Oh man so get this. I was at a baseball game and I saw real angels helping the team out! Yeah, no joke. Obviously I immediately went to the hospital where they diagnosed me with a massive concussion, turns out I didn’t remember getting hit in the head with a baseball. As a matter of fact I don’t remember a bunch of stuff … do you remember what happened in Angels in the Outfield?
Pop Quiz Hot Shot!
1) Why has JGL been left in foster care and under what condition does his father (jokingly) say they’ll become a fambly again?
2) Meanwhile, Danny Glover is the coach of the hapless California Angels. But here’s a question: what team did he coach for prior to joining the Angels?
3) There is another boy hanging with JGL most of the film. Why is that boy scared of driving in cars?
4) How do the two boys end up going to all of the baseball games anyways?
5) In the final game the final out would be recorded as what in official baseball records?
Bonus Question: In an after credits scene we see our hero 30 years later. What is JGL up to?
Jamie and Patrick are looking badical. Jacket? Leather. Pants? Shredded. Chains? Thick. Their summer had been spent writing their bad movie ‘zine Film Psychos and gathering tens of subscribers. Their dad had one word of advice for them as they navigate this crazy thing we call life: “What’s a ‘zine?” With that he swept his arm in the general direction of the nearby cave system and called it ‘nature’s movie.’ Despite this being wrong (Nature’s movie is Gorillas in the Mist) they venture forth and soon find themselves lost in the labyrinthian caves. “Boy, this is spooky,” Jamie says and Patrick thinks how this is one case where they would love to have the older bullies around to help them out. Just when they fear that they will die in the caves they see a faint glow up ahead. They shield their eyes against the blinding light as they approach and for a moment an angelic voice appears to be coming from a beautiful white stallion. “A talking horse?!” Jamie says in awe. But as the light comes closer it becomes clear it’s not a talking horse at all, but a man in long white flowing robes. “It is not your time,” the man says, “to get out of the cave system you must remember the two mice in a maze.” With that the man winks out of existence. He then winks back again, “Oh and I forgot, you know your neighbor, Bill?” They nod their heads. “He has cancer,” and then disappears again. “Wow, that’s a real Coolz Foolz,” Jamie says with a smirk and Patrick nods before getting down to remembering things. “Mice. Mazes. Talk to me, people!” he yells and with that their eyes glaze over and they enter a patented Twin Memory. That’s right! We’re watching Angels in the Outfield. It’s a classic Disney channel staple from our childhood about a kid, some angels, and the California Angels (the team we all know and love). I remember even making fun of the film as a kid cause the main character looks like a dope flapping his arms whenever he sees an angel. Certainly it won’t be nearly as dopey as our Bring a Friend, Heaven Sent, though. I do believe that is a film, but I can’t be totally sure yet. Let’s go!
Angels in the Outfield (1994) – BMeTric: 24.9; Notability: 47
StreetCreditReport.com –BMeTric: top 25.6%; Notability: top 13.2%; Rotten Tomatoes: top 34.0%; Higher BMeT: Street Fighter, Police Academy: Mission to Moscow, Texas Chainsaw Massacre: The Next Generation, Junior, The Next Karate Kid, Double Dragon, It’s Pat: The Movie, On Deadly Ground, The Flintstones, North, The Fantastic Four, Leprechaun 2, 3 Ninjas Kick Back, Exit to Eden, In the Army Now, Color of Night, Richie Rich, Car 54, Where Are You?, Getting Even with Dad, Beverly Hills Cop III, and 44 more; Higher Notability: The Flintstones, Wyatt Earp, The Shadow, Beverly Hills Cop III, Love Affair, Ready to Wear, North, Radioland Murders, I Love Trouble, The Pagemaster, Little Giants, Exit to Eden, Street Fighter, Drop Zone, D2: The Mighty Ducks, Junior, On Deadly Ground, Speechless, The Puppet Masters, The Scout, and 13 more; Lower RT: Wagons East, Police Academy: Mission to Moscow, It’s Pat: The Movie, Death Wish: The Face of Death, House Party 3, The Silence of the Hams, Holy Matrimony, Car 54, Where Are You?, Erotique, Getting Even with Dad, A Low Down Dirty Shame, Major League II, Exit to Eden, Lightning Jack, Leprechaun 2, In the Army Now, The Next Karate Kid, Trial by Jury, Blank Check, Intersection, and 60 more; Notes: In case one was curious about the top 10 in 90s Listing Plays for qualifying films: Clifford (91); The Next Karate Kid (82); Angels in the Outfield (76); City Slickers II: The Legend of Curly’s Gold (74); Renaissance Man (73); Airheads (72); Car 54, Where Are You? (70); Blankman (70); The Scout (69); Major League II (65). I think the amazing thing is just how few we’ve watched. Clifford (this year), Car 54, Where Are you?, and now this … that is it. Partly it is because I’ve seen Blankman, Airheads (a lot), City Slickers II (a lot), and Clifford and this (a lot). So we always veered away from those before. Still, lots to do in the 90s still, and hopefully the listings will help give the people what they want.
RogerEbert.com – 2.0 stars – “Angels in the Outfield” closely follows another movie about kids and baseball, “Little Big League.” Both are about how small boys control the destinies of major league teams. But while “Little Big League” is a smart movie about a kid who really understands baseball, “Angels” is a dumb movie about soppy sentimentality. The choice is clear.
(Whoa. I didn’t expect the … what’s the opposite of “stray”? Like all of a sudden huge props for Little Big League out of nowhere? Smart movie? That’s praise.)
(Ha. That was the whole movie. Like literally, his father telling him he’s off. The wish. The angels showing up for the first time. Most of the angel stuff. The press conference. And then literally the end of the pennant game. Might as well have shown the big twist ending. Why not?)
Directors – William Dear – ( Known For: Harry and the Hendersons; The Perfect Game; Simon Says; Timerider: The Adventure of Lyle Swann; The Foursome; Northville Cemetery Massacre; Free Style; Politics of Love; Nymph; Future BMT: Wild America; If Looks Could Kill; BMT: Angels in the Outfield; Notes: Hasn’t done much recently, but he was really plugged into the kids stuff back in the day. Harry and the Hendersons, the show of the same name, and then Dinosaurs pretty close together.)
Writers – Dorothy Kingsley – ( Known For: Angels in the Outfield; Valley of the Dolls; Seven Brides for Seven Brothers; Kiss Me Kate; Pal Joey; Green Mansions; Can-Can; Bathing Beauty; Dangerous When Wet; Pepe; Neptune’s Daughter; On an Island with You; A Date with Judy; Two Weeks with Love; It’s a Big Country: An American Anthology; Small Town Girl; Jupiter’s Darling; Don’t Go Near the Water; Easy to Wed; Broadway Rhythm; BMT: Angels in the Outfield; Notes: Nominated for an Oscar in 1955 for adapting Seven Brides for Seven Brothers. Oh you didn’t know Angels in the Outfield was originally a 1951 film? It was about the Pittsburgh Pirates.)
George Wells – ( Known For: Angels in the Outfield; Where the Boys Are; Lovely to Look At; Summer Stock; Penelope; Designing Woman; Take Me Out to the Ball Game; Three Little Words; Party Girl; Ask Any Girl; I Love Melvin; Three Bites of the Apple; It’s a Big Country: An American Anthology; The Gazebo; The Honeymoon Machine; The Hucksters; Everything I Have Is Yours; Don’t Go Near the Water; Cover Me Babe; The Toast of New Orleans; BMT: Angels in the Outfield; Notes: Same, wrote a bunch of stuff and then retired to sail and wrote a new novels.)
Richard Conlin – ( Known For: Angels in the Outfield; BMT: Angels in the Outfield; Notes: Somehow out of the three (who were all born prior to 1910) he was the only one who didn’t live to see this film released. He died in 1989. Seemed to have been a big Disney writer.)
Holly Goldberg Sloan – ( Known For: The Crocodile Hunter: Collision Course; Pure Country Pure Heart; Whispers: An Elephant’s Tale; The Secret Life of Girls; Future BMT: The Big Green; Made in America; BMT: Angels in the Outfield; Notes: I think it is pretty clear the success of adapting this kids’ film rolled right into The Big Green which was her first “writing” credit.)
Actors – Danny Glover – ( Known For: Saw; Shooter; The Color Purple; The Prince of Egypt; The Royal Tenenbaums; Jumanji: The Next Level; Lethal Weapon; The Dead Don’t Die; Witness; Sorry to Bother You; The Old Man & the Gun; Lethal Weapon 2; The Rainmaker; Dreamgirls; Silverado; Maverick; Escape from Alcatraz; Antz; Places in the Heart; Lethal Weapon 4; Future BMT: Barnyard; Wild America; Monster Trucks; Switchback; Pure Luck; The Shaggy Dog; Gone Fishin’; Flight of the Intruder; Operation Dumbo Drop; The Cookout; BMT: 2012; Angels in the Outfield; Dirty Grandpa; Predator 2; Alpha and Omega; Proud Mary; Notes: Claims he is going to be in Lethal Weapon 5 which has been in development for ever. We’ll see. He was too old for this shit in the 90s.)
Brenda Fricker – ( Known For: The Miracle Club; A Time to Kill; So I Married an Axe Murderer; My Left Foot; The Field; Albert Nobbs; Veronica Guerin; Closing the Ring; Trauma; Moll Flanders; Rory O’Shea Was Here; Stone of Destiny; Cloudburst; Locked In; The Intended; War Bride; How About You; A Man of No Importance; Tara Road; Conspiracy of Silence; Future BMT: Home Alone 2: Lost in New York; Masterminds; BMT: Angels in the Outfield; Notes: You’d probably know her from Home Alone 2 as the bird lady. I know her from So I Married an Axe Murderer which she played the mother. A huge character actor, but she won an Oscar for Support Actress for My Left Foot.)
Tony Danza – ( Known For: Crash; Don Jon; The Hollywood Knights; Rumble; Darby and the Dead; Glam; Cloud 9; Going Ape!; A Brooklyn State of Mind; Illtown; The Nail: The Story of Joey Nardone; Future BMT: She’s Out of Control; Meet Wally Sparks; Dear God; BMT: Angels in the Outfield; Cannonball Run II; Notes: Nominated for an Emmy as a Guest Star in The Practice. Huge TV star though in Taxi and Who’s the Boss? He actually was playing age appropriate as a definitely over the hill pitcher.)
Budget/Gross – $31 million / Domestic: $50,236,831 (Worldwide: $50,236,831)
(That is pretty good, but not excellent. I’m a bit skeptical of that budget though. I know you have to film in stadiums and stuff, but over 30 million for a kids’ film in the 90s? That seems nuts.)
Rotten Tomatoes – 32% (9/28): A queasy mishmash of poignant drama and slapstick fantasy, Angels in the Outfield strikes out as worthy family entertainment.
(If you don’t mention the ending then I don’t know what to say. The ending is really the only bit that strikes out.)
NYT Review: Big, dripping scoop of marshmallow sentiment, topped with whipped-cream spirituality.
(Looks like the angel in the poster is totally flubbing that catch. What an idiot. That’s a better movie. Should have been a bunch of angels come down to stop the California Angels due to their blasphemous name and the team has to rally to beat them. Perfect. Oh, but the poster is a C+.)
Tagline(s) – It Could Happen. (C)
Ya Gotta Believe! (F)
(The first one is essentially the catchphrase of the main character’s sidekick in the film. It’s lame, but makes sense and is short. Hard pass on the second one.)
Keyword(s) – daddio
Top 10: The Shawshank Redemption (1994), The Godfather (1972), Scarface (1983), 12 Angry Men (1957), Indiana Jones and the Last Crusade (1989), Back to the Future Part II (1989), Dead Poets Society (1989), Citizen Kane (1941), The Game (1997), Dumb and Dumber (1994)
Future BMT: 79.0 Daddy Day Camp (2007), 58.9 Jury Duty (1995), 57.4 The NeverEnding Story II: The Next Chapter (1990), 57.1 Ghost Dad (1990), 50.8 Getting Even with Dad (1994), 50.5 Sleepwalkers (1992), 49.3 My Girl 2 (1994), 46.4 Daddy Day Care (2003), 44.6 Man of the House (1995), 41.6 My Baby’s Daddy (2004), 41.6 Speed Zone (1989), 41.3 Club Paradise (1986), 38.9 Fled (1996), 38.3 My Father the Hero (1994), 38.0 Dracula: Dead and Loving It (1995), 36.9 Desperate Hours (1990), 35.9 Breakin’ 2: Electric Boogaloo (1984), 35.8 I Got the Hook Up (1998), 34.3 Spring Break (1983), 34.1 Father Hood (1993)
BMT: Speed 2: Cruise Control (1997), Troll 2 (1990), Super Mario Bros. (1993), Cool as Ice (1991), Teenage Mutant Ninja Turtles III (1993), Poltergeist III (1988), Shanghai Surprise (1986), Return to the Blue Lagoon (1991), The Lawnmower Man (1992), Arthur 2: On the Rocks (1988), Fire Birds (1990), Star Trek V: The Final Frontier (1989), Virtuosity (1995), Double Impact (1991), Police Academy 2: Their First Assignment (1985), Navy Seals (1990), Iron Eagle (1986), Rambo III (1988), High School High (1996), Ernest Goes to Jail (1990), Clifford (1994), Man Trouble (1992), Leviathan (1989), Universal Soldier (1992), Days of Thunder (1990), No Mercy (1986), The Postman (1997), Fools Rush In (1997), Eraser (1996), Hackers (1995), Rising Sun (1993), Magic in the Water (1995), Lock Up (1989), The Adventures of Ford Fairlane (1990)
Best Options (Serving Sara): 33.3 The Jerky Boys (1995), 26.1 Airheads (1994), 26.1 Feds (1988), 20.1 Art School Confidential (2006), 17.3 Hexed (1993), 16.7 Mr. Destiny (1990), 8.0 Let It Ride (1989)
(Ah right, that doesn’t appear because we had to scour the internet to find a way from Serving Sara to the 2023 cycle. This film played in 2002, I suppose somewhat ironically right before the Angels actually won the World Series. Amazing that you really can’t get to 2023 at all with a real 90s film though.)
Welcome to Earf (HoE Number 16) – The shortest path through The Movie Database cast lists using only BMT films is: Danny Glover is No. 1 billed in Angels in the Outfield and No. 3 billed in Proud Mary, which also stars Neal McDonough (No. 5 billed) who is in Street Fighter: The Legend of Chun-Li (No. 3 billed) which also stars Chris Klein (No. 2 billed) who is in Here on Earth (No. 2 billed) => (1 + 3) + (5 + 3) + (2 + 2) = 16. If we were to watch Operation Dumbo Drop we can get the HoE Number down to 10.
Notes – Former A’s and Cardinals player Tony LaRussa and his family make a cameo appearance in the owner’s box, during the last game.
This film was not the only connection between Disney and the Angels. Two years after the film’s release, the Walt Disney Corporation bought the Angels, and owned the team until 2003. In addition, Walt Disney was one of the Angels’ original board members.
The character of Hank Murphy, the Angels’ owner, is loosely based on owner, actor and country music star Gene Autry, right down to the cowboy hat. Autry passed away October 1998. When the Anaheim Angels won the 2002 World Series, they dedicated their win to Autry.
Two of the actors who played Angels players, Adrien Brody and Matthew McConaughey, would go on to win Academy Awards for Best Actor.
At the time of its production and release, the Angels, who entered the American League in 1961 had never won an AL pennant or appeared in a World Series and were best known for their collapses in the ALCS. The Angels would lose their appearances in 1979, 1982 and 1986. Eight years after the film’s release, the Angels won both the franchise’s first AL Pennant and World Series championship in 2002.
Originally we were going to pair this film with Return to Savage Beach, an Andy Sidaris film that inexplicably aired just after prime time on Cinemax on September 1st, 1998. I gotta say, 10pm is simply not late enough to put on Return to Savage Beach, which is both hilarious and horrifying in the nude scenes that it puts on display every 5 minutes or so. We swapped it out mostly because I had watched it not that long ago and was hankering for some Die Hard thrills and chills. But if you get a chance you really should partake in some Sidaris action. The films he made became increasingly bizarre and Return to Savage Beach is late in his career. My favorite part was when near the end of the film two characters that haven’t yet had on-screen carnal relations say “I was just imagining something” and we are treated to a daydream of sorts where the characters jointly (?) imagine a sex role playing scenario where one is a cop and the other is a robber and well… anyway…
To recap, Matthew Perry is a workaholic club architect. He’s told by his buddy to take on a short term (but big headache) project in Las Vegas because then he’ll be free to open the NYC club of his dreams later that year. He hates Vegas, but agrees and soon finds himself living alone in LV. One night he meets Selma Hayek, a photographer working the strip, and they have a one night stand. Months later she shows up at his door and reveals that she’s pregnant. Oh my! He’s unsure what to do, but agrees to join her for a family dinner so that at least her family can meet the father of her child, even if it’s just once. Everything about her and her family enchants him and they elope. Her family is enraged, his friends think he’s crazy, and soon his work is suffering as he tries to balance his job with being a good husband to Hayek. Hilarity ensues mostly having to do with Hayek’s extended family and Perry’s own very conservative parents from Connecticut. When he finally gets the club open things start to unravel as his boss wants him to come back to NYC to start the dream project. He’s already promised to stay in Nevada till the baby is born and so when Hayek finds out he’s planning on them moving early she runs away and ends up in the hospital. She informs him that she lost the baby and it’s over and disappears. He heads back to NYC, but soon is seeing all kinds of signs that he is meant to find her. He flies to Mexico where she had been staying with her great-grandmother, but he’s told she’s left to go back to Las Vegas. He flies there just in time to stop her on the Hoover Dam where he finds out that she didn’t lose the baby after all (what a twist!). In fact she’s having it right now. Soon they are parents and smooch. THE END.
I kept on waiting for the other shoe to drop in this film. When Hayek showed up with the story that she was pregnant I fully assumed this was a lie. That she was using a lie to get her ex-boyfriend off her back (like we saw her doing early in the film). But then when she realized Perry was such a good guy decided to marry him on a whim… It feels like the 90’s version of this film would have that edge. Something that you would look at and be like “yuck, why can’t romantic comedies be like they used to be?” But this isn’t the 90’s version of the film. This film reads much more like a 50’s romantic comedy or something because it’s just sweet through and through. They are both nice people who ultimately want to be with each other and have a family. Yay. Naturally there are some jokes that don’t land and the club he opens is hideous, but I enjoyed this film. Sue me (but don’t because you’ll lose. Liking this film is not against the law… yet). As for Deadly Outbreak, I wanted a Die Hard knockoff and I got one. The one odd aspect was that it is not an American film (it’s made and set in Israel), so it’s a little like a spaghetti western with subpar sound mixing and actors who clearly couldn’t speak english. But it was quite ridiculous, which is the name of the game. Some crazy stunts near the end as well. I just won’t mention how pretty much every film we watch for Bring a Friend has to involve a rape of some kind. Not sure why they feel the need to include that in every movie.
Hot Take Clam Bake! Maybe, and hear me out, maybe Hayek did lie. Yeah, she wasn’t pregnant at the beginning of the film at all. Like I thought, she just wanted her ex to stop bugging her and so she said she was pregnant and snatched up Perry. Of course! And that’s why they had to get married, so that they could have sex on their wedding night and she could get pregnant then! What a cunning ruse. He’s a workaholic so he probably doesn’t even notice that her pregnancy is mega-long. He’d think for a moment “wait, wasn’t she pregnant for like 12 months?” but then he’ll remember that his really super cool dolphin themed club that he’s opening in Reno next month has a whole VIP area dedicated to the 12 month gestation period of the dolphin. “Dolphins, humans, what’s the difference?” he’ll think, and shrug. Hot Take Temperature: Club Dolphino.
Patrick?
Patrick
‘Ello everyone! Are we talking about another Matthew Perry romantic comedy, but this time he isn’t a horrible unlikable person, but instead is merely a workaholic obsessed with hot dogs? Let’s go!
I distinctly remember watching this film as a kid. And I think only because it was the first time I heard of Grey’s Papaya. And in my mind I was like “Oh dang, those must be such good hot dogs.” And then I went to New York and had one and I was like “huh … wait, was that an advertisement or some weird writer’s quirk and Grey’s Papaya is just like … normal hot dogs?” Write in and tell me: Is Grey’s Papaya just a tourist thing that Fools Rush In tricked me about, or is it a genuinely above average dog?
This film is pretty sweet. There is a reason Ebert gave it 3 stars. It is pretty heartfelt. Both main characters are fairly appealing. They are just on the right side of being an “odd couple” that it makes sense that it might work in an opposite attract kind of way, but also that it might not as a culture clash. Why did people not like it?
“Take away the ethnic/pregnancy angles, and we’ve seen this premise countless times,” aka “take away the premise of the film and you don’t have a film!” Thanks USA Today. The rest of the bad reviews are kind of the same. “[Look to] Fools Rush In to see a basic romantic comedy where opposites try to attract and find an unlikely happy ending.” That’s the consensus … like yeah? And? This is when Ebert’s “good for what it is” attitude made sense, when critics were crawling all over each other trying to tear apart Fools Rush In because it dares to not be profound and challenging.
There’s plenty to not like about the film. Arguably racist (although only a 2 out of 5 Soldier Boyz I think), people making some horrible decisions, seems like a weird advert for multiple products, a nonsensical and contrived ending. Plenty. Still liked it though.
Peak Selma Hayak is up there with peak J-Lo for being “almost too beautiful” in my opinion. Like it almost doesn’t make sense. They play it up too, Matthew Perry has multiple scenes of just staring at her, mouth agape.
As for the Friend this week we watched the Jeff Speakman classic Deadly Outbreak. Wait … what’s that now? Yeah, a weird martial arts film from a master of American Kenpo. Speakman basically had bit parts in a few other films (e.g. in Lionheart he is “Mansion Security Man”), then he goes on a streak of four martial arts films he stars in. This was his last, but we’ll watch the others eventually I think. He’s fairly charismatic, maybe on par with JCVD and Seagal. And his martial arts are actually quite good, using insanely fast blocks and punches. The Perfect Weapon has an almost implausibly large box office take, so he did get his shot. I would have to watch that to see just how it fumbled such that his big budget career pretty much ended there. Had the same director as Kickboxer (and ended the director’s directorial career as well). Anyways, this film? Really weird stuff that is a borderline advertisement for the Israeli military? Has good action, but ultimately feels long and boring. Naturally, as I’ve come to expect, they feel the need to involve attempted rape as a signal that the bad guys are bad. Great. I think this is like a C+. Reasonably entertaining, but nothing I’d ever return to. I think it is a zero out of five Soldier Boyz on the racism scale.
This is definitely a great Product Placement (What?) for Las Vegas, but also weirdly Grey’s Papaya. Setting as a Character (Where?) for Las Vegas for sure, but also Mexico and New York I suppose. Amazing Secret Holiday Film (When?) for the film starting on Christmas, a big scene occurring during Cinco de Mayo, and the transition to act three occurring on July 4th precisely. I think a Worst Twist (How?) for them accidentally getting divorced and remarried at the end of the film. I think this movie is definitely Good.
Go to the Quiz to hear about the sequel I have planned. Cheerios,
Oh man, so get this. I was jetting around at the lake on my jetski when I fell off and really bopped my head good. Now I can’t remember a thing! Do you remember what happened in Fools Rush In?
Pop Quiz Hot Shot!
1) We open with our hero arriving triumphantly back at work from Miami at Christmas time. He’s off to Las Vegas now, but his real dream Club Dolphino would be centered where?
2) Well, whatever he’s in Las Vegas. And we got a meetcute on our hands! Where do Hayak and Perry meet for the first time?
3) Welp, now they have to get married, she’s pregnant. But he doesn’t really want his parents to know. Where does he say they are off to for the whole summer?
4) In the end he does successfully open Club Dolphino Las Vegas. Why is it a problem for him to go to his dream position on the Fourth of July though?
5) Well, he’s just got to have her though, so he jets off to Mexico, but alas, he’s too late! Where does he find her?
Bonus Question: Twenty five years later we meet up with Hayak at a dinner. Why is she going out to eat?
Jamie and Patrick are looking radical. Hat? Backwards. Jeans? Also backwards. Arms? Crossed. Their summer had been spent consuming the weekly ‘zine Funky Fresh Horses that was just catching fire and they were saving their nickels and dimes to buy a horse. Their dad had one word of advice for them as they navigate this crazy thing we call life: “You better give up that bad movie thing if you want to save enough money for a horse.” With that he swept his arm in the general direction of the local stables and called it ‘nature’s movie.’ Despite this being wrong (Nature’s movie is a babbling brook) they venture forth and soon find themselves perusing the horses for sale. Suddenly their eyes alight on a beautiful steed. He’s everything that a couple funky fresh dudez could want in a horse. But just as they approach the stables they are pushed to the ground. “This horse isn’t for little babies,” some older kids say and begin to laugh at them. After they leave, Patrick sits ruminating in his devastation. Jamie paces about, rending his garments in despair. At that moment of true sorrow they suddenly hear a quiet voice. “Don’t worry,” it says, “I know exactly what to do.” They look around in confusion. They are the only ones here other than a single horse staring at them from the furthest stall. As they approach they read the name on the door, ‘Don.’ Jamie and Patrick hesitate. “We have to consider our past bad experiences with talking horses,” Patrick says quietly. “Right, and we can’t forget the Not Foolz Rule,” Jamie says, pulling out a very cool phrase he coined, “Don’t do what foolz do.” With that their eyes glaze over and they enter a patented Twin Memory. That’s right! We are watching Fools Rush In, the Matthew Perry vehicle that will have you asking the question: wait, is this the one where he pretends to be gay? Let’s go!
Fools Rush In (1997) – BMeTric: 28.1; Notability: 32
StreetCreditReport.com –BMeTric: top 20.4%; Notability: top 26.4%; Rotten Tomatoes: top 34.9%; Higher BMeT: Batman & Robin, Mortal Kombat: Annihilation, Speed 2: Cruise Control, Home Alone 3, Steel, Mr. Magoo, Double Team, Turbo: A Power Rangers Movie, Chairman of the Board, Spawn, Flubber, An American Werewolf in Paris, Turbulence, Fire Down Below, Jungle 2 Jungle, Gone Fishin’, McHale’s Navy, The Pest, Kull the Conqueror, Plump Fiction, and 31 more; Higher Notability: Batman & Robin, The Saint, Speed 2: Cruise Control, The Jackal, Dante’s Peak, The Postman, Flubber, Spawn, The Man Who Knew Too Little, The Relic, Fathers’ Day, The Devil’s Own, Red Corner, Meet Wally Sparks, Kiss the Girls, Event Horizon, An Alan Smithee Film: Burn Hollywood Burn, Fire Down Below, Mad City, Steel, and 46 more; Lower RT: Plump Fiction, Fall, The Blackout, The Peacekeeper, McHale’s Navy, Shadow Conspiracy, Gone Fishin’, Mortal Kombat: Annihilation, Speed 2: Cruise Control, The Pest, ‘Til There Was You, An American Werewolf in Paris, An Alan Smithee Film: Burn Hollywood Burn, Dangerous Ground, The Postman, Mr. Magoo, 8 Heads in a Duffel Bag, Keys to Tulsa, Double Team, Chairman of the Board, and 61 more; Notes: Amazingly, Fools Rush In was basically the biggest “tv film” around if you look through the list here. Batman & Robin played 56 times in the two or so years left in the 90s, Speed 2 played 64 times, but pretty much all the rest pale in comparison to Fools Rush In coming in at 51. Pretty impressive. Our friend this week is Deadly Outbreak with Jeff Speakman which played primetime (and I’m not joking) on the Saturday after Thanksgiving on Cinemax. Really trying to goose those DVD sales huh boys!
RogerEbert.com – 3.0 stars – In actual fact, of course, angels rush in where fools fear to tread. And that’s what happens to Alex Whitman, a fairly unexciting builder of nightclubs, when Isabel Fuentes comes into his life. Alex comes from Manhattan, where he leads the kind of WASP life that requires Jill Clayburgh as his mother. He’s in Las Vegas to supervise the construction of a new club, when he crosses paths with Isabel, a Mexican-American camera girl at Caesars, who believes in fate: “There is a reason behind all logic to bring us the exact same time and place.” The reason, which may be the oldest one in the world, leads them to the same bed for a one-night stand, which both insist they “never” do. But then Isabel disappears for three months, returning unexpectedly one day for a visit during which she asks for saltines (always an ominous sign) before telling Alex she is pregnant.
(I love it. I genuinely love when Ebert takes a film like this where it is just very confusing as to why exactly everyone is shitting on it and is like “huh … seems pretty good to me.” He’s right by the way, pretty heartfelt film about an unlikely couple just trying to make their way.)
(Besides the pretty in your face racism undertones, the film seems charming. I’d put peak Selma Hayak against any other actress in the history of cinema. It is absurd how attractive she is. And oddly? Matthew Perry doesn’t feel like he’s entirely out of his league. Is that weird?)
Directors – Andy Tennant – ( Known For: Ever After: A Cinderella Story; Hitch; The Secret: Dare to Dream; Anna and the King; Wild Oats; Future BMT: It Takes Two; BMT: Sweet Home Alabama; Fools Rush In; Fool’s Gold; The Bounty Hunter; Notes: Nominated for two Emmy for The Kominsky Method which he produced and directed a bit on. That seems to be his most recent work for the most part.)
Writers – Joan Taylor – ( BMT: Fools Rush In; Notes: Huh. She was an actress, but she retired from acting in the 60s. I think she might have written specs for a while because she has a few credited novels, so I imagine they dusted this bad boy off well after it was written and she got a story credit.)
Katherine Reback – ( BMT: Fools Rush In; Notes: Incredibly her only credit. At all. What an odd pair. It makes me wonder how this film was even made. I bet there are a million non-credited writers in the end.)
Actors – Matthew Perry – ( Known For: 17 Again; The Whole Nine Yards; The Kid; Numb; Birds of America; Getting In; Future BMT: She’s Out of Control; Almost Heroes; A Night in the Life of Jimmy Reardon; Three to Tango; BMT: Fools Rush In; The Whole Ten Yards; Serving Sara; Notes: He claims that this is the film where his pain killer addiction began which on-and-off derailed his acting career quite publicly. Either he was just doing it for fun or there is a scene involving jet skis where he got injured.)
Salma Hayek – ( Known For: The Faculty; From Dusk Till Dawn; Puss in Boots: The Last Wish; Eternals; Sausage Party; Traffic; House of Gucci; Dogma; Here Comes the Boom; Magic Mike’s Last Dance; Desperado; Savages; The Hitman’s Bodyguard; Frida; Spy Kids 3: Game Over; Puss in Boots; Four Rooms; Tale of Tales; Once Upon a Time in Mexico; Across the Universe; Future BMT: After the Sunset; 54; Cirque du Freak: The Vampire’s Assistant; Like a Boss; How to Be a Latin Lover; Fled; BMT: Grown Ups; Grown Ups 2; Hitman’s Wife’s Bodyguard; Wild Wild West; Fools Rush In; Fair Game; Notes: Nominated for an Oscar for Midaq Alley. Married to the son of French billionaire Francois Pinault who is the CEO of Kering.)
Jon Tenney – ( Known For: Tombstone; I See You; The Phantom; Wild Mountain Thyme; Rabbit Hole; You Can Count on Me; Nixon; Free Willy 2: The Adventure Home; Buying the Cow; Lassie; The Seagull; Homegrown; Guilty by Suspicion; Music from Another Room; As Cool as I Am; Hide Away; The Twilight of the Golds; Lovelife; Looking for Comedy in the Muslim World; Entropy; Future BMT: Legion; The Best of Me; The Stepfather; Love the Coopers; BMT: Green Lantern; Beverly Hills Cop III; Fools Rush In; Notes: Mostly a television actor, he is notably in the new Sex and the City show. I think even more notably he was a regular on The Closer with Kyra Sedgwick appearing in over 100 episodes. That’s what they call me at work. Kyra Sedgwick. Because I close.)
Budget/Gross – $20 million / Domestic: $29,481,428 (Worldwide: $29,481,428)
(That’s not half bad, but also not whole good. It was a wild time there where Matthew Perry was a decent romantic comedy leading man.)
Rotten Tomatoes – 34% (11/32): Only Fools Rush In to see a basic romantic comedy where opposites try to attract and find an unlikely happy ending.
(Yeah, on paper it is a standard formula with a few modern updates. There must have been something about Perry because it is a bit inexplicable that critics hated such harmless stuff … right? Were we just way harsher back then?)
NYT Short Review: A wisecracking New York WASP and a feisty latina have a shotgun wedding following a one-night stand.
(Someone here was having fun with what was otherwise a very bad and forgettable poster (look at that font. Gross). Look at that tiny NYC with those tiny twin towers. And look at the two cacti to the left of those. Clever girl. D+)
Tagline(s) – What if finding the love of your life meant changing the life that you loved? (C-)
(I know you meant well and were on the right track, but I didn’t finish reading that because it’s like a Charles Dickens novel. Are you being paid by the word? Can’t even fit on the poster in legible font.)
Keyword(s) – daddio
Top 10: The Shawshank Redemption (1994), The Godfather (1972), Scarface (1983), 12 Angry Men (1957), Indiana Jones and the Last Crusade (1989), Back to the Future Part II (1989), Dead Poets Society (1989), Citizen Kane (1941), The Game (1997), Dumb and Dumber (1994)
Future BMT: 79.0 Daddy Day Camp (2007), 58.9 Jury Duty (1995), 57.4 The NeverEnding Story II: The Next Chapter (1990), 57.1 Ghost Dad (1990), 50.8 Getting Even with Dad (1994), 50.5 Sleepwalkers (1992), 49.3 My Girl 2 (1994), 46.4 Daddy Day Care (2003), 44.6 Man of the House (1995), 41.6 My Baby’s Daddy (2004), 41.6 Speed Zone (1989), 41.3 Club Paradise (1986), 38.9 Fled (1996), 38.3 My Father the Hero (1994), 38.0 Dracula: Dead and Loving It (1995), 36.9 Desperate Hours (1990), 35.9 Breakin’ 2: Electric Boogaloo (1984), 35.8 I Got the Hook Up (1998), 34.3 Spring Break (1983), 34.1 Father Hood (1993)
BMT: Speed 2: Cruise Control (1997), Troll 2 (1990), Super Mario Bros. (1993), Cool as Ice (1991), Teenage Mutant Ninja Turtles III (1993), Poltergeist III (1988), Shanghai Surprise (1986), Return to the Blue Lagoon (1991), The Lawnmower Man (1992), Arthur 2: On the Rocks (1988), Fire Birds (1990), Star Trek V: The Final Frontier (1989), Virtuosity (1995), Double Impact (1991), Police Academy 2: Their First Assignment (1985), Navy Seals (1990), Iron Eagle (1986), Rambo III (1988), High School High (1996), Ernest Goes to Jail (1990), Clifford (1994), Man Trouble (1992), Leviathan (1989), Universal Soldier (1992), Days of Thunder (1990), No Mercy (1986), The Postman (1997), Fools Rush In (1997), Eraser (1996), Hackers (1995), Rising Sun (1993), Magic in the Water (1995), Lock Up (1989), The Adventures of Ford Fairlane (1990)
Best Options (Romance): 38.3 My Father the Hero (1994), 34.3 Spring Break (1983), 32.2 It Takes Two (1995), 28.1 Fools Rush In (1997), 22.7 Moonlight and Valentino (1995), 20.1 Art School Confidential (2006), 18.3 The Art of Getting By (2011), 16.7 Mr. Destiny (1990)
(My God, My Father the Hero is going to be a wild one eventually. I remember seeing it in pieces on television way back, and fat Gerard Depardieu shambling about with very young women around him is harrowing to say the least. Glad we didn’t do that one. This is the main genuine option in my opinion if you wanted one that played on a birthday.)
Welcome to Earf (HoE Number 15) – The shortest path through The Movie Database cast lists using only BMT films is: Matthew Perry is No. 1 billed in Fools Rush In and No. 2 billed in The Whole Ten Yards, which also stars Bruce Willis (No. 1 billed) who is in Armageddon (No. 1 billed) which also stars Ben Affleck (No. 3 billed) who is in Pearl Harbor (No. 1 billed) which also stars Josh Hartnett (No. 3 billed) who is in Here on Earth (No. 3 billed) => (1 + 2) + (1 + 1) + (3 + 1) + (3 + 3) = 15. If we were to watch Like a Boss we can get the HoE Number down to 13.
Notes – The role of Alex’s (Matthew Perry) father is played by John Bennett Perry, who is actually Matthew Perry’s father.
Before the movie was filmed, there was no Arizona/Nevada “border” painted on the highway that spans the Hoover Dam. When it was added for the movie, local officials decided to keep it intact after the filming of the movie. As of September 2005 the border painted in the street is no longer there.
Jennifer Lopez was offered the role of Isabel Fuentes but turned it down in favor of Anaconda (1997).
John Bennett Perry (Alex’s father), Matthew Perry’s father, was in another of his son’s work. He played the father of Joshua, Rachel’s boyfriend, on FRIENDS. They would also play father and son in an episode of Scrubs.
Matthew Perry credits a jet ski accident on the set of this film as fuelling his addiction with prescription drugs
I was initially jazzed to check out the New York Times for the day that Leviathan was released. I presumed I’d get maybe a double page ad with quotes and cool images, but no. Just a single page and it’s kind of terrible:
One question: why? Nothing about that is cool or attractive. Which is ironic because the one interesting thing about Leviathan in the paper is the review. Interesting because it’s actually pretty good. Compares it very favorably to Deepstar Six, which I don’t think I’ve seen (mistake). Ironic because the punchline of the review is “Survival of the Prettiest.” God I love old school newspaper movie reviews. Stuff a bunch of film buffs into a theater to watch Leviathan and then have them write 300 words about it. We have to go back.
To recap, Peter Weller is a geologist tasked with wringing some money out of a deepsea mining operation. He is on the verge of success and the company is thrilled. Unfortunately, the miners are less thrilled with this nerd alert raining on their parade. A few days before they have to surface one of the miners trips down a canyon and finds a wrecked Russian ship. It’s all very confusing because there is no record of the ship sinking in Russian logs and amongst the stuff they find is a video suggesting that some terrible medical event occurred. Everything is quarantined, but one of the hard partying miners snags a Russian flask for himself. That’s a mistake because once he and a fellow miner down the vodka they become violently ill and begin to genetically transform. While the rest of them hurry to finish the mining operation, the two miners die from the illness. But that’s not all, soon they awaken in monstrous form and begin to merge into one big amorphous sea creature. Weller attempts to hide this event from the rest of the crew, but as they attempt to eject the monster from the rig they all discover what’s going on. Everyone is kind of freaking out. They run around a bunch, things burst out of peoples’ chests, etc. etc. etc. Everything falls apart and everyone dies except Weller and his lady love, Willie. They also find out the mining company is ready to abandon them and declare them dead. Not so fast, because Weller and Willie don their underwater suits and surface. They battle the monster and some sharks one last time before blowing the creature to smithereens. He then punches out the head of the company and smooches his lady… hard. THE END.
Helllll yeah, Leviathan is some fun stuff. Like Iron Eagle it’s a straight rip-off of multiple blockbusters (Alien and The Thing most prominently), but some decent effects go a long way to papering all that over. We got monster effects, some underwater effects, and a big ol’ sci-fi set that is fun to look at. It certainly lags here and there (and really wants you to care that the people on the rig might not get their money), but ultimately it hits at the right moments for me to be into it. Probably the biggest ding against it is the end of the movie. Once they get to the surface it briefly transforms into a 70’s flick with bad effects and a bunch of sharks for no reason. It’s weird. Anyway, if it had been made just five years later I’m guessing it would have ended up straight-to-video, but I’m glad it didn’t. As for The Further Adventures of Tennessee Buck, the less said the better, probably. It’s not the worst thing ever, but it’s lazy. It’s definitely supposed to have its tongue planted in its cheek, but it’s shot so rotely that it’s hard to tell. Don’t know if Keith took over directing duties to get the film made or chose it as a Keith auteur vehicle, but either way makes sense this was his last (substantial) effort.
Hot Take Clam Bake! I’m gonna say it, I think Peter Weller was behind the whole thing. No, not inventing the Monster Disease, but rather using his big ol’ brain to know exactly how to set everything up for him and his lady love to escape to the surface after satisfying their mining contract. You think that company is leaving all that sweet, sweet ore at the bottom of the ocean. No way. And once they bring it up Weller will be sitting there ready to cash in. It’s a classic corrupt cop situation. Weller has spent his days being a low-paying geologist. When is it his time to get the money reserved for those he helps? Now, that’s when. So when they find that disease he sees his shot. Let a big dumbo grab the diseased liquor and it’s off to the races, and off to Moneytown, USA (population: Peter Weller). Hot Take Temperature: the blue heat of Meg Foster’s eyes.
Patrick?
Patrick
‘Ello everyone! Are we talking about The Abyss?! … nope, wait. Are we talking about The Thing?! … wait, no, it isn’t that either. Are we talking about Alien?! … shoot, not that either. What the hell are we talking about? Oh right, Leviathan. Distinction without a difference init? Let’s go!
Hey look at us, I think this film is legit a zero out of five on the how-you-say Soldier Boyz racism scale. Congrats.
I actually liked this film, but I will reiterate: this is one of the most derivative films I’ve ever seen. It is just straight up a Thing and Alien mash-up set under the sea. But it has solid practical effects and is just ultimately pretty fun.
It is a smorgasbord of 90s shlock masters too. Peter Weller? Ernie Hudson? Throw in some Hector Elizondo and Daniel Stern and baby you got a stew cooking.
And gimme all that sweet “corporations and inherently evil entities willing to sacrifice their workers for a buck (and probably a weapon to sell to some equally evil military/industrial minded country)” junk. Inject it directly in my veins, even if it is just pure uncut Paul-Reiser-in-Alien. Yeah … there isn’t an original bone in this horrific monster fish’s body.
Oh yeah, and as Jamie said the ending is crazy. All of a sudden they are like “Hooray we are saved! … oh no there are sharks! … oh no the monster is also here and Ernie Hudson is dead! … well I’ll blow up the monster! … Hooray we are saved!” It is a little like they didn’t quite know how to end the film when they had it right there: have it end with them going up to the surface, and have them break the surface to a shining sun. Get it? They lived and they know the company tried to screw them. C’mon guys, I’m tearing up here, let’s get a Sklog Cut with that ending as the only change.
As for the friend this week … sigh. The Further Adventures of Tennessee Buck. Let’s just get this out of the way: This is a solid three or four on the how-you-say Soldier Boyz racism scale. I think it has to be a four, I think there is someone in black face in this film although I couldn’t swear by it. Also, I don’t know what the deal with 90s schlock is with rape, but someone gets raped or almost raped in every film. It makes it very hard to enjoy these films when sexual assault and racism are put front and center as motivations for our garbage “hero” to kill people. That being said: this movie is also poorly made, and the acting is dire. It is like David Keith saw Indiana Jones and was like “I could do that, what is it really? A garbage drunk cracking wise and slaying ladies? I can do that.” And then he just made River of Death with Michael Dudikoff, added in some jokes and rape and went “nailed it.” You didn’t nail it David Keith. Not even close. Hell, River of Death didn’t even nail it! I have to give it a D. The action would be kind of fun. You know … without the racism and rape.
Good Product Placement (What?) for Pepsi which for some reason on a private underwater lab just has vending machines around. I’m going to give this an Unlikely Setting (Where?) for simply “underwater” which I unironically love. I think this is potentially an A+ MacGuffin (Why?) for the sunken ship Leviathan and the unintended evil it contained. And a Worst Twist (How?) for the obvious reveal that the evil corporation is, it turns out, evil. I think this is a Good and nothing you say will make me change my mind!
‘Ello everyone! On man, so get this. I was on the bottom of the ocean (natch) mining my ore (natch) when a big mutant fish thing attacked and tore all my friends to pieces! Luckily, I just suffered a blow to the head and a massive concussion. I don’t remember a thing. Do you remember what happened in Leviathan?
Pop Quiz Hot Shot!
1) There’s some tension on the bottom of the ocean because someone isn’t doing their job. What event occurs that kicks off the issues between RoboCop and the doctor?
2) So … what is the deal with RoboCop, why is he on the bottom of the ocean anyways?
3) So … what is the deal with the doctor, why is he on the bottom of the ocean anyways?
4) They find a ship called Leviathan on the bottom of the ocean, but it isn’t supposed to exist. What is on the ship that starts to cause everyone to mutate?
5) The movie is pretty much just people running around away from the fish monster at this point, but in the end how does RoboCop, the fourth Ghostbuster, and … the lady, end up getting back to the surface?
Bonus Question: Welp, RoboCop just punched his boss out. Definitely fired right?
Jamie and Patrick are looking fresh. Earrings? Gold. Jeans? Gold. Apple juice? Gold. They’re about to turn ten and are setting the standard with their gold swag. Their dad had one word of advice for them as they navigate this crazy thing we call life: “How many times can you watch Tango and Cash?” With that he swept his arm in the general direction of their local swimming hole and called it ‘nature’s movie.’ Despite this being wrong (Nature’s movie is Baraka) they ventured forth and found themselves at Ralston’s Gulch. It’s cannonball central as they take the swimming hole by storm. Suddenly, right when they begin another one of their patented Twin Double Cannonballs, they feel a tug at their shorts and find themselves completely nude in the freezing waters. A couple of middle school bullies are laughing at them from the shore while holding their shorts above their heads. “Why don’t the little babies come out and playyyyy-ayyyy?” they yell, and all the other people at the gulch laugh. “We look like fools,” Jamie says and laments that he doesn’t have a shirt to rip clean off to fashion crude shorts out of. “Do you remember the last time we ended up completely nude in public?” Patrick reminds Jamie. He does, it was when those two hot dogging pilots at the air show buzzed them and the speed of the jets ripped all their clothes off. “And what did we do then?” Patrick continues. “Oh right, we took those foolz to schoolz,” Jamie says, pulling out a very cool phrase he coined. “We jumped in the water. Because in the water no one can see you nude and in the water…” With that their eyes glaze over and they enter a patented Twin Memory. That’s right! We are diving into Leviathan, an Alien/The Thing rip-off set underwater that if made just a few years later would have probably looked way cheaper and probably went straight to video. But instead it got a theatrical release. Good for us. We pair that with The Further Adventures of Tennessee Buck, a weird little movie directed by David Keith… you know… before he realized he didn’t want to do that. Let’s go!
Leviathan (1989) – BMeTric: 34.7; Notability: 50
StreetCreditReport.com –BMeTric: top 8.4%; Notability: top 2.8%; Rotten Tomatoes: top 14.6%; Higher BMeT: Friday the 13th Part VIII: Jason Takes Manhattan, Police Academy 6: City Under Siege, Halloween 5: The Revenge of Michael Myers, A Nightmare on Elm Street: The Dream Child, Wild Orchid, Cyborg, The Karate Kid Part III, The Fly II, No Holds Barred, Star Trek V: The Final Frontier, Cutting Class, Sleepaway Camp III: Teenage Wasteland, DeepStar Six, The Toxic Avenger Part II, Pink Cadillac, Shocker, Speed Zone, The Punisher, The January Man, The Horror Show, and 1 more; Higher Notability: Tango & Cash, Troop Beverly Hills, Star Trek V: The Final Frontier, A Nightmare on Elm Street: The Dream Child, See No Evil, Hear No Evil, Fletch Lives, Harlem Nights; Lower RT: The Horror Show, Speed Zone, Kinjite: Forbidden Subjects, The Toxic Avenger Part II, Police Academy 6: City Under Siege, Worth Winning, Night Game, Wired, Dream a Little Dream, Wild Orchid, No Holds Barred, She’s Out of Control, Halloween 5: The Revenge of Michael Myers, Friday the 13th Part VIII: Jason Takes Manhattan, Millennium, Chattahoochee, Sleepaway Camp III: Teenage Wasteland, Cookie, Troop Beverly Hills, Three Fugitives, and 13 more; Notes: Played on television 40 times in the 90s, not bad. A lot of horror sequels in ‘89 as well, Friday the 13th 8 (played 27 times), Halloween 5 (15 times), Nightmare on Elm Street: Dream Child (39 times), and The Fly II (35 times). So this played more that those which is interesting. More interesting (maybe) is none of the Sleepaway Camps played at all on television in the 90s … that seems crazy, but I ran a check and it seems to be the case. Sleepaway Camp, it turns out, is a purely post-2000 cult horror sensation.
Leonard Maltin – 1.5 stars – Yet one more dreadful Alien clone, this one set underwater (like several other 1989 releases), with a team of men and women imperiled as they toil in the depths of the Atlantic. Skip it.
(Leonard, would you say that perhaps we should … spare ourselves? Anyways, you can tell two things from this review. First, the complete lack of interest by Leonard in horror films in general. And second, just how bad this film must be for him to not even bother to slam it very hard. Exciting.)
(Love the voiceover immediately. You can explicitly tell this is just The Thing + Alien = Leviathan though. Amusingly unoriginal.)
Directors – George P. Cosmatos – ( Known For: Tombstone; Escape to Athena; The Cassandra Crossing; Of Unknown Origin; The Day the Fish Came Out; Massacre in Rome; The Beloved; Future BMT: Shadow Conspiracy; BMT: Rambo: First Blood Part II; Cobra; Leviathan; Notes: Died in 2005, but was retired from 1997 I think. His son is also a director having directed Mandy.)
Writers – David Webb Peoples – ( Known For: Blade Runner; Unforgiven; 12 Monkeys; Ladyhawke; Hero; The Blood of Heroes; Unforgiven; BMT: Leviathan; Soldier; Notes: Nominated for an Oscar for Unforgiven. Seemingly still alive at around 83 years old, but he hasn’t done anything since 1997 either.)
Jeb Stuart – ( Known For: Die Hard; The Fugitive; Blood Done Sign My Name; Vital Signs; Future BMT: Just Cause; Switchback; BMT: Leviathan; Lock Up; Another 48 Hrs.; Fire Down Below; Notes: Created Vikings: Valhalla more recently, but also hasn’t written a feature since 1997. We need to watch Switchback, it’s a serial killer film I’ve barely heard of.)
Actors – Peter Weller – ( Known For: RoboCop; Star Trek Into Darkness; The Adventures of Buckaroo Banzai Across the 8th Dimension; Naked Lunch; Mighty Aphrodite; Prey; Beyond the Clouds; Skin Trade; Of Unknown Origin; Shakedown; Cat Chaser; Butch and Sundance: The Early Days; Shoot the Moon; Just Tell Me What You Want; Repentance; Ivans xtc.; Dragon Eyes; The New Age; Shadow Hours; Top of the World; Future BMT: Screamers; The Order; Firstborn; Undiscovered; BMT: RoboCop 2; Leviathan; Notes: Was nominated for an Oscar for a short film, Partners, which is wild. He is obviously more well known for RoboCop because the rest of his filmography seems to alternate between Schlock and Cult Classics.)
Richard Crenna – ( Known For: First Blood; Sabrina; Body Heat; Hot Shots! Part Deux; Our Miss Brooks; Wait Until Dark; The Sand Pebbles; Death Ship; Jonathan Livingston Seagull; The Flamingo Kid; Breakheart Pass; The Evil; A Cop; Marooned; Doctors’ Wives; Table for Five; Star!; Catlow; Made in Paris; Stone Cold Dead; Future BMT: Summer Rental; Wrongfully Accused; BMT: Rambo: First Blood Part II; Rambo III; Leviathan; Jade; Notes: Nominated for four Emmys and won one for The Rape of Richard Beck. Almost certainly known to film lovers a as Colonel Trautman the man who “created” Rambo.)
Amanda Pays – ( Known For: The Kindred; Oxford Blues; Off Limits; A Grande Arte; Ablaze; Subterfuge; BMT: Leviathan; Notes: She was in a few episodes of The Flash, otherwise she appears to have been semi-retired for a while. Comes from an acting family, and is married to Corbin Bernsen. Which probably explains a bit role in Psych.)
Budget/Gross – $21 million / Domestic: $15,704,614 (Worldwide: $15,704,614)
(That is abominable. For a horror film especially. You design it for the $20 million budget expecting a $30-50 million return at least, but this is a bomb for sure.)
Rotten Tomatoes – 24% (6/25): A deep-sea thriller with an unusually strong cast and potent ideas, Leviathan quickly plunges into an abyss of weak thrills and lame kills.
(Sounds about right. The unusually strong cast is right, although with hindsight … well, let’s just say that Ernie Hudson and Peter Weller didn’t quite finish up the 90s as A-listers.)
NYT Short Review: Spare yourself. / Miners trapped on the ocean floor with a giant eel. / Adventure about metal mining on the ocean floor.
(Very cool, although pretty unrealistic, poster. I’ve seen it before, but until you watch the movie you don’t really recognize how strange it is that they use an event from the end of the film to advertise the movie. A bit random. A.)
Tagline(s) – How long can you hold your breath? (C)
(Hmmmm, I guess this is not the worst it can be. It makes some sense and is intriguing. Although it doesn’t have much to do with the movie.)
Keyword(s) – daddio
Top 10: The Shawshank Redemption (1994), The Godfather (1972), Scarface (1983), 12 Angry Men (1957), Indiana Jones and the Last Crusade (1989), Back to the Future Part II (1989), Dead Poets Society (1989), Citizen Kane (1941), The Game (1997), Dumb and Dumber (1994)
Future BMT: 79.0 Daddy Day Camp (2007), 58.9 Jury Duty (1995), 57.4 The NeverEnding Story II: The Next Chapter (1990), 57.1 Ghost Dad (1990), 50.8 Getting Even with Dad (1994), 50.5 Sleepwalkers (1992), 49.3 My Girl 2 (1994), 46.4 Daddy Day Care (2003), 44.6 Man of the House (1995), 41.6 My Baby’s Daddy (2004), 41.6 Speed Zone (1989), 41.3 Club Paradise (1986), 38.9 Fled (1996), 38.3 My Father the Hero (1994), 37.9 Dracula: Dead and Loving It (1995), 36.9 Desperate Hours (1990), 35.8 Breakin’ 2: Electric Boogaloo (1984), 35.8 I Got the Hook Up (1998), 34.3 Spring Break (1983), 34.1 Father Hood (1993)
BMT: Speed 2: Cruise Control (1997), Troll 2 (1990), Super Mario Bros. (1993), Cool as Ice (1991), Teenage Mutant Ninja Turtles III (1993), Poltergeist III (1988), Shanghai Surprise (1986), Return to the Blue Lagoon (1991), The Lawnmower Man (1992), Arthur 2: On the Rocks (1988), Fire Birds (1990), Star Trek V: The Final Frontier (1989), Virtuosity (1995), Double Impact (1991), Police Academy 2: Their First Assignment (1985), Navy Seals (1990), Iron Eagle (1986), Rambo III (1988), High School High (1996), Ernest Goes to Jail (1990), Clifford (1994), Man Trouble (1992), Leviathan (1989), Universal Soldier (1992), Days of Thunder (1990), No Mercy (1986), The Postman (1997), Eraser (1996), Hackers (1995), Rising Sun (1993), Lock Up (1989), Magic in the Water (1995), The Adventures of Ford Fairlane (1990)
Best Options (Horror): 50.5 Sleepwalkers (1992), 37.9 Dracula: Dead and Loving It (1995), 34.7 Leviathan (1989)
(This was a sparse category. Ultimately I think this was chosen because it was 1990 and was the only real good option from that year.)
Welcome to Earf (HoE Number 13) – The shortest path through The Movie Database cast lists using only BMT films is: Richard Crenna is No. 2 billed in Leviathan and No. 2 billed in Rambo III, which also stars Sylvester Stallone (No. 1 billed) who is in The Expendables 3 (No. 1 billed) which also stars Jason Statham (No. 2 billed) who is in In the Name of the King: A Dungeon Siege Tale (No. 1 billed) which also stars Leelee Sobieski (No. 3 billed) who is in Here on Earth (No. 1 billed) => (2 + 2) + (1 + 1) + (2 + 1) + (3 + 1) = 13. If we were to watch The Glass House we can get the HoE Number down to 12.
Notes – The experience was an adventure and a joy for Stan Winston and his monster-making team. Not only did they get to live in Rome for four months during filming, and even learn scuba diving, a recreational activity many of them continue to pursue to this day, but they also got to work with a director who was unusually generous with inviting their input. In addition to producing the creature effects, Cosmatos trusted Winston to direct the second unit action sequences. “George Cosmatos always let us take the lead in how to shoot the creature,” noted Landon. “He was such a big-hearted person, he would throw up his hands, and say ‘I don’t know what I’m doing.’ He’d just admit it and let us do what we knew how to do. We know what our characters can do and we know the best way to use them. We’re thinking about what our characters are going to have to do on the set the entire time we’re building them. So we are goldmines of information and knowledge. Some directors recognize that, and really rely on us.”
The creature effects team encountered some language differences during the making of Aliens (1986) in England, but the challenges were much bigger in Italy. “I always keep a log of everything we order on shows, just in case accounting comes back later and asks about it,” noted lead creature effects mechanic and on-set technician Richard Landon. “In my log from that show, you can tell that there were some real language issues, because a lot of times, instead of words, I drew pictures of nuts or bolts or that kind of thing. I would quite often have to draw a picture just to make it clear what I was talking about.” There were cultural differences too, such as the Italian’s crew tendency to drink large amounts of red wine at lunch. “They’d say, ‘Here, have some wine!’ remembered Mahan, “and we’d say, ‘Uh, thanks, but we’re not allowed to drink while we’re working.’ Of course, every once in a while, we’d sneak a little, but nothing like the way those guys were drinking it down.”
Deep Star Six (1989) was the first release of several underwater-monster-themed feature films released during 1989-90, including The Abyss (1989), Leviathan (1989), The Evil Below (1989), and Lords of the Deep (1989), and ‘The Rift’ (aka ‘Endless Descent’, 1990). With the exception of ‘The Abyss’, none of these films were box office hits.
The movie is set in the year 2027
Once, during the underwater photography, John Rosengrant and other members of the SWS on-set crew were underwater for so long and at such depth, that they were unaware of a violent storm that had come in, threatening to rip the topside boat from its anchor and smash it against nearby rocks. “We had no idea all of this was going on, until we came to the surface and saw all this commotion,” recalled Rosengrant. “We all go out of the water and helped to push the boat away from the rocks and hold it steady in this storm.”
Iron Eagles, assemble! And this is where me and Patrick swoop in flying mini fighter jets which transform like a couple transformers into Chris Klein and future academy award winner Josh Hartnett mechs. This is, of course, part of our bad movie themed children’s animated TV show, Two Guys, Two Bots and a Za Spot. Similar to the Bad Movie Twins storyline, this is the continuing adventure of me, Patrick, and our best friends CK-bot and JH-tron (and a pizza place). Unlike the BMT storyline there is less gleaming abs and hardcore frenching and more lessons learned and pizza. In this adventure we would be challenged to a race by Goobert and his Rude Tudes, but ultimately we would decline as it’s reckless and irresponsible. Meanwhile, CK-bot and JH-tron would go ahead and race them and make them look like total IDIOTS. Wait, what was I talking about?
To recap, Doug Masters is the hot dogging son of a hot shot pilot. While Doug’s hot dogging around his father gets shot down over [REDACTED]. At the same time he is rejected from the Air Force Academy (presumably for all the hot dogging), which is equally devastating. When it becomes obvious that the US government is going to do nothing to save his father (now sentenced to death) he recruits a former pilot, Chappy, to help him plan a clandestine and highly illegal rescue mission. At first Chappy doesn’t like all the rock music that Doug seems to need to aid in his hot dogging, but the seriousness with which the kid pursues the mission eventually grows on him. They are aided by a group of air force base youngsters who create a highly organized mission that may actually have a chance at success. The day comes and off they fly to take out all kinds of military installations in [REDACTED]. He hot dogs for a bit, blowing stuff up and killing like a thousand people. Chappy is hit and appears to crash in the sea, which only lights a fire under Doug. He demands the release of his father and despite some trickery by the Defense Colonel of [REDACTED] he’s able to kill loads more people and pick up his dad (what one might term The Ultimate Hot Dog). As they fly away it appears that they are going to be shot down, but at the last moment the US Air Force arrives and escorts them back home. There it’s revealed that Chappy survived! Hooray! They are both reprimanded, but in a cheeky twist Doug is “punished” by being forced to attend the Air Force Academy. Double hooray! THE END.
This is a very funny movie. Essentially they ripped off Top Gun but then decided to mix it up with Goonies. The whole time I was thinking, “I wonder how they are going to avoid having this kid blow up a bunch of people with the fighter jet he’s going to pilot?” The answer? They don’t. He just does it. It’s really no wonder that it almost immediately veers away from those family-friendly vibes and closer to an actual rip-off of Top Gun as they proceeded through the sequels. Besides that (and some very funny 80’s conservative political banter) it’s actually a pleasantly silly watch. As for Bitter Harvest, well… this is a film that kind of has to be seen to be believed. Very strange stuff. But get the kids out of the room because, despite Stephen Baldwin playing a totally weird dude, there are several very steamy sex scenes that you will be treated to. Kudos to the two lead actresses for really going for it. Despite it being steamy and off-putting at the same time (somehow), I do have to give the film credit for one thing: I did not see the ending coming.
Hot Take Clam Bake! Iron Eagle is a scathing indictment of the US Military. No, I don’t mean the fact that the US Government is ready to leave a US pilot hero behind enemy lines to be executed without any kind of mission planned. No, that makes some sense. Don’t want to start a war without exercising some caution. No, I mean the fact that Doug is able to execute a two-man fighter jet excursion into enemy territory by basically donning a helmet and jumping into a jet. This is a child. Isn’t anyone checking ID’s? Worrisome stuff. Hot Take Temperature: A piping hot hot dog straight off the grill.
Patrick?
Patrick
‘Ello everyone! Are we talking about Louis Gosset Jr. and a teenager committing high treason and killing dozens of people in an international incident involving David Suchet? Let’s go!
You heard that fucking right. In this film a teenager and Louis Gosset Jr. hop into fighter jets, fly across the ocean (including multiple mid-air refuels), kill dozens of people in definitely-not-Libya, personally kill the head of a sovereign nation’s defense administration in a dog fight, and then just … get away with it? Like they swear him to secrecy and stuff, but for real … are we at war with not-Libya? Right after the credits did I miss the part where we are now engaged in a land war in Africa?
Otherwise I mean … is this movie good? It’s goofy. But also, is that fine? Is it a good movie? I enjoyed it. It is explicitly propaganda with very weird messages about the military and government in general, but is an objectively fun film.
Suchet is funny because he is really only used as a villain in American productions and usually when they need someone “Arab adjacent” or possibly French (he is not, but he has a passable accent, possibly due in part to playing the famous Belgian detective Poirot on television). Lucky for me his inclusion allows me to ask the age old question for 90s films: Is this film how-you-say … racist? Verdict: one out of five Soldier Boyz.
Gosset Jr. is hilarious in this film, and he was really milking that Academy Award Winner sheen for all he got. All the power to him.
I could give or take the kid actors (although nice to see the kid from Teen Wolf killing it here too), especially the main character who acted a bit like the Karate Kid at his whiniest.
Some nice plane stunts in the beginning. That is probably the best bit to be honest.
The entire film would have been a bit more sensical if you took the beginning all the way through the planning stage, but then at the end Gosset Jr. came to him and was like “Sorry kid, but … I can’t let you do this mission. This is real shit. But I called in a few favors and they like the plan so I’m going in with a few wingmen and you’ll be in the room when it all goes down” and the message is basically like: sometimes you can’t take no for an answer, but also be smart and go through the right channels when real lives are on the line. In the end the result is the same (his father is saved), but ultimately the message is a bit softer and it makes far more sense that they are like: you’re really smart and you love flying, but most importantly you didn’t do the rash thing when it counted which is what we were worried about … you’re in the Air Force Academy kid. The End.
Did I make the film better or worse? I think better, but also I don’t think that film I just described has three hilarious sequels so … maybe the world is worse off in the long run.
And for this film we watched the very very (very) odd Stephen Baldwin film Bitter Harvest. So … what is this film? I can actually see why Stephen Baldwin did this film. On paper I’m sure it seemed pretty good. I’m sure the sex scenes weren’t so … explicit in writing. And it seems like a juicy part in that you are playing a somewhat odd and complex character. The thing that lets it down are the music is bonkers, and the sex scenes are graphic and unrelenting. You eliminate both of those and get a real director on this thing and it is possible you had a small forgotten indie on your hands instead of a small forgotten and tragically bad indie. You know what I mean? Anyways, I think this is a solid D. I would recommend this to no one. It is weird and you can find interesting stuff in it, but it is also crazy boring and took me a week to get through. This is a zero out of five on the how-you-say Soldier Boyz racism scale.
Obviously a Product Placement (What?) for the US Military Industrial Complex, just like with Top Gun. A pretty funny Fictional Setting (Where?) for definitely-not-Libya. I think the father is a living, breathing MacGuffin (Why?), because screw it. And I do love the amazing Worst Twist (How?) for Chappy being inexplicably alive at the end. This film is Good and I’ll fight anyone who thinks otherwise.
Oh man, so get this. I was pulling like 1000 Gs in my stolen jet fighter when, naturally, my brain exploded and I blacked out. Now I can’t remember a thing. Am I dead? Regardless, do you remember what happened in Iron Eagle?
Pop Quiz Hot Shot!
1) In the beginning of the film Doug is waiting for a letter. From whom and what about?
2) So what race does he then participate in and who wins?
3) Right after though Doug’s dad is captured in definitely-not-Libya and sentenced to die. How many days does he have before he’s hanged?
4) Welp, if the military isn’t going to do anything, then Doug will! Doug then meets Chappy. Where does his meet him and why does Chappy agree to help him?
5) So what’s the plan, how are they getting his father out of this definitely-not-Libyan prison?
Bonus Question: You;re in the theater waiting for those sweet trailers to drop. When suddenly … is that Doug Masters music I hear?
Bad Movie Twins 