Bad Company Preview

Rich flexes his muscles, his glistening skin growing taut again the ropes that bind him. With a snap he is free and he leaps from the ceremonial table and jumps through a stained-glass window. Looking around he realizes he’s in a maze. “Heh heh heh, rats in a maze,” a Nic Cage says to his left, but when he turns no one is there. “Men in a cage,” the other responds to the right, but Rich is already off running. Suddenly he comes to a stop. “Fa… Father?” he stutters in astonishment. His father, long dead, is up ahead, beckoning him forward. He follows, but each turn he makes his father is already making the next turn. “Father!” he calls, “we have to find Poe. We have to find my… my brother.” Suddenly, he finds himself in a police station. He tries to tether himself to reality to stop himself from slipping back to bashing heads amidst the swirling papers.Yet he finds himself grabbing a stale slice of za from a box, readying himself to launch into his latest diatribe against those goddamn rulez when he hears “Poe! Get in here!” Poe! He looks around, but he doesn’t see his partner. When he looks back at the Chief he’s staring right at him. “Poe! Get a move on or I’ll have your ass.” Confused, Rich walks into the office and sits down. “I know it’s been hard since Rich has been killed, Poe, but we need your help,” the Chief sighs, “we need you to go undercover as Rich. Given your… similar… physical characteristics, you’re the only one that can pull it off.” Rich nods. “We also got you a little company. Meet your new partner.” Rich turns. His blood runs cold. That’s right! We’re watching Bad Company starring Chris Rock and Anthony Hopkins. Rock plays twins separated at birth who are all mixed up in some spy shit. Let’s go!

Poe comes to love and respect his monstrous twin protectors as they nurse him back to health. Eventually, having gained strength from their delicious Dr. Pepper infused lasagna, he asks them where they are. They looked confused, “We are here,” they say. “So how do we get there?” Poe asks. They nod and point up. Poe’s eyes travel up the mountain to the swirling storm clouds above. His blood runs cold. That’s right! As a partner for Bad Company we are diving head first into Dragon Hunt, one of the action films made by the Twin Dragons, Canadian twin martial artists with moustaches for days. Let’s go!

Bad Company (2002) – BMeTric: 44.6; Notability: 51 

(My god, a 50+ notability film! And it’s Bad Company, how odd. The bad rating on this is really sticking right around 5.5. And you can definitely see the inflection there. The votes rising right around 2011 (when IMDb when mobile) and now tailing off again as the new user base saturates their ratings. I wonder if IMDb is going to be in trouble at some point as people finally stop having old movies to rate … I guess they only really make money off of IMDb Pro anyways.)

RogerEbert.com – 2.0 stars – Hard on the heels of “The Sum of All Fears,” here’s Jerry Bruckheimer’s “Bad Company,” another movie about an American city threatened by the explosion of a stolen nuclear device. This one is an action comedy. There may come a day when the smiles fade. To be sure, the movie was made before 9/11 (and its original autumn 2001 release was delayed for obvious reasons), but even before 9/11 it was clear that nuclear terrorism was a real possibility. While “The Sum of all Fears” deals in a quasi-serious way with the subject (up until the astonishingly inappropriate ending), “Bad Company” is more light-hearted. Ho, ho.

(Well … this review just makes me want to watch Sum of All Fears. Or more realistically read some trash Clancy books. Oh, and yeah, I didn’t think about the impact of 9/11, but this one is one of the more wild versions of the story, all the way down to it maybe being the last film featuring a true blue Yugoslavian terrorist (it is hard to tell).)

Trailer – https://www.youtube.com/watch?v=-h8wWFqwmcA/

(The “hand me a towel” joke is all I distinctly remember from the trailer when this came out. The trailer is interesting because it doesn’t indicate that the main character didn’t know he had a twin brother, but I suppose that is a minor point. The Saddam Hussien comment is also interesting considering it was released in June of 2002.)

Directors – Joel Schumacher – (Known For: The Lost Boys; A Time to Kill; Falling Down; St. Elmo’s Fire; The Client; Phone Booth; Flatliners; Flawless; Blood Creek; Tigerland; Veronica Guerin; Cousins; Future BMT: Twelve; The Incredible Shrinking Woman; Street Fleet; Dying Young; 8MM; The Phantom of the Opera; BMT: Batman & Robin; Batman Forever; Trespass; Bad Company; The Number 23; Razzie Notes: Nominee for Worst Director for Batman & Robin in 1998; Notes: A stalwart director from 1980 through 2005, after which he semi-retired. Directed a few music videos like The End is the Beginning is the End by The Smashing Pumpkins. Died this year.)

Writers – Gary M. Goodman (story) (as Gary Goodman) – (BMT: Bad Company; Notes: Mostly a producer. Directed a single episode of the Police Academy television show in 1998.)

David Himmelstein (story) – (Known For: Power; Future BMT: Village of the Damned; BMT: Bad Company; Notes: Wrote a television movie called Soul of the Game about the players trying to break the color barrier in baseball.)

Jason Richman (screenplay) – (Future BMT: Swing Vote; BMT: Bangkok Dangerous; Bad Company; Notes: Was a professional musician. The creator of a few television shows including Stumptown.)

Michael Browning (screenplay) – (Future BMT: Six Days Seven Nights; BMT: Bad Company; Notes: Is also a producer on Bad Company. This is the last thing he is credited for in any category on IMDb.)

Actors – Anthony Hopkins – (Known For: The Silence of the Lambs; Thor: Ragnarok; Thor; Red Dragon; Bram Stoker’s Dracula; Legends of the Fall; A Bridge Too Far; Thor: The Dark World; Meet Joe Black; RED 2; Mission: Impossible II; Fracture; The Two Popes; Noah; The Elephant Man; The Mask of Zorro; Howards End; The Bounty; How the Grinch Stole Christmas; Beowulf; Future BMT: Alexander; Misconduct; Freejack; Go with Me; The Wolfman; Slipstream; Desperate Hours; Collide; The Rite; Kidnapping Freddy Heineken; All the King’s Men; 360; Solace; Instinct; The Innocent; Surviving Picasso; The Trial; Hannibal; The City of Your Final Destination; August; BMT: Transformers: The Last Knight; Bad Company; Razzie Notes: Nominee for Worst Actor for A Change of Seasons in 1981; and Nominee for Worst Supporting Actor in 2018 for Collide, and Transformers: The Last Knight; Notes: Born in Wales, he was inspired by Richard Burton to become an actor. He’s now an American citizen and was allowed to keep his knighthood.)

Chris Rock – (Known For: Bee Movie; Madagascar; A.I. Artificial Intelligence; Dolemite Is My Name; Dogma; Madagascar: Escape 2 Africa; Death at a Funeral; Madagascar 3: Europe’s Most Wanted; Jay and Silent Bob Strike Back; Beverly Hills Cop II; Doctor Dolittle; Osmosis Jones; Lethal Weapon 4; Boomerang; New Jack City; I’m Gonna Git You Sucka; Top Five; CB4; Krush Groove; Nurse Betty; Future BMT: The Week Of; You Don’t Mess with the Zohan; Sandy Wexler; Nobody’s Fool; Pootie Tang; Beverly Hills Ninja; Down to Earth; Head of State; I Think I Love My Wife; Paparazzi; Sgt. Bilko; The Longest Yard; Panther; BMT: Grown Ups 2; Bad Company; What to Expect When You’re Expecting; Grown Ups; Notes: Came up through SNL and into a supporting comedic actor in the 90s. He became a starring lead in the 2000s. Notable for his friendship with Adam Sandler and his participation in many of his recent films.)

Peter Stormare – (Known For: The Big Lebowski; The Lost World: Jurassic Park; Fargo; Constantine; Minority Report; John Wick: Chapter 2; 22 Jump Street; Awakenings; Pain & Gain; Chocolat; The Last Stand; The Imaginarium of Doctor Parnassus; Dancer in the Dark; Fanny and Alexander; The Zero Theorem; Penguins of Madagascar; Clown; How I Spent My Summer Vacation; Damage; Henry’s Crime; Future BMT: Tokarev; Witless Protection; Dylan Dog: Dead of Night; Rupture; Eye for an Eye; Horsemen; Dark Summer; Nacho Libre; The Brothers Grimm; Premonition; Anamorph; Every Thing Will Be Fine; The Nut Job 2: Nutty By Nature; The Million Dollar Hotel; Playing God; Lockout; Windtalkers; Strange Magic; Birth; Jewtopia; I Am Here; Small Apartments; Autumn Blood; 8MM; Circus; Unknown; Bad Boys II; Spun; BMT: The Tuxedo; Bad Company; Hansel & Gretel: Witch Hunters; Mercury Rising; Armageddon; Notes: A fun “that guy” since the mid-90s. He’s Swedish, but he tends to play a variety of nationalities, particularly Russian and Eastern European.)

Budget/Gross – $70,000,000 / Domestic: $30,160,161 (Worldwide: $66,200,782)

(That is slightly better than I would have expected, but pretty bad considering the listed budget. You obviously are hoping a Joel Schumacher film is a blockbuster.)

Rotten Tomatoes – 10% (14/135): Chris Rock and Anthony Hopkins fail to generate the sparks necessary to save the movie from a generic and utterly predictable script.

(Just a shade over 10% sadly, I do like collecting sub-10% Rotten Tomatoes films. Yeah, everything I remember about the film when it came out was how much of a miscast the pair of Hopkins and Rock were. Reviewer Highlight: Bad Company is a bad movie with really bad timing. – Richard Roeper, Ebert & Roeper.)

Poster – Sklog Company

(It is quite amusing that they have this big poster and are like “Hopkins”… “Rock” as if this is the teamup that we’ve all been waiting for. “Oh, when will I be able to see the dynamic action/comedy duo of Chris Rock and Anthony Hopkins?! When will Hollywood finally deliver what we’ve all been clamouring for?!!! Pretty good poster though. Only critique is them riding that star power a little harder than it deserved. Get me a little taste of the plot please. B+)

Tagline(s) – The World is in Good Hands (D)

(Hands… hands… is this a pun I’m not picking up on? Why can’t these movies just figure out how to do a decent twin pun. Back-to-back weeks where the tagline has been merely lame or worse. This is boring fluff.)

Keyword – twin

Top 10: Doctor Sleep (2019), The Prestige (2006), Gone Girl (2014), Stand by Me (1986), Octopussy (1983), Avatar (2009), Harry Potter and the Prisoner of Azkaban (2004), A Simple Favour (2018), Crazy Rich Asians (2018), There Will Be Blood (2007)

Future BMT: 71.1 The Spirit (2008), 70.0 The Unborn (2009), 68.1 Seed of Chucky (2004), 58.2 Deck the Halls (2006), 57.9 House of Wax (2005), 52.2 The Divorce (2003), 51.2 Scary Movie 3 (2003), 51.2 Dude, Where’s My Car? (2000), 48.6 The Real Cancun (2003), 47.5 Dumb and Dumber To (2014);

BMT: 2012 (2009), The Snowman (2017), Cheaper by the Dozen (2003), Cheaper by the Dozen 2 (2005), The Forest (2016), I Know Who Killed Me (2007), Old Dogs (2009), Johnny Mnemonic (1995), Bad Company (2002), 88 Minutes (2007), New York Minute (2004), Babylon A.D. (2008), Grind (2003), The Seeker: The Dark Is Rising (2007)

(So indeed there aren’t really twins in this film I don’t think, so I went with the “twin” keyword instead. This is a pretty good keyword as well. The Forest was a great twin film, as was I Know Who Killed Me, Old Dogs, New York Minute, and The Seeker: The Dark is Rising. Most of the other ones (like 88 Minutes) are more tenuous, in that one the first death in the film involves two twins who live together, although it is easy to forget that.)

Welcome to Earf (HoE Number 15) – The shortest path through The Movie Database cast lists using only BMT films is: Chris Rock is No. 2 billed in Bad Company and No. 3 billed in Grown Ups, which also stars Adam Sandler (No. 1 billed) who is in Jack and Jill (No. 1 billed), which also stars Al Pacino (No. 3 billed) who is in 88 Minutes (No. 1 billed), which also stars Leelee Sobieski (No. 3 billed) who is in Here on Earth (No. 1 billed) => 2 + 3 + 1 + 1 + 3 + 1 + 3 + 1 = 15. If we were to watch The Spirit, and The Black Dahlia we can get the HoE Number down to 13.

Notes – This was one of the last movies filmed in the World Trade Center (some of the subway scenes).

One of several movies that had its release date changed after the terrorist attacks on the U.S. on September 11, 2001. This movie was originally set for release in November 2001, but was not released until June 2002.

Originally written as a sequel to Blue Streak (1999). (Huh that is actually super interesting)

When Jake (Chris Rock) is dining with Nicole (Garcelle Beauvais) in Prague, he says, “I’ll eat a pig’s ass if they cook it right.” This is a line from his 1996 HBO special. (Weird)

Originally titled “Black Sheep” until it was discovered that there was already a movie with that title, Black Sheep (1996). (Oh did they discover that? Did they dig into the archive and be like “Oh, Chris Rock, you’re friends with David Spade and Chris Farley right? Did you know they had a film called Black Sheep?! Get out of here with that.)

The Glimmer Man Preview

In between make-out sessions, Poe and Det. Halloway hash out the plot to the totally lit YA banger for the gucci crowd The Platonic Solids Series Part II: Love on the Blocks. In this entry… 

Jewel is thrown into heart wrenching despair when Kelton, her swamp monster lover, is forced by the job-deciders to play the deadly Cinder Olympics. The revolution is in tatters and realizing that little ol’ Jewel must live her unique life, Kelton convinces her that swamp monsters don’t know love and he actually wants to play. Blinded by her tragic despair she decides to conform and start working her assigned job. Later, Gregor checks in and he’s now totally ripped. Also he reveals that he’s a phantom of the opera, mortal enemy of the swamp monsters, and that Jewel is in great danger because Kelton won the Cinder Trophy. To punish him the job-deciders are going to kill her. Gregor offers to protect her with his muscles, but she knows she needs to share one final kiss with Kelton before her death. Running into the Cinder Lands she finds him and he realizes that the only way she’ll survive is to become a swamp monster. Jewel is torn because that would hurt Gregor, but also she wants some of that sweet swamp monster action. Kelton is torn because becoming a swamp monster involves him shooting a slimy spoor into her and that seems monstrous to him unless they were to get… *gasp*

Rich finds this all a little on the nose. He sadly walks down the corridors of the school. He’s despondent as it feels like he’s lost his best buddy. So different and yet so similar. As he turns a corner he sees just the faintest glimmer of someone sneaking around the next hallway… curious. That’s right! We are watching the Steven Seagal classic (masterpiece?) The Glimmer Man. May as well be called Buddy Cop: The Movie and that’s why we’re watching it. We’re also watching it as part of the chain going from Kiss the Girls through Brian Cox. We haven’t watched nearly enough Steven Seagal in BMT, so I’m excited. Let’s go!  

The Glimmer Man (1996) – BMeTric: 45.2; Notability: 41 

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(Seems about right. Too bad there isn’t just enough votes to bump it over 50 BMeTric. The notability is off the chain. I think I’m slowly learning that there are only a handful of 50+ notability films per year, and they usually are good. So even getting close to 50 for a film like this is astonishing.)

Leonard Maltin – 1.5 stars –  Seagal and Wayans team up to track down a serial killer who is terrorizing the L.A. area. Tired buddy/cop picture, even by Seagal’s fairly low standards; he also coproduced.

(That is one svelte review. Very nice to see that basically this is Buddy Cop: The Movie. Since, you know … that’s why we are watching it.)

Trailer – https://www.youtube.com/watch?v=MGQ5Nq7r-Ho/

(That is some rough quality VHS rip. Jesus his beads, ponytail, and weirdo looking suits are off the chain. Looks truly awful. I’m excited.)

Directors – John Gray – (Known For: White Irish Drinkers; BMT: The Glimmer Man; Notes: Directed multiple episodes of Ghost Whisperer. Oddly, his wife wrote multiple episodes of Dog Whisperer.)

Writers – Kevin Brodbin (written by) – (Known For: Constantine; The Siege of Jadotville; Future BMT: Mindhunters; BMT: The Glimmer Man; Notes: He maybe wrote a pilot for a Mindhunters television show, but it is a bit unclear. The IMDb page lists zero episodes.)

Actors – Steven Seagal – (Known For: Under Siege; Machete; Above the Law; Executive Decision; Future BMT: The Patriot; Half Past Dead; The Foreigner; Under Siege 2: Dark Territory; Hard to Kill; Marked for Death; Contract to Kill; Out for Justice; China Salesman; BMT: On Deadly Ground; Fire Down Below; The Glimmer Man; Exit Wounds; Razzie Notes: Winner for Worst Director for On Deadly Ground in 1995; Nominee for Worst Actor in 1995 for On Deadly Ground; in 1998 for Fire Down Below; and in 2003 for Half Past Dead; Nominee for Worst Supporting Actor for Executive Decision in 1997; and Nominee for Worst Original Song, and Worst Screen Couple for Fire Down Below in 1998; Notes: A 7th-dan black belt in aikido, he is now a Russian citizen.)

Keenen Ivory Wayans – (Known For: Scary Movie; I’m Gonna Git You Sucka; Star 80; Hollywood Shuffle; Future BMT: Dance Flick; Most Wanted; A Low Down Dirty Shame; Don’t Be a Menace to South Central While Drinking Your Juice in the Hood; BMT: The Glimmer Man; Razzie Notes: Nominee for Worst Director, and Worst Screenplay for Little Man in 2007; and Nominee for Worst Director, and Worst Screenplay for White Chicks in 2005; Notes: Most notable for his groundbreaking comedy series In Living Color which gave Jim Carrey his start.)

Bob Gunton – (Known For: The Shawshank Redemption; Argo; The Lincoln Lawyer; Fracture; Patriot Games; The Perfect Storm; JFK; Glory; Born on the Fourth of July; The 33; Kill the Irishman; Trouble with the Curve; Midnight in the Garden of Good and Evil; I Heart Huckabees; Get the Gringo; Broken Arrow; Dolores Claiborne; Rendition; Matewan; Future BMT: Boat Trip; Father Hood; Dead Silence; Ace Ventura: When Nature Calls; Jennifer 8; Unbroken: Path to Redemption; Cookie; Patch Adams; BMT: Bats; Runner Runner; The Glimmer Man; A Thousand Acres; Demolition Man; Notes: A major player in the late seasons of 24 moving up from Chief of State to Secretary of State under multiple fake administrations.)

Budget/Gross – $45 million / Domestic: $20,351,264 (Worldwide: $20,351,264)

(That is a disaster. It makes sense. If you look at the trajectory of Seagal films this is the last film released with the intention of actually making money. He slipped pretty quickly into straight-to-video releases almost immediately afterwards.)

Rotten Tomatoes – 12% (3/26): A grimy, humorless glimpse of Steven Seagal’s direct-to-video future, Glimmer Man fails to shine.

(Cooooooooold Blooooooooooooded. That is one grimy, humorless view of Seagal’s obviously amazing career. Reviewer Highlight: John Gray’s The Glimmer Man is strictly for Steven Seagal fans (if there is such a species). – Quentin Curtis, Daily Telegraph (UK))

Poster – The Glimmer Sklog (C+)

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(This honestly looks like we made it ourselves. Really seems like the lowest possible level of effort was used in creating this. That being said… I like the blue. Patrick’s Shallow Fake: I managed to get the shadow on my face to look … fine. It looks fine. I won’t call it good, but for a fake shadow it looks fine. Screwed up the font a bit, but couldn’t be bothered to fix it in the end, there are only so many hours in the day after all.)

Tagline(s) – Two good cops. One bad situation. (B)

(I mean, obviously this is amazing. Mostly because it fits right in with the idea that this is just Buddy Cop: The Movie. This could apply to every buddy cop movie in history and I love it. Can I ironically give it an A? Fine, it gets a B for not being original enough.)

Keyword – buddy cop

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Top 10: Bad Boys for Life (2020), Men in Black: International (2019), The Other Guys (2010), Men in Black (1997), Cop Out (2010), Bad Boys (1995), Hot Fuzz (2007), Stuber (2019), 21 Jump Street (2012), The Nice Guys (2016)

Future BMT: 63.3 Agent Cody Banks 2: Destination London (2004), 55.1 Knock Off (1998), 49.1 Showtime (2002), 46.7 Cop Out (2010), 46.7 Men in Black: International (2019), 46.6 The Happytime Murders (2018), 44.7 National Security (2003), 44.6 Metro (1997), 41.6 Boiling Point (1993), 40.7 Brick Mansions (2014);

BMT: Judge Dredd (1995), CHIPS (2017), Wild Wild West (1999), R.I.P.D. (2013), Tango & Cash (1989), Ride Along (2014), Beverly Hills Cop III (1994), Cradle 2 the Grave (2003), Ride Along 2 (2016), Another 48 Hrs. (1990), Stop! Or My Mom Will Shoot (1992), Show Dogs (2018), Hollywood Homicide (2003), The Glimmer Man (1996)

(Very interesting that it grew up to a point and then collapsed. Usually I would say this is due to VOD taking over these minor sub-genres. Here though I have a feeling it is just television in general that took over cop partner media. Think True Detective, Broadchurch, etc. There is a long history of this genre in television and I think it is only getting bigger on the small screen.)

Welcome to Earf (HoE Number 15) – The shortest path through The Movie Database cast lists using only BMT films is: Steven Seagal is No. 1 billed in The Glimmer Man and No. 1 billed in Exit Wounds, which also stars Isaiah Washington (No. 3 billed) who is in Hollywood Homicide (No. 5 billed), which also stars Josh Hartnett (No. 2 billed) who is in Here on Earth (No. 3 billed) => 1 + 1 + 3 + 5 + 2 + 3 = 15. If we were to watch Out for Justice we can get the HoE Number down to 13.

Notes – According to Keenen Ivory Wayans, one time during production, after waiting for a long time for Steven Seagal to finally show up on the set, Seagal appeared with some script and said how it was the greatest script he ever read in his entire life. When Wayans asked him who wrote it, Seagal responded by saying; “I did.” (Sounds about right …)

Brian Cox replaced Tommy Lee Jones at very short notice.

After the film was completed, Warner Brothers conducted additional editing on the film to make it faster, and more like a regular Steven Seagal movie. Cut scenes included several comedic and dramatic exchanges between Campbell (Keenen Ivory Wayans) and Cole (Steven Seagal) and a great deal of Michelle Johnson’s scenes, as Cole’s wife, Jessica, were cut.

Originally envisioned as a much larger action picture, similar in scope to The Last Boy Scout (1991). Several action scenes were removed to cut down the budget. They included the bombing of a boat owned by Campbell (who lived on a houseboat instead of in an apartment), an encounter between Cole and a SWAT team that has raided his house and the final confrontation and gunfight at the Los Angeles museum. (The Last Boy Scout is great, watch that instead)

Steven Seagal championed Trevor Rabin as the composer of the film. Years earlier Rabin, an avid guitar enthusiast like Seagal, had coached and trained Seagal with his guitars.

In the original screenplay (114 pages), Cole was called Calhoun, Campbell was named Leary,and Donald Cunningham was called Abraham.

Easter egg: on the wall of the police station, there is a “wanted” poster for Erik Gauss, the character of Matthias Hues from Bounty Tracker (1993). (Someone is watching Boutry Tracker for You Just Got Schooled this week!)

According to Stephen Tobolowsky, Steven Seagal wanted to change the scene in which Cole (Seagal) kills Maynard (Tobolowsky). Due to his spiritual beliefs, Seagal did not want to kill villains in his movies anymore. Tobolowsky convinced him that Maynard would be able to be reincarnated and redeemed by being killed. Seagal agreed, and the scene was filmed as written. However, a few months later, Seagal wanted to change the scene, to show that Maynard survived the shooting. Tobolowsky was brought in to overdub lines to indicate that Maynard was still alive, but this was not used in the final cut.

Tango & Cash Preview

Brief note before we start: last July we got together yet again and worked out a fourth class to be inducted into the Smaddies Baddies BMT Hall of Fame. It has been nearly a decade since we started BMT and as usual the films from more than five years ago might just deserve a rewatch, a reassessment, and a recap. The previews and speeches will be released leading up to the seventh (ninth?) Smaddies Baddies for the five films chosen. Tango & Cash (or is it Rich & Poe?) check off all the boxes: Sly Stallone, Sly Stallone, and Sly Stallone. This is the preview for the film, a Hall of Fame induction speech will follow immediately afterwards. Enjoy!

Generated on: 2020-01-13

Tango & Cash (1989) – BMeTric: 21.3; Notability: 68 

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(The rating is actually a bit lower than I would have expected. This is a really really fun film, and a film I’ve seen mentioned online as being underrated. So I would have kind of expected it to me close to 7.0 to be honest. I guess it helps that the movie is just a bit too strange (especially near the end) for people to get entirely on board? Love the notability though. This was probably just after Stallone’s Imperial Phase (to borrow a term from music) which is maybe 1983 to 1988, but it is close.)

Leonard Maltin – 2 stars –  Rumored $55 million budget must have gone for male hairstyling in congenitally derivative narc caper about two competitive cops who take on M.r Big. Surprisingly tolerable, though, with a nifty prison break sequence and a pleasingly relaxed Stallone.

(A pleasingly relaxed review by Leonard. Odd use of the word congenitally to be honest, but genuinely an interesting take on the movie as it was probably written at the time of release. I’m sure that is part of the reason the movie is merely borderline BMT, critics probably like “meh, fun”.)

Trailer – https://www.youtube.com/watch?v=qwzkxI6b9Go/

(This is an incredibly bad trailer for conveying what the movie is about. It’s an incredibly good trailer in that it condenses all the truly insane shit from the film into a short clip that genuinely makes me excited to watch it.)

Directors – Andrey Konchalovskiy – (Known For: Runaway Train; Shy People; Chacun son cinéma ou Ce petit coup au coeur quand la lumière s’éteint et que le film commence; Ray; The Inner Circle; Belye nochi pochtalyona Alekseya Tryapitsyna; Dom durakov; Future BMT: The Nutcracker in 3D; Homer and Eddie; BMT: Tango & Cash; Notes: Fired from the film by the ever erratic producer Jon Peters who was famous for the Superman/Wild Wild West giant mechanical spider story. He won an Emmy for the miniseries The Odyssey.)

Albert Magnoli – (Known For: Purple Rain; BMT: American Anthem; Tango & Cash; Notes: Brought in to finish the film. For a time he was Prince’s manager.)

Writers – Randy Feldman (written by) – (Known For: Hell Night; Future BMT: Metro; Nowhere to Run; La chispa de la vida; BMT: Tango & Cash; Razzie Notes: Nominee for Worst Screenplay for Tango & Cash in 1990; Notes: Brother of Dennis Feldman, who wrote BMT films Species II and The Golden Child, along with a number of future BMT films.)

Actors – Sylvester Stallone – (Known For: Guardians of the Galaxy: Vol. 2; Creed II; Rocky; First Blood; The Expendables; Creed; Escape Plan; Rocky Balboa; Cliffhanger; The Expendables 2; Rocky III; Spy Kids 3: Game Over; Rocky II; Cop Land; Bullet to the Head; Antz; Death Race 2000; Nighthawks; Escape to Victory; Future BMT: Escape Plan II; Staying Alive; Rocky V; Escape Plan 3; D-Tox; The Specialist; An Alan Smithee Film: Burn Hollywood Burn; Avenging Angelo; Backtrace; Ratchet & Clank; Collection; Assassins; Oscar; Rocky IV; BMT: Stop! Or My Mom Will Shoot; Driven; Zookeeper; Rhinestone; Get Carter; Judge Dredd; Rambo III; Cobra; Over the Top; Daylight; The Expendables 3; Rambo: Last Blood; Tango & Cash; Grudge Match; Lock Up; Rambo: First Blood Part II; Demolition Man; Rambo; Razzie Notes: Winner for Worst Director, and Worst Actor for Rocky IV in 1986; Winner for Worst Screenplay, and Worst Actor for Rambo: First Blood Part II in 1986; Winner for Worst Actor in 1985 for Rhinestone; in 1989 for Rambo III; and in 1993 for Stop! Or My Mom Will Shoot; Winner for Worst Supporting Actor for Spy Kids 3: Game Over in 2004; Winner for Worst Screen Couple in 1995 for Interview with the Vampire: The Vampire Chronicles, and The Specialist; Winner for Worst Actor of the Decade in 1990 for Cobra, Cobra, Lock Up, Lock Up, Over the Top, Over the Top, Rambo III, Rambo III, Rambo: First Blood Part II, Rambo: First Blood Part II, Rhinestone, Rocky IV, and Tango & Cash; Nominee for Worst Director for The Expendables in 2011; Nominee for Worst Screenplay in 1985 for Rhinestone; in 1986 for Rocky IV; in 1987 for Cobra; in 1989 for Rambo III; in 1991 for Rocky V; in 1994 for Cliffhanger; and in 2002 for Driven; Nominee for Worst Actor in 1987 for Cobra; in 1988 for Over the Top; in 1990 for Lock Up, and Tango & Cash; in 1991 for Rocky V; in 1992 for Oscar; in 1995 for The Specialist; in 1996 for Assassins, and Judge Dredd; in 1997 for Daylight; in 2001 for Get Carter; and in 2014 for Bullet to the Head, Escape Plan, and Grudge Match; Nominee for Worst Supporting Actor, and Worst Screen Couple for Driven in 2002; and Nominee for Worst Supporting Actor for An Alan Smithee Film: Burn Hollywood Burn in 1999; Notes: I mean, come on.)

Kurt Russell – (Known For: Once Upon a Time… in Hollywood; Guardians of the Galaxy: Vol. 2; Forrest Gump; The Hateful Eight; The Christmas Chronicles; Fast & Furious 8; The Thing; Fast & Furious 7; Tombstone; Deepwater Horizon; Death Proof; Bone Tomahawk; Sky High; Stargate; Big Trouble in Little China; Executive Decision; Escape from New York; Grindhouse; Overboard; Future BMT: Captain Ron; The Best of Times; Crypto; Jiminy Glick in Lalawood; It Happened at the World’s Fair; BMT: Poseidon; Soldier; 3000 Miles to Graceland; Tango & Cash; Vanilla Sky; Razzie Notes: Nominee for Worst Supporting Actress for Tango & Cash in 1990; and Nominee for Worst Screen Couple for 3000 Miles to Graceland in 2002; Notes: Double come on. It’s Kurt!)

Teri Hatcher – (Known For: Tomorrow Never Dies; Spy Kids; Coraline; 2 Days in the Valley; Planes: Fire & Rescue; Soapdish; The Big Picture; Resurrecting the Champ; Future BMT: Planes; Heaven’s Prisoners; Straight Talk; Madness in the Method; BMT: Tango & Cash; Razzie Notes: Nominee for Worst Supporting Actress in 1997 for 2 Days in the Valley, and Heaven’s Prisoners; Notes: Probably best known for TV work, winning a Golden Globe for Desperate Housewives. Also was a 49ers cheerleader.)

Budget/Gross – $55 million / Domestic: $63,408,614 (Worldwide: $63,408,614)

(Modest hit. A little strange in that you have a film with two megastars, that was modestly popular at the time of its release, and yet usually when I mention this film to people my age they’ve never heard of it.)

Rotten Tomatoes – 31% (14/45): Brutally violent and punishingly dull, this cookie-cutter buddy cop thriller isn’t even fun enough to reach “so bad it’s good” status.

(Punishingly dull! Punishingly dull?! That’s just flat wrong. Not, cookie-cutter buddy cop thriller… that… that’s true. I will contend it’s clearly so bad that it’s good and Rottentomatoes should amend that consensus. Reviewer Highlight: The jokes seem lame and the rivalry fraudulent, as the two boys play with their big guns. – Gene Siskel, Chicago Tribune)

Poster – Rich & Poe (D)

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(The literal Rich & Poe poster. I even have a coffee cup with that image on it. Ironically it’s a really bad poster. Kinda violates all my rules. Patrick’s Shallow Fake: Probably my best fake movie poster ever. I got the graininess just right, and started to actually manipulate things in the image (like the glasses, which are just modified directly off of the picture of Stallone). Could have done better with the font I suppose.)

Tagline(s) – Two of L.A.’s top rival cops are going to have to work together… Even if it kills them. (C-)

(Egad, that’s long. It’s not even that clever when you think about it. They went for a double entendre, but it only really makes sense in one meaning. Also bad.)

Keyword – buddy movie

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Top 10: Green Book (2018), The Peanut Butter Falcon (2019), Hall Pass (2011), The Other Guys (2010), Bad Boys (1995), Central Intelligence (2016), Men in Black (1997), Ice Age (2002), Hot Fuzz (2007), 21 Jump Street (2012)

Future BMT: 49.8 Gone Fishin’ (1997), 44.7 National Security (2003), 42.2 Transylvania 6-5000 (1985), 40.4 Hall Pass (2011), 39.7 Pink Cadillac (1989), 33.2 Sahara (2005), 31.9 Armed and Dangerous (1986), 27.9 Men in Black II (2002), 27.5 Rush Hour 3 (2007), 16.9 Bad Boys II (2003);

BMT: Wild Wild West (1999), Tango & Cash (1989), Double Team (1997), Another 48 Hrs. (1990), Hot to Trot (1988)

(This genre is really dying. It is kind of amazing. I’m very excited for all of the films that are coming up. They are almost universally great bad movies.)

Welcome to Earf (HoE Number 10) – The shortest path through The Movie Database cast lists using only BMT films is: Sylvester Stallone is No. 1 billed in Tango & Cash and No. 1 billed in Expendables 3, which also stars Jason Statham (No. 2 billed) who is in In the Name of the King: A Dungeon Siege Tale (No. 1 billed), which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 1 + 1 + 2 + 1 + 4 + 1 = 10. If we were to watch The Glass House we can get the HoE Number down to 8.

Notes – When Tango and Cash escape from the prison, Cash turns to Tango and asks if he stopped “for coffee and a Danish.” Tango says, “I hate Danish,” an in-joke referring to Sylvester Stallone’s recent divorce from Danish actress Brigitte Nielsen. (oof)

The glasses Sylvester Stallone wears early in the film are his own, not props. He usually wears contact lenses in his films. The lenses show that he is very near-sighted in one eye, less so in the other. Plus, he has astigmatism.

Director Andrey Konchalovskiy was replaced toward the end of principal photography by Albert Magnoli. In his book of memoirs, Konchalovsky says that the reason he was fired was because he wanted to give the film a more serious tone than the producers wanted, and as such, his relationship with Producer Jon Peters became untenable. Konchalovsky, however, has nothing but praise for Sylvester Stallone, who he states was a constant voice of reason on the set.

When Brion James was originally hired to play Requin, it was a very small role with only two lines. In an effort to give the character something that would make him stand out, James decided to speak in a horrible “cockney” accent. Sylvester Stallone loved it, and re-wrote the script to give Requin a much bigger role. (Jesus, Imperial Phase for real)

The scene where Tango faces an oncoming truck with nothing but a gun was borrowed from Ging chaat goo si (1985), where Jackie Chan performed the stunt. As a “response”, Chan would later reference the make shift zip-line prison escape moment in this film in a scene early in the third installment of the Police Story series, Ging chaat goo si III: Chiu kup ging chaat (1992) (Oh, fun)

Patrick Swayze was originally cast as Cash, but he dropped out to star in Road House (1989). (Good choice, although I feel like Tango & Cash would have benefited from his more serious attitude)

Kurt Russell was originally considered and offered the role of Martin Riggs in Lethal Weapon (1987), but he turned it down, and it went to Mel Gibson, with whom he worked on Tequila Sunrise (1988). His character in this film is loosely based on Riggs.

While filming the scene in which the back of the SUV catches fire, the flames would not go out when filming was over. Kurt Russell and Sylvester Stallone were caught in a cross draft. Stallone was so close to the fire that his hair was singed in places.

Years later, Sylvester Stallone offered the role of “Mr. Church” to Kurt Russell in The Expendables (2010). Russell declined the role, which was then accepted by Bruce Willis.

A total of four different people directed the film. Andrey Konchalovskiy, who was fired after about three months of filming by Jon Peters, Sylvester Stallone, after the movie went over-budget and schedule (but not by his fault), Executive Producer Peter MacDonald, who was also the Second Unit Director, then took over directing on the movie for some time (a year earlier MacDonald had to step in as a director for Stallone’s previous movie Rambo III (1988) after the original director was fired by Stallone), then Albert Magnoli was hired as the new director to finish the movie (but even after principal photography was finished, he caused two more weeks of further delays after he decided to re-shoot some parts of the movie), and Stallone was also directing the movie behind the scenes (something he was known for, especially during the 80s). None of them however had any control over the editing of the movie. Instead, Warner Bros. hired expert editor Stuart Baird to re-edit the movie after they expressed strong dislike for the initial rough cut. Baird hired another editor Hubert de La Bouillerie to help out when Warner Bros. kept complaining on every different cut of the movie that was edited, which almost caused for release date to be pushed way further than planned.In the end, the movie was finally approved for theatrical release by Warner Bros., and it ended up being shipped to theaters only a week after its original release date, as “wet prints” – an industry term meaning that the movie was just barely completed before its release date.

One of the monster trucks at the quarry scene towards the end is the famous Bigfoot truck. Although it’s painted different colors than its trademark blue color, and does not feature any Bigfoot decals, it was confirmed that it is in fact Bigfoot by owner of the original monster truck Bob Chandler.

Originally, the part of Katherine, Tango’s sister was to be played by Daphne Ashbrook. She was not supposed to be Tango’s biological sister; possibly an adopted sister, or a foster child his parents took in. But, when they decided to make her his actual sister, they re-cast the role with Teri Hatcher, who slightly resembles Stallone. (I love that they give a shit about the actors looking the same, who cares?)

The tank-like SUV seen in the film (with a windshield shape resembling a 1990s-era Chevrolet Lumina APV minivan) was built from a 1988 Chevrolet K2500 truck. At the time of the film’s release, the vehicle resembled a GM concept (a 1987 Chevrolet Blazer XT-1) which was planned as a crossover-like SUV which was powered with a Chevrolet 4.3L V6 – the engine block and cylinder heads were cast in aluminum alloy. GM did not proceed with the Blazer XT-1 but its styling cues were used with the W-body “Dustbuster” minivans (Lumina, Oldsmobile Silhouette, and Pontiac Trans Sport).

Jack Palance jokingly showed his displeasure about filming this movie while on the tonight show with Jay Leno. He said that when he first got the script he was really excited about doing the movie since he had three nice scenes with Sylvester Stallone, but as soon as filming started all his scenes with Stallone were cut, and he didn’t even see Stallone throughout the entire movie. (That’s kind of sad)

Shortly after this film was released, there was a very lethal “brand” of heroin being sold in The Bronx, New York, NY. It was named “Tango & Cash”. This was stamped on the bags the drugs were contained in. So many addicts overdosed (and died), the NYPD was driving around neighborhoods using loudspeakers to tell people not to use this particular “brand” of heroin. This was reported on all the flagship network TV stations there as well.

Awards – Nominee for the Razzie Award for Worst Actor (Sylvester Stallone, 1990)

Nominee for the Razzie Award for Worst Supporting Actress (Kurt Russell, 1990)

Nominee for the Razzie Award for Worst Screenplay (Randy Feldman, 1990)

Stop! Or My Mom Will Shoot Preview

While Patrick creates an intricate outline for the Rich & Poe sequel, 2 Rich 2 Poe: Reclamation, Jamie paces their Brooklyn apartment slamming Mountain Dews and scratching at his cable-knit sweater. “You know what’s kind of funny?” says Patrick looking up from the page, “This is kind of like that Eddie Murphy film Vampire in Brooklyn.” Jamie looks confused and Patrick continues, “didn’t you say you were bitten by a vampire while I was in the z-universe?” Jamie nods slowly, “Oh, right. Months ago now. Guess I forgot about that.” He runs his hand over the scar, “oh well, I’m sure that’ll come back to… bite me.” And with that Jamie and Patrick laugh and laugh and laugh. Getting right back to business Patrick goes through his analytical checklist of everything he knows to make a bad movie. “Alright, so we need to recast. Let’s get Chris Klein and Neal McDonough in here to spice things up Street Fighter style. We gotta take it to New Orleans where Nic Cage butters his bread and also go to space. Add in a couple twisty-turns, a steamy sex scene, and I think we have it.” Jamie takes a look at the outline and slowly takes a sip of Dew. “You sure about this?… I mean, this sounds kind of rad.” But Patrick tells him to trust him. Ratchet this shit up to X-treme levels and it’ll get the job done. Crazy=bad, it’s a formula as old as time. “Well OK, but how do we get Rich and Poe to New Orleans?” Jamie asks scratching his head. “Easy breezy,” says Patrick, “three words for you: gun-totin’ grandma.” Jamie’s eye’s light up, “Can she be foul-mouthed?” Patrick grins, “Darn tootin’,” That’s right! We continue our journey through Siskel and Ebert’s worst of the worst by heading to a film that we’ve been saving for a rainy day. Sly Stallone films are a rare commodity that can’t be thrown around willy-nilly (particularly when they have to be saved for the Stallonian Calendar). But it felt right for this cycle as Siskel and Ebert hated it so much. It’s finally time for Stop! Or My Mom Will Shoot. Let’s go!

Stop! Or My Mom Will Shoot (1992) – BMeTric: 80.0

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(It’s a bit surprising this is regressing to the mean. I would have imagined this would be a classic, and something people would be seeking out in order to specifically give it a terrible review. The regression kind of suggests that normal people are the ones mostly stumbling onto this and rating it after the fact … why would anyone watch this?)

Leonard Maltin – 1.5 stars –  Cop Stallone is joined by his loud-mouthed, gun-toting mamma (Getty), and they erase crime from the streets of L.A. One joke action-comedy which quickly wears thin; Getty’s character, meant to be funny, comes off as thoroughly obnoxious.

(Oh God. Yeah. You can tell from the trailer the movie is a complete one joke pile of garbage. Shoot. This is going to be a trainwreck.)

Trailer – https://www.youtube.com/watch?v=oMQ-RoCKa6o/

(Oh Jesus. It appears to just be one long aggravating joke over and over. My mother is suffocating, she doesn’t know about police business or guns, she’s interfering in my love life. Unpleasant. This isn’t going to be funny, it is going to be unpleasant.)

Directors – Roger Spottiswoode – (Known For: Tomorrow Never Dies; The 6th Day; Turner & Hooch; A Street Cat Named Bob; Deadly Pursuit; Under Fire; Shake Hands with the Devil; Future BMT: Air America; Terror Train; The Best of Times; BMT: Stop! Or My Mom Will Shoot; Notes: Wrote 48 Hrs. and was nominated for an Emmy for directing And the Band Played On in 1993.)

Writers – Blake Snyder (written by) – (Future BMT: Blank Cheque; BMT: Stop! Or My Mom Will Shoot; Razzie Notes: Winner for Worst Screenplay for Stop! Or My Mom Will Shoot in 1993; Notes: Died in 2009. Somewhat notable for his Save the Cat! trilogy of screenwriting books)

William Osborne (written by) – (Known For: Twins; The Scorpion King; Future BMT: Thunderbirds; Ghost in the Machine; The Real McCoy; Dr. Jekyll and Ms. Hyde; BMT: Stop! Or My Mom Will Shoot; Notes: Novelist. He is a lawyer and is married to Debra Hayward which maybe explains his involvement in movies.)

William Davies (written by) – (Known For: How to Train Your Dragon; Twins; Mia et le lion blanc; Flushed Away; Puss in Boots; The Guilty; Alien Autopsy; Future BMT: Ghost in the Machine; The Real McCoy; Dr. Jekyll and Ms. Hyde; Johnny English; Johnny English Strikes Again; Johnny English Reborn; BMT: Stop! Or My Mom Will Shoot; Razzie Notes: Winner for Worst Screenplay for Stop! Or My Mom Will Shoot in 1993; Notes: Brother of rather successful producer Michael Davies. Sold a spec-script Fool on the Hill for $4 million after Jim Carrey expressed interest in it, but it went unproduced.)

Actors – Sylvester Stallone – (Known For: Guardians of the Galaxy: Vol. 2; Creed II; Rocky; Creed; The Expendables; The Expendables 2; Spy Kids 3: Game Over; First Blood; Escape Plan; Rocky Balboa; Rocky III; Cliffhanger; Rocky II; Antz; Cop Land; Bullet to the Head; Escape to Victory; Death Race 2000; Nighthawks; Future BMT: Escape Plan II; Staying Alive; Rocky V; D-Tox; The Specialist; An Alan Smithee Film: Burn Hollywood Burn; Rambo III; Avenging Angelo; Daylight; Ratchet & Clank; Backtrace; Collection; Assassins; Rambo: First Blood Part II; Oscar; Rocky IV; BMT: Stop! Or My Mom Will Shoot; Driven; Zookeeper; Get Carter; Rhinestone; Judge Dredd; Cobra; Over the Top; The Expendables 3; Tango & Cash; Grudge Match; Lock Up; Demolition Man; Razzie Notes: Winner for Worst Director, and Worst Actor for Rocky IV in 1986; Winner for Worst Screenplay, and Worst Actor for Rambo: First Blood Part II in 1986; Winner for Worst Actor in 1985 for Rhinestone; in 1989 for Rambo III; and in 1993 for Stop! Or My Mom Will Shoot; Winner for Worst Supporting Actor for Spy Kids 3: Game Over in 2004; Winner for Worst Screen Couple in 1995 for Interview with the Vampire: The Vampire Chronicles, and The Specialist; Winner for Worst Actor of the Decade in 1990 for Cobra, Cobra, Lock Up, Lock Up, Over the Top, Over the Top, Rambo III, Rambo III, Rambo: First Blood Part II, Rambo: First Blood Part II, Rhinestone, Rocky IV, and Tango & Cash; Nominee for Worst Director for The Expendables in 2011; Nominee for Worst Screenplay in 1985 for Rhinestone; in 1986 for Rocky IV; in 1987 for Cobra; in 1989 for Rambo III; in 1991 for Rocky V; in 1994 for Cliffhanger; and in 2002 for Driven; Nominee for Worst Actor in 1987 for Cobra; in 1988 for Over the Top; in 1990 for Lock Up, and Tango & Cash; in 1991 for Rocky V; in 1992 for Oscar; in 1995 for The Specialist; in 1996 for Assassins, and Judge Dredd; in 1997 for Daylight; in 2001 for Get Carter; and in 2014 for Bullet to the Head, Escape Plan, and Grudge Match; Nominee for Worst Supporting Actor, and Worst Screen Couple for Driven in 2002; and Nominee for Worst Supporting Actor for An Alan Smithee Film: Burn Hollywood Burn in 1999; Notes: Rambo V is going to be crazy. Whether it is good or bad is immaterial. It is going to be crazy … and it is basically the only thing the news is reporting about Sly recently.)

Estelle Getty – (Known For: Stuart Little; Mask; Tootsie; Future BMT: Mannequin; BMT: Stop! Or My Mom Will Shoot; Razzie Notes: Winner for Worst Supporting Actress for Stop! Or My Mom Will Shoot in 1993; Notes: She died in 2008 and is probably most famous for her role in Golden Girls as Bea Arthur’s mother.)

JoBeth Williams – (Known For: Poltergeist; Wyatt Earp; Kramer vs. Kramer; The Big Chill; Stir Crazy; The Perfect Catch; The Big Year; In the Land of Women; Teachers; The Dogs of War; TiMER; Desert Bloom; Barracuda; Just Write; Future BMT: Jungle 2 Jungle; Poltergeist II: The Other Side; Switch; Dutch; BMT: Stop! Or My Mom Will Shoot; Notes: Nominated for Best Live Action Short in 1995 for On Hope. Despite that she didn’t direct anything significant in her career.)

Budget/Gross – $45 million / Domestic: $28,411,210 (Worldwide: $70,611,210)

(That is a bomb, but not as bad as one would expect … did Sly really have such clout that this films would earn like $40 million overseas? I’m not sure I believe it.)

#16 for the Mother genre

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(Beats out the Pringle’s Mom’s Club which is nice. It actually made me wonder, do more “mother” films come out around Mother’s Day? A quick look and you’ll find that indeed May has traditionally had the most “mother” films released. November and December also have quite a few, but perhaps that makes sense as people will be going to the movies with family around the holidays as well.)

Rotten Tomatoes – 8% (2/26): Thoroughly witless and thuddingly unfunny, Stop! Or My Mom Will Shoot gives its mismatched stars very little to work with – and as a result, they really don’t work.

(Unfunny. It is going to be brutally unfunny. And just exasperating. Sigh. Reviewer Highlight: It is moronic beyond comprehension, an exercise in desperation during which even Sylvester Stallone, a repository of self-confidence, seems to be disheartened. – Roger Ebert, Chicago Sun-Times.)

Poster – She Got a Guuuuuuuuuuuun (C-)

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(Oh man, that’s a lot of color. Much like the very common sky background, this passing cars background in unexplainable. Even more so because it actually makes the poster hard to look at. Otherwise I’m actually OK with this because there is literally no other poster you can make. This is the poster: aimed with laser focus at capturing the Stallone-and-old-lady-with-gun market.)

Tagline(s) – Detective Joe Bomowski’s mom is in town for a visit. She did the laundry, washed the windows and scrubbed the floors. Now, she’s gonna clean up the streets. (D)

(Oh no. No! No! No! You got an old lady with a gun and Sly Stallone and you go old school paragraph tagline?! You have so much to work with! I only don’t give this an F because I liked the roundabout cleaning pun they dropped in. But come on.)

Keyword(s) – mother; Top Ten by BMeTric: 86.4 Troll 2 (1990); 85.8 The Cat in the Hat (2003); 82.0 I Know Who Killed Me (2007); 80.0 Stop! Or My Mom Will Shoot (1992); 70.0 Jeepers Creepers 3 (2017); 68.0 It’s Pat: The Movie (1994); 65.1 Leprechaun (1993); 60.6 The Rage: Carrie 2 (1999); 56.5 XX (2017); 55.2 Queen of the Damned (2002);

(We aren’t watching Jeepers Creepers 3, that film is legitimately made by a pedophile. Screw that.)

Welcome to Earf (HoE Number 10) – The shortest path through The Movie Database cast lists using only BMT films is: Sylvester Stallone is No. 1 billed in Stop! Or My Mom Will Shoot and No. 1 billed in Expendables 3, which also stars Jason Statham (No. 2 billed) who is in In the Name of the King: A Dungeon Seige Tale (No. 1 billed), which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 1 + 1 + 2 + 1 + 4 + 1 = 10. If we were to watch The Glass House we can get the HoE Number down to 8.

Notes – Sylvester Stallone and Arnold Schwarzenegger were competing against each other at that time, and Schwarzenegger faked interest in this movie in order to make Stallone audition for it. Stallone, who heard that Schwarzenegger was interested in headlining in this movie, immediately dropped everything and contacted the producers, saying that he wanted to headline. He deeply regrets this. (Oh God. What a weirdo. Definitely something Arnold would do. Watch Pumping Iron, he always seemed to be a step ahead of the other weightlifters and it wouldn’t surprise me if he was always a step ahead of Sly as well)

Sylvester Stallone considers this the worst film he’s ever done.

When Estelle Getty found out that filming the movie would involve guns, she said that she would only do the movie if there were no guns in it. The producers lied to her (and told her that there would be no guns in the movie) in order to get her to sign on. (That’s mean)

The picture was nominated for Worst Picture at the Hastings Bad Cinema Society’s 15th Stinkers Bad Movie Awards in 1992. (For reals, was this a thing back in the day. I’m very aware of it existing, but I never remember anyone actually knowing about it at the time)

When Estelle Getty is showing pictures of her son to the people that were aboard the plane, there is a black and white picture of a boy in a checkered shirt, which happens to be Sylvester Stallone as a young boy. This picture was also used in Rocky (1976), and can be seen sitting on Rocky’s mirror. (Makes sense)

Awards – Winner for the Razzie Award for Worst Actor (Sylvester Stallone, 1993)

Winner for the Razzie Award for Worst Supporting Actress (Estelle Getty, 1993)

Winner for the Razzie Award for Worst Screenplay (Blake Snyder, William Osborne, William Davies, 1993)

Righteous Kill Preview

Rich and Poe have gone undercover in a high-stakes middle school D&D game to uncover a conspiracy involving the latest designer drug DeezNuts. Sitting across from their prime suspect Helmut Gruber, they don their characters of Sorsaron the Barbarian and the powerful Mage, Brawln. “Shall we begin?” Gruber says, smirking and lightly touching the scar beneath his eye. “Your merry band of adventurers are aiming to recover the Crown of Blizarion from a horde of goblin thieves, what do you do?” Rich looks over at Poe and they nod. “I shoot the wooden tire of their wagon with an arrow, it splinters apart, and the resulting explosion kills half of the horde.” Gruber’s eye twitches. Rich and Poe pound fists “and I summon my sea demon, whose tentacled arms consume the other half of the horde”. Gruber smiles “Fools! Do you even know what kind of roll that would require?!” Rich and Poe’s eyes glaze over, small black orbs of unseeing bloodlust, and they roll twenty twenty-sided dice. “I believe that is a natural 400, Gruber,” they say in profoundly creepy unison. “And now Rich and Poe draw their police issue Glock .22s and place you under arrest, Gruber. Would you like to roll to Disarm? Be warned, any Attack of Opportunity will be met by deadly force”. Gruber screams, “But my rules, how did you know all of the rules?!” Rich handcuffs Gruber and smugly says “Because everyone knows, rulez=coolz, dirtbag”. Back at the station, Rich and Poe enter to a muted crowd. The commissioner comes out of his office and says, “Rich and Poe … Gruber’s dead. And we know you are the Limerick Killers. You’ve been killing criminals across this city for years.” Poe laughs, “Accused of murder again, Rich. And to think, I was only ten days from retirement.” That’s right! We’re watching Righteous Kill, which reunited Al Pacino and Robert De Niro for the first time since Heat. It was produced by Randall Emmett who also produced the Al Pacino vehicle 88 Minutes. Crazily both films were directed by Jon Avnet and produced so close together that Al Pacino got a Razzie nomination for worst actor for both Righteous Kill and 88 Minutes! Let’s go!

Righteous Kill (2008) – BMeTric: 33.0

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(That is actually a surprisingly high rating. And for several years it was above 6.0 as well. Six … seems right. You are going to get those De Niro and Pacino-heads all over this artificially bumping up the score I think.)

Leonard Maltin – 2 stars –  Overly busy whodunit storyline follows manhunt to identify a serial killer who only murders sleazy types “who deserve it,” and whose m.o. suggests that he may be a cop. Pairing of De Niro and Pacino as longtime partners on the NYPD gives this film its raison d’ȇtre; their commanding presence and effortless teamwork makes this movie watchable.

(Huh. Honestly surprised. This film had “Pacino and De Niro sleepwalk through this borefest” written all over it. Instead it basically just says it check the boxes needed to make this film exist and nothing more … which I can live with I think. I’m an Order guy more than a Law guy for the most part, but I don’t mind cop movies.)

Trailer – https://www.youtube.com/watch?v=tpd18t9UfYQ

(One, that is an incredibly long trailer. Two, they drop not one, but two f-bombs in the trailer! An R-rated trailer! Three, the music is bonkers, specifically just rolling into the strangely misplaced Sympathy for the Devil near the end. This is somehow just as big of a mess as the movie itself.)

Directors – Jon Avnet – (Known For: Fried Green Tomatoes at the Whistle Stop Cafe; Future BMT: Up Close & Personal; Red Corner; The War; BMT: 88 Minutes; Righteous Kill; Notes: He’s kind of broken into the experimental content and distribution area in the past decade. He ran a pseudo network specializing in very specialized tv shows starring very famous actors (and basically no one else). Wild stuff. Made 88 Minutes (BMT Hall of Fame) the same year)

Writers – Russell Gewirtz (written by) – (Known For: Inside Man; BMT: Righteous Kill; Notes: Somewhat odd career, broke out with Inside Man, did this, and then is in the news all the way up to 2015 whenever someone gets him for a job, but he has no credits. I assume he specializes in first drafts of optioned property, but there is little information.)

Actors – Robert De Niro – (Known For: Goodfellas; Heat; Taxi Driver; The Godfather: Part II; Casino; A Bronx Tale; American Hustle; Stardust; The Intern; The Deer Hunter; Sleepers; Once Upon a Time in America; Silver Linings Playbook; Cape Fear; Limitless; Jackie Brown; Meet the Parents; Raging Bull; The Untouchables; Brazil; Future BMT: Little Fockers; Killing Season; Showtime; The Carrier; The Fan; Hide and Seek; Analyze That; Shark Tale; Arthur et les Minimoys; The Bridge of San Luis Rey; 15 Minutes; Heist; Red Lights; Meet the Fockers; The Family; The Comedian; Mary Shelley’s Frankenstein; Bloody Mama; Killer Elite; Stanley & Iris; Great Expectations; BMT: Godsend; The Big Wedding; New Year’s Eve; Dirty Grandpa; Righteous Kill; Grudge Match; Razzie Notes: Nominee for Worst Actor for Dirty Grandpa in 2017; and Nominee for Worst Screen Couple in 2003 for Showtime; Notes: Recently proclaimed “Fuck Trump” at the Tonys … which turns out is a fairly divisive comment on several fronts.)

Al Pacino – (Known For: The Godfather; Heat; Scarface; The Godfather: Part II; Ocean’s Thirteen; The Godfather: Part III; Insomnia; The Devil’s Advocate; Scent of a Woman; Donnie Brasco; Carlito’s Way; The Pirates of Somalia; Dog Day Afternoon; Serpico; Dick Tracy; Glengarry Glen Ross; The Insider; Any Given Sunday; Danny Collins; The Recruit; Future BMT: The Son of No One; Misconduct; Hangman; Revolution; Two for the Money; Stand Up Guys; Bobby Deerfield; BMT: Jack and Jill; Gigli; 88 Minutes; Righteous Kill; Razzie Notes: Winner for Worst Supporting Actor, and Worst Screen Couple for Jack and Jill in 2012; Nominee for Worst Actor in 1986 for Revolution; and in 2009 for 88 Minutes, and Righteous Kill; and Nominee for Worst Supporting Actor for Gigli in 2004; Notes: Recently played Joe Paterno in a made for television movie to somewhat great acclaim. Has a bird’s nest for a wig. One of those statements was false.)

Carla Gugino – (Known For: Watchmen; San Andreas; Man of Steel; Gerald’s Game; Sin City; American Gangster; Night at the Museum; This Boy’s Life; Spy Kids; Race to Witch Mountain; Faster; Spy Kids 3: Game Over; Spy Kids 2: Island of Lost Dreams; Mr. Popper’s Penguins; Homeward Bound II: Lost in San Francisco; Snake Eyes; The Lookout; Welcome Home, Roxy Carmichael; Miami Rhapsody; Bling; Future BMT: The Unborn; Rise; Michael; Elektra Luxx; The One; Son in Law; Troop Beverly Hills; The Singing Detective; Women in Trouble; Every Day; I Melt with You; The Centre of the World; Even Money; Batman v Superman: Dawn of Justice; Hotel Noir; BMT: New Year’s Eve; Righteous Kill; Sucker Punch; The Space Between Us; Notes: Her aunt Carol Merrill was a model for Let’s Make a Deal during its original run and encouraged her into show business.)

Budget/Gross – $60 million / Domestic: $40,081,410 (Worldwide: $78,460,699)

(Fairly bad return there. I’m sure they expected more, but $60 million for a buddy cop film? Too much. The financing seems messed up from the start.)

Rotten Tomatoes – 19% (27/144): Al Pacino and Robert De Niro do their best to elevate this dowdy genre exercise, but even these two greats can’t resuscitate the film’s hackneyed script.

(Matches Maltin’s review to a tee actually. So I guess that is encouraging. Reviewer Highlight: What a waste. – Mark Rahner, Seattle Times)

Poster – Righteous Sklog (F)

righteous_kill_ver2

(That can’t be right… [checks IMDb]… my God. That is simply atrocious.)

Tagline(s) – Most people respect the badge. Everybody respects the gun. (B-)

(Hmmmm, I like the sentiment here. A little forced with the “most” at the front. And it’s a bit long. But good juxtaposition and hint at the plot. Not bad.)

Keyword(s) – nypd; Top Ten by BMeTric: 68.0 Vampire in Brooklyn (1995); 58.7 Ghostbusters (2016); 54.8 Crossfire (2012); 51.9 The Son of No One (2011); 46.6 Serving Sara (2002); 35.1 Anamorph (2007); 33.0 Righteous Kill (2008); 32.8 Teenage Mutant Ninja Turtles: Out of the Shadows (2016); 29.6 Stonewall (2015); 27.9 Spider-Man 3 (2007);

(Ghostbusters is kind of fake news considering it doesn’t qualify for a long shot. Serving Sara will be fun though. I’ve seen quite a few of these already, like Spider-Man 3, which also doesn’t qualify.)

Movie Stub – Righteous Kill – C-class – Nothing much to say, this is a very good wiki page with very little that needs adding. Funny note here from a decade ago though: “Shouldn’t the video game based on the movie be mentioned? I think it came out even before the film did. — Frecklefσσt | Talk 16:27, 2 October 2008 (UTC)” … No one has done that, but I certainly think that should be included in the release section personally. I’ll be looking into that soon enough.

Notes – Carla Gugino played the sex partner of Robert De Niro in this movie. She played his daughter in This Boy’s Life (1993). (Wow, that’s pretty gross)

This is the first movie where Al Pacino and Robert De Niro have extended interaction. They never shared a scene in The Godfather: Part II (1974) and in Heat (1995) they only had two scenes.

The initial cut of this movie ran for two hours, but after a rather negative test screening, Nu Image hastily re-cut the film down to its slender one hour and forty-one minutes to make it more fast-paced and action-orientated. Snippets of some of the deleted scenes can be seen in the trailer. (I want to see that extended cut bro)

Overture Films paid a little over twelve million dollars for the American distribution rights, beating out Warner Brothers Pictures and Universal Pictures, who also put in bids of over ten million dollars. (Terrible choice obviously)

Robert De Niro and Curtis “50 Cent” Jackson appeared in Freelancers (2012) and Last Vegas (2013).

When Al Pacino is asked by the psychiatrist what he would do if he retired, Rooster answers “I don’t know, buy a boat.” In the movie, Donnie Brasco, Al Pacino plays Lefty, who has an affinity for boats, and wants one he cannot afford. Near the end of the movie, Donny Brasco asks Pacino if he had his boat would he sail away & leave organized crime. (I’ll leave this weird note as it sounds the most plausibly like an actual call back than many of the others in these fake IMDb notes).

Awards

Nominee for the Razzie Award for Worst Actor (Al Pacino)