclipse, and Valentine’s Day; and in 2012 for Abduction, and The Twilight Saga: Breaking Dawn – Part 1; Nominee for Worst Supporting Actor for Grown Ups 2 in 2014; and Nominee for Worst Screen Couple in 2010 for The Twilight Saga: New Moon; and in 2012 for The Twilight Saga: Breaking Dawn – Part 1; Notes: Been moving more into prestige television recently, specifically was in Cuckoo for the past several years.)

Budget/Gross – $50,000,000 / Domestic: $297,816,253 (Worldwide: $711,020,081)

(Obviously, a huge success. One of the most successful series in cinema history. Single-handedly made vampires a huge thing again.)

Rotten Tomatoes – 28% (64/227): The Twilight Saga’s second installment may satisfy hardcore fans of the series, but outsiders are likely to be turned off by its slow pace, relentlessly downcast tone, and excessive length.

(This is what I remember. Just Bella moping about depressed for an hour and a half. Reviewer Highlight: The boys preen while the girl sulks. And pouts. And sulks. And pouts. – Richard Roeper, RichardRoeper.com)

Poster – The Platonic Solids Series Part 2: Love on the Blocks (C)

twilight_saga_new_moon

(Gonna be honest. I don’t really like that. The colors are drab and otherwise just the usually human mess. Some OK font, but even the spacing seems off. Like there is too much space around them.)

Tagline(s) – The Next Chapter Begins (F)

(Blah, boo. Give me something more than that. I spent more time thinking up the “Love on the Blocks” subtitle for the fake second book of our fake teen romance series.)

Keyword – vampire

TheTwilightSagaNewMoon_vampire

Top 10: Doctor Sleep (2019), Scott Pilgrim vs. the World (2010), Twilight (2008), The Lost Boys (1987), I Am Legend (2007), Hellboy (2019), From Dusk Till Dawn (1996), Bram Stoker’s Dracula (1992), Underworld: Blood Wars (2016), The Twilight Saga: Breaking Dawn – Part 2 (2012)

Future BMT: 89.4 Vampires Suck (2010), 87.9 BloodRayne (2005), 72.2 The Twilight Saga: Breaking Dawn – Part 1 (2011), 51.1 Dylan Dog: Dead of Night (2010), 48.6 Sleepwalkers (1992), 43.9 Buffy the Vampire Slayer (1992), 43.8 Priest (2011), 42.2 Transylvania 6-5000 (1985), 41.8 Bordello of Blood (1996), 40.8 The League of Extraordinary Gentlemen (2003);

BMT: Hellboy (2019), The Twilight Saga: New Moon (2009), Vampire Academy (2014), Queen of the Damned (2002), Dracula 2001 (2000), Ultraviolet (2006), Vampire in Brooklyn (1995), Dudley Do-Right (1999)

(The crescendo is right after the Twilight books hit it big, they were trying to capture that fanaticism. It has, naturally, kind of slip away recently as one would expect. I’m excited for … Priest. That has been on the docket for years.)

Welcome to Earf (HoE Number 15) – The shortest path through The Movie Database cast lists using only BMT films is: Taylor Lautner is No. 3 billed in The Twilight Saga: New Moon and No. 2 billed in Ridiculous Six, which also stars Adam Sandler (No. 1 billed) who is in Jack and Jill (No. 1 billed), which also stars Al Pacino (No. 3 billed) who is in 88 Minutes (No. 1 billed), which also stars Leelee Sobieski (No. 3 billed) who is in Here on Earth (No. 1 billed) => 3 + 2 + 1 + 1 + 3 + 1 + 3 + 1 = 15. If we were to watch The Glass House we can get the HoE Number down to 11.

Notes – Just before Jacob almost kisses Bella, he says “Kwop kilawtley”, which means “stay with me forever” in Quileute.

Each member of the wolf pack had to have papers proving their Native descent. Chaske Spencer is Lakota (Sioux), Bronson Pelletier is Cree-Metis, Alex Meraz is Purepecha (Tarasco), Kiowa Gordon is Hualapai, and Tyson Houseman, who was discovered at an open casting call, is Cree.

After months of speculation and rumors, director Chris Weitz and the novel’s author, Stephenie Meyer, confirmed on her official website that Taylor Lautner would be reprising his role as Jacob Black. It was doubted as the filmmakers feared he would not be able to become fit enough in time. However, he was given the go-ahead after gaining 26 pounds of muscle.

Summit Entertainment greenlit this sequel one day after Twilight (2008) had opened in theaters.

The Italian sequences were shot over a period of 4 days. Red was deliberately kept out of the color palette until the Italian sequences.

While Carlisle is cleaning Bella’s wounds after the party, when he burns the blood-soaked gauze, the gauze forms the flower that is present on the New Moon book cover.

When Michael Sheen was cast as Aro, he had no clue of who the character is nor what are his characteristics. He learned as much as he could including the character’s back story from his daughter Lily Mo Sheen who is a fan of the series.

Contrary to scheduling conflict claims, Catherine Hardwicke turned down directing this film because the release date set by Summit (exactly one year after the first film’s release) would not allow her to have enough time to work on the script. With Hardwicke out, the studio scrambled in looking for a replacement director until producer Wyck Godfrey had to turn to his friend Chris Weitz who eventually agreed to do the film.

“New Moon” is Robert Pattinson’s favorite book in the Twilight series.

Ashley Greene wore a different wig than the one she wore in Twilight (2008), to portray Alice Cullen. She also cut her hair quite short so that it could fit under the wig.

A vampire’s diet is revealed by the color of the eyes – the Cullens feast only on animal blood and therefore have topaz eyes, whereas the Nomads and the Volturi have red eyes indicating they feast upon human blood.

The town of Voltera was chosen because of its uncanny resemblance to the Italian town described in Stephenie Meyer’s novel. The only difference was that its main square lacked a fountain which production designer David Brisbin duly had built from wood.

Every song that appears in the film and on the soundtrack is original and written specifically for the film.

The film is included on Roger Ebert’s “Most Hated” list.

Awards – Nominee for the Razzie Award for Worst Screen Couple (Kristen Stewart, Robert Pattinson, Taylor Lautner, 2010)

Nominee for the Razzie Award for Worst Supporting Actor (Robert Pattinson, 2010)

Nominee for the Razzie Award for Worst Remake, Rip-Off or Sequel (2010)

Nominee for the Razzie Award for Worst Screenplay (Melissa Rosenberg, 2010)

Perfect Stranger Recap

Jamie

Rowena Price is an investigative journalist looking to take down her next big fish. That comes in the form of Harrison Hill, the man she presumes killed her friend (or does she?). Using her technological wizard friend and her undercover skillz, can she stop Harrison Hill (or perhaps herself?) before it’s too late? Find out in… Perfect Stranger.

How?! Rowena Price is an investigative reporter extraordinaire. She just loves breaking stories and taking names. But when her latest target gets away using his influence with her newspaper, she quits in disgust. A new big story is right on the horizon, though, when her childhood friend, Grace, shows up and reveals a steamy fling with big time ad man Harrison Hill. Rowena isn’t super interested until Grace turns up dead and Harrison isn’t even on the police’s radar. Using the mad hacking skillz of her friend Miles, she infiltrates Harrison’s company as a temp and catches his eye immediately. She also starts chatting with him via a dark web chat service and begins to compile evidence. Rowena plays hard to get, but uses Harrison’s attraction to her to attempt to hack his computer. When he walks in and accuses her of being a spy, she plays it off like she was leaving an innocent note. Harrison doesn’t totally believe her but like… she’s Halle Berry. Come on! So he says “fine, let’s go on a date,” at which he discovers text messages that totally blow her cover. Enraged, Harrison confronts her, but controls his anger and lets her go. While she’s still trying to figure out how to finish the story, Miles goes to the company himself and discovers the key to getting the police to look into Harrison. Meanwhile, Rowena discovers that Miles is a total creep, but that’s not important yet. In the end they are able to get the police to arrest Harrison and discover enough evidence to get him convicted. In the end, though, it’s revealed in a shocking twist that Rowena actually killed Grace and then set up the whole story because Grace had been blackmailing her. Miles figures this out and attempts to blackmail her too, but she kills him and we end wondering whether this terrible person will be arrested or not, but we also don’t care because we are so thrilled by the amazing twist or whatever. THE END.

Why?! The motivation in the film is the reason why reviewers were irritated with it. Like, Rowena kills Grace because she stole her boyfriend and was blackmailing her and stuff… and she totally gets away with it. Miles didn’t suspect her, Grace’s family didn’t suspect her, her boyfriend didn’t suspect her, and the police didn’t suspect her. Not a single person of importance suspected her. And yet she goes out of her way to do a deep, deep, deep investigation into the murder in order to frame Harrison Hill, a man she has never met, for a murder that no one actually thinks she did. And all while doing this she allows for Miles to figure out that she was the murderer, leading her to have to murder him and try to cover that up too. It’s… not great.

Who?! I agree with Patrick’s assessment that Ribisi’s character is a Planchet. He’s pining over Rowena while she doesn’t give him the time of day (despite being an elite hacker that does most of the heavy lifting in the investigation). He turns out to be a total creep, but before that he was a lamester Planchet for sure. We also have a cameo by Heidi Klum and per usual one of Bruce Willis’ daughters makes an appearance, this time Emma Heming Willis plays Donna.

What?! Finally we have some product placement to talk about! Much like in The Intruder, we are blessed with a main character who’s a rising star (or already risen star) in the advertising world. We see him charming high society at a Victoria’s Secret party for which Rowena stuffed an uncountable number of signature bags. We also see him putting the Heineken team at ease during a meeting (and this seemed to work on Rowena as she also drinks Heineken throughout the film). In fact, why even have the whole muddled murder plot? I am here for all this product placement.

Where?! Very solid NYC film. It even seemed like it focused on the advertising world in part because of the setting. ‘A modern day Mad Men!” say the Bad Movie Twins. “Marketing like you’ve never seen it before!” they rave while slam dunking Hienekens in our Reebok pumps at the big Victoria’s Secret show. A-. 

When?! There actually are a couple scenes with exact dates on them. Not sure they are all entirely consistent, but the one that’s very clear is a website with a number of news articles all dated 2/22/2006 and a date in the corner indicating that that’s the current date. That’s good enough for me and also makes it pretty clear we ain’t dealing with any secret holidays or anything. Booooo. C+.

Blah. Just blah. A boring film about terrible people being terrible and boring. Even the twist was kinda boring. Sure it turned out that the hero was actually the villain (as I expected), but I was also kinda hoping Grace would turn out to be a ghost. Alas, can’t win ‘em all. I really do think the issue with the motivation is what makes this so infuriating. Like… why? Why would she investigate the murder that she committed? There are some potential reasons, but most of them are dumb and I won’t even go into them. I really wish they just revealed that everything she ever did was a frame job. That her entire career was based on committing crimes, framing people for them, and then collecting Pulitzer Prizes for the revealing investigative reports she writes about the crimes she committed. In fact, I just copyrighted that. Patrick?

Patrick

‘Ello everyone! If I made this movie I would called it What a Twist! Because that’s what the movie is about. The twist at the end. Let’s go!

P’s View on the Preview – I think I was hoping this would be a return to form for the classic BMT erotic thriller. The Color of Night was an amazing BMT back in the day. And the genre is so scarce and fleeting to find another one (starring Willis no less) is quite fun. What were my expectations? Some gross erotic thriller action. Sock it to me! Pretend that like … pouring wax on one another is the pinnacle of sensuality put to film.

The Good – If you wanted to point at an erotic thriller that does a good job of explaining the reality of an erotic thriller look no further: these people wouldn’t all be suave rich people having sex with each other. They would be a bunch of gross people and then maybe a rich person exploiting them while a bunch of sex happens. That’s what this film really feels like. Berry is a woman who was molested as a young girl, and whose friend seems to have been murdered by a rich dude. And Ribisi is a straight up alcoholic and obsessed with Berry to a profoundly depressing extent. That is what an actual erotic thriller looks like. And I’ll have to give the movie a bit of credit for that.

The Bad – The movie is sooooooooo boring. For a while I was wondering whether the film was just really really confusing. But I think it is the opposite. The movie is so boring that my mind was wandering during whatever exposition they were giving me, and I became confused later on. Even when it was trying to be like a cat-and-mouse chasing of a murderer type film there is nothing actually of interest. All of the grossness of the characters I mentioned in the good section is also bad … because it makes me not care the Ribisi is going to either be a serial killer or get killed at the end. I just don’t care about these people … that isn’t a good thing.

The BMT – Naw, this pales so much in comparison to the early 90s thrillers that I can’t even be bothered to care about this film in the end. It is very little narratively going for it, and in the end I think this will get lost in the BMT shuffle. Did it meet my expectations? Nope. I wanted just a fraction of that sweet erotic thriller schlock, and it game be less than nothing. It gave me a gross, boring mess. No me gusta, get that outta here.

Roast-radamus – In its own weird gross way I do think Ribisi could be considered a Planchet (Who?). His entire arc in the film is just being dunked on over and over and then killed. Because the film focuses on an ad executive you know there is going to be some insane Product Placement (What?). In this case we have a gigantic party with Victoria’s Secret, and a subplot involving Reebok. Both great. A very Setting as a Character (Where?) for New York complete with riverside murder scenes, subways, and obviously too expensive apartments floating on subprime mortgage money. And then we are at the Worst Twist (How?) with them revealing it was our hero all along! Even after it looks like she got away with it, she didn’t, such is like. The film is so boring it has an outside shot at Bad I think in the end.

StreetCreditReport.com – I’m not surprised this doesn’t have much cred. It is most notable for being boring and having an in your face awful twist. Also 2007 was one of the worst years in film as far as the sheer number of awful films being produced, so it can be forgive. It should get some credit for being a very-late-to-the-game erotic (ish) thriller at the very least.

You Just Got Schooled – For this one I ended up kind of accidentally discovering that The Last Boy Scout was the last time Bruce Willis and Halle Berry worked together prior to Perfect Stranger. I have to say, I loved it. It was a solid mix of 90s action with just enough sweaty noir to make everything kind of loose and fun. I thought both Willis and Wayans were amazing in this and I’m shocker they didn’t at least try to make a sequel, although I would have to assume it was Willis who decided he didn’t want to. The opening scene is still nuts, but it pretty quickly settled into great Willis/Wayans banter throughout. A. Legitimately, one of the most enjoyable homework assignments I’ve done for BMT.

Cheerios,

The sklogs