One Missed Call (2008) Recap

Jamie

Welcome to the Calendar where only the best of the worst of the worst reside. And there are very few films more poorly reviewed than One Missed Call. Let’s get into it.

What?! A cursed cell phone message is killing nubile college students. Each time someone is killed a call from the future previews the next victim’s imminent death. When Beth becomes the latest player in this deadly game of phone tag she teams up with a local cop to stop the madness. Can she uncover the mystery before it’s too late? Find out in… One Missed Call.

How?! There is a very basic premise that one needs to know to get 90% of this film: People die, when they die their phone calls someone in their contacts list (from the future… bum bum bum!), that person receives a message (from the future…bum bum bum!) that contains a recording of the last moments of their life (from the future… bum bum bum!), and a few days later that person is killed (as predicted) and the cycle begins anew. The entirety of the first part of this film takes place watching as random characters in the film are killed in increasingly silly and decidedly PG-13 ways as a result of these phone calls. When our main character, Beth, finally receives the phone call she’s got enough grit and last-girl-itude to try to solve the mystery (especially after the good people at Boost Mobile are no help at all… gah! Why must their mobile plans provide so many affordable minutes?!). She teams up with Ed Burns, a cop whose sister was also killed by the phone call, to figure it out. They trace it back to a woman who died in a hospital fire after her child died of an asthma attack. They go to the hospital and find the mother’s body, finally bringing her peace and thinking they’ve stopped the madness (phew!). But alas [SPOILER ALERT] it turns out that it was actually the evil daughter who was responsible for all the death and mayhem! In a “climactic” scene Beth is saved from the evil girl ghost by the mom ghost, but Ed Burns is killed. His phone dials a spooky posthumous call and the cycle starts anew. In case you’re confused: none of this actually makes sense.

Why?! Alright, let’s try to explain why this is all happening. The ghost mom had two children. The younger girl kept on getting sick and so everyone thought the mom had Munchausen By Proxy and was doing it on purpose. When the mom discovers that her elder daughter was actually responsible she locks her in her room where she dies of an asthma attack (daannnggg, coooold Bloooddeedd). With her dying breath the daughter dials her mother’s cellphone. This begins the curse as shortly thereafter her mother is killed in the hospital fire. So you see, the motivation for the whole film is a psychotic ghost child who uses her powers of evil to kill at random as a form of revenge for her unsettled spirit. Everyone else just doesn’t want to die.

Who?! Definitely have to give a shout out to one of the kid actors in the film. The evil daughter, Ellie, is played in the flashbacks by none other than Ariel Winter of Modern Family fame. Not the first Ariel Winter film in BMT. She also appeared in Killers. I barely remember the film let alone her role in it.

Where?! Not since The Tuxedo have we seen such a concerted effort to conceal the location of a film. There are fake license plates, fake drivers licenses, and concealed addresses. That is until the very end where Beth receives a letter that claims she lives in Minniwauka, NJ 60209. While that is a mindbogglingly bad fake location and the zip points to Evanston, IL you have to give default to the state listed. This is an NJ film. Makes sense too because I’ve heard that Ed Burns can’t exist outside the tri-state area. Exact but hardly mentioned. B-.

When?! This is clear from the get go. The film opens with a call from the spooky ghost on June 9th. So we got exact details without even trying. An easy slam dunk B+. Not an A because the time of year has little relevance, but it is mentioned over and over.

If you anyone wants to watch a horror film but wants something rididididididiculously not scary then this is the ticket for you. It is laughable for much of the film and I felt like it was right on the cusp of being a really good, funny BMT film. But my opinion doesn’t matter, I’m just the details man. Patrick?

Patrick

‘Ello everyone! One Missed Call? More like No Script At All! Amirite. What once was old is new again was the motto of mid-2000s horror, and for a brief period they were looking for anything that sounded vaguely like The Ring. Well this one sounds exactly like The Ring except with sweet Boost flip phones. Let’s get into it!

The Good (Sequel, Prequel, Remake) – Woof. Not much was good in this film. Dare I say nothing at all? Even Ray Wise couldn’t save it from itself. This movie was crazy bad … so let’s do a remake! A remake of a remake? That’s right. This time the evil spirit is inhabiting a smart phone, and with access to all that technology it can reach beyond the confines of its sweet but limited flip phone capabilities! Spooky. Throw out your phone? It calls you on skype! Get rid of skype, it is in your email with hangouts! No escape, as it leaps from technology to technology. And this time you actually do make a statement about the pervasive and toxic nature of our connected world, because it turns out just reshooting a mediocre J-Horror film didn’t really cut it. Slash the budget, get inventive, One Missed Call: Unlimited Data Plan (ooooof, what a terrible title).

The Bad (Seven Deadly Sins) – As I said, this movie was crazy super-bad. At a svelte 90 minutes flat the film still felt like it was 20 minutes too long. The acting was top-to-bottom an atrocity. The movie, as I said, is a shot-for-shot remake of an already-not-scary J-Horror. Its existence is questionable, its production is sloppy, and, the biggest sin, it is not even a little bit scary. They couldn’t even do jump-scares properly (I was straight laughing at times). Good-bad horror is funny, and this gets mighty close to that area. Indeed, it would have been legendary if it didn’t feel a little too long. The sin is sloth: copying The Ring, copying the original Japanese film, barely even managing to muster a single scare in the entire film. Weak.

The BMT: Legacy – I think this will go down as one of the worst actual horror films we’ve ever seen. It is worse than The Gallows … The Gallows! The only thing that comes close is something like The Devil Inside, but found horror is a whole different garbage-y animal. As far as actual horror goes, this is a decent example of a film I would trot out if someone asked to watch the worst horror film I’ve seen (competing closely with The Fog). I disliked something like Friday the 13th Part 5 more, but there is something pure and kind of fun about how much this stands alone and proclaims: I am terrible. I’ll mention a small StreetCreditReport.com here because I love it. Sadly, despite being one of the worst films ever reviewed, I can’t find much play in the worst of lists. Possibly because 2008 was incredible (The Happening, Max Payne, Mamma Mia, What Happens In Vegas, etc.), but also because people hate horror films (at least critics seem to). I certainly gets high up on my personal list. Its cred comes from the reviews though, 0% on Rotten Tomatoes is always special.

And finally word about a little BMT Homework where I watched the original One Missed Call. This was the first J-Horror I’ve ever seen. I watched The Ring, but never Ringu. This … was not a good introduction. Too long, not very spooky or scary, a silly concept, and feels like a rip-off of The Ring. Better than the remake, but still, below-average. It did get me interested in watching more though. A very different feel from the slasher genre I’ve grown to love over the past few months. I’m thinking Ringu will be on the docket when we inevitably watch Rings this Fall, and from there, who knows? Maybe I’ll fall in love with that sub-genre as well. 

Cheerios,

The Sklogs

One Missed Call (2008) Preview

We’ve made it! We’ve hit the transition from <10% RT films to our new cycle! Hooray! Our journey isn’t done yet, but the clear waters of the Calendar cycle are cleansing our palates and bringing us BMT strength. But it wouldn’t be the StreetCreditReport.com cycle without a last punch to the nuts. We’re watching one of the worst reviewed films of all time, the January 4th entry on the Calendar (and you know that’s a good date for BMT), and one of the classics in bad horror. That’s right! We’re watching the critically reviled One Missed Call. Based on the Japanese film on the same name (which was in turn based on a book), it was one of the last big J-Horror remakes released during the mid-2000s boom. It garnered the super rare 0% on RT on a startling 80 reviews. Only Ballistic: Ecks vs. Sever can compare. Let’s go!

One Missed Call (2008) – BMeTric: 80.7

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(I know it is quite hard to stay sub-4.0 on IMDb, but my motto has become that the mark of a truly bad movie is that it won’t regress in the face of increased popularity. Basically everyone who watches the film ultimately kind of agrees that it is trash, there is no effect of a wider audience being more lenient. So this plot makes me wonder if One Missed Call deserves the legendary anticipation we have endowed it with. The film has the second most reviews for a movie with 0% on Rotten Tomatoes, so its reputation precedes itself. But this still makes me a bit skeptical.)

Leonard Maltin – BOMB –  What if you received a message on your cell phone from your future self, with the date and time of your death? No need to stay awake at nights wondering, as this film lets you know how some college students deal with just such a predicament. Another Americanized remake of a Japanese horror film (Takashi Miike’s Chakushin Ari) with a good cast wasted. So bad that the title invites pithy putdowns; it’s just too easy.

(Put yo money where your mouth is Leonard, I want to hear those pithy putdowns! I can imagine the NY Post headline (something like They Missed!), but I’m kind of hardpressed to think of any super good ones. One Missed Movie? Terrible. He has to be talking about the “miss” part of it, but my mind keeps coming back to “hard miss” which is at the very least a somewhat niche phrasing. The beginning of this review is just a very long winded description of the movie … which always seems to me like Leonard doesn’t like horror films and just decided to skip this one. He does seem very adamant that the film is bad though, so maybe he did watch it.)

Trailer – https://www.youtube.com/watch?v=I1F7hJNsi5M

(That trailer looks like a shot for shot remake of the original Japanese … with maybe a bit of Final Destination thrown in. Can’t wait for it to be aggressively not spooky-scary as well. The trailer doesn’t help itself by having the weird sound effects on the writing, just grating all around.)

Directors – Eric Valette – (Known For: La proie; BMT: One Missed Call; Notes: French filmmaker, so most of his films were never released widely in the US. Does a lot of French television including the Transporter series. I might have to check that out, I bet that could be pretty cool and help me learn French.)

Writers – Andrew Klavan (screenplay) – (Known For: True Crime; A Shock to the System; Future BMT: Don’t Say a Word; BMT: One Missed Call; Notes: A novelist and a screenwriter he could have the unique distinction of having a BMT credit for a screenplay he wrote adapting a book (One Missed Call based on Chakushin Ari) and a credit for a novel (Don’t Say a Word) which he didn’t adapt.)

Yasushi Akimoto (novel) – (Known For: Chakushin ari; BMT: One Missed Call; Notes: He is a music producer who has created some of Japan’s biggest “idol” groups including AKB48. He is the best selling lyricist in Japan with his songs exceeding $100 million in sales.)

Minako Daira (screenplay) (as Miwako Daira) – (Known For: Chakushin ari; BMT: One Missed Call; Notes: What a strange filmography, just all of the One Missed Call movies. I wonder if she was the a representative for Yasushi Akimoto when adapting his book into films? Nothing about her online.)

Actors – Edward Burns – (Known For: Saving Private Ryan; The Holiday; Friends with Kids; 27 Dresses; She’s the One; Confidence: After Dark; The Brothers McMullen; Sidewalks of New York; The Groomsmen; The Fitzgerald Family Christmas; Newlyweds; Future BMT: Life or Something Like It; Echelon Conspiracy; 15 Minutes; Man on a Ledge; Ash Wednesday; No Looking Back; BMT: One Missed Call; A Sound of Thunder; Alex Cross; Notes: Ooooo, it’s a sound of thundah. The star of that classic, and now often a micro-budget director, he sponsored a screenwriting contest through the company Scripped for a crowdsourced screenplay. As this was done in 2012 … I’m not sure it will ever actually happen.)

Shannyn Sossamon – (Known For: A Knight’s Tale; The Holiday; Kiss Kiss Bang Bang; The Rules of Attraction; Wristcutters: A Love Story; The End of Love; Life Is Hot in Cracktown; Road to Nowhere; Future BMT: Sinister 2; The Sin Eater; 40 Days and 40 Nights; The Day; Our Family Wedding; Undiscovered; BMT: One Missed Call; Notes: Sister of singer Jenny Lee Lindberg, and was a part of her band Warpaint before leaving to focus on acting. She studies dance in Los Angeles as well.)

Ana Claudia Talancón – (Known For: Fast Food Nation; El crimen del padre Amaro; Alone with Her; Sueño; The Dry Land; Future BMT: Love in the Time of Cholera; Enter the Dangerous Mind; BMT: One Missed Call; Notes: A Mexican actress and model. Nearly all of her credits are in Mexican cinema.)

Budget/Gross – $20 million / Domestic: $26,890,041 (Worldwide: $45,847,751)

(Pretty solid bomb domestic, but maybe a return worldwide. Hard to tell. The budget seems inflated though, $20 million is quite high for a horror film like this. They were probably trying for some of that sweet Ring money which made about five times as much.)

#76 for the Horror – Supernatural genre

onemissedcall_supernaturalhorror

(Awesome graph. After dying off in the late 90s (the horror bust perhaps?) it came back with a vengeance with The Sixth Sense and The Blair Witch Project in 1999. The return is still going strong, where the screens these films are getting go up and up and yet the average per screen take is just about level. Although … that might change with Rings and The Bye Bye Man being among this year’s crop. With Right around last year’s The Forest.)

#35 for the Horror Remake genre

onemissedcall_horrorremake

(Comes right at the peak. I think we also have a bit more insight into maybe why the 00s are the Golden Age: remakes? This peak kind of perfectly covers the biggest years from around 2005-2010. The Ring kicked off the J-Horror remakes in 2002, but there hasn’t been a remake since 2015 according to Box Office Mojo. They’ll go back to the well eventually, I’m sure of it. This comes in several spots below The Fog … not a good look.)

#15 for the Remake – Asian genre

onemissedcall_asianremake

(Same as above basically, big right after The Ring, but basically died off as original (micro budget) horror came back into style. With VOD likely being a big destination for horror in the future I would doubt budgets would allow for expensive IP buys, but who knows? This comes definitely below future BMT The Eye starring Jessica Alba.)

Rotten Tomatoes – 0% (0/80): One of the weakest entries in the J-horror remake sweepstakes, One Missed Call is undone by bland performances and shopworn shocks.

(uh oh, I’ll do a little on-the-fly translation for you: “This movie is not-scary and boring”. Just great. It apparently is so boring everyone just totally agreed and gave it a bad review. Please be wrong Cynical Patrick, please.)

Poster – One Missed Sklog (C+)

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(I don’t love the poster (particularly the cheesy screaming mouths for eyes), but it doesn’t do a lot wrong either. Coloring is fine and spacing is good. Could have been more creative with the font. Slightly better than average.)

Tagline(s) – What will it sound like when you die? (B-)

(Well… hopefully it’ll sound like I’m dying peacefully surrounded by loved ones… … … Oh, was that a rhetorical question?)

Keyword(s) – death; Top Ten by BMeTric: 95.9 Epic Movie (2007); 95.6 Meet the Spartans (2008); 94.3 Batman & Robin (1997); 94.1 Battlefield Earth (2000); 93.2 Dragonball Evolution (2009); 89.9 Speed 2: Cruise Control (1997); 89.6 Alone in the Dark (2005); 89.0 The Wicker Man (2006); 88.0 House of the Dead (2003); 87.6 Manos: The Hands of Fate (1966);

(This is just the list of the worst films according to the BMeTric. Death as a keyword is legit on something like 10000 films.)

Notes – Guillermo del Toro was offered the chance to direct, but turned it down to work on Hellboy II: The Golden Army (2008). (Good choice … well, maybe this movie would be better, but I liked Hellboy II)

Not screened for critics. (They just thought the critics would be too spooky scared I bet)

While in preparation for the film, director Eric Valette never watched the original Japanese version Chakushin ari (2003), and asked the actors not to watch it either. (… I don’t believe you. The trailer contains like a dozen identical situations as the original film. “But Patrick, maybe they adapted the book instead”. Bullshit, the book has never been translated to English. This stinks Mr. Valette, stinks of deception)

Out of 79 reviews on Rotten Tomatoes, none of of them have been positive resulting in an abysmal 0% rating as of 2015. Rotten Tomatoes awarded the film the Mouldy Tomato award for the worst reviewed film of 2008 as a result. (Yes, this is why we are doing this)

On August 2006 Ed Harris and Gabriel Byrne were both cast in undisclosed roles for the film but both dropped out due to unknown circumstances. (Maybe they read the script. Zing)

Rotten Tomatoes declared the film to be the second worst film of the 2000’s, coming behind Ballistic: Ecks vs. Sever (2002). (Which has 0% and over 100 reviews. We’ll watch it (again) eventually. It is a very strange movie. Nothing has made less sense than Ballistic did to me when I watched it)

The project was filmed in 2006 and was scheduled to be released on August 24, 2007. The film, however, was later pushed back to January 4, 2008. (Probably when people watched it. Also, a horror film in August, terrible idea. Should have been slated for October).

Was the last Japanese horror remake to be theatrically released ever since the trend started with The Ring (2002) and ended with this film in 2008. (Wow, I genuinely didn’t realize that. That is awesome. I wonder how many J-Horror remakes were released in that time.)

The 508 area code is from South Eastern, Massachusetts. (Promising settings lead, thanks IMDb)

Every single character in this film is seen using a Boost Mobile flip phone. (gross).

Fair Game Preview

We are finishing up our first BMT Calendar cycle and boy what a success it was! The Calendar in a way represents the worst of the worst, so every week we had some gangbuster film on tap. Don’t be fooled though, the Calendar also hides days of the year where no truly spectacular critical flop ever was released. So like the mapl.de.map that came before it, the calendar will eventually descend into sadness and disarray (hooray). But we don’t live for the future. We live for the now! And now we are officially transitioning to my favorite cycle that we’ve done. It’s time for another Now a Major Motion Picture cycle! In this cycle all the films have to be based on a book (which I will also read cause I’m insane). We start off with the classic Fair Game starring Cindy Crawford and William Baldwin. It’s based on a small dime store thriller released in Britain as A Running Duck, which was released in the US under the title Fair Game, was adapted into the Sly Stallone BMT film Cobra, rereleased in the US under the title A Running Duck (Now Filmed as Cobra), adapted into Fair Game, and released under the title Fair Game. It was an absolute terror to find through my local public library, but that’s a story for next time. For now, let’s go!

Fair Game (1995) – BMeTric: 56.1

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(Only somewhat interesting for the fact that its rating over the last 10 years went down a bit and then up. Just a somewhat abnormal trend. Kind of crazy this movie I would have literally never heard of if not for BMT (and a movie we might not have done if not for book cycles being such a smash hit) has a 50+ BMeTric. The pull of Crawford in a rare acting role must elevate it beyond its expectations.)

Leonard Maltin – BOMB –  Totally pre-fab action thriller that almost looks as if producer Joel Silver is trying to satirize himself. Miami lawyer Crawford survives the requisite amount of firepower and fireballs during her pursuit by former KGB operatives. Baldwin is the cop trying to keep them both alive. Arguably the worst movie of 1995. In her acting debut, supermodel Crawford makes a good jogger.

(Acting debut!? Loving it! A very rare BOMB from Maltin, although his review is hardly scathing. The worst he says is what? That it is a pre-fab action thriller? People basically satirizing themselves is a new theme for BMT. I’m looking at you Sharon Stone in Basic Instinct 2)

Trailer – https://www.youtube.com/watch?v=YC3npzqwXcs

(That is a perfect BMT trailer. We have Billy Baldwin in his heyday looking sweet, whatever it is Cindy Crawford is doing and calling it acting, a mustachioed Shooter McGavin, explosions, more explosions, and even more explosions. Woooooo! Let’s do this! I’m excited! The night’s still young! Woooooo!)

Directors – Andrew Sipes – (BMT: Fair Game; Notes: One and done! One and done! A sparsely cited television writer prior to his break. He quit Hollywood in 1997 and is now a tech entrepreneur having founded eCasablanca, MyPermitting, OurHistree, and Our Stay. The latter two companies are certainly still functioning.)

Writers – Paula Gosling (novel) – (BMT: Fair Game; Cobra; Notes: Hilariously based on the same single book A Running Duck. And after both films they re-released the book under difference titles Otherwise a very successful crime novelist. )

Charlie Fletcher (screenplay) – (BMT: Fair Game; Mean Machine; Notes: Okay this guy’s filmography is amazing. He wrote Mean Machine in 2001 which is described as “A soccer star jailed for assault leads a group of inmates in a match against prison guards.” … That’s the plot of The Longest Yard with soccer (and it is literally described as an adaptation of The Longest Yard on wikipedia!). He is now best known for writing the YA trilogy Stoneheart)

Actors – William Baldwin – (Known For: Forgetting Sarah Marshall; Flatliners; Born on the Fourth of July; Backdraft; The Squid and the Whale; Internal Affairs; Bulworth; Aftermath; Noise; Three of Hearts; Adrift in Manhattan; BMT: Virus; Fair Game; Sliver; Notes:  Nominated for the Razzie Award in 1996 for Worst Screen Couple for Fair Game; Nominated for the Razzie Award in 1994 for Worst Actor for Sliver. Shockingly low number of BMT films in his filmography, although he has been mostly VOD/Direct-to-DVD for a long while.)

Cindy Crawford – (BMT: Fair Game; 54; The Simian Line; Notes:  Nominated for the Razzie Award in 1996 for Worst Actress, Worst Screen Couple, and Worst New Star for Fair Game. One of the most famous supermodels in history, also famous for the Pepsi Superbowl commercial in 1992 and was the wife of Richard Gere for a few years. Valedictorian of her high school class she got a scholarship to study Chemical Engineering (what what) at Northwestern, but dropped out to pursue modelling after one quarter.)

Budget/Gross – $50 million (estimated) / Domestic: $11,534,477

(Oooooof. We’ve been on quite the streak of box office bombs. That could explain a bit the popularity of this film relative to my expectations. People love a good box-office bomb. The bombs of the 80s and 90s particularly can be somewhat legendary for sinking studios (who couldn’t absorb failures as well as they can today seemingly). Cutthroat Island (which we still need to watch) comes to mind, which sunk Carolco pictures. Coincidentally Basic Instinct was also made by Carolco.)

Rotten Tomatoes – 13% (3/24) No consensus, so bonus Ebert review snippet: Works as a thriller for anyone who lives entirely in the present. Those with longer memories will find the film grows increasingly funny as it rolls along.

(What Ebert is tactfully trying to say with the line, “Works as a thriller for anyone who lives entirely in the present,” is that it works for dumb people… you might like it if you’re dumb. If you are not dumb though you will merely find it funny… because of how dumb it is.)

Poster – Sklog Game (D)

fair_game

(Nope, I do not like this. I don’t like when people (and all their mish-mash of colors) are the focus of a poster, the font here is not interesting or unique, and the tagline is hilariously long. I guess it has OK blocking… or something.)

Tagline(s) – He’s a cop on the edge. She’s a woman with a dangerous secret. They’ve been targeted by the Russian Mob, and now they’re both… (D)

(Fair Game… to finish the tagline for you. Way, way, way, way, way, way, way, way, way, way, way too long, but doesn’t get an F because I didn’t feel like giving it an F. So there.)

Keywords – russian top 10 BMeTric examples: 82.5 Street Fighter (1994), 78.0 Superman IV: The Quest for Peace (1987), 57.8 Tekken (2010), 57.5 Virus (1999), 57.1 A Good Day to Die Hard (2013), 56.1 Fair Game (1995), 52.7 Jupiter Ascending (2015), 51.7 The Transporter Refueled (2015), 49.1 Alex Rider: Stormbreaker (2006), 49.1 Red Dawn (2012)

(The Pacifier and Mortdecai were also close to cracking this sweet top ten. This will be our fifth seen in the top ten, and Superman 4 and Virus in particular will definitely be on the docket in future BMTs. I have no idea what actually makes any of these things “russian”. Like … I guess Zangief makes Street Fighter get the “Russian” keyword?)

Awards – Nominated for the Razzie Award for Worst Actress (Cindy Crawford)

Nominated for the Razzie Award for Worst Screen Couple (William Baldwin, Cindy Crawford)

Nominated for the Razzie Award for Worst New Star (Cindy Crawford)

Notes – The Paula Gosling novel the movie is based on was previously the basis for the 1986 movie Cobra (1986) with Sylvester Stallone.

Julianne Moore and Geena Davis were originally considered for the role of Kate McQueen.

Brooke Shields and Drew Barrymore were each offered the role of Kate McQueen, but both turned down the part.

Originally set in San Francisco, changed to Miami to suit Sylvester Stallone, who subsequently left the project. (Ha, no fucking way. Was Sylvester Stallone attached to both adaptations of the book A Running Duck?! I want to live in that universe please)

Salma Hayek only took her part in the film after insisting that she rewrite it (good idea!)

Basic Instinct 2 Preview

This week we move right back into our Calendar cycle for the Razzie entry. Since the calendar is amazing and affords us amazing choices for movies each week, we of course were able to choose a past Razzie Worst Picture winner! That’s right, we are watching 2006’s Basic Instinct 2! Quite literally the sequel that no one was asking for (and perhaps many begging Hollywood not to make). Released on March 31st, it beat out The Skulls for the honor. Thank God. We’ve (obviously) already seen The Skulls. Let’s go!

Basic Instinct 2 (2006) – BMeTric: 72.4

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(Obviously considering the current score it isn’t too shocking that the historical profile is pretty mundane. And now that we know all about the regression to the mean even the vote/rating plot is kind of boring. Reaching 4.0 is kind of expected. Up to 4.3 is starting to get a bit above average. It could be because of the recent erotic thriller comeback … but nah, probably just random.)

Leonard Maltin – 2 stars –  Long-gestating sequel to the notorious 1992 hit isn’t the embarrassment you might have expected – or hoped for. What should have been high camp is instead a rather dull psychological-sexual thriller in which slippery novelist Catherine Tramell is up to her old tricks in London when a male companion turns up dead in her car. Did she or didn’t she? Stone makes the best of this and looks sensational while the impressive British cast tried hard to keep it afloat.

(Wow, I was not expecting the classic two star Maltin for this one. I like his creeper comment on how good Stone looks, keep it up Maltin. Dull is bad, but perhaps he was so distracted by the gorgeous magnificence of Stone that he couldn’t focus on the enthralling psycho-sexual thrill-ride that was this film? We’ll have to see.)

Trailer – https://www.youtube.com/watch?v=QhNFW1AXLOg

(My God. So 2006, the music, the way they shot London, the crazy car stunts in the middle of a purported erotic thriller. The entire thing almost seems like a parody of itself in a weird way. Like they made a trailer for a fake movie sequel for April Fools Day.)

Directors – Michael Caton-Jones – (Known For: This Boy’s Life; Doc Hollywood; Rob Roy; Memphis Belle; City by the Sea; Scandal; BMT: Basic Instinct 2; The Jackal; Notes: He has bad-mouthed this film and Sharon Stone several times in interviews over the years and openly admits he only did it for the money. Despite this, he does a commentary for the film, which is very exciting. Nominated for the Razzie Award in 2007 for Worst Director for Basic Instinct 2)

Writers – Leora Barish (written by) – (Known For: Desperately Seeking Susan; BMT: Basic Instinct 2; Notes: Currently resides in New York and runs a sustainable farm school for vetrens. Won the Razzie Award in 2007 for Worst Screenplay for Basic Instinct 2)

Henry Bean (written by) – (Known For: Internal Affairs; The Believer; Deep Cover; Noise; Almayer’s Folly; BMT: Basic Instinct 2; Notes: Also directed The Believer and wrote a novel adapted from his screenplay. Won the Razzie Award in 2007 for Worst Screenplay for Basic Instinct 2)

Joe Eszterhas (characters) – (Known For: Basic Instinct; Jagged Edge; Betrayed; F.I.S.T.; Telling Lies in America; Music Box; Hearts of Fire; Children of Glory; BMT: Basic Instinct 2; Showgirls; Sliver; Jade; Nowhere to Run; An Alan Smithee Film: Burn Hollywood Burn; Flashdance; Notes: Bad movie legend. He started his career in journalism, but was mired in some controversy, including losing a ‘false light’ case in front of the Supreme Court. Won the Razzie Award in 1999 for Worst Supporting Actor, Worst Screenplay, Worst New Star, and Worst Original Song for An Alan Smithee Film: Burn Hollywood Burn; Won the Razzie Award in 1996 for Worst Screenplay for Showgirls; Nominated for the Razzie Award in 1996 for Worst Screenplay for Jade; Nominated for the Razzie Award in 1994 for Worst Screenplay for Sliver; Nominated for the Razzie Award in 1984 for Worst Screenplay for Flashdance)

Actors – Sharon Stone – (Known For: Alpha Dog; Casino; Basic Instinct; Total Recall; The Quick and the Dead; Lovelace; Antz; Bobby; Broken Flowers; Above the Law; Fading Gigolo; The Mighty; Stardust Memories; Irreconcilable Differences; The Muse; Beautiful Joe; Bolero; BMT: Catwoman; Basic Instinct 2; Police Academy 4: Citizens on Patrol; Sliver; Cold Creek Manor; The Specialist; King Solomon’s Mines; Diabolique; Action Jackson; Intersection; Simpatico; Gloria; Sphere; Last Action Hero; He Said, She Said; Deadly Blessing; Last Dance; Notes: Nominated for an Oscar for Casino. Bad movie legend, as you can see from her Razzie street cred. Frequent visitor to the fair island of Martha’s Vineyard.)

Sharon Stone Razzie Cred: Won the Razzie Award in 2007 for Worst Actress for Basic Instinct 2; Nominated for the Razzie Award in 2005 for Worst Supporting Actress for Catwoman; Nominated for the Razzie Award in 2005 for Worst Screen Couple for Catwoman; Nominated for the Razzie Award in 2000 for Worst Actress for Gloria; Nominated for the Razzie Award in 1997 for Worst New Star for Diabolique, and Last Dance; Won the Razzie Award in 1995 for Worst Actress for Intersection, and The Specialist; Won the Razzie Award in 1995 for Worst Screen Couple for The Specialist; Nominated for the Razzie Award in 1994 for Worst Actress for Sliver; Nominated for the Razzie Award in 1988 for Worst Actress for Allan Quatermain and the Lost City of Gold

Also stars David Morrissey and David Thewlis (Remus Lupin in Harry Potter)

Budget/Gross – $70 million / Domestic: $5,971,336 (Worldwide: $38,629,478)

(Oh my … oh … oh my. That is not great. That is just … not very good.)

#33 for the Thriller – Erotic genre

eroticthrillerAnalysis

(Sigh, if only I lived in the early 90’s once again. Fatal Attraction (1987) and Basic Instinct (1992) ushered in a heyday of erotic thrillers including BMT legend Color of Night (1994). The waves in the graph are interesting, like they saturate the market and then feel a cooling off period. And each wave smaller than the last. A slowly dying genre. But one I hope to see revived once again in the future. Until then though, enjoy one of the worst I suppose)

#43 for the Thriller – Serial Killer genre

serialkillerthrillerAnalysis

(oooof, what was our fascination with serial killers in the 2000s? The show Dexter was right in there as well. This comes right before one last hurrah in the genre before a complete and utter collapse. And recently (The Following, Hannibal) the genre has gotten play in a little wave, but is probably dying again. Looking through things it was basically the Saw series sustaining that, and looking at the actual money being made the genre is kind of moving to microbudget/VOD releases I think. The movie, incredibly, marks an attempt at two 90s genres that are both now on the brink of total collapse. Fascinating.)

Rotten Tomatoes – 7% (10/150): Unable to match the suspense and titilation of its predecessor, Basic Instinct 2 boasts a plot so ludicrous and predictable it borders on “so-bad-it’s-good.”

(Sorry, I’m getting a bit distracted by what appears to be a typo in the consensus there. Apparently “titillation” is spelled with two L’s. Very very odd. Sign me up for a ludicrously plotted erotic thriller all fucking day though.)

Poster – Sklogal Instinct 2 (C-)

basic_instinct_two_ver3

(Just like with The Day the Earth Stood Still I think it’s generally a mistake to have a skewed perspective in the poster (which is the effect that the weird shadow creates). I do like the idea that the poster is from the point of view of someone getting murdered and we are looking through his half-closed eyelids. Interesting and artsy and polished in that way. The brown tone isn’t great and too much going on, though, so overall slightly below average. If they had kept it a bit simpler it probably would have gotten a much better grade.)

Tagline(s) – Everything interesting begins in the mind. (F… I think.)

(I can’t believe this ended up on the poster… what does it mean?! It’s an unsolvable riddle. This is one of the worst and most incomprehensible taglines I’ve ever seen for a film.)

Keywords – psychiatrist top 10 BMeTric examples: 73.9 Nutty Professor II: The Klumps (2000), 72.4 Basic Instinct 2 (2006), 71.5 Halloween: Resurrection (2002), 68.3 Psycho (1998), 66.6 Exorcist II: The Heretic (1977), 62.8 Abduction (2011), 61.3 Pulse (2006), 56.9 Dr. T and the Women (2000), 55.9 Poltergeist III (1988), 54.5 Halloween: The Curse of Michael Myers (1995)

(I shouldn’t have been so surprised to see all the horror films on the list. Psychology, of course, often plays a prominent role in horror. Either in the form of dealing with past trauma or by those attempting to understand the machinations of madmen. The Halloween series, interestingly, often has both. Donald Pleasence plays a prominent role in five of the Halloween films, whereas in the long running series the “survivors” of each movie often deal with the psychological aftermath in subsequent movies. Not a pure keyword, but interesting.)

Notes – Michael Douglas declined to reprise his role from the original movie, admitting that he felt he was too old for the part. (yah think?)

Robert Downey Jr. was set to star but had to drop out when he was charged with drug possession. Kurt Russell was attached at some point but bailed out because he felt uncomfortable with the nudity. Pierce Brosnan refused to play the male lead role because of distasteful elements. Bruce Greenwood was set to star but dropped out because he hadn’t been signed on yet and feared the actors strike. Benjamin Bratt was banned by Sharon Stone for not being a good actor. (Poor Benjamin Bratt. Also, these casting choices must go back a while. RDJr. hasn’t been busted for drug possession since 2001)

Before agreeing to perform the full-frontal nude scene, Sharon Stone invited a friend over to watch the original Basic Instinct (1992). During the film, Stone, by her own admission, stripped down totally naked and asked her friend if she could “still pull it off.”

Rupert Everett publicly expressed his anger after being turned down to star opposite Sharon Stone by MGM CEO Chris McGurk for being “pervert who would never be accepted by the American public in this role”.

The film was originally intended to be made in 2000. (there we go)

Sharon Stone agreed to reprise her role of Catherine Tremell in a “pay or play” arrangement, meaning she got fully paid, whether the film would ultimately be made or not.

Jude Law, Ewan McGregor, Gabriel Byrne, Javier Bardem, Benicio Del Toro, Viggo Mortensen and Aaron Eckhart were all in the running to star opposite Sharon Stone at one point. (So many people considered and yet they ended up with David Morrissey… huh)

David Cronenberg was in talks to the direct the film for some time. John McTiernan was set to direct after Cronenberg bailed out due to producer Mario Kassar banning him from using his own cinematographer, production designer, and the rest of his usual team. (sound like a lot of people were banning other people)

Awards – Won the Razzie Award for Worst Picture

Won the Razzie Award for Worst Actress (Sharon Stone)

Won the Razzie Award for Worst Prequel or Sequel

Won the Razzie Award for Worst Screenplay (Leora Barish, Henry Bean, Joe Eszterhas)

Nominated for the Razzie Award for Worst Supporting Actor (David Thewlis)

Nominated for the Razzie Award for Worst Screen Couple

Nominated for the Razzie Award for Worst Director (Michael Caton-Jones)

The Day the Earth Stood Still (2008) Preview

Alright, so we are moving on to the Sci-Fi entry of our Calendar cycle and watching a film that has been on the BMT radar for years. Mostly this is due to its star, who is bad movie royalty. That’s right, we’re watching The Day the Earth Stood Still starring Keanu Reeves. It was released on December 12th, 2008 beating out the likes of Exodus: Gods and Kings, Love Don’t Cost a Thing, For Richer or Poorer, Home Alone 3, The Golden Child, and Delgo for a place on the calendar. Wow! That’s a murderers row. I’m actually surprised that we ended up going with The Day the Earth Stood Still for December 12th. Delgo is one of the biggest bombs in film history and has terrible reviews to boot. It’s a good thing though because our calendar is lacking in Sci-Fi. Without further ado, let’s go!

The Day the Earth Stood Still (2008) – BMeTric: 48.6

TheDayTheEarthStoodStill_BMeT

TheDayTheEarthStoodStill_RV

(Pretty boring BMeTric plot, but look, we found one! It’s been a while, but this is a movie which starts basically above its eventual mean rating and moves down. If you remember the regression plot 6.0 to start is pretty much the crossover point, so while this is well within normal expectations we could be seeing a bit of a Transformers effect. A movie which gets a bad reputation which drives its rating downwards (unusual for bad movies). The amount of votes this movie got is also startling, for such a giant domestic bomb I find that a little strange.)

Leonard Maltin – 2 stars – Strange visitor from another planet arrives on Earth in a giant sphere and adopts human form. The government and the military respond with hostility and weapons but super-smart biologist Connelly makes a personal connection with the alien – though her young stepson (Smith) isn’t as easily won over. Pallis remake of the 1951 classic turns Klaatu into a cipher and dissipates the impact of the story.  

(Having already watched the original in preparation for the remake I’m not sure I like that they seem to have merged the female lead and the mathematician into a single character (Connelly). I feel like that dissipates the impact of the story.)

Trailer – https://www.youtube.com/watch?v=AQ16Rzi-lfA

(Daaaaannnnnggggggg! They made it a straight action film. That’s unsurprising, but the original is more like a Hitchcock film, so I was kind of expecting and hoping for a suspenseful thriller. Oh well.)

Directors – Scott Derrickson – (Known For: Sinister; The Exorcism of Emily Rose; BMT: The Day the Earth Stood Still; Deliver Us from Evil; Notes: Officially in the Marvel Universe fold as he is directing and writing the Doctor Strange film.)

Writers – David Scarpa (screenplay) – (Known For: The Last Castle; BMT: The Day the Earth Stood Still; Notes: Has been attached to write a Daredevil reboot and currently involved in writing a Cleopatra film.)

Edmund H. North (1951 screenplay) – (Known For: Patton; The Day the Earth Stood Still; In a Lonely Place; Sink the Bismarck!; Damn the Defiant!; One Night of Love; BMT: The Day the Earth Stood Still; Meteor; Notes: Won a screenwriting Oscar for Patton. Died in 1990 at age 79.)

Actors – Keanu Reeves – (Known For: Keanu; The Neon Demon; John Wick; The Matrix; Point Break; The Devil’s Advocate; Bill & Ted’s Excellent Adventure; Dracula; The Replacements; The Matrix Reloaded; Constantine; Speed; Something’s Gotta Give; Much Ado About Nothing; Bill & Ted’s Bogus Journey; The Gift; A Scanner Darkly; My Own Private Idaho; Parenthood; Dangerous Liaisons; A Walk in the Clouds; The Private Lives of Pippa Lee; Man of Tai Chi; BMT: Knock Knock; The Day the Earth Stood Still; Even Cowgirls Get the Blues; Exposed; The Watcher; Johnny Mnemonic; Chain Reaction; Generation Um…; Feeling Minnesota; 47 Ronin; Youngblood; Hard Ball; Notes: Obviously huge actor in the BMTverse. Nominated for the Razzie Award in 2005 for Worst Razzie Loser of Our First 25 Years; Nominated for the Razzie Award in 2002 for Worst Actor for Hard Ball, and Sweet November; Nominated for the Razzie Award in 2001 for Worst Supporting Actor for The Watcher; Nominated for the Razzie Award in 1997 for Worst Actor for Chain Reaction; Nominated for the Razzie Award in 1996 for Worst Actor for Johnny Mnemonic, and A Walk in the Clouds; Nominated for the Razzie Award in 1994 for Worst Supporting Actor for Much Ado About Nothing;)

Also starring Jennifer Connelly (from BMT classic Winter’s Tale) and Kathy Bates – (from BMT Classics: Tammy, North, Failure to Launch, Valentine’s Day, and American Outlaws! She’s a secret BMT legend!)

Budget/Gross – $80 million / Domestic: $79,366,978 (Worldwide: $233,093,859)

(Fairly successful for what it was. Opened with a reasonable $30.4 million and then dropped like a rock.)

#8 for the Environmentalist genre – Movies concerned with the cause or promoting it.

environmentAnalysis

(Anyone else find it funny that the waves seem to follow Democratic presidents almost perfectly? Doesn’t bode well for those fearing a Trump presidency, looks like environmentalism in film is out at the moment. This one came literally at the peak of environmentalism oriented films)

#117 for the IMAX (Feature-length) genre

imaxAnalysis

(I almost didn’t even generate this one, but this is amazing! First how it just goes up and up. Second, because of how stable the monetary output from IMAX movies has been. If only all the genre plots had this much data too, so smooth and nice to look at.)

#21 for the Sci-Fi – Alien Invasion genre

scifialieninvasionAnalysis

(The big peak around ‘95 is obviously Independence Day. Seems like a rare case because this movie kind of came right as the genre was rising. We are coming down from a big peak (like Battle Los Angeles, Skyline, and Cowboys and Aliens from a few years back), but I’m wondering if the new Independence Day pulls a Jurassic World whether we might see that trend change a bit).

#8 for the Sci-Fi Remake genre

scifiremakeAnalysis

(I love the remake categories because you can see the “waves” as remakes are used in between (presumably) times in which more original properties are made. This is kind of messy, but as usual this movie comes as the back end of one of these waves, although the money always seems to be there for the sci fi remakes maybe. We seem to be entering one of the short troughs at the moment perhaps)

Rotten Tomatoes – 21% (40/191): Heavy on special effects, but without a coherent story at its base, The Day the Earth Stood Still is subpar re-imagining of the 1951 science-fiction classic.

(That’s funny that they remade a classic film (that clearly has a coherent story) and seemingly removed or ignored the story in favor of special effects. That sounds like a terrible idea.)

Poster – The Day the Sklog Stood Still (D-)

day_the_earth_stood_still_ver4

(Dear God. The only thing good about this is the green and blue tone. Otherwise this is an absolute disaster. Only didn’t get an F because it’s not the poster for The Avengers.)

Tagline(s) – 12.12.08 is the Day the Earth Stood Still (F)

(That’s an F, as in fuck that noise.)

Notes – Renowned astronomer Seth Shostak was hired as a consultant on the film. He reviewed the script several times for errors, and gave suggestions for making the scientists less dry: “Real scientists don’t describe an object entering the solar system as ‘notable for the fact that it was not moving in an asteroidal ellipse, but moving at nearly 3*10 to the 7 meters per second’. More likely, they would say that there was ‘a god-damned rock headed our way!'” He also noted the scientists should refer to one another by a first name basis. (This could be our jobs I feel like. Because he isn’t wrong. I never walked around calling my coworkers doctor. The notes make perfect sense, although probably would seem comedic and strange in a Sci Fi film).

In the original movie, Gort was 8 feet tall. In the remake, he is now 28 feet tall. (Which seems like a strange move to me, just why? It begs the question).

In Harry Bates’ short story ‘Farewell to the Master’, upon which the movie is based, the last line revealed a dramatically different angle. It reads: “‘You misunderstand,’ the mighty robot had said. ‘I am the master.'” (yeah, and the original adaptation totally ignored this as well… obviously the new one wasn’t based on the story. It’s based on the film, duh.)

Keanu Reeves recorded the line “Klaatu barada nikto” twice, and one recording was played backward and spliced with the other (which was left normal) to make the overall dialog sound more otherworldly.

According to the filmmakers, John Cleese was the most difficult choice in casting as he was primarily noted for comic roles. Cleese felt that at his age, a dramatic role with subtle humour would be an easier role to play rather than another manic old man.

The film was primarily filmed in tones of green and blue, the Earth’s natural colours.

Awards – Nominated for the Razzie Award for Worst Prequel, Remake, Rip-Off or Sequel

Cheaper by the Dozen 2 Preview

This week we get to detail an interesting predicament that Patrick and I put ourselves in. In our last cycle we made the terrible, terrible (terrible) mistake of choosing Bulletproof Monk for the Chain Reaction category. It was a great BMT, but we really painted ourselves into a corner for the rest of the year due to the limited cast. After several days of slaving away in the BMT mine Patrick was able to finally discover a route that should satisfy our Chain Reaction needs for the rest of the year. Unfortunately that also means that we have to jump from Bulletproof Monk through Jaime King to… ugh… Cheaper by the Dozen 2. Two Hilary Duff movies in a row! Awww man. For serious? It was released on December 21st, beating out Richie Rich, Bonfire of the Vanities, Mixed Nuts, Joe Somebody, Fun with Dick and Jane, and Breakin’ 2 Electric Boogaloo to be the top (worst) release for the day. Wow, that’s impressive, albeit unfortunate for our BMT enjoyment. Sigh. Let’s go!

Cheaper by the Dozen 2 (2005) – BMeTric: 46.4

CheaperByTheDozen2_BMeT

CheaperByTheDozen2_RV

(Finally, some plots that don’t just shoot up to 70 and sit there. Nice little bump around Christmas in ‘06 (this came out near Christmas ‘05 so naturally people watched it a year later as well). The rating plot is amazingly steady and outpaced its regression by a bit. I think it got demolished early on, so maybe it’s a kids film where for some reason grown adults feel the need to destroy it online? Because of how steady the rating is this is also a very rare film where you can see the 2011 inflection in the BMeTric as well. Usually that inflection is countered-balanced by the rating going up as well so you usually don’t see it. It could have gotten to 50+ pretty easily if not for a few recent ratings bumps. Sigh.)

Leonard Maltin – 1.5 stars –  Depressing sequel to the box-office hit finds the Bakers returning to the vacation spot of their youth, where dad Martin gets into a competitive spat with wealthy Levy. Once again, a comic known for his rapier wit is reduced to Z-list slapstick (e.g., taking falls chasing rodents). A far more compelling if unexplored movie was right under the filmmakers’ eyes: Levy’s courtship of wife Electra (surprisingly, a leveling influence here).

(Wait, more depressing than the first one?! I found it profoundly depressing already. Also, I’m not sure I understand the plot of his alternate film. Is this a film that focused on how Levy and Electra fall in love prior to the events of this film (which could hardly be called Cheaper by the Dozen 2)? Or just making them a more prominent focus of the film?)

Trailer – https://www.youtube.com/watch?v=KUjLJFsHlSg

(While this looks like The Great Outdoors reboot that nobody asked for, I also get the feeling that they might have gotten closer to what I hoped the first film was: a football coach learning to efficiently “coach” his giant squad of children to some purpose. Add a little dash of gay panic at the end and this might be promising (relatively speaking, of course))

Directors – Adam Shankman – (Known For: Hairspray; Rock of Ages; BMT: The Wedding Planner; Cheaper by the Dozen 2; The Pacifier; Bringing Down the House; Bedtime Stories; A Walk to Remember; Notes: Came out of Juilliard and started out dancing in music videos and television (such as the Nickelodeon show Roundhouse), then moved into Choreography, then Directing, and now Producing. Kind of incredible. Really worked his way up.)

Writers – Sam Harper (written by) – (Known For: Rio; Open Season; BMT: Just Married; Cheaper by the Dozen 2; Cheaper by the Dozen; Rookie of the Year; Notes: Obviously main writer on this. According to the production notes his first draft is close to the filming script and was a big part of getting Martin back and signing Levy.)

Craig Titley (characters) – (Known For: Percy Jackson & the Olympians: The Lightning Thief; BMT: Scooby-Doo; Cheaper by the Dozen 2; Cheaper by the Dozen; See Spot Run; Notes: Wrote the first film’s story so got a character credit. Now a main writer and producer on Agents of S.H.I.E.L.D.)

Frank B. Gilbreth Jr. and Ernestine Gilbreth Carey (novel) (as Frank Bunker Gilbreth Jr.) – (BMT: Cheaper by the Dozen 2; Cheaper by the Dozen; Notes: Original writers of the book. They are two of the Gilbreth kids that were inspiration for the story.)

Actors – Steve Martin – (Known For: Home; Looney Tunes: Back in Action; The Prince of Egypt; The Jerk; It’s Complicated; Little Shop of Horrors; ¡Three Amigos!; Father of the Bride; Parenthood; My Blue Heaven; Planes, Trains & Automobiles; Baby Mama; Bowfinger; Shopgirl; Dirty Rotten Scoundrels; The Big Year; Roxanne; Father of the Bride Part II; All of Me; L.A. Story; The Muppet Movie; The Man with Two Brains; Leap of Faith; Dead Men Don’t Wear Plaid; Pennies from Heaven; BMT: Cheaper by the Dozen 2; Sgt. Pepper’s Lonely Hearts Club Band; The Pink Panther; The Pink Panther 2; Bringing Down the House; The Out-of-Towners; Cheaper by the Dozen; Mixed Nuts; Sgt. Bilko; Love the Coopers; Novocaine; HouseSitter; Notes: A comedy and movie star. Currently a major name in the bluegrass scene. Nominated for the Razzie Award in 2010 for Worst Actor for The Pink Panther 2.)

Also stars Hilary Duff and Tom Welling from the last two BMT films Material Girls and The Fog respectively

Budget/Gross – $60 million / Domestic: $82,571,173 (Worldwide: $129,181,830)

#34 on the Worst Openings – Super Saturated chart

#11 for the Comedy – Fish-Out-of-Water Father genre – Comedies about Fathers and Father Figures Parenting Children

daddyfishoutofwaterAnalysis

(Strangely a genre which has not been added to since 2013. Also that early 90’s bump? Uncle Buck, both Problem Childs, Parenthood, and Three Men and a Little Lady. We are looking at the peak of the genre’s proliferation, but also when the profits looked to be a-tumbling)

#32 for the Comedy – Sequel (Live Action) genre

comedysequelAnalysis

(Again! Right at a previous peak, but just as the genre was a tumbling. This is definitely a trend in BMT. Funny enough the new wave of comedy sequels is rising (Zoolander 2 and Neighbors 2 this year so far). Seems like they need to harvest a new crop of comedies to sequelize between boom-time.)

#8 for the Remake – Sequel to a Remake genre

sequelremakeAnalysis

(My God, those waves! They just get bigger and bigger. Presumably the troughs are where they release the original remake. I think ‘05 to ‘10 might end up going down in history as an anomaly in bad movie history, just prior to the tentpole movies crowding the release schedule and VOD becoming a real option, a true heyday of traditional bad movie watching. Another dying genre it looks like, possibly because these sequels are now more regularly being released by alternative means.)

Rotten Tomatoes – 6% (6/93): A sequel to a remake, Cheaper 2 wastes its solid cast in scenes of over-the-top, predictable humor.

(Ugh, that sequel to a remake part makes me feel a bit ill. It really is just misguided all around in this case because the first movie was already pretty terrible. Blah, not excited.)

Poster – Cheaper by the Sklogen 2 (D+)

cheaper_by_the_dozen_two

(Horrific. Only saved by a lack of a The Avengers level gaffe and a nice level of symmetry. Patrick’s note: I’ve decided to Sklogify the movie name in the poster section now. Why? Because if I were to photoshop, let’s say, my face onto all 14 characters in the photo that would be the title of the film.)

Tagline(s) – Same Big Family… Even Bigger Adventure. (A)

(I… I… love it. It’s beautiful. Nearly a perfect tagline for this particular film. That’s all I have to say. It has left me nearly speechless.)

Notes – Hilary Duff had an eating disorder during filming, causing Lorraine to have a gaunt, skeletal appearance in this movie. (Oh sad, upsetting way to describe it too)

When the “Cheaper by the Dozen” movies were made, neither Steve Martin and Bonnie Hunt, who played the parents of 12 children, had ever had a child in real life. Steve Martin first became a father years later in February of 2013 when his wife Anne Stringfield gave birth to his first child.

Carmen Electra is allergic to dogs. When the Bakers go to the Murtaughs’ house, their dog Gunner jumps all over her. When the Bakers are leaving, tiny red dots are all over her body. (Also gross. These notes are gross)

Real baby and childhood pictures of Hilary Duff and Alyson Stoner were used for the “photo albums” of their characters. (coool)

This film is a sequel to a remake of a film that was based on a book that was based on a true story. This means it is four steps away from its source material. (cooooooooool)

The Baker’s Cabin for the movie was built and then torn down after the filming. (ugh. I hate these notes. So wasteful.)

Events in the Labor Day Cup included: the Egg Toss, Wheelbarrow Race, Diving, Sack Race, Archery, Egg and Spoon Race, Water Treadmill, Volleyball, and the Tie-breaker Canoe Race. Not seen, but shown on the scoreboard were: Tug-O-War, Baseball Dunk, and Water Skiing. (hahahahahaha I love that this is a note. Hey, we should hold a BMT summer extravaganza with these exact events. People would be like “I wonder why they chose these twelve specific and mundane events for a bad movie festival” and we’ll creep over and whisper “Cheaper by the Dozen 2” and then they’ll throw up in their mouths)

Awards – Nominated for the Razzie Award for Worst Actress (Hilary Duff)

Nominated for the Razzie Award for Worst Supporting Actor (Eugene Levy)

The Fog (2005) Preview

Leaving The Avengers behind, we make our way to the Horror/Thriller category of the calendar. Unfortunately, the calendar is woefully bereft of thrillers so this is really just  a horror category. With that in mind, why not choose one of the worst reviewed horror films released in the 2000’s? That’s right, we’re doing the remake of The Fog from 2005. The original was directed by one of my favorite directors of all time John Carpenter, so at the very least we’ll get to enjoy watching that before being disappointed by the new version. It’s the most BMT film released on October 14th, beating out Elizabethtown, Domino, Exit to Eden, and (most interestingly) the 2011 prequel of The Thing. A different John Carpenter material made (terribly) for the modern world. What are the chances that it would be released on the exact same day 6 years later? Let’s go!

The Fog (2005) – BMeTric: 76.4

TheFog_BMeT

TheFog_RV

(So I have a theory. The past few weeks we’ve hit the 70+ BMeTric hard, and the plots have looked amazingly similar. Cat in the Hat, Taxi, The Avengers, this … they don’t half ass it. They go balls to the wall and hit that 70+ hard. Really I think that is the key. When Jack and Jill came out, for example, everyone knew this was a catastrophe (it sits pretty at 80+ these days). I think that these are movies that just seem like a bad idea on paper and then double down with terrible execution to boot. And yet … out of those four doesn’t The Fog kind of stand out? Seems like an outlier, like it doesn’t belong? For me I barely remember this thing. I wonder why people were so immediately against the film (2.9 rating early on is absurd). I have theories … see the box office section below for more. I finally put the votes/rating chart up because why? Why would The Fog’s rating rise over time? All part of the weird world of IMDb user ratings)

Leonard Maltin – 1.5 stars – A dense fog from the Pacific creeps over a Northwest seaside village, bringing with it murderous, vengeful ghosts. Lame remake of John Carpenter’s 1980 movie alters the plot slightly but is no improvement. Carpenter and his longtime partner Debra Hill produced this. Alternate version also available.  

(This sounds like a 1.5 star review considering Leonard already didn’t like the original all that much (2.5 stars). For those that are interested, the alternate version is an unrated widescreen edition that includes a director’s commentary that I may or may not have ordered through my local library system [Editor’s note: little old library ladies seemingly don’t know what unrated means. I. Am. Furious].)

Trailer – https://www.youtube.com/watch?v=zWH1WlzXbko

(Not sure what I’m supposed to get out of that trailer besides the fact that Antonio Island is perpetually shrouded in darkness. Not even sure who the main characters are.)

Directors – Rupert Wainwright – (BMT: The Fog; Blank Check; Stigmata; Notes: Say whaaaaaaaaaaaat? You telling me staple-of-the-sklogs-childhood Blank Check was (1) a bad movie, and (2) directed by the guy who directed The Fog? Count me in, this movie is definitely amazing. An apparently prolific music video director he was featured on the British Millionaire Matchmaker.)

Writers – Cooper Layne (screenplay) – (Known For: The Core; BMT: The Fog; Notes: Saaaaaaaaaaay Whaaaaaaaaaaaaaaaaaat? You telling me staple-of-the-sklogs-late-night-movie-watching-indulgences The Core was (1) a good movie, and (2) written by the same guy who wrote The Fog? Count me double in, this movie is definitely double amazing. There isn’t much more about him besides that he had a small part in Coneheads.)

John Carpenter (1980 screenplay) – (Known For: Halloween; They Live; Escape from L.A.; Escape from New York; The Fog; Halloween H20: 20 Years Later; Prince of Darkness; Assault on Precinct 13; Assault on Precinct 13; Eyes of Laura Mars; Dark Star; BMT: The Fog; Halloween: Resurrection; Halloween III: Season of the Witch; Ghosts of Mars; Halloween: The Curse of Michael Myers; Halloween 5; Halloween; Black Moon Rising; Halloween II; Notes: A lot of these credits are for this kind of stuff, remakes. But BMT classic Ghosts of Mars is pretty special. Honestly, Halloween, Escape from New York and especially his directing credits like The Thing are all remarkable both as films, but also for their mind blowing practical effects. I can say without hesitation he is one of my favorite filmmakers of all time.)

Debra Hill (1980 screenplay) – (Known For: Halloween; Escape from L.A.; The Fog; Halloween H20: 20 Years Later; BMT: The Fog; Halloween: Resurrection; Halloween: The Curse of Michael Myers; Halloween 5; Halloween; Halloween II; Notes: One of the most famous female producers of her time she worked with Carpenter on many of his early films. Was serving as producer of The Fog right around when she was diagnosed and subsequently died of cancer sadly.)

Actors – Tom Welling – (Known For: Draft Day; Parkland; BMT: The Fog; Cheaper by the Dozen 2; Cheaper by the Dozen; Notes: Owns (or maybe owned) a house on Martha’s Vineyard (what, what) where he was married. Probably best known for playing Superman on Smallville.)

Maggie Grace – (Known For: The Twilight Saga: Breaking Dawn – Part 2; Taken; Knight and Day; Faster; The Jane Austen Book Club; BMT: The Fog; The Twilight Saga: Breaking Dawn – Part 1; Taken 3; We’ll Never Have Paris; Lockout; Taken 2; The Choice; Notes: Best known for running really weird in Taken… oh and for her work on Lost.)

Also stars Selma Blair who is becoming a BMT staple with The Sweetest Thing and Down to You in her repertoire.

Budget/Gross – $18 million / Domestic: $29,550,869 (Worldwide: $46,201,432 Worldwide)

(Actually looks OK just by the numbers, but it was considered a pretty big disappointment when it came out. Just a year before The Grudge was able to make $187 million worldwide on a smaller budget, so I think that’s what they had in mind. That obviously did not happen.)

#32 for the Horror Remake genre

TheFogAnalysis

(Bam, new plot. I made this to explore my theory on why this movie was so destroyed in BMeTric. Using a windowing method, it sums up the number of theaters showing movies of this genre on a date plus or minus a year from a date in time (blue). And also the gross per theater for these movies (over their entire domestic run, green). The Fog is shown as a dashed red line in time. Hypothesis: This movie was the last straw for horror movie fans for remakes of 80’s films. And the plot bears this out! The genre was almost born in 2000 and grew to a plateau right when The Fog came out. And right as the gross was a-tumbling. It has since appeared to almost die as a genre. But I think this is a product of the blockbuster (Star Wars, Marvel, DC, etc.) dominating and saturating the theaters over the last five year. But we’ll see. Regardless I am convinced this is part of the reason this movie was thoroughly destroyed on IMDb (and thus the BMeTric), horror fans are … particular and love to vote on IMDb it seems. Right around future BMT classics The Eye and One Missed Call as well)

Rotten Tomatoes – 4% (3/68): The Fog is a so-so remake of a so-so movie, lacking scares, suspense or originality.

(I feel like this and Taxi have the funniest RT consensuses. Just very matter-of-fact despite summing up two of the worst reviewed releases of the decade. Maybe it was just a sign of the times. Before they started shoehorning puns into everything.)

Poster – The Meh (C-)

fog

(Just meh. A bit boring, needs to pick a color other than grey, and the font is too easy to turn into the spoof poster of The Sklog. Also, where’s my tagline? Bullshit. I would have put it down into D+ range, but there’s nothing inherently wrong with it, just nothing good.)

Tagline(s) – None. (F)

(There are taglines from DVDs and stuff, but there is no official tagline from the poster or major advertising. Unacceptable.)

IMDb Keyword – fog

(I had to note this little guy. Both of the Silent Hill BMT classics make this very prestige-ish list. Get it? … The Prestige is number one on the list).

Notes – Selma Blair did almost all of her own stunts. For her underwater scenes, she spent 12 hours in a water tank, with only short surface breaks, for two days straight. (… I don’t believe you)

In between takes in Vancouver, press were granted access to the set. During Selma Blair’s interview, director Rupert Wainwright made a joke she didn’t like. In response, Blair reached into her shirt, pulled out a rubber “falsie,” and flung it across the conference room at the director, deadpanning, “That’s the Adrienne Barbeau part of the role.” (wat)

Before Tom Welling was cast, actors considered for Nick Castle included David Boreanaz, Jesse Metcalfe, Matthew Davis, Henry Cavill, Adam Garcia, Michael Cassidy, Oliver Hudson, and Peter Facinelli. Matthew Fox and Ben McKenzie, were also considered for the role and met with the director, but due to conflicting television schedules they did not read for producers. (If only the charmless walking mannequin that is Henry Cavill would have been in this, perfecto)

Fergie (of The Black Eyed Peas) was attached to play Stevie Wayne before a last-minute conflict prevented her contract from closing. (Well they lost a fan here. Everyone loves musicians and especially Black Eyed Peas in any major motion picture. The more the better and this film is worse for that egregious casting misstep. Unforgivable)

Maggie Grace beat Emilie de Ravin, her Lost (2004) co-star, for the role of Elizabeth. (And with that we end, what a loss for Emilie de Ravin)

The Avengers (1998) Preview

I gotta tell you that I’m pretty excited for this next film. I remember when it came out and even as a middle schooler I was like “WTF mate.” It’s been bandied about for BMT before and its time in the sun is finally here. That’s right, we are watching The Avengers! Before you gasp and retire to your fainting couch let me make clear that this is not Marvel’s The Avengers. It is the 1998 adaptation of the 1960’s television show The Avengers. By all accounts the entire post-production for the film was a disaster and resulted in an incomprehensible mess. Released on August 14th (in the midst of the dump months) it is easily the worst film released on that day. Other than The Goods: Live Hard, Sell Hard, it’s really the only qualifying movie for August 14th period.

The Avengers (1998) – BMeTric: 78.4

Avengers_BMeT

(As usual with these types of things it just has gone up and up since IMDb became big-ish. Curiously, the rating has increased a bit over the time period. I have no idea why. Who was just clamoring to go to IMDb to give this a four or whatever? No one.)

Leonard Maltin – 2 stars –  Retread of the popular British TV show of the ‘60s about two saucy secret agents tries in vain to capture its stylishness and insouciance – but Fiennes is woefully miscast, Connery gives a one-note performance as a bad guy who wants to control the Earth’s weather, and a fine supporting cast is wasted. Thurman is likable enough, but the film is utterly flat.

(Insouciance – noun – casual lack of concern; indifference. Thanks Mr. Maltin, I’ve learned a new word that I would struggle to use in any context. Funny enough he destroyed this movie on his podcast, so where the hell does two stars come from? Also this sounds boring.)

Trailer – https://www.youtube.com/watch?v=kgTiFsCMCo4

(Ugh. This trailers insouciance is offensive. You can almost tell they were trying their best to make a trailer out of what is definitely going to be a movie almost entirely constructed from cutting room scraps. This could either be our greatest triumph or literally the most boring moving on the planet.)

Directors – Jeremiah S. Chechik – (Known For: National Lampoon’s Christmas Vacation; Benny & Joon; Tall Tale; BMT: The Avengers; Diabolique; The Right Kind of Wrong; Notes: Nominated for the Razzie Award in 1999 for Worst Director for The Avengers. Weirdly sparse bio for such a oddly impressive short directing career. Has stuck to tv for about twenty years now.)

Writers – Sydney Newman (television series The Avengers) – (BMT: The Avengers; Notes: Extremely influential titan of British television including heading the the BBC for several years. Sadly passed away within a year of this movie coming out.)

Don MacPherson (written by) – (Known For: Absolute Beginners; BMT: The Avengers; The Gunman; Crossing the Line; Notes: Nominated for the Razzie Award in 1999 for Worst Screenplay for The Avengers. What a strange guy. Wrote Crossing the Line in 1990, this in 1998 and then the Gunman in 2015 … nothing much else officially credited. According to wikipedia though it seems like he is the script doctor on a ton of movies and series.)

Actors – Ralph Fiennes – (Known For: The Harry Potter Series, Hail, Caesar!; Spectre; A Bigger Splash; Schindler’s List; The Grand Budapest Hotel; Skyfall; The Hurt Locker; In Bruges; Red Dragon; The Prince of Egypt; The English Patient; The Reader; Maid in Manhattan; The Constant Gardener; Great Expectations; The Duchess; Nanny McPhee Returns; Strange Days; Coriolanus; The Curse of the Were-Rabbit; The Invisible Woman; Quiz Show; BMT: The Avengers; Clash of the Titans; Wrath of the Titans; Notes: Nominated for the Razzie Award in 1999 for Worst Actor and Screen Couple  for The Avengers. Probably most famous for his roles in Schindler’s List, The English Patient and as Voldemort in Harry Potter. Incredible British stage and screen performer with the absolutely incredible real name of Ralph Nathaniel Twisleton-Wykeham-Fiennes)

Uma Thurman – (Known For: Pulp Fiction; Nymphomaniac: Vol. I; Kill Bill: Vol. 1; Percy Jackson & the Olympians: The Lightning Thief; Gattaca; Kill Bill: Vol. 2; Beautiful Girls; Nausicaä of the Valley of the Wind; Dangerous Liaisons; The Producers; Les Misérables; Henry & June; The Adventures of Baron Munchausen; My Super Ex-Girlfriend; BMT: Batman & Robin; Movie 43; The Avengers; Even Cowgirls Get the Blues; Johnny Be Good; Bel Ami; Be Cool; Motherhood; Playing for Keeps; Paycheck; Chelsea Walls; Jennifer 8; Notes: Nominated for the Razzie Award in 1999 for Worst Actress and Screen Couple for The Avengers, Nominated for the Razzie Award in 1998 for Worst Supporting Actress for Batman & Robin, Nominated for the Razzie Award in 1995 for Worst Actress for Even Cowgirls Get the Blues. Very famous for her involvement with Tarantino films, her career has been somewhat winding. Once married to Ethan Hawke and Gary Oldman as well.)

Also stars Sean Connery

Budget/Gross – $60 million / Domestic: $23,384,939

(Enormous, ridiculous, astounding bomb. So bad that it was the keystone to what is widely considered to be one of the worst summers in hollywood history, the summer of 1998.)

#49 for the Action Heroine genre (Just below BMT classic Elektra)

#64 for the TV Adaptation (Live Action) genre (That is a ridiculous ranking coming in below recent bomb Entourage)

Rotten Tomatoes – 5% (4/82): A TV spinoff that lacks enough energy to spin, The Avengers is an ineptly written, woefully miscast disaster.

(Low energy. A foreboding statement indeed. Everything about these descriptions makes this sound dull. This best have crazy BMstreeT Cred)

Poster – The Worst Thing I’ve Ever Seen (F)

avengers

(This is literally the worst thing that’s ever happened to posters. If (when?) I teach a class on bad movie posters and taglines this will be used as the example for when everything goes wrong. An insane person made this.)

Tagline(s) – Two amazing secret agents. One diabolical madman. Conditions are dark. The forecast is deadly. Tea, anyone? (F, what the hell?)

Saving the World in Style (B-)

(Alright, so I guess both kind of try and get the insouciance across. The first is just … it is the longest tagline. It was like I was reading it forever. At one point I think I fell asleep while reading it, then woke up, made breakfast, and I was still reading it. The second is okay but somewhat meaningless. I mean … I get the insouciance, but not much else.)

Notes – The film’s critical and commercial failure, along with the equally unsuccessful and equally maligned The League of Extraordinary Gentlemen (2003), was partly responsible for Sean Connery’s decision to retire from the film business. (As The Cat in the Hat would say: Ohhhh Yeaaaahhhhhhhh!)

Peter Bart’s book “The Gross” covered the film’s unfolding disaster in great detail. Among other facts: Warner Brothers greenlit the film largely on the strength of a star-packed cast and their appreciation of Jeremiah Chechik’s work on Diabolique (1996) and were horrified when seeing what the first cut was like. The first screening took place in front of a “largely Spanish-speaking, working class” audience in Phoenix, AZ who hated the film; the studio then forced Chechik to cut many of his favorite scenes and conduct reshoots; and the final cut went from 115 to 89 minutes and was completely incoherent. The studio even refused to hold further test screenings, or to have an official premiere before the film’s August 1998 release. (holy shit, yes!)

Speaking at the 2006 AFI Lifetime Achievement Award ceremony, Eddie Izzard said that he took a role in the film in order to meet Sean Connery. (ha!)

In the original script the part of Sir August was much smaller but when Sir Sean Connery joined the project he asked for the part to expanded. (Reminds me a little of Bulletproof Monk, where the role of The Bulletproof Monk was nonexistent in the material, but since Chow Yun-Fat was attached it became a main role)

At one point, David Fincher was interested in writing and directing the film with Charles Dance starring as John Steed. (If only there were alternate universes where we could see such a thing)

Producer Jerry Weintraub had hopes for sequels to the film, having spent around a decade trying to get the project green-lit. (Will be interesting to see whether the ending sets up for a sequel)

Awards – Won the Razzie Award for Worst Remake or Sequel

Nominated for the Razzie Award for Worst Picture

Nominated for the Razzie Award for Worst Actor (Ralph Fiennes)

Nominated for the Razzie Award for Worst Actress (Uma Thurman)

Nominated for the Razzie Award for Worst Screen

Nominated for the Razzie Award for Worst Supporting Actor (Sean Connery)

Nominated for the Razzie Award for Worst Director (Jeremiah S. Chechik)

Nominated for the Razzie Award for Worst Screenplay (Don MacPherson)

Nominated for the Razzie Award for Worst Original Song (Storm

 sounds like a Bond opening)

Taxi Preview

Alright, this week we transition fully to the Calendar rotation and start in with a comedy. The Calendar is pretty good for BMT street cred, as each film is more or less the worst film released on the day in question. Because of this there is a chance that we will be able to watch a number of 70+ BMeTric films (which is an amazing score). So starting it off right, we dive into the 70.2 BMeTric rated film Taxi starring Jimmy Fallon and Queen Latifah. This is the worst film released on October 6th. Other notable films: The Texas Chainsaw Massacre: The Beginning, Employee of the Month, and Assassins. All solid BMT, but not 70.2 BMeTric solid.

Taxi (2004) – BMeTric: 70.2

Taxi_BMeT

(Boom. Right out the gate a disaster. Barely sticking above that 70 threshold though. Really depends on the rating now (those fits and starts in the trajectory are it jumping between ratings). I was genuinely shocked at this btw. I didn’t really imagine that this film could be this reviled, I barely remember it exists on the good day.)

Leonard Maltin – 1.5 stars –  Hotshot cabbie teams up with an incompetent hot-dog cop in this weak action-comedy. Latifah and Fallon are strangers-turned-buddies out to catch a team of bank robbers (who happen to look like supermodels). Not a good showcase for the Queen or for former Saturday Night Live member Fallon. Produced by Luc Besson, based on the 1998 French film of the same name, which he wrote and coproduced. Extended version runs 112m.

(Leonard is a little familiar with Latifah, just calling her “the Queen.” Weird. I don’t really recall that being a common thing people called her. I do like the pairing of “hotshot” and “hot-dog” that Leonard uses here. Could be used for most every buddy-cop film.)

Trailer – https://www.youtube.com/watch?v=oCjiNBiEUaQ

(Huh. Having already watched the French version of this film I can tell you that about 30% of the scenes they showed are from the climax of the film. Including three that are from the very last stunt where they catch the bad guys. Oh shit, spoiler alert. Guess I shouldn’t have revealed that Fallon and Latifah catch them at the end. My bad. Now you won’t be surprised.)

Directors – Tim Story – (Known For: Barbershop; Think Like a Man; BMT: Taxi; Fantastic Four: Rise of the Silver Surfer; Fantastic Four; Think Like a Man Too; Ride Along 2; Ride Along; Notes: The top grossing African-American director of all time (domestic at least, not sure about worldwide). Actually just retook the top spot from Tyler Perry with Ride Along 2.)

Writers – Luc Besson (earlier screenplay) – (Known For: Lucy; Léon: The Professional; The Fifth Element; Taken; The Transporter; Point of No Return; Transporter 2; La Femme Nikita; The Big Blue; Unleashed; District B13; District 13: Ultimatum; BMT: Taxi; The Transporter Refueled; Brick Mansions; Taken 3; Arthur and the Revenge of Maltazard; Transporter 3; Lockout; Arthur 3: The War of the Two Worlds; Arthur and the Invisibles; 3 Days to Kill; Taken 2; The Family; Fanfan; Colombiana; The Messenger: The Story of Joan of Arc; From Paris with Love; Revolver; Notes: Very influential French filmmaker. Founder of EuropaCorp, a major studio in France.)

Robert Ben Garant and Thomas Lennon (screenplay) – (Known For: Night at the Museum: Secret of the Tomb; Night at the Museum; Mr. Peabody & Sherman; Night at the Museum: Battle of the Smithsonian; Herbie Fully Loaded; BMT:Taxi; Balls of Fury; The Pacifier; Hell Baby; Jessabelle; Reno 911!: Miami; Let’s Go to Prison; Notes: Never nominated for a Razzie, which is a bit of a surprise. Seems lately that Garant has been writing more independent of Lennon. Perhaps because Lennon is busy with the CBS show The Odd Couple. Or should I say the CBS smash-hit The Odd Couple.)

Jim Kouf (screenplay) – (Known For: Rush Hour; National Treasure; Gang Related; Stakeout; BMT: Taxi; Snow Dogs; Operation Dumbo Drop; Another Stakeout; Class; National Treasure: Book of Secrets; Notes: Recently in the news after a Puerto Rican film Vasos de Papel was pulled from theaters for being a blatant copy of a film he wrote called Secret Admirer.)

Actors – Queen Latifah – (Known For: Miracles from Heaven; 22 Jump Street; Barbershop 2: Back in Business; Hairspray; Chicago; Ice Age: Dawn of the Dinosaurs; Stranger Than Fiction; Ice Age: The Meltdown; The Secret Life of Bees; Juice; Jungle Fever; Bringing Out the Dead; Last Holiday; Set It Off; Brown Sugar; Just Wright; BMT: Taxi; The Dilemma; Scary Movie 3; Pinocchio; Bringing Down the House; Valentine’s Day; The Country Bears; Beauty Shop; The Cookout; The Perfect Holiday; Sphere; House Party 2; Mad Money; What Happens in Vegas; Joyful Noise; Ice Age: Continental Drift; The Bone Collector; Notes: Rapper/hip-hop artist/singer/actress. Has won a Grammy, Emmy, and nominated for an Oscar (Chicago). She’s set up pretty well for potentially completing an EGOT before her career is over.)

Jimmy Fallon – (Known For: Jurassic World; Almost Famous; Whip It; Fever Pitch; Anything Else; BMT: Taxi; Bucky Larson: Born to Be a Star; Doogal; Jem and the Holograms; Arthur and the Revenge of Maltazard; Get Hard; Arthur 3: The War of the Two Worlds; Arthur and the Invisibles; Factory Girl; Notes: Who would have thought that over a decade after making this film together, Gisele would go on The Tonight Show and teach Jimmy how to walk the runway? I wonder if they reminisced about Taxi backstage.)

With a rare appearance from Gisele Bündchen!

Budget/Gross – $25 million / Domestic: $36,611,066 (Worldwide: $68,895,435 Worldwide)

#14 for the Remake – French genre

(There really aren’t any bad movies on the list besides this one. The more interesting thing is just how far down this is. Below 1989 Three Fugitives? Yeeeeeesh. Wasn’t even really a bomb either, but they must have been planning on more than $36 million domestic)

Rotten Tomatoes – 10% (11/105): Silly and unfunny remake of a French movie of the same name.

(Wow. RT got real serious on this one. Those are certainly the facts of the matter.)

Poster – Taxi Tilt (C-)

taxi

(Likes: Bright yellow base, integration of the title into the scene (clever), and actually provides a lot of visual info about the plot in the scene. Dislikes: Tilt, terrible font and block coloring for all the words on the poster, too basic/not artistic, and the weird foggy background is… not good. Almost a D+, but juuussssst better than that.)

Tagline(s) – He’s armed, but she’s dangerous. (A)

(Out of nowhere Taxi hits on a nearly perfect tagline. Short and sweet? Yup. Clever in some way? Yup. Gives an idea of the plot? Yup. Three for three.)

Notes – Ingrid Vandebosch, one of the female robbers in this film, is married to Jeff Gordon, who has an uncredited cameo in this film. (Athlete film!)

Kevin Bray was originally set to direct, but dropped out. (director of potential BMT films Walking Tall and All About the Benjamins)