Baby Geniuses Preview

With the first BMT Live! of the year behind us, we continue onto the Razzies entry of the Squeakuels cycle… or I should say what was the Razzies entry. That’s right. Minor shake-up for 2017 is that this entry in the cycle is now the Challenges entry. This still includes Razzies as we continue to try to cover as many nominees as possible, but it also includes any BMT challenges we may come up with. For the moment that is just the Calendar, but the Periodic Table of Smellements and a world mapl.de.map would also fall into the cycle once we officially put them on the website. So without further ado we start this new entry off with a couple of films that are both on the Calendar. Give it up for the worst reviewed film series in history and the only set of films to both appear on the IMDb Bottom 100. That’s right, we are subjecting ourselves to Baby Geniuses and Superbabies: Baby Geniuses 2. Lord help up. Let’s go!

Baby Geniuses (1999) – BMeTric: 72.1 (#66 on IMDb bottom 100)

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(Just shockingly low. It does seem like it wants to go up, but obviously also legendary because it really has stayed pretty consistent over the nearly 15 years this graph covers. This movie would also probably be a poster boy for why I need to figure out how to “backdate” the BMeTric. I would assume for the most part that Baby Geniuses increases in votes proportionally to the rest of IMDb. So you would assume the BMeTric should really stay the same over time. But it is based off of average votes for a movie today, so it’ll just rise over time. Such is life at the moment.)

Leonard Maltin – BOMB –  Unless you want to see walking, talking toddlers hypnotizing DeLuise into picking his nose, steer clear of this almost history-making comedy clinker about power-mad child psychologist Turner, who’s raising three bright babies in her lab. Technically shoddy and recipient of some of the decade’s worst reviews (though people did go see it). If these kids are such geniuses, why can’t they spark even a single laugh?

(Cooooooold bloooooded. That’s is just body-shot-body-shot-upper-cut Leonard, taking the industry down. History making boys, that’s why we do it. That’s why we play the game. If you are going to watch a kids’ movie, at least make sure it is historically bad, right? I’m getting all amped, nothing can push me off this mountain.)

Trailer – https://www.youtube.com/watch?v=Dgjvh4_h_lQ

(Aaaaaand, I’m out. This does look shoddy enough though that it has an outside chance of being bemusing to the point of interest. Like, I do wonder which computer graphics company developed the tech for the moving babies and whatnot, some of that did look more impressive that I expected.)

Directors – Bob Clark – (Known For: A Christmas Story; Black Christmas; Children Shouldn’t Play with Dead Things; Murder by Decree; Dead of Night; BMT: Superbabies: Baby Geniuses 2; Baby Geniuses; Rhinestone; Porky’s II: The Next Day; Loose Cannons; Porky’s; Notes:  Nominated for the Razzie Award in 2005 for Worst Director for Superbabies: Baby Geniuses 2; And in 1985 for Rhinestone; Once hit a royal flush on a video poker machine on the Strip and won over $80 thousand on a two dollar bet.)

Writers – Steven Paul (story) – (BMT: Superbabies: Baby Geniuses 2; Baby Geniuses; Notes:  Nominated for the Razzie Award in 2005 for Worst Screenplay for Superbabies: Baby Geniuses 2; Was a playwright at the age of 12. Well known as a producer, he produced things like Ghost Rider and the upcoming Ghost in the Shell film. He loves ghosts.)

Francisca Matos and Robert Grasmere (story) – (BMT: Baby Geniuses; Notes: Matos basically became the writing partner of Grasmere, and while they have been attached to a number of projects this is the only significant one produced. Grasmere has had a far more impressive visual effects career including films like Demolition Man, The Core, and Toys (and yeah, I chose the worst of the bunch, it is a very impressive list).)

Bob Clark (screenplay) – (Known For: A Christmas Story; Children Shouldn’t Play with Dead Things; BMT: Baby Geniuses; Porky’s II: The Next Day; Porky’s Revenge; Loose Cannons; Porky’s; Notes: The last feature film he wrote, although he directed more than he wrote through his career.)

Greg Michael (screenplay) – (BMT: Baby Geniuses; Notes: Was the second unit director for a murderer’s row of 2000s action films: the entire Mummy series, The Time Machine, The Tuxedo, Van Helsing, G.I. Joe Rise of Cobra! Has never really made the jump to director, although he is attached to a film called Wild Heart that was just announced.)

Actors – Kathleen Turner – (Known For: Marley & Me; The Virgin Suicides; Who Framed Roger Rabbit; Romancing the Stone; Body Heat; Monster House; Nurse 3-D; Peggy Sue Got Married; The Jewel of the Nile; The War of the Roses; Serial Mom; Prizzi’s Honor; The Accidental Tourist; The Man with Two Brains; BMT: Baby Geniuses; Dumb and Dumber To; V.I. Warshawski; A Simple Wish; Beautiful; Undercover Blues; Notes: A devoted activist for Planned Parenthood for years including becoming a chairperson. Obtained a reputation for being difficult to work with later in her career.)

Christopher Lloyd – (Known For: Back to the Future; One Flew Over the Cuckoo’s Nest; Back to the Future Part II; Clue; Sin City: A Dame to Kill For; I Am Not a Serial Killer; Back to the Future Part III; The Addams Family; Who Framed Roger Rabbit; Anastasia; Piranha 3D; Addams Family Values; Star Trek III: The Search for Spock; Man on the Moon; The Adventures of Buckaroo Banzai Across the 8th Dimension; The Postman Always Rings Twice; The Tale of Despereaux; Mr. Mum; Goin’ South; Interstate 60: Episodes of the Road; The Dream Team; DuckTales the Movie: Treasure of the Lost Lamp; Eight Men Out; BMT: Piranha 3DD; Baby Geniuses; Suburban Commando; My Favorite Martian; Dennis; Love, Wedding, Marriage; Fly Me to the Moon; A Million Ways to Die in the West; The Pagemaster; Angels in the Outfield; Camp Nowhere; Hey Arnold! The Movie; Notes: Is the uncle of Sam Lloyd known for his role as the lawyer on scrubs. What more is there to say? Has been in some of my favorite movies from my childhood.)

Kim Cattrall – (Known For: The Ghost; Police Academy; Sex and the City; Big Trouble in Little China; Star Trek VI: The Undiscovered Country; Ice Princess; Masquerade; The Return of the Musketeers; BMT: Crossroads; Sex and the City 2; Baby Geniuses; The Bonfire of the Vanities; Mannequin; 15 Minutes; Porky’s; Notes:  Won the Razzie Award in 2011 for Worst Actress for Sex and the City 2; Nominated for the Razzie Award in 1991 for Worst Supporting Actress for The Bonfire of the Vanities; I can’t find anything about their relationship, but she appeared in four Bob Clark films: Tribute, Turk 182!, Porky’s, and Baby Geniuses! She is British, but her accent is Canadian where she grew up. She is an avid supporter of Liverpool F.C.)

Budget/Gross – $12 million / Domestic: $27,250,736 (Worldwide: $36,450,736)

(Wow, not bad all things considered. I’m pretty shocked by the foreign number. It doesn’t really make sense to release to foreign markets, although (and I don’t really know how this movie is constructed, so take this with a grain of salt), if they are merely putting voices over without manipulating the mouths too much it might have been a fairly trivial dub which could have made it worth it.)

Rotten Tomatoes – 2% (1/44): Flat direction and actors who look embarrassed to be onscreen make Baby Geniuses worse than the premise suggests.

(The rogue good review states: “With the recent popularity of baby-themed shows, this film has perfect timing. Younger patrons will be drawn into the fantasy, while the humor is sufficient to keep adults interested.” I had to look it up, but indeed, the show Baby Bob came out mere months before this review (June, 2002), bizarrely three years after the movie came out! Which also means Baby Geniuses held a 0% on rotten tomatoes for three years before losing it.)

Poster – Baby Sklogses (C+)

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(The positive is that the symmetry is pretty good. Everything else is not great. Font is uninteresting and the coloring is not great. It does get the message across, though, with that baby wearing glasses.)

Tagline(s) – Think innocent. Think helpless. Think again. (I am dumber because of this.)

Naps are history. (Seriously. What is going on?)

(What in the fuck are these? The first one is like someone from a different country that didn’t speak english was forced to study taglines for a year and come up with one for this film. The second one is like an actual baby came up with it. Dear God. Those are rough.)

Keyword(s) – baby; Top Ten by BMeTric: 85.0 Date Movie (2006); 83.9 Scary Movie 5 (2013); 82.8 Son of the Mask (2005); 74.1 Junior (1994); 72.2 Baby Geniuses (1999); 71.4 In the Land of Blood and Honey (2011); 70.2 Look Who’s Talking Too (1990); 66.1 The Animal (2001); 64.7 Honey I Blew Up the Kid (1992); 63.4 Texas Chainsaw 3D (2013);

(Wow, so there are a few movies there we’ve seen (Junior, Look Who’s Talking Too, The Animal … a few times, Honey I Blew Up the Kid) but only one we’ve done for BMT. That is a new rule by the way. We’ve stopped considering movies “watched” unless we’ve done them for BMT. So a while to go in the baby top 10 … which is a weird mix of the expected and just weird films.)

Notes – The amusement park is the one at Circus Circus in Las Vegas, NV. (Circus Smircus?! We were (kind of) just there!)

Kathleen Turner, who plays Dr. Elena Kinder, and Christopher Lloyd, who plays Dr. Heep, also co-starred in Who Framed Roger Rabbit (1988), in which they played Jessica Rabbit and Judge Doom.

The last theatrically-released film of Dom DeLuise (although several later films he made were never publicly released). (Kind of a thing isn’t it? Terrible movies being the last release. I wonder if it is because things like voices and kids films are less demanding so actors who ultimately die of a terminal illness just end up in those roles as they approach their death. Sorry to muse about the subject, but I do find it interesting)

Dr. Elena Kinder’s surname is derived from the German word for children.

The combination for Sly’s alarm system at the beginning of the film is “1673.” (This is the kind of shit we’re supposed to do. Like me having my ATM pin be 1673 … it isn’t by the way, but that would be pretty weird right?)

The film is included on the film critic Roger Ebert’s “Most Hated” list. (These two films are hitting a bunch of marks)

Fifty Shades Darker Preview

Big week for BMT as we are attending the first BMT Live! of the year! Hooray! As expected (although not exactly desired) we will be watching Fifty Shades Darker. Less hooray! We watched the first film as part of BMT in 2015. As part of that viewing I actually read the first book. A direct consequence of that is that I did not read the second book this time around. I literally couldn’t bring myself to do it. The first book may be the worst thing I’ve ever read (and I read the first two Twilight books). It’s not even because they are ridiculous soap opera-like porn books for women. I’m fine with that (again, I read Twilight, which spends 90% of the book talking about the finer qualities of different characters abs). No, its greatest crime was simply that is was soooooo fucking boooorrrrrring. Nothing happens. Sure they have sex a few times but they could have at least attempted to make a coherent plot. Instead it’s just one long drama about two fairly boring people arguing over a legal contract… that’s it. I shudder even imagining having to read the second book. So instead we are going in blind, baby! A final note, this is the fifth BMT Live! We’ve had and this is the first instance where the film chosen actually fits the cycle that we are currently in. Congrats! We are nailing it here at BMTHQ. Let’s go!

Fifty Shades Darker (2017) – BMeTric: 54.5

(There is nothing in the internet archive for the movie as of February 19, 2017! I will say that at the moment Fifty Shades Darker has a 4.9 on IMDb whereas Fifty Shades of Grey settled comfortably at 4.1. I would guess that indeed it will regress to the predecessor in this case once non-mega fans get a hold of it.)

RogerEbert.com – 2 stars –  “Fifty Shades Darker” is less interested in exploring how the power plays of S&M have to be negotiated (a rich topic), and more interested in the conventional narrative of a damaged man terrified of intimacy and a loving woman waiting for him to transform into the wonderful boyfriend that she knows is inside of him. “Fifty Shades Darker” may wear leather and chains, but it’s still a retro bore.

(Yeah … sounds about right. I’ve heard criticisms of the films dressed up in all kinds of ways. But do you know what is always consistent? That they are boring. Can’t wait to pay money to be the creepy alone-guy in a theater … real excited.)

Trailer – https://www.youtube.com/watch?v=n6BVyk7hty8

(Pretty tantalizing stuff. So the last movie was basically “will she sign the sex contract”. This one appears to be “oh … is Grey going to change a bit?”. Wait … did she sign the sex contract? I feel like I’m going to end up totally lost in this movie since I have zero interest in re-watching the first one and obviously can’t read the books.)

Directors – James Foley – (Known For: Glengarry Glen Ross; At Close Range; Confidence: After Dark; The Corruptor; After Dark, My Sweet; Two Bits; BMT: Who’s That Girl; Fifty Shades Darker; Perfect Stranger; Fear; The Chamber; Notes:  Nominated for the Razzie Award in 1988 for Worst Director for Who’s That Girl; Directs some television now (including 12 episodes of House of Cards). Apparently he was offered to directing position for Purple Rain starring Prince. How could one resist?!)

Writers – Niall Leonard (screenplay) – (BMT: Fifty Shades Darker; Notes:  Oh ….. Oh my God. He is E. L. James’ husband! The person they got to write the script to the last two Fifty Shades films is E. L. James’ spouse. That is shocking. He has been bouncing around, mostly in television, for a while, but I’m surprised there wasn’t any credited rewrites by a more accomplished screenwriter.)

E.L. James (based on the novel by) – (BMT: Fifty Shades of Grey (BMT); Fifty Shades Darker; Notes: She’s expressed her surprise at the success of the novels which, she says, started as a kind of mid-life crisis. Her writing career famously started with Twilight Fan Fiction under the pen name Snowqueens Icedragon.)

Actors – Dakota Johnson – (Known For: How to Be Single; Black Mass; The Social Network; A Bigger Splash; 21 Jump Street; The Five-Year Engagement; BMT: Fifty Shades of Grey (BMT); Beastly (BMT); Fifty Shades Darker; Anarchy: Ride or Die; Date and Switch; Goats; Need for Speed (BMT); Notes:  Won the Razzie Award in 2016 for Worst Actress and Screen Combo for Fifty Shades of Grey; She is the daughter of Melanie Griffith and Don Johnson (Bucky Larson and When in Rome) from their second marriage to each other.)

Jamie Dornan – (Known For: The 9th Life of Louis Drax; Anthropoid; The Siege of Jadotville; Marie Antoinette; BMT: Fifty Shades of Grey (BMT); Fifty Shades Darker; Notes:  Won the Razzie Award in 2016 for Worst Actor and Screen Combo for Fifty Shades of Grey; Naturally got his start as a Calvin Klein model and was a member of a folk band called Sons of Jim. Sadly they disbanded in 2008.)

Also stars Eric Johnson – (As see in Texas Rangers!) and BMT megastar Kim Basinger (Grudge Match, Bless the Child, The Marrying Man, and No Mercy)

Budget/Gross – $55 million / Domestic: $75,500,000 ($173,300,000 Worldwide) (So far)

(Like shooting fish in a barrel. They obviously saved a bundle shooting back to back which makes it all the easier for them to rake in a cool $300+ million worldwide with each film and laugh all the way to the bank.)

Rotten Tomatoes – 9% (13/149): Lacking enough chemistry, heat, or narrative friction to satisfy, the limp Fifty Shades Darker wants to be kinky but only serves as its own form of punishment.

(Ooooof, that is stunning. I wouldn’t have really thought it would drop so dramatically from the first (25%), I figured they would also get people to dismiss most issues as “hey the books were shit too, what did you expect?” And yet this seems like it might be a whole new level of boring … I wonder how early of a showing I can get. Just to make sure I don’t fall asleep.)

Poster – Fifty Shades Sklogger (C+) 

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(Not a huge fan of the spacing and tilt, as it’s starting to look a little like fan-art. Obviously the font is ridiculously simple and Fifty Shades Sklogger could be a reality. Besides that it’s an excellent example of where the actors are used in the poster but are modified visually enough to avoid my issues with their human-ness. They are able to maintain gray as the dominant color.)

Tagline(s) – Every Fairy Tale Has a Dark Side (B)

(Hmmm, I actually kind of like this because it’s starting to make me think about how this series relates to traditional fairy tales. Is it a play on Cinderella? Could be actually. Even the poster and masquerade ball kind of fit with that. Slightly clever and short enough to boot. Pretty good.)

Keyword(s) – helicopter crash; Top Ten by BMeTric: 78.9 Skyline (2010); 73.9 AVPR: Aliens vs Predator – Requiem (2007); 57.7 Boat Trip (2002); 57.2 A Good Day to Die Hard (2013); 55.9 Lawnmower Man 2: Beyond Cyberspace (1996); 53.8 Batman Forever (1995); 53.7 Half Past Dead (2002); 51.9 Resident Evil: Retribution (2012); 50.2 Fifty Shades Darker (2017); 50.1 Attack of the Killer Tomatoes! (1978);

(I would watch this movie marathon for sure. What an eclectic group of movies. I’d go chronological, just to get Killer Tomatoes to start. The ending of that series would be brutal too, would people just get up once Fifty Shades started?)

Notes – Rumors circulated in early 2015 that Jamie Dornan had made a decision not to reprise his role as Christian Grey in the future Fifty Shades of Grey (2015) films. However, those rumors were eventually debunked by his official rep who stated he was completely devoted to the franchise. (gross. But yeah, since they filmed the second and third back to back you’d get to basically get the series behind you and cash a huge check. Don’t blame him)

Fans have expressed interest in actresses such as Kim Cattrall, Michelle Pfeiffer and Charlize Theron for the role of Elena Lincoln aka “Mrs. Robinson”. (And we are so so glad it went to Kim Basinger instead. Love me some Kimmy B).

After receiving backlash that clean shaven Jamie Dornan wasn’t sexy enough as Christian Grey in the first film the producers decided that he could keep his stubble for Darker and Freed. (ha!)

In March of 2015, Fifty Shades of Grey (2015) director Sam Taylor-Johnson revealed she would not be returning for the film’s sequels, Fifty Shades Darker (2017) and Fifty Shades Freed (2018), respectively. As well, screenwriter Kelly Marcel also stated she would not be returning to the series. (I would guess that the producers, including E. L. James, wanted more control. I thought Taylor-Johnson did a pretty solid job, the first movie was just super boring and nothing happened.)

Screenwriter Niall Leonard is the husband of E.L. James, who wrote the book series it is based upon. (Yuuuuuuup, pretty ridic)

Species II Preview

There had been some thought that this week might be time for a BMT Live! Rings came out to absolutely horrifying reviews (see what I did there?) and we had to think quick on whether we should act. The answer: not until we see the reviews for Fifty Shades Darker. It would be irresponsible to let it go by without giving it a chance at BMT Live! glory. It deserves it. So instead we head into SciFi/Fantasy and get to do a set of films that I’ve been eyeing for awhile. That’s right, we’re watching Species and Species II. These films promise three things: nudity, a scene where someone kisses someone else and their tongue bursts through the back of their skull, and… uh… nudity again. So basically I’m super duper duper excited. Let’s go!

Species II (1998) – BMeTric: 67.3

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(Again we see the 2011 inflection and regression to the mean as the votes increase. Unlike its predecessor this one is considered definitively bad. As I said in the Species preview these plots are all starting to look the same to me, so I’m categorizing them. For Species II I’m going to call it: Poorly Rated, but Perplexingly Popular. In this case a sub-5 rating is definitively terrible, but we still see a high number of votes (I think … I think I’m going to automate this now that I think about it).)

Leonard Maltin – BOMB – The first man on Mars gets infested with alien DNA, and begins raping women who immediately, and fatally, give birth. Elsewhere, scientists have recreated the half-alien woman from the first film, hoping she’ll be nice this time. Compared to this clunker, the first looks like a collaboration between Arthur C. Clarke and Ray Bradbury.

(Well, I’ll set aside the atrocious last line there. This plot sounds bonkers. Like … the first part! This will be at least the third film in which someone gets infected by a disease on Mars. And like Doom and Ghosts of Mars before it may it be a ridiculous nonsense movie.)

Trailer – https://www.youtube.com/watch?v=LE-Amil6oQc

(Also seems pretty rad … but also definitely a step down from the last one. That storyline is indeed just as bonkers as Leonard seemed to suggest. So he wasn’t exaggerating there. I having a feeling the erotic horror sci-fi genre might not attract the best and brightest you know? …)

Directors – Peter Medak – (Known For: The Changeling; The Krays; Zorro: The Gay Blade; The Ruling Class; Let Him Have It; BMT: Species II; Romeo Is Bleeding; Notes: Has had a very long career in Hollywood starting in the late 50’s. His best known film has got to be The Ruling Class for which Peter O’Toole received an Oscar nomination for Actor.)

Writers – Dennis Feldman (written by) – (Known For: Just One of the Guys; BMT: Species II; Virus; Species (BMT); The Golden Child (BMT); Notes: Just a character credit on this one. I find it amusing that he also wrote Virus, which Jamie Lee Curtis considers her worst film.)

Chris Brancato (written by) – (Known For: Hoodlum; BMT: Species II; Notes: He is the creator of the Netflix show Narcos… say what?)

Actors – Natasha Henstridge – (Known For: The Whole Nine Yards; Bounce; BMT: Species II; Ghosts of Mars (BMT); The Whole Ten Yards; Maximum Risk; Adrenalin: Fear the Rush; Species (BMT); Steal; Deception; Dog Park; Notes: Uh… I already had to make a note for the first Species so… she’s Canadian and part Native American. Fun stuff, right?)

Michael Madsen – (Known For: The Hateful Eight; Kill Bill: Vol. 1; Reservoir Dogs; The Chronicles of Narnia: The Lion, the Witch and the Wardrobe; Sin City; Kill Bill: Vol. 2; Die Another Day; WarGames; Wyatt Earp; Thelma & Louise; Donnie Brasco; The Doors; Free Willy; The Natural; Pauly Shore Is Dead; BMT: BloodRayne; Species II; My Boss’s Daughter; Scary Movie 4 (BMT); Free Willy 2: The Adventure Home; Hell Ride; House; Species (BMT); Notes: Brother of BMT legend Virginia Madsen.)

Marg Helgenberger – (Known For: Erin Brockovich; Bad Boys; Mr. Brooks; Always; In Good Company; My Fellow Americans; BMT: Species II; Fire Down Below (BMT); Species (BMT); The Cowboy Way; Notes: Won an Emmy for her role in the Vietnam War drama China Beach.)

Budget/Gross – $35 million / Domestic: $19,221,939 (N/A)

(Wowzer. I would genuinely believe it if this was the worst original-to-sequel ratio for a major release ever. The original made basically six times more that its sequel and they were released to roughly the same number of cinemas. Astonishing.)

#47 for the Creature Feature genre

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(Ooooof right near Shark Night 3D. I feel like 1998 is a significant year where the studio system completed its transition from the blockbuster 80’s era through slow experimentation with CGI and effects. From 2000-2010 we would enter a true golden age where bad movies flowed like wine. Here though an Erotic SciFi Horror sequel was made and released to 2500 theaters. Think about that.)

#29 for the Sci-Fi Horror genre

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(That peak though. This sadly clocks in right around Apollo 18 which undoubtable cost maybe $40 to make. But it came right at a true peak of the genre. It has been an up and down experience since, but the Species franchise could have stood alongside the second tier of the genre (Underworld and Resident Evil) if not for flaming out and pushing out two direct-to-video sequels instead of waiting on a better opportunity.)

Rotten Tomatoes – 9% (3/33): No consensus yet.

(Another consensus to make: A totally unnecessary sequel which amps up the silliness without adding any brains to the equation. Nearly exploitative in its gratuity. As EW puts it: “By now, if you’ve seen one set of slimy phallic tentacles shooting out of someone’s back during orgasm, you’ve seen ’em all.” Sounds like a plan EW.)

Poster – Mating Skloging Begins (C-)

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(I like the color tone and the font (again), but there is a bit much going on now. What are all the sparkles everywhere? Stars and… a bunch of lines like in a western blot… because DNA or something?)

Tagline(s) – Mating season begins… (C-)

(Meh. It’s short and certainly tells you what this one is all about: some aliens going to the bone zone. Rad. But nothing clever about it.)

Keyword(s) – sex scene; Top Ten by BMeTric: 89.8 Fifty Shades of Grey (2015); 78.6 Sex and the City 2 (2010); 72.7 Jason X (2001); 71.4 Showgirls (1995); 67.3 Species II (1998); 65.3 The Boy Next Door (2015); 63.8 Knock Knock (I) (2015); 62.6 All About Steve (2009); 62.0 Jennifer’s Body (2009); 59.1 Captivity (2007);

(Pretty amazing list. Wish something like Color of Night could sneak in though, those classic 80’s/90’s erotic thrillers deserve a place on the list, some representative.)

Notes – Though showing Eve in a black leather outfit on some of the posters and DVD-Covers, she never actually wears it in the film.

Shortest of all four Species movies. (small blessings …)

EVE stands for Extraterrestrial Vulnerability Experiment. (Egad)

Most of the nude scenes, such as the debutantes having sex with Patrick or the strip-club sequence, were shortened in the final version of the movie. The full scenes can be seen in the DVD extra features. (No wonder someone stole the DVD from the Minnesota public library system)

Natasha Henstridge is on the miller lite cut out in the grocery store when they are hunting her. (nooooooooooo. Never a good idea. I hope the cut out says “Great taste, less filling, out of this world.” Get it? Cause she’s a famous alien.)

Are We Done Yet? Preview

Onwards and upwards to Chain Reaction. After painting ourselves into a corner last year we finally fully extricated ourselves from the mess by landing on Ride Along 2. This cycle we get to move from that to the Are We There Yet? Series through Ice Cube. While this is not the worst reviewed set of films in history (that would obviously go to Baby Geniuses and Superbabies: Baby Geniuses 2 with a shocking 2% and 0% RT scores, respectively), this is pretty spectacular in its own right with 11% and 8% RT scores for the two films. Also, it has the strange distinction of having the first film be totally original and then having the second film be a remake of the Cary Grant film Mr. Blanding Builds His Dream House (that was in turn based on a book which itself was expanded from a short story). Sometimes you can’t make this shit up. Let’s go! Finish up the week’s previews with the home-reno laugh-fest installment of the mega-franchise:

Are We Done Yet? (2007) – BMeTric: 64.7

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(Unlike its predecessor I’m not very surprised with how these graphics look because it is a sequel to a terrible film. I am rather delighted by how close the BMeTrics are (Are We There Yet? has a BMeTric of 62.5). The rating does regress to the mean more this time, although perhaps the rating is just rising to reach the equally terrible Are We There Yet?? I don’t know. Nice 2011 inflection like usual. Clockwork at this point.)

Leonard Maltin – 1.5 stars –  Inevitable sequel to Are We There Yet? Is also an official remake of the 1948 comedy Mr. Blandings Builds His Dream House (complete with RKO Radio PIctures logo), but Ice Cube isn’t Cary Grant and this script is much more bland than Blandings. Premise is basically the same: a man moves his growing family out of the crowded city and into his “dream house” in the suburbs, where everything goes wrong. Endlessly unfunny slapstick antics may have you looking at your watch and asking the real question: “Is it over yet?”

(Ugh, much more bland? As a person who has now seen Mr. Blandings Builds His Dream House … I’m skeptical a movie could be more bland. Or at least I hope Are We Done Yet? isn’t as frustrating. I was squirming in my seat and only survived because of the telegraphed happy ending. Sigh.)

Trailer – https://www.youtube.com/watch?v=Op8AlTe5Js8

(Boooooo. These don’t look like fun bad movies, they look like bad boring movies. You better not bore me for three hours. Give me something to latch onto, a little lifesaver I can float on in the rocking bad movie seas.)

Directors – Steve Carr – (Known For: Middle School: The Worst Years of My Life; Dr. Dolittle 2; BMT: Movie 43 (BMT); Are We Done Yet?; Paul Blart: Mall Cop (BMT); Daddy Day Care; Rebound; Next Friday; Notes:  Won the Razzie Award in 2014 for Worst Director for Movie 43; Wouldn’t be surprising to complete this guy’s filmography in the not-too-distant-future. Used to be a music video director and got his start with Next Friday after directing one of Ice Cube’s music videos. Currently attached to the terribly named Cinderfella which has a perfectly obvious plotline … it is Cinderella by the opposite.)

Writers – Hank Nelken (screenplay & screen story) – (BMT: Are We Done Yet?; Saving Silverman; Mama’s Boy; Notes: The only screenwriter on this project it would seem as the others are credited for either Are We There Yet? or the “original movie” Mr. Blandings Builds His Dream House. This guy has a true blue pull-yourself-up-by-the-bootstraps story starting in Mississippi and Texas making Bar Mitzvah videos and ultimately in Hollywood. He has no credits since 2011, but I would guess he’s been working behind the scenes for a while. He was at one point attached to a remake of the film Outlaw Blues.)

Steven Gary Banks and Claudia Grazioso (characters) – (BMT: Are We Done Yet?; Are We There Yet?; Notes: Wrote the predecessor Are We There Yet? Their note in that preview is quite interesting as it would seem they were tapped to write Just Go With It (probably with the intention of starring Ice Cube) which was eventually made without these guys and with Adam Sandler starring instead.)

Norman Panama (screenplay) – (Known For: Mr. Blandings Builds His Dream House; White Christmas; The Court Jester; Road to Utopia; My Favorite Blonde; BMT: Are We Done Yet?; Notes: Long time writing partner with Frank. It is kind of amazing to see one of the founding partnerships of Hollywood, they started writing together at the University of Chicago in 1942! They only have a credit on this film because Are We Done Yet? Is apparently an adaptation of Mr. Blandings Builds His Dream House, which is in turn based on a book, which was expanded from an original short story. I find it nuts that they so explicitly consider it an adaptation, the movie was made in 1950!)

Melvin Frank (screenplay) – (Known For: Mr. Blandings Builds His Dream House; White Christmas; The Court Jester; A Funny Thing Happened on the Way to the Forum; A Touch of Class; Road to Utopia; My Favorite Blonde; BMT: Are We Done Yet?; The Duchess and the Dirtwater Fox; Notes: Long time writing partner with Panama. Considered to be by far the more successful of the two because after going their separate ways in the 1960s Frank continued to direct (including the Oscar winning film A Touch of Class) and produce. Fun fact: I’ve always meant to watch The Court Jester because it stars a young Angela Lansbury and I am a Murder She Wrote mega-fan. Not joking.)

Actors – Ice Cube – (Known For: xXx: Return of Xander Cage; 21 Jump Street; Friday; The Book of Life; 22 Jump Street; Boyz n the Hood; Barbershop: A Fresh Cut; Three Kings; Barbershop; Rampart; Higher Learning; Barbershop 2: Back in Business; Trespass; The Glass Shield; The Longshots; BMT: xXx²: State of the Union (BMT); Anaconda; Torque (BMT); Are We Done Yet?; Ghosts of Mars (BMT); Are We There Yet?; First Sunday; Lottery Ticket; Ride Along 2 (BMT); Friday After Next; I Got the Hook Up; All About the Benjamins; Dangerous Ground; Ride Along (BMT); Next Friday; The Players Club; Notes: It is always weird writing two previews back to back when the same actors are in both. I’ll just say that I would put him right up there with The Rock as far as people who I would watch in a movie based on charm alone.)

Nia Long – (Known For: Friday; Keanu; Boyz n the Hood; Boiler Room; Alfie; Soul Food; The Best Man; The Best Man Holiday; Lemon; Roxanne Roxanne; The Broken Hearts Club: A Romantic Comedy; BMT: Big Momma’s House 2 (BMT); Are We Done Yet?; Are We There Yet?; Big Momma’s House (BMT); Made in America; Premonition; The Single Moms Club; Held Up; Stigmata; Notes: Same as with Ice Cube, this is the third little write up I’ve done for here in about a month.  I would think Premonition is the last major BMT left in her filmography … which does actually qualify for our next planned cycle, Films That Got <10% on Rotten Tomatoes. So maybe a fourth Nia Long vehicle is coming our way.)

John C. McGinley – (Known For: Se7en; The Belko Experiment; Platoon; Office Space; Point Break; Identity; The Rock; Any Given Sunday; Wall Street; 42; Born on the Fourth of July; World Trade Center; Set It Off; Kid Cannabis; Nixon; BMT: Highlander II: The Quickening (BMT); The Animal; Are We Done Yet?; On Deadly Ground (BMT); Alex Cross (BMT); Get Carter (BMT); Summer Catch; Stealing Harvard; Car 54, Where Are You?; Get a Job; Wagons East; Wild Hogs (BMT); Three to Tango; Notes: I love McGinley and will look forward to completing his BMT filmography one day. Five movies is incredibly impressive. Favorite fact from IMDb? Raised in Millburn, NJ, and attended Millburn Senior High School, the alma mater of Anne Hathaway. Fun because that means he attended the same high school as bad movie mega-star Elliot Kalan of the Flop House, The Daily Show, and producer for the remake of Mystery Science Theater 3000.)

Budget/Gross – N/A / Domestic: $49,662,533 (Worldwide: $58,388,068)

(Interesting that there is no budget, so I can only really comment with regards to what I would consider to be a successful comedy and expectations given the first film. Considering that the first film got close to what I would call a comedy hit ($100 million) this was probably a disappointment. Perhaps it is why, I think, Ice Cube has not starred in a PG film since.)

#21 for the Comedy – Fish-Out-of-Water Father genre

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(Ah sliding right in there as the genre is dying. Classic. This came in right around Hall of Fame nominee Old Dogs. As I said in the Are We There Yet? preview the genre could potentially be dead? There hasn’t been a new contribution since 2013. Bumbling father is a classic though, I feel like it’ll come back.)

#59 for the Comedy – Sequel (Live Action) genre

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(Ride Along 2, Paul Blart 2, Big Momma 2, Be Cool and last week’s Miss Congeniality 2 are all live action comedy sequels we’ve seen in the last year or so! Coming in a shade above Miss Congeniality 2 is not a good look, and it came just as the genre was taking a little financial nap. Once they see a bit of money they bleed any and all potential franchises dry, that includes terrible family comedies with Ice Cube.)

#21 for the Comedy Remake genre

comedyremake_21

(Ooooooo right at the end of producers yelling to their assistants: “Hey, Carl, what sweet IP we got?” and getting the response “Uh, Mr. Blandings Builds His Dream House from 1948” … “Make that a sequel to something”. This comes in right above Yours, Mine and Ours (2005) and the genre has taken quite a hit recently with very few productions and a lackluster return from Ghostbusters.)

#20 for the Family – Remake genre

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(……. these last two graphics are basically the same. So yeah, Family/Comedy Remakes aren’t doing so hot. Actually, most comedy remakes are probably family oriented if the source material was from before the 80’s now that I think of it. This came in just below the classic Angels in the Outfield. Recently Jungle Book was a smash hit … wait a minute, these graphs don’t include the live action remakes of the Disney movies like Cinderella. That doesn’t really make sense but whatever.)

Rotten Tomatoes – 8% (7/93): Are We Done Yet? plays it way too safe with generic slapstick and uninspired domestic foibles.

(Less than 10% on rotten tomatoes is very rare, and more so when you consider that the film garnered almost 100 reviews. I think I can turn my brain off and enjoy generic slapstick. The domestic foibles on the other hand …)

Poster – Are Sklogs Done Yet? (D+)

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(This is the same poster as for the last one so why not copy that: There is a whole class of posters that a similar to this that I just hate, hate, hate. Too much empty space and not enough stylization of the characters on the poster. The font is still okay and, bonus, making Are Sklogs Done Yet? would be a bit harder because so much stuff is all over the title. I docked a grade because they plagiarized themselves.)

Tagline(s) – New house. New family. What could possibly go wrong? (F)

(Fuck this. This is the same as the last tagline too!! The last tagline was: 24 hours. 350 miles. His girlfriend’s kids. What could possibly go wrong? Everything. We get it. Everything can and will go wrong.)

Keyword(s) – renovation; Top Ten by BMeTric: 80.8 Home Alone 3 (1997); 74.1 Prom Night (I) (2008); 64.7 Are We Done Yet? (2007); 56.5 Poltergeist III (1988); 46.1 Meet the Browns (2008); 40.2 Xanadu (1980); 33.3 From Prada to Nada (2011); 26.4 Psychosis (I) (2010); 25.9 Baby Mama (2008); 24.1 Dark Shadows (2012);

(I think this is the first time I’ve found a keyword where we haven’t seen any of the movies. Xanadu will happen soon enough I think. Besides that though I don’t really see any of the others on the BMT horizon.)

Notes – A quote from Nick, “I don’t know karate, but I know ka-razay!” when he’s confronting Chuck, are actually lyrics from James Brown’s 1974 single “The Payback” from the album of the same name.

Shipped to theaters under the name “Needs Work” (I honestly hate these “fun” facts. It just never seems all that important what a movie shipped as, nor are they ever clever or funny)

When Nick tells Chuck, who is played by John C. McGinley, that he feels good sitting on a private toilet, Chuck says, “Feeling good is good enough.” That line is said by Willem Dafoe in the 1986 Oscar winner Platoon, which stars McGinley. (Fun fact I guess)

Ice Cube was approached to do another sequel, but declined, saying that he wanted to go in a different direction. He then proposed that the movie idea be turned into a TV show, which it did: Are We There Yet? (2010). (Smart. Ice Cube seems like a smart dude. My guess is he realized he didn’t want to be shoehorned into family comedies like Eddie Murphy, Adam Sandler, and Martin Lawrence seemed to be. Also my guess as to why the writers got dropped from Just Go With It when they realized they couldn’t get Cube)

Battlefield Earth Preview

A small note prior to this post: Last July we decided to take a look back at the movies that we watched over five years ago and choose a Hall of Fame class, five movies that we thought embodied BMT in some way. Perhaps they were particularly bad, or an example of a specific bad movie trope, whatever, something made them stand out as special in our minds. Since we didn’t do email previews back in 2011 we also decided to provide a preview for the movie. This is the last in the series of five leading up to our yearly awards the Smaddies Baddies (coming soon!). A recap (Hall of Fame speech really) will follow immediate afterwards to explain why the movie was chosen, things we loved about the movie, and things we discovered upon second viewing. Enjoy!

Battlefield Earth (2000) – BMeTric: 87.7

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(The. Consistency. Maybe the number one reason this Hall of Fame has been a resounding success for BMT is seeing this trend come to life. A film gaining tens of thousands of votes and the rating not moving an inch? Incredible. Think about it, a three on IMDb would raise the rating. The people who watch this film and rate it on IMDb pretty much give it a one every time. Ridiculous. Naturally one of the highest BMeTrics ever, and for a reason. )

Leonard Maltin – BOMB –  Psychlos (business-minded aliens) conquered Earth a century ago; what remains of humanity are slaves or ignorant savages. Gold-greedy Psychlo security chief Travolta educates bright human Pepper, hoping “man animals” can mine the metal for him. Big mistake … So is the movie, based on the novel by L. Ron Hubbard. Clumsy plot, misplaced satire, unbelievable coincidences and a leaden pace trample Travolta’s weird but amusing performance.

(Is he wrong about the year? They conquered Earth a thousand years ago (it is the saga of the year 3000 after all). I love weird by amusing performances, and yeah, this is a bomb. Strange the direction isn’t mentioned in the long list of issues with the film.)

Trailer – https://www.youtube.com/watch?v=XhNuXvlCTTc

(Short and sweet is what that always say I guess. It just teases the insanity that is Travolta’s performance. Just a taste. And the CGI looks straight garbage in this as well, so it has that going for it)

Directors – Roger Christian – (Known For: Nostradamus; BMT: Battlefield Earth; Stranded; Masterminds; Notes:  Prominent art director having won an Oscar for his work on Star Wars and nominated for his work on Alien. Won the Razzie Award in 2001 for Worst Director for Battlefield Earth. I nearly had a heart attack seeing that he directed a film called “Masterminds” and mistaking it for the 2016 release of the same name. Thought he was back with a major release.)

Writers – Corey Mandell (screenplay) – (BMT: Battlefield Earth; Notes:  Won the Razzie Award in 2001 for Worst Screenplay for Battlefield Earth; He works at UCLA now, you can see the cred on his website http://coreymandell.net/. Given Shapiro’s story about production it is basically a guarantee that he is a scientologist and chosen for the project merely because we went to a meeting and mentioned he was a playwright to … someone. Anyone really as far as I can tell.)

J.D. Shapiro (screenplay) – (Known For: Robin Hood: Men in Tights; BMT: Battlefield Earth; Notes:  Won the Razzie Award in 2001 for Worst Screenplay for Battlefield Earth; This movie basically ended his career. He wrote an open letter to the NY Post explaining how he got involved … it was basically that he went to a Scientologist meeting to meet girls, and wrote a pitch when they found out he was a screenwriter. And that basically Travolta ruined the entire thing. Sounds like a nightmare experience for everyone.)

Ron Hubbard (novel) – (BMT: Battlefield Earth; Notes: At one point I checked his bibliography to see if there was any chance his filmography would grow … uh, naw. He has 235 pieces of fiction published, but only two would be what I would call “modern”. One is Battlefield Earth. The other is Mission Earth, a 10 novel epic which was …. Not well received and was almost entirely published after his death. Probably most well known for producing the first soundtrack for a novel (Space Jazz for Battlefield Earth) … wait, that can’t be right. Oh yeah, he also founded Scientology I guess.)

Actors – John Travolta – (Known For: Pulp Fiction; Grease; Carrie; Savages; In a Valley of Violence; Bolt; Face/Off; Hairspray; The Thin Red Line; Saturday Night Fever; Get Shorty; Criminal Activities; The Taking of Pelham 1 2 3; Urban Cowboy; Look Who’s Talking; Broken Arrow; Primary Colors; Blow Out; Phenomenon; Ladder 49; Lonely Hearts; A Love Song for Bobby Long; A Civil Action; BMT: Battlefield Earth (BMT); Look Who’s Talking Too; Look Who’s Talking Now; Staying Alive; Old Dogs (BMT); Killing Season; Lucky Numbers; Domestic Disturbance; Be Cool (BMT); Perfect; Michael; Wild Hogs (BMT); Two of a Kind; I Am Wrath; White Man’s Burden; The Devil’s Rain; The Forger; The General’s Daughter; Mad City; Swordfish (BMT); The Punisher (BMT); From Paris with Love; Basic; Notes: See below for Razzie info; What more is there to say? We’ve seen him in six BMT movies, and he has a borderline case of Liottaitis more commonly known as you-look-like-you-are-wearing-a-mask-of-yourself disease. Tarantino resurrected his career with Pulp Fiction and this movie kind of took it all away. Although he has gotten steady work including in the O.J. Simpson show.)

Travolta Razzie Notes: Won the Razzie Award in 2001 for Worst Actor for Battlefield Earth, and Lucky Numbers; and for Worst Screen Couple for Battlefield Earth; Nominated for the Razzie Award in 1990 and 2010 for Worst Actor of the Decade; Nominated for the Razzie Award in 2010 for Worst Actor for Old Dogs; in 2002 for Domestic Disturbance, and Swordfish; in 1986 for Perfect; and in 1984 for Staying Alive, and Two of a Kind Nominated for the Razzie Award in 1992 for Worst Supporting Actor for Shout;

Nominated for the Razzie Award Forest Whitaker – (Known For: Arrival; Southpaw; Out of the Furnace; Dope; Fast Times at Ridgemont High; Platoon; The Butler; Panic Room; The Last Stand; Phone Booth; The Last King of Scotland; Where the Wild Things Are; Good Morning, Vietnam; The Great Debaters; The Crying Game; The Color of Money; Vision Quest; Ghost Dog: The Way of the Samurai; Mr. Holland’s Opus; Phenomenon; Stakeout; Bird; Ernest & Celestine; Body Snatchers; BMT: Battlefield Earth; First Daughter; Ready to Wear; Our Family Wedding; Species; Taken 3; A Dark Truth; Repentance; Consenting Adults; Repo Men; Blown Away; Even Money; Powder Blue; A Little Trip to Heaven; Vantage Point; Light It Up; American Gun; Street Kings; Bloodsport; Notes:  Nominated for the Razzie Award in 2001 for Worst Supporting Actor for Battlefield Earth; He has a black belt in kenpo studying under a student of the late Bruce Lee. His noticeable eye condition is hereditary, and he’s considered having it corrected because it affects his vision. I wonder if it would affect his career. I would hope not.)

Barry Pepper – (Known For: Saving Private Ryan; True Grit; The Green Mile; The Scorch Trials; We Were Soldiers; Kill the Messenger; 25th Hour; Snitch; Enemy of the State; Flags of Our Fathers; The Three Burials of Melquiades Estrada; Like Dandelion Dust; The Snow Walker; BMT: Battlefield Earth (BMT); Firestorm (BMT); Broken City; Knockaround Guys; Casino Jack; The Lone Ranger (BMT); Notes:  Won the Razzie Award in 2001 for Worst Supporting Actor for Battlefield Earth; No joke I would have guessed he was in something like six BMT films. The fact that he’s been in three is kind of shocking, his filmography is actually quite good. His early life is kind of crazy. He was born to a Canadian lumberjack and his entire family set sail in the South Pacific when he was a kid. Without entertainment the family would perform sketches and that’s how he became an actor … what?)

Budget/Gross – $73 million / Domestic: $21,471,685 (Worldwide: $29,725,663)

(Yep a complete disaster. In Going Clear I believe they mentioned the movie in some capacity, but $73 million for what was widely considered an unfilmable (and pretty terrible) Sci Fi novel starring Travolta. I mean on paper is seemed … we it seemed terrible. I don’t know what they were expecting really.)

#30 for the Controversy genre

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(I like that controversial films haven’t really been isolated to a particular time period. The list is pretty fun because it tells you why it is controversial. This one is controversial because of “Scientology”. The most recent one was the Interview. Again, cool list, boring plot.)

#76 for the Sci-Fi – Adventure genre

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(Arrived at a peak of this genre. At down below Babylon A.D. and right above smash hit Cocoon the Return. Yeesh. Now that is a sequel we could have done. That giant peak? Star Trek, Star Wars, The Martian, Jurassic World. Crazy huge right now, and with Star Wars possibly forevermore.)

#37 for the Sci-Fi – Alien Invasion genre

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(We watched 5th Wave and Independence Day Resurgence recently in this genre. Right down near The Darkest Hour, which is pretty dire. That nadir of cash per theater is hilarious in this context. Transformers and a few others represent that big peak, so not too surprising the grenre collapsed a bit more recently.)

#43 for the Sci-Fi – Based on Book genre

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(5th Wave and Deadly Friend was watched in the last year. This is down near the Iron Giant (oof, also a famous box office bomb). Hunger Game and Divergent mainly are the big peak, but that is definitely waning. It was fueled by YA novels, and those have dried up since a few of the series just went down the toilet. 5th Wave in particular exemplifies this failure.)

Rotten Tomatoes – 3% (4/148): Ugly, campy, and poorly acted, Battlefield Earth is a stunningly misguided, aggressively bad sci-fi folly.

(sheeeeeeeeeeeeeeeet. IGN gave one of the good reviews. My highlight: “Let me start out by saying that I read the book long before the movie came out and I enjoyed it.” Oooof, I’m so sorry. Because I straight up could not get through that book. The only Top Critic reviews was from the San Francisco Chronicle with this nice insight: “Travolta, who is the producer as well as star, had wanted to make a movie of Hubbard’s book for at least 15 years. There was only one catch: His career was in the tank. But since “Pulp Fiction” jump-started his professional life in 1994 and he followed up with a string of hits, including “Get Shorty,” “Face/Off” and “The General’s Daughter,” he has the leverage to bring this movie off.” Yup, and it promptly put his career back in the tank. No joke, his only super profitable live-action role after this was Wild Hogs.)

Poster – Battlefield Sklog (C-)

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(I kind of like the color (for all its washed out blues), but man does that look cheap. And it is like a love story to Travolta with it basically being his giant face. The book’s cover:

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is kind of hilariously throw back, and I kind of wish something like that with Barry Pepper could have been produced. Would have been a good nod.)

Tagline(s) – Prepare For Battle (B)

(Kind of like it. It gives a good indication of the movie once combined with the poster. Aliens have or will invade. Earth is the battlefield. Prepare for the battle [you will watch]. It isn’t super great, short and nothing special. But not terrible.)

Keyword(s) – bad acting; Top Ten by BMeTric: 87.8 Battlefield Earth (2000); 78.7 Manos: The Hands of Fate (1966); 78.1 The Room (2003); 75.7 Dungeons & Dragons (2000); 75.6 Troll 2 (1990); 74.3 Plan 9 from Outer Space (1959); 74.1 Prom Night (I) (2008); 57.9 Santa Claus Conquers the Martians (1964); 57.0 Hobgoblins (1988); 55.1 Spawn (1997);

(SPAWN. That is just a ridiculous movie to end up on this particular list. All the others are basically legends in their own rights, but Spawn? How odd. Maybe people revile Johnny Legs as the Clown even more than I remember? I feel like that is a movie we need to watch.)

Notes – Forest Whitaker expressed his regret for participating in this movie. (Well I will express my regret for watching this film … twice)

The film’s cinematographer has gone on record as saying that the overuse of colour filters and Dutch Angles wasn’t his idea, and that he was given the smallest lighting budget he had ever worked with. (ha! Duuuuuuutch angles. Right there, can’t wait already)

Barry Pepper said that had he known he was going to win Worst Supporting Actor at the Razzies, he would have shown up to accept his award in person. (He should have known. Maybe he thought Whitaker had it in the bag though?)

The investor, Intertainment, sued producer Franchise Pictures for fraud. Franchise claimed the budget was $75 million instead of the actual budget of $44 million. Franchise Pictures were sentenced to pay Intertainment $121.7 million in damages and went bankrupt. Intertainment only financed the film because it came as a package deal with The Art of War (2000) and The Whole Nine Yards (2000). (Wowzers, makes a bit of sense. Incredible story. I thought maybe Franchise was a Scientology thing, but naw. Legit action film company and they didn’t go bankrupt until maybe five years after Battlefield Earth came out too. A Sound of Thunder was a film that ended up having to be release with half complete CGI because Franchise went bankrupt. I won’t bore you with all of the BMT films they made, but the list is looooooong.)

The original plans called for a sequel to be produced, which would be based on second half of the novel by L. Ron Hubbard. These plans were scrapped due to the poor critical and public reaction to this film. (Second half?! This film is based on no more than 30% of the book. So that is bullshit. Although, then again, from about 30-50% the book is a complete waste of time)

John Travolta referred to this film as “like Star Wars: Episode IV – A New Hope (1977) but better” and “the Schindler’s List (1993) of science fiction films” during publicity. (ugh, was he on drugs?)

Listed among the Top Ten Best Bad Films ever made in “The Official Razzie Movie Guide”, by Golden Raspberry Award founder John Wilson. (Fair probably)

John Travolta initially offered the director’s seat to Quentin Tarantino, who declined. (Who didn’t return his call perhaps)

Awards – Won the Razzie Award for Worst Picture of the Decade

Nominated for the Razzie Award for Worst Actor of the Decade (John Travolta)

Won the Razzie Award for Worst ‘Drama’ of Our First 25 Years

Won the Razzie Award for Worst Picture

Won the Razzie Award for Worst Actor (John Travolta)

Won the Razzie Award for Worst Screen Couple (John Travolta)

Won the Razzie Award for Worst Supporting Actor (Barry Pepper)

Won the Razzie Award for Worst Supporting Actress (Kelly Preston)

Won the Razzie Award for Worst Director (Roger Christian)

Won the Razzie Award for Worst Screenplay (Corey Mandell, J.D. Shapiro)

Nominated for the Razzie Award for Worst Supporting Actor (Forest Whitaker)

Norbit Preview

A small note prior to this post: Last July we decided to take a look back at the movies that we watched over five years ago and choose a Hall of Fame class, five movies that we thought embodied BMT in some way. Perhaps they were particularly bad, or an example of a specific bad movie trope, whatever, something made them stand out as special in our minds. Since we didn’t do email previews back in 2011 we also decided to provide a preview for the movie as well. This is the fourth in a series of five leading up to our yearly awards the Smaddies Baddies. A recap (Hall of Fame speech really) will follow immediate afterwards to explain why the movie was chosen, things we loved about the movie, and things we discovered upon second viewing. Enjoy!

Norbit (2007) – BMeTric: 81.2

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(Sweet 2011 inflection. It is definitely a strong trend. Yet again, despite thousands and thousands of votes coming it the movie’s rating doesn’t regress to the mean. It is generally unusual, but three out of the four Hall of Fame movies exhibit this unusual trend. Old Dogs was the only exception which is also very interesting. I suppose as a fairly innocuous family comedy it managed to evade the bad movie cultists that surround the more popular fair.)

Leonard Maltin – 1.5 stars – As in Coming to America and the Nutty Professor vehicles Murphy plays several characters: Norbit a meek young man brought up by Chinese restaurant owner Mr. Wong and stuck in a terrifying marriage with the hideously overweight Rasputia. All three are in search of a script. Murphy shows his comedic range but is let down by the material, which includes all of the fat jokes the writers (including Murphy his brother Charles) could come up with. Prophetic ad line for the movie asked, “Have You Ever Made a Really Bad Mistake?”

(I like the idea of Murphy getting all pissed about the writers failing to live up to his comic genius and then realizing that he wrote the movie. I’m also genuinely shocked Mr. Wong’s mind-blowing racism isn’t mentioned alongside the (seemingly) unlimited store of fat jokes the Murphy brothers could muster. I’m skeptical Leonard watched this film … this review is low on detes. I’m onto you Leonard.)

Trailer – https://www.youtube.com/watch?v=MmSZJ17ppEQ

(So she punches him in the face and she throws him through a window in the trailer. This trailer is aggressive, it is in your face. They use that song Don’t Cha by the Pussy Cat Dolls like five times. I don’t like the trailer, it hints that it might be the worst thing you’ve ever seen … but it does manage to hide the fact that the movie is more horror film than comedy. So congrats.)

Directors – Brian Robbins – (Known For: Varsity Blues; BMT: Norbit (BMT); The Shaggy Dog; Meet Dave; Ready to Rumble; Good Burger; The Perfect Score; A Thousand Words (BMT); Hard Ball; Notes:  Nominated for the Razzie Award in 2008 for Worst Director for Norbit; Good Burger?! Say What? He was a main character on the show Head of the Class appearing in all 114 episodes. He got his start directing with Kenan & Kel and Good Burger, and many Murphy projects. He is also an extremely accomplished producer in both television and streaming services.)

Writers – Eddie Murphy (screenplay & story) – (Known For: Coming to America; Beverly Hills Cop II; Boomerang; BMT: Norbit (BMT); Vampire in Brooklyn; Another 48 Hrs.; Harlem Nights (BMT); Notes: See below for Razzie Notes; He doesn’t write as many of his starring roles than I personally would have expected. He didn’t seem very enthused about directing with Harlem Nights, so maybe he’d rather riff on screen and doesn’t really care to write? He hadn’t done it in years before Norbit (1995 was his last feature prior to Norbit in 2007).)

Charlie Murphy (screenplay & story) (as Charles Murphy) – (BMT: Norbit (BMT); Vampire in Brooklyn; Notes:  Nominated for the Razzie Award in 2008 for Worst Screenplay for Norbit; Funny he was going by Charles Murphy … perhaps this suggests the screenplay was written long before the movie came out? Chappelle’s Show was in 2003-2006, and at that point he would have been far more well known as Charlie Murphy. Perhaps he got credited from an original draft written years before. It also perhaps resolves the curiosity that Eddie Murphy seemingly didn’t write a movie for all those years … huh, this movie was probably written in like 2000 wasn’t it?)

Jay Scherick and David Ronn (screenplay) – (Known For: Guess Who; BMT: Norbit; Zookeeper; I Spy; The Smurfs; The Smurfs 2; Serving Sara; National Security; Notes:  Nominated for the Razzie Award in 2008 for Worst Screenplay for Norbit; The writers for the upcoming Baywatch adaptation (the trailer looks pretty funny). These guys’ filmography make me a bit skeptical, but maybe they are punch-up artists? … I was just thinking that maybe they are like Robert Ben Garant and Thomas Lennon … who it turns out also wrote Baywatch. Two other dudes got final credit. Yeah, Baywatch clearly fired those two writing teams during production. Wow.)

Actors – Eddie Murphy – (Known For: Shrek; Shrek 2; Shrek the Third; Mulan; Coming to America; Beverly Hills Cop; Trading Places; Dreamgirls; Tower Heist; Shrek Forever After; Beverly Hills Cop II; 48 Hrs.; Doctor Dolittle; The Nutty Professor; Life; Dr. Dolittle 2; Bowfinger; Boomerang; Imagine That; BMT: Norbit (BMT); Nutty Professor II: The Klumps; Pluto Nash (BMT); Vampire in Brooklyn; The Haunted Mansion; Meet Dave; Holy Man; I Spy; Beverly Hills Cop III; Showtime; Daddy Day Care; Metro; Another 48 Hrs.; The Golden Child (BMT); A Thousand Words (BMT); The Distinguished Gentleman; Harlem Nights (BMT); Notes: See below for Razzie notes; There isn’t much more to say about Murphy. He is both a legend in his own right, and a BMT legend. Since maybe 2000 his legacy has been marred by poorly reviewed films, bitterness, and poor public relations. The thing recently I remember was his awkward appearance at the SNL 40 celebrations.)

Thandie Newton – (Known For: Crash; RocknRolla; The Pursuit of Happyness; Mission: Impossible II; Interview with the Vampire: The Vampire Chronicles; W.; Run Fatboy Run; Beloved; Vanishing on 7th Street; BMT: Norbit (BMT); The Truth About Charlie; 2012 (BMT); Good Deeds; For Colored Girls; Jefferson in Paris; How to Lose Friends & Alienate People; The Young Americans; The Chronicles of Riddick; Notes:  Nominated for the Razzie Award in 2001 for Worst Supporting Actress for Mission: Impossible II; Actually has an incredible filmography, including the recent HBO smash hit Westworld. Grew up in England and her accent limited her early work. She is vegan, and was even named the Sexiest Vegan of 2014!)

Terry Crews – (seen in Scary Movie 5, The Ridiculous 6, White Chicks, The Benchwarmers, Gamer, The Single Moms Club, The Expendables 3, Blended … that’s more than Neil McDonough!)

Eddie Murphy Razzie Cred – Won the Razzie Award in 2010 for Worst Actor of the Decade; Won the Razzie Award in 2008 for Worst Actor, Supporting Actor, and Supporting Actress for Norbit; Won the Razzie Award in 1990 for Worst Screenplay for Harlem Nights; Nominated for the Razzie Award in 2008 for Worst Director and Screenplay for Norbit; Nominated for the Razzie Award in 2013 for Worst Actor for A Thousand Words; in 2010 for Imagine That; in 2009 for Meet Dave; and in 2003 for The Adventures of Pluto Nash, I Spy, and Showtime; Nominated for the Razzie Award in 2009 for Worst Screen Couple for Meet Dave; in 2008 for Norbit; in 2003 for Showtime, I Spy, The Adventures of Pluto Nash;

Budget/Gross – $60 million / Domestic: $95,673,607 (Worldwide: $159,313,561)

(That’s actually not that bad. Looking through his boxofficemojo he had had bombs before, and I remember comments surrounding The Haunted Mansion, Daddy Day Care, and The Adventures of Pluto Nash concerning his turn in quality. But I also remember that it wasn’t really until Meet Dave that faith was completely lost. That completely bombed and it was then three years before Tower Heist was supposed to get him back into the comedy game. We’ll see about the new Beverly Hills Cop I suppose.)

#11 for the Comedy – Fat Suit genre

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(Better than Big Momma’s House 2 and Big Momma Like Father Like Son. Only a shade below the original Big Momma’s House as well. Obviously a major player in the genre, Eddie Murphy was a trailblazer with the Nutty Professor franchise. Is it crazy to say that this movie marked the end of the Fat Suit Era of Hollywood? I can think of two reasons why. First, the genre is garbage. Second, they can kind of pull it off with cheaper CGI it seems (see Central Intelligence).)

#29 for the Romantic Comedy genre

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(Man … the romcom genre kind of sucks. No joke, there are like 300 films in this list and the 31st is Sex in the City 2. Gross. Once again this graphic is interesting. Such a major genre you can kind of see Hollywood grow through the 90s and reach saturation in about 2000 and then it just holds steady. Nothing really causes the fall. The movies just seem to consistently not make money. Thinking of a 2000 theater release $24K per theater is $50 million dollars. Since the 80’s only 80 or so movies have broken that mark, and only 28 broke $100 million. Plus I’m sure, given the cultural restrictions on romance in particular, these movies perform quite poorly if at all overseas. My guess is that, yet again, this is a genre destined for VOD release going forward.)

Rotten Tomatoes – 9% (11/123): Coming off his Oscar-nominated performance in Dreamgirls, the talented-but-inconsistent Eddie Murphy plays three roles in Norbit, a cruel, crass, stereotype-filled comedy that’s more depressing than funny.

(Less than 10% on rotten tomatoes is incredible. Cruel (yep), crass (yep), stereo-type filled (yep) those are the things I remember about this film on my first viewing. It made me feel gross and it seems like 91% of critics also felt gross while watching it.)

Poster – Bore-it … get it? (C+)

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(I know Jamie would be hating on this poster because it is basically just white. I actually think it does an adequate job at highlighting literally the only thing you want from this movie: Eddie Murphy as a big ol’ fat girl. I gave it b-b-b-b-bonus points because of how they squeezed the title. Very hard to spoof if I wanted to.)

Tagline(s) – Have You Ever Made A Really Big Mistake? (C-)

(I was going to give this an F, but then I envisioned Rasputia on th eposter and thought, ah, big mistake. I get it. I don’t like it, but I get it, and it makes sense for them movie. So I merely declared this below average.)

Keyword(s) – orphan; Top Ten by BMeTric: 90.6 Epic Movie (2007); 86.3 Dragonball Evolution (2009); 83.6 Fantastic Four (2015); 81.5 Alone in the Dark (2005); 81.2 Norbit (2007); 78.0 The Room (2003); 77.5 Super Mario Bros. (1993); 74.1 Prom Night (I) (2008); 73.8 Superhero Movie (2008); 64.3 The Next Karate Kid (1994);

(Huh, interesting list. I’m shocked the Next Karate Kid is so loathed actually. I never did get around to that. Besides that Alone in the Dark is the only other must see, although a 70+ horror film in Prom Night does hold some allure.)

Notes – One scene shows Rasputia watching a talk show with a paternity test theme. Eddie Murphy endured a paternity scandal before the film’s theatrical run, involving Spice Girl Melanie Brown. A DNA test confirmed the actor was the baby’s father.

The set used in the film is the same one that “Gilmore Girls” (2010) used as Stars Hollow in their 7 season run. (awesome. I’ll have to look out for that on my watch of Gilmore Girls)

The car wash scene is a parody of a TV ad featuring Paris Hilton. (oh alright, that’s didn’t hold up)

For security purposes, early prints were shipped under the title ‘Jupiter’, an apparent allusion to Eddie Murphy’s film Pluto Nash (2002). (fun facts)

This is the second film that Cuba Gooding Jr. played in, that starred Eddie Murphy playing multiple characters. The first film was Coming To America (1988), he had a small non- speaking role, as boy in barber shop chair.

WatchMOJO lists Norbit number 10 on its top worst comedy movies list. (Number 10?! Let me see this fucking list: Norbit, Chairman of the Board (BMT), Dumb and Dumberer: When Harry Met Lloyd (Seen it), Little Nicky (Seen it), Freddy Got Fingered (BMT), It’s Pat. Son of Mask, Master of Disguise (BMT), Bio-Dome (Seen it), Jack and Jill (BMT). Alright … that’s a pretty legit list.)

Awards – Nominated for the Oscar for Best Achievement in Makeup (Rick Baker, Kazuhiro Tsuji)

Won the Razzie Award for Worst Actor (Eddie Murphy)

Won the Razzie Award for Worst Supporting Actress (Eddie Murphy)

Won the Razzie Award for Worst Supporting Actor (Eddie Murphy)

Nominated for the Razzie Award for Worst Picture

Nominated for the Razzie Award for Worst Actor (Cuba Gooding Jr.)

Nominated for the Razzie Award for Worst Screen Couple (Eddie Murphy)

Nominated for the Razzie Award for Worst Director (Brian Robbins)

Nominated for the Razzie Award for Worst Screenplay (Eddie Murphy, Charlie Murphy, Jay Scherick, David Ronn)

Street Fighter Legend of Chun Li Preview

A small note prior to this post: Last July we decided to take a look back at the movies that we watched over five years ago and choose a Hall of Fame class, five movies that we thought embodied BMT in some way. Perhaps they were particularly bad, or an example of a specific bad movie trope, whatever, something made them stand out as special in our minds. Since we didn’t do email previews back in 2011 we also decided to provide a preview for the movie as well. This is the third in a series of five leading up to our yearly awards the Smaddies Baddies. A recap (Hall of Fame speech really) will follow immediate afterwards to explain why the movie was chosen, things we loved about the movie, and things we discovered upon second viewing. Enjoy!

Street Fighter: The Legend of Chun-Li (2009) – BMeTric: 70.2

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(I think this plot is a good argument as to Street Fighter’s lasting bad movie cred. A 3.7 is a comically low IMDb score, a score that, if this was a mere below-average or middling bad movie would have steadily crept higher as the thousands of votes flowed in since 2010. But it has basically just stayed constant around 3.8 since then. As I argued in The Wicker Man preview, it is the staying power that I think could be the defining feature of a good-bad movie. It is a movie people seek out, watch, and universally agree is garbage. And we have another one here. And of course 70+ BMeTric is nothing to dismiss.)

Leonard Maltin – BOMB –  Pointless new film version of the popular video game series finds pretty martial arts-trained Asian-American Chin-Li (Kreuk) spurred into action in Bangkok after her father is kidnapped. Sher uses all her wiles to snuff out the main bad guy, local crime lord McDonough, and his henchmen, led by the imposing Duncan. The 1987 game inspired a 1994 version which is Citizen Kane compared to this inept action vehicle, where even the centerpiece fight sequences are lamely choreographed and hopelessly contrived. When Interpol agent Klein yells, “Bomb! Get out now!” it would be wise to heed his advice.

(Doesn’t he say that at the end of the movie Leonard? Too little too late I would assume. Yeah, oddly a somewhat rare BOMB from Leonard within our Hall of Fame so far. I might not go so far to say the 1994 movie is that much better, but this one does stick out as a complete mess when I think about it. So maybe a cheesy Van Damme barely-movie is better than that. Solid hyphen game early by Leonard as well.)

Trailer – https://www.youtube.com/watch?v=EctFEyCMDL0

(Wow, that was actually really good. Basically as good a trailer as I could have possibly expected for this film. Makes it out like it’s going to be non-stop action street fights between characters you love. I was jazzed by the end. Am I sure this is a terrible film? Looks great.)

Directors – Andrzej Bartkowiak – (BMT: Street Fighter: The Legend of Chun-Li; Doom; Exit Wounds; Cradle 2 the Grave; Romeo Must Die; Notes: It just occurred to me that if you take Exit Wounds (DMX), Cradle 2 the Grave (DMX, Jet Li), and Romeo Must Die (Jet Li) you get a nice little chain reaction. I wish Jet Li and Seagal had been in a movie. We’ve seen Doom and Romeo Must Die, but finishing his filmography is a must. He is more well known as a cinematographer and his collaborations with Sidney Lumet.)

Writers – Justin Marks (screenplay) – (Known For: The Jungle Book; BMT: Street Fighter: The Legend of Chun-Li; Notes: Kind of fascinating career just because he wrote Street Fighter for release in 2009, and then didn’t write another feature until 2016 with The Jungle Book. He now is well on his way, with Jungle Book 2, Top Gun 2, Shadow of the Colossus (video game adaptation), and FBP Federal Bureau of Physics (comic book adaptation) in production. I’d be willing to bet three of those will be BMT or borderline, can you guess which ones? I am stunned this movie had a single credited writer.)

Actors – Kristin Kreuk – (Known For: EuroTrip; BMT: Street Fighter: The Legend of Chun-Li; Ecstasy; Notes: One of her first roles was as the ex-girlfriend Fiona in EuroTrip, otherwise she’s stuck to mostly television (like Smallville). She is Canadian and has a purple belt in karate.)

Neal McDonough – (Known For: Greater; Captain America: The First Avenger; Minority Report; RED 2; Star Trek: First Contact; Flags of Our Fathers; Darkman; Ravenous; Traitor; BMT: I Know Who Killed Me (BMT); Street Fighter: The Legend of Chun-Li (BMT); Paul Blart: Mall Cop 2 (BMT); Fire Down Below (BMT); Timeline (BMT); The Hitcher; 88 Minutes (BMT); Angels in the Outfield; Walking Tall; Telling You; The Last Time; Three Wishes; The Guardian (BMT); Notes: BMT legend having been in seven BMT films in our first six years, pretty good rate. He’s from Barnstable, Massachusetts of all places! Studied in London. I’m loving this guy, do your thing Neal.)

Michael Clarke Duncan – (Known For: The Green Mile; Planet of the Apes; Sin City; The Island; Kung Fu Panda; Friday; Talladega Nights: The Ballad of Ricky Bobby; Daredevil; The Scorpion King; The Whole Nine Yards; The Last Mimzy; Cats & Dogs; Bulworth; Redemption Road; BMT: Street Fighter: The Legend of Chun-Li; Cats & Dogs: The Revenge of Kitty Galore; Green Lantern; Breakfast of Champions; Racing Stripes; D.E.B.S.; Welcome Home, Roscoe Jenkins; The Underground Comedy Movie; See Spot Run; Delgo; Slipstream; School for Scoundrels; A Night at the Roxbury; The Players Club; Armageddon; The Slammin’ Salmon; Brother Bear; Notes: Sadly died a few years ago from complications related to a heart attack. My favorite note from his IMDb page: On July 12, 1979, during the Disco Demolition Night fiasco at Comiskey park, Duncan ran onto the field and slid into third base. Ha!)

Budget/Gross – $50 million / Domestic: $8,742,261 (Worldwide: $12,764,201)

(A complete and utter disaster. If that budget is correct this would probably be one of the biggest bombs of that year, and only is saved a bit from being a legend by “only” having a $50 million dollar budget. To be frank I don’t really believe that, at least some of it has to be exaggeration for tax reasons.)

#95 for the Action – Martial Arts genre

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(This plot is actually kind of sad. Initial thoughts: The 90s boom is basically people like Seagal and Van Damme. Then there was a little dip before Jackie Chan ushered in another foreign / comedy boom for the genre. This came right in the final gasp there with Rush Hour 3 and Transporter 3 kind of having the genre die off. Now … is it possible that martial arts has been relegated to VOD? Are we entering an era of whole genres being shunned from theatrical release in favor of tentpoles? It makes me a bit sad, but then again I can’t think of a situation in which I would personally go and see a martial arts film in theaters. Crouching Tiger might literally have been the only one I’ve ever seen in theaters to be honest. This movie is below Dragonball: Evolution on that chart … I’ll let that be a closing statement of sorts.)

#63 for the Action Heroine genre

actionheroine_63

(THIS MOVIE IS BELOW CUTTHROAT ISLAND ON THAT CHART. That movie literally destroyed a production company! That giant peak around 2005: Lara Croft 2, Underworld, Catwoman, Elektra, Miss Congeniality 2, Charlie’s Angels 2, Resident Evil 2, Blade 3, Domino, Aeon Flux, Underworld 2, Ultraviolet, Resident Evil 3 … that’s a lot of terrible movies. And note how little money they made on average! And naturally since 2010 the action heroine has been a huge seller for Hollywood. I wish I could say this movie blazed a trail … but it didn’t. It merely allowed Hollywood to get the garbage juice out of its system before getting serious.)

#31 for the Video Game Adaptation genre

videogameadaptation_31

(We saw Warcraft this year, and Hitman Agent 47 the year before among several BMT video game adaptations. Street Fighter Legend of Chun Li sits right above Alone in the Dark the Uwe Bol classic … so not great. Video game adaptations still make less than the martial arts genre of the 90’s, which is unimpressive to say the least. Naturally they are looking to have that change over the next few years you would imagine, but this multi-bomb year probably didn’t help matters. Five video game adaptations came out this year, that is the most ever according to this chart. Someday there will be a successful video game adaptation. It will happen.)

Rotten Tomatoes – 6% (3/54): The combination of a shallow plot and miscast performers renders Street Fighter: The Legend of Chun Li a perfectly forgettable video game adaptation.

(Less than 10% on Rotten Tomatoes is extremely impressive. Doing it with over 50 reviews is incredible. I wonder who they are talking about when they say miscast performers … I’m so sorry Chris Klein. So so sorry.)

Poster – Sklog Fighter: Legend of Jamie (D)

street_fighter_the_legend_of_chun_li

(That is unfortunate. A truly ridiculous color scheme and spacing. Glad we at least get a unique font that would make it hard to create Sklog Fighter: The Legend of Jamie.)

Tagline(s) – Some fight for power. Some fight for us. (B)

(Hmmm. My brain is telling me that I should like this, but my heart is telling me that this is terrible and sounds like garbage. Definitely has the cadence, brevity, and a bit of the plot. I think it’s OK. My heart is disappointed in me.)

Keyword(s) – gangster; Top Ten by BMeTric: 89.6 Catwoman (2004); 85.8 Gunday (2014); 82.7 Gigli (2003); 81.8 Ghost Rider: Spirit of Vengeance (2011); 78.6 The Avengers (1998); 77.5 Super Mario Bros. (1993); 77.3 RoboCop 3 (1993); 72.8 Striptease (1996); 70.5 Grease 2 (1982); 70.2 Street Fighter: The Legend of Chun-Li (2009);

(Well since we aren’t ever doing Gunday we will complete this genre with Grease 2 which has to be done at some point. Solid list obviously, but I assume a few films might be a stretch. There was around 1200 films that claim a gangster keyword (around that). All of these vaguely make sense, but was there really a “gangster” in The Avengers for example? Questionable.)

Notes – Back in 2003, Jean-Claude Van Damme was working on a sequel to the original Street Fighter movie titled “Street Fighter II”, for Universal. Several cast members had been hired to join him in the sequel, including his Universal Soldier co-star Dolph Lundgren in an unrevealed role, Australian actress Holly Valance would have replaced Kylie Minogue as Cammy White, and Damian Chapa would have reprised his role as Ken Masters. Byron Mann was also reportedly in talks to return as Ryu Hoshi. However, after a few years of trying to get the sequel off the ground, the project never materialized and any plans for a sequel were scrapped in favor of this movie. (Would have also been terrible. People try to have nostalgia for the original, but in reality it is also terrible and a sequel without Raul Julia wouldn’t have been much better)

A potential sequel with Ryu and Ken was planned but was cancelled due of the poor box office performances of the film. (Jesus)

This movie only has 7 world warriors taken from Capcom’s “Fighting Game of 2008” titled Street Fighter IV (originally, the game has 25 characters) with the legendary world warrior from Street Fighter Alpha: Warriors’ Dreams [1995] (also know as Street Fighter Zero in Japan, Asia, South America and Australia) known as Charlie Nash being a special guest to this movie rather than reusing the hybrid-character “Carlos Blanka” from Universal Pictures’s Street Fighter [1994], The world warriors that made their appearances are: Chun Li, Gen, Crimson “Maya” Viper, Rose, Balrog, Vega, Master Bison and Charlie Nash. The world warriors that are absent are: Ryu (who is mentioned by Gen once), Ken Masters, Major Guile (who is replaced by Charlie Nash), Blanka, Edmund Honda, Zangief, Dhalsim, Sagat, Cammy White, Fei Long, Akuma, Dan Hibiki, Sakura Kasugano, Able, El Fuerte, Rufus, Gouken and Seth. (All solid information, thanks IMDb)

RoboCop 3 Preview

Jeez, these squeakuels are long. Almost as bad as a book cycle. JK, book cycles are the worst. Anyway, this week we move onto the Action entry of the cycle and it seemed fitting that we would hit one of the worst reviewed action sequels of all time. That’s right, we’re not only watching RoboCop 2 but the much abhorred follow-up RoboCop 3! Another two-for-one this week. The first one is a classic satire of capitalism, so I can’t wait to see how RoboCop three shits all over that. Let’s go!

RoboCop 3 (1993) – BMeTric: 77.3

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(Oh snap. Yeah, this is supposed to be a terrible film. Juxtaposing this with Robocop 2 it is kind of nuts the start difference. Basically this is half as popular, but a whopping 1.7 IMDb lower! A sub-4.0 for a movie this old is definitely a big worst-of-all-time kind of contender.)

Leonard Maltin – 2 stars – When the evil corporation OCP uses a policelike group to force impoverished Detroit citizens out of their homes, RoboCop (Burke) leaves the force and joins the rebellion. The script (by Frank Miller and the director) is smug but crude; though it lacks the first sequel’s violence, it’s also short on spectacle. Filmed in 1991.

(Maltin … are you for reals? You liked RoboCop 3 more than 2? Very interesting. (1) Awesome semi-colon work. (2) The fun facts flying in from Maltin, filmed in 1991? Very good. Too bad it all sounds like you could distill this review into one word: boring)

Trailer – https://www.youtube.com/watch?v=rOdELisKpP4

(“I thought your damned ninja was supposed to take care of RoboCop for me” Oh God. Yeah, you can see how this guy went off the rails. It is kind of amazing that that is a Frank Miller plot right there. I really don’t see how that trailer made a movie that Leonard Maltin liked more than RoboCop 2. I can’t really see it.)

Directors – Fred Dekker – (Known For: The Monster Squad; Night of the Creeps; BMT: RoboCop 3; Notes: An avid comic book fan, monster movie buff, and film nerd as described on his IMDb. He went to college with Shane Black and is now involved in his new Predator remake. He only ever directed movies he wrote and this was his last.)

Writers – Edward Neumeier (characters) – (Known For: Starship Troopers; RoboCop; RoboCop (2014); Starship Troopers 3: Marauder; BMT: RoboCop 3; Anacondas: The Hunt for the Blood Orchid; RoboCop 2; Notes: Basically all of his credits are based on the original RoboCop (which is is credited for characters in all but the first) and Starship Troopers (which he was very much involved with, he even directed the third). It appears that he declined the vice-presidency of Universal to make RoboCop and that is how he met Verhoeven and got involved with Starship Troopers.)

Michael Miner (characters) – (Known For: RoboCop; RoboCop (2014); BMT: RoboCop 3; Anacondas: The Hunt for the Blood Orchid; Lawnmower Man 2: Beyond Cyberspace; RoboCop 2; Notes: For a guy who wrote RoboCop and directed Lawnmower Man 2 and Anacondas 2 this guy has nothing about him! I found this variety article about him making a movie names Marathon … yeah that movie never got made.)

Frank Miller (story & screenplay) – (Known For: 300; Sin City; Sin City: A Dame to Kill For; 300: Rise of an Empire; BMT: RoboCop 3; Elektra; The Spirit; RoboCop 2; Notes: Most well known as a comic book writer it kind of shocks me he wrote a movie so long ago. He wrote this guy in 1993 and then nothing else until 2005 over ten years later. But he killed it in comics. This movie is closer to his script, which is a plus.)

Fred Dekker (screenplay) – (Known For: The Monster Squad; House; Night of the Creeps; Ricochet; BMT: RoboCop 3; House II: The Second Story; Teen Agent; Notes: Besides what was written above there isn’t too much to say about this guy unfortunately.)

Actors – Nancy Allen – (Known For: Carrie; RoboCop; Out of Sight; Dressed to Kill; The Last Detail; Blow Out; The Philadelphia Experiment; Strange Invaders; I Wanna Hold Your Hand; BMT: RoboCop 3; Poltergeist III; RoboCop 2; 1941; Notes:  Nominated for the Razzie Award in 1981 for Worst Actress for Dressed to Kill. Her first film role was in Stephen King’s Carrie directed by Brian De Palma. She would marry De Palma three years later, and then divorce five years after that. During their marriage she exclusively appeared in his films, and supposedly their divorce interfered quite substantially with her career (although it didn’t stop her from landing and nailed this role in the RoboCop franchise).)

Robert John Burke – (Known For: Tombstone; Limitless; 2 Guns; True Story; Munich; Safe; Cop Land; Confessions of a Dangerous Mind; Connie and Carla; Heaven & Earth; Brooklyn’s Finest; Good Night, and Good Luck.; Rambling Rose; Ned Rifle; A Far Off Place; The Chosen; The Unbelievable Truth; Flirt; Simple Men; First Love, Last Rites; BMT: RoboCop 3; Fast Track; Fled; Thinner; Hide and Seek; If Lucy Fell; State Property; The Oh in Ohio; Miracle at St. Anna; Notes:  I personally know him as Ed Tucker from IA in Law and Order SVU. He’s been mostly a television actor (Chuck Bass’ father in Gossip Girl what what?!) despite having quite an extensive feature filmography.)

Also stars John Castle – (A ton of television work, including a 2007 episode of Midsomer Murder. I eat Murder She Wrote and Midsomer Murders for breakfast, so I cannot wait to watch that episode.)

Budget/Gross – $22 million / Domestic: $10,696,210 (N/A)

($22 million budget! My God. At least it was less than the previous film. No wonder it looks terrible though. And yeah, huge bomb. Orion was going under as this film was shot so there is a whiff of desperate throw-anything-at-the-wall IP chasing surrounding this film. Like with De Laurentiis it did not work.)

#36 for the Cyborg / Android / Robot genre

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(And while RoboCop 2 came right at the beginning of what I will call the Terminator 2 peak in this genre, this came as it unceremoniously died. Number 36 puts it right around Deadly Friend! Extremely unimpressive stuff.)

Rotten Tomatoes – 3% (1/30): No consensus yet.

(Hooray, I secretly love making consensuses: Downscaling the gore along with the budget, RoboCop 3 tries for a more family friendly affair. Losing the brilliant satire of the original (and gaining some good old fashioned Japan bashing), this is little more than a mindless actioner marking the end of a promising franchise. This paints a more expected picture of the franchise. The reviews of the time seemed to forgive the second film, but declare this the end of the RoboCops.)

Poster – RoboSklog 3 (D) 

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(I initially liked this poster. Then I looked at it some more. First, the double RoboCop. Second the weird white halo around RoboCop. Then the ghostly city in the background. And finally the dreary dark blue coloring. And I realized it … I actually hated this poster.)

Tagline(s) – Chaos… Corruption… Civil War… (B+)

(Short. Sweet alliteration. Simple. Probably too simple to be an A, I don’t really know why this would be the plot of RoboCop 3, but I still like it.)

Keyword(s) – ninja; Top Ten by BMeTric: 79.0 Mortal Kombat: Annihilation (1997); 79.0 In the Name of the King: A Dungeon Siege Tale (2007); 77.3 RoboCop 3 (1993); 70.1 The Master of Disguise (2002); 69.4 Elektra (2005); 64.1 DOA: Dead or Alive (2006); 62.1 Police Academy 4: Citizens on Patrol (1987); 59.5 Teenage Mutant Ninja Turtles III (1993); 58.1 Tekken (2010); 57.9 Highlander: Endgame (2000);

(Wait wait wait ………. The fourth police academy movie has a ninja in it? Yes please. We do need to do the second Mortal Kombat for BMT. We saw it in theaters (!) when we were young, but it deserves a preview and full recap as adult bad movie connoisseurs.)

Notes – Was filmed in 1991, but was not released until end of 1993 due to production company Orion going bankrupt. (The is like the fourth movie we’ve watched in the last 6 months made by a production company going bankrupt)

Peter Weller refused to reprise his Robocop role due to scheduling conflicts with Naked Lunch (1991). (Good choice)

Filmed in Atlanta, most of the abandoned buildings seen in the film were slated for demolition to make way for facilities for the 1996 Olympics. (huh, that is kind of amazing actually)

The RoboCop suit worn in the movie was originally built for RoboCop 2 (1990). Since Robert John Burke is taller than Peter Weller, he complained that wearing it was painful after a short time.

Nancy Allen (Ofc. Ann Lewis), Robert DoQui (Sgt. Reed), Felton Perry (OCP’s Johnson), Mario Machado (Newsanchor Casey Wong) and Angie Bolling (Murphy’s wife) are the only actors to appear in all three RoboCop movies. (Good stuff, Allen had huge roles in all three, pretty impressive)

Unlike the first two movies, this one did not receive a novelization. (too bad, maybe someone can poke Frank Miller for a sweet graphic novelization)

Big Momma Like Father Like Son Preview

We are starting up the Squeakuels category with one of the most hotly anticipated BMTs that I can remember. We watched the first entry in the trilogy in 2015 and are taking this opportunity to finish the series. That’s right! We’re watching Big Momma’s House 2 and Big Mommas: Like Father, Like Son! You really can’t go wrong here. Especially considering Big Momma’s House already gave us one of the best MonoSklogs in history. It’s… it’s… beautiful. Let’s go!

Big Mommas: Like Father, Like Son (2011) – BMeTric: 63.9

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(Absolutely incredible. I don’t know if there are two sequels which are as close as these two are. Also the amount films like this increase in rating over time is also very impressive. Sub-3.0 is ridiculous, and now it is a much more reasonable 4.4 after 6 years. Also, fun fact: This movie came out three weeks after BMT started. If only BMT Live! had existed all those long years ago. Sigh.)

Leonard Maltin – 2 stars –  Lawrence dons fat suit and female attire once again in second sequel to Big Momma’s House. This time, Lawrence’s cross-dressing FBI agent goes undercover with his similarly disguised teenaged son (Jackson) to find evidence incriminating a Russian mobster hidden somewhere on campus of an Atlanta girl’s high school for performing arts. Frantic slapstick and action-comedy flourishes may please some fans, but a couple of spirited song-and-dance sequences indicate that this might have worked better as — no kidding! — a musical.

(It beat the second one!!! That last line is horrifying. Imagine if Big Momma’s House 3 inexplicably just became a musical? It just doesn’t make sense. What a nonsense idea Leonard. You know what is also a nonsense idea? That incriminating evidence against a Russian mobster would be found at an elite Atlanta all-girls school … but that’s why we play the game.)

Trailer – https://www.youtube.com/watch?v=e3J29PNvIhY

(Oh wow. Let’s hit my highlights: (1) The son looks like a monster. Should have also gone major fat suit for him. (2) They are continuing to suggest Big Momma can be totally nude and no one would bat an eye. It is like Paul Giamatti works on it in his spare time because in the first movie it was for sure just nude colored padding underneath. (3) This looks exactly like a classic “we need comedy here … he takes ballet I guess” kind of movie. Just random stuff popped in. (4) The bad guy looks and appears to be ridididiculous. I can not wait.)

Directors – John Whitesell – (BMT: Big Momma’s House 2; Big Mommas: Like Father, Like Son; Deck the Halls; Malibu’s Most Wanted; See Spot Run; Thunderstruck; Calendar Girl; Notes: Veteran TV director nominated for a Primetime Emmy for The John Larroquette Show.)

Writers – Matt Fogel (screenplay) (as Matthew Fogel & story) (as Matthew Fogel) – (BMT: Big Mommas: Like Father, Like Son; Notes: Not very much on him. He worked on Cloudy With a Chance of Meatballs where he with Phil Lord and Chris Miller and sold the Prince Charming script. I assume that is no longer happening since Cinderella itself is made last year.)

Don Rhymer (story) – (Known For: The Santa Clause 2; Rio 2; Rio; Surf’s Up; BMT: Big Momma’s House 2; Big Mommas: Like Father, Like Son; Big Momma’s House; Agent Cody Banks 2: Destination London; Deck the Halls; The Honeymooners; Carpool; Notes: Sadly died at the age of 51 from cancer right when he was hitting his stride with Surf’s Up, Rio, and Rio 2.)

Darryl Quarles (characters) – (BMT: Big Momma’s House 2; Big Mommas: Like Father, Like Son; Black Knight; Big Momma’s House; Notes: Maintains a website and seems to run the lecture circuit and sell scripts. I find it very interesting how many people ended up involved in all three movies.)

Actors – Martin Lawrence – (Known For: Bad Boys; Do the Right Thing; Life; Death at a Funeral; Open Season; House Party; Boomerang; BMT: Big Momma’s House 2; Big Mommas: Like Father, Like Son; Black Knight; College Road Trip; Big Momma’s House; Rebound; National Security; Welcome Home, Roscoe Jenkins; What’s the Worst That Could Happen?; Wild Hogs; House Party 2; Blue Streak; A Thin Line Between Love and Hate; Bad Boys II; Nothing to Lose; Notes:  Nominated for the Razzie Award in 2012 for Worst Actress for Big Mommas: Like Father, Like Son. Was a Golden Gloves contender in boxing as a youth but broke his eye socket and had to quit.)

Brandon T. Jackson – (Known For: Percy Jackson & the Olympians: The Lightning Thief; This Christmas; Tropic Thunder; 8 Mile; Percy Jackson: Sea of Monsters; Ali; Roll Bounce; Operation: Endgame; BMT: Big Mommas: Like Father, Like Son; Tooth Fairy; The Day the Earth Stood Still; Lottery Ticket; Get a Job; Thunderstruck; Big Stan; Fast & Furious; Notes:  Nominated for the Razzie Award in 2012 for Worst Supporting Actress for Big Mommas: Like Father, Like Son. Graduated from the same high school as Justin Bartha. Now that’s a fun fact.)

Also stars Jessica Lucas (From Pompeii!)

Budget/Gross – $32 million / Domestic: $37,915,414 (Worldwide: $82,686,066)

(Just like the Fat Suit and Cross Dressing genres you can see this franchise die with each addition. They, I assume, must have seen the writing on the wall and cancelled the inevitable Big Momma’s House Party where Big Momma has to save her Brooklyn housing development from being sold to Fatty Katsman the eeeeevil real estate developer … I should have saved that little gem for sequel prequel remake in the recap, that’s gold.)

Rotten Tomatoes – 5% (3/60): Unnecessary, unfunny, and generally unwelcome, Big Mommas: Like Father, Like Son offers more of the same for fans of Martin Lawrence’s perplexingly popular series.

(1% less than its predecessor. Perplexingly popular is our jam. Unwelcome? You mean the world isn’t made up of people watching films ironically? Go figure.)

Poster – Big Momma Like Father Like Sklog (D)

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(Seriously, what is with Big Momma just hanging out in front of sky? Makes me wonder if it’s just a default background for a lot of films and I’ve just not noticed it before. They somehow got worse since the last one. Colors are now less consistent. There are greens, yellows, browns, blues, reds, and whites everywhere. awful.)

Tagline(s) – Momma’s got back-up. (C)

(Not the worst but stretching a bit in the cleverness department. Going for a little “baby’s got back,” play, but didn’t quite land it. Meh.)

Keyword(s) – fbi agent; Top Ten by BMeTric: 71.0 Torque (2004); 66.7 Big Momma’s House 2 (2006); 63.9 Big Mommas: Like Father, Like Son (2011); 63.6 Did You Hear About the Morgans? (2009); 61.3 Miss Congeniality 2: Armed and Fabulous (2005); 60.8 Mr. Magoo (1997); 58.0 3 Ninjas: High Noon at Mega Mountain (1998); 56.5 Fair Game (1995); 53.6 Half Past Dead (2002); 51.8 Corky Romano (2001);

(Amaaaaazing list. Like aliens, it looks like FBI agents = sweet BMT film. All of those films should be seen for BMT. All would be incredible. Don’t worry, 3 Ninjas would be watched during a Hulk Hogan Hulkamania BMT Bonanza Movie Ultra-Marathon)

Notes – Nia Long declined to reprise her role as “Sherry” from the first two films. (Ha! Sounds like a plan Nia)

Brandon T. Jackson, who plays Trent, was actually a 26 year old man portraying a 17 year old boy at the time. He took over the role from Jascha Washington who appeared in the first two films. (Normal age defying Hollywood stuff. I honestly didn’t realize his son was the son of Nia Long from the first film)

Big Momma’s House 2 Preview

We are starting up the Squeakuels category with one of the most hotly anticipated BMTs that I can remember. We watched the first entry in the trilogy in 2015 and are taking this opportunity to finish the series. That’s right! We’re watching Big Momma’s House 2 and Big Mommas: Like Father, Like Son! You really can’t go wrong here. Especially considering Big Momma’s House already gave us one of the best MonoSklogs in history. It’s… it’s… beautiful. Let’s go!

Big Momma’s House 2 (2006) – BMeTric: 66.7

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(Fun fact: Big Momma’s House is the film that helped me discover the weird inflection in the 2011 IMDb vote plots. I saw the inflection while plotting votes for Big Momma’s House, but then realized (tragically) that Big Momma Like Father Like Son came out in 2011 and so it took like four more tests to make sure the bump wasn’t just related to sequels. Obviously 50+ BMeTric is an amazing benchmark, and we are hitting two in the same week! Squeakuel Please!!)

Leonard Maltin – 1.5 stars –  FBI agent Lawrence again dons a fat suit and transforms himself into the title character; here, he poses as a nanny to spy on the alleged designer of a deadly computer worm. Gratuitous sequel is an uneasy mixture of stale humor and goopy sentiment.

(This plot is already 1000x more realistic than the first one, where we had to convince ourselves it was possible that a man dressed in a fat suit could dupe an entire town into believing he was Big Momma… including her own grandchild. The main hesitance I have is that this sounds almost identical to the plot of The Pacifier, which wasn’t nearly as solid a BMT as the first Big Momma’s.)

Trailer – https://www.youtube.com/watch?v=8RkSH3iCZDs

(Wow… just wow. There are a number crimes committed in this trailer that would put Martin Lawrence’s character on a sexual predator list. Also, his Big Momma costume has gotten so good at this point that he would have to spend hours every morning in makeup to apply it. He seemingly can traipse about in the nude and no one notices anything amiss.)

Directors – John Whitesell – (BMT: Big Momma’s House 2; Big Mommas: Like Father, Like Son; Deck the Halls; Malibu’s Most Wanted; See Spot Run; Thunderstruck; Calendar Girl; Notes: Comes from a family of Hollywood heavyweights, including his brother Patrick Whitesell who is co-CEO of WME with Ari Emanuel.)

Writers – Don Rhymer (written by) – (Known For: The Santa Clause 2; Rio 2; Rio; Surf’s Up; BMT: Big Momma’s House 2; Big Mommas: Like Father, Like Son; Big Momma’s House; Agent Cody Banks 2: Destination London; Deck the Halls; The Honeymooners; Carpool; Notes: Interestingly is credited with ‘script revisions’ on Black Knight, the other Darryl Quarles film. So was a big part of bringing all of Quarles’ credits to screen in the end.)

Darryl Quarles (characters) – (BMT: Big Momma’s House 2; Big Mommas: Like Father, Like Son; Black Knight; Big Momma’s House; Notes: This dude was big for a minute with Big Momma’s House and Black Knight being made back-to-back. Just a character credit for this one though.)

Actors – Martin Lawrence – (Known For: Bad Boys; Do the Right Thing; Life; Death at a Funeral; Open Season; House Party; Boomerang; BMT: Big Momma’s House 2; Big Mommas: Like Father, Like Son; Black Knight; College Road Trip; Big Momma’s House (BMT) Rebound; National Security; Welcome Home, Roscoe Jenkins; What’s the Worst That Could Happen?; Wild Hogs (BMT); House Party 2; Blue Streak; A Thin Line Between Love and Hate; Bad Boys II; Notes:  Nominated for the Razzie Award in 2012 for Worst Actress for Big Mommas: Like Father, Like Son. Kind of amazed he has only been nominated once. I grew up seeing him on Martin, but probably best known for things like Bad Boys. Has had a long history with over working (including collapsing while jogging in a fat suit in preparation for the original Big Momma’s House) resulting in several high profile hospitalizations and arrests.)

Emily Procter – (Known For: Jerry Maguire; Leaving Las Vegas; Barry Munday; The Big Tease; Guinevere; BMT: Big Momma’s House 2; Body Shots; Notes: A major star (over 200 episodes) of CSI Miami she has a shockingly small feature filmography. She sings in a 1980s cover band (formerly called White Lightning, it is now called Motion). Unfortunately I can’t seem to find their touring schedule online.)

Nia Long – (Known For: Keanu; Friday; Boyz n the Hood; The Best Man Holiday; Boiler Room; The Best Man; Alfie; Soul Food; Love Jones; The Broken Hearts Club: A Romantic Comedy; Baadasssss!; BMT: Big Momma’s House 2; Are We Done Yet?; Are We There Yet?; Big Momma’s House; Made in America; Premonition; The Single Moms Club; Held Up; Stigmata; Notes: Most famous for Pringles Mom’s Club. Just joshing. Nothing too interesting outside of standard personal stuff, but her next project appears to be starring in a remake of the 1988 film Beaches alongside Idina Menzel.)

Budget/Gross – $40 million / Domestic: $70,165,972 (Worldwide: $138,259,062)

(A phenomenon! It really it very impressive how much money this movie made, although I would think they were hoping to crack $100 million like the original. Still, no wonder a third movie was made.)

#43 for the Comedy – Sequel (Live Action) genre

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(Recent viewings include Paul Blart 2 and Ride Along 2. I do love these plots because, and this will become more obvious in the next few weeks I think, previous plots suggest that sequels come in waves. I’ve said previously that it is like Hollywood must replenish their store of bad sequels. We are approaching a fall. It has just occurred to me that the Bad Movie Golden Age of 2005-2010 came during a sequel drought … perhaps truly inspired garbage films can only be made after being unshackled from money grabbing sequels. One can hope.)

#6 for the Cross Dressing / Gender Bending genre: Movies where it’s at the forefront, excluding animation and documentaries.

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(Oh shit! Right at the peak of the cross-dressing-ploitation phase of Hollywood (I presume … is my history of Hollywood off?). More seriously, nearly a quarter of all 40 movies listed here were made in 2004-2006 … which is astonishing. Having dropped financially from the heady heights of …. well, Mrs. Doubtfire I guess. But still, I assume this genre will go extinct. And honestly? I don’t see why it shouldn’t.)

#16 for the Comedy – Fat Suit genre

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(Everything about these charts is incredible. Yet another peak! One-third of all fat suit movies were made between 2004 and 2006. What is happening in this world!? This genre is also dying, the financial picture looks dire. You can basically plot a straight line down to zero on that plot.)

Rotten Tomatoes – 6% (4/71): Unfunny and unoriginal. In other words, a perfect piece of evidence for opponents of pointless movie sequels.

(Ooooof, sub-10% is stunning. And there is no way the third installment does significantly better either, so we are likely doubling up on sub-10% films this week. This has the faint whiff of White Chicks to me. Like … you know they’re going to basically make the fact that people pretending to be other people doesn’t work the way they portray it kind of part of the joke. Remember … how the White Chicks looked like horror film monsters and no one noticed? Like that.)

Poster – Big Momma’s Sklog 2 (D+)

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(Not a fan. What is even the framing in this poster? Just Big Momma standing in front of… sky? Is she on a cliff? Font is easy (Big Momma Sklog 2) and doesn’t tell me a story. Boo on all fronts. Nothing truly ugly, but nothing good either.)

Tagline(s) – The Momma of all Comedies is Back. (D+)

(Gross. Both the poster and tagline are just lazy. I hate these types of taglines. Unacceptable Big Momma’s House 2. We need more than this from you.)

Keyword(s) – undercover; Top Ten by BMeTric: 75.1 Police Academy: Mission to Moscow (1994); 72.4 Barb Wire (1996); 70.6 Taxi (I) (2004); 69.1 Police Academy 6: City Under Siege (1989); 66.7 Big Momma’s House 2 (2006); 63.9 Big Mommas: Like Father, Like Son (2011); 62.5 On Deadly Ground (1994); 61.3 Miss Congeniality 2: Armed and Fabulous (2005); 60.0 Big Momma’s House (2000); 57.8 Larry the Cable Guy: Health Inspector (2006);

(Besides the last one it is an impressive list. Speaking of Squeakuels if we just shined off Miss Congeniality and Police Academy (ugh) we would have basically shined off of this incredible list.)

Notes – Lowell Ganz, Babaloo Mandel & Nicholas Stoller provided uncredited rewrites to Don Rhymer’s script. (You know, I expected more better notes from this movie. Where are the notes about the producers trying to get Giamatti back or something?)