Later that evening, Jamie, Patrick and Kyle approach the fashion show and glance at the programs they are handed. “Fashion Week: One man’s trash is another man’s treasure,” it reads. “What does that even me…” but before Patrick can finish his thought Jamie is whisked backstage. Taking a seat, Kyle and Patrick are startled by the whispers around them. “I’ve heard these so-called New Models are just trash,” one says and another agrees. “Yes, they are all street urchins from what I understand. Like sea urchins but instead of living in the sea they live in the street.” “Hmmm, right, like trash urchins.” Patrick quickly grabs Kyle and pulls him to the side of the catwalk. “We need to get Jamie and get out of here. This isn’t Fashion Week at all. Look around. Are we in Paris? Do you see Billy Zane? Do you even see Lisa Zane?” Kyle looks around. Indeed. He doesn’t see any Zanes and no Zanes saw him. His only conclusion was that there weren’t any Zanes. They look closer at the program. What they thought had said “Fashion Week” didn’t say that at all! It said “Fashion, Weak”! Saboteur! They rush backstage and find Jamie half dressed in a half horse costume (and I’m not talking the front half). They grab his arms and attempt to get him out of there before the embarrassment starts, but he doesn’t budge. With his rock hard abs tensed, he’s like a statue. “Oh hi fellas, I’m just standing here not flexing with my natural body,” Jamie says with a wink. Confused, they look around and notice that Jamie isn’t alone. A beautiful woman has been cast as his better horse half in this production and it looks like Jamie has found beauty in the most unexpected place. That’s right! It’s a bit of a stretch for that connection, but what does Collateral Beauty even mean? No one knows. Just like how no one knows why this movie was made. This is the Will Smith drama with the jellyfish, right? (It’s not). Let’s go!
Collateral Beauty (2016) – BMeTric: 12.4; Notability: 33
StreetCreditReport.com – BMeTric: top 26.4%; Notability: top 12.8%; Rotten Tomatoes: top 8.0%; Higher BMeT: Fifty Shades of Black, Cell, Zoolander 2, The Forest, Exposed, Cabin Fever, Yoga Hosers, Meet the Blacks, Max Steel, The Darkness, Dark Crimes, Blair Witch, Independence Day: Resurgence, Shut In, Get a Job, The Boss, The Other Side of the Door, USS Indianapolis: Men of Courage, Incarnate, Marauders, and 46 more; Higher Notability: Batman v Superman: Dawn of Justice, Suicide Squad, Zoolander 2, Independence Day: Resurgence, The Brothers Grimsby, Warcraft, Teenage Mutant Ninja Turtles: Out of the Shadows, Allegiant, Kingsglaive: Final Fantasy XV, The Huntsman: Winter’s War, Ben-Hur, Now You See Me 2, The Legend of Tarzan, The Great Wall, Criminal, Live by Night, Ride Along 2, Jack Reacher: Never Go Back, Mother’s Day, Monster Trucks, and 12 more; Lower RT: Max Steel, Dark Crimes, Hacker, Cabin Fever, The Darkness, Fifty Shades of Black, Shut In, Mother’s Day, Exposed, The Do-Over, Get a Job, I.T., I Am Wrath, The Forest, Dirty Grandpa, Cell, The Choice, Allegiant, Kingsglaive: Final Fantasy XV, Brain on Fire; Notes: Isn’t really big on any of them I suppose. Looking at the low RT options we’ve so many. Max Steel is always there though. Truly a delight we still have that as an option, that’ll be quite an odd film to witness finally I feel like.
RogerEbert.com – 1.5 stars – I don’t think I’ve witnessed a film this year that managed to so completely and utterly collapse into crass garbage in its last few minutes while abusing what little goodwill it has. Sort of the way a shaky line of dominoes can tumble down in a flash. Forget “Collateral Beauty,” whatever that means. This is “Collateral Schmaltz,” the kind that has the power to close rather than open your heart as you rush out of the theater while the terribly named OneRepublic ballad, “Let’s Hurt Tonight,” provides exit music.
(Oh snap. We got a real The Call situation on our hands? That would be fun. If for a solid 2 hours I watch this with reasonable delight, and then watch the final minutes in horror. Please let this happen.)
Trailer – https://www.youtube.com/watch?v=w1tfLWxcEzw/
(Oh my god, this trailer is horrible haha. Also they completely pull the punch … you don’t know at all that this is all kind of a set up by Will Smith’s friends in a craven attempt to get money … yeah, that’s the plot of this film.)
Directors – David Frankel – ( Known For: The Devil Wears Prada; Marley & Me; The Big Year; Hope Springs; Jerry and Marge Go Large; One Chance; Miami Rhapsody; BMT: Collateral Beauty; Notes: His short won an Oscar in 1997. Still directs, although mostly television. His father was a notably executive editor of the New York Times back in the day.)
Writers – Allan Loeb – ( Known For: The Switch; Wall Street: Money Never Sleeps; Here Comes the Boom; Rock of Ages; Things We Lost in the Fire; So Undercover; The Only Living Boy in New York; Future BMT: 21; BMT: Just Go with It; Collateral Beauty; The Dilemma; The Space Between Us; Notes: Hasn’t written anything since, but has three projects in the works in some capacity.)
Actors – Will Smith – ( Known For: I Am Legend; Men in Black; Independence Day; I, Robot; The Pursuit of Happyness; Hancock; Men in Black 3; Hitch; Aladdin; Bad Boys; Focus; Enemy of the State; Bright; Anchorman 2: The Legend Continues; Bad Boys for Life; King Richard; Ali; Concussion; Jersey Girl; The Legend of Bagger Vance; Future BMT: Seven Pounds; Bad Boys II; Shark Tale; Gemini Man; Made in America; BMT: Suicide Squad; Men in Black II; After Earth; Wild Wild West; Collateral Beauty; Winter’s Tale; Notes: Nominated three times for Oscars, finally winning for King Richard (something else happened that night … I can’t recall). Has 5 upcoming projects still. Notably was selected by Quincy Jones specifically for Fresh Prince.)
Edward Norton – ( Known For: Fight Club; American History X; The Grand Budapest Hotel; Birdman or (The Unexpected Virtue of Ignorance); The Incredible Hulk; Glass Onion; The Illusionist; The Italian Job; Moonrise Kingdom; The Dictator; The Bourne Legacy; Alita: Battle Angel; Red Dragon; Primal Fear; Sausage Party; Isle of Dogs; 25th Hour; Rounders; The Invention of Lying; The French Dispatch; Future BMT: Kingdom of Heaven; Pride and Glory; After the Sunset; BMT: Collateral Beauty; Notes: Nominated for three Oscars, most recently for Birdman. Notoriously difficult to work with and notable for re-editing several films he was involved with after the fact, American History X being the most significant story.)
Kate Winslet – ( Known For: Titanic; Eternal Sunshine of the Spotless Mind; Divergent; Avatar: The Way of Water; The Holiday; Contagion; The Reader; Revolutionary Road; Finding Neverland; Steve Jobs; Flushed Away; Carnage; The Life of David Gale; Sense and Sensibility; Little Children; Triple 9; Heavenly Creatures; The Dressmaker; Quills; Labor Day; Future BMT: The Divergent Series: Insurgent; The Mountain Between Us; How to Lose Friends & Alienate People; All the King’s Men; BMT: Movie 43; Collateral Beauty; Notes: She’s been nominated 7 times for an Oscar, and won (surprisingly I think) for The Reader. Is going to be in an upcoming based on a true story film about some cryptocoin scam.)
Budget/Gross – $36,000,000 / Domestic: $31,016,021 (Worldwide: $88,616,021)
(Eh, probably wasn’t a huge loser. But a Will Smith film probably wants to look at $60+ if not $100+ domestic for the stacked cast it is putting out there.)
Rotten Tomatoes – 13% (25/187): Well-meaning but fundamentally flawed, Collateral Beauty aims for uplift but collapses in unintentional hilarity.
(Ooooooo. Although, something tells me you had to have seen it at the time to get it. An earnest romantic drama getting into theaters these days? Impossible. And thus it might just feel pretty charming.)
Reviewer Highlight: The five stages of grief sometimes seem applicable to movie reviewing, except that I usually skip denial, rarely get around to acceptance and generally just settle into anger, which is where I am with “Collateral Beauty.” – Manohla Dargis, New York Times
Poster – Collateral Booty
(Noooooooooooooooooooooooooooooooooooooooooo. F.)
Tagline(s) – We are all connected (D)
(Nooooo. Nooooo. Noooooooooooooooooooooooooo.)
Keyword(s) – 2015-2023
Top 10: Avengers: Endgame (2019), Avengers: Infinity War (2018), Deadpool (2016), Mad Max: Fury Road (2015), Star Wars: Episode VII – The Force Awakens (2015), Parasite (2019), Avengers: Age of Ultron (2015), The Martian (2015), The Revenant (2015), Spider-Man: No Way Home (2021)
Future BMT: 79.3 Jeepers Creepers III (2017), 78.8 Black Christmas (2019), 76.0 Jeepers Creepers: Reborn (2022), 74.6 The Grudge (2020), 73.6 The Turning (2020), 71.2 Paranormal Activity: The Ghost Dimension (2015), 70.7 Snatched (2017), 68.7 Norm of the North (2016), 68.6 Poltergeist (2015), 68.3 Meet the Blacks (2016), 67.0 Max Steel (2016), 66.4 The Disappointments Room (2016), 66.3 God’s Not Dead 2 (2016), 64.7 Brahms: The Boy II (2020), 64.5 Blair Witch (2016), 63.4 Hot Tub Time Machine 2 (2015), 62.7 Diary of a Wimpy Kid: The Long Haul (2017), 61.2 Like a Boss (2020), 61.0 Alvin and the Chipmunks: The Road Chip (2015), 59.4 Jem and the Holograms (2015)
BMT: Cats (2019), The Emoji Movie (2017), Fifty Shades of Grey (2015), Slender Man (2018), Fantastic Four (2015), Holmes & Watson (2018), Fifty Shades of Black (2016), Space Jam: A New Legacy (2021), Fifty Shades Freed (2018), Fifty Shades Darker (2017), Paul Blart: Mall Cop 2 (2015), Rings (2017), The Bye Bye Man (2017), Zoolander 2 (2016), The Gallows (2015), The Boy Next Door (2015), The Ridiculous 6 (2015), Fantasy Island (2020), The Exorcist: Believer (2023), Expend4bles (2023), Meg 2: The Trench (2023), Moonfall (2022), After We Fell (2021), Blacklight (2022), Independence Day: Resurgence (2016), Transformers: The Last Knight (2017), Morbius (2022), Hot Pursuit (2015), The 5th Wave (2016), Hellboy (2019), The Snowman (2017), Resident Evil: Welcome to Raccoon City (2021), … (and many more)
Best Options (Romance): 55.6 Radhe Shyam (2022), 53.2 Aloha (2015), 46.0 Nobody’s Fool (2018), 45.6 I Feel Pretty (2018), 38.3 The Perfect Match (2016), 37.0 Home Again (2017), 35.8 Reminiscence (2021), 35.7 Love the Coopers (2015), 35.3 The Perfect Guy (2015), 33.3 Mike and Dave Need Wedding Dates (2016), 31.3 Overboard (2018), 30.3 Jexi (2019), 27.3 The Comedian (2016), 26.6 Acrimony (2018), 25.4 We Are Your Friends (2015), 23.5 Tulip Fever (2017), 17.0 2 Hearts (2020), 16.1 A Journal for Jordan (2021), 12.4 Collateral Beauty (2016), 11.6 God Bless the Broken Road (2018), 11.0 Redeeming Love (2022), 9.3 Life Itself (2018), 9.3 Passengers (2016), 9.0 The Longest Ride (2015)
(Oh man, low. But it is the most “interesting” option as it is a Will Smith film made right as his fortunes were turning a bit. Although … well I guess he won an Oscar after, but still, his commercial films tended to start not doing as well around then if I recall correctly.)
Welcome to Earf (HoE Number 13) – The shortest path through The Movie Database cast lists using only BMT films is: Michael Peña is No. 4 billed in Collateral Beauty and No. 1 billed in Fantasy Island, which also stars Michael Rooker (No. 4 billed) who is in Here on Earth (No. 4 billed) => (4 + 1) + (4 + 4) = 13. If we were to watch Shark Tale we can get the HoE Number down to 12.
Notes – Will Smith’s father, Willard Carroll Smith, Sr., was dying while Smith researched this role. He has said that working on this movie was extremely therapeutic in helping him deal with the ultimate loss of his dad.
Will Smith praised the whole cast by saying, “If we are all judged by the company we keep … then I want this cast with me for life!”
When Will Smith heard about co-star Naomie Harris’ mom Lisselle Kayla’s Jamaican cooking during this shoot, he invited himself to her house, and dined with Naomie and her extended family.
Hugh Jackman was originally attached to star, but dropped out due to scheduling conflicts, and was later replaced by Will Smith. Both actors were born in 1968 but were only in a month and seventeen days apart from each other. Smith was born on September 25th and Jackman was born on October 12th.
The theater Amy enters is the Hegel theater. Hegel regarded history as an intelligible process moving towards a specific condition – the realization of human freedom. Howard goes through the process freeing himself (or being freed) from grief.
Awards – Nominee for the Razzie Award for Worst Screen Combo

























