Father Figures Recap

Jamie

Peter and Kyle are as different as twins can be. Kyle is a fun loving free spirit, while Peter is a down-on-his-luck sad sack. When Peter finds out that the story about their dead father was all a lie, they set out in search of their real dad. Can they find their dad (and maybe get the girl) before it’s too late? Find out in… Father Figures.

How?! Peter is a divorced doctor who laments how his life turned out. His kid hates him, he does rectal exams all day, and the highlight of his day is watching TV alone. It’s all made worse when at his mother’s wedding he is reminded about the carefree, fun lifestyle of his fraternal twin brother Kyle. The cherry on top is that at the same wedding he finds out the story about his dead dad was all a lie! The man very well could still be alive. With Peter’s world crumbling, Kyle agrees to set off and find their father. First stop, Terry Bradshaw (duh) playing himself and boy does he. He’s ready to accept them into the family until he realizes that while their mom was great in the sack, they weren’t together at the time of conception. Time to head off again. This time to confront Ronald Hunt. The loser criminal doesn’t seem like the best dad, but they still give him a shot. Unfortunately he gets them wrapped up in trying to steal a car. Oops. Time to give up, but while heading to the airport they pick up a hitchhiker who gets them lost in the middle of nowhere. While arguing about the state of things, they almost get killed by a train and realize that all they need is each other… and the magical hitchhiker. So with their new Enterprise Rent-a-car they head off to none other than Worcester, MA (!) where they’ve got a hot tip on another potential dad, Patrick O’Callahan. On the way, Peter has a one night stand with a woman who he is shocked to find was Patrick’s daughter! Uh oh! But Patrick’s twin brother insists it’s not true, because Patrick didn’t have sex before marriage. Instead it must have been Peter and Kyle’s family vet, Dr. Tinkler. They head home to confront him where their mother reveals the truth: they were adopted. She doesn’t know who their father is, but their mother was a young drug addict she was trying to help. Realizing that life is more about what you have and that they have each other, Peter and Kyle team up to start a new billion dollar app and everything is looking pretty good. THE END.

Why?! For a film with a scene of a kid peeing on Owen Wilson, Ed Helms thinking he had sex with his sister, and a weird (but kind of good (but also out of place)) satire of the magical black person trope, it’s a pretty heavy film. It’s very much about finding and understanding your purpose in life and not getting hung up or dwelling on what you’ve lost, what you thought you had, or what you want, but appreciating what you have. Particularly when it comes to family. Peter and Kyle didn’t choose their family, but they realize that their family actually did choose them, and that despite how different they are the love they have is stronger than those differences. It’s really nice… for a film that’s not super great.

Who?! This isn’t Terry Bradshaw’s first BMT rodeo. We know him best from Failure to Launch, and that honestly was a better effort considering he wasn’t just playing a cartoon version of himself. Then there was The Cannonball Run where he played *check notes* Terry… huh… guess I’m not sure whether he was playing himself in that one.

What?! This is actually one of my favorite subtle product placements in recent memory. Peter and Kyle get their rental car destroyed by a train and we see them talking to a man delivering a new one and are all like “that’s for delivering the new rental car.” And I’m like “Ha, Enterprise up in here.” And then in the credits we see under special thanks: Enterprise. Even if you totally explode your car with a train, Enterprise will still deliver a new one.

Where?! Nice solid road trip film starting in Ohio and then going to Florida, New York, and Massachusetts. Finishing with a taste of Hawaii is also perfect. I also can’t really get over that they very specifically head to my old stomping grounds, Worcester, MA. Although I didn’t recognize where they went, so not sure they actually filmed there. B+.

When?! I do not know when exactly this took place. My guess is that it’s early Fall given the wedding setting, the changing leaves in New York, and shift towards sweaters as they journeyed north… yes, I’m insane. My guess is that if we really poured through all the footage we’d find something. Maybe the prop Enterprise Rent-a-car rental agreement has a date on it. F.

To me this seemed like a film that was written by three different people. Or perhaps even existed as three scripts before being merged together. It’s very surprising that there is just one writer considering how quickly and often they vacillate between comedy styles. You’ve got an indie Jeff Who Lives at Home vibe going on, then the next second it feels like Harold and Kumar, and then the next second it’s like Wedding Crashers. It just never seemed like they knew exactly what they wanted to make. As a result even something that could be good, like what I take as satire of the “magical black person” cliche, can get lost and confused in the muddle of everything. But I can’t say the underlying message wasn’t touching, it’s just the journey to get there didn’t come together well at all. As for Twin Sitters, I couldn’t have been more tickled by the bizarre Paul twins and their twin extravaganza of a film. Twins everywhere and they are just muscley freaks of nature with fashion for days. I disagree with Patrick a bit, much better than Santa with Muscles and for one main reason: I kinda liked that the Paul twins weren’t afraid to play stupid. Big muscle guys seem to shy away from that (Hulk Hogan being a prime example). They always want to be big brain business people or scientists. Wrong! Give me some twin dum dums! I love it. Patrick?

Patrick

‘Ello everyone! Ugh, fraternal twins. Whatever, I guess we had to watch a film with fraternal twins eventually. Let’s go!

P’s View on the Preview – The film has been on our radar for a long while, but for an odd reason: it might have one of the best examples of a terrible movie poster ever! Just look at all of those faces staring out at you from a snow white background. Really just useless garbage. Anyways, modern bad comedies tend to just be boring and no fun, and I doubt this would be any different. It can’t help but end up being wholesome in the end. That fact that it has bad reviews suggests it is boring. What were my expectations? To be bored and to laugh zero times.

The Good – Funnier than I expected, and that is entirely due to Owen Wilson. Something about his exudes charm, and while he is leaning into his vague surfer/stoner hippy schtick in the film, it ends up working (except when they make him anxious and sad in the middle of the film). I think his performance, plus a surprisingly surprising twist involving Katie Aselton, end up saving the back half of the film. Oh and out of nowhere I really liked the diversion involving Katt Williams’ hitchhiker character. There is a weird amount of stuff to like for a film that is really not very interesting. Oh and I secretly liked the silly connections drawn to The World According to Garp right at the end. Best Bit: Owen Wilson.

The Bad – It is indeed pretty not funny and boring, especially the first half of the film. I didn’t really like Ed Helms’ character who was so depressing that he had to end up with a happy ending because it was literally impossible to make him sadder at the end of the film. Terry Bradshaw was awful in the film, and surprisingly so was J.K. Simmons. The entire film felt inevitable. If you could start the film with a better first father than Bradshaw, and then flow right into them being depressed about a near miss there with the Katt Williams hitchhiker character, and skip the middle bit, I think the film ends up much better. Considering it is far too long for a comedy, I’m surprised they didn’t try and reedit it into a leaner film. Fatal Flaw: Trite.

The BMT – I think the only thing this film will be notable for in terms of BMT in the future is that terrible poster. It’ll be the poster child (heyooooo) for “throw a bunch of faces on a white piece of paper and call it a day” style of modern movie posters. Otherwise it might be a small stop on the Owen Wilson bad movie filmography,twin films (fraternal or not), and road trip films maybe. I will probably never watch this film ever again. Did it meet my expectations? It exceeded them, but in the wrong direction, it was too good. It had a few solid laughs, and the back half was too interesting to be boring.

Roast-radamus – A solid Product Placement (What?) with Dunkin’ Donuts. Turns out both America and existential-journeys-to-find-your-father run on Dunkin’. A great Road Trip (Where?) film covering Ohio, Florida, New York, and Massachusetts, including a ton of driving (and presumably stops at Dunkin’). I do think we have a MacGuffin (Why?) for the search for the ultimate MacGuffin: Dad (awwwwwwwww). I don’t think any of the twists are bad unfortunately. I think this is closest to Good personally. I couldn’t help but be touched by the message being presented, and Wilson was solid.

StreetCreditReport.com – I was looking through all the lists and mainly marvelling that I’ve seen probably a solid 50% of the worst films of 2017 on any given list. That’s pretty impressive given the sometimes random choices some of these lists make (The Only Living Boy in New York is on the AV Club list and Transformers 5 isn’t … what?). Usually I’d say something like “I’m not shocked this film went under the radar” … but I am legitimately shocked that this film wasn’t on any list! And then I realized why, it was a Christmas film! Ah, well rest assured this had cred galore. I think it would have easily made most top 10 lists for the year, and is definitely the worst twin film of 2017. And this is coming from someone who kind of liked the film!

Bring a Friend Analysis – This week we brought along another twin-based comedy in Twin Sitters. What a wild career Peter and David Paul had. Twin bodybuilders, they managed to star in four films. The last few are a lot like this where the twins straight up say “we’re big dumb brutes.” What a strange idea of a career, playing character that are almost too dumb to function but big and strong. And the entire film is very twin-centric with the twins baby-sitting another set of twins! The child twins are actually the actors who played the lead child role in Kindergarten Cop which is pretty fun. The entire film is really silly, directed by the actor who played the bad guy’s son in UHF (and Jambi in Peewee’s Playhouse) who also appears in the film. It really is just so dumb it is hard to articulate coherent feelings on. I guess the most interesting thing was the end is a lot like 3 Ninjas with a group of bad guys attempting to infiltrate the house to kidnap the children, and the Paul twins fighting them with household objects. Where did that cinematic trope originate? Looney Tunes? Are the Paul twins just big cartoon characters? Anyways, I bet there are better Barbarian Twin films out there. If I’m being honest, this just feels like a weird knockoff of other films. It feels like Santa With Muscles, so C-, wouldn’t really recommend it unless you are watching all of the Paul twin films or something.

Twin Analysis – I’m going to tell it like it is: fraternal twins start at a C. Sorry, not sorry, it is just the way it is. They might as well be brothers. Anyways, I did like the Polar Opposite Twin trope, that’s a classic. With Helms being an uptight doctor, and Wilson being a very laidback loser who fell ass backwards into money. The twin angle plays a decent sized role in the film as well. Lucky for the film there is an identical twin in the film (one of the potential fathers is an identical twin), and a set of twins at the end. Three twins!! I’m going to give it a B. Much better than I expected. Now, on the other hand we have Twin Sitters! My god, has there ever been a more twin film in the history of twin films. And another fortuitous connection, despite Peter and David Paul being very identical, they also play into the Polar Opposite Twin trope. Now that’s fun! There are, I think, five sets of identical twins in the film (and a set of identical triplets!). I was hoping the bad guy would have also turned out to be a twin, but alas, it was not meant to be. Regardless, I’m going to give this the true A+. They might not be stigmata twins, but this film has so many twins, and the idea of twins, and standing by your twin brother, and twin dynamics, and magical twin abilities … it has it all (as far as twins are concerned)!

Cheerios,

The Sklogs

Father Figures Quiz

Oh man, so here I was with my twin bro trying to find our father (and man was that a comedy of errors!), and all of a sudden Ving Rhames destroyed me while I was playing catch with Terry Bradshaw! And now I can’t remember a thing (and I think I shattered my spine, but whatever). Can you remember what happened in Father Figures?

Pop Quiz Hot Shot!

1) We open the film at a wedding, with two best men played by Ed Helms and Owen Wilson, twins with a somewhat rocky relationship. What do both twins do for a living?

2) Ed Helms learns that the person he thought was his father was not, in fact, his father. How does he learn this fact?

3) Name the four people the twins end up thinking is their father during the course of the film, and where do they live?

4) Prior to the big end scene, the twins meet Katt Williams, who plays a hitchhiker. Where is he trying to go and why?

5) In the end of the movie what new job do the twins have together?

Answers

Father Figures Preview

Rich is dragged into a dark ceremonial chamber. He looks wildly between the identical Nic Cages. How could such a monstrosity be? Their ideniticalness is perverse. Unnatural. And yet their grips are like iron, with full twin power. And Poe! Sweet Poe. Dragged to whatever depths by John Travolta’s dark magic. The horror, the horror. As Rich is strung up to a ceremonial table, the Nics prep a variety of terrible tools to extract the delicate shard of the Obsidian Dongle from his heart. They sing a jolly Christmas tune, showing off those pipes that both Nic Cage and John Travolta are well known for. The tune brings back memories, and spur on vivid hallucinations of his past life as it flashes before his eyes. His childhood in Louisiana, a place of wonder. His mother’s fresh baked bread, the smell mingling with his father’s pipe smoke. His denim jacket! Oh how he and Poe laughed over the jackets. They were a present from his parents to both of them. They always treated Poe like a son, especially after… the accident. The jackets were totally rad and had a couple white cobras stitched into the back with the words “No Rulez 4 Life.”. He remembers when they first put them on. It felt like they’d never take them off. In fact, they never had and have been wearing them this entire time. They were so intertwined with those jackets that there was no need to ever mention them before. And in that moment when they first donned their trademark jackets his father said, “look at my boys… brothers for life. As long as you have each other you’ll never lose.” His father… Poe’s father, too, after… the accident. Using the last of his strength, Rich utters one word, “No.” That’s right! We’re watching Father Figures from 2017. I remember seeing the trailer for this film and thinking, “someday we’ll watch that for BMT.” And here we are. Destiny that a twin cycle would come along and Father Figures would be there to take its rightful Place. Let’s go!

Poe awakens. He’s covered in dirt and rocks and can barely move. Suddenly he feels the Earth shift above him and two hulking hands pull him from the rubble. “Are… are you dead?” two hulking identical monsters ask him, their ludicrous fashion stretched to the breaking point by their muscles. Using the last of his strength, Poe utters one word, “No.” That’s right! As a twin friend for this twin cycle we are watching Twin Sitters starring bodybuilders-turned-actors David and Peter Paul aka The Barbarian Brothers. They are twins and they are babysitting twin. Need I say more.

Father Figures (2017) – BMeTric: 41.9; Notability: 32 

(That notability is precisely what I would expect for a big comedy, I now know enough about notability to know that. And I bet in a few years this is a 50+ BMeTric. Just need to drop a few points off of that IMDb rating.)

RogerEbert.com – 1.0 stars – “Father Figures” is what you might call a bastard comedy, and not just for the fact that it was once boldly titled “Bastards” and tells of two twins (played by Ed Helms and Owen Wilson) road-tripping to find their biological father. As a kicked-around project originally meant for a November 2016 release, and then a January 2017 release, and now coming out in time to be the comedy alternative to “Star Wars: The Last Jedi,” it has that uncertain lineage in its very construction. Filled with insincere wackiness and sappiness, “Father Figures” never quite figures out whether it wants to be a raunchy, zippy road movie or a more dialogue-driven dramedy. Despite having no personality of its own, this movie just yearns to be recognized at all.

(Love the twin shoutout in the review itself. And this appears to be a very common complaint: the film has the feel of a family friendly road trip film, but then swerves inexplicable into a rauchy sex farce randomly. That could be interesting I suppose.)

Trailer – https://www.youtube.com/watch?v=VNZEtLfShMQ/

(This definitely seems like a cheerful road trip comedy for the most part. Really weird they kind of went the Wedding Crashers route in the end. Probably just was received poorly with notes like “I want to see Owen Wilson in Wedding Crashers, and Ed Helms in Hangover again please.”)

Directors – Lawrence Sher – (BMT: Father Figures; Notes: Primarily a cinematographer he was nominated for an Oscar for his work on Joker. He also was the Director of Photography on the Hangover films, so he worked with Ed Helms before at the very least.)

Writers – Justin Malen (written by) – (Known For: Office Christmas Party; BMT: Father Figures; Notes: Wrote a Chinese comedy called Wished (under what I assume is a pseudonym Hongwen Mai), and is writing the script for the upcoming Clifford the Big Red Dog film.)

Actors – Owen Wilson – (Known For: Wonder; The Grand Budapest Hotel; Midnight in Paris; Cars; Wedding Crashers; Fantastic Mr. Fox; Inherent Vice; Night at the Museum; Cars 3; Night at the Museum 2; Meet the Parents; Night at the Museum: Secret of the Tomb; The Royal Tenenbaums; Starsky & Hutch; Zoolander; The Cable Guy; The Life Aquatic with Steve Zissou; No Escape; The Big Year; The Darjeeling Limited; Future BMT: Breakfast of Champions; How Do You Know; Little Fockers; You, Me and Dupree; Are You Here; Drillbit Taylor; Hall Pass; Masterminds; Free Birds; Cars 2; Meet the Fockers; The Internship; The Hero of Color City; BMT: Zoolander 2; Anaconda; Marmaduke; The Haunting; I Spy; Father Figures; Around the World in 80 Days; Behind Enemy Lines; Armageddon; Razzie Notes: Nominee for Worst Supporting Actor, and Worst Screen Combo for Zoolander 2 in 2017; and Nominee for Worst Screen Couple in 2003 for I Spy, Showtime, and The Adventures of Pluto Nash; Notes: Went to the University of Texas with Wes Anderson with whom he’s collaborated a number of times including The Royal Tenenbaums. Says “wow” in a distinct and easily mimicked way.)

Ed Helms – (Known For: We’re the Millers; The Hangover; Tag; Walk Hard: The Dewey Cox Story; Night at the Museum 2; Monsters vs. Aliens; A Futile and Stupid Gesture; The Senator; They Came Together; Harold & Kumar Escape from Guantanamo Bay; Captain Underpants: The First Epic Movie; Jeff, Who Lives at Home; Stretch; Everyone’s Hero; Mune, le gardien de la lune; Cedar Rapids; Blackballed: The Bobby Dukes Story; Future BMT: Meet Dave; Evan Almighty; Coffee & Kareem; The Hangover Part III; The Clapper; Semi-Pro; Confessions of a Shopaholic; The Goods: Live Hard, Sell Hard; Christmas with the Coopers; Corporate Animals; Vacation; Someone Marry Barry; I Do… Until I Don’t; The Hangover Part II; BMT: Father Figures; Notes: At this point maybe most famous for his role in The Office than anything else. Started in UCB, and was a correspondent for the Daily Show as well, and is an accomplished banjo player.)

Glenn Close – (Known For: Guardians of the Galaxy; Dangerous Liaisons; The Natural; Mars Attacks!; Fatal Attraction; What Happened to Monday; Air Force One; Tarzan; 101 Dalmatians; The Big Chill; The Girl with All the Gifts; In & Out; Crooked House; The Wife; The World According to Garp; Cookie’s Fortune; Hoodwinked; Albert Nobbs; 5 to 7; Reversal of Fortune; Future BMT: 102 Dalmatians; Hoodwinked Too! Hood vs. Evil; The Stepford Wives; The Divorce; Mary Reilly; The Wilde Wedding; Anesthesia; Hook; Maxie; The House of the Spirits; The Chumscrubber; BMT: Pinocchio; Father Figures; Evening; Warcraft: The Beginning; Notes: Has won three Tony awards for her work on Broadway. Her role in Hook is as the Boo Box guy in an undisclosed cameo role.)

Budget/Gross – $25 million / Domestic: $17,501,244 (Worldwide: $25,601,244)

(Not great. A film like this you’d expect at the very least a $50 million take, but you’d be quite pleased if you could pull off that rare $100 million comedy. Instead it kind of scrapes out what was likely a break even result once VOD was counted.)

Rotten Tomatoes – 17% (8/48): Success has many fathers, but failure is Father Figures.

(Wowza, someone pay whoever came up with that insane consensus! I kind of love it, but probably because I hate it so much. Reviewer Highlight: Distinguished mainly by its overqualified cast and lack of inspiration, “Father Figures” can’t decide whether it’s a gross-out comedy or an uplifting tale of brotherly love; it embraces the worst of both worlds. – Ben Kenigsberg, New York Times)

Poster – Rad Dads

(Nooooooooooo. This is everything I’ve been fighting against in talking about these posters. Look at that color scheme. Just a bunch of dumb human faces on a white background. Gross. Look at the spacing, the font, what story does it tell?! My god, it’s horrible. F.)

Tagline(s) – Finding Their Father Would Be a Family Miracle (F)

(Is… is “family miracle” a phrase? Are they doing this on purpose just to hurt me? What the hell is this tagline? Either my brain isn’t working and I’m missing a pun or this is one of the most nonsensical, trash taglines in history. You better hope my brain is broken.)

Keyword – twins

Top 10: Doctor Sleep (2019), Harry Potter and the Philosopher’s Stone (2001), Harry Potter and the Deathly Hallows: Part 2 (2011), Harry Potter and the Goblet of Fire (2005), Harry Potter and the Chamber of Secrets (2002), Despicable Me 3 (2017), The Great Outdoors (1988), Hellboy II: The Golden Army (2008), Dude, Where’s My Car? (2000), Meet the Robinsons (2007)

Future BMT: 92.7 Date Movie (2006), 58.2 Deck the Halls (2006), 54.9 The Back-up Plan (2010), 51.2 Dude, Where’s My Car? (2000), 43.7 Double Impact (1991), 13.4 Little Women (2018);

BMT: Jack and Jill (2011), Father Figures (2017), Pluto Nash (2002), The Identical (2014)

(Note for the coming weeks, I’ve added this keyword to a bunch of the upcoming films … so that’ll be nice. I mean, if they come in. I haven’t had much luck with IMDb keywords if I’m being honest, they are sticklers over there at IMDb. Unlike wikipedia, where I rule the roost. As for this film, you can see by 2017 we had entered the post-Harry Potter lull. I predict twins will be charging back to become a keyword force in American cinema yet!)

Welcome to Earf (HoE Number 17) – The shortest path through The Movie Database cast lists using only BMT films is: Owen Wilson is No. 1 billed in Father Figures and No. 2 billed in Zoolander 2, which also stars Penélope Cruz (No. 4 billed) who is in Captain Corelli’s Mandolin (No. 2 billed), which also stars Nicolas Cage (No. 1 billed) who is in The Wicker Man (No. 1 billed), which also stars Leelee Sobieski (No. 5 billed) who is in Here on Earth (No. 1 billed) => 1 + 2 + 4 + 2 + 1 + 1 + 5 + 1 = 17. If we were to watch The Internship, and Wicker Park we can get the HoE Number down to 12.

Notes – The script was sold less than two days after being pitched, in an impressive thirty-six hours.

Originally titled “Bastards”, but changed to “Father Figures” in September 2017, just three months before release.

The front desk worker in the hotel is Andrew Wilson; Owen Wilson’s older brother. (Oh wow, a rare Andrew Wilson sighting. He’s in quite a few small films at this point)

Bill Irwin filmed scenes as Dr. Tinkler, but Christopher Walken took over the role during re-shoots. (Big oooooof)

Although they play twins, Owen Wilson is five years older than Ed Helms in real-life..

Near the end of the film, Helen mentions that Peter (Ed Helms) and Kyle (Owen Wilson) were born “three days before Christmas” in December 1975. The film was released on December 22, 2017, Kyle and Peter’s 42nd birthday. (That’s fun, although likely unintentional since I think it was delayed for a bit before release)

Paramount Pictures was originally attached to the project, but they ended up dropping out, sending the script into turnaround and leaving Warner Brothers to release the film.

Ed Helms says that ” this is a ’75 stingray, the car is a 1981 corvette, not a ’75 (Huh)

During the epilogue, it is revealed that Kyle had twin babies. While there is no evidence that identical twins run in families., non-identical twins can do. (YUP. Actually also happened in The Identical where our Elvis stand in also is shown having had twins at the end of the film)

Towards the end of the film, Helen (Glenn Close) reveals to the boys their mother was an unmarried girl; she would not reveal the father’s name and her name was Jenny. Glenn Close played Jenny Fields in The World According to Garp (1982), a single mother who only knew her child’s father as “Technical Sergeant Garp”. (Now that is a fun fact!)

The Identical Recap

Jamie

Ryan Wade and Drexel Hemsley are identical twins separated at birth. Drexel ends up gaining worldwide fame as a musician, while Ryan struggles with his passion for music and his calling to God. This ultimately results in Ryan making a name for himself impersonating his brother on stage. Can he… uh… live his dream before it’s too late? Find out in… The Identical.

How?! There’s really not much to it. Ryan and Drexel are twins born to very poor parents in the Depression. Hearing a minister speak, they decide that fate is telling them to give one of the babies to the minister and his wife. While Ryan struggles to balance being a good minister’s son and a musician, Drexel rises from poverty to international fame. Ryan becomes a huge fan of Drexel’s without knowing their relationship and when a contest is held to find the best Drexel impersonator he enters and wins. And boy does he! Because an agent sets him up touring the country singing Drexel songs and things are pretty great. Ultimately, the inability to sing his own songs and life on the road bring him back home. Ultimately he finds out about his twin too late, as he tragically dies in a plane crash. But he is able to reconcile this and begin to tour again singing both his brother’s songs and his own. THE END.

Why?! Love… of music. Duh. The motivation is really life. He grows up with music in his bones and spends his life searching for it. Ultimately he finds it, but too late to share it with the only other person who could have understood. In some ways it’s like if Patrick and I were separated at birth and never got to combined our passion for bad movies and give it to the world *shudder* a truly terrible thought.

Who?! You have to highlight the wild story of Blake Rayne, our main character, for this section. The dude basically lived the story and then read the script and was like “wait, this is what happened to me… minus the twin part,” and then got the gig… even though he wasn’t an actor. Basically he entered an Elvis impersonator contest on a dare and won and then spent years doing that.

What?! Didn’t know what to put here, really, but did notice that this won an award according to IMDb. When I checked what it was it was “Worst Picture” from the Houston Film Critics Awards. Which is kinda hilarious that they give it out. In fact they even have nominees. This beat out Blended, Dumb and Dumber To, Left Behind, and Transformers: Age of Extinction. Interestingly, it looks like the category was discontinued starting this year. Must have seen the Smaddies Baddies buzzsaw coming its way.

Where?! This opens in Alabama, where Drexel is born and raised. Ryan is then separated and lives and grows up in Tennessee. That’s where most of the film takes place, besides some roadtrip type stuff while Ryan is on tour. All around pretty solid and plays a minor role in the film given the role of music in the plot. B+.

When?! The twins (feels good writing that) are born in 1935 and so the bulk of the film takes place from the early 50’s into the 70’s. Most of it probably takes place in the 60’s. Not bad given that we get a pretty clear picture of the exact birth date for our main character. Not important though. B.

I might have been able to forgive the film’s interminable length, directionless plot, and weird Elvis knockoff story. I even thought the story was pleasant enough and acting was all around decent. But the music… the music is terrible. I had to spend the entire film listening to these not very good songs play over and over. Sure there were a few halfway decent ones, but I literally thought Ryan’s first “hit” was supposed to be bad so that people would be like “he needs some work, but he’s otherwise good.” But no, it was apparently supposed to be that way. Then the final City Lights song that is supposed to be his crowning achievement is even worse. I’m not sure how you are supposed to make an Elvis knockoff and then write terrible songs to try to sell it. Boo. As for Sorceress, great choice by us. The film is ludicrous and I honestly am shocked it doesn’t get more play in bad movie circles. It is both unpleasant to watch and mesmerizing. A perfect combo. My only thought is perhaps it’s a little too R rated to be part of culture. Perhaps, but I don’t care. The film is Twins to the max and hilarious. Patrick?

Patrick

‘Ello everyone! What happens when you mix Elvis impersonators with a heavy dose of Christian film production? Apparently a twin film called The Identical. Let’s go!

P’s View on the Preview – I was not looking forward to watching this film. Mainly because the preview made it incredibly obvious that it was a barely-released Christian films. One of the delights of BMT is that we tend to occasionally go out of our comfort zone to watch films where we aren’t really the intended audience. But Christian films? They are almost always boring. The one saving grace perhaps would be Ray Liotta. What were my expectations? To be bored. But perhaps with a healthy dose of Ray Liotta wearing a Ray Liotta mask and cackling at me? A boy can dream.

The Good – The main actor / elvis impersonator was better than you would expect, the expectations being so low as to effectively be non-existent. I can’t decide if Ray Liotta looking like a normal human being is a positive or negative, but his performance was more subtle that a bad movie aficionado would hope as well. It is a very very very twin film, and that has to be a positive. And at least one of the songs I think was halfway decent (Angel of Mine). And Joey Pants is great as usual. Best Bit: Low Expectations.

The Bad – The film is, as expected, a nothing film. It, indeed, had a ham-fisted attempt to insert some pro-Isreal weirdness (specifically a scene where the cast prays for Israel to win the Six-Day War), likely at the bequest of the production company. Most of that stuff is just vaguely amusing (like the “other” twin finding out he’s half Jewish), but on occasion it is so weird as to be jarring. The music is mostly crap. And I could do without one twin dying in a plane crash. Fatal Flaw: Boring nothing film.

The BMT – I’m not sure. In the future I’m sure we’ll have to pick up a bunch of Christian films in some capacity, although I’m not exactly sure how to do that properly. There is a non-insignificant number of “wide” release films, but really just films barely released to 600 theaters and they’ll mostly be like this. Let’s sum up the storyline for most of these films: Man thinks he has the perfect life, man meets adversity he can’t immediately overcome, man questions his faith in the Lord and Savior Jesus Christ, man has epiphany about what faith really is all about, man achieves actual perfect life. I guarantee like 80% of the films are just that with various forms of adversity plugged in. Did it meet my expectations? Sadly yeah, this film was boring. Not only that, Ray Liotta looked normal and didn’t cackle at me. So overall a disappointment I think.

Roast-radamus – Who What Where When Why How – I think I’m going to count Seth Green as a Planchet (Who?), a character who just kind of gets into trouble and the rest of the cast bemusingly pokes fun at? I can get behind that. A decent Setting as a Character (Where?) for I think both Tennessee (where most of the film takes place for obvious reasons) and Alabama (where the beginning and end up for a bit). Definitely a good Period Piece (When?) for the 50s / 60s setting to coincide with Elvis’s rise. I think the unconscious search for his twin brother counts as a MacGuffin (Why?), f-it. Closest to Bad in the superlatives.

StreetCreditReport.com – The street cred comes from it being a twin film, for it being a weirdo half-biopic of Elvis, and it being a nothing-Christian film. But interestingly 2014 was a big Christian film year. According to Rolling Stone in a 2014:God’s Not Dead, Son of God, Heaven Is for Real, Persecuted, The Identical, Left Behind, and Kirk Cameron’s Saving Christmas were all released! We’ve now seen three of those and God’s Not Dead will eventually be on the docket, but no wonder no list includes The Identical, it was competing with the notorious God’s Not Dead and Kirk Cameron’s Saving Christmas!

Bring a Friend Analysis – As a friend this week we reached deeeeeep into the depths of the early 80s Roger Corman filmography to retrieve the absolutely dire Sorceress. Starring Leigh and Lynette Harris (Playboy Playmates) the film had a somewhat notorious production. Explicitly developed to build off of the success of Conan, Jack Hill (who often worked with Corman) was roped in with the promise of a big budget, and Hill thought it could revive his career (instead this would be the last film he would direct). Amazingly, this is actually a lot more similar to The Identical than it appeared at first blush. Hill specifically wrote the script in reference to The Corsican Brothers, which sounds suspiciously similar to moments in The Identical! I can tell you this much: The Satyr in the film is the most horrifying thing I’ve ever seen, the Harris twins are not actors, the effects are horrible, and the multiple beastiality and rape scenes and jokes made me very uncomfortable. I would recommend this to no one, and may God have mercy on Roger Corman’s soul for producing this pile of garbage. And yet … I’m very very surprised that this isn’t more well known in bad movie circles (it does seem to be mentioned a lot on grindhouse lists due to it being directed by Hill) because it is like watching a slow motion car crash on screen. I’m going to give it an A. I hate it, but I cannot deny the allure. Somehow it feels like this is exactly the type of films we should be watching for Bring a Friend in general, and yet I never want to watch anything like this ever again. The juxtaposition is tantalizing. It’s the satyr. It is so horrifying that one must understand the demented mind that created it. And I can’t stop thinking about it.

Twins Analysis – How twins-y was The Identical? Extremely!! There were some extreme identical twins. You had identical twins separated at birth, both destined to be songwriting stars in their own right. When one twin dies tragically the other feels the others death instinctively without having to hear of the news. These guys were one step away from being Stigmata Twins. A. I won’t be docking points for not using twins because in most cases it doesn’t make sense. Like here, what? You’re going to go out and find twin Elvis impersonators?! That’s insane. And what about Sorceress. Five words for you: The Two That Are One. The entire plot is about twin destiny and how twins are the only thing that can defeat an evil wizard. Bomb. A-, I docked a bit for the twins being such horrible actors and besmirching the good name of twins.

The Identical Quiz

Oh man, last thing I remember I got bopped on the head while winning an Elvis impersonation contest. When I awoke I was a world famous recording artist! Go figure. Otherwise I don’t remember a thing. Do you remember what happened in The Identical?

Pop Quiz Hot Shot!

1) In the beginning of the film Brian Geraghty gives up one of his two twin boys to Ray Liotta and Ashley Judd. What promise does he make Ray Liotta keep about the boys?

2) Ryan Wade has a bestest friend in the whole world in Seth Green. What instrument does Seth Green play?

3) During the course of the film Ryan Wade has three jobs. What are they?

4) How did Ryan’s secret twin brother Drexel Hemsley die and what happened to Ryan when he did?

5) During the course of the film Ryan and Drexel see each other once. When?

Answers

The Identical Preview

With their powers combined the robot vixens are no match for Rich and Poe. They bust those robots up and boy howdy, bustin’ makes them feel good. Rich looks at Poe and realizes that this is his moment to say goodbye. “It’s time to set yourself free,” he tells him. Poe steels himself and despite the love in his heart he delivers one last crosskick that sends the bots back into the puzzle box. With a second flying kick he forces the box close, thus sealing them away. With the spell finally broken, Poe picks up the box and has a moment of contemplation. Perhaps he should just throw the box into the fire and end it. Rich steps in, “I know you’re not ready to say goodbye and perhaps… just perhaps, we’ll see that puzzle box again down the road.” With that he gives a little wink and Poe nods, leaving the box behind. As they leave the ship they are greeted by a smiling Nic Cage and the masked gamemaster. “Congratulations, Rich and Poe, you have won. Earth is saved.” They smile and breathe a sigh of relief. “Unfortunately, the universe is lost,” the other gamemaster says and begins to cackle in glee. What? This doesn’t make sense! “But we won!” they scream. “Oh yes, you won, and for that you will pay dearly, for it revealed what is inside of you… what we are destined to possess,” and the gamemaster holds up the Obsidian Dongle! With a small shard missing! Rich’s hand immediately goes to his chest. “Nic Cage! Stop him,” they plead, but he just shakes his head and smiles. He then turns to the gamemaster who slowly takes off his mask to reveal… a second Nic Cage. They’re… they’re… identical. That’s right! We are kicking off the Twins battle cycle where we watch BMT films featuring twins paired with Bring a Friend’s also featuring twins! It’s a veritable twinstravaganza! First up The Identical. ‘What’s that?’ you ask. Who cares, no one remembers it, but it was all about an Elvis twin or something. Let’s go!

The Identical Nic Cage peers at Poe. “Oh, you don’t recognize me? Of course. The face. You see I had them take my face… off. And then I had his face put… on. You getting it yet?” Poe’s aghast. Travolta! The sequence of events is still a little confusing, but before he can get it clarified Travolta uses his sorcerer’s powers to send Poe deep into the Earth… to Hell! That’s right! We are pairing The Identical with Sorceress, an 80’s film that features magical creatures in some anonymous time of the past. Oh and sexy twin warriors. Pretty appropriate stuff. Let’s go!

The Identical (2014) – BMeTric: 25.4; Notability: 18 

(Odd plot. I think maybe the initial ratings were exclusive to people who actually went and watched the film in theaters … so like Elvis impersonators? Just seems insane the drop which almost definitely coincides with the film coming out on VOD or something.)

RogerEbert.com – 1.5 stars – On January 8, 1935, a woman gave birth to twin boys in a little shack built by her husband in Tupelo, Mississippi. It is not known whether or not the twins were identical. One twin was stillborn, the other grew up to be Elvis Presley.  For the entirety of his life, Elvis missed his twin (named Jesse). He prayed to him, talked about him all the time. If you visit Graceland, there is a small gravestone for Jesse in the family burial plot outside the house. Elvis wondered if he had somehow sapped the strength of his twin brother in the womb, and if that was why he became the superstar that he did. He had guilt about it. … One positive thing about “The Identical” is that it will make you want to bust out Elvis Presley’s early Sun and RCA recordings, songs like “That’s All Right,” “Lawdy Miss Clawdy,” “My Baby Left Me,” or “Good Rockin'” just to remind you that no, it didn’t happen the way it did in “The Identical”. Thank goodness.

(Oh wow … wait, this is basically some screenwriter who read this story about Elvis and made a fictionalized version of it with an Elvis impersonator? That is crazy. Do you know what else it crazy? Ray Liotta’s face which is the only thing about this film that I’m looking forward to.)

Trailer – https://www.youtube.com/watch?v=8LWy9hBy0Kk/

(Hmmm, they really hide the fact that this is pretty explicitly a Christian film. Not that I blame them for that, but you’d think this was just a vague fantasy biopic thingy based on the trailer. It assuredly is not.)

Directors – Dustin Marcellino – (BMT: The Identical; Notes: There is nothing about this person. I have a theory: there is a real estate agent in Tennessee with this name. This film was likely produced and shot in Tennessee where both Wade Cummins and Blake Rayne live. I think he probably directed impersonator / local commercials / real estate stuff and these two people are one in the same.)

Writers – Wade Cummins (written by) – (BMT: The Identical; Notes: Also had a cameo part in the film. He is also an Elvis impersonator!! Here’s his website.)

Howard Klausner (screenplay) – (Known For: Space Cowboys; The Last Ride; Future BMT: God’s Not Dead: A Light in Darkness; The Grace Card; BMT: The Identical; Notes: Seems to have transitioned to Christian films, including directing a small Kevin Sorbo film called The Secret Handshake.)

Actors – Blake Rayne – (Future BMT: Hounddog; BMT: The Identical; Notes: An elvis impersonator. Was a web designer prior to winning an Elvis impersonator content in Columbus, Ohio in 1998. His real name is Ryan Pelton.)

Ray Liotta – (Known For: Goodfellas; Marriage Story; Blow; The Place Beyond the Pines; Identity; Killing Them Softly; Field of Dreams; Sin City: A Dame to Kill For; Bee Movie; Cop Land; The Iceman; Heartbreakers; Kill the Messenger; Date Night; Wanderlust; Muppets Most Wanted; Observe and Report; Something Wild; Youth in Revolt; No Escape; Future BMT: The Son of No One; Operation Dumbo Drop; Go with Me; Crazy on the Outside; Revenge of the Green Dragons; Forever Mine; Revolver; The Lonely Lady; The Death and Life of Charlie St. Cloud; Slow Burn; Even Money; Better Living Through Chemistry; Powder Blue; Unforgettable; Smokin’ Aces; Hannibal; Corrina, Corrina; Crossing Over; Flock of Dudes; Pilgrim; John Q; Local Color; A Rumour of Angels; BMT: In the Name of the King: A Dungeon Siege Tale; Turbulence; Wild Hogs; The Identical; Notes: Was adopted. Was a genuine A-list star in the 90s, but in more recent years he’s focused on television, like Shades of Blue with Jennifer Lopez.)

Ashley Judd – (Known For: Heat; Divergent; Natural Born Killers; A Time to Kill; Olympus Has Fallen; Frida; Barry; A Dog’s Way Home; Bug; Divine Secrets of the Ya-Ya Sisterhood; Animal Attraction; Simon Birch; Dolphin Tale; Smoke; De-Lovely; Dolphin Tale 2; The Passion of Darkly Noon; Ruby in Paradise; Normal Life; Helen; Future BMT: Tooth Fairy; Eye of the Beholder; Allegiant; Insurgent; Kuffs; Good Kids; High Crimes; Big Stone Gap; Flypaper; Double Jeopardy; Crossing Over; Where the Heart Is; Trafficked; A Secret Sin; BMT: Twisted; The Identical; Kiss the Girls; Notes: Went to the University of Kentucky and considered a run for U.S. Senate from Kentucky in 2014, but ultimately decided not to pursue the position. Was in Twin Peaks: The Return.)

Budget/Gross – $16 million / Domestic: $2,827,666 (Worldwide: $2,840,991)

(I cannot believe the budget was actually that large … I guess maybe they knew you could pull in church groups and make bank like Tyler Perry. Weird story to try that strategy with though.)

Rotten Tomatoes – 6% (4/69): With nearly every element ringing as hollow as the ersatz Elvis at the story’s core, The Identical looks destined for a bright future on the ironic viewing circuit.

(Ironic viewing? Check. A saw a few reviews that mention the odd pro-Isreal slant the movie takes. Sounds like some weird and wild stuff. Reviewer Highlight: The script is so determined to deliver an upbeat message of faith and love, it forgets to be interesting. – Michael Phillips, Chicago Tribune)

Poster – Twins: The Musical

(It’s certainly… magical looking. I won’t even say it’s a bad poster or anything. It’s fine. A little old fashioned, but I think I expected that. Just wish they tried a bit harder here and there. C)

Tagline(s) – If He is in your dreams, nothing can stand against Him. (D)

(Oh my gooooodddddddddddddddddd. I don’t even think this makes sense, but I don’t care. Run, Patrick! Run! What have we done?!)

Keyword – twins

Top 10: Doctor Sleep (2019), Harry Potter and the Philosopher’s Stone (2001), Harry Potter and the Deathly Hallows: Part 2 (2011), Harry Potter and the Goblet of Fire (2005), Harry Potter and the Chamber of Secrets (2002), The Great Outdoors (1988), Hellboy II: The Golden Army (2008), Despicable Me 3 (2017), The Spiderwick Chronicles (2008), Dude, Where’s My Car? (2000)

Future BMT: 92.7 Date Movie (2006), 58.2 Deck the Halls (2006), 54.9 The Back-up Plan (2010), 51.2 Dude, Where’s My Car? (2000), 43.7 Double Impact (1991), 41.3 Father Figures (2017), 13.4 Little Women (2018);

BMT: Jack and Jill (2011), Pluto Nash (2002), The Identical (2014)

(Wow, how have we done so few? What a disaster. Looks like we are ready to fill up this keyword. Stay tuned because this same keyword plot will be coming at you every week for two months as we slowly watch every single BMT qualifying twin film (and I guess add the keyword to a few movies as well because this looks mighty incomplete to me!))

Welcome to Earf (HoE Number 10) – The shortest path through The Movie Database cast lists using only BMT films is: Ray Liotta is No. 2 billed in The Identical and No. 3 billed in In the Name of the King: A Dungeon Seige Tale, which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 2 + 3 + 4 + 1 = 10. There is no shorter path at the moment.

Notes – Blake Rayne is a famous Elvis Presley impersonator. He was cast after one of his performances as Elvis garnered the casting director’s attention.

Joe Pantoliano appeared in La Bamba 27 years earlier, playing Ritchie Valens’ music manager, another movie about music and set around the 1950s. (I would have deleted this note as pointless … but there are so few notes for this film I’ll leave it in. Yes, sometimes actors act in two films with an extremely tenuous and vague connection …)

Ray Liotta and Amanda Crew previously starred together in the 2010 film Charlie St. Cloud, but shared no screen time together. (How is this a note? Step up your game random people on IMDb!)

Cyborg Recap

Jamie

In a post-apocalyptic world ravaged by plague, hope comes in the form of a cyborg carrying a possible cure. A psychotic monster wants to control this cure, while a Slinger, a mercenary hired to protect people, is the only thing that stands in his way. Can he stop the monster and possibly save the world before it’s too late? Find out in… Cyborg.

How?! The world has been ravaged by a plague. All hope has been lost… almost. A cyborg named Pearl has been sent from the CDC in Atlanta to NYC to get information for a cure. On her way back, she is being tracked by Fender, a psycho monster who hopes to control the cure and thus control the world. After losing her bodyguard, Pearl finds Gibson, a slinger, and gets him to help her. Unfortunately Fender catches up and takes Pearl and leaves for Atlanta. Fender and a trailing girl, Nady, go after them. They track them down the coast and reminisce about Gibson’s brief happiness with a woman and her two daughters. They were killed by Fender and the younger daughter taken captive in his gang. When they do finally meet up they do battle and Gibson is able to kill a bunch of people, but just barely escapes with his life. He and Nady are tracked down and Fender crucifies Gibson on a ship. Left for dead he is able to knock down the cross and Nady helps free him. In Atlanta, Gibson again confronts Fender and they battle. Nady is killed and ultimately Gibson is able to kill Fender by impaling him on a meat hook a la Cobra. Indeed, Fender was the disease and Gibson was the cure. JK, the plague was the disease and Pearl, the cyborg, is the cure. Or at least hopefully. THE END. 

Why?! Hope. Humanity. Love. Life. Cyborg. The classics. Obviously, Fender wants power and control in a world dominated by chaos. Pearl wants to help save the world. Gibson, on the other hand, is partly just doing his job, but also wants revenge against Fender for what he did to Gibson’s family.

Who?! Probably one of the more fun athletes-turned-actors. Vincent Klyn, who played Fender, was a professional surfer. From what I can tell, he was a high prospect when he was young in the early 80’s and by the time Cyborg rolled around he was working more as a model and was discovered for the role when he was out surfing one day (if the director Pyun is to be believed). 

What?! I would say the cure for the plague is a reasonable MacGuffin, given the fact that we really don’t know much about the plague or the cure or anything. I mean, apparently there is a plague and the world is in ruins, and continues to be in ruins, because of it and… everyone just walks around no big deal? So what’s the cure for? Is Fender immune? No answers. As for props, JCVD’s necklace is listed here but specifically “is not for sale.” Yeah, wouldn’t want to give up that really cool looking prop from Cyborg. That’s a priceless gem.

Where?! Actually not a setting film. We start somewhere south of NYC heading towards Atlanta, but then get more specific as Gibson attempts to head off Fender in South Carolina where he docks to start inland towards Atlanta. The climactic fight scene takes place in Atlanta, which is even plot appropriate given the CDC’s role in the film. B+.

When?! And weirdly not a very good temporal setting film. Just generally and vaguely set in the future. It’s certainly post-apocalyptic. Can’t you tell because of all the… uh… graffiti, I guess? And the boat they have is all clunky. That’s bad right? Oh and Fender wears chainmail… I mean… right? That means it’s either really old or really in the future. Like, for sure. C.

There are aspects of the film that I was digging. I liked the bad guy and some of the quotes that he was laying down. His whole look was kinda rad too. But that’s more or less where it stopped. The film is ultra silly and looks like garbage. The film studio was basically already out of business and threw this stuff together. Let’s just say, it shows. I will give it some credit in saying that I somewhat understand why they made sequels to the film. The film made money and you can see intriguing angles to the plot to build on. Like some horror franchises where even if the first entry is awful there is sometimes enough momentum to the monster or something to carry into a few more films. As for the sequel (I only watched Cyborg 2), it is fascinating but for an entirely different reason. Angelina Jolie is front and center in her first film role and she is so raw it’s nuts. Also Jack Palance shows why he is a Tango and Cash legend and Billy Drago consumes entire sets. It’s a bit of a fun watch if only for the acting performances. Patrick?

Patrick

‘Ello everyone! We got all kinds of robotronic up in here this week. I watched not one, not two, but three Cyborg films! Weep not for me … Let’s go!

P’s View on the Preview – If I’m being honest, considering how early in his career this was, this looked like just another Van Damme film. The notes somewhat corroborated this, with a troubled production and Van Damme himself re-editing the film prior to release. I was intrigued by the director (a big non-theatrical director) and the bad guy (a professional surfer), so there was some potential. What were my expectations? The usual for post-apocalyptic nonsense from the late-80s: depressing, dreary, and boring. But I would be pretty pleased if we saw some splits and buns from Van Damme, because that’s really all the people want. Give the people what they want!

The Good – There are indeed some splits in the film. Van Damme is, as usual, as good as one would expect, with some fun action sequences. Especially the sequences near the end of the film in Atlanta. The final fight with Vincent Klyn was almost definitely the major bit that Van Damme himself recut, and it indeed is quite effective. And as bad of an actor as Klyn is, he does have a striking look and thus is an decent foe for Van Damme … even if he does kind of look like Bananas from Ghosts of Mars. The stop-motion effects for the cyborg are very Robocop-esque and look pretty cool. Best Bit: Them Splits.

The Bad – The acting is pretty dire, even from Van Damme. It ends up sinking the movie in the beginning because there is nothing to hold the audience’s attention during the first half hour of the film which is just standard boring post-apocalyptic garbage. The entire structure of the film was thrown off by the sheer number of flashbacks. We get it, Van Damme fell in love once, and Vincent Klyn killed his lady love and left him for dead. It is a tale as old as time, and it feels like it was shoehorned in just to pad the run time. The titular cyborg is barely in the film, and the motivation as to why she is a cyborg is non-existent … it makes you wish Van Damme was the cyborg instead. Fatal Flaw: Flashbacks.

The BMT – I think as a whole the series is interesting from a BMT perspective in that I watched the entire trilogy in a very short amount of time. Also the trilogy manages to be three totally different things: a late-80s martial arts film, an early-90s straight-to-video sci-fi knock off, and a truly dire 90s trash apocalypse film. Unfortunately I don’t think any of them are really that entertaining, with the first being the most interesting as an early Van Damme vehicle. I think in the future we’ll have watched more Albert Pyun films and Cyborg will become very relevant to certain Bring a Friend analyses, so it has that going for it. Did it meet my expectations? I’m going to go with no. We did get a sweet split, but I also wish the Van Damme film was a bit more like Timecop in that they trusted JCVD to execute peak JCVD-ness. And I wish the sequel was more of a wild ride as well, but it was pretty boring.

Roast-radamus – I’m liking the Setting as a Character (Where?) for both New York City, Atlanta, and heck, the whole eastern seaboard. Also Boring Post-Apocalypse Hellscape (When?) for a United States which has been destroyed by a plague at some point … I assume in the 90s, it is hard to tell. I love it for the titular MacGuffin (Why?) in that Van Damme is indeed trying to save / protect a cyborg who is attempting to cure the plague using information in her cybernetic brain. I think this is closest to BMT as far as superlatives.

StreetCreditReport.com – There is surprisingly little. I think most of the cred comes from the fact that this film is, in fact, a Masters of the Universe sequel that was adapted into a vague post-apocalyptic film and recast with Van Damme. That’s pretty fun. I also think the connection to Cannon and the insanity that was the bankruptcy of that minor production house gives some interest to the events surrounding the production. Other than that it is probably like top 10 worst wide-release cyborg films ever, so that’s something.

Bring a Friend Analysis – And with any viewing of Cyborg you obviously might as well pop in your VHS copy of Cyborg 2: Glass Shadow starring a very young Angelina Jolie and none other than Jack Palance! This. Film. Is. Bonkers. Is has karate, and cyborgs, and it looks like shit, but then has Billy Drago running around like a lunatic. It dares us to ask: what if the cybernetic beings we create can know love? Anyways, the film is pretty silly with an absolutely atrocious score. There is also the most tenuous of connections with the original Cyborg. Consider: In Cyborg the entire world is plunged into dystopian madness due to a plague that kills off most of the world. By 2074 however (people from the original film could still be alive at this point!!) we’ve not only built society back up, but we’ve managed to perfectly reconstruct the smarmy corporations of late-80s / early-90s America, and we are still (somehow) competing with Japan in the technology sector?! Now that’s a non-sequel if I’ve ever heard it. Jolie and Koteas are pretty fun in their roles, and I love Palance’s weirdo mouth screen nonsense. But the film is sunk just by looking like crap and sagging a ton in the middle. B-. It is only kind of fun as a non-sequel to Van Damme’s Cyborg. Otherwise it is mostly sad. But guess what? I would probably watch it again, just to make sure I genuinely didn’t like it.

You Just Got Schooled – Uh oh, guess what? I watched Cyborg 3: The Recycler! Remember how I said Cyborg 2 was a bit odd because they posit a complete reconstruction of corporate America a mere 75 years after society completely dissolved? Well, turns out that is too expensive for a direct-to-video sequel and we’ve been plunged into a desert-like apocalyptic wasteland again for the final entry in the Cyborg trilogy. Now starring Khrystyne Haje in the Jolie role the film is … well, it really is just kind of about how abortion is wrong? You think I’m joking, but there is a pretty not-so-low-key anti-choice message in this film. Haje learns she’s pregnant with a human child fairly early in the film, but insists that she wants an abortion. Everyone though knows that she should reconsider and that she doesn’t know how much of a miracle this situation is! But luckily, once she sees the face of her child, that motherly instinct kicks in and she chooses to have the child, hoooooooray! Anyhoo, beyond that the film looks like shit and is mostly just boring. Malcolm McDowell is fifth billed but in the film for, no joke, five minutes. Richard Lynch is a fine actor, but his face looks weird and he’s a bit too hammy for my taste. It only really starts once they meet the guy from Gremlins. Even then I just felt like I was wasting my time, both of the previous entries are loads better. C-

Cheerios,

The Sklogs

Cyborg Quiz

Man, so last thing I remember I was a Slinger, sneaking people out of post-apocalyptic NYC like a badass. I was doing splits and spin kicks. I was rad. And then this psycho surfer guy popped up and bopped me on the head. I don’t remember anything else. Do you remember what happened in Cyborg?

Pop Quiz Hot Shot!

1) In the beginning we see the cyborg Pearl attempting to escape New York City as her and her bodyguard are attacked by pirates. Why are they in New York City?

2) Where is Pearl trying to get to?

3) In the multiple unending flashbacks peppered throughout the film we see our hero Van Damme helping a family escape to a farm. What city were they escaping from and where did they escape to?

4) Someone from Van Damme’s past is hanging out with the enemies though! Oh nooooooooo, say it ain’t so!!!!!! Who is it? And what traumatic event happened to them in the past?

5) You might think there are other things that happen in this film, but spoiler alert, after getting captured and left for dead by the bad guys Van Damme escapes and defeats all the bad guys in Atlanta the end. After getting captured what do the bad guys do to Van Damme?

Answers

Cyborg Preview

As Poe peers into the blinding light of the puzzle box supernova he glimpses Rich fighting for his life against the robot gals. They are pulling him towards the Hell that resides within and as they do he’s becoming younger and younger. Poe stares into the eyes of 12-year-old Rich, who is now barely able to fend off their robot strength. Young Rich, that dope tween who so many years ago in the bayou professed his love for B*Witched. Who wore the shit out of a jean jacket and helped Jellyroll out of every jam. Who taught Ernie how to dance and was… was Poe’s best friend. His best friend, whose eyes now pleaded with him for help. Together they could defeat them, but Poe’s love prevented that. “Think!” Poe screams in agony. “Why must love hurt so much?!” he shouts, pounding his fists against the puzzle box. It closes slightly under the force and suddenly Poe knows what he must do. Love won’t let him destroy his lady (robot) loves, but perhaps… perhaps their love could be preserved. And with that he reaches out to Rich. The power within Rich reaches out in response and together they make the impossible possible. Rich is ripped out of the box and back into the ghost ship with the most ship. He looks away and Poe asks what he saw. “You… you were an old man,” Poe nods in understanding. He saw a Young Rich, while Rich saw Old Poe. Make sense. But Rich stops him and continues, “you weren’t just an old man. You were the old man… from the Six Flags commercial.” And they both shudder in horror, the spell only broken by a cough from the robot ladies. “You ready for a cyborg fight?” they ask. That’s right. We’re watching the JCVD classic (?) Cyborg. It’s set in a far apocalyptic future and presumably has cyborgs in it. That’s enough for us. Let’s go!

“You’re a cyborg, too,” the guard whispers in fear, his eyes darting wildly around the room. “Yes,” the two disfigured men say, “but this ain’t no nightmare. And soon the… twins,” one spits in disgust, “will know what we are capable of. Once we possess their… power.” And with that they enter the portal. That’s right! We’re watching Cyborg 2, the straight-to-video sequel to Cyborg that starred Angelina Jolie in her first film role. A whole two years before Hackers! Let’s go!

Cyborg (1989) – BMeTric: 57.8; Notability: 18 

(I’m a bit surprised that a film produced by a studio which had basically already went bankrupt managed to get 18 well known people involved. The ratings they are arising, but it is still close to being in the fours which is very very low. Sweet 2011 inflection as well.)

RogerEbert.com – 1.0 stars – I am not sure I remember the opening words of “Cyborg” exactly, but I believe they were, “After the plague, things really got bad.” I do remember laughing heartily at that point, about 30 seconds into the movie. Few genres amuse me more than post-apocalyptic fantasies about supermen fighting for survival. “Cyborg” is one of the funniest examples of this category, which crosses “Escape from New York” with “The Road Warrior” but cheats on the budget.

(Haha, yeah that sounds about right. It is a totally earnest knock-off of other better films while trying to make it all on a sub-$1 millon budget. Ebert shouldn’t have pulled the punch though, give it the full thumbs down.)

Trailer – https://www.youtube.com/watch?v=3BeaSdMxehg/

(Man I love Cannon. They made just insane films! “Take him out!” The cyborg-vision looks suspiciously like the interface in Universal Soldier. And oh shit, he’s doing the splits!!! I am amped for Cyborg!!!!)

Directors – Albert Pyun – (Known For: The Sword and the Sorcerer; Future BMT: Captain America; Kickboxer 2: The Road Back; Alien from L.A.; Adrenalin: Fear the Rush; Dangerously Close; BMT: Cyborg; Notes: Inducted into the B-movie Hall of Fame in 2011. He thrived in the 90s straight-to-video era. Released a Director’s Cut of this film in 2011.)

Writers – Albert Pyun (written by) (as Kitty Chalmers) – (Known For: The Sword and the Sorcerer; Future BMT: Alien from L.A.; Adrenalin: Fear the Rush; BMT: Cyborg; Notes: Apparently actually filmed a Cyborg sequel, but due to health issues it remains stuck in post-production.)

Actors – Jean-Claude Van Damme – (Known For: Bloodsport; Kung Fu Panda 3; The Expendables 2; Kung Fu Panda 2; Kickboxer: Retaliation; Kickboxer; Hard Target; Timecop; Kickboxer: Vengeance; Universal Soldier: Day of Reckoning; Sudden Death; Lukas; JCVD; Enemies Closer; Future BMT: Street Fighter; Derailed; Welcome to the Jungle; The Order; Legionnaire; Double Impact; Maximum Risk; Inferno; Replicant; The Quest; Black Water; Missing in Action; Pound of Flesh; Nowhere to Run; A.W.O.L.: Absent Without Leave; Breakin’; Last Action Hero; BMT: Universal Soldier: The Return; Double Team; Cyborg; Knock Off; Universal Soldier; Razzie Notes: Winner for Worst Screen Couple for Double Team in 1998; and Nominee for Worst New Star for Bloodsport in 1989; Notes: Y’all know JCVD. He used to re-edit his early films to make the action scenes better, and this film is no exception. He apparently re-edited the film for two months prior to its release.)

Deborah Richter – (Known For: One on One; Promised Land; Future BMT: Square Dance; BMT: Cyborg; Notes: Was married to Charles Haid who was on Hill Street Blues (she played his wife in that show on occasion as well).)

Vincent Klyn – (Known For: Point Break; Future BMT: Kickboxer 2: The Road Back; In God’s Hands; BMT: Double Dragon; Cyborg; Notes: A professional surfer, he was at one point a top five surfer in the world. Pyun saw him at a tournament and then chose him as the antagonist of Cyborg based on his intimidating look.)

Budget/Gross – $500,000 / Domestic: $10,166,459 (Worldwide: $10,166,459)

(That is an incredible return! See, this is how Cannon made its dough back in the day. Well … Actually this was their last release before going bankrupt. They would come back for a bit in the early 90s, but they completely collapsed by 1994.)

Rotten Tomatoes – 20% (3/15)

(I get to make a consensus: Just another martial arts film, and just another post-apocalyptic film with a main character which requires no acting ability to play. Reviewer Highlight: Mr. Van Damme’s Gibson is so opaque that he makes Mel Gibson’s Mad Max seem weepy by comparison. – Stephen Holden, New York Times)

Poster – Sklogborg

(I was trying to make the hardest to pronounce fake film name and I think I succeeded. Half sklog, half robot, all rock-and-roll. Sklogborg. Oh right, the poster. Uh, that’s crazy. But also just crazy enough that if I saw that in a theater I’d probably be intrigued. C+)

Tagline(s) – He’s the First Hero of the 21st Century…And He’s Our Only Hope. (D)

(Those seem like two random sentences smashed together into a cyborg of a tagline. It’s simply terrible. But not so terrible that I’m embarrassed for it.)

Keyword – cyborg

Top 10: Avengers: Endgame (2019), Star Wars: The Rise of Skywalker (2019), Avengers: Infinity War (2018), Terminator: Dark Fate (2019), Bloodshot (2020), Guardians of the Galaxy (2014), Deadpool 2 (2018), Alita: Battle Angel (2019), Mortal Engines (2018), Fast & Furious: Hobbs & Shaw (2019)

Future BMT: 55.9 The Stepford Wives (2004), 50.1 Resident Evil: The Final Chapter (2016), 46.6 Solo (1996), 30.0 Mortal Engines (2018), 29.2 Spacehunter: Adventures in the Forbidden Zone (1983), 25.0 Teen Agent (1991), 23.4 Impostor (2001), 22.0 Terminator Genisys (2015), 19.4 Terminator Salvation (2009);

BMT: Bloodshot (2020), Sucker Punch (2011), Jupiter Ascending (2015), Masters of the Universe (1987), Universal Soldier (1992), Judge Dredd (1995), RoboCop 2 (1990), Jason X (2001), RoboCop 3 (1993), Cyborg (1989), Universal Soldier: The Return (1999)

(The later uptick is clearly because of Marvel and DC films … but it does seem like cyborgs are having a moment doesn’t it? Ooooo I really want to watch Solo, it seems like an insane film.)

Welcome to Earf (HoE Number 19) – The shortest path through The Movie Database cast lists using only BMT films is: Jean-Claude Van Damme is No. 1 billed in Cyborg and No. 1 billed in Double Team, which also stars Mickey Rourke (No. 3 billed) who is in Get Carter (2000) (No. 4 billed), which also stars Sylvester Stallone (No. 1 billed) who is in Expendables 3 (No. 1 billed), which also stars Jason Statham (No. 2 billed) who is in In the Name of the King: A Dungeon Seige Tale (No. 1 billed), which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 1 + 1 + 3 + 4 + 1 + 1 + 2 + 1 + 4 + 1 = 19. If we were to watch Maximum Risk we can get the HoE Number down to 14.

Notes – Jean-Claude Van Damme accidentally wounded Jackson ‘Rock’ Pinckney’s eye during a swordfight scene, permanently blinding him in that eye. He took Van Damme to court, and eventually won a settlement.

This was the last official theatrical release for Cannon Films after going bankrupt in 1987. (Wow! That is fun)

Jean-Claude Van Damme re-edited the film, much as he did with Bloodsport (1988), to make the fight scenes more exciting and trim down the drama. Van Damme spent two months editing the film. He would do the same on Hard Target (1993) (WTF?!)

This film was conceived to use the costumes and sets built for a Masters of the Universe (1987) sequel and a live action ‘Spider-Man’ film. Albert Pyun planned to shoot both projects simultaneously. Cannon Films had to cancel deals with Mattel and Marvel because of their financial troubles, and they needed to recoup the money spent on both projects. Pyun created the film’s script, under the pseudonym of Kitty Chalmers, using two previous scripts, “Johnny Guitar” and “Alex Rain”. Some network television channels still give the film’s title as ‘Masters of the Universe 2: Cyborg,’ leading people to think it’s a sequel. (WHAT IS HAPPENING! That is a crazy story. I want to read both Johnny Guitar and Alex Rain!)

The MPAA originally gave the film an “X” rating. Numerous cuts got it rated “R”, including a good deal of blood in the village massacre and one character’s death scene. (What? The film isn’t even that violent)

The test screening was a disaster. Only one out of 100 people surveyed liked the film. Menahem Golan and Yoram Globus tried to convince Jean-Claude Van Damme to allow them to release the movie as it was. Instead, Van Damme convinced both producers to let him edit the film, as he had done with Bloodsport (1988), and asked them for 2 months. Cyborg was finally released 2 months later. (Jeez)

The budget, including Jean-Claude Van Damme’s salary, was $500,000. The studio had already spent $2 million on production design, costumes, and miscellaneous prep work on the aborted projects “Masters of the Universe 2” and “Spider-Man.” (Ah, so with the box office take of about $10 million it was probably not that far from a wash in the end)

Matthias Hues turned down a role in the film. Years later, he claims to regret the decision. (But why would he regret it?)

The chain mail and forearm guards worn by Fender were part of the costume for the character “Blade” in Masters of the Universe (1987). (Ahhhhhh right!)

After the success of Bloodsport (1988), Cannon films offered Jean-Claude Van Damme the lead in Delta Force 2: The Colombian Connection (1990), American Ninja 3: Blood Hunt (1989), or this film. He chose the latter, and later admitted “I didn’t like the film so much.” (Neither of the other two were very good though.)

Albert Pyun originally envisioned the film as a heavy opera without dialogue, shot in granulated black and white. The producers rejected the idea. (How much cocaine was Pyun doing when he pitched that idea?)

Albert Pyun is currently developing a prequel to this film, which was originally titled “Cyborg: Rise of the Slingers”, before the title was changed to “Cyborg Nemesis”. The film which takes place before “Cyborg”, details the formation of the Slingers, after the plague brought about the fall of civilization and the Pirates begin terrorizing the survivors and the Slingers are organized to deal with them. (Yeah it isn’t happening because Pyun retired after being diagnosed with MS)

In 2011, Curnan Pictures got hold of the missing tapes of the original cut of the film through Tony Riparetti, Albert Pyun’s original choice for score artist. This director’s cut features Pyun’s editing and previously unreleased scenes. It is commercially available through the director himself. Pyun’s director’s cut was released in 2014 in Germany with the film’s original title, “Slinger”. (What? Wait …. What? I can watch the Director’s Cut of Cyborg?)

The original theatrical version does not explain what Slingers are. In the director’s cut, the opening crawl defines Slingers as hired warriors who safely escort people out of cities and protect them from pirates.

When the film was first released on VHS in Germany, so many violent scenes were cut out that it ran only around 58 minutes, not even reaching feature length.

The film is included on the film critic Roger Ebert’s “Most Hated” list.

The film is believed to be a remake of Fist of the North Star (1986).

Supernova Recap

Jamie

Nick Vanzant is a recovering addict with a new job as the co-captain of a hospital ship. When a distress signal comes from deep space they make the jump but disaster strikes. It goes from bad to worse when the man they have come to rescue, Karl, turns out to be a psycho. Can they stop Karl and avert universal destruction before it’s too late? Find out in… Supernova.

How?! Nick is a former military pilot with a dark past. Recovering from addiction, he’s taken a post as co-captain of a hospital ship used for deep space rescue headed by Dr. Kaela Evers. A distress signal comes in, but some on board recognize the name and are worried. They make the dimension jump anyway, but the captain’s safety equipment malfunctions during the trip and he is killed. Now in charge, Nick determines that they have just enough time to gather fuel and jump back to safety before crashing into a nearby blue giant star. This would all make for a very boring movie, but luckily for the viewer, and unlucky for them, the man who sent the distress signal crashes on board the ship to spice things up. That’s because he turns out to be a creepy young man, Karl, who snuck aboard a container filled with multi-dimensional matter. One of the crew comes in contact with it and all of a sudden is made younger, faster, and stronger. Nick is concerned and upon further analysis they find that the artifact is a universal bomb meant to destroy civilizations with the gall to open it. Nick goes down to the nearby mining planet to try to find fuel, but is stranded there by Karl, who proceeds to kill everyone with his big multi-dimensional muscles and try to woo Kaele, his former lover from before he got all young and hot again using the alien machine. Can’t stop Nick, though, as he comes back and is able to subdue and trick Karl just long enough to eject him and the artifact into the blue giant. He and Kaela jump back to Earth just in time and learn two things. One, she’s pregnant (from them boning? Maybe. From them dimension-jumping together? Also maybe). Two, the artifact exploded and it’s just a matter of time before it reaches Earth. Am I smelling a sequel? (Hint: I’m not). THE END.

Why?! For most of the film they are just doing their job. They are a hospital ship, they get a distress signal, and regardless of their hesitancy due to the source of the signal they come to the rescue. Once disaster strikes it’s just a matter of survival. Karl’s motivation also seems rather simple. He’s a psycho, he’s always been a psycho, and now he’s under the control of an alien artifact that makes it so his psychotic tendencies could lead to the destruction of the universe. Very cool, Karl.

Who?! As mentioned, this is one of the very very few BMT qualifying films where the director (here Walter Hill) decided to go under a pseudonym. Not Alan Smithee, that was already played out, but Thomas Lee. While Patrick already notes that this will complete the pseudonymous directors for BMT proper, I will note that we will certainly get another as a Bring a Friend with Birds II: Land’s End. 

What?! The alien artifact here is almost certainly a MacGuffin. Even more so that in the other Hellraiser in Space, Event Horizon. This is legit a little glowy pod that everyone is like “woah, this is super powerful and everyone will want it and it can do crazy damage and also make people younger and also contains ninth-dimensional matter.” And then everyone fights over it for an hour. Classic MacGuffin.

Where?! I do believe this is set entirely in deep space. At no point are we really ever sure of where they are except perhaps at the end when I think they jump close to Earth. This is through and through a space movie and nothing else. But that still means something as that setting is super necessary to the plot. A.

When?! Everywhere you look talks about how this was set in the early years of the 22nd century. I don’t necessarily recall how that is know besides maybe context clues (or maybe the presumption that it occurs about 100 years after present day), but I just gotta trust it. I’ll give it a B.

This was a hard film for me to assess. On first blush, I was surprised to see that this film was entirely disowned by the director(s). It had a dark, interesting style with some special effects that were impressive. The plot of coherent, with only a few parts where you could see the heavy post-production work show through (most notably a random sex scene between Nick and Kaela, which really confuses the pregnancy aspect of the end of the film). The last part of the film is not good and starts to veer into Lost in Space territory, with a final battle that just looks silly. But would I have guessed that the movie was considered a well-known disaster? Not really. The second half is straight-up bad and the whole thing is a little too self-serious to have fun with, but otherwise there were things I liked. Would I recommend it? Deary me, no. But it was more of a standard bad movie than I expected, given the reputation. Could it be one of those Ishtar type cases where the drama of the production ended up coloring the reviews at the time? Don’t know, but that’s my impression. Patrick?

Patrick

‘Ello everyone! We’re going back to outer space and dabbling in Black Holes with Supernova. More like Superdupernova, amirite? Let’s go!

P’s View on the Preview – This film and Event Horizon were always confused in my mind. I could never really remember which was the horror film I found spooky scary, so I avoided both in the end. This isn’t a horror film though, it is a thriller that ended up being a mess and the director disowned it. A few fun facts in the preview though, like how the reshoots were performed by Francis Ford Coppola. That’s fun. What were my expectations? For this film to be cut to shit. Well and truly just butchered in the editing room. It was abandoned by its director and reshot twice … surely the film cannot be remotely coherent.

The Good – For the first half of the film the style, and in particular the sets, are extremely interesting. Like, I was intrigued by the storyline, and the deep space travel, etc. I was also surprised by Spader. I mostly know Spader by his later work, in particular his short stint on The Office, and his speaking style and mannerisms come across as really weird out of context. Seeing that same speaking style coming out of a very young and svelte Spader was jarring, but I couldn’t help but wonder how he didn’t become a major leading man in the early 00s instead of dropping into television. He was quite good. Best Bit: Spader.

The Bad – The film does completely fall apart in the second half. By the end of the film the ship ends up looking like Jason X due to the sheer silliness of what is happening within it … Somehow I liked the ship’s design in the first half, and then ended up feeling lost within a silly set in the second half. It was a weird feeling. The rest of the cast (in particular Peter Facinelli) were quite poor. And while the idea of the film is fine, the ultimate wishy-washy “welp … maybe Earth is going to be destroyed in 250 years … see you later!” ending didn’t help with the feeling that you were seeing only part of a film. Finally, for a thriller it was distinctly non-thrilling. It would have been better served just leaning heavily into horror. Fatal Flaw: Over-edited Nightmare.

The BMT – I think we’ve now completed a pretty solid stable of bad outer space films, and while this is mostly upper mid-table in badness, it still is an interesting note. Probably most notable as a Smithee film. This is, in fact, only the second BMT film where the director used a pseudonym … that sounds crazy, but I think it is because not very many wide release films get disowned in the end. Are there even any others available … let me do the analysis … Yeah, we have now completed all of the disowned BMT films available! Just Visiting and Stealing Home have people with pseudonyms, but I think that was for other reasons, and An Alan Smithee Film: Burn Hollywood Burn wasn’t actually released widely. Kind of incredible. That genuinely means Hellraiser: Bloodline was the only (bad) Alan Smithee film ever released widely to theaters. That is insane! Did it meet my expectations? I think so, just for that early 00s shiny spaceship look and Spader being Spader I think it ended up being a pretty funny film to watch.

Roast-radamus – Unfortunately the setting and time period is a bit too vague to actually get any awards I think. Definitely love the MacGuffin (Why?) though for the alien nuclear bomb, and Worst Twist (How?) for the magic alien technology being said bomb designed to kill off other intelligent life in the universe. I think this is easily closest to BMT for the superlatives.

StreetCreditReport.com – The issue with finding lists for films from the 2000s is that you end up finding “worst films of the 00s in total” lists. I couldn’t find it on any of those. I do think this would give “worst black hole / supernova films” lists a run for their money. And I think it could even get to worst space films as well. But it definitely ends up on a short list of non-Smithee disowned films. Walter Hill hates this film. Now that’s some cred!

You Just Got Schooled – The wikipedia article for Supernova noted similarities with this film and the TV movie Alien Cargo! Obviously, I had to complete the trilogy (alongside Event Horizon). Debuting on January 28th, 1999 on UPN’s Movie of the Week (!) the film is actually kind of okay? Cheap looking, but the storyline of a space cargo ship drifting away from the solar system after parts of the crew kill each other in inexplicable anger is actually pretty neat (and indeed, quite similar to Supernova). In the end it turns out the Alien Cargo is a trap likely deployed by a sinister alien race who were attempting to use it to infect and destroy humanity. The most interesting bit is the methods by which Jason London (star of last week’s schooling film The Man in the Moon) helps save the sleeping crew of his cargo ship. C. I wouldn’t recommend it unless you are ready to watch an old UPN movie of the week. But also you can almost definitely do worse.

Cheerios,

The Sklogs