Dracula 2000 Preview

“Gruber?” Rich whisper, but instead of the mad man one of the groundskeepers steps into view. Suddenly the man’s suit glows blue and a virus begins to download onto their computer. Poe and Brock rush into the room out of breath. “Stop! Rich… the groundskeepers. They are lawnmower men.” A gasp goes through the room. How could such monstrous beings be hiding right under their noses? No wonder Gruber wanted the tech so badly. A virus that controls lawnmower men would be devastating. Rich turns to his colleagues. “Now I understand. It’s so obvious. Gruber wanted us to find the virus, once we found it it activated the lawnmower men who then came and downloaded the virus from our computer. It’s all a frame job. Made to look like we released lawnmower men on the world.” My God! It’s all so clear! The lawnmower men cackle in glee as they run forwards and jack into the internet and enter cyberspace. Just then Poe has an idea. “Get me the virus file and a laptop. It’s time to get spectechular.” They all high five at his appropriate use of teen lingo. Putting on some sweet VR head gear they all get hacking and hack like they’ve never hacked before. Finally they find the garbage file and isolate the virus. “Tell me the name,” Poe yells, “we need to understand the code and then we can jack into cyberspace and take it down.” Rich reconstructs the degraded file and gasps, “It’s a money-making scheme meant to bleed the school dry of funds before escaping to the Caribbean.” It’s Poe’s turn to gasp as he understands the implications, “you don’t mean…” But Rich nods, “It’s a Dracula Virus. FangTime2000. And we’re on the hook. It’s time to jack in.” That’s right! We are going back in time to the far past of 2000 where just adding that number to a film’s name meant you were in for a wild ride. No better exemplified than with Dracula 2000, which attempted to move the well-worn property into the new millennium. We’ve been eyeing this one mostly for the opportunity to see a tiny Gerard Butler when he was just a wee lad. Jonny Lee Miller gave us the opportunity. Let’s go!

Meanwhile… having subdued the security guards using their country bumpkin disguises the two hooded figures finally remove their hoods. Gasp! It’s Sticks and Stones! The wiley Z-universe twin cops. On brand, they are up to no good and gaze upon their final destination: the BMTVerse Jackdrive. They activate the screen and up pops their BMTverse partner in crime. “We’re ready to jack in, Dr. Vampiro.” That’s right! We’re watching Dracula 3000 as the delightful pairing for the Bring a Friend cycle. This is a terrible film that makes me sad to even think about watching. Yay! Let’s go!

Dracula 2000 (2000) – BMeTric: 64.0 

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(Extremely consistent which is a good sign. As usual I feel like what this means is that over time people are still looking at this film and thinking “this is garbage”. Sub 4.0 is really low. Promising.)

Leonard Maltin – 2 stars –  Miller heads to New Orleans to save a sweet young thing from the charms of cinema’s most famous bloodsucker (Butler). Perhaps the only film in history that manages to get its producer’s name, lead character and release date all in the official title, this modern-day take on the vampire classic shows why some characters are best left in their own era. Has a few good moments and better performances than you might expect. Followed by two direct-to-video sequels.

(Oooof, no Oxford comma Leonard? That is really just too bad, I’m a huge proponent of the Oxford comma. Whatever, I don’t think Leonard watched this film, this review is too generic. A few good moments? Naw, I bet this movie is garbage. Just speculating.)

Trailer – https://www.youtube.com/watch?v=py_sPdBmstA/

(My God, this looks like the rudest tudest late-90s / early 00s trash remake in history. Just spit right in the face of Dracula fans. I cannot wait, this is going to be so dumb.)

Directors – Patrick Lussier – (Known For: My Bloody Valentine; White Noise: The Light; BMT: Dracula 2000; Drive Angry; Notes: Started as a television editor, specifically on MacGyver. His son is also involved in film editing.)

Writers – Joel Soisson (story & screenplay) – (Known For: Trick or Treat; Future BMT: Piranha 3DD; Highlander: Endgame; Cam2Cam; BMT: Dracula 2000; Notes: Wrote the straight-to-video sequel Hellraiser: Hellworld. His wife Claudia Templeton often cameos in his films.)

Patrick Lussier (story) – (Future BMT: Terminator Genisys; BMT: Dracula 2000; Drive Angry; Notes: Also wrote straight-to-video sequels Dracula II: Ascension and Dracula III: Legacy. Despite the different names they are indeed sequels to this film.)

Actors – Gerard Butler – (Known For: How to Train Your Dragon: The Hidden World; 300; Den of Thieves; Olympus Has Fallen; RocknRolla; How to Train Your Dragon; The Vanishing; How to Train Your Dragon 2; Tomorrow Never Dies; Reign of Fire; Nim’s Island; Coriolanus; Beowulf & Grendel; Mrs Brown; Dear Frankie; Harrison’s Flowers; The Cherry Orchard; Future BMT: Lara Croft Tomb Raider: The Cradle of Life; Tale of the Mummy; The Ugly Truth; A Family Man; The Game of Their Lives; Machine Gun Preacher; BMT: Movie 43; Dracula 2000; Geostorm; Gods of Egypt; The Bounty Hunter; Timeline; Gamer; Playing for Keeps; London Has Fallen; Hunter Killer; Razzie Notes: Nominee for Worst Actor in 2011 for The Bounty Hunter; and in 2017 for Gods of Egypt, and London Has Fallen; and Nominee for Worst Screen Couple/Worst Screen Ensemble for The Bounty Hunter in 2011; Notes: His home was apparently destroyed in the Woolsey Fire, all of the recent news is dominated by press concerning his soon-to-be-released Angel Has Fallen.)

Justine Waddell – (Known For: The Fall; Mansfield Park; Killing Bono; Future BMT: Thr3e; Anna Karenina; BMT: Dracula 2000; Notes: Daughter of Gordon Waddell former captain of the Scottish rugby union team.)

Jonny Lee Miller – (Known For: Trainspotting; T2 Trainspotting; Mansfield Park; Byzantium; Melinda and Melinda; Afterglow; Endgame; The Flying Scotsman; Future BMT: Dark Shadows; Hackers; Mindhunters; Plunkett & Macleane; Love, Honour and Obey; BMT: Dracula 2000; Æon Flux; Notes: Star of Hackers, he is English and dropped out of school at 17 to pursue acting.)

Budget/Gross – $54 million / Domestic: $33,022,767 (Worldwide: $47,053,625)

(Not good. I’m stunned it had a 50+ million dollar budget at this point in time. That is really high, and for what? A remake of one of the classically overdone tales in cinema history. This is like how they keep making Robin Hood films that almost always bomb / suck.)

#128 for the Horror – R-Rated genre

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(Came right at the end of an initial peak. As far as gross goes, it comes in right around Friday the 13th: The Final Chapter … which is not a very good look. That movie was the 3rd sequel of a cheap 80s horror franchise. This cost $50 million dollars.)

#25 for the Vampire genre

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(Our fourth vampire film for BMT. This came before the Twilight boom, but I’m pretty surprised at how consistently vampire films have been made throughout history.)

Rotten Tomatoes – 18% (12/68): This retelling trys [sic] to offer a different spin on the origin of Dracula. Unfortunately, there’s nothing here audiences haven’t seen before.

(That misspelling is just incredible. And now I’m getting a bit concerned this is just going to be boring. I still have hope this will be completely trash. Reviewer Highlight: A thudding, suspense-free montage of unshocking shock effects and more severed heads than toppled during the French Revolution. – Stephen Holden, New York Times)

Poster – Spectacula 2000 (B+)

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(I like the feel of it. The color and framing particularly. The font is less interesting, but has a kind of shine to it. Overall pretty solid stuff.)

Tagline(s) – The Most Seductive Evil of All Time Has Now Been Unleashed in Ours. (D)

(If I wanted to read this much I’d buy a book. Also this is nonsense. Just stop reading it. It’s just gonna make less and less sense.)

Keyword(s) – number in title; Top Ten by BMeTric: 94.8 Battlefield Earth (2000); 90.4 Fifty Shades of Grey (2015); 89.8 Speed 2: Cruise Control (1997); 86.4 Troll 2 (1990); 85.9 Fantastic Four (2015); 85.9 Piranha 3DD (2012); 84.6 Movie 43 (2013); 83.9 The Adventures of Sharkboy and Lavagirl 3-D (2005); 83.8 The Human Centipede II (Full Sequence) (2011); 83.0 RoboCop 3 (1993);

(Oh shit. Well we have to watch Piranha 3DD at some point (it will be unpleasant). Human Centipede is never happening though. It is amazing how many terrible films have numbers in the title. I like the inclusion of Battlefield Earth which is sometimes subtitled “A Saga in the Year 3000”.)

Welcome to Earf (HoE Number 16) – The shortest path through The Movie Database cast lists using only BMT films is: Gerard Butler is No. 1 billed in Dracula 2000 and No. 1 billed in The Bounty Hunter, which also stars Jennifer Aniston (No. 2 billed) who is in Just Go With It (No. 2 billed), which also stars Adam Sandler (No. 1 billed) who is in Jack and Jill (No. 1 billed), which also stars Al Pacino (No. 3 billed) who is in 88 Minutes (No. 1 billed), which also stars Leelee Sobieski (No. 3 billed) who is in Here on Earth (No. 1 billed) => 1 + 1 + 2 + 2 + 1 + 1 + 3 + 1 + 3 + 1 = 16. If we were to watch Must Love Dogs, and The Glass House we can get the HoE Number down to 11.

Notes – The name of Van Helsing’s antique business, “Carfax Abbey” is also the name of house Dracula moves into in Bram Stoker’s book “Dracula”.

The line in the film where Jonny Lee Miller playing Simon Sheppard says, “Never, ever fuck with an antiques dealer,” was a line the actor would say on set as a joke. The director liked it and incorporated it into the scene. (Oh no!)

Dracula says, “I don’t drink… coffee,” in one scene. This is a spoof of “I never drink… wine” from Dracula (1931).

Script doctor Scott Derrickson told the story of how he got the job working on this film. Harvey Weinstein called him, saying, “I just bought this script, called, ‘Dracula 2000’.” Derrickson replied, “Oh, yeah? Is it good?” Weinstein replied, “It stinks!” Derrickson asked, “So why did you buy it?”, and Weinstein replied “Because it’s called, ‘Dracula 2000’.” Derrickson did the re-write, which Weinstein discarded. Ehren Kruger did the next rewrite. (Jesus Christ)

The typeface used on the title screen is a variation of the same typeface used on the first release of the Dracula novel in 1897. (Cool)

Nathan Fillion plays a priest in this movie. He would also go on to play Caleb, an evil Priest on the show Buffy the Vampire Slayer (1997) (Must be a young Nathan Fillion)

The doctor who screams as Dracula approaches him in the police station is named Dr. Seward, a reference to the Book. (Cool)

The character Lucy Westerman’s name is a reference to the character Lucy Westenra from Bram Stoker’s book. She is in the movie, as in the book, the best friend of the main character Mina (book)/Mary (movie). (Alright, it is starting to feel like the writers just read the book and shoehorned a bunch of shit in this thing)

Gerard Butler was given a break from filming The Cherry Orchard (1999) so that he could play Dracula in “Dracula 2000”.

Director Patrick Lussier remarked in an interview that the Father Uffizi character played by Jason Scott Lee in Dracula II: Ascension (2003) and Dracula III: Legacy (2005) was originally written into this film. (Huh, so a more direct sequel than I thought)

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The Lawnmower Man Preview

Meanwhile… Poe and Brock are getting psyched for the big championship game. Suddenly Poe watches in alarm as the lawnmower men around the field stop in unison, their eyes suddenly glassy and unseeing. “Lawnmower Men,” Poe whispers while Brock stares on in shock. “Lawnmower Men? It can’t be. They… they are just silly legends used to scare kids.” But no, they are real and something has brought them out of their slumber. Poe suddenly realizes what it is and turns to Brock, “It’s Rich. He needs my help.” One of the other players begins to protest, but Brock stops them, “If you need my help, you have my bat, bro.” And they seal the deal with a Predator Handshake. That’s right! In celebration of the 500th BMT film (say what?!) we are also watching The Lawnmower Man and Lawnmower Man 2: Beyond Cyberspace. The sequel has been on my bad movie bucket list forever because it actually seems impossible that it got released to theaters. But it did and we couldn’t have asked for a better pairing for this celebration than the hacking computer technobabble extravaganza of Hackers and the Lawnmower Man franchise. Let’s go! 

The Lawnmower Man (1992) – BMeTric: 49.5 

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(Solidly below average. If it gets a few thousand more votes it could creep back up above 50, and that seems pretty appropriate given everything I know about it now.)

Leonard Maltin – 1.5 stars –  Scientist Brosnan needs a guinea pig for hitherto failed experiments in drug therapy and computer instruction; who better than the grinning mental defective who mows his lawn? At least the pyrotechnics at the end (simulating “virtual reality”) are full of visual buzz. Fahey in a blond wig is really tough to take. Has nothing to do with the Stephen King short story it’s ostensibly based on.

(As usual Leonard teases me with his semi-colon work, he’s a true artist. And then “hitherto”? Now I’m really into it. This review is also somehow a novel, it is incredibly long, and I love it. He clearly just hated this film.)

Trailer – https://www.youtube.com/watch?v=YCxFGxqLsHE/

(NOT FROM THE IMAGINATION OF STEPHEN KING. That is very very specifically not the case. That trailer makes the film look a lot more interesting that I suspect it ultimately will be.)

Directors – Brett Leonard – (Known For: Feed; T-Rex: Back to the Cretaceous; Future BMT: Man-Thing; Virtuosity; Hideaway; BMT: The Lawnmower Man; Notes: Also a major music video director at the time. Won the 1994 MTV Music Award for best video for Peter Gabriel’s Kiss That Frog.)

Writers – Stephen King (title only) (credit removed following lawsuit) – (Known For: It; Pet Sematary; The Shawshank Redemption; The Shining; Stand by Me; Pet Sematary; The Green Mile; Gerald’s Game; The Mist; Carrie; 1922; Misery; The Running Man; Christine; Carrie; Cujo; The Dead Zone; Creepshow; Silver Bullet; 1408; Future BMT: Cell; The Rage: Carrie 2; The Mangler; Children of the Corn II: The Final Sacrifice; Sleepwalkers; Graveyard Shift; The Dark Tower; Children of the Corn; Riding the Bullet; A Good Marriage; Thinner; Firestarter; Creepshow 2; The Night Flier; Needful Things; Tales from the Darkside: The Movie; BMT: Dreamcatcher; The Lawnmower Man; Maximum Overdrive; Razzie Notes: Nominee for Worst Director for Maximum Overdrive in 1987; Notes: This is a hilarious credit (apparently removed). I’ve read The Lawnmower Man short story by Stephen King and it has literally nothing to do with this film… I haven’t even see this movie but I guarantee you that.)

Brett Leonard (screenplay) – (BMT: The Lawnmower Man; Notes: He actually did kinda start the Cyber genre with The Lawnmower Man. Only major feature writing credit.)

Gimel Everett (screenplay) – (BMT: The Lawnmower Man; Notes: Producer who worked with Leonard on a number of credits. Died in 2011 at the age of 60.)

Actors – Jeff Fahey – (Known For: Alita: Battle Angel; Grindhouse; Machete; Planet Terror; Silverado; Wyatt Earp; Too Late; Psycho III; Body Parts; Sushi Girl; White Hunter Black Heart; Future BMT: Urge; Stranded; Impulse; BMT: The Lawnmower Man; Notes: Has had a very interesting life traveling the world and doing dance, then theater, and then film.)

Pierce Brosnan – (Known For: Mamma Mia! Here We Go Again; The World Is Not Enough; Mrs. Doubtfire; Mamma Mia!; The Foreigner; The World’s End; GoldenEye; Percy Jackson & the Lightning Thief; Mars Attacks!; Die Another Day; Tomorrow Never Dies; No Escape; The Ghost; The Thomas Crown Affair; Final Score; Seraphim Falls; Spinning Man; The Long Good Friday; The Tailor of Panama; The Mirror Has Two Faces; Future BMT: I Don’t Know How She Does It; Urge; I.T.; Survivor; Dante’s Peak; Lessons in Love; The Love Punch; Laws of Attraction; Salvation Boulevard; Nomads; The November Man; After the Sunset; Live Wire; Love Affair; A Long Way Down; The Magic Sword: Quest for Camelot; The Only Living Boy in New York; Grey Owl; A Christmas Star; BMT: The Lawnmower Man; Razzie Notes: Winner for Worst Supporting Actor for Mamma Mia! in 2009; and Nominee for Worst Screen Couple for The World Is Not Enough in 2000; Notes: They just announced he is going to be working with Will Ferrell and Rachel McAdams in a comedy film focused on the Eurovision Song Contest. I highly recommend Eurovision, it is hilarious.)

Jenny Wright – (Known For: St. Elmo’s Fire; Near Dark; Pink Floyd: The Wall; The World According to Garp; A Shock to the System; The Chocolate War; I, Madman; Future BMT: Young Guns II: Blaze of Glory; Queens Logic; BMT: The Lawnmower Man; Notes: Apparently people don’t even know where she currently is as they attempted to locate her for a Near Dark reunion unsuccessfully. Was apparently involved with Nic Cage for two years.)

Budget/Gross – $10 million / Domestic: $32,100,816

(That is an astonishingly high number. I’m going to assume that that is partially because the Stephen King name actually carried a lot of cache at the time. And it is absolutely no wonder they were already considering a sequel by the time the VHS was released (see the notes))

#135 for the Horror – R-Rated genre

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(This predates most of the other R-rated Horror films that have some out which have become a very on trend genre of late.)

#9 for the Virtual Reality genre

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(Oh wow, I kind of didn’t realize both this and Hackers were put into this genre. That is awesome. We’ve officially doubled the number of Virtual Reality movies we’ve seen for BMT.)

Rotten Tomatoes – 35% (14/40): The Lawnmower Man suffers from a predictable, melodramatic script, and its once-groundbreaking visual effects look dated today.

(Basically all the reviews say that it is cheesy and the only thing it really has going for it are the special effects which admittedly dazzled at the time. Reviewer Highlight: So loosely based on a Stephen King short story as to constitute fraud, The Lawnmower Man goes right to the bottom of a growing list of failed King adaptations. – Richard Harrington, Washington Post)

Poster – The Lawnmower Man: Inspired by Stephen King’s The Lawnmower Man (B-)

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(This entire thing is silly. Look at that poster. It is literally a man mowing grass with a giant eye in the sky with a… gyroscope? In the center? What are you supposed to think this film is about? Spacing is fine, as is the color scheme. The font is unfortunate and I know in my heart they could have done better.)

Tagline(s) – God made him simple. Science made him a god. (A-)

(I like this. Tells me what’s up and does it in a clever way. It’s a little long, but you get what you pay for.)

Keyword(s) – virtual reality; Top Ten by BMeTric: 82.8 Spy Kids 3: Game Over (2003); 78.9 Jason X (2001); 67.2 Lawnmower Man 2: Beyond Cyberspace (1996); 55.7 Stormbreaker (2006); 54.6 Soldiers of Fortune (2012); 52.0 Let’s Be Evil (2016); 51.9 Surfer, Dude (2008); 49.5 The Lawnmower Man (1992); 47.3 Open Windows (2014); 46.3 Kill Switch (I) (2017);

(Two of the ten! I quite like that. None of the other one except maybe Spy Kids 3 are on our radar.)

Welcome to Earf (HoE Number 26) – The shortest path through The Movie Database cast lists using only BMT films is: Dean Norris is No. 7 billed in The Lawnmower Man and No. 3 billed in Death Wish (2018), which also stars Bruce Willis (No. 1 billed) who is in The Whole Ten Yards (No. 1 billed), which also stars Natasha Henstridge (No. 4 billed) who is in Ghosts of Mars (No. 1 billed), which also stars Jason Statham (No. 3 billed) who is in In the Name of the King: A Dungeon Seige Tale (No. 1 billed), which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 7 + 3 + 1 + 1 + 4 + 1 + 3 + 1 + 4 + 1 = 26. If we were to watch I Don’t Know How She Does It, If Lucy Fell, and The Black Dahlia we can get the HoE Number down to 15.

Notes – New Line Cinema had obtained the rights to the Stephen King short story “The Lawnmower Man”, and the producers also had an unrelated script called “Cyber God”. They simply placed King’s title on the production of “Cyber God”. King was furious at this abuse of his name, and he sued the studio to have his name and title removed from the film and promotion. They refused, until the studio was ordered to pay ten thousand dollars and full profits. (Yeah that makes more sense than actually thinking this was an adaptation)

The scene where the cop (Troy Evans) says that the missing piece of the dead man is in the bird bath, is the only thing in the movie that was taken from Stephen King’s short story.

The eight minutes of computer generated effects took seven people eight months to complete on a budget of five hundred thousand dollars. (Wow, impressive)

It was discovered through FBI tapes that this was former Waco cult leader David Koresh favorite movie

Several of the symbols Jobe (Jeff Fahey) sees flying at him, during his first VR treatment, are demon evocation seals taken from the infamous Key of Solomon.

A remote controlled lawnmower was specifically built for the movie. In another movie adapted from a Stephen King story, Maximum Overdrive (1986), a remote controlled lawnmower chases a teenager. (And in yet another movie everyone almost dies in Honey, I Shrunk the Kids! due to a remote controlled lawnmower)

Dr. Angelo’s line “I’ve decided to take my work back underground”, was used as a sample in the intro track for the Music For The Jilted Generation album by The Prodigy. (Yet another connection to Hackers, Voodoo People from that album is on the soundtrack)

There are three video games based on the movie. Scrolling action game The Lawnmower Man (1993) for Game Boy, Genesis, and Super Nintendo, loosely follows the plot of the movie. FMV adventure game The Lawnmower Man (1993) for DOS, Macintosh, and SEGA CD, uses clips from the movie, and is a direct sequel to the movie, since Its plot begins where the movie ends. Adventure game Cyberwar (1994) for DOS and PlayStation is a non-FMV sequel to the FMV game.

The Guardian (1990) Preview

Hats backward and cargo shorts a-baggin’, Rich and Poe skateboard their way to the Italiano Arcade & Pizzeria to smash on some video games and eat some ‘za. They immediately own a bunch of middle schoolers in Super Mario Bros 3 like some video game wizards and make their way to the top of the social pyramid. There are some dope tweens around, but they are by far the dopest. “Haven’t seen you two around here before. You guys sure can whiz on the j-stick,” one of the kids say, “they call me Toad, who are you?” Rich steps up, “I’m Big M and this is my bro LJ. We’d mash the ‘cade all day, but our Granny is a real lamester. You chilling me?” Toad nods and laughs while Poe tries not to cry. That’s his beloved Granny they’re talking about. Nobody calls her a lamester. Rich continues, “but maybe that’s not the worst thing, you feelz? We heard some real slippery things going on around here.” Toad looks a bit nervous, “Yeah, real canopy thang. But it’s just Elivira, the new nanny. Everyone else is icy.” Rich and Poe look at each other. Elvira? That doesn’t sound like Gruber. They looks around but Poe can’t see anyone that looks suspicious. “Rich, I don’t think this is working… Rich?” Rich is staring off into the distance. The crowds part between him and the most beautiful woman in the world. She flips her golden hair to the side and beckons to him. He floats towards her… the seductive and super creepy nanny who looks both ageless and yet thousands of years old. His mind is telling him to resist, but he has eyes only for this scary witch nanny and the creepy tree she’s sitting in. Wait, what? That’s right! You knew right from the start when I was talking about witch nannies and creepy trees that there was only one film I could be talking about. Let’s say it all together. The Guardian (1990). Of course. That film that everyone knows. Well at least one person knew about it and his name was Roger Ebert and he hated this film. In fact he said it was one of the worst he had ever seen. Good enough for us. Let’s go!

The Guardian (1990) – BMeTric: 31.9

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(The rating feels really low for a film from the early 90s and for a film I’ve never heard of. Even after the regression that is pretty astonishing. It really must be a terrible horror film. Getting a little excited here.)

Leonard Maltin – 2 stars –  Yuppie couple hires a nanny for their newborn child, but we know there’s something odd about her: she feeds babies to a tree in a nearby gully. Friedkin’s first return to horror after The Exorcist has a few good scenes, but a ludicrous story and a hormorless approach. Seagrove is very good in an almost unplayable role. Cowritten by the director from the novel The Nanny by Dan Greenburg.

(I probably knew this was based on a book and forgot to be honest. Everything in this preview is about Friedkin. He really squandered a lot of his good will by 1990 it seems. He only really directed sporadically after 1985.)

Trailer – https://www.youtube.com/watch?v=kbl1b664ivk/

(‘Member the Exorcist? Me too … member that thing where William Friedkin was the director … cool me too.’ I literally have no idea what this film is about or what it is beyond a horror film made by the director of the Exorcist. Should I watch the Exorcist then? It feels like a good extra homework assignment.)

Directors – William Friedkin – (Known For: The Exorcist; The French Connection; Killer Joe; To Live and Die in L.A.; Cruising; Sorcerer; Bug; The Boys in the Band; Rampage; The Brink’s Job; Future BMT: Jade; Deal of the Century; The Hunted; Blue Chips; Rules of Engagement; BMT: The Guardian; Razzie Notes: Nominee for Worst Director, and Worst Screenplay for Cruising in 1981; Notes: Given he directed The Exorcist it might be surprising to know he grew up Jewish, became agnostic, and then is clearly a Christian in some capacity given recent quotes.)

Writers – Dan Greenburg (novel & screenplay) – (Future BMT: Private Lessons; BMT: The Guardian; Notes: Was married to Nora Ephron ages ago. His son was the kid in Lorenzo’s Oil.)

Stephen Volk (screenplay) – (Known For: The Awakening; Gothic; Future BMT: Octane; BMT: The Guardian; Notes: Famously wrote and directed Ghostwatch, a fake documentary which played on the BBC which confused a bunch of people who thought it was real. It was banned from replay for a decade.)

William Friedkin (screenplay) – (Known For: To Live and Die in L.A.; Cruising; Rampage; BMT: The Guardian; Razzie Notes: Nominee for Worst Director, and Worst Screenplay for Cruising in 1981; Notes: Cruising was considered by many as anti-gay, and the film was protested by the gay community at the time of production)

Actors – Jenny Seagrove – (Known For: Local Hero; Another Mother’s Son; Moonlighting; Future BMT: Run for Your Wife; BMT: The Guardian; Notes: Long time partner of Bill Kenwright who is an actor and … the chairman of Everton F.C. since 2004? Still works as an actress, although not as often.)

Dwier Brown – (Known For: Field of Dreams; House; Red Dragon; Gettysburg; To Live and Die in L.A.; The Cutting Edge; Reunion; Future BMT: House II: The Second Story; Mom and Dad Save the World; BMT: The Guardian; Notes: If you’re racking your brain trying to figure out who he was in Field of Dreams, he was Kevin Costner’s father at the end.)

Carey Lowell – (Known For: Leaving Las Vegas; Licence to Kill; Sleepless in Seattle; Fierce Creatures; Future BMT: Club Paradise; Love Affair; BMT: The Guardian; Notes: You’d know her from Law & Order, she was on the order side of things, as a DA.)

Budget/Gross – N/A / Domestic: $17,037,887

(Probably not great … although you could make these things for less than a million around this point in time, so maybe it turned as profit.)

#233 for the Horror – R-Rated genre

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(It feels like this came at a peak of the genre in the late eighties. Kind of went on a bit of a hiatus after. Still having a moment now, especially with It Part 2 coming out this year, should be good for R-rated horror.)

Rotten Tomatoes – 22% (2/9): No Consensus

(Nice I get to make a consensus: Hysterically funny … wait, it was supposed to be a horror film? Reviewer Highlight: Maybe after years of banging his head against the system Friedkin decided with “The Guardian” to make a frankly commercial exploitation film. … give us a break. – Roger Ebert, Chicago Sun-Times)

Poster – The Guardian Not Starring Kevin Costner (B+)

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(Too many words and the image itself is a bit small, but I’m digging the simplicity of it and the coloring. The font isn’t the worst either. Good effort.)

Tagline(s) – Tonight, while the world is asleep… an ancient evil is about to awaken. (F)

(I literally don’t understand this… when? Tonight? Is that like… when I’m watching the movie or is the film set over a single night during which the ancient evil awakens? Neither? Cool cool cool. Just one more thing. Would it have mattered if that ancient evil awoke while everyone was awake? No? Interesting.)

Keyword(s) – baby; Top Ten by BMeTric: 92.6 Date Movie (2006); 92.1 Son of the Mask (2005); 91.0 Scary Movie 5 (2013); 84.0 Baby Geniuses (1999); 76.3 Junior (1994); 75.9 In the Land of Blood and Honey (2011); 74.7 Jason Goes to Hell: The Final Friday (1993); 73.9 Look Who’s Talking Too (1990); 70.6 The Animal (2001); 69.0 Texas Chainsaw 3D (2013);

(Shit. I have to watch The Animal for a third time. Maybe Jamie will appreciate it more given it stars someone from Survivor. [Editor’s Note: I will])

Welcome to Earf (HoE Number 24) – The shortest path through The Movie Database cast lists using only BMT films is: Xander Berkeley is No. 10 billed in The Guardian and No. 6 billed in Seeking Justice, which also stars Nicolas Cage (No. 1 billed) who is in The Wicker Man (No. 1 billed), which also stars Leelee Sobieski (No. 5 billed) who is in Here on Earth (No. 1 billed) => 10 + 6 + 1 + 1 + 5 + 1 = 24. If we were to watch Savage Islands we can get the HoE Number down to 15.

Notes – Jenny Seagrove was unhappy with the film’s constant re-writes, and wanted to make a completely different film. She said to The Guardian in 2007: “It was about this druid nanny who became a tree. I begged Universal to make it about a real nanny who kidnaps babies. ‘No, no, we can’t do that,’ they said, ‘the thirty somethings in America won’t come and see the film.’ I said, ‘I think you’re completely wrong; this film is total fantasy, and it’s just awful.’ Two years later The Hand That Rocks the Cradle (1992) was released, so I rang up my friend at Universal and he said, ‘Don’t. Don’t even talk about it, you were right.’ ” (haha)

Was to originally be directed by Sam Raimi, but he left the project early to direct Darkman (1990). Producers brought in William Friedkin, and the project suffered through several re-writes sending co-writer Stephen Volk into a breakdown. Friedkin eventually took over the writing duties. (oooooooooooof)

William Friedkin’s first horror movie in seventeen years since The Exorcist (1973). (Maybe a mistake)

One of only two feature films that William Friedkin wrote nothing about, positive or negative, in his memoir The Friedkin Connection (see also Deal of the Century (1983)).

A new effects crew was brought onto the scene after the initial tree failed to work mechanically. The new team constructed a tree that held 500 gallons of fake blood and detachable bark. (oh no, haha)

The delivery scene used real footage of an actual live birth. (oh no … I would just say haha here, but that would feel redundant)

The film was released three years after its source novel “The Nanny” by Dan Greenburg had been published in 1987. (Fact: I did not read this book)

The movie’s dark villain, Camilla (Jenny Seagrove), is included in the compilation film Boogeymen: The Killer Compilation (2001).

A cable television version of the film is not billed to William Friedkin, but to Alan Smithee, a generic name which is used by directors when they don’t want to be associated with a picture. This, despite the fact that Friedkin claims on the film’s audio-commentary he never heard of such a version. There are two versions of “The Guardian”: the theatrical cut, credited to Friedkin, and a modified cut, credited to Smithee. The Smithee cut has never been released on home video or DVD, and has only been shown on cable. It includes new scenes, including another scene in the hospital, different dream sequences, a scene of the nanny waking the wife up and alternate angles for other scenes. Also, the ending of the cable cut is different and omits much of the gore. (Oh wow, that is kind of cool. They cut a version and clearly didn’t ask him about it. Sounds like we can’t get it though)

Chicago Sun-Times movie critic Roger Ebert named the picture one of his “Most Hated Films” of all-time. (Noice, it is on his end of the year worst of list so …)

One of three movies with “The Guardian” title made during the modern era of Hollywood. This supernatural horror movie was made and released around six years after the 1984 action crime thriller The Guardian (1984) and sixteen years before the sea rescue drama The Guardian (2006). (We have now watched two for BMT. Martin Sheen’s 1984 film doesn’t have any reviews. That sounds like I have to cook up 5 fake reviews to get this onto Rotten Tomatoes …)

Bless the Child Preview

Alright, well this week we made a terrible mistake. Not that we chose a bad film for our Horror/Thriller week (in fact it is the perfectly chosen Bless the Child starring a BMT favorite Kim Basinger), but the book is 550 pages long! Like super, duper long! It took me forever to read. I just finished it this afternoon in fact. Starting to get worried I might not have time to finish the next book on the docket (my life is pretty tough guys). But I can’t worry about that now. I gotta get to Bless the Child. Oddly, this was always in the back of my mind for BMT. Not just because it is one of the worst reviewed films in history, but also there was a time that I thought it might take place in Vermont for some portion of the film… which would have obviously trumped A Change of Seasons for mapl.de.map. Unfortunately, after doing some research I figured that it’s unlikely that Basinger’s character even makes it to Vermont… but that’s neither here nor there. Let’s go!

Bless the Child (2000) – BMeTric: 49.8 (Generated on December 12, 2017)

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(I’m surprised at how high the BMeTric is given only 11 thousand votes. But then again, most films don’t get ten thousand votes I suppose. And a 5.0 rating is awful. Pretty consistent rating through time, which suggests it is just as bad as it was perceived at the time.)

Leonard Maltin – 1.5 stars – Basinger has raised her addict sister’s daughter to the age of six; when she shows signs of spiritual powers, the child is sought by millionaire Sewell, who’s involved in a series of child killings. Smits is the detective on the case. Religious horror thriller veers wildly from the promising to the ludicrous, and is never remotely convincing. Based on the novel by Cathy Cash Spellman.

(Ludicrous is the name of the game here at BMT. Why do you think he’s called LudiChris Klein? Glad we got a pretty poor rating from Leonard. Hard to keep trotting out films and have him let us down by giving them mediocre reviews.)

Trailer – https://www.youtube.com/watch?v=BM7wV9KCAwc

(Yeeeeesssssss, yeeeesssssssssss. The power. It feels good. That looks like straight dog poo and I love it. Some creepy practical effects on those demons, but let’s hope they end up being super silly when watching the film.)

Directors – Chuck Russell – (Known For: The Mask; The Scorpion King; A Nightmare on Elm Street 3: Dream Warriors; The Blob; Future BMT: I Am Wrath; Eraser; BMT: Bless the Child; Notes: Hasn’t made a film in more than a decade, but apparently has one in post right now. It’s called I Am Wrath, stars John Travolta, and I would be severely disappointed if it wasn’t a BMT film… more likely it doesn’t get a theatrical release.)

Writers – Cathy Cash Spellman (novel) – (BMT: Bless the Child; Notes: The writer of the book. I think this book was just buying hook-line-and-sinker into the weird satanist panic of the time. Otherwise I can’t find much about her.)

Thomas Rickman (screenplay) (as Tom Rickman) – (Known For: Coal Miner’s Daughter; Hooper; Everybody’s All-American; The Laughing Policeman; BMT: Bless the Child; Notes: Won an Oscar for the screenplay for Coal Miner’s Daughter.)

Clifford Green and Ellen Green (screenplay) – (Known For: SpaceCamp; Future BMT: Baby: Secret of the Lost Legend; The Seventh Sign; Three Wishes; BMT: Bless the Child; Notes: Married writing partners. Clifford is into space apparently (they wrote Space Camp after all), even agreeing to send his DNA into space as part of the Immortality Drive.)

Actors – Kim Basinger – (Known For: 8 Mile; The Nice Guys; Batman; L.A. Confidential; 9½ Weeks; Never Say Never Again; Cellular; The Natural; The Door in the Floor; Wayne’s World 2; Final Analysis; People I Know; Fool for Love; Nadine; Future BMT: Cool World; The Informers; My Stepmother Is an Alien; Ready to Wear; While She Was Out; The Getaway; The Real McCoy; Blind Date; The Sentinel; The Man Who Loved Women; Even Money; Third Person; Charlie St. Cloud; The 11th Hour; The Burning Plain; BMT: Fifty Shades Darker; Bless the Child; No Mercy; I Dreamed of Africa; The Marrying Man; Grudge Match; Razzie Notes: Nominated for Worst Actress in 1987 for Nine 1/2 Weeks; in 1992 for The Marrying Man; in 1993 for Cool World, and Final Analysis; in 1995 for The Getaway; and in 2001 for Bless the Child, and I Dreamed of Africa; Notes: A BMT hall of famer basically. I secretly love her. We managed to do back-to-back Basinger by accident here. She isn’t in Fifty Shades of Grey, but she’s in the sequel(s).)

Jimmy Smits – (Known For: Rogue One; Star Wars: Episode II – Attack of the Clones; Star Wars: Episode III – Revenge of the Sith; The Jane Austen Book Club; Running Scared; Who We Are Now; My Family; Mother and Child; Old Gringo; Vital Signs; Future BMT: The Million Dollar Hotel; Switch; The Believers; BMT: Bless the Child; Notes: I know him as the main antagonist in Dexter season 3. Which was the terrible season in the first four. After four it falls off a cliff anyways, so whatever.)

Rufus Sewell – (Known For: The Holiday; A Knight’s Tale; Hercules; The Illusionist; Dark City; Hamlet; Paris, je t’aime; Dangerous Beauty; Amazing Grace; Carrington; The Sea; Vinyan; Blinky Bill the Movie; Twenty-One; A Man of No Importance; Future BMT: Extreme Ops; Abraham Lincoln: Vampire Hunter; The Legend of Zorro; The Tourist; All Things to All Men; I’ll Follow You Down; Downloading Nancy; Tristan + Isolde; Hotel Noir; The Very Thought of You; BMT: Gods of Egypt; Bless the Child; Notes: British, grew up in Twickenham which houses the big Rugby ground in London.)

Budget/Gross – $65 million / Domestic: $29,381,494 (Worldwide: $40,443,010)

(Clearly a bomb. The budget doesn’t even make much sense… where would $65 million go for a film like this?… Dear God! Please say to sadly misguided attempts at CGI in scenes that don’t need them (judging from the rats in the trailer, I would say yes). It is the 66th highest grossing Supernatural Horror right behind BMT film Ghost Ship (with the most ship) and future BMT The Fog.)

#147 for the Horror – R-Rated genre

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(The slow increase in audiences coming out for R-rated films maybe? You can kind of even see the uptick at the end which saw It just absolutely smashing it this year.)

#73 for the Horror – Supernatural genre

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(Blair Witch and The Sixth Sense blew the genre out of the water and since then the releases have been pouring in. Hasn’t hurt the per-theater take that much which is probably why they keep on making more and more.)

Rotten Tomatoes – 3% (3/112)Bless the Child squanders its talented cast on a plot that’s more likely to inspire unintentional laughs than shivers.

(One of the worst reviewed films in history, given the number of reviews it garnered. I would say the phrase “talented cast” is being a bit generous from the get go. Unintentional laughs would be certainly welcome.)

Poster – Bless the Sklog (A)

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(I’m going to be perfectly honest, I really dig this poster. Look at it. Nice color contrast, good use of the shape of a cross, Basinger is portrayed prominently but in a clever way, and all the words are placed well in the frame. I like it.)

Tagline(s) – Mankind’s last hope just turned six. (B+)

(The tagline is kinda the definition of a tagline. It’s short and sweet, gives us some insight into the tension in the film, and holds some cleverness in the paradox it presents. “So why isn’t it an A+?” says everyone. It’s just so god damn cliche. I feel like I’ve seen this tagline a million times… still, can’t give it anything less than a B+ cause it is pretty much what we’re looking or here on Jamie’s Taglines and Such)

Keyword(s) – fbi; Top Ten by BMeTric: 81.6 I Know Who Killed Me (2007)78.7 Torque (2004); 77.1 Ballistic: Ecks vs. Sever (2002); 76.6 Taxi (I) (2004); 75.3 Death Note (2017); 73.6 Charlie’s Angels: Full Throttle (2003); 72.5 Big Momma’s House 2 (2006); 71.7 The Adventures of Rocky & Bullwinkle (2000); 68.5 3 Ninjas: High Noon at Mega Mountain (1998); 66.9 Did You Hear About the Morgans? (2009);

(Nice. A very cool variety there actually. Oh Big Momma, I am so glad you just smash it in this regard. None of the others (besides a rewatch of Ballistic) are really on our radar at the moment.)

Notes – The line, “The devil’s greatest trick was convincing man that he didn’t exist,” is reminiscent of a similar line in another movie of the same genre, End of Days (1999), in which Father Kotak (Rod Steiger) says: “Satan’s greatest trick was convincing man that he didn’t exist”. It is also similar to The Usual Suspects (1995), where the line is, “The greatest trick the devil ever pulled was convincing man that he didn’t exist”. In fact, that idea goes back to Charles Baudelaire (1821-1867): “La plus belle des ruses du Diable est de vous persuader qu’il n’existe pas!” (English: “The finest trick of the devil is to persuade you that he does not exist.” (I’m always down for a bit of a literature lesson in the notes)

The bridge where the car “accident” takes place, is actually the Blue Water Bridge between Point Edward, Ontario and Port Huron, Michigan. It was being “twinned” at the time, so the whole bridge was closed down for repairs, and was available for uninterrupted filming. The scenery shots of New York City were then placed in the background, but people who grew up there, recognize the shores as being Point Edward and Port Huron, respectively, not New York City.

The subway station where the attack on Meg takes place is a “ghost” station on the Toronto subway that is used frequently as a stand in for New York City subways. The city’s film office wanted to leave it set up as a New York City station, but the Toronto Fire Department nixed that idea. The station is below the Bay station on the Bloor line, on the track connecting the Bloor and Yonge lines. At one time, trains went from one line to the other, thus the station, but the practice was discontinued because of switching problems. (There is also a “ghost” station beneath the Queen Street station. It was roughed in 1954 for a planned Queen Street subway which never was built.)

In the original script, a character is deliberately pushed off a subway platform. This had to be changed to an accidental fall before the Toronto Transit Commission would allow filming on its property.

When the candles in the cathedral ignite together, the camera pulls back and Maggie’s shirt can be seen blowing, as if the candles were in fact being blown out, and film was run backwards. (I do like things like this, the technical details of filmmaking)

“Ego fum papa” roughly translates as “I am the Pope”.

According to a March 1, 1999 Variety magazine article, in the script as originally written Cody was Maggie’s autistic granddaughter who was abandoned by her drug-addicted mother. Since Kim Basinger was the mother of a young daughter in real-life, she seemed too young to play a grandmother, so her character was changed to the child’s aunt. (Yup)

Based on the novel of the same name by Cathy Cash Spellman.

Nominated for the Razzie Award for Worst Actress (Kim Basinger)

Queen of the Damned Preview

NOTE: This preview was generated on August 11, 2018. Much of the content was generated in May of 2014, but it has been edited and updated where appropriate.

The reason this preview was generate so long after the initial watch was because it came at special request from someone planning on watching this film for a Halloween double feature. The post introducing the double feature can be seen here. Cheers!

Queen of the Damned was followed by a direct-to-DVD sequel Vampires in Delaware where a family of vampires have a surprisingly fun and educational vacation in the great state of Delaware. They have loads of fun learning about DuPont Co’s origins as a manufacturer of gunpowder and the fact that they are vampires plays no role in the plot of the film. At least … I wish that was what happened. Let’s go!

Queen of the Damned (2002) – BMeTric: 55.0

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(I find the rating shockingly low to be honest, and the dip between 2004 and 2007 is very strange indeed. Possibly because the people who would have been fans at the time took a while to get online? It is truly perplexing, a very odd rating/vote plot.)

Leonard Maltin –  2.5 starsVampire Lestat awakens after a long deep sleep and goes public in the world of rock music, where he seem to blend in perfectly! But his posturing angers the man who “made” him, intrigues a young woman who’s drawn to his world, and lines him up as the perfect mate for the queen of the undead (played by pop-music star Aaliyah, who died before the film’s release). Dopey but amusing. Based on one of Anne Rice’s The Vampire Chronicles novels.

(Wow, I’m not sure how something that’s dopey but amusing gets 2.5 stars when it’s supposed to be a supernatural horror-type film. Would seem to be an insult. That’s all I really have to say about this… so I’ll just make a quick remark about Leonard’s choice to use two descriptors for Lestat’s sleep. It was both long and deep? Glad I knew that before watching the film.)

Trailer – https://www.youtube.com/watch?v=2Gu9HtN05sc

(Well this is interesting for sure. I love Aaliyah’s “accent” and the effects look like trash. Both of these are exciting prospects from a BMT point of view. Still not totally sure what the plot is. Evil vampire rocker? Is that basically it? Sounds absurd.)

Directors – Michael Rymer – (Known For: Face to Face; Angel Baby; Future BMT: Perfume; In Too Deep; BMT: Queen of the Damned; Notes: After completing film school at USC he attended a two-year acting school where he claims he learned more about filmmaking than in all his years studying at film schools.)

Writers – Anne Rice (novels) – (Known For: Interview with the Vampire: The Vampire Chronicles; The Young Messiah; Future BMT: Exit to Eden; BMT: Queen of the Damned; Notes: Rice distanced herself from the film, and has stated that she feels the filmmakers “mutilated” her work in adapting the novel.)

Scott Abbott (screenplay) – (BMT: Queen of the Damned; Notes: Seemingly was a big-time TV Movie writer. Got his break to write this and then hasn’t really had any film credits since. He did, however, release a novel two years ago and wrote the Rosemary’s Baby TV miniseries adaption that airs tonight… seriously, it airs Sunday, May 11th, 2014.)

Michael Petroni (screenplay) – (Known For: The Chronicles of Narnia: The Voyage of the Dawn Treader; The Book Thief; The Dangerous Lives of Altar Boys; Future BMT: The Rite; Backtrack; BMT: Queen of the Damned; Notes: Started out as a comedian in Australia appearing on the show DAAS Kapital before moving to the United States to study screenwriting.)

Actors – Aaliyah – (BMT: Queen of the Damned; Romeo Must Die; Notes: This movie was released posthumously. She had also been cast and started filming for a major role in the two Matrix sequels. She was subsequently replaced by Nona Gaye and all her scenes that she had completed were reshot.)

Stuart Townsend – (Known For: Shade; Shooting Fish; Under the Skin; About Adam; Wonderland; Simon Magus; Future BMT: The League of Extraordinary Gentlemen; Trapped; Chaos Theory; Head in the Clouds; BMT: Queen of the Damned; Æon Flux; Notes: Was originally cast as Aragorn in the Lord of the Rings trilogy, but was replaced after a few days of shooting after realizing that he looked too young for the role.)

Marguerite Moreau – (Known For: Mighty Joe; Runaway Jury; Beverly Hills Chihuahua; Wag the Dog; Easy; Caroline and Jackie; Easier with Practice; Douchebag; Future BMT: Free Willy 2: The Adventure Home; D3: The Mighty Ducks; L!fe Happens; D2: The Mighty Ducks; The Mighty Ducks; Wet Hot American Summer; BMT: Queen of the Damned; Notes: Transitioned into television mostly after being a younger actor in The Mighty Ducks franchise. Now has been on both Wet Hot American Summer series for Netflix.)

Budget/Gross – $35 million / Domestic: $30,336,800 (Worldwide: $45,479,110)

(Not the worst that is could have been, but by no means a winner. Especially when compared to Interview with a Vampire, which made over $200 million. I guess everyone’s hope that Stuart Townsend would be the next Tom Cruise would have to be tempered after this showing.)

#144 for the Horror – R-Rated genre

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(Right near Ghost Ship with the Most Ship! The lowest BMT (as of August 2018) is Alone in the Dark, and the highest is (sadly) I Know What You Did Last Summer. I find the dip a few years ago supremely weird. Everyone hates PG-13 horror, so I don’t really get it. The people who love horror films are 14-year-olds and they obvs want that R-rating that they can finally get into. Give it to them!)

#28 for the Vampire genre

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(The only Vampire movie we’ve ever seen for BMT (and this was written in August of 2018, although mere weeks before we will have watched Vampire Academy, which is #44, thoroughly trounced by even this). Twilight is obviously the highlight here. These things really did just boom with Twilight and then *poof* … disappeared like a vampire in the daytime (in some interpretations of vampires).)

Rotten Tomatoes – 17% (22/130): A muddled and campy MTV-styled vampire movie with lots of eye candy and bad accents.

(MTV-styled vampires? Doesn’t it tell you how times have changed that just 6 short years later Twilight came out and no one even thought to call them MTV-styled. Also, I can only assume the “bad accent” refers to Aaliyah’s accent of mysterious origin. It will be fantastic.)

Poster – Queen of the Sklogs (C+)

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(Things I liked about this poster: The color scheme, and Aaliyah in general. Things I didn’t like in this poster: Stuart Townsend looks like crap and is creeping all up on my girl Aaliyah, and the font used on the poster is garbage (although perhaps it is just the smokey smudging). My initial impression was that it was much better than I expected, but I ended up downgrading it a couple of times as I stared at it. But above average I think.)

Tagline(s) – The Mother Of All Vampires (B+)

(I kind of like the play on words, but I kind of hate how pop-y it sounds. As they say, a little MTV-vampire for me in the end. But clever enough that I think it deserves a top grade)

Keyword(s) – vampire; Top Ten by BMeTric: 88.9 Vampires Suck (2010); 87.5 BloodRayne (2005); 81.7 Ultraviolet (2006); 78.0 The Twilight Saga: New Moon (2009); 72.1 The Twilight Saga: Breaking Dawn – Part 1 (2011); 69.1 Stan Helsing (2009); 69.0 The Twilight Saga: Eclipse (2010); 68.1 Vampire in Brooklyn (1995); 63.7 Dracula 2001 (2000); 63.6 Dudley Do-Right (1999);

(The Twilight Saga is definitely interesting, since I’ve actually seen all of them, just outside of BMT. I’m actually not sure why I would do that … they are obviously BMT material. At least one of them will qualify and drag the series into things.)

Notes – The singing voice of Lestat was supplied by Jonathan Davis of Korn. However due to contractual difficulties, Davis could not sing on the soundtrack album release. The five songs written by he and Richard Gibbs for the movie were then performed on the album by Marilyn Manson, Chester Bennington of Linkin Park, David Draiman of Disturbed, Wayne Static of Static-X and Jay Gordon of Orgy. Davis was still allowed to play several instruments on the album. (Whaaaa, contractual difficulties … what could that mean? To not be able to get Korn to sing on a soundtrack release.)

Aaliyah died in a plane crash shortly after principal photography was completed but had not yet actually performed any ADR redubbing for her character. Michael Rymer called in Aaliyah’s brother, Rashad Haughton, to help with overdubbing her voice following her death due to their similar voices, special vocal technology was also used to make his voice sound more feminine. (That is kind of sad, but also interesting they were able to use the brother’s voice. I wouldn’t have thought that would work very well).

Aaliyah was the first actor to be cast for the film. She was enthusiastic about taking the role due to her fascination with Egyptian mythology and also being a huge fan of vampire horror fiction.

For the scenes of Lestat’s concert in Death Valley, over 3000 goths were recruited from Melbourne nightclubs and on the internet, then driven on a fleet of buses to a quarry in Werribee to act as extras. (Imagine how much you would regret ruining your rave night out during hour two of sitting in a Quarry with nothing to do)

Stuart Townsend shares his name with a character from another Anne Rice novel, “The Witching Hour”. Upon meeting Townsend, Rice handed him a copy of the book and instructed him to turn to a certain page number, whereupon was written “The Life of Stuart Townsend”. Townsend was flattered that she had written him into her new book, until she told him that she had written it eleven years prior. (Haaaaa)

Author of the novel Anne Rice considers this to be a terrible disappointment for her and for many of the readers as she believed it mutilated her own work. (Well, that’s what you get about 50% of the time when you option your work, so …)

Warner Bros. was already into its last year of owning motion picture rights to the first three Vampire Chronicles books which would then have transferred back to author ‘Anne Rice’, who could then sell the rights to another company of her choosing. Knowing what little time they had left, despite the fact they’ve had the rights and opportunity to make the latter two movies for over seven years, Warner Bros. hastily hired writers to condense the books “The Vampire Lestat” and “Queen of the Damned” into one movie with the latter being the movie title. (Yeah basically, pretty dumb idea honestly, but when you got to Wheel-of-Time-the-television-show something, you got to do it I guess)

On the casting of Stuart Townsend as Lestat, Anne Rice stated “Everything I hear about the movie is good. Warner Bros. is extremely enthusiastic. They are working very hard to make it perfect. I have no real news. Let me repeat what I mentioned in a recent message. I met Stuart Townsend, the young man who is playing Lestat and he was absolutely charming. He had Lestat’s excellent speaking voice and his feline grace. I cannot wait to see him in the film”.

Stuart Townsend took the role of Lestat after originally being cast as Aragorn in The Lord of the Rings: The Fellowship of the Ring (2001) but was recast with Viggo Mortensen after four days of shooting because the filmmakers realized he was too young for the role. (uh …. Yeah, which is why I kind of don’t believe the story. Makes no sense)

The architecture of Aunt Maharet’s house is based upon Angkor Wat, the stone temple located in Siem Reap, Cambodia.

The film was a subject of controversy due to inspiring a real life murder shortly after the film’s theatrical release. In December 2002, Allan Menzies from West Lothian in Scotland murdered one of his friends. He claimed in court that it was Aaliyah’s character “Queen Akasha” from the film that told him to do it. (Say whaaaaaa)

Josh Hartnett, Heath Ledger, and Wes Bently were all considered to replace Tom Cruise as Lestat after he declined to reprise his role. (Harnett would have been cool)

The fact that the night club “The Admiral’s Arms” was a vampire bar “in the meat packing district” of London is an homage to the night club “Mother” which was a vampyre bar located in the meat packing district of New York City. (Is it though? … IMDb users can sometimes read a bit too much into things)

Wes Bentley was originally cast as Lestat, but he dropped out.

Singer Aimee Nash of “The Black Ryder” duo had a cameo as a vampire singer in the “Admiral’s Arms” vampire nightclub although the majority of her footage was deleted (she is still visible in the background of the nightclub scene).

Queen Akasha never actually attacks anyone by biting their neck. She either sets them on fire, rips their heart out, or bites another area of their body. (Fun facts!)