Amsterdam Preview

It was a classic Bad Movie Twins dance. Abs? Gleaming. Jorts? Brimming. Legs? Akimbo. Just when Kevin James thought it would end, his hand hovering over his patented “Not Good Buzzer,” the routine would ratchet up a notch. Jamie and Patrick stared daggers at him, their muscles burning at 45 straight minutes of experimental dance the likes of which a national audience had never witnessed. Ratings were spiking as other networks hopped on the broadcast. Over 200 million Americans watched as Kevin James was dragged from the stage screaming that Jamie and Patrick were punks. Punks who needed Punk’ding. The producers scoffed at his antics. They wouldn’t let a personal vendetta stand in the way of them getting the opportunity to declare the once Bad Movie Twins the Very Good Twins. Imagine! America is Very Good will be the top talent show on TV in no time as long as the Very Good Twins were part of the team. “That… that was amazing,” Producer Frank Brow exclaims, “and you can take that to the bank,” he finishes with a flourish. He doesn’t let his disappointment show when it becomes clear that Jamie and Patrick don’t recognize a classic Brow-ism. “Yeah, well we’re good now,” Patrick says shrugging. “Very good,” Jamie chimes in with a wink and The Brow almost faints, dollar signs dancing in his vision. “So this is the button… the Not Good Buzzer. You guys can just press it together if you like. Or we can get a second one.” Jamie and Patrick are confused. “Mr. Brow. This seems like a good gig for some Very Good Twins, but I think we just won the show… so…” Brow is picking up what they’re putting down. “The Prize. Of course. How would you like a trip to …” That’s right! We’re heading off to Amsterdam for David O. Russell’s very big bomb Amsterdam. It’s not a movie I wanted to see… but here we are. Let’s go!

Amsterdam (2022) – BMeTric: 28.5; Notability: 50

StreetCreditReport.com – BMeTric: top 10.8%; Notability: top 1.2%; Rotten Tomatoes: top 12.2%; Higher BMeT: Texas Chainsaw Massacre, The Bubble, Jeepers Creepers: Reborn, Firestarter, Moonfall, Morbius, Blacklight, Pinocchio, Me Time, Spiderhead, Deep Water, The Invitation, After Ever Happy, Jurassic World: Dominion, Senior Year, Blackout, The 355, White Elephant, Samaritan, Prey for the Devil, and 7 more; Higher Notability: Black Adam, Jurassic World: Dominion, Pinocchio; Lower RT: After Ever Happy, Jeepers Creepers: Reborn, Me Time, Poker Face, Blacklight, Firestarter, White Elephant, Prey for the Devil, Morbius, The Last Manhunt, Blackout, The Bubble, The Man from Toronto, Senior Year, On the Line, The 355, The Invitation, Pinocchio, Memory, Jurassic World: Dominion, and 2 more; Notes: That notability is off the chain for real though. I need to watch Black Adam at some point, got to hit up those big Notability films.

RogerEbert.com – 1.5 stars – But despite these sporadic moments of enjoyment, “Amsterdam” is ultimately so convoluted and tedious that it obliterates such glimmers of goodwill. It’s so weighed down by its overlong running time and self-indulgent sense of importance that its core message about the simple need for human decency feels like a cynical afterthought. And whispering the word “Amsterdam” throughout, as several of the characters do, doesn’t even begin to cast the magic spell it seeks to conjure.

(Yeah that is what it feels like. But also, isn’t that kind of David O. Russell’s M.O. at this point? The huge ensemble cast desperately trying to hold an overblown ripped-from-the-headlines plot together? Or should I actually say the magnetic charisma of Christian Bale trying to kill such a plot afloat.)

Trailer – https://www.youtube.com/watch?v=GLs2xxM0e78/

(I watched this trailer when it came out. Looked good. Oh wait, I should be more specific. Christian Bale looked good. I was a little disappointed it apparently isn’t. Because I like Christian Bale. Such is life I suppose though.)

DirectorsDavid O. Russell – ( Known For: American Hustle; Silver Linings Playbook; The Fighter; Joy; Three Kings; I Heart Huckabees; Spanking the Monkey; Flirting with Disaster; Accidental Love; BMT: Amsterdam; Notes: Nominated for five Oscars for writing/directing American Hustle, Silver Linings Playbook, and The Fighter. He might have defined Bradley Cooper as a serious dramatic actor.)

WritersDavid O. Russell – ( Known For: American Hustle; Silver Linings Playbook; Joy; Three Kings; I Heart Huckabees; Spanking the Monkey; Flirting with Disaster; BMT: Amsterdam; Notes: Born in New York City, he went to Amherst College and got his start with a Documentary short about the Hispanic community of Boston.)

ActorsChristian Bale – ( Known For: The Pale Blue Eye; Thor: Love and Thunder; American Psycho; The Dark Knight; The Prestige; The Dark Knight Rises; Ford v Ferrari; Batman Begins; The Big Short; Little Women; Knight of Cups; 3:10 to Yuma; American Hustle; Out of the Furnace; Equilibrium; Hostiles; The Machinist; Empire of the Sun; The Fighter; Public Enemies; Future BMT: Terminator Salvation; Exodus: Gods and Kings; Newsies; BMT: Amsterdam; Captain Corelli’s Mandolin; Notes: He won an Oscar for The Fighter, but has been nominated four times in total. Welsh, he was a notable child actor (in things like Empire of the Sun) and starred in Newsies which was supposed to be the return of the big Hollywood musical … it was not.)

Margot Robbie – ( Known For: Babylon; Once Upon a Time in Hollywood; The Wolf of Wall Street; The Suicide Squad; About Time; The Big Short; Birds of Prey; Dreamland; Bombshell; I, Tonya; Focus; Mary Queen of Scots; Terminal; Whiskey Tango Foxtrot; Peter Rabbit; Suite Française; Slaughterhouse Rulez; Z for Zachariah; Peter Rabbit 2: The Runaway; Goodbye Christopher Robin; Future BMT: Suicide Squad; The Legend of Tarzan; BMT: Amsterdam; Notes: Nominated for two Oscars for I, Tonya and Bombshell. Australian, she obviously started out on Neighbours. They all do.)

John David Washington – ( Known For: Tenet; BlacKkKlansman; Malcolm X; Malcolm & Marie; Beckett; The Old Man & the Gun; Devil in a Blue Dress; Monster; Monsters and Men; Love Beats Rhymes; BMT: Amsterdam; Notes: Wait … wait. He is Denzel Washington’s son. And he was a professional football player, albeit as the running back for the United Football League’s Sacramento Mountain Lions. But still, what the hell.)

Budget/Gross – $80 million / Domestic: $14,947,969 (Worldwide: $31,245,810)

(That is a colossal bomb, but not surprising. Everything that was kind of mid-budget (and not fantastic) bombed this year. Hopefully that will change a tiny bit next year, but we’ll see.)

Rotten Tomatoes – 32% (79/244): Amsterdam has a bunch of big stars and a very busy plot, all of which amounts to painfully less than the sum of its dazzling parts.

(Awwww. This film feels like it was just on the cusp of being kind of okay. But ultimately yeah, whenever Bale isn’t the center of attention the film kind of gets away from itself.)

Reviewer Highlight: Jaw-droppingly terrible, interminably dull… – Richard Roeper, Chicago Sun-Times

Poster – Amsterdaaaang

(I kind of dig this. Could use some better font, but the colors are interesting and the framing as well. Not the worst. C+)

Tagline(s) – Let the love, murder, and conspiracy begin. (A)

(Helllll yeah. Now that fits what we want. It’s giving a little hint. Short and sweet and rule of three. Even a little clever with the “Let the [blank] begin.” It’s good. You can’t claim otherwise.)

Keyword(s) – year 2022

Top 10: The Batman (2022), The Kashmir Files (2022), Top Gun: Maverick (2022), Doctor Strange in the Multiverse of Madness (2022), Thor: Love and Thunder (2022), Everything Everywhere All at Once (2022), Bullet Train (2022), Uncharted (2022), The Adam Project (2022), The Northman (2022)

Future BMT: 65.8 Jeepers Creepers: Reborn (2022), 64.8 Halloween Ends (2022), 63.9 Firestarter (2022), 52.1 Radhe Shyam (2022), 50.5 Umma (2022), 45.9 The 355 (2022), 44.3 Jurassic World: Dominion (2022), 38.5 Memory (2022), 19.2 Black Adam (2022)

BMT: Moonfall (2022), Morbius (2022), Blacklight (2022), The Invitation (2022), After Ever Happy (2022), Prey for the Devil (2022), The King’s Daughter (2022), Amsterdam (2022), Don’t Worry Darling (2022), Where the Crawdads Sing (2022)

Best Options (pearl-harbor): 28.2 Amsterdam (2022)

(Hey there, I like that. Maybe the crown jewel of any cycle this year we left it out here and there (for comedy for example) entirely because we knew that if we could wait to juuuuuuust this week precisely it would come out on HBO Max. Perfecto.)

Welcome to Earf (HoE Number 12) – The shortest path through The Movie Database cast lists using only BMT films is: Robert De Niro is No. 4 billed in Amsterdam and No. 1 billed in Righteous Kill, which also stars Al Pacino (No. 2 billed) who is in 88 Minutes (No. 1 billed) which also stars Leelee Sobieski (No. 3 billed) who is in Here on Earth (No. 1 billed) => (4 + 1) + (2 + 1) + (3 + 1) = 12. There is no shorter path at the moment.

Notes – Christian Bale stopped talking to Chris Rock on set. He claimed that he was very funny, which made it hard for him to act.

The eye drops the characters use near the film’s end, are likely allusions to the cocaine eye drops that Adolf Hitler reportedly favored enthusiastically.

Of working with Anya Taylor-Joy on this film, David O. Russell said, “Anya is fearless and intuitively vulnerable and confident in a manner that is uniquely her own. She is different and strange in ways that are fascinating both toward darkness and toward light.”

Was a box office failure, losing the studio an estimated $97 million, according to Deadline.

A rumored title of the film was “Canterbury Glass.”

Was originally set to release on November 4, 2022, but was moved up to October 7 to avoid competition with Black Panther: Wakanda Forever (2022).

The cast includes three Oscar winners – Christian Bale, Rami Malek, and Robert De Niro – and two Oscar nominees – Margot Robbie and Michael Shannon.

Mike Myers also played a British military man with a similar look in Inglourious Basterds (2009).

This film was inspired by the Business Plot, a 1933 political conspiracy in which wealthy American businessmen and bankers plotted a military coup d’état to overthrow President Franklin D. Roosevelt and replace him with a fascist veterans’ organization headed by U.S. Marine Corps Major General Smedley Butler. Butler revealed the plot in a testimony under oath to the U.S. House of Representatives’ Special Committee on Un-American Activities in 1934. The committee concluded that a plot was indeed concocted, but none of the plotters were prosecuted. General Dillenbeck (Robert De Niro) is based on Butler.

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1492: Conquest of Paradise Preview

Patrick puts on his glasses, but then remembers that he’s Stallone and has perfect 20/20 vision, naturally. His beautiful mind goes into overdrive and his fingers dance over the keyboard of the Apple IIe that Kyle had set up in his room. With only BASIC available and 64Kb of memory at his disposal, what he is doing is anything but basic. It’s a full blown Jamie simulation. “Hello, Patrick. So glad we can be together again,” the simulation says and the breath catches in Patrick’s throat. It’s perfect. “How can we tell if you are you?” he asks the simulation which cryptically answers “try me.” Patrick thinks long and hard and eventually has an idea. He sets up millions of situations where Jamie and Kyle meet. Try him, they will. He puts the cursor over the program he’s entitled “ConquestOfParadise.exe” and takes a deep breath. Here goes nothing.

“Welcome to the hurt locker,” Kyle says as he pulls off the blindfold he’s had Jamie wear for the trip. Jamie’s knees are quaking at the thought of his worst nightmare, but when his eyes refocus he is surprised to see they’ve arrived at the hottest waterpark in town, The River of Death. It’s 24/7/365 lazy river action at The River of Death. Kyle shrugs and admits it was all a ruse. “Let’s have some fun today… maybe that’ll loosen things up in the ol’ noggin’”. Off they rush and have quite the day. Lazy River Amazon, Lazy River Nile, Lazy River Hudson. By the end of the Danube they are Lazy River pooped. “Oh wait, now I remember what I was thinking,” Jamie says as they walk out of the park. Kyle was right, the stress of time travel really was messing with his head. “His car.”

That’s right! We are conquesting some paradise by watching the Christopher Columbus epic we know and love, 1942: Conquest of Paradise… or at least one of the Christopher Columbus epics we know and love. I’ve never really thought about watching this film, but with Ridley Scott directing it’s worth it. Pairing that up with another film with a year in the title, we are watching Knight Rider 2000. I also never really thought about watching this film, but I’m not sure why. It sounds amazing. Let’s go!

1492: Conquest of Paradise (1992) – BMeTric: 19.5; Notability: 50

StreetCreditReport.com – BMeTric: top 19.6%; Notability: top 4.4%; Rotten Tomatoes: top 21.1%; Higher BMeT: Stop! Or My Mom Will Shoot, Body of Evidence, Cool World, Pet Sematary II, Children of the Corn II: The Final Sacrifice, Toys, The Lawnmower Man, Sleepwalkers, 3 Ninjas, Sidekicks, Buffy the Vampire Slayer, Freejack, Tom and Jerry: The Movie, Beethoven, Aces: Iron Eagle III, Evil Toons, Ladybugs, Dr. Giggles, Christopher Columbus: The Discovery, Encino Man, and 29 more; Higher Notability: Toys, Cool World, Home Alone 2: Lost in New York, Newsies, Freejack, Tom and Jerry: The Movie, The Bodyguard, Memoirs of an Invisible Man, Stop! Or My Mom Will Shoot, Innocent Blood, Universal Soldier; Lower RT: Once Upon a Crime…, Live Wire, Folks!, Frozen Assets, Love Crimes, Year of the Comet, Cool World, Man Trouble, Christopher Columbus: The Discovery, The Opposite Sex and How to Live with Them, Body of Evidence, Claire of the Moon, Passed Away, Ladybugs, Mr. Baseball, Mom and Dad Save the World, The Distinguished Gentleman, The Gun in Betty Lou’s Handbag, Stop! Or My Mom Will Shoot, Tom and Jerry: The Movie, and 28 more; Notes: Surprisingly high Notability there, for a historical epic starring Depardieu at least. Otherwise not a super amount of cred.

RogerEbert.com – 3.0 stars – Still, in its own way and up to a certain point, “1492” is a satisfactory film. Depardieu lends it gravity, the supporting performances are convincing, the locations are realistic, and we are inspired to reflect that it did indeed take a certain nerve to sail off into nowhere just because an orange was round.

(Ebert liked this one as well?! That’s a stunner. I would definitely have thought sheer boredom would have doomed it for him. I can’t imagine it is “good for what it is” in any capacity.)

Trailer – https://www.youtube.com/watch?v=bmnLrzG2zKw/

(Is this a real trailer? This film gets a weird hip hop beat trailer, and a “ONE MAN” voiceover. That is insane.)

DirectorsRidley Scott – ( Known For: Gladiator; Alien; House of Gucci; The Last Duel; Robin Hood; Blade Runner; Prometheus; Legend; Thelma & Louise; The Martian; Alien: Covenant; Black Hawk Down; American Gangster; G.I. Jane; Body of Lies; All the Money in the World; Black Rain; Matchstick Men; The Duellists; White Squall; Future BMT: Hannibal; Kingdom of Heaven; Exodus: Gods and Kings; The Counselor; A Good Year; BMT: 1492: Conquest of Paradise; Notes: Nominated for four Oscars (The Martian, Black Hawk Down, Gladiator, and Thelma & Louise). His brother Tony Scott was also a big name director.)

WritersRose Bosch – ( Known For: The Roundup; My Summer in Provence; Bimboland; BMT: 1492: Conquest of Paradise; Notes: Wow, so she is Spanish and came across Columbus’ correspondences while in Seville as a reporter. The film was then created specifically to coincide with the 500th anniversary of Columbus landing in the Americas. That’s a crazy story.)

ActorsGérard Depardieu – ( Known For: Life of Pi; Going Places; Hamlet; Last Holiday; Lost Illusions; Asterix & Obelix: Mission Cleopatra; La Vie en Rose; 1900; Paris, je t’aime; Maigret; Cyrano de Bergerac; Asterix and Obelix vs. Caesar; Green Card; Nathalie…; Let the Sunshine In; How Much Do You Love Me?; Mesrine: Killer Instinct; Jean de Florette; Asterix at the Olympic Games; City of Ghosts; Future BMT: The Man in the Iron Mask; 102 Dalmatians; My Father the Hero; BMT: 1492: Conquest of Paradise; Babylon A.D.; Notes: Nominated for an Oscar for Cyrano de Bergerac. That was 1990, so this film really is just coming on the heels of that when his cred is sky high with American audiences. It should be said that he’s said in interviews that he has raped people and that things were different in the 80s or whatever. It is pretty nuts. Read his wiki if you are curious.)

Armand Assante – ( Known For: American Gangster; The Road to El Dorado; Smile; Private Benjamin; Little Darlings; Prophecy; The Lords of Flatbush; Dead Man Down; Hoffa; Q&A; Paradise Alley; When Nietzsche Wept; The Match; The Mambo Kings; I, the Jury; Funny Money; Diamond Cartel; The Neighborhood; Chicago Overcoat; The Line; Future BMT: Two for the Money; Unfaithfully Yours; Trial by Jury; BMT: Striptease; Judge Dredd; 1492: Conquest of Paradise; Fatal Instinct; The Marrying Man; Notes: Won an Emmy for Gotti (playing Gotti) and was nominated for Jack the Ripper as well. He’s one of those actors who was huge in the 90s and then just dropped right off into straight-to-video in the 00s almost immediately.)

Sigourney Weaver – ( Known For: Avatar; Ghostbusters; Ghostbusters: Afterlife; The Good House; Alien; The Cabin in the Woods; Aliens; Call Jane; Ghostbusters: Answer the Call; Ghostbusters II; The Village; WALL·E; Holes; Alien³; Galaxy Quest; Alien: Resurrection; Master Gardener; Working Girl; Paul; Annie Hall; Future BMT: Exodus: Gods and Kings; Chappie; You Again; Vantage Point; The Cold Light of Day; Happily N’Ever After; Deal of the Century; BMT: 1492: Conquest of Paradise; Abduction; Notes: Nominated for three Oscars (Gorillas in the Mist, Working Girl, and Aliens). The first two were in the same year too. She’s playing like a kid in the next Avatar? It is insanity.)

Budget/Gross – $47,000,000 / Domestic: $7,191,399 (Worldwide: $7,191,399)

(What a disaster. What a complete disaster. But how? How is a realistic film about Columbus making like $100 million?)

Rotten Tomatoes – 32% (7/22): Historically inaccurate and dramatically inert, Ridley Scott’s retelling of Christopher Columbus’ exploits is an epic without grandeur or insight.

(Yeah for a film that wants to be gritty and realistic the stories about them just making stuff up is kind of wild in the end.)

Reviewer Highlight: This $50 million spectacle must be one of the least entertaining epic films ever made. – David Ansen, Newsweek

Poster – 1492: Close Enough

(I like the vibrant colors, but the whole poster seems like a bunch of nonsense. Just like a due with a sword running through some water and some terrible font. C+.)

Tagline(s) – Centuries before the exploration of space, there was another voyage into the unknown. (F is for Funny)

(Wooooooah. Legendary. It’s like a little short story. Really crazy this is the tagline. I like to extend this analogy out a little. It’s like Topher Columbus going around to the US government and being like “Yo, I think Mars is way closer than the math says, let me try to get there.” And then him flying to the moon and being like “Wooooah, I found Mars!” Make that the tagline.)

Keyword(s) – past

Top 10: The Shawshank Redemption (1994), Forrest Gump (1994), The Dark Knight Rises (2012), Django Unchained (2012), Gladiator (2000), Inglourious Basterds (2009), Saving Private Ryan (1998), Schindler’s List (1993), The Prestige (2006), Shutter Island (2010)

Future BMT: 88.7 BloodRayne (2005), 73.0 The Unborn (2009), 70.4 Texas Chainsaw (2013), 70.2 Black Christmas (2006), 67.4 Teenage Mutant Ninja Turtles III (1993), 66.0 The Woman in Black 2: Angel of Death (2014), 64.6 The Final Destination (2009), 62.1 The Mummy: Tomb of the Dragon Emperor (2008), 59.8 Exorcist: The Beginning (2004), 56.8 Robin Hood (2018), 55.1 Annabelle (2014), 54.9 The Quiet Ones (2014), 54.5 Snow Dogs (2002), 53.8 Spy Hard (1996), 53.2 Porky’s Revenge (1985), 52.4 2016: Obama’s America (2012), 52.1 Radhe Shyam (2022), 51.6 Porky’s II: The Next Day (1983), 50.2 Halloween Kills (2021), 50.2 The Last Legion (2007)

BMT: Epic Movie (2007), Superman IV: The Quest for Peace (1987), The Fog (2005), Movie 43 (2013), Super Mario Bros. (1993), Glitter (2001), Holmes & Watson (2018), The Master of Disguise (2002), The Legend of Hercules (2014), Grease 2 (1982), The Bye Bye Man (2017), Jonah Hex (2010), Freddy’s Dead: The Final Nightmare (1991), Wild Wild West (1999), Highlander: The Final Dimension (1994), The Ridiculous 6 (2015), Highlander: Endgame (2000), Black Knight (2001), Chernobyl Diaries (2012), A Nightmare on Elm Street 5: The Dream Child (1989), Cool World (1992), The Musketeer (2001), An American Haunting (2005), Apollo 18 (2011), Ishtar (1987), The Curse of La Llorona (2019), Hellraiser: Bloodline (1996), The Nun (2018), Pinocchio (2002), Bolero (1984), Bones (2001), Shanghai Surprise (1986), Return to the Blue Lagoon (1991), House of Wax (2005), Season of the Witch (2011), The Tuxedo (2002), Mannequin: On the Move (1991), Pompeii (2014), Ghost Ship (2002), Assassin’s Creed (2016), The Scarlet Letter (1995), Dolittle (2020), Timeline (2003), The Quest (1996), X-Men: Dark Phoenix (2019), Wagons East (1994), The Three Musketeers (2011), Diana (2013), Ben-Hur (2016), Rambo III (1988), Around the World in 80 Days (2004), The Texas Chainsaw Massacre: The Beginning (2006), The Blue Lagoon (1980), Cutthroat Island (1995), Texas Rangers (2001), Sucker Punch (2011), Captain Corelli’s Mandolin (2001), Jobs (2013), Dirty Dancing: Havana Nights (2004), Friday the 13th Part 2 (1981), Original Sin (2001), Hansel & Gretel: Witch Hunters (2013), American Outlaws (2001), Universal Soldier (1992), Winter’s Tale (2014), Harlem Nights (1989), I Dreamed of Africa (2000), Pearl Harbor (2001), The Texas Chainsaw Massacre (2003), The Identical (2014), The Chamber (1996), The Marrying Man (1991), Wild Bill (1995), In Love and War (1996), Sleepaway Camp (1983), Gods and Generals (2003), The Lone Ranger (2013), X-Men Origins: Wolverine (2009), 1492: Conquest of Paradise (1992), Pirates of the Caribbean: Dead Men Tell No Tales (2017), Rambo: First Blood Part II (1985), Halloween II (1981), September Dawn (2007), Young Guns II (1990), Oscar (1991), Pirates of the Caribbean: On Stranger Tides (2011), Evening (2007), The 13th Warrior (1999), White Comanche (1968), Gangster Squad (2013), Now and Then (1995), A Dog’s Purpose (2017)

Best Options (year-in-title): 19.5 1492: Conquest of Paradise (1992)

(The best option sub cycle thing is kind of fake. That is, I knew I wanted to do films with a year in the title (aka an A+ film set in the past), but I also knew the option of 1492 already existed. The eventual choice of Knight Rider 2000 was with the knowledge that we obviously also had good straight-to-video / tv movie options for films set in the future as well.)

Welcome to Earf (HoE Number 14) – The shortest path through The Movie Database cast lists using only BMT films is: Armand Assante is No. 2 billed in 1492: Conquest of Paradise and No. 3 billed in Judge Dredd, which also stars Sylvester Stallone (No. 1 billed) who is in The Expendables 3 (No. 1 billed) which also stars Jason Statham (No. 2 billed) who is in In the Name of the King: A Dungeon Siege Tale (No. 1 billed) which also stars Leelee Sobieski (No. 3 billed) who is in Here on Earth (No. 1 billed) => (2 + 3) + (1 + 1) + (2 + 1) + (3 + 1) = 14. If we were to watch The Glass House we can get the HoE Number down to 11.

Notes – The replicas of Columbus’ ships used in the film were built in Spain between 1990 and 1992. In 1992 they sailed the route of Columbus’ first voyage to commemorate to 500th anniversary of the discovery of America. Today they are exhibited in Palos de la Frontera, Spain, and they are visited by approximately 200.000 people each year.

Hans Zimmer was originally chosen to compose the music for the film until Sir Ridley Scott decided to approach Vangelis.

Screenwriter Rose Bosch got the idea for the project when she discovered millions of untranslated parchments while researching an article on Columbus. After joining forces with a French film executive, she finally found an interested director in Sir Ridley Scott, who had always wanted to make a movie about Columbus. Scott agreed to direct the film on one condition: Columbus must be played by Gérard Depardieu. Depardieu was contacted, and eager to take the part.

The film was released in France on October 12, 1992, 500 years to the day after Christopher Columbus’ expedition made landfall in the Caribbean and landed on the island of Guanahani. This was the first land in the New World sighted and visited by Columbus.

The film shot for 16 weeks.

The original title was simply “Columbus”.

This project was concurrently developed with Alexander and Ilya Salkind’s Christopher Columbus: The Discovery (1992) to be released on time for the 500th anniversary of Columbus’ voyage. The Salkinds’ first choice for director for their film was Sir Ridley Scott. Four months after rejecting their offer, Scott started working on a rival “Christopher Columbus” project which ultimately became 1492: Conquest of Paradise (1992). As a consequence of this, the Salkinds unsuccessfully tried to sue Scott for stealing their idea. They were forced to drop their lawsuit when it was proved that “1492”s producer Alain Goldman and writer Roselyne Bosch’s first proposal of a Christopher Columbus project predated theirs.

Gangster Squad Preview

Patrick drags himself, broken and bleeding, onto the highway shoulder. His captors would be back, but he just needs a second to think. Just then a dark limousine pulls up and an intimidating figure rolls down the window. “So you escaped. Good,” the man says, chomping down on a cigar, “that makes our lives a little easier. Get in.” Patrick hesitates, but when he looks back up the highway he sees Lost and Found’s truck driving erratically back down the road in search. Hopping in he asks the man who he is and why he was following him. “We have a mutual friend in Nic… Nic Cage,” he says as Patrick’s heart leaps. “He still holds out hope that you two can save the world. I’m not so sure, especially after you so easily fell into Sticks and Stones’ trap. But you don’t let down Nicky. Not in this world… or any other.” Patrick’s blood has run cold… Sticks and Stones… no wonder they seemed so familiar. “You’re with my squad now, so relax,” he finishes as he and his companions load their guns. That’s right! We’re using Anthony Mackie from Runner Runner to go to Gangster Squad starring… everyone basically. It was a classic style-over-substance critique for the film that dropped it into BMT territory and we pounds like BMT tigers going after BMT prey. Let’s go!

Jamie zooms through the air, taking his hanglider to the limit. As he skirts the highest building in New Angeles he sees a figure lean out of one of the windows. Jamie happily waves at him, but stops when he sees the crossbow. His beautiful hanglider takes an arrow her majestic wing and only through the immense power of his biceps and pilot skills is he able to land safely. Steam rises from the street and neon lights flash as his hanglider companion slides out of the mist on a skateboard. Jamie’s heart sinks when he sees the gun in his hand. “Welcome to the future,” the man says, “Where you either fight… or you die.” That’s right! We are pairing the Sean Penn Gangster Squad with the Chris Penn futuristic martial arts (?) film Future Kick. It starred one of the best kickboxers of all time, Don “The Dragon” Wilson, and is about kickboxing robots. Don’t think there’s more to say than that. Let’s go!

Gangster Squad (2013) – BMeTric: 14.7 

GangsterSquadIMDb_BMeT

GangsterSquadIMDb_RV

(Ooooo the first one in a while that started really high and is regressing down instead of up. I do know that there are fans of this film, mostly due to the stellar cast.)

Leonard Maltin – 2 stars –  In 1949 L.A., police chief William Parker (Nolte) hires square-jawed WW2 veteran Brolin to assemble an elite team that will work under the radar to bring down ferociously ambitious gangster Mickey Cohen (Penn, in an outlandish performance), who wants to take over California. Garishly colorful but ludicrous, despite a promising start; a comic-book rendering of a fascinating true story as reported by Paul Lieberman in his book of the same name. Worth a glance for Maher Ahma’s stylish production design.

(Well I got my semi-colon so I can’t complain. An absolutely epic review though which honestly mostly just describes the film? Like, the actual review boils down to: Penn is crazy, the film is ludicrous, but worth a watch just for the production design alone.)

Trailer – https://www.youtube.com/watch?v=LlbN5cQKZik/

(I AM THE FUTURE! It does look very stylish, and I like the song. But it also looks a little too badass for its own good. Showing the true story of taking down crooks using their own criminal ways is one thing … but this is arguable the glorification of extrajudicial punishment which is a whole other thing. But we’ll see.)

Directors – Ruben Fleischer – (Known For: Zombieland; 30 Minutes or Less; Future BMT: Venom; BMT: Gangster Squad; Notes: Is married to Emma Stone’s publicist, Emma Stone introduced them. They got married in 2012, so all of that definitely happened prior to Fleischer presumably casting Stone in this film.)

Writers – Will Beall (written by) – (Known For: Aquaman; BMT: Gangster Squad; Notes: Was a story editor for Castle for years, and then developed the Training Day show as well. He is tapped to write the up coming Conan sequel starring Schwarzeneggar.)

Paul Lieberman (book) – (BMT: Gangster Squad; Notes: He wrote for the Los Angeles Times for 24 years, which is where he researched and wrote the book the movie is based on.)

Actors – Sean Penn – (Known For: Mystic River; Fast Times at Ridgemont High; The Secret Life of Walter Mitty; The Tree of Life; The Game; Angry Birds; I’m Still Here; The Thin Red Line; Being John Malkovich; Carlito’s Way; Risky Business; 21 Grams; U Turn; Fair Game; Milk; Bad Boys; Taps; Dead Man Walking; This Must Be the Place; At Close Range; Future BMT: It’s All About Love; The Weight of Water; All the King’s Men; Hugo Pool; Crackers; BMT: Shanghai Surprise; The Gunman; Gangster Squad; Razzie Notes: Nominee for Worst Actor for Shanghai Surprise in 1987; Notes: Somewhat notably gave David Spade a tattoo somewhere outside of New York (he wasn’t licensed) during SNL. Recently he gave Spade a second tattoo as well.)

Ryan Gosling – (Known For: Blade Runner 2049; The Big Short; First Man; Remember the Titans; La La Land; The Notebook; Drive; The Nice Guys; Crazy, Stupid, Love.; Blue Valentine; The Place Beyond the Pines; The Ides of March; Fracture; Only God Forgives; Song to Song; Lars and the Real Girl; Half Nelson; The Believer; The Slaughter Rule; Future BMT: Murder by Numbers; All Good Things; Stay; BMT: Gangster Squad; Notes: Was a child actor, primarily with Beaker High and Young Hercules, and has been nominated for two oscars.)

Emma Stone – (Known For: The Favourite; Superbad; Zombieland; La La Land; The Help; The House Bunny; Birdman or (The Unexpected Virtue of Ignorance); Crazy, Stupid, Love.; The Amazing Spider-Man; Easy A; The Amazing Spider-Man 2; Friends with Benefits; The Croods; Irrational Man; The Interview; Battle of the Sexes; Popstar: Never Stop Never Stopping; Magic in the Moonlight; The Rocker; Future BMT: Aloha; Unlikely Hero; BMT: Movie 43; Marmaduke; Ghosts of Girlfriends Past; Gangster Squad; Notes: Won the oscar for La La Land. Broke out with Superbad which was genuinely her first feature film.)

Budget/Gross – $60–75 million / Domestic: $46,000,903 (Worldwide: $105,200,903)

(Not good, although that isn’t that far off from the budget for Rambo 4 and the eventual gross, and for some reason Stallone places $100 million worldwide as the market for the success of a “small-ish” film. So maybe this is a success … less opportunity for product placement in a period piece though.)

#24 for the Crime Time genre

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(Weirdly of the now six crime films we watched, this is the highest grossing. This came right at the peak of the post-2008 financial collapse boom in crime based films. You can discuss the psychology of that trend amongst yourselves.)

#9 for the True Crime genre

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(The first true crime film we’ve watched. Other potential options: The Black Dahlia, Texas Killing Fields, King of Thieves, and Wonderland (2003). We could just polish those right off.)

Rotten Tomatoes – 32% (64/202): Though it’s stylish and features a talented cast, Gangster Squad suffers from lackluster writing, underdeveloped characters, and an excessive amount of violence.

(Stylish seems to be the name of the game here. And I knew it! Excessive amounts of violence is code for “I feel uncomfortably with how they seem to be glorifying extrajudicial punishments here.” Dollars to donuts.)

Poster – Gangster Sklog (A-)

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(This is checking off a lot of boxes for font, spacing, and look. A little too stylish for its own good maybe and dark in tone, but I think they are doing an homage to an era of film I’m probably not knowledgeable enough about to really appreciate. Still good though.)

Tagline(s) – No names. No badges. No mercy. (A+)

(Uhhhhhh, yah. This is what I want. All day every day give me that clear, concise, and clever tagline with flow for days. This is pretty much perfect.)

Keyword(s) – police vigilantism; Top Ten by BMeTric: 83.1 RoboCop 3 (1993); 58.5 The Mod Squad (1999); 58.5 Alex Cross (2012); 55.6 Leatherface (2017); 54.6 Max Payne (2008); 51.7 The Crow: Salvation (2000); 48.0 Samurai Cop (1991); 46.3 Machete Kills (2013); 45.8 Edison (2005); 42.8 Exit Wounds (2001);

(I’ve actually seen Machete Kills, it is awful. I think I watched it outside of BMT for the Razzies or something. We’ll finish these up at some point )

Welcome to Earf (HoE Number 19) – The shortest path through The Movie Database cast lists using only BMT films is: Nick Nolte is No. 3 billed in Gangster Squad and No. 4 billed in Zookeeper, which also stars Sylvester Stallone (No. 3 billed) who is in Expendables 3 (No. 1 billed), which also stars Jason Statham (No. 2 billed) who is in In the Name of the King: A Dungeon Seige Tale (No. 1 billed), which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 3 + 4 + 3 + 1 + 2 + 1 + 4 + 1 = 19. If we were to watch Stay, The Island, and The Black Dahlia we can get the HoE Number down to 14.

Notes – In the movie, the Gangster Squad is assembled to go after Mickey Cohen. However, in real life Chief W.H. Parker set up the squad to prevent other gangsters from taking over Cohen’s rackets after Cohen went to prison on income tax evasion. Whenever the squad learned that out-of-town gangsters were coming to Los Angeles to try to set up new operations, the Gangster Squad would kidnap them, beat them up (some rumors say torture) and then send them back to wherever they came from with the warning that if they ever returned, they would be killed. (Fun facts)

There are two surviving members of the original gangster squad, and they, along with relatives of the deceased members, came to visit the set.

De’aundre Bonds’ first film role in ten years. He served ten years in prison for manslaughter. (There is no additional information about the killing, but good for him, seems to still be acting a bit)

Two of the reasons Ryan Gosling decided to make the movie was because he wanted to act in a scene with Sean Penn and shoot a Tommy gun. He was disappointed when he found out he didn’t have any scenes with Sean Penn. (I guess that means he shoots a Tommy gun)

Nick Nolte, who portrays Chief W.H. Parker, previously played the leader of the gangster squad in Mulholland Falls (1996). (WHAT)

Robert Patrick lost 30 pounds for the part, in order to look more like a “cowboy”. (Weird, but okay)

The big nightclub in the film was originally an old furniture store that was converted. Bellflower, CA–where this was shot–was hit hard by the 2007 recession, and the production company was able to take over a main street in the city and turn it into period Los Angeles.

The film is based on a series of L.A. Times articles that were turned into a book written by Paul Lieberman. He turned those stories into a book..

Ryan Gosling’s character makes a joke where he pretends that the only famous Mickey he has heard of is Mickey Mouse. As a child, Gosling starred in MMC (1989). (Huh, I wouldn’t have caught that)

Ryan Gosling agreed to join the film in exchange for the studio financing his directorial debut Lost River. (B-b-b-b-b-b-ut I thought he wanted to shoot a Tommy gun!)

Nick Nolte portrays Police Chief W.H. Parker. The real W.H. Parker was in his mid-40’s during the time this movie is set. Nick Nolte was 71 years old when the film was released. (He also sounds like he has smoked all of the cigarettes in the world)

The screenplay for this film was featured in the 2010 Blacklist; a list of the “most liked” unmade scripts of the year.

Body count: 59.

The movie culminates in a giant shootout at the hotel in which dozens of gangsters are mowed down by Tommy guns. The leader of the squad, Jack O’Mara (Josh Brolin) assaults Mickey Cohen (Sean Penn) and arrests him for murder. In real life, Mickey Cohen was arrested for tax evasion. Also, by the time Cohen was imprisoned in 1961, the real Jack O’Mara was retired and watched the trial as a civilian.

The 15:17 to Paris Preview

As the Space Cops pile into the space ship they lay it all out there. “Officer Libby, the Little Old Librarian you know and hate, used to be part of a major gang of corrupt cops. They would steal cocaine from evidence, use it to help write action movie screenplays in volume, ultimately sell the rights to a small number of them of which only one or two would actually be made, then have them taken out of their creative control and turned into something that they no longer recognized,” Jacobs sneers, spitting in disgust, “a truly devious plot by a truly devious cop. It is well known that she hoped to use the power of the Socket to play out the plot of one of those screenplays and create mass chaos to take over the world. So all we have to do is figure out which screenplay she want to see made by the ultimate film studio… life. Simple right?” He says as he pours 430 screenplays out of a burlap sack. Knowing they’ll never get through all of the screenplays in time Jamie gets an idea and they zoom back to Dracula School. With the help of the vampire students they start to make their way through the screenplays and boy howdy is it tough sledding. “Why do so many of these involve vigilante justice?” Asks one student. “This is the second sex scene I’ve read involving a dude ranch.” Says another, eyes glazing over. “Huh, this is interesting,” says Odin, “this also is mostly about vigilante justice and certainly has a dude ranch sex scene but… it also says ‘based on a true story’ at the front. Does anyone remember when a vigilante ninja cop stopped a bunch of cowboy terrorists on a train to Paris?” That’s right! We are transitioning to the final cycle of the year. As tradition dictates this is a cycle consisting of only films released in 2018. Previously this was to make sure we were up-to-date for Razzies season, but now it’s so we are up-to-date for Smaddies Baddies season. We start off with The 15:17 to Paris, which somehow hits two numbers on the Periodic Table of Smellements and is an A+ setting for both place and time (kinda). It also is a super strange experimental film that Clint Eastwood with the actual heroes of the event playing themselves… sounds like a tough watch. Let’s go!

Patrick, Sticks, and Stones sneak around to the back of the z-movie multiverse LAPD precinct. That’s weird, Patrick thinks, isn’t the whole reason they came and got him because the LAPD wanted to come and save him? Sticks and Stones have a wild look in their eyes as they jimmy the lock and start towards the evidence locker. “It’s just in here, gosh dern it, hurry up before they catch us,” Stones says. Patrick is super duper slow on the uptake and following them around like an idiot. He hopes those other ninja cops come soon, because his mind is feeling fuzzy again, and Sticks and Stones are starting to creep him out all of a sudden. When they reach the evidence locker Sticks blasts the lock with his glock, growling “I’m a poet and I didn’t even know it.” They pull out the Obsidian Dongle. Wait … what a twist! It wasn’t destroyed after all! Right then the samurai cop and his very tall partner come around the corner. “Stop right there you ne’er-do-wells! Patrick, they are insane they only want you for your twin powers, your ability to control the Dongle, and want you to bring them to the real world!” Patrick looks at them dumbly … “What?” The samurai cop comes at them with a katana ready to strike. Without thinking Patrick grabs the dongle and thinks “Take me and Sticks and Stones to … Hawaii?” And boom, his twin powers blast them to Hawaii. Well … the Z-movie multiverse version of Hawaii which was roughly the same except all the girls have big bazongas. “All these girls have big bazongas,” Patrick says. That’s right! We’re watching Hard Ticket to Hawaii, a B-movie with an A+ setting. Made by Andy Sidaris, I dare to say this is his most famous BBB (Bullets, Bombs, Babes) film, well known for its skateboarding and frisbee antics … and fine, the bodacious babes. Let’s go!

The 15:17 to Paris (2018) – BMeTric: 52.5

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(Loving that VOD bump. The rating is shockingly low. It didn’t even start high with all of the Eastwood-heads getting in there, it just started below-average and is now shockingly low. The BMeTric is astonishing all things considered. How bad can the acting actually be?!)

RogerEbert.com – 2 stars –  The movie’s greatest virtue, which might be enough to make it a critic-proof hit no matter what, is its poker faced sincerity. … A lot of U.S. moviegoers are going to feel seen by this film, and that’s a net gain for American cinema, which is supposed to be a populist art form representing the body politic as it is, not merely as the industry wishes it could be. If only someone could’ve heroically intervened to save this movie.

(Can’t say I disagree with the sentiment. There is room for gently jingoistic nonsense just like there is room for gory horror, cynical comedy, and sex-crazed teen romps. But certainly it looks like Eastwoods speed and very peculiar choice to cast three non-actors in the lead roles made this one very much non-critic-proof.)

Trailer – https://www.youtube.com/watch?v=IC_lnyn2R2Q

(The army, God, the American Dream, and heroes babbbbbbbyyyyyyyyy. The voiceover is a bit odd in the middle. As a matter of fact it feels like the film is desperately trying to cover up the fact that the main actors can’t, in fact, act. Which is a solid choice.)

Directors – Clint Eastwood – (Known For: American Sniper; Mystic River; Unforgiven; Gran Torino; Million Dollar Baby; Sully: Miracle on the Hudson; The Bridges of Madison County; Changeling; The Outlaw Josey Wales; Space Cowboys; Midnight in the Garden of Good and Evil; Absolute Power; Invictus; J. Edgar; A Perfect World; Jersey Boys; Hereafter; Blood Work; High Plains Drifter; Letters from Iwo Jima; Future BMT: The Rookie; BMT: The 15:17 to Paris; Notes: Well known for talking to an empty chair at the Republican National Convention. I kid (although he did do that for real). His directing style might be called … rushed. Although arguably that is intentional. But clearly competent and efficient, churning out films like Woody Allen churns out scripts.)

Writers – Dorothy Blyskal (screenplay by) – (BMT: The 15:17 to Paris; Notes: She worked on Sully with Eastwood, and then ended up getting recruited to adapt the book the film is based on while working as a production assistant on Logan. I didn’t read it, but here is an interview detailing her career trajectory.)

Anthony Sadler, Alek Skarlatos, Spencer Stone, Jeffrey E. Stern (based on the book by) – (BMT: The 15:17 to Paris; Notes: These are the three heroes of the story, they wrote the book and then ultimately starred in the subsequent film in what Eastwood called an “interesting experiment”.)

Actors – Alek Skarlatos – (BMT: The 15:17 to Paris; Notes: He was in the US Army National Guard. Finished in third place on Dancing with the Stars. He is currently running for a position in local politics in Oregon according to wikipedia.)

Anthony Sadler – (BMT: The 15:17 to Paris; Notes: Not much info on wiki beyond detailing the attack. He was the civilian of the bunch, having been childhood friends with Skarlatos and Stone.)

Spencer Stone – (BMT: The 15:17 to Paris; Notes: He was in the US Air Force. Two months after the attack he was stabbed outside of a nightclub and almost died.)

Budget/Gross – $30 million / Domestic: $36,250,957 (Worldwide: $57,050,957)

(It did … poorly. That isn’t even really fine, it was poor. Given they didn’t have to pay three leads though, where did the money go?)

#22 for the Terrorism genre

1517toparis_terrorism

(Swordfish is the only other film we’ve seen. This is, amazingly, the highest by BMeTric. Collateral Damage with Schwarzenegger is next up I think. By the way the note at the bottom is pretty excellent: NOTE: Movies such as Die Hard, Under Siege, Speed and The Rock are not being counted as their villains for the most part are about getting money or are disgruntled former employees. For it to be a “”Terrorist”” movie, the central action has to occur to promote a cause or for destruction’s sake.)

Rotten Tomatoes – 23% (35/149): The 15:17 to Paris pays clumsily well-intentioned tribute to an act of heroism, but by casting the real-life individuals involved, director Clint Eastwood fatally derails his own efforts.

(YAH THINK? It is an astonishing and immediately ill-advised choice. You don’t really flippantly make a movie. Although given how Eastwood directs, maybe he genuinely thinks you can. Reviewer Highlight: Performances in Eastwood films are usually uneven, but here his hands-off directing style shows no mercy … – Ignatiy Vishnevetsky, AV Club)

Poster – Bonjour, je suis American. Ça va? (A)

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(I actually enjoy this poster quite a bit. Artistic, black-and-white with red accents, and a unique font for a little spin.)

Tagline(s) – A true story. The real heroes. (D)

In the face of fear ordinary people can do the extraordinary (C+)

(The first one more or less confirms that this is likely just an experiment that Eastwood thought would be interesting to try, so it’s not particularly interesting. The second is good and hits all the marks, but is just too cliched to get a high grade. Probably 30% of all films made could have that tagline. I guess not Exit Wounds, since Steven Seagal is anything but ordinary.)

Keyword(s) – train; Top Ten by BMeTric: 93.2 Gunday (2014); 86.1 Superman IV: The Quest for Peace (1987); 82.5 Highlander II: The Quickening (1991); 80.7 xXx²: The Next Level (2005); 79.4 Street Fighter: The Legend of Chun-Li (2009); 79.0 Torque (2004); 77.7 Beverly Hills Chihuahua (2008); 77.5 Ballistic: Ecks vs. Sever (2002); 72.8 Jonah Hex (2010); 72.5 Cell (I) (2016);

(Nooooo never Gunday. Never. As a matter of fact once you nix that, the other two missing films don’t qualify both being above 40% on Rotten Tomatoes. So arguably we are, in fact, done with the top train films as far as BMT is concerned. In reality it would probably be better to just filter out non-qualifying films … but whatever.)

Notes – The first person to tackle the terrorist on the train was a Frenchman. He later turned down the Légion d’honneur and asked to remain anonymous because he feared reprisals from other Islamists living in France. (Oh shit, that’s pretty cool)

Director Clint Eastwood enlisted the actual Americans who took down the terrorist to play themselves in this movie: Anthony Sadler, Alek Skarlatos, and Spencer Stone. (As we heard above, this was a terrible idea.)

Roughly eight weeks after the Thalys train attack, Spencer Stone was stabbed in the back several times by James Tran, outside a downtown Sacramento night club. Stone suffered wounds to his lungs, liver and heart, and he had to undergo emergency open heart surgery. In 2017, Tran was found guilty of attempted murder, causing great bodily injury and the use of a deadly weapon and was sentenced to nine years. Stone was quoted in the Sacramento Bee newspaper, saying, “At the end of the day, I forgive the guy. We all make stupid decisions, some dumber than others. I hope he learns from it.”

The plot tagline says “3 U.S. Airmen,” but only Spencer Stone is in the Air Force. Alek Skarlatos is Army National Guard and Anthony Sadler is a civilian.

This is the 36th feature film to be directed by Clint Eastwood. (He pumps these out)

Clint Eastwood was attached to direct The Ballad of Richard Jewell since 2014 but dropped out in 2016 to do Impossible Odds as his next directorial project after finishing Sully (2016). The project wasn’t ready yet and needed more time in development, meaning that Eastwood needed another project. He decided to sign on to helm this project as his next directorial film.

An image of Clint Eastwood’s face from Pale Rider (1985) appears on a character’s t-shirt.

Many of the professional actors in this film are better known as sitcom stars: Tony Hale and Judy Greer were both in Arrested Development, Jenna Fischer in The Office, Thomas Lennon in Reno 911!, and Jaleel White in Family Matters. (So basically this is a bunch of amateurs, and then a bunch of television actors … this sounds like it shall go swimmingly)

In Love and War Preview

As Jamie contemplates what to do about The Predator, the creature suddenly looks up and engages its invisibility shield. Damn it, it must has smelled this decaying shark corpse Jamie has been carrying around. Looking around, Jamie spies a skateboard and a backwards baseball cap that must have belonged to a previous victim of the whale and is soon jetting around doing all kinds of ollies and kickflips or whatever. Unfortunately, as is often the case, Jamie is a little too focused on hot dogging and being rad and takes a tumble while attempting a fakie bigspin heelflip. The Predator approaches with laser aimed to kill and Jamie expresses sadness that he was never able to avenge Patrick by killing the Little Old Librarian that brought him to this point. Suddenly The Predator cocks his head in confusion. It speaks some alien language that is translated by the robotics on its wrist. “Did you say Little Old Librarian?” Jamie nods his head yes and the Predator raises his fist in triumph. “The greatest of all prey. Finally I… no, we… shall defeat it,” putting out his hand to pull Jamie to his feet. He blasts a hole in the side of the whale and heaving the decaying corpse of Frang to his should he looks directly into the camera and dramatically says, “Let’s blow this joint. We got a war to fight… bro.” Jamie suddenly has a tingling sensation in his belly and there’s only one thing that could mean: a bromance is a-brewin’. That’s right! This week we are watching In Love and War, that film that everyone remembers and loves starring Chris O’Donnell and Sandra Bullock. It’s based on the true love story of Ernest Hemingway that was the inspiration for a couple of his books. Sounds thrilling. Let’s go!

Hey dummies, expecting a story about Patrick fighting some weird bug or something? Naw, he’s unconscious for this bit. But don’t worry, we are also watching Liz and Dick this week. The Lifetime Original film starring Lindsay Lohan was supposed to be a way for her to slowly reenter the world of acting. Instead everyone just made fun of it and then forgot about it completely. Let’s go!

In Love and War (1996) – BMeTric: 22.3

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(This is something I noticed in previous posts but … Something happened in 2014 with IMDb. I should investigate it honestly. But on exactly January 1, 2014, ratings in general jumped significantly upwards. This is no different. As a matter of fact the rating of the film doesn’t really rise besides that giant 0.3 rating jump on New Years’ Day, 2014. Very much worthy of an investigation I think.)

Leonard Maltin – BOMB –  Lumbering catastrophe chronicles Ernest Hemingway’s WWI love affair with Red Cross nurse Agnes von Kurowsky, eight years his senior and the inspiration for the character Catherine Barkley in A Farewell to Arms. Miscast O’Donnell might actually be more credible playing Ernest Borgnine, and the leads have no chemistry. The film leans on what used to be called “scenic values” like a bookie who’s been stiffed.

(“scenic values” …. So, vistas? I think he’s talking about vistas here which is a huge plus for me obviously. Two things. First, the turn of phrase at the end is just bonkers, pump the breaks on that guy Leonard, the bookie ref makes no sense. Second, the casual dropping of Ernest Borgnine, as if I’m supposed to know what that is is ridiculous … I think it is supposed to be a ridiculous suggestion, but it is so far beyond me I just don’t know anymore. This review is astonishing.)

Trailer – https://www.youtube.com/watch?v=DVEUGM3Scck

(This is a very old school trailer. If I were to field a guess as to why this film was rejected by critics: It was considered very old fashioned having been directed by a 70-year-old Richard Attenborough, and stars two actors who, I think, are only “good” in very specifically designed roles in Sandra Bullock and Chris O’Donnell. Syrupy sweet nonsense.)

Directors – Richard Attenborough – (Known For: Gandhi; A Bridge Too Far; Chaplin; Cry Freedom; Magic; Shadowlands; Oh! What a Lovely War; Young Winston; Future BMT: Chorus Line; Grey Owl; BMT: In Love and War; Notes: Most famous as John Hammond in Jurassic Park I think at this point, although he won the Best Director Oscar for Gandhi, beating out none other than Steven Spielberg for E.T.)

Writers – Henry S. Villard (book) – (BMT: In Love and War; Notes: Became a good friend to Hemingway in Italy during the time the book took place. Joined the US Foreign Service helping to plan the invasion of North Africa in the Second World War, and was the liason to the Free French Forces for the US. Held a multitude of different ambassadorships over the years and lived to the age of 95.)

James Nagel (book) – (BMT: In Love and War; Notes: Co-author to the original book, although I couldn’t find much more about him. Mainlys seems to have produced collections of short stories.)

Allan Scott (screen story & screenplay) – (Known For: The Witches; Don’t Look Now; D.A.R.Y.L.; The Preacher’s Wife; Castaway; BMT: In Love and War; Notes: Took over the chairmanship and chief executive position of Macallan-Glenlivet in the late 70s and ran the company until 1996 at which point its market cap had increased 200 fold during his tenure.)

Dimitri Villard (screen story) – (Future BMT: Once Bitten; BMT: In Love and War; Notes: Given he founded Jet Set Records, apparently one of the more successful rhythm & blues labels of the era, and established one of the earliest pay television channels in California, he seems to have made movies once becoming rather wealthy. Mostly worked in the 80s, with this film being one of the rare exceptions.)

Clancy Sigal (screenplay) – (Known For: Frida; BMT: In Love and War; Notes: Was blacklisted in the 1950s and ended up moving to the UK to work there for decades.)

Anna Hamilton Phelan (screenplay) – (Known For: Girl, Interrupted; Mask; Gorillas in the Mist; Future BMT: Amelia; BMT: In Love and War; Notes: Wrote Mask while at Emerson. Ultimately moved to New York City to try acting while continuing to write screenplays, Mask was her only credited acting film role.)

Actors – Sandra Bullock – (Known For: Ocean’s Eight; Gravity; The Proposal; Crash; A Time to Kill; Two Weeks Notice; Speed; Minions; The Heat; The Prince of Egypt; Miss Congeniality; Extremely Loud & Incredibly Close; While You Were Sleeping; Forces of Nature; The Vanishing; Divine Secrets of the Ya-Ya Sisterhood; The Thing Called Love; Infamous; Wrestling Ernest Hemingway; Future BMT: Premonition; Love Potion No. 9; The Net; Stolen Hearts; Hope Floats; 28 Days; Murder by Numbers; Gun Shy; Practical Magic; Our Brand Is Crisis; Loverboy; BMT:Speed 2: Cruise Control; All About Steve; Miss Congeniality 2: Armed & Fabulous; In Love and War; Demolition Man; The Lake House; Razzie Notes: Winner for Worst Actress, Worst Actress, and Worst Screen Couple for All About Steve in 2010; Nominee for Worst Actress, and Worst Screen Couple for Speed 2: Cruise Control in 1998; and Nominee for Worst Supporting Actress for Demolition Man in 1994; Notes: Just sold her LA home for around $3 million. Won the Best Actress award in 2010 for The Blind Side.)

Chris O’Donnell – (Known For: Scent of a Woman; Fried Green Tomatoes at the Whistle Stop Cafe; School Ties; Vertical Limit; Kinsey; Blue Sky; Circle of Friends; A Little Help; Kit Kittredge: An American Girl; Cookie’s Fortune; Men Don’t Leave; Future BMT: Cats & Dogs: The Revenge of Kitty Galore; The Bachelor; Mad Love; 29 Palms; The Three Musketeers; BMT: Batman & Robin; Batman Forever; Max Payne; The Chamber; In Love and War; Razzie Notes: Nominee for Worst Supporting Actor, and Worst Screen Couple for Batman & Robin in 1998; and Nominee for Worst Supporting Actor for The Three Musketeers in 1994; Notes: Somehow has probably become most famous as a television star having been in over 200 episodes of NCIS: Los Angeles.)

Mackenzie Astin – (Known For: Wyatt Earp; The Last Days of Disco; Iron Will; Moments of Clarity; Dream for an Insomniac; Future BMT: How to Deal; The Evening Star; The Mating Habits of the Earthbound Human; BMT: The Garbage Pail Kids Movie; In Love and War; Notes: Younger brother to Sean Astin of Rudy and Lord of the Rings fame.)

Budget/Gross – N/A / Domestic: $14,481,231 (Worldwide: $25,372,294)

(I think any way you cut this this wasn’t a huge film. Especially given the note reporting Bullock’s salary as $11 million. That alone suggests this was a pretty big bomb.)

#88 for the Romantic Drama genre

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(This might as well be called Fifty Shades Genre. I have no idea why it died in the early 2000s, but the genre is back and kicking ass again. Midnight Sun is an intriguing one from this year as well.)

#5 for the War – World War I genre

(These films kind of inexplicable come in waves. This is the first bad World War I film we’ve watched. And in general, especially with Wonder Woman just having come out, World War I is having a moment.)

Rotten Tomatoes – 11% (3/27): No consensus yet.

(I’ll make a consensus: At its best with stunning still shots and musical score, but lacking in excitement and acting. Somewhat expected from a lightweight romantic drama unfortunately. Reviewer Highlight: Boring and artificial – Jon Niccum, Lawrence Journal-World)

Poster – In Love and Sklog (C-)

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(Surprising that such a poster would make it to the final copy. Just a screenshot from the film with some lame font text over it. Whatever. Not offensive really, but far from good.)

Tagline(s) – In war they found each other…In each other they found love… (B)

(A little long but I’m picking up what they’re putting down. I’m just a little worried that I think this is original because I haven’t seen taglines exactly like it before… when in reality there are a bunch of taglines out there just like it. If there are I can’t find them.)

Keyword(s) – driver; Top Ten by BMeTric: 64.0 The Crow: Wicked Prayer (2005); 63.4 Cosmopolis (2012); 56.3 The Transporter Refueled (2015); 50.8 Precious Cargo (2016); 45.8 Johnny Mnemonic (1995); 45.1 Darkness (2002); 41.7 Kaal (2005); 39.6 Would You Rather (2012); 38.4 Overdrive (2017); 36.2 Cannonball Fever (1989);

(Driver? Well I’m excited to eventually watch Cannonball Fever, that should be a complete shitshow of a film with some of my favorite comedic actors of the time at least.)

Notes – This movie’s closing epilogue states: “Agnes von Kurowsky’s long and distinguished career with the American Red Cross continued until the end of World War II. She remained unmarried until she was 36 and lived to be 92. Ernest Hemingway won the Nobel Peace Prize for Literature in 1954. One of his great novels, A FAREWELL TO ARMS, was inspired by his experiences in Italy during World War One. He married four times and took his own life in 1961.” (Good to have it written out I guess…)

Several scenes were filmed in or near the Italian village Vittorio Veneto, including the battle scenes. Many of the extras playing the soldiers in the movie were airmen from nearby Aviano Air Base that volunteered to star in the movie.

Sandra Bullock researched her role of Agnes Von Kurowsky by reading her dairies that she kept during the war and reading the love letters between her and Ernest Hemingway.

Agnes Von Kurowsky was the inspiration for the character Catherine Barkley in a Farwell To Arms. (Makes sense)

In real life Agnes Von Kurowsky and Ernst Hemingway never saw each other again after the war. (Fun fact?)

Sandra Bullock was paid $11 million for her role in the film. (That seems … why does that seem unlikely? I guess they wanted the sweet Speed bump)

This film’s opening prologue states: “This film is based on a true story . . . NORTHERN ITALY 1918. Here, during the final year of World War One, Italy was defending itself alone against a massive Austrian invasion. America was one of Italy’s allies but the US Army was already fully committed in France. So President Wilson sent in teams of Red Cross doctors and nurses to boost Italian morale and help care for the wounded. Young men across America responded to the President’s call for further volunteers to drive red Cross ambulances and work in the front line canteens.”

The film takes place from July 1918 to June 1919.

Henry Villard’s own son was the driving force behind getting the film made.