Super Mario Bros. Preview

“Stop!” Shouts Poe, “or my grandma will shoot.” The mailman freezes as he spots Granny toting a comically large pistol. He backs away and speeds away in his car. Poe smirks at Granny, “what am I gonna do with you, you foul-mouthed old bat?” Granny smirks back, “you’ll finish your goddamn supper and we’ll watch Murder She Wrote.” Poe shrugs, “I guess this is what I get for retiring from the force early and moving to New Orleans to help you out. But sometimes… I just want another piece of the action.” Just as he closes the door a knock rings out. Granny is pissed and raises the pistol. “No wait,” Poe says softly, “I know that knock…” Just as he suspected Rich is there leaning against the porch. “You ready for another piece of the action, partner?” Poe is already shaking his head. He’s not a police officer anymore, he gave that up. It’s against the rules. Rich laughs, “Rulez? You really did retire. That’s too bad. Too bad you and Granny will end up dead.” He turns, knowing Poe can’t leave it at that. “Oh you haven’t heard,” Rich says snidely, “Helmut Gruber escaped and he’s out for revenge.” Poe stares in disbelief. Gruber? But he’s dead… isn’t he? Apparently not. With gritted teeth Poe asks quietly, “where is he?” Rich smiles. “He’s holed up in an arcade downtown.” Poe grabs his jacket but Rich stop him, “Woah partner, we’ll be too conspicuous heading down like this.” Poe grins and soon they are dressed like a couple of dope tweens ready to infiltrate the arcade and show Gruber what’s what. “Oh and Rich?” Rich says with a sly smile, “Better bring your Granny. These tweens need adult supervision.” And with that he cocks his gun. That’s right! We are finally watching an all-timer in Super Mario Bros. This was the first major motion picture based on a video game and oh what a start it was. Not only was it adapted as a post-apocalyptic sci-fi action film, but it looked real dumb to boot. It’s also appropriate timing for us to watch as it looks like Pokemon Detective Pikachu officially broke the 26 year long streak of video game adaptations being rotten on Rotten Tomatoes. It stands at 63%. Baby steps. Let’s go!

Super Mario Bros. (1993) – BMeTric: 84.7

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SuperMarioBrosIMDb_RV

(Ah, I actually don’t think this shows a regression. What is happening here is that the rating is basically 3.9 for the last 7 years. That jump in 2014 happens right on January 1st. And that jump is really consistent across movies (but you only notice it in really bad films I think … I can’t remember). Look back at Stop! Or My Mom Will Shoot. That’s a regression. This … this is sitting right at 3.9ish for like a decade. That is what I’m talking about when I say a truly bad film won’t regress to the mean.)

Leonard Maltin – 1.5 stars –  Super, indeed! This overblown, effects-laden turkey chronicles the convoluted story of the title boys from Brooklyn (Hoskins, Leguizamo), plumber-siblings who go up against the villainous King Koopa (Hopper), a semi-human dinosaur who instigates the kidnapping of Daisy (Mathis), a princess who possesses a magical meteorite fragment. This listless film has far less appeal than the video game that inspired it.

(First, my god the hyphens! I love you Leonard. There are three hyphens in this review. Second, the review is just a description of the film and then a little “not interesting” at the end. And third … 1.5 stars? Where does the 0.5 come from. Classic Leonard. Classic.)

Trailer – https://www.youtube.com/watch?v=wtMZKYnLg5c/

(Oh shit the music!!!!! Is this real? They literally showed a major bit of the end of the film in that trailer? The theory surrounding trailers for films really was wild back then. It was just “anything goes as long as it generates interest”. One of the worst trailers I’ve ever seen. Bar none.)

Directors – Annabel Jankel – (Known For: Tell It to the Bees; D.O.A.; BMT: Super Mario Bros.; Notes: Both Jankel and Morton were known for their music video work and for create Max Headroom. This film basically ruined their directing careers. Tell It to the Bees was Jankel’s first big directing job since Super Mario Bros. … it was in 2018.)

Rocky Morton – (Known For: D.O.A.; BMT: Super Mario Bros.; Notes: Jankel and Morton got divorced in 2005. Both won Emmys for NBC’s Friday Night Videos which was basically MTV on basic cable … which apparently was a thing in the early 80s.)

Writers – Parker Bennett (written by) – (Known For: The Thief and the Cobbler; Future BMT: Mystery Date; BMT: Super Mario Bros.; Notes: Was a writer and cartoonist for Playboy at one point.)

Terry Runte (written by) – (Known For: The Thief and the Cobbler; Future BMT: Mystery Date; BMT: Super Mario Bros.; Notes: Apparently he has a credit for this YouTube video … which has like 24 views? Wild wild stuff.)

Ed Solomon (written by) – (Known For: Men in Black; Now You See Me; Charlie’s Angels; Bill & Ted’s Excellent Adventure; Bill & Ted’s Bogus Journey; Imagine That; What Planet Are You From?; Leaving Normal; Future BMT: The In-Laws; Mom and Dad Save the World; Now You See Me 2; Levity; BMT: Super Mario Bros.; Notes: Is apparently writing the new Bill and Ted as well. And was married to John Cleese’s daughter for a long while.)

Actors – Bob Hoskins – (Known For: Snow White and the Huntsman; Who Framed Roger Rabbit; Brazil; Enemy at the Gates; Doomsday; Pink Floyd: The Wall; Mermaids; Paris, je t’aime; The Long Good Friday; Balto; Unleashed; The Cotton Club; Vanity Fair; Nixon; Made in Dagenham; A Christmas Carol; Inserts; Hollywoodland; Mona Lisa; Beyond the Sea; Future BMT: Son of the Mask; Maid in Manhattan; Michael; Outlaw; Live Virgin; Heart Condition; Hook; Shattered; Den of Lions; Stay; BMT: Spice World; Super Mario Bros.; Garfield 2; Razzie Notes: Nominee for Worst Supporting Actor for Son of the Mask in 2006; Notes: Died due to complications with Parkinson’s in 2014. Claims to have never had an acting lesson in his life.)

John Leguizamo – (Known For: John Wick; John Wick: Chapter 2; Romeo + Juliet; Carlito’s Way; Chef; Moulin Rouge!; Ice Age; The Lincoln Lawyer; To Wong Foo Thanks for Everything, Julie Newmar; The Infiltrator; Titan A.E.; Die Hard 2; Land of the Dead; Sisters; American Ultra; Executive Decision; Ice Age: Dawn of the Dinosaurs; Casualties of War; Ice Age 2: The Meltdown; Nancy; Future BMT: The Honeymooners; Spawn; The Counsellor; Collateral Damage; The Pest; Walking with Dinosaurs: The Movie; Anarchy: Ride or Die; Ice Age: Collision Course; What’s the Worst That Could Happen?; The Fan; The Babysitters; The Hollow Point; Miracle at St. Anna; Out for Justice; Repo Men; Empire; Revenge; Jekyll Island; Love in the Time of Cholera; Kick-Ass 2; Ice Age: Continental Drift; Whispers in the Dark; Rage; A Pyromaniac’s Love Story; Spun; BMT: Super Mario Bros.; The Happening; One for the Money; Gamer; Righteous Kill; Ride Along; Notes: A noted comedian in the early 90s doing character impersonations. Has been doing mostly television recently including a role in Bloodline.)

Dennis Hopper – (Known For: Apocalypse Now; True Romance; Cool Hand Luke; Waterworld; Easy Rider; Blue Velvet; Speed; River’s Edge; Rebel Without a Cause; Hang ‘Em High; Giant; True Grit; The Texas Chainsaw Massacre 2; The Other Side of the Wind; Land of the Dead; Rumble Fish; Black Widow; Hoosiers; The Pick-up Artist; Edtv; Future BMT: The Crow: Wicked Prayer; Big Fat Important Movie; Hell Ride; Boiling Point; Chasers; Space Truckers; Meet the Deedles; Knockaround Guys; Swing Vote; The Blackout; Memory; My Science Project; Queen of Blood; Sleepwalking; The Trip; Straight to Hell; Flashback; Search and Destroy; 10th & Wolf; BMT: Super Mario Bros.; Alpha and Omega; Razzie Notes: Winner for Worst Supporting Actor for Waterworld in 1996; Notes: Was a child actor, and then had a very rocky film career due to substance abuse. He created, directed, and starred in Easy Rider which is credited in ushering in the anti-establishment movement in Hollywood of the 1970s.)

Budget/Gross – $48 million / Domestic: $20,915,465

(Catastrophic. I’m actually a bit surprised it didn’t do better. You’d think a good number of video game fans would have been tricked into going to the film during the opening weekend. I would have thought it would have ended at like … $40 million maybe? On the other had it was 1993.)

#27 for the Video Game Adaptation genre

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(Our 18th video game film, driving quickly towards a 20th film (like …4% of BMT is video game films). The genre is really booming recently. And with Detective Pikachu I think there is a distinct possibility Nintendo will end up as the driving force in upping the quality overall.)

Rotten Tomatoes – 21% (8/38): Despite flashy sets and special effects, Super Mario Bros. is too light on story and substance to be anything more than a novelty.

(A delightful novelty IMO. That percentage is a lot higher than I would expect for what is likely considered one of the worst films ever (although it isn’t on the wiki page interestingly enough …). Reviewer Highlight: As everyone knows, arcade-style diversions are not known for strong, original narratives or well-developed characters. In that sense, this film is worthy of its inspiration. – James Berardinelli, ReelViews)

Poster – Super Twin Time (B+)

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(I almost always default to the poster featured on IMDb, but for whatever reason they chose to use some foreign poster… I suspect because it looked so stupid that they thought it was funny? Hard to say. This was the primary theatrical poster I think and it’s actually fine. I wish it wasn’t so dark and they gave it some pop with the green and the red, but it’s nicely stylized and actually makes a very not cool thing look kinda cool with some nice spacing and font.)

Tagline(s) – This Ain’t No Game! (A)

(Clever. Good one to use on the first adaptation too as I think later on I would have thought it was a little generic and vague to constitute a good tagline. Here though I think it’s working.)

Keyword(s) – based on video game; Top Ten by BMeTric: 90.4 Alone in the Dark (2005); 88.9 House of the Dead (2003); 87.9 Street Fighter (1994); 87.7 BloodRayne (2005); 87.1 Mortal Kombat: Annihilation (1997); 86.2 In the Name of the King: A Dungeon Siege Tale (2007); 84.7 Super Mario Bros. (1993); 79.7 Street Fighter: The Legend of Chun-Li (2009); 73.5 Far Cry (2008); 70.0 Wing Commander (1999);

(I kind of forget we haven’t officially seen Street Fighter for BMT. Don’t get me wrong, I’ve seen the film multiple times. We just used to not do filmes we’ve seen before for BMT. Now we do that quite frequently for good reason, so it’ll eventually come up, maybe in some ill-fated decision to watch every JCVD film ever made or something.)

Welcome to Earf (HoE Number 17) – The shortest path through The Movie Database cast lists using only BMT films is: John Leguizamo is No. 2 billed in Super Mario Bros. and No. 3 billed in Ride Along, which also stars Ice Cube (No. 1 billed) who is in Ghosts of Mars (No. 2 billed), which also stars Jason Statham (No. 3 billed) who is in In the Name of the King: A Dungeon Seige Tale (No. 1 billed), which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 2 + 3 + 1 + 2 + 3 + 1 + 4 + 1 = 17. If we were to watch Hook, Jack, and The Glass House we can get the HoE Number down to 13.

Notes – In his 2007 autobiography John Leguizamo states he and Bob Hoskins hated working on the film and would frequently get drunk to make it through the experience. Both men apparently knew the movie would turn out bad, so they simply tried to make the best of it. He also stated he felt one of the biggest reasons the movie turned out the way it did was because the directors wanted a more “adult” movie while the studio, considering the source material, was looking for a children’s film.

During a chase scene, Bob Hoskins broke his finger when the van’s door slammed on his hand. For the rest of the film, Hoskins is wearing a cast that was painted pink to look like a hand. (Having just watched it, I never noticed it)

Bob Hoskins didn’t know that the film he was making was based on a game, until his son asked him what he was working on. When Hoskins mentioned the film’s title, his son immediately recognized it and showed Hoskins the game on his own Nintendo.

An article in “Spy” magazine claimed that the script was being rewritten so many times during production that the actors stopped paying attention to these daily rewrites.

Although Bob Hoskins said that this is the worst film he ever made, his son Jack Hoskins is a fan of this film, praising his dad’s performance. He said that he was too young to understand the poor reviews and now that he’s old enough, he doesn’t care. He quoted on the film’s fan website “SMBArchive.com”: “If there’s anyone reading this, please understand that it’s no one’s intention to ruin the classics. One last thing; if you remember your past enjoyments, then it would definitely keep your childhood memories alive and safely locked in your head forever.”

The “De-evolution” guns seen at the end of the film are simply repainted versions of the Super Nintendo light gun accessory, the “Super Scope.” (Awesome. I’m serious … that’s awesome)

After the film bombed at the box office, Nintendo never produced any more live-action theatrical films based on their video game franchises. A “Metroid” film was put into development, but never went past pre-production. (They still haven’t. They have at least one film in production, another Super Mario film, but it is CGI I believe … which will probably work out better)

Dennis Hopper explained why he did the film – “I made a picture called Super Mario Bros., and my six-year-old son at the time – he’s now 18 – he said, ‘Dad, I think you’re probably a pretty good actor, but why did you play that terrible guy King Koopa in Super Mario Bros.?’ and I said, ‘Well Henry, I did that so you could have shoes,’ and he said, ‘Dad, I don’t need shoes that badly.'” (Sick burn)

The Yoshi puppet was capable of making 64 separate movements due to 200 feet of cable crammed inside its 3 foot tall structure. In all, no less than 9 puppeteers were used to operate the Yoshi puppet. (Yes, it was possibly the last great puppet animatronic since the film came out the same year as Jurassic Park. The CGI afterwards likely killed the industry. There might be other good examples, the Lost World or something, but 1993 marks the point where puppets weren’t the first thought in a directors mind on how to create a lifelike fictional animal.)

An early draft of the script shows that Bowser only disguises himself as a human in his first two scenes, the Princess character is named Hildy and Bowser wants to marry her in attempt to obtain the Crown of Invincibility with which to take over the Mushroom Kingdom. Actual game enemies such as Piranha Plants and Thwomps make appearances, Toad accompanies the Mario Bros. throughout their journey as a main character, a baby dinosaur named Junior thinks Mario is his mother, Luigi gets Raccoon Power at one point, one of Bowser’s lackeys (a possible prototype for Kamek) tells Mario “Your Princess Is in Another Castle”, Mario and Luigi sing a song for Bowser, Bowser ends up falling into a pit of lava… In other words, this draft is much more faithful to the games. (Yeah … that sounds like it would be absolutely terrible though)

Dennis Hopper described the film’s production – “It was a nightmare, very honestly, that movie. It was a husband and wife directing team who were both control freaks and wouldn’t talk before they made decisions. Anyway, I was supposed to go down there for five weeks, and I was there for 17. It was so over budget.”

In a 2011 interview with The Guardian, Bob Hoskins described the film’s production – “It was a f*ckin’ nightmare. The whole experience was a nightmare. It had a husband-and-wife team directing, whose arrogance had been mistaken for talent. After so many weeks their own agent told them to get off the set! F*ckin’ nightmare. F*ckin’ idiots.” (These two notes are eerily consistent)

Shigeru Miyamoto, Mario’s creator, stated, “[In] the end, it was a very fun project that they put a lot of effort into,” but also said, “The one thing that I still have some regrets about is that the movie may have tried to get a little too close to what the Mario Bros. video games were. And in that sense, it became a movie that was about a video game, rather than being an entertaining movie in and of itself.” (… what? It is nothing like the games.)

Rocky Morton reflected on the movie in 2016 as a “harrowing” experience. He explained that he and Annabel Jankel, along with the rest of the cast, agreed to make the movie based on the script originally written by Dick Clement and Ian La Frenais, which focused on Mario and Luigi’s complicated but loving family dynamic that they had developed in the absence of their parents. However, just a few weeks before shooting was to begin, the studio financing the film demanded significant rewrites to make the film more childlike and comedic. The final result, according to Morton, was a script that was not at all like the script that he, Jenkel, and the cast had signed on to film, and that the tone of the new script was not at all compatible with the sets, which had already been built. Morton also reflected that he felt very uneasy being put in the position of having to defend the new script. In addition, working with Dennis Hopper was “really, really hard. Really hard. I don’t think [Dennis Hopper] had a clue what was going on.” Despite describing the overall experience as humiliating, Morton is proud of the film considering the chaos created as a result of the late and unexpected script rewrites. (Hmmmmmmmmmmmm)

Allegedly due to drinking on set, John Leguizamo was hit by a car, breaking his leg. You can even see the cast in some shots of the movie. (Jesus!)

This was the first Hollywood film directly based on a specific video game property. (And it went swimmingly)

John Leguizamo was annoyed that he wasn’t allowed to ad-lib in the film.

Parker Bennett and Terry Runte submitted a script represents the early transition from the original fantasy-oriented take to the more grounded sci-fi take of the final film. They felt that the story was never funny, scary or outlandish enough, so to make it more compelling they sought to focus more on Mario and Luigi’s relationship, to develop Daisy into a more proactive character and to expand Koopa’s plot so that it would also endanger Earth. However, the pitch still contains various fantastical elements, including Mario and Luigi being icons of a “prophecy,” a magical talking book that aids them on their quest and a mushroom-infested world complete with a castle. The sci-fi concept of a parallel world inhabited by humanoid dinosaurs is essentially only retrofitted onto the fantasy story already written. (What the hell? That was the “brilliant” story everyone was gutted to see changed?)

Rocky Morton and Annabel Jankel were hired to direct the film, based on their work on Max Headroom (1987).

Lead creatures designer and supervisor Patrick Tatopoulos was aware of the concurrent Jurassic Park (1993) production, so consciously designed the dinosaurs more cute and cartoony with inspiration from Beetlejuice (1988).

Producers from Jurassic Park (1993) visited the set and were so impressed with the Yoshi puppet they briefly considered hiring its engineers for a second Jurassic Park creatures shop. (Yeah this is the thing I had heard, that they were still kind of figuring out whether they wanted to go animatronic for the dinosaurs in Jurassic Park, but the CGI eventually won out)

Despite its box office failure and troubled production, Roland Joffé remains proud: “It’s not that I defend the movie, it’s just that, in its own extraordinary way, it was an interesting and rich artefact and has earned its place. It has strange cult status.” (This is absolutely true. It is one of the most baffling things you’ll ever watch. Just extraordinary that it exists at all)

Greg Beeman was attached to direct and development had already moved into pre-production, but the failure of Beeman’s recent Mom and Dad Save the World (1992) led to his dismissal by nervous producers. (Now that is an absolutely awful film … weirdly the carnivorous mushrooms would have been a decent idea for goombas in this film)

Stop! Or My Mom Will Shoot Recap

Jamie

Det. Joe Bomowski is on edge when his overbearing mother comes to town. When his mom witnesses a murder and he’s faced with hosting her until the case can be solved he takes matters into his own hands. Can he solve the case and get rid of his mom (and perhaps find love) before it’s too late? Find out in… Stop! Or My Mom Will Shoot.

How?! It’s just not Joe’s week. First he gets in a wild shootout during a sting operation, then his girlfriend/boss (you read that right) breaks up with him because he’s an immature man-child, and then his overbearing mom comes the visit. Gah! Women! Am I right? Anyway, after his mom ruins his gun in a failed attempt to clean it she heads off to the bad part of town to buy him a new one. Unable to get a gun due to a waiting period she heads around the corner to buy some heavy duty illegal firearms out of the back of a van. Illegal transaction being what they are she finds herself in the middle of a shootout and subsequent murder investigation. Wanting to get her son a leg up for a promotion, she decides to withhold information (Probably ain’t going to work given that he’s been carrying on an inappropriate relationship with his immediate superior… oh, and he’s a bad cop). As a result she kinda forces him to team up with her and they start to uncover a (not so) intricate insurance fraud conspiracy. You see a company had all these (illegal?) guns. Wanting to double dip they faked a warehouse fire, collected the insurance, and then were going to turn around and sell them on the black market. Joe figures all this out with the help of his mom and even while navigating his personal relationships, growing a little as a person, and learning to live and love again, he is able to track the bad guys down. They attempt to escape to South America, but are confronted by Joe’s mom. Taking her with them (but, why?) Joe is forced to make a daring rescue, while his trigger-happy mom saves the day with the help of her gun. In the end Joe gets engaged and his mom heads home as her work there is done… you know until they start having babies and she has to come back for the sequel Stop! Or My Grandma Will Shoot. THE END.

Why?! Love. Obviously. The love of a mother for her child, the love of a bachelor for his independence, and the love of money for an anonymously eeevil business person. The funniest thing to dive into is the business person, just because they seemed to be so lazy with that part of the plot. He’s a business person who had an insurance claim on a shipment of guns and weapons. Being geniuses they decide to double dip and burn down the warehouse so they can turn around and sell the weapons on the black market. Unfortunately for them some of the people involved steal some of the guns and sell them on the street, where they are discovered and immediately traced. After that everything goes to shit. I am 100% certain this is also the plot of a Michael Dudikoff film. It just has to be. It’s so vague.

Who?! Some early(ish) roles for some actors that became well known, most notably Ving Rhames who has a very minor speaking role as “Mr. Stereo,” for real. Most important though is that I love when animals get credits. A lot of films will not actually give a credit for animals, even when they are pretty prominent parts of the action. Here though they have a credit for Pixie, who played Estelle Getty’s little Yorkie. Only credit Pixie got.

What?! There are a number of product placements in this film but I think Cocoa Puffs is the best one. He’s forced to eat it as part of a large breakfast prepared by his mother. This of course gives him an upset stomach. Why did I like this one the best? Well after discussion with Patrick he pointed out that normally Stallone writes into all his films that his character is a health nut, which allows his to provide sage dietary advice to all his coworkers and potential love interests. Since he didn’t write this film, he is eating Cocoa Puffs. Must have killed him inside.

Where?! This is a pretty good LA film as it plays into the plot a little bit. Like Stallone grew up in New Jersey with his mother and when he got old enough he escaped, moved as far away from her as he could, and become a police officer. Where is far away from New Jersey? LA of course. That’s more backstory, though, and not much in the actual film. A-.

When?! Second film in a row where it takes place in large part in a police station and yet I couldn’t for the life of me determine anything close to an exact date. I’m really pretty sure that for all these films there is a way to find this stuff out, but perhaps I would need to start getting in contact with propmasters and writers on the films. Yeah that’s what I’ll do. I’ll become a crazy person. Perfect. F.

This is probably one of the worst written films we’ve watched. It’s almost like one of those bikini car wash films or something. Everything is two-dimensional and the premise of the film has to keep on getting reset in order to get to feature length. One moment you’ll see Stallone realizing that his mom isn’t that bad and maybe she is just trying to help and the next he’s screaming “She’s going to kill me!” Just over and over and over. The interesting thing is that I thought Estelle Getty was actually kinda fun and charming as the overbearing mom. Stallone was really overreacting… she just seemed like a regular mom (with some characteristics ratcheted up slightly for laughs). Apparently this was one of Ebert’s critiques even as he noted that they seemed scared to make her an actual nightmare, but instead landed on a fairly likable character. The biggest problem I had with the film was Stallone’s love interest who is supposed to be his boss but is written like a two-dimensional, marriage-obsessed, needy stereotype. It’s insulting. She’s a lieutenant in the LAPD! You couldn’t make her even a slightly strong character? Instead she spends the movie wringing her hands over whether this dope is going to stop being a dope and love her? Terrible. Patrick?

Patrick

‘Ello everyone! Stallone looked over at Schwarzenegger’s Kindergarten Cop and was “I’ll have what he’s having, but way worse and nobody will like it.” Well, Hollywood can dish that out in spades. Let’s go!

P’s View on the Preview – I needed something, anything, that suggested this was something other that a cynically made one-note comedy. ANYTHING. Because if it was what the trailer suggested, then there was never any hope for this. And without hope … what is BMT really? Where would we really be if we just walked directly into a film that offered no laughs and no entertainment. WHERE?!

The Good – The movie is yet another film that you can kind of call quaint. The further you get from the cash-grab cynicism it was obviously made with, the more it just kind of seems like a weird cop-based sitcom from the 60s. This hard-boiled LAPD detective has a new roommate … his mother! And boy are they an odd couple! I liked Getty, who played the mother. Stallone was mildly amusing. I can at least see why people are giving it better reviews as time goes on, it was far far less aggravating than I expected. I think that is a testament to Estelle Getty, she’s such a cute little old lady!

The Bad – The film is trash and should never have been made. “Hard pass” should have been the only two words the screenwriter heard from the instant the mere concept was put forward. It is sad it was made. It was also not funny (despite claiming to be a comedy). And the B-story was a complete nothing. Some jabroni wanted to commit some light fraud by burning down a warehouse full a guns, yada yada yada, he killed like a dozen people and tries to flee to Mexico. Like … okay? And the love life storyline is tacked on … and no one looks very good after that one. The detectives are harassing their female superior officer, and Stallone’s boss/girlfriend’s actions towards her subordinate in Stallone is wildly inappropriate. Of all of the cop-plus-something movies, I would guess this is the worst one … but that isn’t a surprise when your formula is cop-plus-his-mother. Wait … I forgot about the cop-plus-a-literal-dinosaur film we saw a few years ago …

The BMT – Somehow cop-plus-something films are a sub-genre. A ridiculously specific sub-genre, but a bad movie sub-genre nonetheless. And I think it is just ridiculous enough to either be brought up again on its own as just a dumb 90s comedy, or as a combo with Theodore Rex, the aforementioned cop-plus-a-literal-dinosaur film. It really is a great sub-genre, and we should find a time to fit in one of the many cop-plus-a-dog films that obviously qualify for BMT.

Roast-radamus – I think this qualifies for a Setting as a Character (Where?) for LA, it plays a huge part. There is kind of a new category here for Evil Laurel & Hardy (Who?) for the skinny and fat guy comedic combo bad guys who are always joshing each other and sneezing and stuff … legit, weirdly an amazing thing in film now that I think about it. That is probably it though, unfortunately they decided against having the mother ultimately be the bad guy in what would have certainly been the worst twist ever. Sigh, what could have been.

StreetCreditReport.com – Weirdly most of the 1992 lists for some reason ignored this. Luckily Roger Ebert was all over this as the time. “`Stop! Or My Mom Will Shoot’ is one of those movies so dimwitted, so utterly lacking in even the smallest morsel of redeeming value, that you stare at the screen in stunned disbelief.” … so I take it you didn’t like it Roger?

You Just Got Schooled – On the DVD for the film there is a short 5 minute documentary (advertisement really, although I’m not sure where it would be shown … these days it would be one of the earlier commercials that play in a theater before the trailers) operating as a making of clip. It was interesting. Nothing much more than what the trailer gives you, except you can see Sly just razzing Getty the entire time. It is pretty impressive. He’s telling off color jokes (like how they just unfroze her because he needed some ice cubes for a drink … get it, she’s old) and Getty clearly is just loving it. There are like 30 parts where he’ll say something a little inappropriate and then she’ll laugh and give him a little punch. You can really see the charisma of Sly at the time, and also a bit of how smart he probably actually is, he was really coming at her quick with one-liners. I wish there were more of these things for the bad movies we watch, it makes me appreciate even more the genuine dynamic Getty and Sly had in the film.

And that’s it. Cheerios,

The Sklogs

Stop! Or My Mom Will Shoot Preview

While Patrick creates an intricate outline for the Rich & Poe sequel, 2 Rich 2 Poe: Reclamation, Jamie paces their Brooklyn apartment slamming Mountain Dews and scratching at his cable-knit sweater. “You know what’s kind of funny?” says Patrick looking up from the page, “This is kind of like that Eddie Murphy film Vampire in Brooklyn.” Jamie looks confused and Patrick continues, “didn’t you say you were bitten by a vampire while I was in the z-universe?” Jamie nods slowly, “Oh, right. Months ago now. Guess I forgot about that.” He runs his hand over the scar, “oh well, I’m sure that’ll come back to… bite me.” And with that Jamie and Patrick laugh and laugh and laugh. Getting right back to business Patrick goes through his analytical checklist of everything he knows to make a bad movie. “Alright, so we need to recast. Let’s get Chris Klein and Neal McDonough in here to spice things up Street Fighter style. We gotta take it to New Orleans where Nic Cage butters his bread and also go to space. Add in a couple twisty-turns, a steamy sex scene, and I think we have it.” Jamie takes a look at the outline and slowly takes a sip of Dew. “You sure about this?… I mean, this sounds kind of rad.” But Patrick tells him to trust him. Ratchet this shit up to X-treme levels and it’ll get the job done. Crazy=bad, it’s a formula as old as time. “Well OK, but how do we get Rich and Poe to New Orleans?” Jamie asks scratching his head. “Easy breezy,” says Patrick, “three words for you: gun-totin’ grandma.” Jamie’s eye’s light up, “Can she be foul-mouthed?” Patrick grins, “Darn tootin’,” That’s right! We continue our journey through Siskel and Ebert’s worst of the worst by heading to a film that we’ve been saving for a rainy day. Sly Stallone films are a rare commodity that can’t be thrown around willy-nilly (particularly when they have to be saved for the Stallonian Calendar). But it felt right for this cycle as Siskel and Ebert hated it so much. It’s finally time for Stop! Or My Mom Will Shoot. Let’s go!

Stop! Or My Mom Will Shoot (1992) – BMeTric: 80.0

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(It’s a bit surprising this is regressing to the mean. I would have imagined this would be a classic, and something people would be seeking out in order to specifically give it a terrible review. The regression kind of suggests that normal people are the ones mostly stumbling onto this and rating it after the fact … why would anyone watch this?)

Leonard Maltin – 1.5 stars –  Cop Stallone is joined by his loud-mouthed, gun-toting mamma (Getty), and they erase crime from the streets of L.A. One joke action-comedy which quickly wears thin; Getty’s character, meant to be funny, comes off as thoroughly obnoxious.

(Oh God. Yeah. You can tell from the trailer the movie is a complete one joke pile of garbage. Shoot. This is going to be a trainwreck.)

Trailer – https://www.youtube.com/watch?v=oMQ-RoCKa6o/

(Oh Jesus. It appears to just be one long aggravating joke over and over. My mother is suffocating, she doesn’t know about police business or guns, she’s interfering in my love life. Unpleasant. This isn’t going to be funny, it is going to be unpleasant.)

Directors – Roger Spottiswoode – (Known For: Tomorrow Never Dies; The 6th Day; Turner & Hooch; A Street Cat Named Bob; Deadly Pursuit; Under Fire; Shake Hands with the Devil; Future BMT: Air America; Terror Train; The Best of Times; BMT: Stop! Or My Mom Will Shoot; Notes: Wrote 48 Hrs. and was nominated for an Emmy for directing And the Band Played On in 1993.)

Writers – Blake Snyder (written by) – (Future BMT: Blank Cheque; BMT: Stop! Or My Mom Will Shoot; Razzie Notes: Winner for Worst Screenplay for Stop! Or My Mom Will Shoot in 1993; Notes: Died in 2009. Somewhat notable for his Save the Cat! trilogy of screenwriting books)

William Osborne (written by) – (Known For: Twins; The Scorpion King; Future BMT: Thunderbirds; Ghost in the Machine; The Real McCoy; Dr. Jekyll and Ms. Hyde; BMT: Stop! Or My Mom Will Shoot; Notes: Novelist. He is a lawyer and is married to Debra Hayward which maybe explains his involvement in movies.)

William Davies (written by) – (Known For: How to Train Your Dragon; Twins; Mia et le lion blanc; Flushed Away; Puss in Boots; The Guilty; Alien Autopsy; Future BMT: Ghost in the Machine; The Real McCoy; Dr. Jekyll and Ms. Hyde; Johnny English; Johnny English Strikes Again; Johnny English Reborn; BMT: Stop! Or My Mom Will Shoot; Razzie Notes: Winner for Worst Screenplay for Stop! Or My Mom Will Shoot in 1993; Notes: Brother of rather successful producer Michael Davies. Sold a spec-script Fool on the Hill for $4 million after Jim Carrey expressed interest in it, but it went unproduced.)

Actors – Sylvester Stallone – (Known For: Guardians of the Galaxy: Vol. 2; Creed II; Rocky; Creed; The Expendables; The Expendables 2; Spy Kids 3: Game Over; First Blood; Escape Plan; Rocky Balboa; Rocky III; Cliffhanger; Rocky II; Antz; Cop Land; Bullet to the Head; Escape to Victory; Death Race 2000; Nighthawks; Future BMT: Escape Plan II; Staying Alive; Rocky V; D-Tox; The Specialist; An Alan Smithee Film: Burn Hollywood Burn; Rambo III; Avenging Angelo; Daylight; Ratchet & Clank; Backtrace; Collection; Assassins; Rambo: First Blood Part II; Oscar; Rocky IV; BMT: Stop! Or My Mom Will Shoot; Driven; Zookeeper; Get Carter; Rhinestone; Judge Dredd; Cobra; Over the Top; The Expendables 3; Tango & Cash; Grudge Match; Lock Up; Demolition Man; Razzie Notes: Winner for Worst Director, and Worst Actor for Rocky IV in 1986; Winner for Worst Screenplay, and Worst Actor for Rambo: First Blood Part II in 1986; Winner for Worst Actor in 1985 for Rhinestone; in 1989 for Rambo III; and in 1993 for Stop! Or My Mom Will Shoot; Winner for Worst Supporting Actor for Spy Kids 3: Game Over in 2004; Winner for Worst Screen Couple in 1995 for Interview with the Vampire: The Vampire Chronicles, and The Specialist; Winner for Worst Actor of the Decade in 1990 for Cobra, Cobra, Lock Up, Lock Up, Over the Top, Over the Top, Rambo III, Rambo III, Rambo: First Blood Part II, Rambo: First Blood Part II, Rhinestone, Rocky IV, and Tango & Cash; Nominee for Worst Director for The Expendables in 2011; Nominee for Worst Screenplay in 1985 for Rhinestone; in 1986 for Rocky IV; in 1987 for Cobra; in 1989 for Rambo III; in 1991 for Rocky V; in 1994 for Cliffhanger; and in 2002 for Driven; Nominee for Worst Actor in 1987 for Cobra; in 1988 for Over the Top; in 1990 for Lock Up, and Tango & Cash; in 1991 for Rocky V; in 1992 for Oscar; in 1995 for The Specialist; in 1996 for Assassins, and Judge Dredd; in 1997 for Daylight; in 2001 for Get Carter; and in 2014 for Bullet to the Head, Escape Plan, and Grudge Match; Nominee for Worst Supporting Actor, and Worst Screen Couple for Driven in 2002; and Nominee for Worst Supporting Actor for An Alan Smithee Film: Burn Hollywood Burn in 1999; Notes: Rambo V is going to be crazy. Whether it is good or bad is immaterial. It is going to be crazy … and it is basically the only thing the news is reporting about Sly recently.)

Estelle Getty – (Known For: Stuart Little; Mask; Tootsie; Future BMT: Mannequin; BMT: Stop! Or My Mom Will Shoot; Razzie Notes: Winner for Worst Supporting Actress for Stop! Or My Mom Will Shoot in 1993; Notes: She died in 2008 and is probably most famous for her role in Golden Girls as Bea Arthur’s mother.)

JoBeth Williams – (Known For: Poltergeist; Wyatt Earp; Kramer vs. Kramer; The Big Chill; Stir Crazy; The Perfect Catch; The Big Year; In the Land of Women; Teachers; The Dogs of War; TiMER; Desert Bloom; Barracuda; Just Write; Future BMT: Jungle 2 Jungle; Poltergeist II: The Other Side; Switch; Dutch; BMT: Stop! Or My Mom Will Shoot; Notes: Nominated for Best Live Action Short in 1995 for On Hope. Despite that she didn’t direct anything significant in her career.)

Budget/Gross – $45 million / Domestic: $28,411,210 (Worldwide: $70,611,210)

(That is a bomb, but not as bad as one would expect … did Sly really have such clout that this films would earn like $40 million overseas? I’m not sure I believe it.)

#16 for the Mother genre

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(Beats out the Pringle’s Mom’s Club which is nice. It actually made me wonder, do more “mother” films come out around Mother’s Day? A quick look and you’ll find that indeed May has traditionally had the most “mother” films released. November and December also have quite a few, but perhaps that makes sense as people will be going to the movies with family around the holidays as well.)

Rotten Tomatoes – 8% (2/26): Thoroughly witless and thuddingly unfunny, Stop! Or My Mom Will Shoot gives its mismatched stars very little to work with – and as a result, they really don’t work.

(Unfunny. It is going to be brutally unfunny. And just exasperating. Sigh. Reviewer Highlight: It is moronic beyond comprehension, an exercise in desperation during which even Sylvester Stallone, a repository of self-confidence, seems to be disheartened. – Roger Ebert, Chicago Sun-Times.)

Poster – She Got a Guuuuuuuuuuuun (C-)

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(Oh man, that’s a lot of color. Much like the very common sky background, this passing cars background in unexplainable. Even more so because it actually makes the poster hard to look at. Otherwise I’m actually OK with this because there is literally no other poster you can make. This is the poster: aimed with laser focus at capturing the Stallone-and-old-lady-with-gun market.)

Tagline(s) – Detective Joe Bomowski’s mom is in town for a visit. She did the laundry, washed the windows and scrubbed the floors. Now, she’s gonna clean up the streets. (D)

(Oh no. No! No! No! You got an old lady with a gun and Sly Stallone and you go old school paragraph tagline?! You have so much to work with! I only don’t give this an F because I liked the roundabout cleaning pun they dropped in. But come on.)

Keyword(s) – mother; Top Ten by BMeTric: 86.4 Troll 2 (1990); 85.8 The Cat in the Hat (2003); 82.0 I Know Who Killed Me (2007); 80.0 Stop! Or My Mom Will Shoot (1992); 70.0 Jeepers Creepers 3 (2017); 68.0 It’s Pat: The Movie (1994); 65.1 Leprechaun (1993); 60.6 The Rage: Carrie 2 (1999); 56.5 XX (2017); 55.2 Queen of the Damned (2002);

(We aren’t watching Jeepers Creepers 3, that film is legitimately made by a pedophile. Screw that.)

Welcome to Earf (HoE Number 10) – The shortest path through The Movie Database cast lists using only BMT films is: Sylvester Stallone is No. 1 billed in Stop! Or My Mom Will Shoot and No. 1 billed in Expendables 3, which also stars Jason Statham (No. 2 billed) who is in In the Name of the King: A Dungeon Seige Tale (No. 1 billed), which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 1 + 1 + 2 + 1 + 4 + 1 = 10. If we were to watch The Glass House we can get the HoE Number down to 8.

Notes – Sylvester Stallone and Arnold Schwarzenegger were competing against each other at that time, and Schwarzenegger faked interest in this movie in order to make Stallone audition for it. Stallone, who heard that Schwarzenegger was interested in headlining in this movie, immediately dropped everything and contacted the producers, saying that he wanted to headline. He deeply regrets this. (Oh God. What a weirdo. Definitely something Arnold would do. Watch Pumping Iron, he always seemed to be a step ahead of the other weightlifters and it wouldn’t surprise me if he was always a step ahead of Sly as well)

Sylvester Stallone considers this the worst film he’s ever done.

When Estelle Getty found out that filming the movie would involve guns, she said that she would only do the movie if there were no guns in it. The producers lied to her (and told her that there would be no guns in the movie) in order to get her to sign on. (That’s mean)

The picture was nominated for Worst Picture at the Hastings Bad Cinema Society’s 15th Stinkers Bad Movie Awards in 1992. (For reals, was this a thing back in the day. I’m very aware of it existing, but I never remember anyone actually knowing about it at the time)

When Estelle Getty is showing pictures of her son to the people that were aboard the plane, there is a black and white picture of a boy in a checkered shirt, which happens to be Sylvester Stallone as a young boy. This picture was also used in Rocky (1976), and can be seen sitting on Rocky’s mirror. (Makes sense)

Awards – Winner for the Razzie Award for Worst Actor (Sylvester Stallone, 1993)

Winner for the Razzie Award for Worst Supporting Actress (Estelle Getty, 1993)

Winner for the Razzie Award for Worst Screenplay (Blake Snyder, William Osborne, William Davies, 1993)

Vampire in Brooklyn Recap

Jamie

Maximillian is the last vampire in the world and he’s in search of a mate. Turns out Detective Rita Veder is the gal for him and half-vampire to boot. Can her and her partner stop Max from seducing her to the dark side before it’s too late? Find out in… Vampire in Brooklyn.

How?! Maximillian is a vampire in the Caribbean. Looking for his half-vampire bride, he travels to Brooklyn, killing a boat-full of people along the way. These deaths are investigated by Det. Rita Veder who, unbeknownst to her, is a half-vampire (what a coincidence!). Realizing she is his one true love, Max set out to woo her with his dancing skillz. Unfortunately Rita’s partner, aptly named Justice, is in love with her too and cock-blocks Max at every turn. Frustrated and angry Max starts to pull out all the tricks. In a really dark psychological turn, he employs manipulative tricks to try to isolate Rita to the point where she would want to give up everything and go with him (to the world of the undead, but he doesn’t tell her that). He seduces and kills her roommate and convinces Rita that her partner actually had sex with her. He transforms into a preacher and convinces her that her faith wants her to be evil. He transforms into a stereotype of an Italian gangster to further convince her that Justice is bad. Finally, he pretends to save her from a runaway cab and at her lowest convinces her to go to dinner with him. This dinner ends up being the first step to Rita becoming a vampire as she dances the night away. The next night Justice is shocked to find Rita all over him… but, like, in a vampire way, and he finds out that he’s got one last chance to save her. He’s got to stop her from feeding. Confronting Rita and Max, Justice is subdued, but at the last moment Rita retains her humanity and kills Max with a magic dagger (oh I forgot, there’s a magic dagger). With that Justice and Rita kiss (and presumably make some ¼ vampire babies), while Max’s ghoul, Julius, turns into a vampire for a sequel. THE END.

Why?! For love, baby. Or at least for trying to bring vampires back from the brink of extinction. Max is actually the last vampire in the world and needs to find his bride in order to help make more vampires. Apparently this will allow him to speed up the process… or perhaps they actually will just have a whole bunch of vampire babies. Hard to tell because at the end we see Max’s ghoul become a vampire without Max having to procreate in any way. As for Rita and Justice it’s both for love, but also to bring closure for Rita. She has always thought her mom was insane and feared that she would go insane too, but is probably relieved to find that it’s just because her mom boned a vampire and she’s half-vampire. Phew.

Who?! Obviously this stars major singing superstar Eddie Murphy. Seriously though I would hear an argument that Julius was actually a Planchet, although I don’t think he’s really competent enough. There has to be an element of unjust hate to a Planchet. There is an odd cameo in the film as Ray Combs, host of Family Feud, actually filmed a short spoof of the show specifically for this film.

What?! I do love looking for props. If this were 2013 I could be sporting a sweet black and red vampire coat worn in the film. Damn. I’d look real rad in that. Also, like Julius above, I think there is an argument that the magic dagger could mean something for BMT, but just not prominent enough to be notable.

Where?! It’s been a second since our last A+ Setting Alert! This obviously starts and end entirely in Brooklyn and it is a very large and essential part of the plot. I give it a bing thumbs up. A+.

When?! I searched twice through the film trying to find this, but alas could not. I’m not going to say it’s impossible since portions of the film take place in a police station (and there are always calendars floating around those sets), but it would be very hard and probably would take a while for me to figure out. F.

Meh, I mean the film is not very good. It’s much more a horror film than any other genre and Murphy seems to be unwilling to be even remotely funny in his role as Max. Likely purposefully so as this was also reportedly the case for Beverly Hills Cop III. Sounds like he was just trying to get out of his studio deal at that point. Only when he transforms into the preacher or Italian gangster does he let loose and both of those characters are offensive and have hands down the worst makeup jobs I’ve ever seen. It’s actually crazy just how bad the makeup is in this film. You know how bad it is? It’s so bad that I’m talking about the makeup. Anyway, I had high hopes for this film, but it’s hard to get excited when Murphy is so flat. The only good thing I can think about it is the kinda crazy psychological tools used by Max in the film… which was actually real creepy the more you think about it. The true horror was within humanity the whole time! *gasp* Patrick?

Patrick

‘Ello everyone! Watching Eddie Murphy films is just part of the life of any bad movie aficionado. You tick them off like a list of chores. Time for the Dracula one … let’s go!

P’s View on the Preview – By far the most fascinating thing going into the watch was the directing / acting combination. The notes provide a contradictory story of Wes Craven either being annoyed with Murphy for making it too comedic, or being the one that insisted that it not be so serious. So dissecting which seemed to be right was going to be priority number one. This is also is another Murphy film where he plays multiple characters, so the makeup was also of great interest. I always go to bat for the make up in Norbit which is incredible.

The Good – I think there is a solid story deep within this film. The story of a desperate vampire facing mortality for the first time in hundreds of years, and the danger that poses to not only civilians, but also “creatures” like a half-vampire who wouldn’t really know who she was unless this situation arose. Julius and Silas showed what the silliest version of the film could be, and honestly the biggest crime is that they didn’t choose a side. The silly Julius / Silas version wasn’t that bad if it was actually funny.

The Bad – The movie is kind of a blah nothing film. Very very straightforward, nothing really complicated, and shockingly nothing to add to the vampire films that came before it. It either should have been funnier or scarier, but much like most genre mash-em-ups it manages to merely be poor examples of both genres. Murphy really doesn’t do much, but I think that is intentional, I think he was intending on playing a serious role and only punched things up after Craven asked him to be more “vulnerable”. For whatever reason he seemed to take that to mean “add jokes” when in reality I think Craven had an idea of playing it as a different type of vampire. A vampire facing death and acting recklessly. Craven was right, but I don’t think Murphy’s acting was poor per se. Oh … the makeup is atrocious, I’m not sure how that happened when they would end up making Nutty Professor the next year. Jesus, how could I forget Guido! Just another in a long line of genuinely racist caricatures played by Eddie Murphy. Fantastic. Now that you string them all together you can see why this is considered a terrible film …

The BMT – It has to be a BMT film because it is a poorly received film starring Eddie Murphy. But I don’t think I would ever recommend it or watch it again. At least not without a reason (like … if I’m watching a vampire movie marathon pairing this with Blacula could be a fun then-and-now version of what was originally a blaxploitation idea: Black Dracula). But no, beyond checking off another box in Murphy’s filmography it won’t last in my mind.

Roast-radamus – Obviously we got an A+ Setting (Where?) with Brooklyn right in the title and very much acting as a character. Surprisingly Julius is a decent Planchet (Who?) as Max rips on him throughout the film. I think that is it though. No real twist, and I doubt it’ll get either Good, Bad, or BMT in the final awards either. Pretty weak.

StreetCreditReport.com – I’m not surprised it didn’t get any play for 1995 itself, but it does get the second worst vampire film according to Screencrush. I think that is a bit high (it didn’t even make the other worst-of list for vampire lists I found). You can read around how people consider this a cult classic now for all of the obvious reasons: Murphy’s acting, Craven’s directing, and the on-screen chemistry of the leads.

Good Movie Twins – New game for when I feel up for an extra movie … which won’t be often. As an extra vampire film I settled on From Dusk Till Dawn as that was a similar mash up, a kind of crime thriller thing with the vampire horror exploitation thing. And honestly … the first half is way better than the second. It is a far better crime thriller than exploitation horror. The vampire design was garbage, and it didn’t really have anything interesting to say from a vampire perspective. Having just read ‘salem’s Lot, it is pretty sad that a 40 year old book brings more interesting ideas to vampire lore than basically any movie I’ve seen concerning them. I mostly agree with the New York Times, the effort was mostly sophomoric and leaned too heavily into the exploitation part of things. I’ll be watching more vampire films I think, we have Dracula 2000 (and 3000) coming up, what better time to do Bram Stoker’s Dracula?

Cheerios,

The Sklogs

Vampire in Brooklyn Preview

Jamie stares, mouth agape, as Santa recounts his gritty origin story. Long ago the Coca-Cola Corporation devised an advertising scheme around a jolly man in a red suit. Unbeknownst to them this was the final stage of a dark prophecy that brought him forth from Hell into this world. However, a family of elves took pity on the vile creature and decided to use him for good instead of evil. While Santa has struggled with why he was preserved and let loose on the other monsters of the realm, using his well-oiled muscles to rip them to shreds, he has come to terms with his terrible power… with that Santa takes a long satisfying sip of a Coca-Cola and looks at Jamie, who is weeping uncontrollably. Suddenly Patrick has an idea, “wait, Santa. Did you say that the Coca-Cola Corporation created you in this world using an advertising scheme in our world?” Santa nods, “and it was a truly terrible advertising scheme at that. Craven capitalist cynicism,” he says with a look of disgust on his face. Disgust that can only be washed away by the refreshing taste of a delicious Coke. Patrick shakes Jamie out of his stupor, “Don’t you see? It was within us the whole time.” Jamie nods, “You mean love?” Patrick shakes his head, “no, not love. Something even better. Bad movies. Rich and Poe aren’t here yet because our first film was a wild critical success.” Jamie’s eyes alight, “My god, a sequel… but how do we get back home so we can write it?” Patrick ponders for a second and remembers the great power he tapped into in order to save Santa. He reaches for it again, but this time the query fails. “You try,” he tells Jamie, but within him there is no light… he can only see the one in Patrick. He reaches for that and *pop* they are back in their apartment. They stare in wonder and clap hands in a manly bro hand hug. Time to get to work. They don their cable-knit sweaters, hop in their Volvo and head to Brooklyn. That’s right! We’re transitioning from the Worst Films Ever Rejects into a cycle consisting of films that Siskel and Ebert put on one of their end of year worst films lists. These leads us right to another Eddie Murphy special with Vampire in Brooklyn, his attempt to cash in on that sweet vampire money. This is also the second film where Murphy played multiple roles. In this case Maximilian, Preacher Pauly, and Guido… well that already sounds offensive. Let’s go!

Vampire in Brooklyn (1995) – BMeTric: 68.5

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(Very consistent across the years, and impressively low. Heartening. While I knew of this film obviously, it is nice to see it have a bit of cred among the people.)

Leonard Maltin – 2 stars –  Sleek Caribbean vampire Murphy, to perpetuate his race, needs to persuade Brooklyn cop Bassett that she’s his soul mate. Oddball film has Murphy cracking jokes, but he’s thoroughly evil; on the other hand, it’s not scary enough to work as a horror film … and it’s overlong, to boot.

(Ah classic. This is my problem with almost all multi-genre films. It seems like it isn’t a good comedy, or a good horror film. I find that a lot of these types of films are graded on a curve as a good-for-what-it-is in that much smaller (and worse) sub-genre. There are exceptions though, like Shaun of the Dead.)

Trailer – https://www.youtube.com/watch?v=2qzFuLGeVGI/

(Yeah doesn’t seem very funny. Just a bunch of corny vampire jokes. And Maltin seems to be correct, it seems kind of too true to vampire lore to be anything but a horror film in spirit.)

Directors – Wes Craven – (Known For: Scream; A Nightmare on Elm Street; Scream 4; Scream 2; Red Eye; The Last House on the Left; The Hills Have Eyes; The People Under the Stairs; Swamp Thing; Paris, je t’aime; New Nightmare; The Serpent and the Rainbow; Music of the Heart; Future BMT: My Soul to Take; Cursed; The Hills Have Eyes Part II; Scream 3; Shocker; Deadly Blessing; BMT: Vampire in Brooklyn; Deadly Friend; Notes: An original of the slasher genre, and is credited with bringing it back with the self-referential Scream series. Died in 2015.)

Writers – Eddie Murphy (story) – (Known For: Coming to America; Beverly Hills Cop II; Boomerang; BMT: Norbit; Vampire in Brooklyn; Another 48 Hrs.; Harlem Nights; Razzie Notes: Winner for Worst Screenplay for Harlem Nights in 1990; Winner for Worst Actor, Worst Supporting Actor, and Worst Supporting Actress for Norbit in 2008; Winner for Worst Actor of the Decade in 2010 for I Spy, Imagine That, Meet Dave, Norbit, Showtime, and The Adventures of Pluto Nash; Nominee for Worst Director for Harlem Nights in 1990; Nominee for Worst Screenplay, and Worst Screen Couple for Norbit in 2008; Nominee for Worst Actor in 2003 for I Spy, Showtime, and The Adventures of Pluto Nash; in 2009 for Meet Dave; in 2010 for Imagine That; and in 2013 for A Thousand Words; and Nominee for Worst Screen Couple in 2003 for I Spy, Showtime, and The Adventures of Pluto Nash; and in 2009 for Meet Dave; Notes: Y’all know Eddie Murphy. It actually does seem like Coming 2 America is happening. So maybe Beverly Hills Cop 4 will as well.)

Vernon Lynch (story) – (BMT: Vampire in Brooklyn; Notes: Half-brother of Eddie Murphy. This was a truly a family affair.)

Charlie Murphy (story) (as Charles Murphy & screenplay) (as Charles Murphy) – (BMT: Norbit; Vampire in Brooklyn; Razzie Notes: Nominee for Worst Screenplay for Norbit in 2008; Notes: We did it. Interestingly it feels like whenever Murphy is looking to be on the ropes he dusts off a script he and his brother wrote. This was the end of a long fall which ended with a tack to family friendly films with the Nutty Professor. Norbit kind of marks the end of Murphy’s second leading man career.)

Michael Lucker (screenplay) – (Known For: Spirit: Stallion of the Cimarron; Home on the Range; BMT: Vampire in Brooklyn; Notes: Wrote a bunch of those direct-to-video sequels to Disney films back in the days. Seems to produce now.)

Chris Parker (screenplay) (as Christopher Parker) – (Known For: Heaven Is for Real; BMT: Vampire in Brooklyn; Battle of the Year; Notes: Appears to maybe be doing uncredited writing for animated films. There is little about him online.)

Actors – Eddie Murphy – (Known For: Mulan; Trading Places; Shrek; Coming to America; Beverly Hills Cop; Shrek 2; Doctor Dolittle; Shrek the Third; Shrek Forever After; Beverly Hills Cop II; The Nutty Professor; Life; Dreamgirls; Boomerang; 48 Hrs.; Tower Heist; Bowfinger; Dr. Dolittle 2; Imagine That; Future BMT: Nutty Professor II: The Klumps; The Haunted Mansion; Meet Dave; Holy Man; Showtime; Daddy Day Care; Metro; The Distinguished Gentleman; BMT: Norbit; The Adventures of Pluto Nash; Vampire in Brooklyn; I Spy; Beverly Hills Cop III; Another 48 Hrs.; The Golden Child; A Thousand Words; Harlem Nights; Razzie Notes: Winner for Worst Screenplay for Harlem Nights in 1990; Winner for Worst Actor, Worst Supporting Actor, and Worst Supporting Actress for Norbit in 2008; Winner for Worst Actor of the Decade in 2010 for I Spy, Imagine That, Meet Dave, Norbit, Showtime, and The Adventures of Pluto Nash; Nominee for Worst Director for Harlem Nights in 1990; Nominee for Worst Screenplay, and Worst Screen Couple for Norbit in 2008; Nominee for Worst Actor in 2003 for I Spy, Showtime, and The Adventures of Pluto Nash; in 2009 for Meet Dave; in 2010 for Imagine That; and in 2013 for A Thousand Words; and Nominee for Worst Screen Couple in 2003 for I Spy, Showtime, and The Adventures of Pluto Nash; and in 2009 for Meet Dave; Notes: Apparently Pete Davidson bought a vintage magazine featuring Eddie Murphy for $45 the other day … fun.)

Angela Bassett – (Known For: Bumblebee; Black Panther; Mission: Impossible – Fallout; Contact; Kindergarten Cop; Mr. & Mrs. Smith; Meet the Robinsons; Olympus Has Fallen; Boyz n the Hood; Malcolm X; Strange Days; What’s Love Got to Do with It; The Score; Notorious; White Bird in a Blizzard; Chi-Raq; Waiting to Exhale; Akeelah and the Bee; F/X; How Stella Got Her Groove Back; Future BMT: Supernova; Meet the Browns; Green Lantern; Survivor; Masked and Anonymous; Innocent Blood; Gospel Hill; BMT: Vampire in Brooklyn; London Has Fallen; This Means War; Notes: She’s done some voice work for Bojack Horseman. Nominated for Best Actress for What’s Love Got to Do with It.)

Allen Payne – (Known For: The Perfect Storm; New Jack City; Jason’s Lyric; CB4; A Price Above Rubies; 30 Years to Life; Future BMT: Crossover; Cookie; The Walking Dead; BMT: Vampire in Brooklyn; Notes: Vegan. One of the star of House of Payne, appearing in 170 episodes.)

Budget/Gross – N/A / Domestic: $19,751,736

(That seems really low. I imagine Eddie Murphy was getting paid multiple millions of dollars to appear in it, so almost definitely a bomb.)

#30 for the Horror Comedy genre

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(This is what I mean, I don’t really get why they are trying to make horror-comedies happen. Blank-comedy as a genre is a cool idea. When done right it is brilliant as it is able to skewer the non-comedy genre like nothing else can (see Cabin in the Woods, Shaun of the Dead, and Hot Fuzz). But they are obviously really hard to make. Making a horror film is hard. Making a comedy is really hard. Doing both at the same time is double hard. I literally think Cabin in the Woods is the last good one from that Box Office Mojo list.)

#35 for the Vampire genre

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(We might as well ignore that graph, the giant bump is just Twilight and the copycats there. Interesting nonetheless.)

Rotten Tomatoes – 10% (3/29): Neither scary nor very funny, this misguided effort never lives up to its premise.

(Yeah, see. The double genre ploy almost never works … except for Marvel films which manage to be not very funny comedies and just ok action films, but people kind of accept those as “good” action-comedies.)

Poster – I’m a Vampire This Time (B+)

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(I think my favorite genre of film poster is the “I’m a giant star poster.” Best recent example was The Mummy, which made it seem like Tom Cruise was the titular mummy. Here we get more a story with the moon and the cityscape, but let’s not get it twisted. It’s the Eddie Murphy show and I’m excited.)

Tagline(s) – A comic tale of horror and seduction. (D)

(A lot of genres being thrown around. So it’s a comedy-horror-romance? Cool cool cool. In fact we don’t learn much about the film other than three very broad genres. Also as bland as you can make it.)

Keyword(s) – vampire; Top Ten by BMeTric: 89.1 Vampires Suck (2010); 87.7 BloodRayne (2005); 81.8 Ultraviolet (2006); 78.0 The Twilight Saga: New Moon (2009); 72.1 The Twilight Saga: Breaking Dawn – Part 1 (2011); 69.8 Stan Helsing (2009); 69.1 The Twilight Saga: Eclipse (2010); 68.5 Vampire in Brooklyn (1995); 64.1 Dudley Do-Right (1999); 63.9 Dracula 2000 (2000);

(Wowza. We need to up our vampire game … although to be fair I’ve seen all of the Twilight films in my free time (my life!) so it really is just a matter of doing a re-watch.)

Welcome to Earf (HoE Number 18) – The shortest path through The Movie Database cast lists using only BMT films is: Eddie Murphy is No. 1 billed in Vampire in Brooklyn and No. 1 billed in Harlem Nights, which also stars Richard Pryor (No. 2 billed) who is in Superman III (No. 2 billed), which also stars Annette O’Toole (No. 5 billed) who is in Here on Earth (No. 7 billed) => 1 + 1 + 2 + 2 + 5 + 7 = 18. If we were to watch The Black Dahlia we can get the HoE Number down to 15.

Notes – Sonja Davis, Angela Bassett’s stunt double, died in an accident on the set. (Oh no, I forgot about this. Very sad).

On The Directors (1997), Wes Craven suggested that Eddie Murphy ignored his requests to play the character vulnerable, and felt compelled to showcase his comedic talents. (Wait a second! Later on in an interview Charlie Murphy claimed Wes Craven wanted it to be a comedy!)

Final film of Ray Combs. He died soon after.

In a November 2011 interview with “Rolling Stone”, Eddie Murphy stated that he made this movie for one reason: Paramount agreed to release The Nutty Professor (1996)’s rights in exchange for finishing his deal with the studio. Murphy also said that the wig his character wore was so awful it immediately made people despise the film. (Huh, interesting. So Murphy had the idea to basically reinvent his career prior to making the film. And then probably used his script to finish things off, see the next note).

Eddie Murphy wouldn’t write another story until Norbit (2007), twelve years later. Interestingly, his co-writer of both movies was his brother Charlie Murphy. (Yeah, again, I think they write scripts and then just leave them aside until the point where they are desperate to get something going. Murphy had had a few bad misses leading up to this).

According to Charlie Murphy, the movie was meant to be a straight horror movie with no laughs but Wes Craven brought a different focus to the film. (This contradicts the above note. I’m not sure which one I believe. This might seem unlikely, but Craven would use humor in Scream to satirize the slasher genre in Scream only a few years later)

This is Angela Bassett’s second vampire movie. She previously starred in Innocent Blood (1992). Bassett would also play a vampire many years later in season 5 of American Horror Story (2011). (That is actually kind of a fun fact)

First horror-comedy for Eddie Murphy. He would star in The Haunted Mansion (2003) eight years later. (Ooooooof, neither of those were particularly good).

“Veder” loosely translates to “Vater”, which means “Father”, in German, foreshadowing Ritas father was a vampire. (Darth Vader)