Lawnmower Man 2: Beyond Cyberspace Preview

Meanwhile… Poe and Brock are getting psyched for the big championship game. Suddenly Poe watches in alarm as the lawnmower men around the field stop in unison, their eyes suddenly glassy and unseeing. “Lawnmower Men,” Poe whispers while Brock stares on in shock. “Lawnmower Men? It can’t be. They… they are just silly legends used to scare kids.” But no, they are real and something has brought them out of their slumber. Poe suddenly realizes what it is and turns to Brock, “It’s Rich. He needs my help.” One of the other players begins to protest, but Brock stops them, “If you need my help, you have my bat, bro.” And they seal the deal with a Predator Handshake. That’s right! In celebration of the 500th BMT film (say what?!) we are also watching The Lawnmower Man and Lawnmower Man 2: Beyond Cyberspace. The sequel has been on my bad movie bucket list forever because it actually seems impossible that it got released to theaters. But it did and we couldn’t have asked for a better pairing for this celebration than the hacking computer technobabble extravaganza of Hackers and the Lawnmower Man franchise. Let’s go! 

Lawnmower Man 2: Beyond Cyberspace (1996) – BMeTric: 67.2 

LawnmowerMan2BeyondCyberspaceIMDb_BMeT

LawnmowerMan2BeyondCyberspaceIMDb_RV

(Holy shit! That is really low. How does it only have 67 BMeTric? I guess 8000 votes it really really low, which is itself rather astonishing. This is blowing my mind.)

Leonard Maltin – 2 stars –  Moron-turned-genius Jobe is back, still intent on ruling the world from cyberspace. This involves ruthless billionaire Conway, reclusive computer expert Bergin, docter Pouget, and young O’Brien, returning from the original film. The plot is both complicated and simpleminded, and aimed primarily at teenage computer fans – but the standardized Blade Runner future, routine action, and only intermittent computer graphics will likely leave them as disinterested as everyone else. Aka: Lawnmower Man 2: Jobe’s War.

(WHAT? This got a better review than the first one? Well I am now intrigued. Also this review is somehow longer than the review for the first one, which was already an epic that is uncharacteristic of Leonard. Of all the movies to become verbose over, the Lawnmower Man franchise?)

Trailer – https://www.youtube.com/watch?v=MubmJ2jwvOM/

(To think, these two trailers came from a Stephen King short story that really doesn’t have much to do with either storyline. This thing is wild and reminds me of Highlander 2: The Quickening. Gloriously cheap sci-fi nonsense. Sock it to me.)

Directors – Farhad Mann – (BMT: Lawnmower Man 2: Beyond Cyberspace; Notes: Mostly a television and commercial director, it kind of suggests he developed Max Headroom, although he’s only credited as the director of the pilot.)

Writers – Farhad Mann (story & screenplay) – (BMT: Lawnmower Man 2: Beyond Cyberspace; Notes: Appears to mostly director British Crime procedurals like Murdoch Mysteries.)

Michael Miner (story) – (Known For: RoboCop; RoboCop; BMT: RoboCop 3; Anacondas: The Hunt for the Blood Orchid; Lawnmower Man 2: Beyond Cyberspace; RoboCop 2; Notes: Wait one second … we finished Miner’s filmography? That is awesome. A self-described technophobe.)

Actors – Patrick Bergin – (Known For: Patriot Games; Free Fire; Ella Enchanted; Map of the Human Heart; Mountains of the Moon; The Boys from County Clare; Silent Grace; Future BMT: Eye of the Beholder; Sleeping with the Enemy; The Invisible Circus; Love Crimes; Age of Kill; The Wee Man; Strength and Honour; BMT: Lawnmower Man 2: Beyond Cyberspace; Notes: A former math teacher in Ireland, he also had a top 10 hit song in Ireland called The Knacker. I’m sorry, but that is awful.)

Matt Frewer – (Known For: Watchmen; Hercules; 50/50; Honey, I Shrunk the Kids; Night at the Museum: Secret of the Tomb; Dawn of the Dead; The BFG; The Meaning of Life; The Fourth Protocol; A Home at the End of the World; Twenty Bucks; Weirdsville; Foreverland; Future BMT:Supergirl; Riding the Bullet; Cannonball Fever; Senior Trip; Going the Distance; Spies Like Us; Frankie & Alice; BMT: Lawnmower Man 2: Beyond Cyberspace; Ishtar; Pixels; Notes: A significant voice and television actor now. He’s Big Russ in Honey, I Shrunk the Kids (the neighbor) and also interestly enough was Max Headroom, which makes sense considering the director.)

Austin O’Brien – (Known For: Apollo 13; The Baby-Sitters Club; Future BMT: My Girl 2; The Lawnmower Man; Last Action Hero; BMT: Lawnmower Man 2: Beyond Cyberspace; Razzie Notes: Nominee for Worst New Star for Last Action Hero in 1994; Notes: Mostly a child actor. He was in the (non-qualifying) Prehysteria!)

Budget/Gross – $15 million / Domestic: $2,409,225

(Aaaaaaand, there is it. Play stupid games, win … a catastrophic box office bomb. There is an important lesson here: when you make a sequel hot garbage sometimes people don’t want to go see it no matter how rad it is.)

#18 for the Virtual Reality genre

lawnmowerman2_virtualreality

(YES, three for three! We went from having seen two films to having seen five in this category. Wait a second, I have to check something … there are nine total qualified films, of which we will have actually only seen four after this because Vanilla Sky is a rare non-qualifying film we did for BMT once. Still almost halfway through the genre now.)

Rotten Tomatoes – 11% (1/9)

(I’ll have to make a consensus … Oh, wait, there are only two reviews with actual snippets and it seems like Rotten Tomatoes’ full review links are broken, so I can’t make one. Weirdly one of the two Top Critics was the only good review basically saying the special effects were okay. Reviewer Highlight: Mowing the lawn might be more involving than watching this subpar sci-fi sequel, which manages to be complicated and witless at the same time. – Andy Seller, USA Today)

Poster – The Lawnmower Man 2: Inspired by The Lawnmower Man: Inspired by Stephen King’s The Lawnmower Man (C-)

lawnmower_man_two_beyond_cyberspace

(Wow. So they just reused the same poster but made it even sillier (and removed Stephen King’s name, obviously). What could you possibly think this film was about if you didn’t already know?! Downgraded because it’s a blatant rip off.)

Tagline(s) – God made him simple. Science made him a god. Now, he wants revenge. (F)

(Oh for God’s sake. At this point they should have just stopped making the film. Unacceptable.)

Keyword(s) – psychotronic film; Top Ten by BMeTric: 94.8 Battlefield Earth (2000); 94.6 Batman & Robin (1997); 92.2 Son of the Mask (2005); 91.1 Scary Movie 5 (2013); 89.8 The Wicker Man (2006); 89.2 Vampires Suck (2010); 89.2 Jaws: The Revenge (1987); 89.0 House of the Dead (2003); 88.6 Manos: The Hands of Fate (1966); 86.5 Superman IV: The Quest for Peace (1987);

(Psychotonic – denoting or relating to a genre of films that typically have a science fiction, horror, or fantasy theme and were made on a low budget. That does seem to fit. Vampires Suck doesn’t really though, and neither does Son of Mask. Battlefield Earth had an enormous budget.)

Welcome to Earf (HoE Number 26) – The shortest path through The Movie Database cast lists using only BMT films is: Matt Frewer is No. 2 billed in Lawnmower Man 2: Beyond Cyberspace and No. 10 billed in Ishtar, which also stars Warren Beatty (No. 1 billed) who is in Town & Country (No. 1 billed), which also stars Josh Hartnett (No. 9 billed) who is in Here on Earth (No. 3 billed) => 2 + 10 + 1 + 1 + 9 + 3 = 26. If we were to watch Eye of the Beholder, The Island, and The Black Dahlia we can get the HoE Number down to 14.

Notes – Director Farhad Mann found himself locked out of the editing room by the producers who wanted a film which would appeal more to their target demographic – teenage boys. (shiiiiiiiit)

Austin O’Brien is the only returning cast member from the first film. (Oooooof. A regular Atlas Shrugged up in here)

Although the film was set in the future, the cast donated their old 80s computers for the set in order to save money in the budget. (What? That is bizarre)

The 1993 VHS tape of the widescreen version of the first film had an announcement screen that read “Look out for Lawnmower Man 2: Mindfire” in 1994. This obviously never happened, and the film appeared 2 years later with a different title. (Huh, that is kind of fun. It also has a different name in Europe, Jobe’s War.)

Hackers Preview

“This is bullshit, bro,” says Rich staring sullenly at the screen. “What is?” asks Blaze. They’ve been playing the new “tech” in the computer lab for ages and have lost several thousand dollars. Dollars they don’t have. Gulp. “Well check this out,” says Rich and he goes all Beautiful Mind and Good Will Hunting on a chalkboard nearby. “Woah, you got a big ol’ brain! So what you’re saying is that the fact that the other player got three straight royal flushes is not likely.” But Rich shakes his head, “not just unlikely… statistically impossible.” And Blaze and Bryce look at each other “Woah.” But now they need to figure out what to do about it. Should they report them to the gaming commission… Rich shakes his head, it would blow his cover. They need to lure the creator of the tech out so they can get access and steal it for Gruber. What would lure a maniac like that out from hiding? Suddenly Rich has an idea, “the man is clearly an egomaniac and driven only by greed,” Blaze and Bryce nod their heads, “and what can’t an egomaniac handle? Calling his prized new tech garbage.” He quickly uses his 1337 skills to hack the mainframe and rewire the auxiliary dilator into the predictor array. Searching through files, he finds a blinking folder named “Garbage.” “There it is,” Rich says as he drags and drops the entire file into the garbage folder. With that his screen turns into a screen of mathematical equations flying in all directions. “Woah,” they all say in unison, but are interrupted by a cackling laughter behind them… That’s right! This week we’re doing what obviously must be done for the Sci-fi entry in the cycle. The inspiration itself: Hackers. While absurd that it qualifies, I also recognize that it is objectively a bad movie and is worth revisiting in BMT. Let’s go!

Hackers (1995) – BMeTric: 26.4 

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(6.2 is pretty solid, I can respect that. I have a feeling this will continue dropping. Honestly it might nit even qualify if they start backfilling reviews from blogs in the future, I’m sure 80s / 90s children who grew up with Hackers will like it a lot more than the adults at the time.)

Leonard Maltin – 2.5 stars –  A group of young computer fanatics is framed for crimes committed by computer whiz and would-be master criminal Stevens, and have to use their own hacking skills to prove themselves innocent. No great shakes, but fast pace and vivid direction make it fun.

(THANK YOU. Yes, this movie is a lot better than the reviews suggest. And not even in a “good for what it is kind of way”, it is genuinely fun to watch and is competent at worst. “No great shakes” is throwing me off as I don’t know what that means. Also it is spelled “skillz”, so that’s a rare typo for Leonard.)

Trailer – https://www.youtube.com/watch?v=Ql1uLyuWra8 

(Straight into my veins. I love it. I’ve never noticed this before, but in the movie the Da Vinci Virus naturally has a fake italian accent. In the trailer it is very very clearly just Fisher Stevens’ voice … while would have made the whole gambit more obvious to the FBI.)

Directors – Iain Softley – (Known For: K-PAX; Backbeat; The Wings of the Dove; Future BMT: Inkheart; The Skeleton Key; Trap for Cinderella; BMT: Hackers; Notes: The Wings of the Dove was nominated for four Oscars. He was a music video director prior to turning to film.)

Writers – Rafael Moreu (written by) – (Future BMT: The Rage: Carrie 2; BMT: Hackers; Notes: He was mostly an uncredited producer for Hallmark Entertainment prior to making Hackers. He appears to be mostly teaching since.)

Actors – Jonny Lee Miller – (Known For: T2 Trainspotting; Trainspotting; Byzantium; Mansfield Park; Afterglow; Melinda and Melinda; Endgame; The Flying Scotsman; Future BMT: Dracula 2001; Dark Shadows; Mindhunters; Plunkett & Macleane; Love, Honour and Obey; BMT: Æon Flux; Hackers; Notes: More recently has become a pretty accomplished television actor, specifically Elementary which ran for over 150 episodes. Was married to Angelina Jolie for 4 years.)

Angelina Jolie – (Known For: Girl, Interrupted; Wanted; Maleficent; Mr. & Mrs. Smith; Kung Fu Panda; Salt; Changeling; Beowulf; Kung Fu Panda 3; The Good Shepherd; Kung Fu Panda 2; Sky Captain and the World of Tomorrow; Pushing Tin; A Mighty Heart; Playing by Heart; Hell’s Kitchen; Future BMT: Lara Croft Tomb Raider: The Cradle of Life; Alexander; By the Sea; Life or Something Like It; The Tourist; Shark Tale; Playing God; Original Sin; Taking Lives; Foxfire; Beyond Borders; The Bone Collector; BMT: Lara Croft: Tomb Raider; Hackers; Gone in Sixty Seconds; Razzie Notes: Nominee for Worst Actress in 2002 for Lara Croft: Tomb Raider, and Original Sin; in 2003 for Life or Something Like It; in 2004 for Beyond Borders, and Lara Croft Tomb Raider: The Cradle of Life; and in 2005 for Alexander, and Taking Lives; Notes: A huge star both for her major film roles, and for her somewhat wild marriage to Billy Bob Thornton, and subsequent relationship with Brad Pitt which ended somewhat messily a few years ago.)

Jesse Bradford – (Known For: Romeo + Juliet; Bring It On; Presumed Innocent; W.; Flags of Our Fathers; The Year of Spectacular Men; Falling in Love; King of the Hill; Happy Endings; My Blue Heaven; Cherry Falls; Far from Home: The Adventures of Yellow Dog; Prancer; Heights; Bound; A Soldier’s Daughter Never Cries; Future BMT: Clockstoppers; 10 Rules for Sleeping Around; Dead Awake; Dancing at the Blue Iguana; Speedway Junky; Eulogy; BMT: Swimfan; I Hope They Serve Beer in Hell; Hackers; Notes: Jesse B from Swimfan is third billed? Bomb. He is also doing a bit of television recently, specifically as a guest star on Shooter.)

Budget/Gross – $20 million / Domestic: $7,563,728

(Oh no, that is a depressingly low number. No wonder we didn’t get Hacker 2: Hack the Universe, the story of how Zero Cool / Crash Override and Acid Burn, now working for the NSA, thwart an alien invasion via their 1337 hacking skillz.)

#15 for the Virtual Reality genre

hackers_virtualreality

(Goes in little cycles, and this indeed came out during one of the major peaks for this rather small genre. We’ve only seen Vanilla Sky and Johnny Mnemonic otherwise. Ready Player One was the most recent example.)

Rotten Tomatoes – 33% (15/45): Hackers has a certain stylish appeal, but its slick visuals and appealing young cast can’t compensate for a clichéd and disappointingly uninspired story.

(At the time people seemed to not like that it bought into the rebel Hacker trope that was booming at the time, and that it was a visual bombardment / mess. Reviewer Highlight: The movie is well directed, written and acted, and while it is no doubt true that in real life no hacker could do what the characters in this movie do, it is no doubt equally true that what hackers can do would not make a very entertaining movie. – Roger Ebert, Chicago Sun-Times)

Poster – Hack the Planet (A)

hackers_ver1

(I really love this poster. The general color scheme tells you a little story about the film. Obviously they are highlighted by the glow of a computer. A mysterious blue that goes hand in hand with the mysteriousness of the hacker culture at the time. I’m intrigued. It also, as a bonus, avoids having our big stars portrayed without a clear color scheme. Finally, to tie it up nicely we have a sweet font for the title to let us know they aren’t messing around.)

Tagline(s) – Boot up or shut up! (B-)

Their crime is curiosity (C-)

(Neither of these are great. Boot up or shut up is a valiant try, but comes off a bit cheesy nowaways. Do you still boot things up? Did I boot up my phone today? The second one is just bland. It’s almost like the poster sets them up as being super rad and cool and then the tagline is like “don’t worry, they aren’t cool supercriminals, they’re just curious little cats.”)

Keyword(s) – computer virus; Top Ten by BMeTric: 74.5 Rings (2017); 65.5 Pulse (I) (2006); 57.0 Geostorm (2017); 55.7 Stormbreaker (2006); 51.8 Blackhat (2015); 49.5 The Lawnmower Man (1992); 47.7 Employee of the Month (2006); 43.2 Hitman: Agent 47 (2015); 38.4 Ghost in the Machine (1993); 35.5 The Net (1995);

(Oh we have to watch the Net at some point. It is like this movie except really really boring … in my opinion.)

Welcome to Earf (HoE Number 18) – The shortest path through The Movie Database cast lists using only BMT films is: Matthew Lillard is No. 4 billed in Hackers and No. 9 billed in In the Name of the King: A Dungeon Siege Tale, which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 4 + 9 + 4 + 1 = 18. If we were to watch Mindhunters we can get the HoE Number down to 9.

Notes – Jonny Lee Miller and Angelina Jolie were married shortly after the making of the film, and then were divorced four years later.

All of the hacker handles proposed by the Joey were actual handles already used by real hackers. (This film is very accurate, no matter how it seems to look on screen)

The film’s writer, director, and some cast members attended the New York City 2600 meeting, a monthly hangout of the local hacker community, to observe and talk with real-life hackers.

The “Hacker Manifesto” read by Agent Bob was actually written by a hacker of great renown in the 1980s named Loyd Blankenship, who went by the name of The Mentor. It was published in PHRACK magazine, issue 07, file 03 in 1986.

The high school scenes were filmed at Stuyvesant High School in Manhattan, one of a few elite, exclusive high schools for students gifted in math, science and computers. Real school seniors were extras in many scenes.

The “pool on the roof” prank is actually based on an old Stuyvesant H.S. prank of the “Sixth Floor Pool”. The original Stuy building on East 15th Street in Manhattan had only five floors, and freshman were sent to look for a pool upstairs. The building had no pool. There was a literary publication at Stuyvesant referencing the prank called “Sixth Floor Pool”. The school moved into the new building (featured in the movie) shortly before filming began. (It is a fun prank, because like … you would never actually build a pool on the roof right? People do, but it is much cheaper from a design perspective I imagine to not have tons (literally) of water on top of a building).

The character name “Emmanuel Goldstein” is taken from George Orwell’s novel “Nineteen Eighty-Four”. It is also used as a pseudonym by Emmanuel Goldstein (aka Eric Corley), who publishes the magazine “2600, The Hacker Quarterly”. Corley was an uncredited consultant for this film.

The “hacking”-sequences – the scenes where you see the “inside” of a computer – are mostly motion-controlled models, because director Iain Softley thought that actual computer graphics would look too artificial. (It was a good choice and something more movies should have done for much of the 90s)

Eugene Belford uses the pseudonym Babbage at the end of the film. Charles Babbage was the inventor of an early form of the computer.

William Gibson “invented” the term “Cyberspace” in 1982 for his book, Neuromancer.

The computer they break into is a fictional mainframe computer called a “Gibson” – a homage to cyberpunk author William Gibson.

“ARF! ARF! GOTCHA”, which appears near the end, when the Gibson is about to crash, is a reference to one of the earliest Trojan horse programs, EGABTR from 1985. Disguised as a graphics utility, EGABTR spread by email, wiped out everything on a victim’s hard disk, and left only the message, “Arf, arf, Gotcha!” on the screen. “ARF” may also serve double duty as a reference to the German hacker group “Asoziale Randgruppe Frankfurt”.

All of the books identified by Dade at the club were real manuals. All but two, the Pink Shirt Book and the Unix Bible, were published by the DoD and were part of a set of books known as the Rainbow Series.

Scenes in the movie, and in Razor and Blades show, depict using a cassette recorder to play tones into a phone to make free calls. Coins dropped into pay phones used to trigger specific sounds that actually could be duplicated and used to fool pay phones into thinking you had paid for a call. This was also accomplished using a device called a tone generator. Also known as a Red Box.

Cyberdelia was built from scratch in an abandoned indoor swimming pool on the outskirts of London, with the center of the club in the depths of what was the pool. Producer Ralph Winter notes, “We never knew why, but the pool was designated an historic landmark, so great care had to be taken not to damage anything and to return it to its original state.” (Uh …. Where is this?)

The bearded London hacker is Dave Stewart of Eurythmics.

“The Plague” writes a program that embezzles small amounts of money from the company at a time, thus amassing millions of dollars in a secret bank account. He tries to distract from his crime by framing the hackers with a computer virus set to capsize an oil tanker. The embezzlement-by-increments plot is called “salami slicing.” Richard Pryor’s character in Superman III (1983) does the same thing. (Yuppppp)

The part of Kate “Acid Burn” Libby was originally offered to Katherine Heigl, but due to prior commitments to Under Siege 2: Dark Territory (1995) she had to turn it down. (Near miss there)

The hackers take over the Gibson computer with a Cookie Monster virus that starts gobbling up all the data. This is based on a real program from the era. Cookie Monster would come up on the screen and demand a cookie. You would type “cookie” and it would go away for a while. If you typed “Oreo,” it went away for a longer period of time. (Ha!)

Summer Catch Preview

Rich, Poe, and Blaze sit in the stands at swim practice watching the swim team do laps. In mere weeks they had progressed from fist bumps to bro hugs and had just received an invite to the captain Bryce’s latest pre-meet bash. Poe was feeling pretty good about their progress, but Rich was clearly getting antsy. He even almost forgot to pop the second collar on his polo later that evening when they were getting ready for the party. “Bro,” Blaze chastises, “you’re gonna blow up our spot.” But Rich is just excited because he knows that this is the night. Tomorrow all the scouts are gonna be there to see Bryce swim and see if he will be the Olympic champion gold medalist. So tonight he was sure to use the tech Gruber was after. When they get to the party everything is going swimmingly. They are just jamming to tunes and posting pics and vids to Insta and TikTok or some shit. Suddenly they see Bryce go into a back room. “It’s hammer time,” Rich says as they bust into the room. But instead of sweet tech Bryce is just taking boring ol’ steroid. Rich is incensed, “Steroids?! You serious, bro? You go to Seattle Tech. You can’t do better than that?!” But Bryce just shakily asks whether they’re going to turn him in to the Olympic gold medal committee. At that Poe sees an opportunity, “Not if you help us find some sweet tech we’re looking for.” Hope blooms in Bryce’s eyes, “yes, yes. I can help you. I know where to find this tech. The baseball team. They’ve hacked the Gibson and they know how to mathematically win. It’s boring, bro. Real boring… because of the tech.” Blaze, Poe, and Rich look at each other and nod, “looks like we’re playing a little catch.” That’s right! We’re watching Summer Catch, the Freddie Prinze Jr., Matthew Lillard (of Hackers fame), and Jessica Biel classic as the Girl’s Night entry in the cycle. I recall watching this film, but also don’t remember a thing about it. That’s a good sign, right? Let’s go!

Summer Catch (2001) – BMeTric: 53.9 

SummerCatchIMDb_BMeT

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(Two in a row! Just like Swimfan this started at a completely astonishing 4.0ish, and has since recovered a bit to barely get to 5.0. I think that is kind of the “bad but normal” range for films that are specifically targeting young women.)

Leonard Maltin – 2 stars –  Substandard comedy/romance/coming-of-age story set in Cape Cod, with underprivileged baseball player Prinze falling for local rich girl, then having to deal with her snobby father, while tending his budding career. Takes itself too seriously, though Lillard adds welcome comedy relief. Beverly D’Angelo and John C. McGinley appear unbilled.

(Love the shout out for Lillard. His career has made a marked turn around in the last 5 years or so, including The Descendants and a pretty crazy appearance in the revival of Twin Peaks.)

Trailer – https://www.youtube.com/watch?v=dub5wacnpDU

(Alright, so we’ve confirmed babes, bros, and baseball. I’ll be looking for burgers, beers, and any number of other very important bro-tastic B-words.)

Directors – Michael Tollin – (Future BMT: Radio; BMT: Summer Catch; Notes: Nominated for an Oscar for a documentary about Hank Aaron: Chasing the Dream. Writes and directs all sports stuff, but produces a ton of television including the All That revival this year.)

Writers – Kevin Falls (story & screenplay) – (Future BMT: The Temp; BMT: Summer Catch; Notes: Wrote a good number of West Wing episodes with Aaron Sorkin in the first three seasons. More recently he produced This is Us.)

John Gatins (screenplay) – (Known For: Power Rangers; Kong: Skull Island; Flight; Real Steel; Coach Carter; Dreamer: Inspired by a True Story; Future BMT: Hardball; BMT: Summer Catch; Need for Speed; Notes: Also kind of an actor including in the BMT Hall of Fame film Norbit. He was in Leprechaun 3 and has had a lot more success as a writer.)

Actors – Freddie Prinze Jr. – (Known For: She’s All That; The House of Yes; Brooklyn Rules; Future BMT: Scooby-Doo; Scooby-Doo 2: Monsters Unleashed; Happily N’Ever After; Boys and Girls; Head Over Heels; Delgo; To Gillian on Her 37th Birthday; Jack and Jill vs. the World; BMT: I Still Know What You Did Last Summer; Wing Commander; Summer Catch; Down to You; I Know What You Did Last Summer; Razzie Notes: Nominee for Worst Supporting Actor for Scooby-Doo in 2003; Notes: Was kind of a movie star for a while, but after that (and his own show, Freddie) I would say he’s best known for his voice work and his podcast Prinze and the Wolf. Weirdly wrote for WWE for a season.)

Jessica Biel – (Known For: The A-Team; The Rules of Attraction; The Illusionist; Cellular; Hitchcock; The Tall Man; Easy Virtue; Ulee’s Gold; Future BMT: Accidental Love; Blade: Trinity; I’ll Be Home for Christmas; A Kind of Murder; Home of the Brave; Planet 51; Next; The Texas Chainsaw Massacre; Total Recall; The Truth About Emanuel; Elizabethtown; Powder Blue; Shock and Awe; Spark: A Space Tail; The Devil and the Deep Blue Sea; London; BMT: Stealth; Summer Catch; Valentine’s Day; New Year’s Eve; Playing for Keeps; I Now Pronounce You Chuck & Larry; Razzie Notes: Nominee for Worst Supporting Actress in 2008 for I Now Pronounce You Chuck & Larry, and Next; and in 2013 for Playing for Keeps, and Total Recall; and Nominee for Worst Screen Couple for I Now Pronounce You Chuck & Larry in 2008; Notes: Married to Justin Timberlake. She has a new show coming out called Limetown which is based on a podcast and premiering on Facebook Watch …)

Fred Ward – (Known For: Tremors; Road Trip; The Right Stuff; Escape from Alcatraz; 2 Guns; Silkwood; 30 Minutes or Less; Henry & June; The Player; Naked Gun 33 1/3: The Final Insult; Dangerous Beauty; Short Cuts; Southern Comfort; Big Business; Remo: Unarmed and Dangerous; Armoured; Uncommon Valor; Catchfire; Thunderheart; Bob Roberts; Future BMT: Corky Romano; Abandon; The Crow: Salvation; Chain Reaction; Enough; Joe Dirt; Masked and Anonymous; Best Men; Circus; Feast of Love; Equinox; Secret Admirer; BMT: Summer Catch; Sweet Home Alabama; Notes: He was “not Kevin Bacon” in Tremors if you were wondering. A character actor, he’s apparently good friends with Ed Harris.)

Budget/Gross – $34 million / Domestic: $19,753,553 (Worldwide: $19,772,447)

(That is straight up terrible. My God! No wonder we didn’t get Summer Catch 2: Up to the Majors)

#203 for the Romantic Comedy genre

summercatch_romanticcomedy

(Naturally on the low end of the many many many Romantic Comedies we’ve seen, around the Down to You … also starring Freddy Prinze Jr. Go figure. This came right as the genre reached maturity, and more recently while the profits still exist the screens the films are released to just aren’t available. But the genre lives on on VOD, with Always Be My Maybe being a recent example.)

#39 for the Sports Comedy genre

summercatch_sportscomedy

(There really is a strange boom in the 2000s for this genre, which this somewhat predates. This is actually much more akin to classics like Bull Durham, but just mix in the high school romance films of the period, basically. The later ones are like … Wimbledon and Mr. 3000. Maybe people were just itching to rent out stadiums in the 2000s?)

#32 for the Teen Romance genre

summercatch_teenromance

(Beastly is somehow the highest grossing for this category … the big profit in the 2000s is Twilight. And really, this is the one true teen rom com boom. The genre is still going strong somehow, in and out of theaters, with Netflix releasing smash hits like The Kissing Booth as well.)

Rotten Tomatoes – 8% (7/91): A cliched and predictable sports comedy that’s mostly devoid of excitement or laughs, Summer Catch is strictly bush-league.

(Get that garbage pun out of here. They play in a summer league, it is already bush-league. Astonishingly low review score considering the genre shouldn’t have been overstaying its welcome yet … you’d think more people would at least tolerate it as a change of pace. Reviewer Highlight: Stars Freddie Prinze Jr. (strike one), features more male virgins trying to lose it (strike two) and disses the legendary baseball league in Cape Cod, Massachusetts, by filming this mess in North Carolina (strike three). – Peter Travers, Rolling Stone)

Poster – Bros, Babes, and Baseball (D+)

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(This is one of the worst things I’ve ever seen. Why… why did this happen. It’s very similar to Swimfan but like a thousand times worse. I could have made this.. Wait… did I make this? Did I make this as an example of a terrible terrible poster? The only good thing is that title font. You can always get me with some solid font work and that’s some solid font work.)

Tagline(s) – Are you game? (D)

(Jesus, that’s all you got? It’s got all the aspects of a good tagline, but it’s just so boring and generic. I can’t reward that. It makes me think that this film will also be boring, which I just don’t think is true. This has Matthew Lillard and Freddie Prinze Jr. in it. It might be super lame, but it won’t be boring.)

Keyword(s) – baseball; Top Ten by BMeTric: 86.8 Superbabies: Baby Geniuses 2 (2004); 86.5 Troll 2 (1990); 86.5 Superman IV: The Quest for Peace (1987); 78.8 Little Man (III) (2006); 73.6 Legally Blonde 2: Red, White & Blonde (2003); 73.4 Species II (1998); 68.6 The Ridiculous 6 (2015); 67.7 Poltergeist (2015); 66.0 Envy (2004); 65.2 Ed (1996);

(I mean. Ed? Yes please. I don’t know why Legally Blonde 2 would have baseball in it, I haven’t seen it. But I suppose we’ll have to remedy that. Maybe it has to do with the big case.)

Welcome to Earf (HoE Number 14) – The shortest path through The Movie Database cast lists using only BMT films is: Jessica Biel is No. 2 billed in Summer Catch and No. 2 billed in Valentine’s Day, which also stars Jessica Alba (No. 1 billed) who is in Mechanic: Resurrection (No. 2 billed), which also stars Jason Statham (No. 1 billed) who is in In the Name of the King: A Dungeon Seige Tale (No. 1 billed), which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 2 + 2 + 1 + 2 + 1 + 1 + 4 + 1 = 14. If we were to watch Wicker Park we can get the HoE Number down to 12.

Notes – Marc Blucas’ character can be seen wearing a Wake Forest basketball cap early in the movie. It is black with a yellow “WF” on the front. Blucas actually attended and played basketball on a full scholarship to Wake Forest University in Winston-Salem North Carolina. He started along with Tim Duncan there. (Cool)

Wilmer Valderrama’s film debut.

The batter at home plate when the camera pans Veterans Field (Chatham’s real home field on Cape Cod) is Hyannis’s Brendan Harris, who made his major league debut in 2004 with the Chicago Cubs.

John Schiffner is the real life coach and manager of the Chatham A’s.

Curt Gowdy and Hank Aaron both make appearances in this film. Gowdy was the NBC play-by-play announcer in the booth when Hank Aaron hit home run number 715 to pass Babe Ruth on April 8th, 1974 in what was then known as Atlanta Stadium (later named Atlanta-Fulton County Stadium). Real-life baseball player, Christopher Rosado (a Boston College graduate), appears briefly as the left-fielder on Ryan Dunne’s team. (This is going to be chockablock full of cameos, I love it)

This marks the third film out of five that Matthew Lillard and Freddie Prinze Jr. have worked on together. The other films are Wing Commander (1999), She’s All That (1999), Scooby-Doo (2002) and Scooby-Doo 2: Monsters Unleashed (2004). (They are best buds)

John McGinley plays a scout for the Phillies named Hugh Alexander. There really was a scout named Hugh Alexander who signed many future MLB all-stars while working for multiple teams during a 64-year career including the Phillies for 16 years. (What are these next-level refs?!)

A pseudo/quasi premier was held in Seattle at the now-defunct theater chain “General Cinemas Pacific Place” in order to coincide with that year’s all-star game. Which happened to be Cal Ripken Jr’s last game/retirement game. (Ooooooo fun fact)

Lost in Space Preview

Rich walks down the hallway towards the space shuttle. With one of their patented Rich and Poe undercover disguises he is virtually indistinguishable from astronaut Jim McBrawn. The plan is simple: blast into space, take over the space shuttle, take the moon ransom, and then get Poe back. All in a day’s work for Rich… however usually he’s on the right side of the law. But what can you do when a madman has your best friend and his granny hostage? Suddenly Jade runs around the corner. They share a tender kiss and sing John Mayer’s romantic masterpiece Your Body is a Wonderland to each other. Spinning in circles for what seems like hours reminds the world what they are fighting for. Love. The love between a man and a tree monster. The love between a grandson for his foul-mouthed granny. The love between John Mayer and chart-topping hits. As he departs he tells Jade to remind Poe that he’s doing this for family and that he needs to remember to just be himself. Simple as that. The shuttle launches as people around the world look on. Inspiration. Love. Emotion. Explosions. Shortly after entering orbit the shuttles screens all switch to the face of Gruber. “Ah, Rich. You didn’t really think I would trust you with this mission. This has all been a big ol’ trick to get you out of the picture. Have fun with my assassin robot, Assassinbot 3000. He’ll take it from here. Bwahahahaha.” Suddenly Assassinbot 3000 burst into the command module killing all of Rich’s co-astronauts. Rich hopes that Poe gets his message, for it’s looking mighty dire for him and any false move against this robot could leave him… lost in space. That’s right! We’re watching Lost In Space, also from the greatest year in film 1998. This was also on Siskel’s year end worst of the year list with the previously watched Godzilla. Obviously Patrick and I saw this at the time and I recall thinking it was real dumb… and I was 12. So this should be solid. I’m just really hoping that Matt LeBlanc lives up to his billing. Let’s go!

Lost in Space (1998) – BMeTric: 62.9

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(Wow, sub-5.0 is so low. It is slowly creeped up, but this will never be anything but 50+ BMeTric. Which is kind of awesome. I had kind of figured it would just be a middling, if-you-were-a-kid-when-you-watched-this-you’ll-like-it kind of deal.

Leonard Maltin – 2 stars –  In 2058, with the hope of opening a gateway to a new planet for denizens of the overcrowded Earth, a family is launched into space, accompanied by a he-man pilot and the weasley doctor who tried to sabotage the journey. The 1960s TV series is re-created on a lavish scale, bu hurt by crudely episodic story, grim tone, and paper-thin characters. Oldman, curiously, underplays the role of Dr. Smith. Angela Cartwright, Mark Goddard, Marta Kristen, and June Lockhart, stars of the original TV series, have cameo roles. Also available in PG version.

(Why is this film PG-13 again? Like … it is a children’s film. There is no way around it, the film is a family film through and through, so why make it PG-13? Whatever.)

Trailer – https://www.youtube.com/watch?v=tsmacmhdrUs

(Wait … did they just use Star Wars music at the end? Or wait no, it is maybe Indiana Jones with a little sci-fi twist? That trailer is horrible, but I have to say they hit the fact that most of the film is constructed from bad CGI well. It actually looks like they leaned into the cheesy 60s set idea … but in reality they didn’t.)

Directors – Stephen Hopkins – (Known For: The Ghost and the Darkness; Race; Under Suspicion; The Life and Death of Peter Sellers; Future BMT: A Nightmare on Elm Street: The Dream Child; The Reaping; Blown Away; Judgment Night; BMT: Lost in Space; Predator 2; Notes: Directed 12 of the original 24 episodes of the first season of 24. Was dating Heather Graham at the time of filming.)

Writers – Irwin Allen (television series) – (Known For: Voyage to the Bottom of the Sea; BMT: Lost in Space; Notes: Producer of the original series. Made the Voyage to the Bottom of the Sea series at the same time.)

Akiva Goldsman (written by) – (Known For: I Am Legend; A Beautiful Mind; I, Robot; A Time to Kill; The Client; Cinderella Man; Future BMT: The Dark Tower; Insurgent; Practical Magic; Silent Fall; The Da Vinci Code; Angels & Demons; BMT: Batman & Robin; Rings; Lost in Space; Transformers: The Last Knight; The 5th Wave; Batman Forever; A New York Winter’s Tale; Razzie Notes: Nominee for Worst Screenplay in 1998 for Batman & Robin; and in 2018 for Transformers: The Last Knight; and Nominee for Worst Written Film Grossing Over $100 Million for A Time to Kill in 1997; Notes: Notable for writing episodes and producing the current Star Trek series Discovery. He is mostly a producer at this point. Batman & Robin immediately preceded this film, oooof.)

Actors – Gary Oldman – (Known For: The Dark Knight; Harry Potter and the Deathly Hallows: Part 2; Leon; The Dark Knight Rises; Harry Potter and the Goblet of Fire; The Fifth Element; Batman Begins; Harry Potter and the Prisoner of Azkaban; Harry Potter and the Order of the Phoenix; True Romance; The Hitman’s Bodyguard; Dracula; Darkest Hour; The Book of Eli; Lawless; Dawn of the Planet of the Apes; Tinker Tailor Soldier Spy; RoboCop; Air Force One; JFK; Future BMT: The Unborn; Paranoia; Tau; Planet 51; Man Down; Criminal; Criminal Law; The Magic Sword: Quest for Camelot; Child 44; Hannibal; Romeo Is Bleeding; BMT: Lost in Space; Red Riding Hood; The Scarlet Letter; Tiptoes; The Space Between Us; Hunter Killer; Razzie Notes: Nominee for Worst Screen Couple for The Scarlet Letter in 1996; Notes: Ha, IMDb has Oldman first? He’s been married five times, and is apparently rather private about his personal life.)

William Hurt – (Known For: Avengers: Endgame; Avengers: Infinity War; Captain America: Civil War; The Incredible Hulk; Into the Wild; A.I. Artificial Intelligence; The Village; Robin Hood; Mr. Brooks; Dark City; Body Heat; A History of Violence; Syriana; The Good Shepherd; The Yellow Handkerchief; The Big Chill; Altered States; The Miracle Season; Race; Tuck Everlasting; Future BMT: Michael; Trial by Jury; Vantage Point; Days and Nights; Neverwas; BMT: Lost in Space; The Host; A New York Winter’s Tale; Notes: A private pilot, he owns a Beechcraft Bonanza. I feel like actors owning and flying planes never seems to end well though.)

Matt LeBlanc – (Known For: Charlie’s Angels; Charlie’s Angels: Full Throttle; Future BMT: Ed; All the Queen’s Men; Lovesick; BMT: Lost in Space; Razzie Notes: Nominee for Worst Screen Couple, and Worst New Star for Ed in 1997; and Nominee for Worst New Star in 1997 for Mother, She’s the One, and The Pallbearer; Notes: Joey! This is arguably his largest role. He’s continued to have a very successful television career with Episodes and Man with a Plan since 2011.)

Budget/Gross – $80 million / Domestic: $69,117,629 (Worldwide: $136,159,423)

(That isn’t good. It is a flop and there is no way a sequel would have been made considering the level of CGI that is on display.)

#24 for the Future – Near genre

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(A Sound of Thunder is the lowest grossing film we’ve seen, and honeslty … the CGI is about the same in Lost in Space. We still love future films, go figure.)

#55 for the Sci-Fi – Adventure genre

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(Wow, this is the highest grossing Sci-Fi Adventure we’ve seen! That’s insane. Again … we are loving sci-fi right now. On television and in film we are going bananas for Sci-Fi.)

#41 for the TV Adaptation (Live Action) genre

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(The veritable peak of the TV Adaptation genre. Came out the same year as The Avengers, and then everyone collectively realized there are only so many television shows from the 1960s which aren’t cheesy, and weird, and suck.)

Rotten Tomatoes – 28% (23/83): Clumsily directed and missing most of the TV series’ campy charm, Lost in Space sadly lives down to its title.

(They forgot to mention that it is just chock-a-block full of CGI effects without bothering to actually make a movie around it. Reviewer Highlight: A galactic slump of a movie that stuffs its travel bag with special effects but forgets to pack the charm. – Desson Thomson, Washington Post)

Poster – Sklog in Space (C+)

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(This is so old school. I like the color and the font is fine, particularly the stylized “LS” in the background. The rest is kind of blah.)

Tagline(s) – Danger Will Robinson! (D+)

(Also the website they used for the film. This is not good and basically playing into a property that the target audience in its entirety has no familiarity with in any capacity. I guess it’s short.)

Keyword(s) – spaceship; Top Ten by BMeTric: 94.7 Battlefield Earth (2000); 94.1 Dragonball Evolution (2009); 86.4 Superman IV: The Quest for Peace (1987); 82.2 Skyline (2010); 78.8 Jason X (2001); 74.8 After Earth (2013); 70.3 Santa Claus Conquers the Martians (1964); 65.2 Thunderbirds (2004); 62.9 Lost in Space (1998); 62.6 The Garbage Pail Kids Movie (1987);

(We’ll complete this at some point. We’ll have to be careful with Santa Claus Conquers the Martians, but it is on the worst of all time wiki page, so we’ll bring it along as a friend with like … Fred Claus or something.)

Welcome to Earf (HoE Number 10) – The shortest path through The Movie Database cast lists using only BMT films is: Heather Graham is No. 5 billed in Lost in Space and No. 2 billed in Say It Isn’t So, which also stars Chris Klein (No. 1 billed) who is in Here on Earth (No. 2 billed) => 5 + 2 + 1 + 2 = 10. There is no shorter path at the moment.

Notes – Despite opening in theaters on April 3, this was the first new film of 1998 to open at #1 at the box office. Titanic (1997) had been at the top spot for the previous 15 weeks, starting in late December. For a short time, the movie was nicknamed “The Iceberg”. (HA)

Dick Tufeld reprises his role from Lost in Space (1965) as the voice of the Robot. (That’s kind of awesome)

All principal actors were contracted to a three-picture option. The film failed to recoup its budget in North America, so plans for a new franchise were scrapped. (Yeah, it was a big enough flop that that was never going to happen … man, what would a Lost in Space 2 have looked like?

The television series Lost in Space (1965) was set in the future of 1997 – the year the film began production.

Gary Oldman was the first member of the cast to sign on, jumping at the chance to appear in a family film.

Matt LeBlanc filmed his role while Friends (1994) was still shooting, and had to fly back and forth between sets several times per week in order to do both projects at the same time. Gary Oldman guest-starred in a couple of episodes with LeBlanc, but director Stephen Hopkins had never seen an episode up to that point.

The first robot in the movie weighed two tons and required eight people to control. (Jesus, it looked like it was made of plastic)

Originally, all surviving cast members of the TV show were meant to have cameo appearances. Dick Tufeld reprises his role from Lost in Space (1965) as the voice of the Robot. Mark Goddard, the original Major Don West, plays the General. June Lockhart, the original Maureen Robinson, plays Will Robinson’s principal. Marta Kristen and Angela Cartwright, the original Robinson girls, play reporters. Ironically, Bill Mumy and Jonathan Harris, the two actors most supportive of the idea of a new movie (as well as the two most popular characters on the show), did not appear in it. Mumy wanted to play the older Will Robinson but the director thought it would be too distracting from the plot to have the original Will play the older Will. Harris was to have played the man who hired, then betrayed, Dr. Smith. In an interview for “TV Guide” prior to the film’s release, it was mentioned that Harris bluntly stated, “I will have you know I have never done a walk-on or bit part in my life! And I do not intend to start.” He announced that if he could not play his own role in the movie, he wanted nothing to do with it – famously being quoted as saying “Either I play Doctor Smith, or I do not play.” He did return as Dr. Smith in a one-hour TV special Lost in Space Forever (1998). (I kind of respect the stance by the Dr. Smith guy. The notion of having the original Will play the older Will is ridiculous. Not because it would be distracting … but because the guy who played Will is probably a terrible actor)

Sean Patrick Flanery was originally cast as Don West, but he was let go while the project was still in rehearsal because it was thought that he too closely resembled William Hurt. The part was also offered to Matthew Perry before it went to his Friends (1994) costar Matt LeBlanc. (Matthew Perry would have been hilarious)

A huge production, this movie occupied 12 separate soundstages when it was being filmed at London’s Shepperton Studios.

In the script the ship with the spiders doesn’t have a name while in the movie it is called The Proteus. You could also notice this later on by watching Older Will’s lips move when he talks about how the spiders survived.

Heather Graham was dating director Stephen Hopkins during filming. (Wow, that is crazy)

Blarp was originally going to be an animatronic puppet in the film, except the puppet didn’t look real enough so it was replaced with a CG puppet. (The CG puppet looks so bad, an incredible decision)

In the original script and movie adaptation, it wasn’t Silicon Graphics who co-sponsored the Jupiter mission, it was Coca-Cola. (WHAAAAAAAAAAAAAAT)

The movie opens on September 30th, 2058 (two days after Mike Johansen & Naomi Watts’s 90 birthday). This is an allusion to Robinson Crusoe who was stranded on his Island on September 30th, 1659. The Robinsons ultimately owe their name to Crusoe via the Swiss Family Robinson, who were named after Crusoe.

British Band Lighthouse Family recorded the song “Lost in Space” for this film, but the producers decided not to use it. It wasn’t released for 2 months after the films US release. (Amazing)

According to the screenwriter, if this movie did receive a sequel it would have been about the Robinson family making it to Alpha Prime. However, they’d discover that Alpha Prime is already populated with humans because they previously went through a wormhole in the first movie that sends them into the future. There would also have been a sub-plot with Judy Robinson creating a cure for Dr. Smith to prevent the spider infection from turning him into Spider Smith and Penny ending up receiving the same color-changing abilities as Blarp has. (Oh thank God I wasn’t left hanging)

Future Will’s dialogue is entirely dubbed, as Jared Harris did not have the vocal scale to complete the role. (Yeah ………….. I think he couldn’t cover his British accent. It is very weird)

Awards – Nominee for the Razzie Award for Worst Remake or Sequel (1999)

Super Mario Bros. Preview

“Stop!” Shouts Poe, “or my grandma will shoot.” The mailman freezes as he spots Granny toting a comically large pistol. He backs away and speeds away in his car. Poe smirks at Granny, “what am I gonna do with you, you foul-mouthed old bat?” Granny smirks back, “you’ll finish your goddamn supper and we’ll watch Murder She Wrote.” Poe shrugs, “I guess this is what I get for retiring from the force early and moving to New Orleans to help you out. But sometimes… I just want another piece of the action.” Just as he closes the door a knock rings out. Granny is pissed and raises the pistol. “No wait,” Poe says softly, “I know that knock…” Just as he suspected Rich is there leaning against the porch. “You ready for another piece of the action, partner?” Poe is already shaking his head. He’s not a police officer anymore, he gave that up. It’s against the rules. Rich laughs, “Rulez? You really did retire. That’s too bad. Too bad you and Granny will end up dead.” He turns, knowing Poe can’t leave it at that. “Oh you haven’t heard,” Rich says snidely, “Helmut Gruber escaped and he’s out for revenge.” Poe stares in disbelief. Gruber? But he’s dead… isn’t he? Apparently not. With gritted teeth Poe asks quietly, “where is he?” Rich smiles. “He’s holed up in an arcade downtown.” Poe grabs his jacket but Rich stop him, “Woah partner, we’ll be too conspicuous heading down like this.” Poe grins and soon they are dressed like a couple of dope tweens ready to infiltrate the arcade and show Gruber what’s what. “Oh and Rich?” Rich says with a sly smile, “Better bring your Granny. These tweens need adult supervision.” And with that he cocks his gun. That’s right! We are finally watching an all-timer in Super Mario Bros. This was the first major motion picture based on a video game and oh what a start it was. Not only was it adapted as a post-apocalyptic sci-fi action film, but it looked real dumb to boot. It’s also appropriate timing for us to watch as it looks like Pokemon Detective Pikachu officially broke the 26 year long streak of video game adaptations being rotten on Rotten Tomatoes. It stands at 63%. Baby steps. Let’s go!

Super Mario Bros. (1993) – BMeTric: 84.7

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(Ah, I actually don’t think this shows a regression. What is happening here is that the rating is basically 3.9 for the last 7 years. That jump in 2014 happens right on January 1st. And that jump is really consistent across movies (but you only notice it in really bad films I think … I can’t remember). Look back at Stop! Or My Mom Will Shoot. That’s a regression. This … this is sitting right at 3.9ish for like a decade. That is what I’m talking about when I say a truly bad film won’t regress to the mean.)

Leonard Maltin – 1.5 stars –  Super, indeed! This overblown, effects-laden turkey chronicles the convoluted story of the title boys from Brooklyn (Hoskins, Leguizamo), plumber-siblings who go up against the villainous King Koopa (Hopper), a semi-human dinosaur who instigates the kidnapping of Daisy (Mathis), a princess who possesses a magical meteorite fragment. This listless film has far less appeal than the video game that inspired it.

(First, my god the hyphens! I love you Leonard. There are three hyphens in this review. Second, the review is just a description of the film and then a little “not interesting” at the end. And third … 1.5 stars? Where does the 0.5 come from. Classic Leonard. Classic.)

Trailer – https://www.youtube.com/watch?v=wtMZKYnLg5c/

(Oh shit the music!!!!! Is this real? They literally showed a major bit of the end of the film in that trailer? The theory surrounding trailers for films really was wild back then. It was just “anything goes as long as it generates interest”. One of the worst trailers I’ve ever seen. Bar none.)

Directors – Annabel Jankel – (Known For: Tell It to the Bees; D.O.A.; BMT: Super Mario Bros.; Notes: Both Jankel and Morton were known for their music video work and for create Max Headroom. This film basically ruined their directing careers. Tell It to the Bees was Jankel’s first big directing job since Super Mario Bros. … it was in 2018.)

Rocky Morton – (Known For: D.O.A.; BMT: Super Mario Bros.; Notes: Jankel and Morton got divorced in 2005. Both won Emmys for NBC’s Friday Night Videos which was basically MTV on basic cable … which apparently was a thing in the early 80s.)

Writers – Parker Bennett (written by) – (Known For: The Thief and the Cobbler; Future BMT: Mystery Date; BMT: Super Mario Bros.; Notes: Was a writer and cartoonist for Playboy at one point.)

Terry Runte (written by) – (Known For: The Thief and the Cobbler; Future BMT: Mystery Date; BMT: Super Mario Bros.; Notes: Apparently he has a credit for this YouTube video … which has like 24 views? Wild wild stuff.)

Ed Solomon (written by) – (Known For: Men in Black; Now You See Me; Charlie’s Angels; Bill & Ted’s Excellent Adventure; Bill & Ted’s Bogus Journey; Imagine That; What Planet Are You From?; Leaving Normal; Future BMT: The In-Laws; Mom and Dad Save the World; Now You See Me 2; Levity; BMT: Super Mario Bros.; Notes: Is apparently writing the new Bill and Ted as well. And was married to John Cleese’s daughter for a long while.)

Actors – Bob Hoskins – (Known For: Snow White and the Huntsman; Who Framed Roger Rabbit; Brazil; Enemy at the Gates; Doomsday; Pink Floyd: The Wall; Mermaids; Paris, je t’aime; The Long Good Friday; Balto; Unleashed; The Cotton Club; Vanity Fair; Nixon; Made in Dagenham; A Christmas Carol; Inserts; Hollywoodland; Mona Lisa; Beyond the Sea; Future BMT: Son of the Mask; Maid in Manhattan; Michael; Outlaw; Live Virgin; Heart Condition; Hook; Shattered; Den of Lions; Stay; BMT: Spice World; Super Mario Bros.; Garfield 2; Razzie Notes: Nominee for Worst Supporting Actor for Son of the Mask in 2006; Notes: Died due to complications with Parkinson’s in 2014. Claims to have never had an acting lesson in his life.)

John Leguizamo – (Known For: John Wick; John Wick: Chapter 2; Romeo + Juliet; Carlito’s Way; Chef; Moulin Rouge!; Ice Age; The Lincoln Lawyer; To Wong Foo Thanks for Everything, Julie Newmar; The Infiltrator; Titan A.E.; Die Hard 2; Land of the Dead; Sisters; American Ultra; Executive Decision; Ice Age: Dawn of the Dinosaurs; Casualties of War; Ice Age 2: The Meltdown; Nancy; Future BMT: The Honeymooners; Spawn; The Counsellor; Collateral Damage; The Pest; Walking with Dinosaurs: The Movie; Anarchy: Ride or Die; Ice Age: Collision Course; What’s the Worst That Could Happen?; The Fan; The Babysitters; The Hollow Point; Miracle at St. Anna; Out for Justice; Repo Men; Empire; Revenge; Jekyll Island; Love in the Time of Cholera; Kick-Ass 2; Ice Age: Continental Drift; Whispers in the Dark; Rage; A Pyromaniac’s Love Story; Spun; BMT: Super Mario Bros.; The Happening; One for the Money; Gamer; Righteous Kill; Ride Along; Notes: A noted comedian in the early 90s doing character impersonations. Has been doing mostly television recently including a role in Bloodline.)

Dennis Hopper – (Known For: Apocalypse Now; True Romance; Cool Hand Luke; Waterworld; Easy Rider; Blue Velvet; Speed; River’s Edge; Rebel Without a Cause; Hang ‘Em High; Giant; True Grit; The Texas Chainsaw Massacre 2; The Other Side of the Wind; Land of the Dead; Rumble Fish; Black Widow; Hoosiers; The Pick-up Artist; Edtv; Future BMT: The Crow: Wicked Prayer; Big Fat Important Movie; Hell Ride; Boiling Point; Chasers; Space Truckers; Meet the Deedles; Knockaround Guys; Swing Vote; The Blackout; Memory; My Science Project; Queen of Blood; Sleepwalking; The Trip; Straight to Hell; Flashback; Search and Destroy; 10th & Wolf; BMT: Super Mario Bros.; Alpha and Omega; Razzie Notes: Winner for Worst Supporting Actor for Waterworld in 1996; Notes: Was a child actor, and then had a very rocky film career due to substance abuse. He created, directed, and starred in Easy Rider which is credited in ushering in the anti-establishment movement in Hollywood of the 1970s.)

Budget/Gross – $48 million / Domestic: $20,915,465

(Catastrophic. I’m actually a bit surprised it didn’t do better. You’d think a good number of video game fans would have been tricked into going to the film during the opening weekend. I would have thought it would have ended at like … $40 million maybe? On the other had it was 1993.)

#27 for the Video Game Adaptation genre

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(Our 18th video game film, driving quickly towards a 20th film (like …4% of BMT is video game films). The genre is really booming recently. And with Detective Pikachu I think there is a distinct possibility Nintendo will end up as the driving force in upping the quality overall.)

Rotten Tomatoes – 21% (8/38): Despite flashy sets and special effects, Super Mario Bros. is too light on story and substance to be anything more than a novelty.

(A delightful novelty IMO. That percentage is a lot higher than I would expect for what is likely considered one of the worst films ever (although it isn’t on the wiki page interestingly enough …). Reviewer Highlight: As everyone knows, arcade-style diversions are not known for strong, original narratives or well-developed characters. In that sense, this film is worthy of its inspiration. – James Berardinelli, ReelViews)

Poster – Super Twin Time (B+)

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(I almost always default to the poster featured on IMDb, but for whatever reason they chose to use some foreign poster… I suspect because it looked so stupid that they thought it was funny? Hard to say. This was the primary theatrical poster I think and it’s actually fine. I wish it wasn’t so dark and they gave it some pop with the green and the red, but it’s nicely stylized and actually makes a very not cool thing look kinda cool with some nice spacing and font.)

Tagline(s) – This Ain’t No Game! (A)

(Clever. Good one to use on the first adaptation too as I think later on I would have thought it was a little generic and vague to constitute a good tagline. Here though I think it’s working.)

Keyword(s) – based on video game; Top Ten by BMeTric: 90.4 Alone in the Dark (2005); 88.9 House of the Dead (2003); 87.9 Street Fighter (1994); 87.7 BloodRayne (2005); 87.1 Mortal Kombat: Annihilation (1997); 86.2 In the Name of the King: A Dungeon Siege Tale (2007); 84.7 Super Mario Bros. (1993); 79.7 Street Fighter: The Legend of Chun-Li (2009); 73.5 Far Cry (2008); 70.0 Wing Commander (1999);

(I kind of forget we haven’t officially seen Street Fighter for BMT. Don’t get me wrong, I’ve seen the film multiple times. We just used to not do filmes we’ve seen before for BMT. Now we do that quite frequently for good reason, so it’ll eventually come up, maybe in some ill-fated decision to watch every JCVD film ever made or something.)

Welcome to Earf (HoE Number 17) – The shortest path through The Movie Database cast lists using only BMT films is: John Leguizamo is No. 2 billed in Super Mario Bros. and No. 3 billed in Ride Along, which also stars Ice Cube (No. 1 billed) who is in Ghosts of Mars (No. 2 billed), which also stars Jason Statham (No. 3 billed) who is in In the Name of the King: A Dungeon Seige Tale (No. 1 billed), which also stars Leelee Sobieski (No. 4 billed) who is in Here on Earth (No. 1 billed) => 2 + 3 + 1 + 2 + 3 + 1 + 4 + 1 = 17. If we were to watch Hook, Jack, and The Glass House we can get the HoE Number down to 13.

Notes – In his 2007 autobiography John Leguizamo states he and Bob Hoskins hated working on the film and would frequently get drunk to make it through the experience. Both men apparently knew the movie would turn out bad, so they simply tried to make the best of it. He also stated he felt one of the biggest reasons the movie turned out the way it did was because the directors wanted a more “adult” movie while the studio, considering the source material, was looking for a children’s film.

During a chase scene, Bob Hoskins broke his finger when the van’s door slammed on his hand. For the rest of the film, Hoskins is wearing a cast that was painted pink to look like a hand. (Having just watched it, I never noticed it)

Bob Hoskins didn’t know that the film he was making was based on a game, until his son asked him what he was working on. When Hoskins mentioned the film’s title, his son immediately recognized it and showed Hoskins the game on his own Nintendo.

An article in “Spy” magazine claimed that the script was being rewritten so many times during production that the actors stopped paying attention to these daily rewrites.

Although Bob Hoskins said that this is the worst film he ever made, his son Jack Hoskins is a fan of this film, praising his dad’s performance. He said that he was too young to understand the poor reviews and now that he’s old enough, he doesn’t care. He quoted on the film’s fan website “SMBArchive.com”: “If there’s anyone reading this, please understand that it’s no one’s intention to ruin the classics. One last thing; if you remember your past enjoyments, then it would definitely keep your childhood memories alive and safely locked in your head forever.”

The “De-evolution” guns seen at the end of the film are simply repainted versions of the Super Nintendo light gun accessory, the “Super Scope.” (Awesome. I’m serious … that’s awesome)

After the film bombed at the box office, Nintendo never produced any more live-action theatrical films based on their video game franchises. A “Metroid” film was put into development, but never went past pre-production. (They still haven’t. They have at least one film in production, another Super Mario film, but it is CGI I believe … which will probably work out better)

Dennis Hopper explained why he did the film – “I made a picture called Super Mario Bros., and my six-year-old son at the time – he’s now 18 – he said, ‘Dad, I think you’re probably a pretty good actor, but why did you play that terrible guy King Koopa in Super Mario Bros.?’ and I said, ‘Well Henry, I did that so you could have shoes,’ and he said, ‘Dad, I don’t need shoes that badly.'” (Sick burn)

The Yoshi puppet was capable of making 64 separate movements due to 200 feet of cable crammed inside its 3 foot tall structure. In all, no less than 9 puppeteers were used to operate the Yoshi puppet. (Yes, it was possibly the last great puppet animatronic since the film came out the same year as Jurassic Park. The CGI afterwards likely killed the industry. There might be other good examples, the Lost World or something, but 1993 marks the point where puppets weren’t the first thought in a directors mind on how to create a lifelike fictional animal.)

An early draft of the script shows that Bowser only disguises himself as a human in his first two scenes, the Princess character is named Hildy and Bowser wants to marry her in attempt to obtain the Crown of Invincibility with which to take over the Mushroom Kingdom. Actual game enemies such as Piranha Plants and Thwomps make appearances, Toad accompanies the Mario Bros. throughout their journey as a main character, a baby dinosaur named Junior thinks Mario is his mother, Luigi gets Raccoon Power at one point, one of Bowser’s lackeys (a possible prototype for Kamek) tells Mario “Your Princess Is in Another Castle”, Mario and Luigi sing a song for Bowser, Bowser ends up falling into a pit of lava… In other words, this draft is much more faithful to the games. (Yeah … that sounds like it would be absolutely terrible though)

Dennis Hopper described the film’s production – “It was a nightmare, very honestly, that movie. It was a husband and wife directing team who were both control freaks and wouldn’t talk before they made decisions. Anyway, I was supposed to go down there for five weeks, and I was there for 17. It was so over budget.”

In a 2011 interview with The Guardian, Bob Hoskins described the film’s production – “It was a f*ckin’ nightmare. The whole experience was a nightmare. It had a husband-and-wife team directing, whose arrogance had been mistaken for talent. After so many weeks their own agent told them to get off the set! F*ckin’ nightmare. F*ckin’ idiots.” (These two notes are eerily consistent)

Shigeru Miyamoto, Mario’s creator, stated, “[In] the end, it was a very fun project that they put a lot of effort into,” but also said, “The one thing that I still have some regrets about is that the movie may have tried to get a little too close to what the Mario Bros. video games were. And in that sense, it became a movie that was about a video game, rather than being an entertaining movie in and of itself.” (… what? It is nothing like the games.)

Rocky Morton reflected on the movie in 2016 as a “harrowing” experience. He explained that he and Annabel Jankel, along with the rest of the cast, agreed to make the movie based on the script originally written by Dick Clement and Ian La Frenais, which focused on Mario and Luigi’s complicated but loving family dynamic that they had developed in the absence of their parents. However, just a few weeks before shooting was to begin, the studio financing the film demanded significant rewrites to make the film more childlike and comedic. The final result, according to Morton, was a script that was not at all like the script that he, Jenkel, and the cast had signed on to film, and that the tone of the new script was not at all compatible with the sets, which had already been built. Morton also reflected that he felt very uneasy being put in the position of having to defend the new script. In addition, working with Dennis Hopper was “really, really hard. Really hard. I don’t think [Dennis Hopper] had a clue what was going on.” Despite describing the overall experience as humiliating, Morton is proud of the film considering the chaos created as a result of the late and unexpected script rewrites. (Hmmmmmmmmmmmm)

Allegedly due to drinking on set, John Leguizamo was hit by a car, breaking his leg. You can even see the cast in some shots of the movie. (Jesus!)

This was the first Hollywood film directly based on a specific video game property. (And it went swimmingly)

John Leguizamo was annoyed that he wasn’t allowed to ad-lib in the film.

Parker Bennett and Terry Runte submitted a script represents the early transition from the original fantasy-oriented take to the more grounded sci-fi take of the final film. They felt that the story was never funny, scary or outlandish enough, so to make it more compelling they sought to focus more on Mario and Luigi’s relationship, to develop Daisy into a more proactive character and to expand Koopa’s plot so that it would also endanger Earth. However, the pitch still contains various fantastical elements, including Mario and Luigi being icons of a “prophecy,” a magical talking book that aids them on their quest and a mushroom-infested world complete with a castle. The sci-fi concept of a parallel world inhabited by humanoid dinosaurs is essentially only retrofitted onto the fantasy story already written. (What the hell? That was the “brilliant” story everyone was gutted to see changed?)

Rocky Morton and Annabel Jankel were hired to direct the film, based on their work on Max Headroom (1987).

Lead creatures designer and supervisor Patrick Tatopoulos was aware of the concurrent Jurassic Park (1993) production, so consciously designed the dinosaurs more cute and cartoony with inspiration from Beetlejuice (1988).

Producers from Jurassic Park (1993) visited the set and were so impressed with the Yoshi puppet they briefly considered hiring its engineers for a second Jurassic Park creatures shop. (Yeah this is the thing I had heard, that they were still kind of figuring out whether they wanted to go animatronic for the dinosaurs in Jurassic Park, but the CGI eventually won out)

Despite its box office failure and troubled production, Roland Joffé remains proud: “It’s not that I defend the movie, it’s just that, in its own extraordinary way, it was an interesting and rich artefact and has earned its place. It has strange cult status.” (This is absolutely true. It is one of the most baffling things you’ll ever watch. Just extraordinary that it exists at all)

Greg Beeman was attached to direct and development had already moved into pre-production, but the failure of Beeman’s recent Mom and Dad Save the World (1992) led to his dismissal by nervous producers. (Now that is an absolutely awful film … weirdly the carnivorous mushrooms would have been a decent idea for goombas in this film)

Vampire in Brooklyn Preview

Jamie stares, mouth agape, as Santa recounts his gritty origin story. Long ago the Coca-Cola Corporation devised an advertising scheme around a jolly man in a red suit. Unbeknownst to them this was the final stage of a dark prophecy that brought him forth from Hell into this world. However, a family of elves took pity on the vile creature and decided to use him for good instead of evil. While Santa has struggled with why he was preserved and let loose on the other monsters of the realm, using his well-oiled muscles to rip them to shreds, he has come to terms with his terrible power… with that Santa takes a long satisfying sip of a Coca-Cola and looks at Jamie, who is weeping uncontrollably. Suddenly Patrick has an idea, “wait, Santa. Did you say that the Coca-Cola Corporation created you in this world using an advertising scheme in our world?” Santa nods, “and it was a truly terrible advertising scheme at that. Craven capitalist cynicism,” he says with a look of disgust on his face. Disgust that can only be washed away by the refreshing taste of a delicious Coke. Patrick shakes Jamie out of his stupor, “Don’t you see? It was within us the whole time.” Jamie nods, “You mean love?” Patrick shakes his head, “no, not love. Something even better. Bad movies. Rich and Poe aren’t here yet because our first film was a wild critical success.” Jamie’s eyes alight, “My god, a sequel… but how do we get back home so we can write it?” Patrick ponders for a second and remembers the great power he tapped into in order to save Santa. He reaches for it again, but this time the query fails. “You try,” he tells Jamie, but within him there is no light… he can only see the one in Patrick. He reaches for that and *pop* they are back in their apartment. They stare in wonder and clap hands in a manly bro hand hug. Time to get to work. They don their cable-knit sweaters, hop in their Volvo and head to Brooklyn. That’s right! We’re transitioning from the Worst Films Ever Rejects into a cycle consisting of films that Siskel and Ebert put on one of their end of year worst films lists. These leads us right to another Eddie Murphy special with Vampire in Brooklyn, his attempt to cash in on that sweet vampire money. This is also the second film where Murphy played multiple roles. In this case Maximilian, Preacher Pauly, and Guido… well that already sounds offensive. Let’s go!

Vampire in Brooklyn (1995) – BMeTric: 68.5

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(Very consistent across the years, and impressively low. Heartening. While I knew of this film obviously, it is nice to see it have a bit of cred among the people.)

Leonard Maltin – 2 stars –  Sleek Caribbean vampire Murphy, to perpetuate his race, needs to persuade Brooklyn cop Bassett that she’s his soul mate. Oddball film has Murphy cracking jokes, but he’s thoroughly evil; on the other hand, it’s not scary enough to work as a horror film … and it’s overlong, to boot.

(Ah classic. This is my problem with almost all multi-genre films. It seems like it isn’t a good comedy, or a good horror film. I find that a lot of these types of films are graded on a curve as a good-for-what-it-is in that much smaller (and worse) sub-genre. There are exceptions though, like Shaun of the Dead.)

Trailer – https://www.youtube.com/watch?v=2qzFuLGeVGI/

(Yeah doesn’t seem very funny. Just a bunch of corny vampire jokes. And Maltin seems to be correct, it seems kind of too true to vampire lore to be anything but a horror film in spirit.)

Directors – Wes Craven – (Known For: Scream; A Nightmare on Elm Street; Scream 4; Scream 2; Red Eye; The Last House on the Left; The Hills Have Eyes; The People Under the Stairs; Swamp Thing; Paris, je t’aime; New Nightmare; The Serpent and the Rainbow; Music of the Heart; Future BMT: My Soul to Take; Cursed; The Hills Have Eyes Part II; Scream 3; Shocker; Deadly Blessing; BMT: Vampire in Brooklyn; Deadly Friend; Notes: An original of the slasher genre, and is credited with bringing it back with the self-referential Scream series. Died in 2015.)

Writers – Eddie Murphy (story) – (Known For: Coming to America; Beverly Hills Cop II; Boomerang; BMT: Norbit; Vampire in Brooklyn; Another 48 Hrs.; Harlem Nights; Razzie Notes: Winner for Worst Screenplay for Harlem Nights in 1990; Winner for Worst Actor, Worst Supporting Actor, and Worst Supporting Actress for Norbit in 2008; Winner for Worst Actor of the Decade in 2010 for I Spy, Imagine That, Meet Dave, Norbit, Showtime, and The Adventures of Pluto Nash; Nominee for Worst Director for Harlem Nights in 1990; Nominee for Worst Screenplay, and Worst Screen Couple for Norbit in 2008; Nominee for Worst Actor in 2003 for I Spy, Showtime, and The Adventures of Pluto Nash; in 2009 for Meet Dave; in 2010 for Imagine That; and in 2013 for A Thousand Words; and Nominee for Worst Screen Couple in 2003 for I Spy, Showtime, and The Adventures of Pluto Nash; and in 2009 for Meet Dave; Notes: Y’all know Eddie Murphy. It actually does seem like Coming 2 America is happening. So maybe Beverly Hills Cop 4 will as well.)

Vernon Lynch (story) – (BMT: Vampire in Brooklyn; Notes: Half-brother of Eddie Murphy. This was a truly a family affair.)

Charlie Murphy (story) (as Charles Murphy & screenplay) (as Charles Murphy) – (BMT: Norbit; Vampire in Brooklyn; Razzie Notes: Nominee for Worst Screenplay for Norbit in 2008; Notes: We did it. Interestingly it feels like whenever Murphy is looking to be on the ropes he dusts off a script he and his brother wrote. This was the end of a long fall which ended with a tack to family friendly films with the Nutty Professor. Norbit kind of marks the end of Murphy’s second leading man career.)

Michael Lucker (screenplay) – (Known For: Spirit: Stallion of the Cimarron; Home on the Range; BMT: Vampire in Brooklyn; Notes: Wrote a bunch of those direct-to-video sequels to Disney films back in the days. Seems to produce now.)

Chris Parker (screenplay) (as Christopher Parker) – (Known For: Heaven Is for Real; BMT: Vampire in Brooklyn; Battle of the Year; Notes: Appears to maybe be doing uncredited writing for animated films. There is little about him online.)

Actors – Eddie Murphy – (Known For: Mulan; Trading Places; Shrek; Coming to America; Beverly Hills Cop; Shrek 2; Doctor Dolittle; Shrek the Third; Shrek Forever After; Beverly Hills Cop II; The Nutty Professor; Life; Dreamgirls; Boomerang; 48 Hrs.; Tower Heist; Bowfinger; Dr. Dolittle 2; Imagine That; Future BMT: Nutty Professor II: The Klumps; The Haunted Mansion; Meet Dave; Holy Man; Showtime; Daddy Day Care; Metro; The Distinguished Gentleman; BMT: Norbit; The Adventures of Pluto Nash; Vampire in Brooklyn; I Spy; Beverly Hills Cop III; Another 48 Hrs.; The Golden Child; A Thousand Words; Harlem Nights; Razzie Notes: Winner for Worst Screenplay for Harlem Nights in 1990; Winner for Worst Actor, Worst Supporting Actor, and Worst Supporting Actress for Norbit in 2008; Winner for Worst Actor of the Decade in 2010 for I Spy, Imagine That, Meet Dave, Norbit, Showtime, and The Adventures of Pluto Nash; Nominee for Worst Director for Harlem Nights in 1990; Nominee for Worst Screenplay, and Worst Screen Couple for Norbit in 2008; Nominee for Worst Actor in 2003 for I Spy, Showtime, and The Adventures of Pluto Nash; in 2009 for Meet Dave; in 2010 for Imagine That; and in 2013 for A Thousand Words; and Nominee for Worst Screen Couple in 2003 for I Spy, Showtime, and The Adventures of Pluto Nash; and in 2009 for Meet Dave; Notes: Apparently Pete Davidson bought a vintage magazine featuring Eddie Murphy for $45 the other day … fun.)

Angela Bassett – (Known For: Bumblebee; Black Panther; Mission: Impossible – Fallout; Contact; Kindergarten Cop; Mr. & Mrs. Smith; Meet the Robinsons; Olympus Has Fallen; Boyz n the Hood; Malcolm X; Strange Days; What’s Love Got to Do with It; The Score; Notorious; White Bird in a Blizzard; Chi-Raq; Waiting to Exhale; Akeelah and the Bee; F/X; How Stella Got Her Groove Back; Future BMT: Supernova; Meet the Browns; Green Lantern; Survivor; Masked and Anonymous; Innocent Blood; Gospel Hill; BMT: Vampire in Brooklyn; London Has Fallen; This Means War; Notes: She’s done some voice work for Bojack Horseman. Nominated for Best Actress for What’s Love Got to Do with It.)

Allen Payne – (Known For: The Perfect Storm; New Jack City; Jason’s Lyric; CB4; A Price Above Rubies; 30 Years to Life; Future BMT: Crossover; Cookie; The Walking Dead; BMT: Vampire in Brooklyn; Notes: Vegan. One of the star of House of Payne, appearing in 170 episodes.)

Budget/Gross – N/A / Domestic: $19,751,736

(That seems really low. I imagine Eddie Murphy was getting paid multiple millions of dollars to appear in it, so almost definitely a bomb.)

#30 for the Horror Comedy genre

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(This is what I mean, I don’t really get why they are trying to make horror-comedies happen. Blank-comedy as a genre is a cool idea. When done right it is brilliant as it is able to skewer the non-comedy genre like nothing else can (see Cabin in the Woods, Shaun of the Dead, and Hot Fuzz). But they are obviously really hard to make. Making a horror film is hard. Making a comedy is really hard. Doing both at the same time is double hard. I literally think Cabin in the Woods is the last good one from that Box Office Mojo list.)

#35 for the Vampire genre

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(We might as well ignore that graph, the giant bump is just Twilight and the copycats there. Interesting nonetheless.)

Rotten Tomatoes – 10% (3/29): Neither scary nor very funny, this misguided effort never lives up to its premise.

(Yeah, see. The double genre ploy almost never works … except for Marvel films which manage to be not very funny comedies and just ok action films, but people kind of accept those as “good” action-comedies.)

Poster – I’m a Vampire This Time (B+)

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(I think my favorite genre of film poster is the “I’m a giant star poster.” Best recent example was The Mummy, which made it seem like Tom Cruise was the titular mummy. Here we get more a story with the moon and the cityscape, but let’s not get it twisted. It’s the Eddie Murphy show and I’m excited.)

Tagline(s) – A comic tale of horror and seduction. (D)

(A lot of genres being thrown around. So it’s a comedy-horror-romance? Cool cool cool. In fact we don’t learn much about the film other than three very broad genres. Also as bland as you can make it.)

Keyword(s) – vampire; Top Ten by BMeTric: 89.1 Vampires Suck (2010); 87.7 BloodRayne (2005); 81.8 Ultraviolet (2006); 78.0 The Twilight Saga: New Moon (2009); 72.1 The Twilight Saga: Breaking Dawn – Part 1 (2011); 69.8 Stan Helsing (2009); 69.1 The Twilight Saga: Eclipse (2010); 68.5 Vampire in Brooklyn (1995); 64.1 Dudley Do-Right (1999); 63.9 Dracula 2000 (2000);

(Wowza. We need to up our vampire game … although to be fair I’ve seen all of the Twilight films in my free time (my life!) so it really is just a matter of doing a re-watch.)

Welcome to Earf (HoE Number 18) – The shortest path through The Movie Database cast lists using only BMT films is: Eddie Murphy is No. 1 billed in Vampire in Brooklyn and No. 1 billed in Harlem Nights, which also stars Richard Pryor (No. 2 billed) who is in Superman III (No. 2 billed), which also stars Annette O’Toole (No. 5 billed) who is in Here on Earth (No. 7 billed) => 1 + 1 + 2 + 2 + 5 + 7 = 18. If we were to watch The Black Dahlia we can get the HoE Number down to 15.

Notes – Sonja Davis, Angela Bassett’s stunt double, died in an accident on the set. (Oh no, I forgot about this. Very sad).

On The Directors (1997), Wes Craven suggested that Eddie Murphy ignored his requests to play the character vulnerable, and felt compelled to showcase his comedic talents. (Wait a second! Later on in an interview Charlie Murphy claimed Wes Craven wanted it to be a comedy!)

Final film of Ray Combs. He died soon after.

In a November 2011 interview with “Rolling Stone”, Eddie Murphy stated that he made this movie for one reason: Paramount agreed to release The Nutty Professor (1996)’s rights in exchange for finishing his deal with the studio. Murphy also said that the wig his character wore was so awful it immediately made people despise the film. (Huh, interesting. So Murphy had the idea to basically reinvent his career prior to making the film. And then probably used his script to finish things off, see the next note).

Eddie Murphy wouldn’t write another story until Norbit (2007), twelve years later. Interestingly, his co-writer of both movies was his brother Charlie Murphy. (Yeah, again, I think they write scripts and then just leave them aside until the point where they are desperate to get something going. Murphy had had a few bad misses leading up to this).

According to Charlie Murphy, the movie was meant to be a straight horror movie with no laughs but Wes Craven brought a different focus to the film. (This contradicts the above note. I’m not sure which one I believe. This might seem unlikely, but Craven would use humor in Scream to satirize the slasher genre in Scream only a few years later)

This is Angela Bassett’s second vampire movie. She previously starred in Innocent Blood (1992). Bassett would also play a vampire many years later in season 5 of American Horror Story (2011). (That is actually kind of a fun fact)

First horror-comedy for Eddie Murphy. He would star in The Haunted Mansion (2003) eight years later. (Ooooooof, neither of those were particularly good).

“Veder” loosely translates to “Vater”, which means “Father”, in German, foreshadowing Ritas father was a vampire. (Darth Vader)

Hellboy (2019) Preview

Patrick and Jamie look through binoculars at their prey. Santa is happily carving a toy for a child amongst his elf friends in the BMTverse’s North Pole. Poor bastard. Jamie leans back, “I’m not even sure why you’re here,” he says and Patrick squints at him in confusion. Jamie shrugs and snaps into a slim jim, “I mean, I was the one that told the troll I would do him a favor. Not you.” Patrick smiles and sends Jamie to start on a Santa trap. Patrick needs time to think. Hours pass, sweat drips down his brow, but Patrick can’t think of a way to save Santa. In his calm he withdraws deep within himself and finds a light. Reaching for it he suddenly has access to a great power. “I need something to save Santa,” he thinks and a large amount of silk from the rare Siberian Silkworm winks into existence. Thinking quick he used his twin powers to construct a flawless (but highly illegal) Santa costume and dons the disguise. Looking up he is horrified to see Jamie having completed an elaborate tiger trap and Santa bumbling his way towards it. Using his preternatural speed, Patrick is able to tackle both he and the real Santa into the trap. The troll comes cackling forward, but is confused by the appearance of two Santas. Who should he shoot?! He points his gun back and forth and the hesitation is enough for Jamie to trip the troll right back into the tiger trap. Hooray! With the troll dispatched, Jamie, Patrick, and Santa sit around the fire with some delicious Coca-Colas. Patrick is distracted by the discovery of the great power within, but Jamie is ready for some magical tales of wonder. “Santa, where did you come from?” he asks and Santa smiles a jolly smile. “Oh ho ho ho, that’s an interesting story, my boy. Well, I guess it started when I was born… IN HELL.” Bum bum bum. That’s right! It’s the first BMT Live! of the year after a … frankly it was a shockingly light bad movie winter season. Here’s to watching an unnecessary reboot and to a hopefully bumper crop of bad movies in the spring season. Let’s go!

Hellboy (2019) – BMeTric: 42.5

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(That rating actually look right. I think it’ll perk up a bit in three months once non-Hellboy fans get a hold of it, they won’t care about some of the most nitty-gritty issues with the film as related to the comic or the Del Toro versions.)

RogerEbert.com – 1.5 stars –  Individually, Harbour might have a humorous moment or two with his co-stars, but decreasingly so as the movie staggers toward its messy, cacophonous end. And it just will … not … end. After an overlong two-hour running time, “Hellboy” suggests optimistically that it’s the start of its own franchise, but it will probably end up stuck in purgatory instead.

(Long and boring! Noooooooo. I don’t want to see a long and boring film in theaters! But I must. You guys owe me.)

Trailer – https://www.youtube.com/watch?v=dt5g5_1cKVk/

(The “Sorry, my bad” joke in the beginning is obvious and dumb. And the reset looks … loud and incoherent? I have a feeling the soundtrack is an abomination.)

Directors – Neil Marshall – (Known For: The Descent; Dog Soldiers; Doomsday; Centurion; Tales of Halloween; BMT: Hellboy; Notes: Most famous for directing some of the most notable Game of Thrones episodes (Blackwater, and The Watchers on the Wall).)

Writers – Andrew Cosby (screenplay by) – (BMT: Hellboy; Notes: Created the television series Eureka. Created BOOM! Studios which is a comic book publisher.)

Mike Mignola (based on the Dark Horse Comic Book “Hellboy” created by) – (Known For: Hellboy; Hellboy II: The Golden Army; Batman: Gotham by Gaslight; BMT: Hellboy; Notes: Created the comic. Apparently he handed off the spin off series (B.P.R.D.) which has recently ended. I don’t think there is a current active Hellboy series, although it is unclear.)

Actors – David Harbour – (Known For: Brokeback Mountain; The Equalizer; War of the Worlds; Quantum of Solace; Revolutionary Road; A Walk Among the Tombstones; The Green Hornet; End of Watch; Black Mass; State of Play; Snitch; Kinsey; X/Y; Parkland; The Convincer; Future BMT: Sleepless; Suicide Squad; Every Day; Awake; W.E.; Knife Fight; Between Us; BMT: Hellboy; Notes: Been around for a while obviously as a character actor, but has rose to a new level of fame as one of the stars of Stranger Things.)

Milla Jovovich – (Known For: The Fifth Element; Dazed and Confused; Zoolander; Chaplin; Paradise Hills; A Perfect Getaway; He Got Game; Stone; The Claim; Dummy; Future BMT: Resident Evil: Retribution; Future World; Return to the Blue Lagoon; Resident Evil: The Final Chapter; Anarchy: Ride or Die; Survivor; Two Moon Junction; Resident Evil: Afterlife; The Fourth Kind; No Good Deed; The Million Dollar Hotel; Resident Evil: Apocalypse; Kuffs; Resident Evil: Extinction; Joan of Arc; Bringing Up Bobby; Shock and Awe; A Warrior’s Tail; Resident Evil; Dirty Girl; BMT: Ultraviolet; Zoolander 2; Hellboy; The Three Musketeers; Razzie Notes: Nominee for Worst Actress in 2000 for Joan of Arc; and in 2013 for Resident Evil: Retribution; Nominee for Worst Supporting Actress for The Fifth Element in 1998; and Nominee for Worst New Star for Return to the Blue Lagoon in 1992; Notes: A bad movie all-star! Her recent big budget fair has mostly been via collaboration with her husband Paul W. S. Anderson who directed four of the six Resident Evil films.)

Ian McShane – (Known For: John Wick; John Wick: Chapter 2; Snow White and the Huntsman; Hercules; Coraline; Jack the Giant Slayer; The Golden Compass; Kung Fu Panda; Shrek the Third; The Sorcerer’s Apprentice; Death Race; Sexy Beast; Battle of Britain; We Are Marshall; Scoop; Performance; Cuban Fury; Bilal: A New Breed of Hero; The Last of Sheila; Nine Lives; Future BMT: Agent Cody Banks; The Hollow Point; Grimsby; Case 39; Pottersville; Hot Rod; BMT: The Seeker: The Dark Is Rising; Hellboy; Pirates of the Caribbean: On Stranger Tides; Notes: He’s been all over the place, but his cameo in Game of Thrones and starring role in Deadwood before that suggests he’s really but more famous on the small screen in the later career,)

Budget/Gross – $50 million / Domestic: $19,676,271 (Worldwide: $19,676,271)

(This is going to be a huge disaster, especially with Avengers: Endgame coming out in a week. Completely screwed and might kill the film franchise. Interestingly the comic series apparently came to a disastrous end just this week … so Hellboy legit might be completely dead as a media item which is crazy.)

#136 for the Comic Book Adaptation genre

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(This I think will end up near R.I.P.D. which is crazily mid-table for BMT in this sub-genre. Obviously Marvel/Disney has been dominating this recently with Black Panther having an insane $700 million domestically.)

#109 for the Superhero genre

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(I guess this is different than the previous one … it is obviously taking off recently with the recent Marvel/Disney succuesses.)

Rotten Tomatoes – 14% (25/174): Bereft of the imaginative flair that made earlier Hellboys so enjoyable, this soulless reboot suggests Dante may have left a tenth circle out of his Inferno.

(The reviews are eviscerating basically calling the film a big void filled with action set pieces. This is an astonishingly low percentage, might just end up being the lowest score for a big budget film for the year. Reviewer Highlight: Watching the “Hellboy” reboot is like eating a rice cake – you don’t feel bad afterward, but at the same time you’re not entirely sure you really experienced anything at all. – Matthew Rozsa, Salon.com)

Poster – Hellsklog (C+)

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(Points for the font done in an interesting way (behind the horns, like a physical thing in the poster), deduction for kind of having a flat color, we get it he’s the devil. I think much like what the critics said about the film, it is mostly blah, but I’ll give it a little bump because I think it looks more cool that silly which I guess is what you want.)

Tagline(s) – Give Evil Hell (C-)

(I don’t think I like it. It doesn’t tell you anything, and it is definitely the “clever” product that came out of a writers’ room. But it does have that kernel of cleverness, so I won’t just give it an F.)

Keyword(s) – based on comic; Top Ten by BMeTric: 94.6 Batman & Robin (1997); 85.9 Fantastic Four (2015); 71.0 The Spirit (2008); 69.7 Steel (1997); 65.9 Teenage Mutant Ninja Turtles III (1993); 62.0 Virus (1999); 61.7 Monkeybone (2001); 61.5 Transformers: The Last Knight (2017); 59.5 Red Sonja (1985); 59.3 Spawn (1997);

(Smashing it. I’ve seen The Spirit, which I’m sure I’ve mentioned in this section before. That film is completely incomprehensible garbage.)

Welcome to Earf (HoE Number 17) – The shortest path through The Movie Database cast lists using only BMT films is: Milla Jovovich is No. 2 billed in Hellboy and No. 1 billed in Ultraviolet, which also stars Cameron Bright (No. 2 billed) who is in Godsend (No. 4 billed), which also stars Rebecca Romijn (No. 2 billed) who is in Rollerball (No. 3 billed), which also stars Chris Klein (No. 1 billed) who is in Here on Earth (No. 2 billed) => 2 + 1 + 2 + 4 + 2 + 3 + 1 + 2 = 17. If we were to watch Joan of Arc, Hook, Jack, and The Glass House we can get the HoE Number down to 15.

Notes – In mid 2012, Ron Perlman once again endured the 4-hour makeup routine required to transform him into Hellboy – not for a sequel or other acting job but to fulfill the Make-A-Wish request of a six-year-old boy named Zachary who has leukemia. Creature effects house Spectral Motion, who had worked on the two previous Hellboy films, applied Perlman’s Hellboy makeup (and later, also made up Zachary as Hellboy as well), so that Zachary could spend the day hanging out with his favorite superhero. Guillermo del Toro was so touched by this event that it inspired him to start production on Hellboy 3. However, the project was announced to be cancelled and this reboot’s development started soon after.

Following the success that Deadpool had in getting the movie made through social media, Ron Perlman tweeted a proposal that if #HellboyIII started trending that a third Hellboy film might finally get funds to be made.

In February 2017 Guillermo Del Toro stated “Spoke with all parties. Must report that 100% the sequel will not happen.” (I think these first three completely exemplify the weird relationship between the Hellboy franchise and its audience. It never really made money, but the hardcore fans believe in their hearts it would if given the chance. Spoiler alert … it wouldn’t, that film will never be made)

The VFXperts cite the Mike Mignola comics as a visual influence on the film’s creatures, and sought to avoid reference to the Guillermo del Toro films. Joel Harlow explained that as monsters, “their look is entirely nonhuman and very frightening, it’s a glimpse into a world of beings that do not follow the anatomical laws of anything on Earth.”

Mike Mignola takes a more direct involvement in the production of this film than he did on the Guillermo del Toro Hellboy films. According to him, the idea with this one was to downplay the superhero elements in the film and stay closer to the darker tone of the graphic novels, making a much more horror-oriented entry into the franchise. (Interesting. Recipe for a disaster, puts too much power into a single person to go ahead an F it up)

On August 21, 2017, Ed Skrein was cast as Major Ben Daimio in the film. However, upon discovering that Daimio was portrayed in the comic books as a Japanese-American character, Skrein announced a week later that he was pulling out to allow an actor of Asian heritage to be cast instead.Skrein’s decision marked the first time a white actor had left a high-profile role after such criticism according to The Hollywood Reporter. (First, bullet dodged for him. Second, I completely forgot about this, what a terrible look)

The movie originally began production as the second sequel to 2004’s Hellboy after The Golden Army, but Creative Differences led to Del Toro and Perlman both leaving, thus causing a long hiatus until it was decided to reboot following the rise of R-rated superhero movies. (There is no way they would have made a third film quickly, The Golden Army didn’t make that much money and Del Toro probably didn’t want to rein in the budget)

The movie’s title was Hellboy: The Blood Queen initially, before reverting to simply Hellboy. (I like the original better)

Hellboy claims he is a Capricorn. According to the comic, he was born in October 5, which makes him a Libra. (BOOOOOOOOOOO)

Doug Jones, who played Abe Sapien in the Guillermo del Toro Hellboy films, was offered a cameo but was unable to participate due to commitments to Star Trek: Discovery (2017). (He’s great in Discovery)

Levin interrupted Marshall frequently in front of the crew as Marshall tried to rehearse actors, sometimes giving them different directions than the director. Singer’s attorney disputed that: “In fact, Mr. Levin would speak to Neil Marshall after rehearsals and discuss issues with him at that time.” (Sounds pleasant)

Harbour repeatedly walked off set, refusing Marshall’s requests for more takes. Singer responded for Levin: “My client has no recollection of that ever happening. To the contrary, David Harbour gave everything he was asked of and more during filming.” (Sounds pleasant)

The script was re-written throughout the production. One said those doing the rewriting included actors Harbour and co-star Ian McShane. Singer responded: “Only a few scenes were rewritten during production, and neither David Harbour nor Ian McShane did any rewriting of the screenplay at all. Rewriting certain scenes of a movie during production is customary in the entertainment industry, including by actors, producers, writers and directors.” (Sounds fucking pleasant)

Santa Claus: The Movie Preview

Jamie and Patrick slowly circle the mailman twins looking for an opening. Despite whirling backflips and patented twin chops they find that their opponent’s twin power is strong and every move is deftly countered. Tiring, Jamie and Patrick know what must be done. With lightning quickness they transition from a simple high five into a capoeira-inspired gymnastics-dancing-kung fu move. Flying into the air, feet akimbo, Jamie it able to connect, leaving their opponents shocked. The mailman touches his bloodied face and knows that this is the end of the battle. Blood has been spilled, identicalness has been spoilt, the power of the medallion has failed them. “Take it,” the leader says tossing them the medallion. A look of recognition crosses his face and he squints at them, “who… who are you two?” Patrick shakes his head and turns away saying, “We’re not important. It’s who we’re looking for that is.” Inspecting the medallion, though, they realize that it is just a worthless trinket. “Hey! What gives!? This ain’t worth jack!” They yell, thinking the mailmen have deceived them, but at that moment a chilling sound pierces the air: the cackling laughter of the troll. Saboteur! He knew this whole time that the medallion was a simple bauble! From behind a rock he emerges, “I’ve come for my favor,” he grunts. Jamie and Patrick look at him in disgust, but know he has won. Everyone knows their word is their bond… it’s a rule, and they don’t break rules. “What do you want from us?” Jamie asks, fearing what dastardly plan he has in store. “A simple task,” the troll says with a sneer, “You know a jolly fat man named Santa?” Jamie and Patrick are frozen in horror, they know what’s coming, “I want him, and I want him dead.”

Meanwhile… hoods pulled up high, the two prisoners get a drink in a gritty bar. They think of the long road across the wasteland still left and the anger wells within. A couple of muscly St. Patty’s Day Leprechauns tap them on the should and tell ‘em to scram. The prisoners crack their knuckles.

That’s right! We’re watching the Dudley Moore classic, and definitely a film we had heard of prior to deciding to do it … Santa Claus: The Movie! Not only that, but we are pairing it up with another holiday classic Santa With Muscles starring Hulk Hogan! Boy, oh boy, it’s like Christmas in April! Let’s go!

Santa Claus: The Movie (1985) – BMeTric: 20.0

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(Oh we’ve seen this before. The giant jump in 2014 I mean. I can’t remember what my explanation was … probably a big New Years vote purge or something. It really is a-tumblin’ though, people just love Dudley Moore I guess.)

Leonard Maltin – 2.5 stars –  Story of how Santa came to be starts out so wonderfully – with eye-filling looks at his North Pole toy factory, reindeer, and sleigh – that it’s too bad the rest of the film (with contemporary tale of humbug kid and greedy toy magnate) can’t measure up. Still entertaining, just a bit less magical than it should have been. Referred to as Santa Claus: The Movie everywhere but on-screen!

(Interestingly solid review. Kind of like Double Dragon then, starts off with a kind of quaint vague interest, but then the rest of the actual plot catches up and ruins it.)

Trailer – https://www.youtube.com/watch?v=kzFDcjesuVs

(I love John Lithgow. “FOOOORRRR FREEEEEEEEEEEEEEEEEEEEE?!!!?!?!??!” I’m already kind of excited)

Directors – Jeannot Szwarc – (Known For: Jaws 2; Somewhere in Time; Future BMT: Supergirl; Bug; BMT: Santa Claus: The Movie; Notes: He started in television on shows like Night Gallery. He’s returned to television since, directing an episode of Grey’s Anatomy this year for example. French, but raised in Argentina.)

Writers – David Newman (story & screenplay) – (Known For: Bonnie and Clyde; Superman; Superman II; What’s Up, Doc?; Still of the Night; Bad Company; There Was a Crooked Man…; Future BMT: Sheena; BMT: Superman III; Santa Claus: The Movie; Razzie Notes: Nominee for Worst Screenplay for Sheena in 1985; Notes: Edited Esquire in the 60s, and was nominated for an Academy Award for Bonnie and Clyde.)

Leslie Newman (story) – (Known For: Superman; Superman II; BMT: Superman III; Santa Claus: The Movie; Notes: Married to David Newman until his death in 2003, is a cookbook author as well.)

Actors – Dudley Moore – (Known For: 10; Arthur; Foul Play; Bedazzled; The Wrong Box; Micki + Maude; Lovesick; The Bed Sitting Room; Future BMT: Arthur 2: On the Rocks; Wholly Moses!; Blame It on the Bellboy; Crazy People; The Hound of the Baskervilles; Unfaithfully Yours; The Pickle; BMT: Santa Claus: The Movie; Notes: Died of progressive supranuclearl palsy in 2002. Notable for his height of five foot two inches.)

John Lithgow – (Known For: Pet Sematary; Interstellar; This Is 40; The Accountant; Shrek; Late Night; The Adventures of Buckaroo Banzai Across the 8th Dimension; Footloose; Miss Sloane; Twilight Zone: The Movie; The Tomorrow Man; Rise of the Planet of the Apes; Cliffhanger; Bigfoot and the Hendersons; Terms of Endearment; All That Jazz; Orange County; The Homesman; Dreamgirls; 2010: The Year We Make Contact; Future BMT: Pitch Perfect 3; Confessions of a Shopaholic; Daddy’s Home Two; A Good Man in Africa; Leap Year; Silent Fall; BMT: New Year’s Eve (uncredited); Santa Claus: The Movie; Razzie Notes: Nominee for Worst Supporting Actor for Cliffhanger in 1994; Notes: In 2017 he co-authored a New York Times crossword puzzle.)

David Huddleston – (Known For: The Big Lebowski; Blazing Saddles; Rio Lobo; Frantic; The Producers; Capricorn One; McQ; Breakheart Pass; Bad Company; Future BMT: Postal; Smokey and the Bandit Ride Again; Joe’s Apartment; Something to Talk About; Life with Mikey; The World’s Greatest Lover; BMT: Santa Claus: The Movie; Notes: Served in the Air Force and most well known as Lebowski in The Big Lebowski.)

Budget/Gross – $30–50 million / Domestic: $23,717,291

(That seems like a complete disaster. What were they thinking, that Christmas films just printed money?)

#38 for the Christmas genre

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(This is our fifth Christmas film for BMT. I don’t know why they would be becoming more popular recently … maybe with a good economy people like to think about giving and receiving gifts more?)

Rotten Tomatoes – 20% (4/20):

(My consensus: Thinnly plotted, cheap looking, and dated. This 80s Christmas film is a bore. Reviewer Highlight: Little kids will probably like most of this movie. The weakness is that larger kids and parents, deputized to escort the little ones, are likely to find a lot of it a little thin. – Roger Ebert, Chicago Sun Times)

Poster – Sklogtacular Christmas Extravaganza (B)

santa_claus_the_movie

(Really hard to find a decent picture of this poster. Not a good sign for the film itself. From what I can see I think there is something artistic in this that I kinda like, while also acknowledging that it looks old as shit and it’s time has passed it by. But like, check that font, look at the weird perspective, and guess what? I’m pretty sure I know this is about Santa Claus.)

Tagline(s) – Guess who’s coming to town! (D-)

(Uh… Santa? I’m still not sure what the plot of this film is… like is Santa’s workshop being bought by an eeeevil land developer and he has to work to stop him? Or like… does someone have to take over for Santa for some children appropriate reason… like he ate too much candy and hot chocolate and is now in a diabetic coma? That’s fine for kids, right? Anyway, I’m sure it something like that. Just wanted to speculate since I definitely didn’t want to talk about this snoozer of a tagline.)

Keyword(s) – toy; Top Ten by BMeTric: 76.1 Paranormal Activity 4 (2012); 75.4 Alvin and the Chipmunks: The Squeakquel (2009); 73.8 Look Who’s Talking Too (1990); 70.2 Santa Claus Conquers the Martians (1964); 69.5 Postal (2007); 68.5 Gulliver’s Travels (2010); 64.2 Exposed (III) (2016); 63.4 Poltergeist III (1988); 60.8 Toys (1992); 59.9 Alvin and the Chipmunks (2007);

(We’ve seen none of these?! And now we still haven’t)

Welcome to Earf (HoE Number N/A) – There is no current way to connect this movie to Here on Earth via BMT. If we were to watch Unfaithfully Yours, and The Glass House we can get the HoE Number down to 14.

(Actually an anomaly. Lithgow was uncredited in New Years Eve, so he’s been in a BMT film, but that doesn’t count in this analysis)

Notes – All the toys made and bought for the Santa’s workshop scenes were donated to children’s charities for Christmas after shooting was complete.

The role of the Ancient Elf was written with James Cagney in mind. However, even though Cagney liked the film’s overall idea, his advanced age and weakened physical condition precluded him from taking the role.

In the U.S. trailers for the film, Dudley Moore gets top billing and David Huddleston gets third billing. In the international trailer, Huddleston gets top billing and Moore gets fourth billing.

Real deer were trained to pull the sleigh. The crew required months to complete the training which also allowed the deer to grow their antlers for the final filming. For shots where it was not possible to use the deer, sophisticated animatronic deer were used. (Hahahahhahaha)

The film’s budget was £50,000,000, which as of this writing (2015) would be equivalent to £140,000,000. (Hahahahahhahaa)

Burgess Meredith, who is fourth-billed, has one scene and eight lines. (This seems like a trend in this film)

When Patch is viewing the BZ Toys display in the New York window, a van painted exactly like the one on The A-Team (1983) is parked on the street behind him.

The role of B.Z. was offered to Harrison Ford, Burt Reynolds, Dustin Hoffman and Johnny Carson, all of whom turned it down.

John Lithgow, who is second billed and the main bad guy, doesn’t appear until more than an hour into the film. (Wowza)

Paul McCartney was originally going to write and perform a theme song, but his record label declined.

The movie had promotional Tie with McDonald’s, Coca- Cola and Pabst Blue Ribbon. McDonald’s gave a away one of four books with each happy meal, which chronicled the story of the film. (WHAT)

Double Dragon Preview

“And that’s the story of how I cheated on my wife multiple times, destroyed my family, and continued to be a rich asshole. Now where to start concerning the mailman?” sighs Colonel Von Freed. Jamie looks grimly at Patrick. They endured his story of serial philandering for the last two hours and, considering the length of his sigh, the story of the fraudster mailman seems to be even longer. Suddenly a group of horses run by with grimy men clinging to their backs. Letters flutter about them as they watch them disappear in a cloud of dust. “Aha, the chase is afoot,” sighs the Colonel, “it’s helicopter time.” With that the Colonel snaps his fingers and a helicopter suddenly appears over the horizon. Gatling guns ablaze, the helicopter swoops towards the mailmen, who shields their eyes and scatter in every direction. One remains behind, the leader. “The choice is yours, mailman,” we say as we approach, “hand over the medallion or get another taste of our helicopter.” The mailman smiles. “Oh really, you’re gonna blow me away? I don’t think so,” he laughs, “that would be against the rules.” In shock Jamie and Patrick look at each other. What rules? Rulez=coolz and this could spell trouble. Another mailman returns and joins the first. Uncoiling the scarf from his face Jamie and Patrick gasp. Twins. They rip their sleeves off their shirts to reveal the secret tattoos of the twins engraved on their well-toned arms. “He isn’t lying, Colonel,” Jamie says. “This will not end peacefully. It’s the way of the Twins. They have challenged our twin prowess,” confirms Patrick. The mailmen scream in unison, “It’s a Double Dragon challenge, Bad Movie Twins! A fight for the medallion. A fight for destiny. A challenge that can only end with blood.” That’s right! We are watching Double Dragon, one of the many terrible video game films made in the *checks notes* ever… there has never been a good one. Apparently though the worst films of all time wiki page only has room for one video game film and that’s Alone in the Dark, which is no fun. At least this should be some fun to watch. Reading about it a bit apparently they changed the script so that Jimmy and Billy Lee weren’t twins but just brothers because the actors didn’t look enough alike. Bullshit. Just for that it should be on the worst of all time list. Let’s go!

Double Dragon (1994) – BMeTric: 66.9

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(Below 4.0 is incredible. And while climbing a bit (pretty much unavoidable when the rating is that low), for a film from the early-90s that is very impressive. Pretty close to that 75+ pantheon, although now it’ll never make it.)

Leonard Maltin – 1.5 stars –  In the junky, gang-dominated post-earthquake “New Angeles” of 2007, martial artist brothers Dacascos and Wolf battle evil billionaire Patrick for the possession of a two-part Chinese medallion that grants mystical powers. Sometimes lively but mostly silly and tedious; based on an arcade game.

(This review is mostly silly and tedious, so take that! But honestly, this feels like Maltin fell asleep in the middle of the review. Although, then again, there is a very nice semi-colon right near the end. Love it.)

Trailer – https://www.youtube.com/watch?v=oh9ioolJrd0

(My God the acting! AND LOOK WHO’S GOT IT! Whooooooaaaaaaaa! Man the 90s, what a time to be alive. Everything was so straight up raaaaaaad. Karate and hacking and like … video games. It is ridic. Too ridic to quit. I’m amped.)

Directors – James Yukich – (BMT: Double Dragon; Notes: He was a music video director for the most part, including directing videos for Bruno, Bruce Willis’ alter ego.)

Writers – Paul Dini (story) – (Known For: Batman Ninja; Batman: Mask of the Phantasm; Batman and Harley Quinn; BMT: Double Dragon; Notes: Invented Harley Quinn for his friend Arleen Sorkin.)

Neal Shusterman (story) – (BMT: Double Dragon; Notes: Quite an accomplished writer, including nine or ten different series. Also wrote a ton of How to Host a Murder games.)

Michael Davis (screenplay) – (Known For: Shoot ‘Em Up; 100 Girls; Monster Man; Future BMT: Eight Days a Week; BMT: Double Dragon; Notes: Wrote the entire Prehysteria series.)

Peter Gould (screenplay) – (BMT: Double Dragon; Notes: The co-creator of Better Call Saul.)

Actors – Robert Patrick – (Known For: Terminator 2: Judgment Day; Wayne’s World; Bridge to Terabithia; Walk the Line; Die Hard 2; Spy Kids; Safe House; Charlie’s Angels: Full Throttle; Trouble with the Curve; The Faculty; Back Roads; Lovelace; Cop Land; Kill the Messenger; The Men Who Stare at Goats; Flags of our Fathers; We Are Marshall; The Road Within; Ladder 49; Rosewood; Future BMT: Balls of Fury; Eye See You; Supercross; Identity Thief; Fly Me to the Moon 3D; Hellions; Eloise; All the Pretty Horses; Last Action Hero; Alien Trespass; The Black Waters of Echo’s Pond; Fire in the Sky; Gangster Squad; Jayne Mansfield’s Car; BMT: Striptease; The Marine; Double Dragon; Strange Wilderness; Firewall; Texas Rangers; Endless Love; Notes: Replaced David Duchovny in The X-Files late in the series. Famous for his role as the T-1000 in Terminator 2.)

Mark Dacascos – (Known For: Brotherhood of the Wolf; Future BMT: The Island of Dr. Moreau; Code Name: The Cleaner; Showdown in Manila; Nomad: The Warrior; BMT: Double Dragon; Cradle 2 the Grave; Notes: A martial artist. Competed in the 9th season of Dancing with the Stars.)

Scott Wolf – (Known For: Teenage Mutant Ninja Turtles; Go; White Squall; Future BMT: The Evening Star; All I Want for Christmas; BMT: Double Dragon; Notes: Most famous for his role on Party of Five. Had some success in television across the years. Has a mildly famous cousin Josh Wolf.)

Budget/Gross – $7.8 million / Domestic: $2,341,309

(Somehow a catastrophe despite basically costing nothing. Having watched the film you see all $8 million on screen, it is pretty impressive how far they stretch that.)

#116 for the Action – Martial Arts genre

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(Beat out the previous low gross by a BMT film by … Gymkata, wowza. This came in right when martial arts film was huge, but they were progressively making less and less money. At least according to Box Office Mojo this genre is basically non-existent at this point.)

#38 for the Video Game Adaptation genre

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(Somehow less than In the Name of the King: A Dungeon Siege Tale as well! A film intentionally made to be a failure. Right at the beginning of this genre which has been trying to break through for several years now.)

Rotten Tomatoes – 8% (1/13): Double Dragon’s clever use of special effects cannot mask the film’s overly simplistic storyline and cheesy dialogue.

(A lot lower than I would expected to be honest, it felt like something you’d be like “ambitious, yet on a shoestring budget, and somehow not as bad as you would expect”. Reviewer Highlight: Even kids won’t get much of a kick out of this high-energy, low-IQ futuristic slugfest. – Brian Lowry, Variety)

Poster – Twin Time! (F… in a good way)

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(Well I know what Patrick is getting for Christmas. This is quite literally amazing. It’s taken everything I love in a poster and taken it to an extreme that makes it terrible. Love fonts? We got two of the craziest. Love bold colors? How about two jarringly bright ones? Want it to tell a story? This got shit everywhere.)

Tagline(s) – Power. Justice. Darkness. Light. (C)

Two halves of an ancient puzzle are the only hope. (D-)

(Should have just went for the first one which is fine enough. Not sure what it’s really saying, but they are words that make the film sound important. The second is nonsense and I’m not sure is even proper english.)

Keyword(s) – teenage girl; Top Ten by BMeTric: 89.7 Speed 2: Cruise Control (1997); 88.9 House of the Dead (2003); 87.5 Crossroads (I) (2002); 86.3 Troll 2 (1990); 85.9 Fantastic Four (2015); 85.7 Piranha 3DD (2012); 84.5 Movie 43 (2013); 82.4 Prom Night (I) (2008); 80.8 Halloween: Resurrection (2002); 79.6 Street Fighter: The Legend of Chun-Li (2009);

(We only have horror films left. Horror films will tend to have teenage girls I guess, so that makes sense. We swept the non-horror films real quick though.)

Welcome to Earf (HoE Number 15) – The shortest path through The Movie Database cast lists using only BMT films is: Robert Patrick is No. 1 billed in Double Dragon and No. 7 billed in Firewall, which also stars Harrison Ford (No. 1 billed) who is in Hollywood Homicide (No. 1 billed), which also stars Josh Hartnett (No. 2 billed) who is in Here on Earth (No. 3 billed) => 1 + 7 + 1 + 1 + 2 + 3 = 15. There is no shorter path at the moment.

Notes – In the final battle, Linda Lash (Kristina Wagner) says to Marion (Alyssa Milano), “Now who’s the boss?” Later, Marion tells Lash, “You’re lucky, generally I put people in the hospital.” Alyssa Milano starred on the television series Who’s The Boss, and Wagner was a regular on General Hospital. (AWFUL. Just awful)

A video game featuring motion captured sprites like Mortal Kombat was concepted to co-inside with the movie, having the actors of the film and their stunt doubles provide the captured images. However it was deemed it could not be completed in the same amount of time as the movie, so was scrapped. After the movies release the film studio admitted it was a stroke of luck the game didn’t go ahead. The film would later have a Japan-only, tie in, fighting game of the same name, developed by Technos Japan under the license of SNK Playmore, ported to the Neo Geo MVS and the Neo-Geo CD in 1995 as well as the PlayStation in 1996. (Yeah that sounds like a terrible idea)

The boat chase was filmed on the Cuyahoga River in Northeast Ohio. It climaxes with an explosion which used 700 gallons of gasoline combined with 200 gallons of alcohol. Despite warnings the night before on several news channels, the explosion caused Cleveland residents to panic, leading to 210 phone calls to emergency services over ten minutes. (Wow, I wouldn’t have thought that was in Ohio, I just thought it was in a kind of isolated, industrial, run-down part of the LA coastline somewhere)

Dozens of arcade games appear in the Power Corps hideout. DOUBLE DRAGON is one of them. It’s visible when Jimmy (possessed by Kogo Shuko) tries to kick Billy but misses and shatters the game screen. (Yeah, it is terrible. It sucks)

In one scene, Kogo Shuko asks his henchmen (Huey and Lewis), “Huey, Lewis. Any news?” a reference to the band Huey Lewis and the News. (Yeah that also sucked)

According to editor Danny Retz the alley where the Lee brothers are about to face off with Abobo was shot in downtown Los Angeles. “It was used by junkies and other nefarious persons and had to be steam clean before shooting could be done.” said Danny.

The seal on Jimmy Lee’s “Retour” shirt was designed by the DECA teacher at Snohomish High School. The image in the middle of the seal is the original Snhomish High School building. (I actually did think that shirt was rad)

First-time director Jim Yukich summarized his approach to the film: “Our characters are like normal kids – three kids on an adventure, so we didn’t want to make something that kids would almost be too afraid to see. … I’d like to make it in a funnier, light-hearted vein.” (Basically the Batman & Robin approach. “You’re making a video game, it’s ridiculous, remember” was probably shouted)

The plot from the game is originally about two martial artists which is a blue-suited young man named Billy “Hammer” Lee and a red-suited twin brother Jimmy “Spike” Lee, as they fight their way into the turf of the Black Warriors gang (with Linda and Abobo as members) who assaulted and kidnapped their love interest Marian, the martial arts brothers won’t stop at nothing to rescue her. After going through skirmishes lead by Abobo and Jeff at a city slum, a factory, the woods and the gangs hideout; Billy and Jimmy reach the lair where the have a showdown with the gang’s machine gun wielding leader who is the Big Boss and they defeat him, also resulting in a conflict where Billy and Jimmy fight to the death over the determination of who will win the affections of Marian.

The characters from the game that appear in this film are: Billy Lee (1st player), Jimmy Lee (2nd player), Marian (Non-playable character), Linda (3rd enemy) and Abobo (1st boss).

Town & Country Preview

“Just be careful in there,” Sergeant Godzilla says and he shakes his head and zooms away. Jamie and Patrick enter the troll’s apartment and the aroma is overwhelming. Never have they smelled something quite like it. They hesitantly ask, “Is that… banana bread?” The troll laughs. Of course it is and of course they can have some. The pleasantries continue and Jamie and Patrick find themselves thinking that perhaps this troll isn’t as bad as Godzilla thought. He almost seems like… a friend. And friends don’t trick friends. Those are the rules. “Gerald,” Patrick asks, “Have you ever heard of a couple of gritty cops named Rich and Poe?” For a moment it looks like Gerald’s smile has turned to a snarl, but then it’s gone. “Oh, why yes. Nasty fellows. Always after treasures and antiquities. Gets them tied up in nasty plots. Why?” Patrick hesitates, but Gerald seems fine now. Same old Gerald they know and love. “Oh no reason,” he says, “they… are our uncles.” Gerald eyes them. “Is that right? Well there is a way to find them but… nevermind, you wouldn’t be interested.” They prod him forward and Gerald smiles, “It’s called the Medallion of Wisdom. With it you can find whatever you desire. Some think it’s legend, but I know where it is,” the troll leans in hungrily, “Make a promise and I’ll tell you. Promise you’ll help me in the future.” Patrick has seen Gerald’s true face and is horrified. No. No, never. They’ll never agree with this monster.  “Yeah, sure,” Jamie mumbles over a mouthful of banana bread as Patrick looks on in horror. Gerald smiles wickedly, “It’s in a ski chalet of a man I know. A real rich guy with lots of treasures but sadness in his heart.” That’s right! We’re watching Town & Country. A story of two cops Johnny Town and Fred Country. Town is a small town sheriff with a southern twang and smarts to boot, while Country is a big city cop ready to crack some skulls if it means solving the big case… oh wait, that’s just what I wish it was. It’s actually a Warren Beatty film about a rich asshole or something. Huge bomb, but not big enough to be the on the worst ever list because it was rejected. Let’s go!

Town & Country (2001) – BMeTric: 45.6

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(Wow, extremely impressive hold on the rating. Presumably that’s because not very many people just stumble upon the film, but rather they know it is going to be garbage going in. Regardless, there is potential there. A good ratings hold is usually a good sign.)

Leonard Maltin – 1.5 stars – Two couples celebrate their long-term marriages – just as both relationships start to come apart. A train wreck of a movie that starts out as romantic comedy, lurches into French farce, then lumbers along to a point beyond comprehension. The cast tries its best. Cowritten by Buck Henry, who appears as a divorce lawyer. Filmed mostly in 1998.  

(I honestly had a hard time parsing this review initially, much like this film it went on just long enough that I kind of lost the thread. Having now watched this film Maltin nails it, it really is like three different movies stuck together.)

Trailer – https://www.youtube.com/watch?v=DPX_1XQtmB4/

(What a strange looking film … Like really, I can’t even really place the sensibility. I guess maybe it goes back to the comedies of the 60s and 70s? This flippant observational humor about cheating on your spouse. With a oddly goofy twist.)

Directors – Peter Chelsom – (Known For: Serendipity; Hannah Montana: The Movie; Shall We Dance; The Mighty; Funny Bones; Hear My Song; BMT: Town & Country; The Space Between Us; Razzie Notes: Nominee for Worst Director for Town & Country in 2002; Notes: A very accomplished British director. Considers surviving this shoot an achievement in itself.)

Writers – Michael Laughlin (written by) – (Known For: Strange Invaders; Strange Behavior; BMT: Town & Country; Notes: He seems like he had a crazy life. He’s 80, he produced films in the US and the UK, he lived in Paris, he seems to have been all up in Hollywood for his entire life, and yet his filmography is still rather svelte.)

Buck Henry (written by) – (Known For: The Graduate; Get Smart; To Die For; Catch-22; The Last Act; Candy; What’s Up, Doc?; The Owl and the Pussycat; The Day of the Dolphin; Future BMT: The Nude Bomb; Protocol; First Family; BMT: Town & Country; Notes: Directed Heaven Can Wait with Beatty. Is the founding member of the Five Timer’s Club on SNL.)

Actors – Warren Beatty – (Known For: Heaven Can Wait; Dick Tracy; Bonnie and Clyde; Shampoo; Rules Don’t Apply; Splendour in the Grass; Bugsy; Reds; McCabe & Mrs. Miller; The Parallax View; Bulworth; Lilith; The Heist; Future BMT: Love Affair; The Fortune; BMT: Ishtar; Town & Country; Razzie Notes: Nominee for Worst Director for Town & Country in 2002; and Nominee for Worst Remake or Sequel for Love Affair in 1995; Notes: Nominated four times for Best Actor (embarrassingly lost to In the Heat of the Night in the same year he was in Bonnie and Clyde. Embarrassing because he wasn’t up against Portier, he was up against Steiger which is ridiculous). Won Best Director of Reds.)

Diane Keaton – (Known For: The Godfather; The Godfather: Part II; Book Club; The Godfather: Part III; Annie Hall; Something’s Gotta Give; Finding Dory; Baby Boom; The First Wives Club; Father of the Bride; Manhattan; Morning Glory; The Family Stone; Reds; Looking for Mr. Goodbar; Marvin’s Room; Father of the Bride Part II; Radio Days; Sleeper; Love and Death; Future BMT: Look Who’s Talking Now; Hanging Up; Mama’s Boy; Mad Money; Christmas with the Coopers; Smother; And So It Goes; Darling Companion; The Other Sister; The Lemon Sisters; Mrs. Soffel; BMT: Town & Country; The Big Wedding; Because I Said So; Razzie Notes: Nominee for Worst Actress for Because I Said So in 2008; Notes: Y’all know BMT super star Diane Keaton! Amazingly still a fashion icon into her seventies, literally all of the news stories about her is about what she’s wearing.)

Nastassja Kinski – (Known For: Paris, Texas; The Hotel New Hampshire; Inland Empire; Cat People; Tess; Playing by Heart; One from the Heart; In weiter Ferne, so nah!; To the Devil a Daughter; The Wrong Move; An American Rhapsody; The Claim; Savior; Your Friends & Neighbors; The Intruder; Future BMT: Fathers’ Day; Terminal Velocity; Revolution; One Night Stand; Unfaithfully Yours; BMT: Town & Country; Notes: Klaus Kinski’s daughter. Apparently has a form of Narcolepsy.)

Budget/Gross – $90 million / Domestic: $6,719,973 (Worldwide: $10,372,291)

(Actually considered one of the greatest financial disasters in the history of film, up with The Adventures of Pluto Nash. I would say it likely destroyed Beatty in terms of getting films done as the on-set reports kind of make it sound like it was his fault they went so far over budget.)

#282 for the Romantic Comedy genre

townandcountry_romanticcomedy

(Almost the worst we’ve ever seen. Say It Isn’t So narrowly edges it out. It looks like rom-coms are coming back into style a bit. Especially if things follow Crazy Rich Asian’s lead.)

Rotten Tomatoes – 13% (12/93): Afflicted with extensive re-editing and re-writing, this sex comedy feels confusingly choppy. Also, the main characters are so wealthy and privileged that it’s difficult to feel sympathy for their problems.

(Yeah based on the trailer alone the people seem totally despicable. There was a trend in comedies wasn’t there? Where, in order to facilitate all of the wacky adventures the characters were going to go on, they needed to be fabulously wealthy. And probably a misguided idea that people want to gawk at rich people’s houses or something.)

Poster – Sklog & Country (C-)

town_and_country_ver1

(I don’t like it but I appreciate it. The framing, the font, it’s all good… but just doesn’t work for me without a color scheme. My eyes tell me ‘No.’)

Tagline(s) – There’s no such thing as a small affair. (B+)

(I don’t see this on the poster, but I’ll allow it because it’s solid. It’s short-ish and clever and tells me a little something. Good stuff.)

Keyword(s) – infidelity; Top Ten by BMeTric: 90.7 The Room (2003); 84.5 Movie 43 (2013); 82.2 Skyline (2010); 79.0 The Return of the Texas Chainsaw Massacre (1994); 78.9 Pledge This! (2006); 70.0 The Boy Next Door (2015); 69.0 Knock Knock (I) (2015); 65.7 Baise-moi (2000); 65.3 The Canyons (2013); 64.6 Dr. T & the Women (2000);

(Dr. T & the Women, my old friend. Probably the highest BMeTric of any film that doesn’t actually qualify. I’ve seen the Canyons. It is terrible.)

Welcome to Earf (HoE Number 12) – The shortest path through The Movie Database cast lists using only BMT films is: Josh Hartnett is No. 9 billed in Town & Country and No. 3 billed in Here on Earth => 9 + 3 = 12. There is no shorter path at the moment.

Notes – Considered to be one of the biggest box-office disasters of all time. Pluto Nash (2002) is the largest in terms of financial loss with a budget of 100 million dollars, and a domestic gross of 4.41 million dollars. Town & Country cost around 90 million dollars to make, and it pulled in only 6.7 million dollars at the U.S. box-office.

Buck Henry was hired for what was originally only going to be a few weeks of script polishing work. Eventually, he stayed on for several months and ended up earning (by some accounts) three million dollars for rewriting roughly half of the script. Henry has stated that he bought a new house with the money he made on this “quick rewrite assignment”.

Following the film’s failure, Warren Beatty wasn’t involved with another film until Rules Don’t Apply (2016). (Yeah, he didn’t have a particularly good record from the 90s onward I don’t think)

Over forty million dollars had been spent on actor and writer salaries even before the cameras began rolling. (Oof)

The film was released three years after filming initially began in 1998.

Charlton Heston’s 75th film.

Filming was originally supposed to wrap by the fall of 1998 for a summer or fall 1999 release. Various problems occurred during filming, however, including Warren Beatty’s meticulous demand for many takes.

Filming had to be shut down after five months so that Diane Keaton, Garry Shandling, and Jenna Elfman could honor prior commitments. Shandling was in What Planet Are You From? (2000), while Keaton was in Hanging Up (2000), which she also directed. It would take a full year before they could gather the cast back together to film the new pages written by Buck Henry.

Reshoots were scheduled to begin on April 10, 2000, and expected to last just a couple of weeks. However, filming continued through June 2000, when it finally wrapped two years after principal photography originally began.

The winter mountain scenes (filmed in Sun Valley, Idaho) started filming in the early winter. Unfortunately, there was no snow on the ground at the time. Several scenes were filmed with man-made snow. After filming these scenes, over a foot of natural snow feel the next day. Some of the scenes were re-shot in the “natural” background.

Gérard Depardieu was cast but had to be replaced by Garry Shandling because of a road accident.

Peter Chelsom and Warren Beatty clashed frequently over various details in the script and the visuals.

Such was the protracted nature of the film’s production, it burned through 13 release dates.

Awards – Winner for the Razzie Award for Worst Supporting Actor (Charlton Heston, 2002)

Nominee for the Razzie Award for Worst Supporting Actress (Goldie Hawn, 2002)

Nominee for the Razzie Award for Worst Director (Peter Chelsom, Warren Beatty, 2002)