After Earth Preview

Brief note before we start: last July we got together yet again and worked out a fourth class to be inducted into the Smaddies Baddies BMT Hall of Fame. It has been nearly a decade since we started BMT and as usual the films from more than five years ago might just deserve a rewatch, a reassessment, and a recap. The previews and speeches will be released leading up to the seventh (ninth?) Smaddies Baddies for the five films chosen. After Earth is this generation’s Battlefield Earth… you know if John Travolta had used Battlefield Earth as a way to insult his children. This is a preview, the hall of fame induction speech will immediately follow. Enjoy!

Generated on: 2020-01-12

After Earth (2013) – BMeTric: 74.9; Notability: 46 

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(Exactly the rating I would expect, high fours is just right. The notability is much lower than you would think. I wonder if films starring huge actors tend to have lover notability even if the production is big. Since salaries have to be adjusted to accommodate the star.)

RogerEbert.com – 3.5 stars – “After Earth” is a lovely surprise. This film from producer-costar Will Smith and director M. Night Shyamalan, about a father and son marooned on a hostile future earth, is a moral tale disguised as a sci-fi blockbuster. It’s no classic, but it’s a special movie: spectacular and wise. … “After Earth” carries itself with confidence because it knows what it wants to say, and how to say it. The asteroid storm appears suddenly, as if willed into being by Poseidon stirring a cauldron with his trident. The design of the spaceship would make Odysseus feel at home: the ribs of its hull seem to be made of wood and bone. The skyscrapers on Nova Prime are built from triangular wedges that suggest a schooner’s sails. The warriors fight with blades. Ursa is Latin for bear. Kitai’s leap from a high cliff is a leap of faith. His name is Japanese for “hope.” This movie is a fable. Fables teach.

(Insane review! But I have to respect the legacy of Roger Ebert. He always had an interesting take on blockbusters and films being “good for what they are” and this review for his site basically does just that here. He liked the movie for what it is, ignoring things it didn’t necessarily need to be (well acted with a good story).)

Trailer – https://www.youtube.com/watch?v=-r9IXze_tPM/

(Looks pretty cool when you put it that way. But we know better, because we’ve seen the glory of this movie. We’ve seen Jaden Smith becoming best friends with a bird.)

Directors – M. Night Shyamalan – (Known For: Split; The Sixth Sense; Unbreakable; Signs; The Village; The Visit; Wide Awake; Future BMT: Glass; BMT: The Last Airbender; After Earth; The Happening; Lady in the Water; Razzie Notes: Winner for Worst Director, and Worst Screenplay for The Last Airbender in 2011; Winner for Worst Director, and Worst Supporting Actor for Lady in the Water in 2007; Nominee for Worst Director, and Worst Screenplay for After Earth in 2014; Nominee for Worst Director, and Worst Screenplay for The Happening in 2009; and Nominee for Worst Screenplay for Lady in the Water in 2007; Notes: Has started producing television, which honestly is where I would expect him to end up in a few years. I could see him doing something like Star Trek where you just throw big idea sci-fi at the screen with a medium-to-good hit rate. That genuinely seems missing from television these days.)

Writers – Gary Whitta (screenplay) – (Known For: Rogue One; The Book of Eli; BMT: After Earth; Razzie Notes: Nominee for Worst Screenplay for After Earth in 2014; Notes: Was an editor of PC Gamer for years.)

M. Night Shyamalan (screenplay) – (Known For: Split; The Sixth Sense; Unbreakable; Signs; The Village; The Visit; Stuart Little; Devil; Wide Awake; Future BMT: Glass; BMT: The Last Airbender; After Earth; The Happening; Lady in the Water; Razzie Notes: Winner for Worst Director, and Worst Screenplay for The Last Airbender in 2011; Winner for Worst Director, and Worst Supporting Actor for Lady in the Water in 2007; Nominee for Worst Director, and Worst Screenplay for After Earth in 2014; Nominee for Worst Director, and Worst Screenplay for The Happening in 2009; and Nominee for Worst Screenplay for Lady in the Water in 2007; Notes: The Sixth Sense is one of the most recent films that appear on the AFI Top 100.)

Will Smith (story) – (BMT: After Earth; Razzie Notes: Winner for Worst Supporting Actor, and Worst Screen Combo for After Earth in 2014; Winner for Worst Original Song, and Worst Screen Couple for Wild Wild West in 2000; and Nominee for Worst Screenplay for After Earth in 2014; Notes: Created the television show All of Us which is nearly all of his writing credits. This is his only feature film credit. Otherwise he has a single story credit for an episode of The Fresh Prince of Bel-Air.)

Actors – Jaden Smith – (Known For: The Pursuit of Happyness; The Karate Kid; Skate Kitchen; BMT: After Earth; The Day the Earth Stood Still; Razzie Notes: Winner for Worst Actor, and Worst Screen Combo for After Earth in 2014; Notes: Noted weirdo, and I say that with total affection. He made waves a few years ago with his word-salad ramblings on social media. A rapper who claims he doesn’t see gender … or something like that.)

David Denman – (Known For: Brightburn; Logan Lucky; Power Rangers; 13 Hours; The Replacements; The Gift; Big Fish; Fair Game; Puzzle; The Nines; Smart People; Take; Beneath the Harvest Sky; Future BMT: When a Stranger Calls; Shutter; The Singing Detective; Fanboys; Men, Women & Children; BMT: After Earth; Jobs; Out Cold; Notes: You’d recognize him as Roy from The Office. He went to Juilliard with Alan Tudyk.)

Will Smith – (Known For: Spies in Disguise; Aladdin; Bad Boys; Men in Black; Independence Day; Men in Black 3; I Am Legend; The Pursuit of Happyness; Hitch; Focus; Hancock; I, Robot; Enemy of the State; Concussion; Anchorman 2: The Legend Continues; Ali; Six Degrees of Separation; The Legend of Bagger Vance; Where the Day Takes You; Future BMT: Student of the Year 2; Made in America; Gemini Man; Suicide Squad; Shark Tale; Men in Black II; Bright; Bad Boys II; Collateral Beauty; BMT: After Earth; Wild Wild West; A New York Winter’s Tale; Razzie Notes: Winner for Worst Supporting Actor, and Worst Screen Combo for After Earth in 2014; Winner for Worst Original Song, and Worst Screen Couple for Wild Wild West in 2000; and Nominee for Worst Screenplay for After Earth in 2014; Notes: He is playing Serena and Venus Williams’ father in the upcoming biopic.)

Budget/Gross – $130,000,000 / Domestic: $60,522,097 (Worldwide: $243,611,982)

(Pretty close to doing fine(ish). If the budget was $100 it would be roughly break even. It is … basically Birds of Prey? A bit more expensive to make, and a little less domestic take.)

Rotten Tomatoes – 11% (23/203): After Earth is a dull, ploddingly paced exercise in sentimental sci-fi — and the latest setback for director M. Night Shyamalan’s once-promising career.

(Awwww that’s actually a really sad consensus. Feels filled with resignation, as if there was no other way this film could have been. I suppose in this case Rotten Tomatoes is right. Reviewer Highlight: Mr. Smith and his wife, Jada Pinkett Smith, are producers on “After Earth,” which suggests that there was no one on the production who could really say no to him. – Manohla Dargis, New York Times)

Poster – After Earf (C+)

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(Real father-son motif there, which is nice and helps me think this was all some tragic mistake and not something that Will Smith orchestrated to embarrass his son. Nice font too. I would have liked more of the blue-green in the color scheme and the construction works for a star vehicle, but doesn’t give any sense of what you are in for. It’s alright.)

Tagline(s) – Danger is real. Fear is a choice. (A-)

(A little on the nose, but works for the film. Particularly before you watch it. It grows on you the more you read it I think. Could have been a little cleverer I think, but that’s about it.)

Keyword – stranded

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Top 10: Dunkirk (2017), Pirates of the Caribbean: The Curse of the Black Pearl (2003), Kong: Skull Island (2017), The Martian (2015), Constantine (2005), Star Trek Beyond (2016), E.T. the Extra-Terrestrial (1982), Prometheus (2012), Cast Away (2000), Blockers (2018)

Future BMT: 62.4 The Hills Have Eyes II (2007), 57.9 House of Wax (2005), 55.0 Coneheads (1993), 42.0 Red Planet (2000), 39.4 The Forsaken (2001), 39.4 Six Days Seven Nights (1998), 31.0 Rugrats Go Wild (2003), 28.9 Flight of the Phoenix (2004), 20.6 Last Man Standing (1996), 20.3 The Amazing Panda Adventure (1995);

BMT: The Island of Dr. Moreau (1996), Jumper (2008), Soldier (1998), After Earth (2013), Chernobyl Diaries (2012), Anacondas: The Hunt for the Blood Orchid (2004)

(This seems to go in waves. Which is pretty cool. Perhaps like Patton Oswalt’s Zombie Spaceship Wasteland. This keyword is closest to Wasteland, and the idea is that the tastes of generations cycle between the three ideas. Fighting against zombies, exploration through space, and surviving a post-apocalyptic wasteland.)

Welcome to Earf (HoE Number 21) – The shortest path through The Movie Database cast lists using only BMT films is: Will Smith is No. 2 billed in After Earth and No. 1 billed in Wild Wild West, which also stars M. Emmet Walsh (No. 5 billed) who is in Christmas with the Kranks (No. 4 billed), which also stars Tim Allen (No. 1 billed) who is in Jungle 2 Jungle (No. 1 billed), which also stars Leelee Sobieski (No. 6 billed) who is in Here on Earth (No. 1 billed) => 2 + 1 + 5 + 4 + 1 + 1 + 6 + 1 = 21. If we were to watch Hardball, and The Glass House we can get the HoE Number down to 13.

Notes – Although not credited on the finished film, co-writer/producer Will Smith was responsible for much of the movie’s direction. While M. Night Shyamalan was primarily in charge of the blocking (composition of shots, placement of the camera) and the visual aspects of the film (color and design), it was Will Smith who personally coached Jaden Smith in his performance and dictated the development of the story and the on-screen action. After both the story and acting were heavily criticized, Shyamalan decided to take the blame.

The original cut was 130 minutes long, and included more backstory on the decline of Earth and the formation of Nova Prime. However, the film was vastly re-edited after performing poorly at test screenings, and any actors playing Nova Primates were either reduced to extras or cut out entirely. The deleted footage will likely never be seen, as M. Night Shyamalan is satisfied with the theatrical cut.

The original idea for the film was a father and son on a camping trip. After the car they are traveling in careens off the road, the son makes his way through the forest to find help for the father. Realizing that the idea had greater potential, producer Will Smith and screenwriter Gary Whitta decided to adapt the basic survival concept into a much larger science-fiction project. (The original sounds better)

Will Smith, who had wanted to work with M. Night Shyamalan for several years but was unable to find a suitable project, personally hired him to direct. This became the first time in twenty years that Shyamalan accepted a project based on someone else’s screenplay, and the first film in Shyamalan’s career where he does not appear on screen.

Producer/co-writer Will Smith envisioned “After Earth” as a multi-platform franchise, including books, graphic novels, and interactive video games, which would all inform on and add to the ideas and concepts already developed in the finished film.

In a 2019 lecture at NYU’s Stern School of Business, Shyamalan publicly disowned his films The Last Airbender (2010) and After Earth (2013), calling them “junk movies.” He added: “I did a couple huge, big-budget CGI movies. There has always been this inexorable pull to join the group; a constant seduction in the form of whatever you want to tally, in the form of money, or safety, ease, not getting criticized. I did these movies, and I rightfully got crushed, because they said, ‘You don’t believe in yourself, you don’t believe in your own voice, and in you don’t believe in your values.’ I felt really lost. It just didn’t work. There’s probably something Darwinian about all this.”

Eisner Award-winning comic writer Peter David, Michael Jan Friedman and Robert Greenberger produced a 300-page “bible” covering the history of mankind, from their decision to leave Earth to the events depicted in the finished film. It was intended to serve as a resource for all kinds of ancillary materials in the After Earth (2013) franchise.

When Kristofer Hivju showed up on set, he got into a discussion with the make-up department, who wanted to cut his characteristic long hair and beard. Hivju was against it, and was even supported by Jaden Smith, but eventually lost out. To make matters worse, most of his role was eventually deleted from the final cut.

A series of spin-off novels, sub-titled “Ghost Stories”, have been planned to promote the movie, but are also intended to flesh out the concepts in the film itself. The titles of these books include ‘Innocence’, Peace, ‘Hunted’ and ‘A Perfect Beast.’ All books are written by writers Peter David, Michael Jan Friedman, and Robert Greenberger, with illustrations by Benito Lobel.

Second time that real-life father and son Will Smith and Jaden Smith play father and son on screen. The first time was in The Pursuit of Happyness (2006).

The film takes place in 3071.

M. Night Shyamalan’s first digital film. The first feature film shot with Sony’s F65 digital camera.

The original screenplay was written by Gary Whitta based on an idea by Will Smith. In pre-production, M. Night Shyamalan did a few drafts of the screenplay to familiarize himself with the material, before passing it over to Stephen Gaghan, who stayed on as the chief screenwriter during production. Mark Boal, writer of The Hurt Locker (2008) and Zero Dark Thirty (2012), also worked on the script.

To promote the movie, Harper Collins and Insight Editions published ‘After Earth: United Ranger Corps Survival Manual’ and ‘After Earth: Kitai’s Journal.’

Kristofer Hivju, Lincoln Lewis, and Isabelle Fuhrman had major supporting roles in the original cut though the majority of their scenes were deleted during post-production (In the theatrical cut Hivju has one scene, Lewis has one line, and only the back of Fuhrman’s head is visible in one shot – though her face can be seen in the trailer).

The word “ursa” is the Latin for “female bear”. The protagonist’s name Kitai is the Russian for “China”.

Awards – Winner for the Razzie Award for Worst Actor (Jaden Smith, 2014)

Winner for the Razzie Award for Worst Supporting Actor (Will Smith, 2014)

Winner for the Razzie Award for Worst Screen Combo (Jaden Smith, Will Smith, 2014)

Nominee for the Razzie Award for Worst Picture (2014)

Nominee for the Razzie Award for Worst Director (M. Night Shyamalan, 2014)

Nominee for the Razzie Award for Worst Screenplay (Gary Whitta, M. Night Shyamalan, Will Smith, 2014)

Highlander II: The Quickening Preview

Brief note before we start: last July we got together yet again and worked out a fourth class to be inducted into the Smaddies Baddies BMT Hall of Fame. It has been nearly a decade since we started BMT and as usual the films from more than five years ago might just deserve a rewatch, a reassessment, and a recap. The previews and speeches will be released leading up to the seventh (ninth?) Smaddies Baddies for the five films chosen. This is the film so bad that we had to buy it on VHS in order to see it in its purest form. Like an uncut diamond, this is Highlander II: The Quickening. This is a preview, the Hall of Fame speech will follow directly afterwards.

Highlander II: The Quickening (1991) – BMeTric: 79.8; Notability: 26 

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(The rating is actually a little too high somehow. Low-4.0 is really really low … but this is legit maybe the worst film ever made. It should in reality be in the 3.0s, but maybe the Renegade Cut is actually not the worst.)

RogerEbert.com – 0.5 stars – This movie has to be seen to be believed. On the other hand, maybe that’s too high a price to pay. “Highlander 2: The Quickening” is the most hilariously incomprehensible movie I’ve seen in many a long day – a movie almost awesome in its badness. Wherever science fiction fans gather, in decades and generations to come, this film will be remembered in hushed tones as one of the immortal low points of the genre.

(Roger Ebert spitting hot fire here. And indeed, this movie is remembered in hushed tones as a nadir of its genre. It was such a disaster they recut it and you can’t see the original on home video anymore! That’s incredible.)

Trailer – https://www.youtube.com/watch?v=rV2yoL_GkEY/

(That heavy metal soundtrack! In another world this is an amazingly mind bending sci fi film. Instead they made the worst film ever. It is awesome.)

Directors – Russell Mulcahy – (Known For: Highlander; Ricochet; In Like Flynn; Razorback; Swimming Upstream; Future BMT: Tale of the Mummy; The Real McCoy; The Shadow; Resident Evil: Extinction; Resurrection; BMT: Highlander II: The Quickening; Notes: Directed nearly 40 episodes of Teen Wolf.)

Writers – Gregory Widen (characters) – (Known For: Highlander; Backdraft; The Prophecy; Future BMT: Highlander: Endgame; BMT: Highlander II: The Quickening; Highlander III: The Sorcerer; Notes: A wild career. Wrote the original Highlander when he was in college. And then wrote the sequel to Backdraft (which we’ve seen). Still writing films.)

Brian Clemens (story) – (Known For: The Watcher in the Woods; The Golden Voyage of Sinbad; See No Evil; Future BMT: And Soon the Darkness; BMT: Highlander II: The Quickening; Notes: Died in 2015. Directed a bunch of British television as well, including Father Dowling Mysteries.)

William N. Panzer (story) (as William Panzer) – (Future BMT: Highlander: Endgame; BMT: Highlander II: The Quickening; Highlander III: The Sorcerer; Notes: These are the type of people I don’t get … he has a few writing credits, but mostly producing credits. Almost all of these credits are Highlander films/television. He has been involved in this IP for like 40 years.)

Peter Bellwood (screenplay) – (Known For: Highlander; BMT: Highlander II: The Quickening; Notes: Mostly retired. He had a few notes in the mid-90s about teaming with Dennis Shryack, but from what I can tell they never actually produced anything as a team.)

Actors – Christopher Lambert – (Known For: Hail, Caesar!; Highlander; Sobibor; Kickboxer: Retaliation; Greystoke: The Legend of Tarzan, Lord of the Apes; Bel Canto; Fortress; Subway; White Material; To Kill a Priest; Future BMT: Highlander: Endgame; Beowulf; Fortress 2; Southland Tales; Adrenalin: Fear the Rush; The Sicilian; Gunmen; Loaded Weapon 1; Resurrection; Knight Moves; The Hunted; Electric Slide; BMT: Ghost Rider: Spirit of Vengeance; Highlander II: The Quickening; Highlander III: The Sorcerer; Mortal Kombat; Notes: Apparently he is a joy to work with. I remember this specifically from Mortal Kombat notes. Still working, he was just in the television show The Blacklist.)

Sean Connery – (Known For: Indiana Jones and the Last Crusade; The Rock; Murder on the Orient Express; The Untouchables; Robin Hood: Prince of Thieves; The Hunt for Red October; Highlander; Dr. No; The Name of the Rose; Never Say Never Again; Thunderball; Goldfinger; From Russia with Love; Time Bandits; The Longest Day; Diamonds Are Forever; A Bridge Too Far; DragonHeart; Marnie; You Only Live Twice; Future BMT: Meteor; The League of Extraordinary Gentlemen; Family Business; A Good Man in Africa; Rising Sun; Entrapment; Just Cause; The Man with the Deadly Lens; Sir Billi; BMT: The Avengers; Highlander II: The Quickening; Medicine Man; Razzie Notes: Nominee for Worst Supporting Actor for The Avengers in 1999; and Nominee for Worst Screen Couple for Entrapment in 2000; Notes: Almost 90 years old. He is well and truly retired at this point, I can’t even remember the last time I saw him do any publicity. Probably still the best James Bond ever, there is a new one of those coming out soon.)

Virginia Madsen – (Known For: Her Smell; Dune; Better Watch Out; The Rainmaker; Candyman; Joy; Sideways; The Hot Spot; Burn Your Maps; The Prophecy; The Astronaut Farmer; Electric Dreams; A Prairie Home Companion; Ghosts from the Past; 1985; Modern Girls; Mr. North; Walter; All the Wilderness; American Gun; Future BMT: Father of Invention; Class; The Hot Flashes; Slam Dance; Diminished Capacity; Creator; BMT: Highlander II: The Quickening; The Haunting; Red Riding Hood; Firewall; Hot to Trot; The Haunting in Connecticut; The Number 23; Notes: Starred in Swamp Thing which became a huge disappointment for the ill-fated DC streaming service. It went over budget and got its second season cancelled during the post-production of the first season. Whoops.)

Budget/Gross – N/A / Domestic: $15,556,340 (Worldwide: $15,556,340)

(Absolutely terrible. It is a little okay just because the budget was $30 million, which for the time was high, but it doesn’t put it into like Cutthroat Island range. Still really bad.)

Rotten Tomatoes – 0% (0/23): There should have been only one.

(Absolutely brutal reviews, mostly just saying this is maybe the worst film ever made and they shouldn’t have made it. Reviewer Highlight: Audiences unfamiliar with the first film will be hard put to follow the action [from a story by Brian Clemens] as it incoherently hops about in time and space. – Variety)

Poster – Skloglander II: The Sklogening (A+++++++++)

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(My god, it’s beautiful. Everywhere you look is another treat for your senses. Look! There’s his futuristic car! Is that a helicopter?! There isn’t even one in the film! The sword! The lightning! Sean Connery! The font! Arrrrghhhhhhhhhhh! THE QUICKENING!)

Tagline(s) – In all their centuries on Earth, nothing could prepare them for… (F)

(Except for the other time that they had to fight to the death and there were a thousand Quickenings, right? I mean… there was some reasonable preparation at that point. Oh and I hate when they try to incorporate the title into the tagline. Always confusing.)

Keyword – immortal

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Top 10: Wonder Woman (2017), Twilight (2008), Justice League (2017), Hellboy (2019), Deadpool (2016), Guardians of the Galaxy: Vol. 2 (2017), Fantastic Beasts: The Crimes of Grindelwald (2018), Pirates of the Caribbean: The Curse of the Black Pearl (2003), Avengers Assemble (2012), Logan (2017)

Future BMT: 89.4 Vampires Suck (2010), 78.1 The Twilight Saga: New Moon (2009), 65.9 Highlander: Endgame (2000), 61.9 The Mummy: Tomb of the Dragon Emperor (2008), 52.0 Green Lantern (2011), 50.0 The Sin Eater (2003), 39.4 The Forsaken (2001), 39.0 Once Bitten (1985), 28.8 Igor (2008), 27.7 Dark Shadows (2012);

BMT: Hellboy (2019), The Mummy (2017), Ghost Ship (2002), A New York Winter’s Tale (2014), Mortal Kombat: Annihilation (1997), Queen of the Damned (2002), I, Frankenstein (2014), Highlander II: The Quickening (1991), Highlander III: The Sorcerer (1994)

(Besides for a brief moment around 2010 this has kind of just grown out of the sci-fi in the 80s and reached a steady state. We do need to watch The Twilight Saga … bah, I’ve already seen those!)

Welcome to Earf (HoE Number 13) – The shortest path through The Movie Database cast lists using only BMT films is: Virginia Madsen is No. 3 billed in Highlander II: The Quickening and No. 3 billed in Firewall, which also stars Harrison Ford (No. 1 billed) who is in Hollywood Homicide (No. 1 billed), which also stars Josh Hartnett (No. 2 billed) who is in Here on Earth (No. 3 billed) => 3 + 3 + 1 + 1 + 2 + 3 = 13. If we were to watch Rising Sun, Murder at 1600, and The Glass House we can get the HoE Number down to 12.

Notes – Michael Ironside recalled his experiences on this movie: “Yeah, listen, I hated that script. We all did. Me, Sean, Chris, we all were in it for the money on this one. I mean, it read as if it had been written by a thirteen-year-old boy. But I’d never played a barbarian swordsman before, and this was my first big evil mastermind-type. I figured if I was going to do this stupid movie, I might as well have fun, and go as far over the top as I possibly could. All that eye-rolling and foaming at the mouth was me deciding that if I was going to be in a piece of shit, like that movie, I was going to be the most memorable fucking thing in it, and I think I succeeded.” (Noice)

Christopher Lambert was so disgusted with the re-written script that he wanted to drop out of this movie. Contractual obligations forced him to finish it.

Director Russell Mulcahy disliked the theatrical cut so much that he left the premiere after only fifteen minutes. (And thus the Renegade Cut)

John C. McGinley made his character’s voice as deep as possible in an effort to imitate Orson Welles. He has since admitted that it was a bad idea.

Grossly contradicts the previous movie, Highlander (1986). All subsequent Highlander movies ignore this film. (Wellllll, to be fair they tend to ignore a good chunk of the lore at random times)

Christopher Lambert refused to use a fake sword for the fight scenes. In his first scene with it, he cut his finger to the bone and Michael Ironside dislocated his jaw in the dome fight. After these accidents, Lambert agreed to use a plastic sword.

Roger Ebert named it the worst movie of 1991.

Clancy Brown was asked to reprise his role as the Kurgan in a cameo, but declined.

Other than James Bond, Juan Sánchez Villa-Lobos Ramírez is the only character that Sir Sean Connery has played in more than one movie.

Christopher Lambert and Michael Ironside did most of their own stunts.

The idea for this movie came about because Christopher Lambert enjoyed working with Sir Sean Connery and really got along with him and Lambert wanted to work with Connery again for this movie, even though Ramirez died in Highlander (1986). A new story was written where Connor MacLeod, Ramirez, and the Immortals were aliens from another planet and Ramirez is brought back to life when Connor undergoes the Quickening and calls his name.

The movie’s initial budget was estimated at thirty million dollars. Sir Sean Connery received three and a half million dollars for nine days of work. Connery donated the money to charitable causes. (Haha)

After this film bombed at the box-office, it was decided that the following movies, Highlander III: The Sorcerer (1994), Highlander: Endgame (2000), and Highlander: The Source (2007), would be true and faithful to the original movie, story, and mythology by pretending this movie never happened. A long-running joke amongst Highlander fans states that the official name of the third movie should have been “Highlander III: The Apology”.

Unused scenes revealed that the Kurgan from the first movie was also a resident of Zeist, and General Katana hired him to kill Connor MacLeod. The final battle between MacLeod and the Kurgan from the first movie is shown on a large screen to Zeist bettors, and when the Kurgan fails, Katana sends down the two assassins featured in the final cut of this movie to take out MacLeod.

Christopher Lambert has very bad eyesight. During one sword fight, Lambert, who was not wearing his glasses, nearly severed Michael Ironside’s right thumb.

An alternate ending, “The Fairytale Ending”, was shown in some European theaters. Louise and Connor magically return to Zeist, embrace in front of a field of stars, transform into light streaks, and fly off into space. (Whaaaaaaaaaaat)

A technician died during filming, after falling from a crane.

To recover the filming rights, producers made the television series Highlander (1992). Christopher Lambert declined to reprise his role as Connor MacLeod, and the producers chose to create a new character. Lambert then accepted, and appeared in the pilot, to introduce the new hero, Duncan MacLeod (Adrian Paul). (Oh … I’ve seen the pilot)

Director Russell Mulcahy was so frustrated at being locked out of production that he tried to have his credit changed to “Alan Smithee”. However, a section of his contract forbade him from publicly attacking this movie before it was released. The producers said that if he had his credit changed, it would be considered an attack, and he would be sued.

No bluescreen or special effects were used for the hoverboard fight sequence. Christopher Lambert wore wires and harnesses, set up by the team behind the flying sequences in Superman (1978). (Oh I couldn’t tell….)

Initial plans for a third movie titled Highlander III: The Reckoning, would have detached the story even further from the original. It would have taken place entirely on Zeist, and would have involved Connor training a rebel army to overthrow the rulers of the planet. However, the post-production editing of this movie, which changed the ending, plus the poor box-office performance, nixed the idea. (Jesus, that sounds terrible)

Virginia Madsen admitted to doing this movie for two reasons: to go to Argentina, and to work with Sir Sean Connery.

Sir Sean Connery was sued by an Assistant Director for sexual harassment. (Oh gross)

In the Director’s Cut, Connor and Ramirez’s backstory is changed. Instead of aliens from the planet Zeist, Connor and Ramirez are from Earth in the distant past who were sent to the future, as punishment for their rebellion, in which they were reborn in the time periods to which they were exiled, hence Connor forgetting his past, which he begins to remember at the opera.

Big Momma’s House Preview

Brief note before we start: last July we got together yet again and worked out a fourth class to be inducted into the Smaddies Baddies BMT Hall of Fame. It has been nearly a decade since we started BMT and as usual the films from more than five years ago might just deserve a rewatch, a reassessment, and a recap. The previews and speeches will be released leading up to the seventh (ninth?) Smaddies Baddies for the five films chosen. For this week we are revisiting one of the quintessential 2000s cross-dressing comedies. You guessed it, Big Momma’s in the house! It’s actually her house if I recall correctly. So get ready for some karate / basketball / farting action. This is the updated preview, the Hall of Fame Speech will follow to explain why we think this film is Hall of Fame worthy.

Generated on: 2020-01-11

Big Momma’s House (2000) – BMeTric: 60.3; Notability: 42 

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(Shockingly low, but it is also hard to admit you like this film. Considering the makeup work is objectively bad though I think it is about right. 60+ BMeTric is quite amazing, good job Big Momma’s House.)

RogerEbert.com – 2.0 stars – Any movie that employs an oven mitt and a plumber’s friend in a childbirth scene cannot be all bad, and I laughed a lot during “Big Momma’s House.” I also spent a certain amount of time staring at the screen in disbelief. While it’s true that comedy can redeem bad taste, it’s can be appalling when bad taste thinks it is being redeemed by comedy, and is wrong. The movie’s opening toilet scene, featuring the biggest evacuation since we pulled out of Vietnam, is a grisly example.

(Yeah this sounds about right considering what I remember. Basically it is really really stupid, but somewhat chamingly begnin and good-hearted. That you can kind of like it if you don’t pay attention too much.)

Trailer – https://www.youtube.com/watch?v=njhwlzuPXv4/

(This might as well be called “2000s cross-dressing comedy”. Babies, basketball, karate, self-defense classes, surprise parties, and boob jokes. It is literally everything you didn’t ask for.)

Directors – Raja Gosnell – (Known For: Never been Kissed; Beverly Hills Chihuahua; Future BMT: Home Alone 3; Scooby-Doo; Scooby-Doo 2: Monsters Unleashed; The Smurfs; The Smurfs 2; Yours, Mine & Ours; BMT: Big Momma’s House; Show Dogs; Notes: Was an editor for years and years prior to directing Home Alone 3. Is currently tapped to direct yet-another Santa origin story.)

Writers – Darryl Quarles (story & screenplay) – (Future BMT: Black Knight; BMT: Big Mommas: Like Father, Like Son; Big Momma’s House 2; Big Momma’s House; Notes: I have to imagine it was his original script that was adapted since he gets only character credits on the later films and didn’t write much else. Was a producer on Fresh Prince.)

Don Rhymer (screenplay) – (Known For: The Santa Clause 2; Rio; Ferdinand; Surf’s Up; Rio 2; Future BMT: Agent Cody Banks 2: Destination London; The Honeymooners; Deck the Halls; Carpool; BMT: Big Mommas: Like Father, Like Son; Big Momma’s House 2; Big Momma’s House; Notes: Started writing on Coach back in the day, and now basically writes animated kids’ films.)

Actors – Martin Lawrence – (Known For: Bad Boys; The Beach Bum; Do the Right Thing; Death at a Funeral; Life; Open Season; Boomerang; House Party; Future BMT: College Road Trip; Black Knight; Rebound; National Security; What’s the Worst That Could Happen?; Welcome Home, Roscoe Jenkins; House Party 2; Blue Streak; A Thin Line Between Love and Hate; Bad Boys II; Nothing to Lose; BMT: Big Mommas: Like Father, Like Son; Big Momma’s House 2; Big Momma’s House; Wild Hogs; Razzie Notes: Nominee for Worst Actress for Big Mommas: Like Father, Like Son in 2012; Notes: He’s back jack! In Bad Boys For Life, which turns out is a smash hit. He almost died while preparing for this role while jogging in a plastic suit in the summer.)

Nia Long – (Known For: 47 Meters Down: Uncaged; Friday; Boyz n the Hood; Keanu; The Best Man Holiday; Alfie; Boiler Room; The Best Man; Soul Food; Lemon; Roxanne Roxanne; The Broken Hearts Club: A Romantic Comedy; Love Jones; How to Get the Man’s Foot Outta Your Ass; Mooz-Lum; Future BMT: Made in America; Premonition; Held Up; Stigmata; In Too Deep; Gospel Hill; BMT: Are We Done Yet?; Big Momma’s House 2; Are We There Yet?; Big Momma’s House; The Single Moms Club; Notes: Has been on television more recently with stints on both Empire and NCIS: Los Angeles.)

Paul Giamatti – (Known For: Saving Private Ryan; Saving Mr. Banks; 12 Years a Slave; Planet of the Apes; Donnie Brasco; The Truman Show; The Amazing Spider-Man 2; San Andreas; Straight Outta Compton; My Best Friend’s Wedding; Robots; Rock of Ages; Doctor Dolittle; Turbo; The Illusionist; Love & Mercy; Sideways; Sabrina; Private Life; Man on the Moon; Future BMT: Fred Claus; Morgan; Ratchet & Clank; Romeo & Juliet; The Nanny Diaries; The Hangover Part II; Duets; Before and After; The Catcher Was a Spy; Pretty Bird; BMT: Big Momma’s House; Lady in the Water; Paycheck; Notes: A very accomplished actor. Has starred in the show Billions for the last few years.)

Budget/Gross – $30,000,000 / Domestic: $117,559,438 (Worldwide: $173,959,438)

(That’s a huge hit. It is quite amazing the cast they were able to rope into films like this back in the day because even rote comedies could pull in $100 million at the drop of a hat. Not surprising they went right back to that well and made a trilogy in the end.)

Rotten Tomatoes – 30% (24/81): Big Momma’s House is funny in some parts, but it is essentially a one-joke movie.

(I wouldn’t want it any other way. Sometimes in your life you need one-note comedies. The type of comedy which feels like it was a 2 minute SNL clip stretched out to a film. Reviewer Highlight: The whole project works so hard at creating funny situations that Lawrence gets no chance to be funny as himself. – Robin Rauzi, Los Angeles Times)

Poster – Big Momma’s Sklog (B-) 

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(I actually like the turned back pose, it keeps the ludicrousness of Big Momma’s face a secret for the film. I don’t like how it fades to white for the title and credits though, I feel like there is a better way to do that. Solid font work though.)

Tagline(s) – This FBI agent is going undercover… and he’s concealing more than a weapon. (C+)

(Indicates a bit of the plot, but let’s not stoop to dick jokes. It isn’t that he’s a lady, it’s that he’s an old lady. They should have played a bit off of that as well.)

Keyword – gender disguise

BigMomma'sHouse_gender disguise

Top 10: Coco (2017), Mrs. Doubtfire (1993), Willow (1988), Mulan (1998), The Danish Girl (2015), White Chicks (2004), Shakespeare in Love (1998), She’s the Man (2006), Tootsie (1982), Jack and Jill (2011); 

Future BMT: 76.5 Junior (1994), 49.8 Curse of the Pink Panther (1983), 29.3 Who’s Harry Crumb? (1989), 19.8 The Associate (1996), 19.8 Three Fugitives (1989); 

BMT: White Chicks (2004), Jack and Jill (2011), Tango & Cash (1989), Big Momma’s House (2000), Color of Night (1994), Big Mommas: Like Father, Like Son (2011), Miss Congeniality 2: Armed & Fabulous (2005)

(My god … we’ve watched so many of them. I am excited for Junior. And Willow is obviously the best number one you could ask for. I love the uniform distribution on the plot, legit just a timeless classic.)

Welcome to Earf (HoE Number 13) – The shortest path through The Movie Database cast lists using only BMT films is: Martin Lawrence is No. 1 billed in Big Momma’s House and No. 3 billed in Wild Hogs, which also stars Tim Allen (No. 1 billed) who is in Jungle 2 Jungle (No. 1 billed), which also stars Leelee Sobieski (No. 6 billed) who is in Here on Earth (No. 1 billed) => 1 + 3 + 1 + 1 + 6 + 1 = 13. If we were to watch In Too Deep we can get the HoE Number down to 12.

Notes – Screenwriter Darryl Quarles came up with the idea for the name “Big Momma” because it was what the neighborhood kids used to call his own real life mother.

Martin Lawrence got in a three day coma from jogging in sweaters with 100 degree weather August 1999 in preparation for this movie.

Nia Long was in talks to join the cast of Charlie’s Angels (2000). She was persuaded to join this film when she was sent a big bunch of roses with the attached note “Come to us where you’ll be the only angel”.

The final scenes required some inventive shooting of Nia Long as the actress was pregnant and had to be shot only from the neck up. (Good for her I suppose)

For any physically active scenes, Martin Lawrence’s fat suit had built-in cooling tubes to help the actor.

Although set in Georgia, the entire film was shot in California. (Aw that is annoying. It is so easy to film in Georgia this days … do we need a reboot?)

That’s a body double in the scene where Ella Mitchell disrobes in the bathroom.

Ella Mitchell is a renowned Broadway actress who’s noted for her superb singing voice. That is Mitchell’s real voice in the film’s final scene where she belts out “Oh Happy Day”.

While Martin Lawrence spends most of the film encased in latex, Ella Mitchell also required some make-up. Her nose wasn’t as big as Lawrence’s so that had to be augmented to make the similarity between the two “women” more believable.

An animated opening was partially completed before it was scrapped. (… Didn’t they do that in the second one. I could be misremembering, but I feel like there was an animated Big Momma opening for that one)

Queen of the Damned Recap

NOTE: This Recap was published on August 11, 2018. The content was as it appeared in the original email from May 2014, although it was edited and reformatted where necessary.

Jamie

Another late one. I’ll try to make this an aberration and not the norm… next week. For now this is late. Deal with it. Last week was Queen of the Damned and wasn’t it a damn good BMT film… you see what I did there? Cause the movie has Damned in the title. Overall though, the film was ridiculous in all the right ways. I’m honestly not sure the film could possibly have been made and released under any other circumstance other than to rescue an expiring property license. A vampire rock and roll star does battle at a giant goth concert against Aaliyah who sets the record for least time on screen for a titular character. Um… really? This is happening? It seems the studio guy in charge of it must have had to say, “You know what? Fuck it, yeah, I’m in on this craziness. Why not? It’s the 90’s.” Cause it was a very 90’s film. Either that or they had to say, “You know what? I do not care what this looks like. We need this train rolling, so let’s get this movie out the door.” Anyway, I’ve talked too much talk, so let me walk the walk by giving you my three favorite things about the film:  

1) The voice-overs! Was the entire film voice-overs? No, not 100%. More like 110%. It was a wonderful example of excessive voice-over in BMT. May as well have been a book-on-tape.

2) Aaliyah! I have a feeling she would have been a favorite of ours with more breadth to her filmography. Just too good. And did I mention that she’s the titular character and doesn’t show up until 45 minutes into the movie and has only 10 lines or so? Just another case where the trailer and poster totally lied to the audience about what the movie would really be about.

3) The set pieces! They were the settiest sets we have set our eyes on in some time. It’s like I was watching a play at some points. I could imagine a stagehand movie the rooms around on wheels.

Phew, well there we go. That’s my three. Let’s see what Patrick thought:

Patrick

It’s becoming increasingly obvious that we made a horrible mistake with this Chain Reaction idea … strike that, we made a horrible mistake with picking Sabotage during week 8 last round. Not only a garbage movie, but its garbage-ness is reverberating throughout BMT for 2 months making it more and more difficult to effectively choose BMT-quality films. I barely know what movie we are doing anymore, and we certainly aren’t linking up with Furry Vengeance next week. With all that being said, we’ve watched a bunch of movies I’ve wanted to watch for BMT and some I never expected to watch (and enjoyed immensely). So weirdly enough things are working out.

Last week was Queen of the Damned. And it was bananas. I haven’t seen Interview with a Vampire, but this was the sequel (well … two sequels mashed into one) and it was crazy. We got rock and roll vampires. Vampire effects. The Blurry super-fast movements and horrid horrid flying effects, very reminiscent of both Twilight and True Blood, I almost want to say this was kind of the origin of it … although I doubt many people watched Queen of the Damned in film school. The costumes were bad, it wasn’t a horror film, and the Queen of the Damned was a cartoon character who was barely in this unfortunately long movie.

I’m making it sound terrible, but it was a delight. I loved this movie from a bad movie perspective. It is like they were checking tropes off. In particular, a dual-voiceover that lasts the entire movie (no joke, I think 50% of this movie had someone talking over it), throw in crazy CGI, terrible dialogue, and an extreme acting tour-de-force by Aaliyah and you have a winner in my book. They got insane set pieces and an audio flashback to boot. I really rather enjoyed it. Big Momma’s House, Romeo Must Die (despite being ridiculously boring) and Queen of the Damned have been a damn fine start to the chain reaction. Let’s see if we can keep it going … although I have no idea how we’re going to solve the Furry Vengeance problem. But I’m going to continue to put that off for a few more weeks. Let’s go.

Conclusion

Lots of valid points. As Patrick pointed out, it’s been a while since we had a film that really hit almost all of the BMT tropes that we love to pick on. This did its job right. Unfortunately the one thing it didn’t have was a MonoSklog. So we can’t really do that one this week.

Cheerios,

The Sklogs

Queen of the Damned Preview

NOTE: This preview was generated on August 11, 2018. Much of the content was generated in May of 2014, but it has been edited and updated where appropriate.

The reason this preview was generate so long after the initial watch was because it came at special request from someone planning on watching this film for a Halloween double feature. The post introducing the double feature can be seen here. Cheers!

Queen of the Damned was followed by a direct-to-DVD sequel Vampires in Delaware where a family of vampires have a surprisingly fun and educational vacation in the great state of Delaware. They have loads of fun learning about DuPont Co’s origins as a manufacturer of gunpowder and the fact that they are vampires plays no role in the plot of the film. At least … I wish that was what happened. Let’s go!

Queen of the Damned (2002) – BMeTric: 55.0

QueenoftheDamned_BMeT

QueenoftheDamned_RV

(I find the rating shockingly low to be honest, and the dip between 2004 and 2007 is very strange indeed. Possibly because the people who would have been fans at the time took a while to get online? It is truly perplexing, a very odd rating/vote plot.)

Leonard Maltin –  2.5 starsVampire Lestat awakens after a long deep sleep and goes public in the world of rock music, where he seem to blend in perfectly! But his posturing angers the man who “made” him, intrigues a young woman who’s drawn to his world, and lines him up as the perfect mate for the queen of the undead (played by pop-music star Aaliyah, who died before the film’s release). Dopey but amusing. Based on one of Anne Rice’s The Vampire Chronicles novels.

(Wow, I’m not sure how something that’s dopey but amusing gets 2.5 stars when it’s supposed to be a supernatural horror-type film. Would seem to be an insult. That’s all I really have to say about this… so I’ll just make a quick remark about Leonard’s choice to use two descriptors for Lestat’s sleep. It was both long and deep? Glad I knew that before watching the film.)

Trailer – https://www.youtube.com/watch?v=2Gu9HtN05sc

(Well this is interesting for sure. I love Aaliyah’s “accent” and the effects look like trash. Both of these are exciting prospects from a BMT point of view. Still not totally sure what the plot is. Evil vampire rocker? Is that basically it? Sounds absurd.)

Directors – Michael Rymer – (Known For: Face to Face; Angel Baby; Future BMT: Perfume; In Too Deep; BMT: Queen of the Damned; Notes: After completing film school at USC he attended a two-year acting school where he claims he learned more about filmmaking than in all his years studying at film schools.)

Writers – Anne Rice (novels) – (Known For: Interview with the Vampire: The Vampire Chronicles; The Young Messiah; Future BMT: Exit to Eden; BMT: Queen of the Damned; Notes: Rice distanced herself from the film, and has stated that she feels the filmmakers “mutilated” her work in adapting the novel.)

Scott Abbott (screenplay) – (BMT: Queen of the Damned; Notes: Seemingly was a big-time TV Movie writer. Got his break to write this and then hasn’t really had any film credits since. He did, however, release a novel two years ago and wrote the Rosemary’s Baby TV miniseries adaption that airs tonight… seriously, it airs Sunday, May 11th, 2014.)

Michael Petroni (screenplay) – (Known For: The Chronicles of Narnia: The Voyage of the Dawn Treader; The Book Thief; The Dangerous Lives of Altar Boys; Future BMT: The Rite; Backtrack; BMT: Queen of the Damned; Notes: Started out as a comedian in Australia appearing on the show DAAS Kapital before moving to the United States to study screenwriting.)

Actors – Aaliyah – (BMT: Queen of the Damned; Romeo Must Die; Notes: This movie was released posthumously. She had also been cast and started filming for a major role in the two Matrix sequels. She was subsequently replaced by Nona Gaye and all her scenes that she had completed were reshot.)

Stuart Townsend – (Known For: Shade; Shooting Fish; Under the Skin; About Adam; Wonderland; Simon Magus; Future BMT: The League of Extraordinary Gentlemen; Trapped; Chaos Theory; Head in the Clouds; BMT: Queen of the Damned; Æon Flux; Notes: Was originally cast as Aragorn in the Lord of the Rings trilogy, but was replaced after a few days of shooting after realizing that he looked too young for the role.)

Marguerite Moreau – (Known For: Mighty Joe; Runaway Jury; Beverly Hills Chihuahua; Wag the Dog; Easy; Caroline and Jackie; Easier with Practice; Douchebag; Future BMT: Free Willy 2: The Adventure Home; D3: The Mighty Ducks; L!fe Happens; D2: The Mighty Ducks; The Mighty Ducks; Wet Hot American Summer; BMT: Queen of the Damned; Notes: Transitioned into television mostly after being a younger actor in The Mighty Ducks franchise. Now has been on both Wet Hot American Summer series for Netflix.)

Budget/Gross – $35 million / Domestic: $30,336,800 (Worldwide: $45,479,110)

(Not the worst that is could have been, but by no means a winner. Especially when compared to Interview with a Vampire, which made over $200 million. I guess everyone’s hope that Stuart Townsend would be the next Tom Cruise would have to be tempered after this showing.)

#144 for the Horror – R-Rated genre

queenofthedamned_rratedhorror

(Right near Ghost Ship with the Most Ship! The lowest BMT (as of August 2018) is Alone in the Dark, and the highest is (sadly) I Know What You Did Last Summer. I find the dip a few years ago supremely weird. Everyone hates PG-13 horror, so I don’t really get it. The people who love horror films are 14-year-olds and they obvs want that R-rating that they can finally get into. Give it to them!)

#28 for the Vampire genre

queenofthedamned_vampire

(The only Vampire movie we’ve ever seen for BMT (and this was written in August of 2018, although mere weeks before we will have watched Vampire Academy, which is #44, thoroughly trounced by even this). Twilight is obviously the highlight here. These things really did just boom with Twilight and then *poof* … disappeared like a vampire in the daytime (in some interpretations of vampires).)

Rotten Tomatoes – 17% (22/130): A muddled and campy MTV-styled vampire movie with lots of eye candy and bad accents.

(MTV-styled vampires? Doesn’t it tell you how times have changed that just 6 short years later Twilight came out and no one even thought to call them MTV-styled. Also, I can only assume the “bad accent” refers to Aaliyah’s accent of mysterious origin. It will be fantastic.)

Poster – Queen of the Sklogs (C+)

queen_of_the_damned

(Things I liked about this poster: The color scheme, and Aaliyah in general. Things I didn’t like in this poster: Stuart Townsend looks like crap and is creeping all up on my girl Aaliyah, and the font used on the poster is garbage (although perhaps it is just the smokey smudging). My initial impression was that it was much better than I expected, but I ended up downgrading it a couple of times as I stared at it. But above average I think.)

Tagline(s) – The Mother Of All Vampires (B+)

(I kind of like the play on words, but I kind of hate how pop-y it sounds. As they say, a little MTV-vampire for me in the end. But clever enough that I think it deserves a top grade)

Keyword(s) – vampire; Top Ten by BMeTric: 88.9 Vampires Suck (2010); 87.5 BloodRayne (2005); 81.7 Ultraviolet (2006); 78.0 The Twilight Saga: New Moon (2009); 72.1 The Twilight Saga: Breaking Dawn – Part 1 (2011); 69.1 Stan Helsing (2009); 69.0 The Twilight Saga: Eclipse (2010); 68.1 Vampire in Brooklyn (1995); 63.7 Dracula 2001 (2000); 63.6 Dudley Do-Right (1999);

(The Twilight Saga is definitely interesting, since I’ve actually seen all of them, just outside of BMT. I’m actually not sure why I would do that … they are obviously BMT material. At least one of them will qualify and drag the series into things.)

Notes – The singing voice of Lestat was supplied by Jonathan Davis of Korn. However due to contractual difficulties, Davis could not sing on the soundtrack album release. The five songs written by he and Richard Gibbs for the movie were then performed on the album by Marilyn Manson, Chester Bennington of Linkin Park, David Draiman of Disturbed, Wayne Static of Static-X and Jay Gordon of Orgy. Davis was still allowed to play several instruments on the album. (Whaaaa, contractual difficulties … what could that mean? To not be able to get Korn to sing on a soundtrack release.)

Aaliyah died in a plane crash shortly after principal photography was completed but had not yet actually performed any ADR redubbing for her character. Michael Rymer called in Aaliyah’s brother, Rashad Haughton, to help with overdubbing her voice following her death due to their similar voices, special vocal technology was also used to make his voice sound more feminine. (That is kind of sad, but also interesting they were able to use the brother’s voice. I wouldn’t have thought that would work very well).

Aaliyah was the first actor to be cast for the film. She was enthusiastic about taking the role due to her fascination with Egyptian mythology and also being a huge fan of vampire horror fiction.

For the scenes of Lestat’s concert in Death Valley, over 3000 goths were recruited from Melbourne nightclubs and on the internet, then driven on a fleet of buses to a quarry in Werribee to act as extras. (Imagine how much you would regret ruining your rave night out during hour two of sitting in a Quarry with nothing to do)

Stuart Townsend shares his name with a character from another Anne Rice novel, “The Witching Hour”. Upon meeting Townsend, Rice handed him a copy of the book and instructed him to turn to a certain page number, whereupon was written “The Life of Stuart Townsend”. Townsend was flattered that she had written him into her new book, until she told him that she had written it eleven years prior. (Haaaaa)

Author of the novel Anne Rice considers this to be a terrible disappointment for her and for many of the readers as she believed it mutilated her own work. (Well, that’s what you get about 50% of the time when you option your work, so …)

Warner Bros. was already into its last year of owning motion picture rights to the first three Vampire Chronicles books which would then have transferred back to author ‘Anne Rice’, who could then sell the rights to another company of her choosing. Knowing what little time they had left, despite the fact they’ve had the rights and opportunity to make the latter two movies for over seven years, Warner Bros. hastily hired writers to condense the books “The Vampire Lestat” and “Queen of the Damned” into one movie with the latter being the movie title. (Yeah basically, pretty dumb idea honestly, but when you got to Wheel-of-Time-the-television-show something, you got to do it I guess)

On the casting of Stuart Townsend as Lestat, Anne Rice stated “Everything I hear about the movie is good. Warner Bros. is extremely enthusiastic. They are working very hard to make it perfect. I have no real news. Let me repeat what I mentioned in a recent message. I met Stuart Townsend, the young man who is playing Lestat and he was absolutely charming. He had Lestat’s excellent speaking voice and his feline grace. I cannot wait to see him in the film”.

Stuart Townsend took the role of Lestat after originally being cast as Aragorn in The Lord of the Rings: The Fellowship of the Ring (2001) but was recast with Viggo Mortensen after four days of shooting because the filmmakers realized he was too young for the role. (uh …. Yeah, which is why I kind of don’t believe the story. Makes no sense)

The architecture of Aunt Maharet’s house is based upon Angkor Wat, the stone temple located in Siem Reap, Cambodia.

The film was a subject of controversy due to inspiring a real life murder shortly after the film’s theatrical release. In December 2002, Allan Menzies from West Lothian in Scotland murdered one of his friends. He claimed in court that it was Aaliyah’s character “Queen Akasha” from the film that told him to do it. (Say whaaaaaa)

Josh Hartnett, Heath Ledger, and Wes Bently were all considered to replace Tom Cruise as Lestat after he declined to reprise his role. (Harnett would have been cool)

The fact that the night club “The Admiral’s Arms” was a vampire bar “in the meat packing district” of London is an homage to the night club “Mother” which was a vampyre bar located in the meat packing district of New York City. (Is it though? … IMDb users can sometimes read a bit too much into things)

Wes Bentley was originally cast as Lestat, but he dropped out.

Singer Aimee Nash of “The Black Ryder” duo had a cameo as a vampire singer in the “Admiral’s Arms” vampire nightclub although the majority of her footage was deleted (she is still visible in the background of the nightclub scene).

Queen Akasha never actually attacks anyone by biting their neck. She either sets them on fire, rips their heart out, or bites another area of their body. (Fun facts!)